IMSLP - User contributions [en]

The Rite of Spring, K015 (Stravinsky, Igor)

2026-02-11T22:16:42Z

Goreld:

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_-_L'Adoration_De_La_Terre.mp3
|File Name 2=PMLP179425-02.01._Le_Sacre_Du_Printemps_-_Le_Sacrifice.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Boulez, Pierre=conductor;Orchestre national de France=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||Nonesuch||1964|||H-1093}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_-_L'Adoration_De_La_Terre-9641.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps-four-etudes-for-o_igor-stravinsky-orchestre-national-de-la-r|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Premiere_Partie_-_L'Adoration_De_La_Terre.mp3
|File Name 2=PMLP179425-02.01._Seconde_Partie_-_Le_Sacrifice.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Karajan, Herbert von=conductor;Berliner Philharmoniker=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Deutsche Grammophon||1964|||2862 001}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Premiere_Partie_-_L'Adoration_De_La_Terre-2016.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_stravinsky-le-sacre-du-printemps_igor-stravinsky-herbert-von-karajan-berlin|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_("The_Rite_Of_Spring")-_(Part_I).mp3
|File Name 2=PMLP179425-02.01._Le_Sacre_Du_Printemps_("The_Rite_Of_Spring")-_(Part_II).mp3
|File Name 3=PMLP179425-05.01._"Apropos_Of_Le_Sacre".mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|File Description 3=Apropos Of Le Sacre (composer's comments)
|Performers=Composer (conductor)
|Performer Categories=Columbia Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information=''Stravinsky Conducts - 1960'' - {{RC||Columbia Masterworks||1961|||D3S 614}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_("The_Rite_Of_Spring")-_(Part_I)-2617.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_stravinsky-conducts-le-sacre-du-printemps_igor-stravinsky-columbia-symphony-orchestr_0|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring).mp3
|File Name 2=PMLP179425-02.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring).mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Goossens, Eugene=conductor;London Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Everest||1960|||SDBR 3047}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring)-9484.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring-le-sacre-du-printemps_igor-stravinsky-sir-eugene-goossens-the-lo|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._The_Fertility_Of_The_Earth,_Pt._I.mp3
|File Name 2=PMLP179425-02.01._The_Sacrifice,_Pt._II.mp3
|File Description 1=1. The Fertility of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Bernstein, Leonard=conductor;New York Philharmonic=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Columbia Masterworks||1958|||MS 6010}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._The_Fertility_Of_The_Earth,_Pt._I-224.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps_igor-stravinsky-leonard-bernstein-the-new|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._The_Rite_Of_Spring-_L'Adoration_De_La_Terre.mp3
|File Name 2=PMLP179425-02.01._The_Rite_Of_Spring-_Le_Sacrifice.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Markevitch, Igor=conductor;Philharmonia Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Angel Records||1958|||35549}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._The_Rite_Of_Spring-_L'Adoration_De_La_Terre-1728.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring_igor-stravinsky-igor-markevitch-philharmon|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring)_-_Ormandy.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Ormandy, Eugene=conductor;Philadelphia Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||Columbia Masterworks||1955|||ML 5030}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring)-1581.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps-the-rite-of-spring_igor-stravinsky-the-philadelphia-orchestra|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Introduction;_Harbingers_Of_Spring;_Dance_Of_The_Adolescents;_Abduction;_Spring_Rounds;_Games_Of_The_Rival_Cities;_The_Procession_Of_The_Wise_Men;_The_Adoration_Of_The_Earth_(The_Wise_Men);_Dance_Of_The_Earth.mp3
|File Name 2=PMLP179425-02.01._Introduction;_Mysterious_Circles_Of_The_Adolescents;_Glorification_Of_The_Chosen_One;_Evocation_Of_The_Ancestors;_Ritual_Of_The_Ancestors;_The_Sacrificial_Dance_Of_The_Chosen_One_.mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Doráti, Antal=conductor;Minneapolis Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Mercury||1954|||MG 50030}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Introduction;_Harbingers_Of_Spring;_Dance_Of_The_Adolescents;_Abduction;_Spring_Rounds;_Games_Of_The_Rival_Cities;_The_Procession_Of_The_Wise_Men;_The_Adoration_Of_The_Earth_(The_Wise_Men);_Dance_Of_The_Earth-6585.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring-le-sacre-du-printemps_igor-stravinsky-antal-dorati-minneapolis-s|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Introduction;_Dance_Of_The_Youths_And_The_Maidens;_Dance_Of_Abduction;_Spring_Rounds;_Games_Of_Rivals_Towns;_Entrance_Of_The_Celebrant;_Kiss_To_The_Earth;_Dance_To_The_Earth.mp3
|File Name 2=PMLP179425-02.01._Introduction_(The_Pagan_Night);_Mystic_Circle_Of_The_Adolescents;_Dance_To_The_Glorified_One;_Evocation_Of_The_Ancestors;_Ritual_Performance_Of_The_Ancestors;_Sacrificial_Dance.mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Monteux, Pierre=conductor;Boston Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||RCA Victor Red Seal||1951|||LM-1149}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Introduction;_Dance_Of_The_Youths_And_The_Maidens;_Dance_Of_Abduction;_Spring_Rounds;_Games_Of_Rivals_Towns;_Entrance_Of_The_Celebrant;_Kiss_To_The_Earth;_Dance_To_The_Earth-2707.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring_igor-stravinsky-boston-symphony-orchestra_0|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Tableau_1.mp3
|File Name 2=PMLP179425-02.01._Tableau_2.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Ansermet, Ernest=conductor;Orchestre de la Suisse Romande=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Everest||1950|||SDBR 3307}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Tableau_1-7336.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps_igor-stravinsky-ernest-ansermet-lorchestre_0|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-02_Rite_of_spring.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Stokowski, Leopold=conductor;Philadelphia Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||Disneyland|New York|1950|||WDL-4101}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-02_Rite_of_spring-3587.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/riteofspringtocc00stra|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.AdorationOfTheEarth.mp3
|File Name 2=PMLP179425-02.TheSacrifice.mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=Composer (conductor)
|Performer Categories=New York Philharmonic=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Columbia|||1940|||M-417}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.AdorationOfTheEarth-5237.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/STRAVINSKYLeSacreDuPrintemps1940-NEWTRANSFER|Internet Archive}}
}}

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP179425-StravinskyRiteofSpring1921edition.pdf
|File Description 1=Complete Score
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner=James Chang
|Uploader=[[User:Kongming819|Kongming819]]
|Date Submitted=2023/6/11
|Publisher Information={{P|Editions Russes de Musique||Berlin|1921|||R.M.V. 197b}}
|Copyright=Public Domain
|Misc. Notes=Note the Sacrificial Dance is completely different from today's versions, as Stravinsky recomposed it in 1926. A handful of markings in the score were made by C. F. Nieweg. Score used to belong to Jascha Horenstein.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-lesacreduprintem00straFSbh.pdf
|File Name 2=PMLP179425-sacre_compressed.pdf
|File Description 1=Complete Score (color)
|File Description 2=Complete Score (monochrome)
|Editor=Second edition (1929) {{LinkEd|Friedrich Hermann|Schneider|1860|1930}} ''alleged editor''*
|Image Type=Normal Scan
|Scanner={{IArchS|lesacreduprintem00stra_2|n5}}
|Uploader 1=[[User:Carolus|Carolus]]
|Uploader 2=[[User:Fryderyka|Fryderyka]]
|Date Submitted 1=2022/1/5
|Date Submitted 2=2022/6/6
|Publisher Information={{P|Editions Russes de Musique|Russischer Musikverlag G.m.b.H.|Berlin|1921**|1922||R.M.V. 197}}
|Reprint={{P|Boosey & Hawkes||London||1948||B. & H. 16333}}
|Copyright=Public Domain
|Thumb Filename=SacreFSC1947.jpg
|Misc. Notes=*As discussed elsewhere, F.H. Schneider's "editorship" was a ruse to claim US copyright protection for Stravinsky and other composers who were ineligible for it at the time. However, this edition does contain numerous significant changes from the first edition and features a lengthy errata list at the end of the score. See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music) **The copyright date was not changed from 1921 even though this edition appeared in 1929; it can be distinguished by the presence of Schneider's name. #787324: Processed version of #756159.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-PMLUS00725-complete1.pdf
|File Name 2=PMLP179425-PMLUS00899-2651-PMLP179425-riteofspring.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (resized to A4)
|Editor=
|Scanner=[[User:Daphnis|Daphnis]]
|Uploader=[[User:Music Addict|Music Addict]]
|Date Submitted 1=2018/5/22
|Date Submitted=2018/9/18
|Publisher Information={{P|Muzgiz|Muzyka|Moscow||1965||1501}}
|Reprint=''The Rite of Spring in Full Score'' {{P|Dover Publications||Mineola||1989||}}
|Copyright=Public Domain
|Thumb Filename=Strav-SacrePrintempsFS.jpg
|Misc. Notes=This score is based on the 1965 Boosey score (B. & H. 16333, but a later and more accurate printing than the score below). See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music) #524674: B&W, medium quality. Originally submitted by [[User:Jdeperi|Jdeperi]] on 19 December 2010; #524674 replaced with newer scan at 600dpi.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-PMLUS00726-Complete_Score_(edited).pdf
|File Name 2=PMLP179425-PMLUS00729-Complete_Score.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score
|Scanner=
|Uploader=[[User:Music Addict|Music Addict]]
|Date Submitted=2018/5/22
|Publisher Information={{P|Muzgiz|Musytschna Ukraina|Kiev|n.d.[1975]|1975||}}
|Copyright=Public Domain
|Misc. Notes=This score is based on the 1965 Muzyka score. B&W, medium quality. #524678, #524679 and #524680 originally submitted by [[User:Jdeperi|Jdeperi]] on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky_Rite_1967.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2023/9/22
|Publisher Information={{P|Boosey & Hawkes||London||1967||B. & H. 19441}}
|Copyright=Public Domain
|Misc. Notes=This score contains corrections through 1947 but the copyright claim remains "1912, 1921". The 1967 date refers to the new engraving done for this issue.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-Rite_of_Spring_Renmin_Yinyue_Chubanshe.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zhengxinhao|Zhengxinhao]]
|Date Submitted=2024/6/26
|Publisher Information={{P|Boosey & Hawkes||London|1967|||B. & H. 19441}}
|Reprint={{P|People's Music Publishing House||Beijing|1983|||}}
|Copyright=Public Domain
|Misc. Notes=Bad scan quality.
}}

===Parts===
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky-K015.Piccolo1.pdf
|File Name 2=PMLP179425-Stravinsky-K015.Flute1.pdf
|File Name 3=PMLP179425-Stravinsky-K015.Flute2.pdf
|File Name 4=PMLP179425-Stravinsky-K015.Flute3Piccolo2.pdf
|File Name 5=PMLP179425-Stravinsky-K015.AltoFlute.pdf
|File Name 6=PMLP179425-Stravinsky-K015.Oboe1.pdf
|File Name 7=PMLP179425-Stravinsky-K015.Oboe2.pdf
|File Name 8=PMLP179425-Stravinsky-K015.Oboe3.pdf
|File Name 9=PMLP179425-Stravinsky-K015.Oboe4EnglishHorn2.pdf
|File Name 10=PMLP179425-Stravinsky-K015.EnglishHorn1.pdf
|File Name 11=PMLP179425-Stravinsky-K015.PiccoloClarinet.pdf
|File Name 12=PMLP179425-Stravinsky-K015.Clarinet1.pdf
|File Name 13=PMLP179425-Stravinsky-K015.Clarinet2.pdf
|File Name 14=PMLP179425-Stravinsky-K015.Clarinet3BassClarinet2.pdf
|File Name 15=PMLP179425-Stravinsky-K015.BassClarinet1.pdf
|File Name 16=PMLP179425-Stravinsky-K015.Bassoon1.pdf
|File Name 17=PMLP179425-Stravinsky-K015.Bassoon2.pdf
|File Name 18=PMLP179425-Stravinsky-K015.Bassoon3.pdf
|File Name 19=PMLP179425-Stravinsky-K015.Bassoon4Contrabassoon2.pdf
|File Name 20=PMLP179425-Stravinsky-K015.Contrabassoon1.pdf
|File Name 21=PMLP179425-Stravinsky-K015.Horn1.pdf
|File Name 22=PMLP179425-Stravinsky-K015.Horn2.pdf
|File Name 23=PMLP179425-Stravinsky-K015.Horn3.pdf
|File Name 24=PMLP179425-Stravinsky-K015.Horn4.pdf
|File Name 25=PMLP179425-Stravinsky-K015.Horn5.pdf
|File Name 26=PMLP179425-Stravinsky-K015.Horn6.pdf
|File Name 27=PMLP179425-Stravinsky-K015.Horn7TenorTuba1.pdf
|File Name 28=PMLP179425-Stravinsky-K015.Horn8TenorTuba2.pdf
|File Name 29=PMLP179425-Stravinsky-K015.PiccoloTrumpet.pdf
|File Name 30=PMLP179425-Stravinsky-K015.Trumpet1.pdf
|File Name 31=PMLP179425-Stravinsky-K015.Trumpet2.pdf
|File Name 32=PMLP179425-Stravinsky-K015.Trumpet3.pdf
|File Name 33=PMLP179425-Stravinsky-K015.Trumpet4BassTrumpet.pdf
|File Name 34=PMLP179425-Stravinsky-K015.Trombone1.pdf
|File Name 35=PMLP179425-Stravinsky-K015.Trombone2.pdf
|File Name 36=PMLP179425-Stravinsky-K015.Trombone3.pdf
|File Name 37=PMLP179425-Stravinsky-K015.Tuba1.pdf
|File Name 38=PMLP179425-Stravinsky-K015.Tuba2.pdf
|File Name 39=PMLP179425-Stravinsky-K015.Timpani1.pdf
|File Name 40=PMLP179425-Stravinsky-K015.Timpani2.pdf
|File Name 41=PMLP179425-Stravinsky-K015.TriangleTambourine.pdf
|File Name 42=PMLP179425-Stravinsky-K015.Tamtam.pdf
|File Name 43=PMLP179425-Stravinsky-K015.BassDrumCymbals.pdf
|File Name 44=PMLP179425-PMLUS00757-11Violins_1.pdf
|File Name 45=PMLP179425-PMLUS00758-12Violins_2.pdf
|File Name 46=PMLP179425-PMLUS00759-13Violas.pdf
|File Name 47=PMLP179425-PMLUS00760-14cellos.pdf
|File Name 48=PMLP179425-PMLUS00761-15double_basses.pdf
|File Description 1=Piccolo 1
|File Description 2=Flute 1
|File Description 3=Flute 2
|File Description 4=Flute 3/Piccolo 2
|File Description 5=Alto Flute (G)
|File Description 6=Oboe 1
|File Description 7=Oboe 2
|File Description 8=Oboe 3
|File Description 9=Oboe 4/English Horn 2
|File Description 10=English Horn 1
|File Description 11=Piccolo Clarinet (D/E{{flat}})
|File Description 12=Clarinet 1 (A/B{{flat}})
|File Description 13=Clarinet 2 (A/B{{flat}})
|File Description 14=Clarinet 3/Bass Clarinet 2 (B{{flat}})
|File Description 15=Bass Clarinet 1 (B{{flat}})
|File Description 16=Bassoon 1
|File Description 17=Bassoon 2
|File Description 18=Bassoon 3
|File Description 19=Bassoon 4/Contrabassoon 2
|File Description 20=Contrabassoon 1
|File Description 21=Horn 1 (F)
|File Description 22=Horn 2 (F)
|File Description 23=Horn 3 (F)
|File Description 24=Horn 4 (F)
|File Description 25=Horn 5 (F)
|File Description 26=Horn 6 (F)
|File Description 27=Horn 7 (F)/Wagner Tuba 1 (B{{flat}})
|File Description 28=Horn 8 (F)/Wagner Tuba 2 (B{{flat}})
|File Description 29=Piccolo Trumpet (D)
|File Description 30=Trumpet 1 (C)
|File Description 31=Trumpet 2 (C)
|File Description 32=Trumpet 3 (C)
|File Description 33=Trumpet 4 (C)/Bass Trumpet (E{{flat}})
|File Description 34=Trombone 1
|File Description 35=Trombone 2
|File Description 36=Trombone 3
|File Description 37=Tuba 1
|File Description 38=Tuba 2
|File Description 39=Timpani 1
|File Description 40=Timpani 2
|File Description 41=Triangle/Tambourine
|File Description 42=Tam-tam
|File Description 43=Bass Drum/Cymbals
|File Description 44=Violins I
|File Description 45=Violins II
|File Description 46=Violas
|File Description 47=Cellos
|File Description 48=Basses
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2011/3/17
|Editor=
|Publisher Information={{P|Editions Russes de Musique|Russischer Musikverlag G.m.b.H.|Berlin|1921|1922||R.M.V. 198}} Corrected 1926.
|Reprint={{RpEFK}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-Stravinsky-K015.Piccolo1-3353.png
|Misc. Notes=Editions Russes de Musique never included the antique cymbals (crotales) and guiro parts in this set.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-04_picc_1.pdf
|File Name 2=PMLP179425-01_flute_1.pdf
|File Name 3=PMLP179425-02_flute_2.pdf
|File Name 4=PMLP179425-03_flute_3_picc_2.pdf
|File Name 5=PMLP179425-05_alto_flute.pdf
|File Name 6=PMLP179425-06_oboe_1.pdf
|File Name 7=PMLP179425-07_oboe_2.pdf
|File Name 8=PMLP179425-08_oboe_3.pdf
|File Name 9=PMLP179425-09_oboe_4_eh_2.pdf
|File Name 10=PMLP179425-10_eh_1.pdf
|File Name 11=PMLP179425-15_picc_clarinet.pdf
|File Name 12=PMLP179425-11_clarinet_1.pdf
|File Name 13=PMLP179425-12_clarinet_2.pdf
|File Name 14=PMLP179425-13_clarinet_3_bass_cl_2.pdf
|File Name 15=PMLP179425-14_bass_cl_1.pdf
|File Name 16=PMLP179425-16_bassoon_1.pdf
|File Name 17=PMLP179425-17_bassoon_2.pdf
|File Name 18=PMLP179425-18_bassoon_3.pdf
|File Name 19=PMLP179425-19_bassoon_4_cbsn_2.pdf
|File Name 20=PMLP179425-20_cbsn_1.pdf
|File Name 21=PMLP179425-21_horn_1.pdf
|File Name 22=PMLP179425-22_horn_2.pdf
|File Name 23=PMLP179425-23_horn_3.pdf
|File Name 24=PMLP179425-24_horn_4.pdf
|File Name 25=PMLP179425-25_horn_5.pdf
|File Name 26=PMLP179425-26_horn_6.pdf
|File Name 27=PMLP179425-27_horn_7_ttuba_1.pdf
|File Name 28=PMLP179425-28_horn_8_ttuba_2.pdf
|File Name 29=PMLP179425-33_picc_trumpet.pdf
|File Name 30=PMLP179425-29_trumpet_1.pdf
|File Name 31=PMLP179425-30_trumpet_2.pdf
|File Name 32=PMLP179425-31_trumpet_3.pdf
|File Name 33=PMLP179425-32_trumpet_4_bass_tpt.pdf
|File Name 34=PMLP179425-34_trombone_1.pdf
|File Name 35=PMLP179425-35_trombone_2.pdf
|File Name 36=PMLP179425-36_trombone_3.pdf
|File Name 37=PMLP179425-37_tuba_1.pdf
|File Name 38=PMLP179425-38_tuba_2.pdf
|File Name 39=PMLP179425-39_timpani_1.pdf
|File Name 40=PMLP179425-40_timpani_2.pdf
|File Name 41=PMLP179425-41_bd_cym_guiro.pdf
|File Name 42=PMLP179425-42_tri_tamb_crot_guiro.pdf
|File Name 43=PMLP179425-43_tam.pdf
|File Name 44=PMLP179425-91_vi.pdf
|File Name 45=PMLP179425-92_vii.pdf
|File Name 46=PMLP179425-93_va.pdf
|File Name 47=PMLP179425-94_vc.pdf
|File Name 48=PMLP179425-95_cb.pdf
|File Description 1=Piccolo 1
|File Description 2=Flute 1
|File Description 3=Flute 2
|File Description 4=Flute 3/Piccolo 2
|File Description 5=Alto Flute (G)
|File Description 6=Oboe 1
|File Description 7=Oboe 2
|File Description 8=Oboe 3
|File Description 9=Oboe 4/English Horn 2
|File Description 10=English Horn 1
|File Description 11=Piccolo Clarinet (D/E{{flat}})
|File Description 12=Clarinet 1 (A/B{{flat}})
|File Description 13=Clarinet 2 (A/B{{flat}})
|File Description 14=Clarinet 3/Bass Clarinet 2 (B{{flat}})
|File Description 15=Bass Clarinet 1 (B{{flat}})
|File Description 16=Bassoon 1
|File Description 17=Bassoon 2
|File Description 18=Bassoon 3
|File Description 19=Bassoon 4/Contrabassoon 2
|File Description 20=Contrabassoon 1
|File Description 21=Horn 1 (F)
|File Description 22=Horn 2 (F)
|File Description 23=Horn 3 (F)
|File Description 24=Horn 4 (F)
|File Description 25=Horn 5 (F)
|File Description 26=Horn 6 (F)
|File Description 27=Horn 7 (F)/Tenor (Wagner) Tuba 1 (B{{flat}})
|File Description 28=Horn 8 (F)/Tenor (Wagner) Tuba 2 (B{{flat}})
|File Description 29=Piccolo Trumpet (D)
|File Description 30=Trumpet 1 (C)
|File Description 31=Trumpet 2 (C)
|File Description 32=Trumpet 3 (C)
|File Description 33=Trumpet 4 (C)/Bass Trumpet (E{{flat}})
|File Description 34=Trombone 1
|File Description 35=Trombone 2
|File Description 36=Trombone 3
|File Description 37=Tuba 1
|File Description 38=Tuba 2
|File Description 39=Timpani 1
|File Description 40=Timpani 2
|File Description 41=Bass Drum/Cymbals/Guiro
|File Description 42=Triangle/Tambourine/Crotales/Guiro
|File Description 43=Tam-Tam
|File Description 44=Violins I
|File Description 45=Violins II
|File Description 46=Violas
|File Description 47=Cellos
|File Description 48=Basses
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2023/9/22
|Publisher Information={{P|Editions Russes de Musique|Russischer Musikverlag G.m.b.H.|Berlin|1921|||R.M.V. 198}} {{P|Boosey & Hawkes||London|1947|||B. & H. 16603}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-Rite_of_Spring-_Percussion_Score.pdf
|File Description 1=Percussion Score
|Editor={{LinkEd|Joaquin|Hernandez}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Joaquinpercusses|Joaquinpercusses]]
|Date Submitted=2024/12/24
|Publisher Information=Joaquin Hernandez, 2024.
|Copyright=Creative Commons Zero 1.0
|Misc. Notes=Percussion Listing: Timpani 1/2/Cymbals/Bass Drum/Tam-Tam/Guiro/Tambourine/Triangle/Antique Cymbals
}}

===Arrangements and Transcriptions===
=====For Piano 4 hands=====
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky-Le-Sacre-pf4h-FE.pdf
|File Name 2=PMLP179425-Stravinsky-Le-sacre-du-printemps-pf4h.pdf
|File Name 3=PMLP179425-PMLUS00762-piano4hands.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (alternate scan)
|File Description 3=Complete Score (reprint)
|Arranger=Composer
|Editor={{FE}}
|Engraver={{Röder}}
|Scanner 1={{Loeb|1167979|7}}
|Scanner 2={{IArchS|lesacreduprintem00stra_3|n6}}
|Scanner 3=CDSM
|Uploader 1-2=[[User:Pnorcks|Pnorcks]]
|Uploader 3=[[User:Music Addict|Music Addict]]
|Date Submitted 1=2024/8/11
|Date Submitted 2=2024/7/10
|Date Submitted 3=2018/5/22
|Publisher Information={{P|Editions Russes de Musique||Berlin|n.d.[1913]|1913||R.M.V. 196}}
|Reprint={{P|Dover Publications||Mineola||1989||}}
|Copyright=Public Domain
|Thumb Filename=Strav-SacrePrintempsPf4h.jpg
|Misc. Notes=The piano reduction was issued in late 1913, but reprinted (with corrections) the next year. #922169: the front matter layout is consolidated to 4 pages (compared to the 8 pages from #926656), which explains why the score begins on page 9 in both printings. #524703: B&W, medium quality. Originally submitted by [[User:Jdeperi|Jdeperi]] on 19 December 2010.
|Amazon={{AmazonLinks|0486445399|Dover (reprint)}}
}}
====L'adoration de la terre (Part I)====
=====For 2 Pianos (Minel)=====
{{#fte:imslpfile
|File Name 1=PMLP179425-Le_Sacre_du_Printemps_-_partie_1_(2_pianos).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Alcibiade|Minel}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2026/1/24
|Publisher Information=Alcibiade Minel, 2002.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=This is a genuine transcription for two pianos, conceived to make full use of two independent instruments. It differs from Stravinsky’s piano version, which is essentially a four-hands transcription.
}}

===Sketches and Drafts===
{{#fte:imslpfile
|File Name 1=PMLP179425-PMLUS02191-Stravinsky_Le_Sacre_sketches_1911-1913.pdf
|File Description 1=Sketches (1911-13)
|Editor=
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Alaric|Alaric]]
|Date Submitted=2021/1/7
|Publisher Information={{MssAu|19||11-13}}
|Reprint={{P||Sacher Foundation|Winterthur|1969}}
|Copyright=Public Domain
|Misc. Notes=
}}

===Braille Scores===
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky_-_The_Rite_Of_Spring.brf
|File Description 1=Complete Score
|Editor={{LinkEd|Hu|Haipeng|1984|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2024/1/10
|Publisher Information=Hu Haipeng, 2020.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes={{BrailleScore|customized (combining bar-over-bar and line-over-line)|40|||}}
}}

| *****WORK INFO*****
|Work Title=Весна священная (Vesna svyashchennaya)
|Alternative Title=Le sacre du printemps ; The Rite of Spring
|Opus/Catalogue Number=K015
|Key=
|Movements Header=2 parts
|Number of Movements/Sections=2 parts:
{{#subitem:id=5of28t4c|level=1|number='''I'''|title='''L'adoration de la terre'''}}
{{#subitem:id=HRtB/5M9|level=2|number=1|title=Introduction}}
{{#subitem:id=pQiQ0CVk|level=2|number=2|title=Les Augures printaniers}}
{{#subitem:id=undlXJhL|level=2|number=3|title=Jeu du rapt}}
{{#subitem:id=wAuyFlOu|level=2|number=4|title=Rondes printanières}}
{{#subitem:id=JCk9BchC|level=2|number=5|title=Jeux des cités rivales}}
{{#subitem:id=iKAOz01H|level=2|number=6|title=Cortège du sage}}
{{#subitem:id=E3coVlDX|level=2|number=7|title=Danse de la terre}}
{{#subitem:id=8Fz4J0uN|level=1|number='''II'''|title='''Le sacrifice'''}}
{{#subitem:id=L+w7fptC|level=2|number=8|title=Introduction}}
{{#subitem:id=mZ+kQIJP|level=2|number=9|title=Cercles mystérieux des adolescentes}}
{{#subitem:id=o2bdQkuZ|level=2|number=10|title=Glorification de l'élue}}
{{#subitem:id=s6VSQwbr|level=2|number=11|title=Evocation des ancêtres}}
{{#subitem:id=NHItqXPp|level=2|number=12|title=Action rituelle des ancêtres}}
{{#subitem:id=0qD4430q|level=2|number=13|title=Danse sacrale (L'élue)}}
|Average Duration=33 minutes
|Dedication=
|First Performance=1913/05/29 in Paris, Théâtre des Champs-Élysées
:Ballets Russes; Pierre Monteux (conductor)
|Year/Date of Composition=1910-13
|Year of First Publication=1913, 1921 - Berlin: [[Editions Russes de Musique]] (piano duet, score and parts)
|Librettist=
|Language=
|Authorities={{Wikidata|Q206015}}
|Discography={{MusBrnz|W|54dacada-b00c-34b6-bbbb-e89855c7219f}}
|Extra Information={{ForumTh|13817|''Opening bassoon solo - source variants''}}, {{ForumTh|13816|''About the final chord''}}
|External Links={{StravCat|188-k015-the-rite-of-spring}} [[wikipedia:The_Rite_of_Spring|Wikipedia article]] {{AMG|mc0002360782}} {{SMPtsearch|igor-stravinsky-sheet-music/1800643|rite+of+spring}}
|Piece Style=Early 20th century
|Instrumentation=orchestra
|InstrDetail={{More}}
:piccolo, 3 flutes (3rd also piccolo), alto flute, 4 oboes (4th also english horn),
::english horn, E{{flat}} clarinet, 3 clarinets (3rd also bass clarinet), bass clarinet, 4 bassoons (4th also contrabassoon), contrabassoon
:8 horns (7th, 8th also Wagner tuba), piccolo trumpet,
::4 trumpets (4th also bass trumpet), 3 trombones, 2 tubas
:timpani (2 players), triangle, tambourine, tam-tam, guiro, bass drum, crotales, cymbals, strings {{MoreEnd}}
|Tags=ballets ; orch

| *****COMMENTS***** =

{{Ballets (Stravinsky, Igor)}}

| *****END OF TEMPLATE***** }}

[[Category:Scordatura|Rite of Spring (Stravinsky, Igor)]]
{{Missing}}

The Rite of Spring, K015 (Stravinsky, Igor)

2026-01-24T23:42:41Z

Goreld: Added 1 files to The Rite of Spring, K015 (Stravinsky, Igor)

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_-_L'Adoration_De_La_Terre.mp3
|File Name 2=PMLP179425-02.01._Le_Sacre_Du_Printemps_-_Le_Sacrifice.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Boulez, Pierre=conductor;Orchestre national de France=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||Nonesuch||1964|||H-1093}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_-_L'Adoration_De_La_Terre-9641.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps-four-etudes-for-o_igor-stravinsky-orchestre-national-de-la-r|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Premiere_Partie_-_L'Adoration_De_La_Terre.mp3
|File Name 2=PMLP179425-02.01._Seconde_Partie_-_Le_Sacrifice.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Karajan, Herbert von=conductor;Berliner Philharmoniker=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Deutsche Grammophon||1964|||2862 001}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Premiere_Partie_-_L'Adoration_De_La_Terre-2016.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_stravinsky-le-sacre-du-printemps_igor-stravinsky-herbert-von-karajan-berlin|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_("The_Rite_Of_Spring")-_(Part_I).mp3
|File Name 2=PMLP179425-02.01._Le_Sacre_Du_Printemps_("The_Rite_Of_Spring")-_(Part_II).mp3
|File Name 3=PMLP179425-05.01._"Apropos_Of_Le_Sacre".mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|File Description 3=Apropos Of Le Sacre (composer's comments)
|Performers=Composer (conductor)
|Performer Categories=Columbia Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information=''Stravinsky Conducts - 1960'' - {{RC||Columbia Masterworks||1961|||D3S 614}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_("The_Rite_Of_Spring")-_(Part_I)-2617.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_stravinsky-conducts-le-sacre-du-printemps_igor-stravinsky-columbia-symphony-orchestr_0|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring).mp3
|File Name 2=PMLP179425-02.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring).mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Goossens, Eugene=conductor;London Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Everest||1960|||SDBR 3047}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring)-9484.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring-le-sacre-du-printemps_igor-stravinsky-sir-eugene-goossens-the-lo|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._The_Fertility_Of_The_Earth,_Pt._I.mp3
|File Name 2=PMLP179425-02.01._The_Sacrifice,_Pt._II.mp3
|File Description 1=1. The Fertility of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Bernstein, Leonard=conductor;New York Philharmonic=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Columbia Masterworks||1958|||MS 6010}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._The_Fertility_Of_The_Earth,_Pt._I-224.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps_igor-stravinsky-leonard-bernstein-the-new|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._The_Rite_Of_Spring-_L'Adoration_De_La_Terre.mp3
|File Name 2=PMLP179425-02.01._The_Rite_Of_Spring-_Le_Sacrifice.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Markevitch, Igor=conductor;Philharmonia Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Angel Records||1958|||35549}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._The_Rite_Of_Spring-_L'Adoration_De_La_Terre-1728.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring_igor-stravinsky-igor-markevitch-philharmon|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring)_-_Ormandy.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Ormandy, Eugene=conductor;Philadelphia Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||Columbia Masterworks||1955|||ML 5030}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Le_Sacre_Du_Printemps_(The_Rite_Of_Spring)-1581.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps-the-rite-of-spring_igor-stravinsky-the-philadelphia-orchestra|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Introduction;_Harbingers_Of_Spring;_Dance_Of_The_Adolescents;_Abduction;_Spring_Rounds;_Games_Of_The_Rival_Cities;_The_Procession_Of_The_Wise_Men;_The_Adoration_Of_The_Earth_(The_Wise_Men);_Dance_Of_The_Earth.mp3
|File Name 2=PMLP179425-02.01._Introduction;_Mysterious_Circles_Of_The_Adolescents;_Glorification_Of_The_Chosen_One;_Evocation_Of_The_Ancestors;_Ritual_Of_The_Ancestors;_The_Sacrificial_Dance_Of_The_Chosen_One_.mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Doráti, Antal=conductor;Minneapolis Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Mercury||1954|||MG 50030}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Introduction;_Harbingers_Of_Spring;_Dance_Of_The_Adolescents;_Abduction;_Spring_Rounds;_Games_Of_The_Rival_Cities;_The_Procession_Of_The_Wise_Men;_The_Adoration_Of_The_Earth_(The_Wise_Men);_Dance_Of_The_Earth-6585.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring-le-sacre-du-printemps_igor-stravinsky-antal-dorati-minneapolis-s|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Introduction;_Dance_Of_The_Youths_And_The_Maidens;_Dance_Of_Abduction;_Spring_Rounds;_Games_Of_Rivals_Towns;_Entrance_Of_The_Celebrant;_Kiss_To_The_Earth;_Dance_To_The_Earth.mp3
|File Name 2=PMLP179425-02.01._Introduction_(The_Pagan_Night);_Mystic_Circle_Of_The_Adolescents;_Dance_To_The_Glorified_One;_Evocation_Of_The_Ancestors;_Ritual_Performance_Of_The_Ancestors;_Sacrificial_Dance.mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=
|Performer Categories=Monteux, Pierre=conductor;Boston Symphony Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||RCA Victor Red Seal||1951|||LM-1149}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Introduction;_Dance_Of_The_Youths_And_The_Maidens;_Dance_Of_Abduction;_Spring_Rounds;_Games_Of_Rivals_Towns;_Entrance_Of_The_Celebrant;_Kiss_To_The_Earth;_Dance_To_The_Earth-2707.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_the-rite-of-spring_igor-stravinsky-boston-symphony-orchestra_0|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.01._Tableau_1.mp3
|File Name 2=PMLP179425-02.01._Tableau_2.mp3
|File Description 1=1. L'Adoration de la Terre
|File Description 2=2. Le Sacrifice
|Performers=
|Performer Categories=Ansermet, Ernest=conductor;Orchestre de la Suisse Romande=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Everest||1950|||SDBR 3307}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.01._Tableau_1-7336.png
|Misc. Notes=Source: {{plain|https://archive.org/details/lp_le-sacre-du-printemps_igor-stravinsky-ernest-ansermet-lorchestre_0|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-02_Rite_of_spring.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Stokowski, Leopold=conductor;Philadelphia Orchestra=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/16
|Publisher Information={{RC||Disneyland|New York|1950|||WDL-4101}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-02_Rite_of_spring-3587.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/riteofspringtocc00stra|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP179425-01.AdorationOfTheEarth.mp3
|File Name 2=PMLP179425-02.TheSacrifice.mp3
|File Description 1=1. Adoration of the Earth
|File Description 2=2. The Sacrifice
|Performers=Composer (conductor)
|Performer Categories=New York Philharmonic=orchestra
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2022/1/15
|Publisher Information={{RC||Columbia|||1940|||M-417}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-01.AdorationOfTheEarth-5237.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/STRAVINSKYLeSacreDuPrintemps1940-NEWTRANSFER|Internet Archive}}
}}

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP179425-StravinskyRiteofSpring1921edition.pdf
|File Description 1=Complete Score
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner=James Chang
|Uploader=[[User:Kongming819|Kongming819]]
|Date Submitted=2023/6/11
|Publisher Information={{P|Editions Russes de Musique||Berlin|1921|||R.M.V. 197b}}
|Copyright=Public Domain
|Misc. Notes=Note the Sacrificial Dance is completely different from today's versions, as Stravinsky recomposed it in 1926. A handful of markings in the score were made by C. F. Nieweg. Score used to belong to Jascha Horenstein.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-lesacreduprintem00straFSbh.pdf
|File Name 2=PMLP179425-sacre_compressed.pdf
|File Description 1=Complete Score (color)
|File Description 2=Complete Score (monochrome)
|Editor=Second edition (1929) {{LinkEd|Friedrich Hermann|Schneider|1860|1930}} ''alleged editor''*
|Image Type=Normal Scan
|Scanner={{IArchS|lesacreduprintem00stra_2|n5}}
|Uploader 1=[[User:Carolus|Carolus]]
|Uploader 2=[[User:Fryderyka|Fryderyka]]
|Date Submitted 1=2022/1/5
|Date Submitted 2=2022/6/6
|Publisher Information={{P|Editions Russes de Musique|Russischer Musikverlag G.m.b.H.|Berlin|1921**|1922||R.M.V. 197}}
|Reprint={{P|Boosey & Hawkes||London||1948||B. & H. 16333}}
|Copyright=Public Domain
|Thumb Filename=SacreFSC1947.jpg
|Misc. Notes=*As discussed elsewhere, F.H. Schneider's "editorship" was a ruse to claim US copyright protection for Stravinsky and other composers who were ineligible for it at the time. However, this edition does contain numerous significant changes from the first edition and features a lengthy errata list at the end of the score. See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music) **The copyright date was not changed from 1921 even though this edition appeared in 1929; it can be distinguished by the presence of Schneider's name. #787324: Processed version of #756159.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-PMLUS00725-complete1.pdf
|File Name 2=PMLP179425-PMLUS00899-2651-PMLP179425-riteofspring.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (resized to A4)
|Editor=
|Scanner=[[User:Daphnis|Daphnis]]
|Uploader=[[User:Music Addict|Music Addict]]
|Date Submitted 1=2018/5/22
|Date Submitted=2018/9/18
|Publisher Information={{P|Muzgiz|Muzyka|Moscow||1965||1501}}
|Reprint=''The Rite of Spring in Full Score'' {{P|Dover Publications||Mineola||1989||}}
|Copyright=Public Domain
|Thumb Filename=Strav-SacrePrintempsFS.jpg
|Misc. Notes=This score is based on the 1965 Boosey score (B. & H. 16333, but a later and more accurate printing than the score below). See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music) #524674: B&W, medium quality. Originally submitted by [[User:Jdeperi|Jdeperi]] on 19 December 2010; #524674 replaced with newer scan at 600dpi.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-PMLUS00726-Complete_Score_(edited).pdf
|File Name 2=PMLP179425-PMLUS00729-Complete_Score.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score
|Scanner=
|Uploader=[[User:Music Addict|Music Addict]]
|Date Submitted=2018/5/22
|Publisher Information={{P|Muzgiz|Musytschna Ukraina|Kiev|n.d.[1975]|1975||}}
|Copyright=Public Domain
|Misc. Notes=This score is based on the 1965 Muzyka score. B&W, medium quality. #524678, #524679 and #524680 originally submitted by [[User:Jdeperi|Jdeperi]] on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky_Rite_1967.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2023/9/22
|Publisher Information={{P|Boosey & Hawkes||London||1967||B. & H. 19441}}
|Copyright=Public Domain
|Misc. Notes=This score contains corrections through 1947 but the copyright claim remains "1912, 1921". The 1967 date refers to the new engraving done for this issue.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-Rite_of_Spring_Renmin_Yinyue_Chubanshe.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zhengxinhao|Zhengxinhao]]
|Date Submitted=2024/6/26
|Publisher Information={{P|Boosey & Hawkes||London|1967|||B. & H. 19441}}
|Reprint={{P|People's Music Publishing House||Beijing|1983|||}}
|Copyright=Public Domain
|Misc. Notes=Bad scan quality.
}}

===Parts===
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky-K015.Piccolo1.pdf
|File Name 2=PMLP179425-Stravinsky-K015.Flute1.pdf
|File Name 3=PMLP179425-Stravinsky-K015.Flute2.pdf
|File Name 4=PMLP179425-Stravinsky-K015.Flute3Piccolo2.pdf
|File Name 5=PMLP179425-Stravinsky-K015.AltoFlute.pdf
|File Name 6=PMLP179425-Stravinsky-K015.Oboe1.pdf
|File Name 7=PMLP179425-Stravinsky-K015.Oboe2.pdf
|File Name 8=PMLP179425-Stravinsky-K015.Oboe3.pdf
|File Name 9=PMLP179425-Stravinsky-K015.Oboe4EnglishHorn2.pdf
|File Name 10=PMLP179425-Stravinsky-K015.EnglishHorn1.pdf
|File Name 11=PMLP179425-Stravinsky-K015.PiccoloClarinet.pdf
|File Name 12=PMLP179425-Stravinsky-K015.Clarinet1.pdf
|File Name 13=PMLP179425-Stravinsky-K015.Clarinet2.pdf
|File Name 14=PMLP179425-Stravinsky-K015.Clarinet3BassClarinet2.pdf
|File Name 15=PMLP179425-Stravinsky-K015.BassClarinet1.pdf
|File Name 16=PMLP179425-Stravinsky-K015.Bassoon1.pdf
|File Name 17=PMLP179425-Stravinsky-K015.Bassoon2.pdf
|File Name 18=PMLP179425-Stravinsky-K015.Bassoon3.pdf
|File Name 19=PMLP179425-Stravinsky-K015.Bassoon4Contrabassoon2.pdf
|File Name 20=PMLP179425-Stravinsky-K015.Contrabassoon1.pdf
|File Name 21=PMLP179425-Stravinsky-K015.Horn1.pdf
|File Name 22=PMLP179425-Stravinsky-K015.Horn2.pdf
|File Name 23=PMLP179425-Stravinsky-K015.Horn3.pdf
|File Name 24=PMLP179425-Stravinsky-K015.Horn4.pdf
|File Name 25=PMLP179425-Stravinsky-K015.Horn5.pdf
|File Name 26=PMLP179425-Stravinsky-K015.Horn6.pdf
|File Name 27=PMLP179425-Stravinsky-K015.Horn7TenorTuba1.pdf
|File Name 28=PMLP179425-Stravinsky-K015.Horn8TenorTuba2.pdf
|File Name 29=PMLP179425-Stravinsky-K015.PiccoloTrumpet.pdf
|File Name 30=PMLP179425-Stravinsky-K015.Trumpet1.pdf
|File Name 31=PMLP179425-Stravinsky-K015.Trumpet2.pdf
|File Name 32=PMLP179425-Stravinsky-K015.Trumpet3.pdf
|File Name 33=PMLP179425-Stravinsky-K015.Trumpet4BassTrumpet.pdf
|File Name 34=PMLP179425-Stravinsky-K015.Trombone1.pdf
|File Name 35=PMLP179425-Stravinsky-K015.Trombone2.pdf
|File Name 36=PMLP179425-Stravinsky-K015.Trombone3.pdf
|File Name 37=PMLP179425-Stravinsky-K015.Tuba1.pdf
|File Name 38=PMLP179425-Stravinsky-K015.Tuba2.pdf
|File Name 39=PMLP179425-Stravinsky-K015.Timpani1.pdf
|File Name 40=PMLP179425-Stravinsky-K015.Timpani2.pdf
|File Name 41=PMLP179425-Stravinsky-K015.TriangleTambourine.pdf
|File Name 42=PMLP179425-Stravinsky-K015.Tamtam.pdf
|File Name 43=PMLP179425-Stravinsky-K015.BassDrumCymbals.pdf
|File Name 44=PMLP179425-PMLUS00757-11Violins_1.pdf
|File Name 45=PMLP179425-PMLUS00758-12Violins_2.pdf
|File Name 46=PMLP179425-PMLUS00759-13Violas.pdf
|File Name 47=PMLP179425-PMLUS00760-14cellos.pdf
|File Name 48=PMLP179425-PMLUS00761-15double_basses.pdf
|File Description 1=Piccolo 1
|File Description 2=Flute 1
|File Description 3=Flute 2
|File Description 4=Flute 3/Piccolo 2
|File Description 5=Alto Flute (G)
|File Description 6=Oboe 1
|File Description 7=Oboe 2
|File Description 8=Oboe 3
|File Description 9=Oboe 4/English Horn 2
|File Description 10=English Horn 1
|File Description 11=Piccolo Clarinet (D/E{{flat}})
|File Description 12=Clarinet 1 (A/B{{flat}})
|File Description 13=Clarinet 2 (A/B{{flat}})
|File Description 14=Clarinet 3/Bass Clarinet 2 (B{{flat}})
|File Description 15=Bass Clarinet 1 (B{{flat}})
|File Description 16=Bassoon 1
|File Description 17=Bassoon 2
|File Description 18=Bassoon 3
|File Description 19=Bassoon 4/Contrabassoon 2
|File Description 20=Contrabassoon 1
|File Description 21=Horn 1 (F)
|File Description 22=Horn 2 (F)
|File Description 23=Horn 3 (F)
|File Description 24=Horn 4 (F)
|File Description 25=Horn 5 (F)
|File Description 26=Horn 6 (F)
|File Description 27=Horn 7 (F)/Wagner Tuba 1 (B{{flat}})
|File Description 28=Horn 8 (F)/Wagner Tuba 2 (B{{flat}})
|File Description 29=Piccolo Trumpet (D)
|File Description 30=Trumpet 1 (C)
|File Description 31=Trumpet 2 (C)
|File Description 32=Trumpet 3 (C)
|File Description 33=Trumpet 4 (C)/Bass Trumpet (E{{flat}})
|File Description 34=Trombone 1
|File Description 35=Trombone 2
|File Description 36=Trombone 3
|File Description 37=Tuba 1
|File Description 38=Tuba 2
|File Description 39=Timpani 1
|File Description 40=Timpani 2
|File Description 41=Triangle/Tambourine
|File Description 42=Tam-tam
|File Description 43=Bass Drum/Cymbals
|File Description 44=Violins I
|File Description 45=Violins II
|File Description 46=Violas
|File Description 47=Cellos
|File Description 48=Basses
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2011/3/17
|Editor=
|Publisher Information={{P|Editions Russes de Musique|Russischer Musikverlag G.m.b.H.|Berlin|1921|1922||R.M.V. 198}} Corrected 1926.
|Reprint={{RpEFK}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP179425-Stravinsky-K015.Piccolo1-3353.png
|Misc. Notes=Editions Russes de Musique never included the antique cymbals (crotales) and guiro parts in this set.
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-04_picc_1.pdf
|File Name 2=PMLP179425-01_flute_1.pdf
|File Name 3=PMLP179425-02_flute_2.pdf
|File Name 4=PMLP179425-03_flute_3_picc_2.pdf
|File Name 5=PMLP179425-05_alto_flute.pdf
|File Name 6=PMLP179425-06_oboe_1.pdf
|File Name 7=PMLP179425-07_oboe_2.pdf
|File Name 8=PMLP179425-08_oboe_3.pdf
|File Name 9=PMLP179425-09_oboe_4_eh_2.pdf
|File Name 10=PMLP179425-10_eh_1.pdf
|File Name 11=PMLP179425-15_picc_clarinet.pdf
|File Name 12=PMLP179425-11_clarinet_1.pdf
|File Name 13=PMLP179425-12_clarinet_2.pdf
|File Name 14=PMLP179425-13_clarinet_3_bass_cl_2.pdf
|File Name 15=PMLP179425-14_bass_cl_1.pdf
|File Name 16=PMLP179425-16_bassoon_1.pdf
|File Name 17=PMLP179425-17_bassoon_2.pdf
|File Name 18=PMLP179425-18_bassoon_3.pdf
|File Name 19=PMLP179425-19_bassoon_4_cbsn_2.pdf
|File Name 20=PMLP179425-20_cbsn_1.pdf
|File Name 21=PMLP179425-21_horn_1.pdf
|File Name 22=PMLP179425-22_horn_2.pdf
|File Name 23=PMLP179425-23_horn_3.pdf
|File Name 24=PMLP179425-24_horn_4.pdf
|File Name 25=PMLP179425-25_horn_5.pdf
|File Name 26=PMLP179425-26_horn_6.pdf
|File Name 27=PMLP179425-27_horn_7_ttuba_1.pdf
|File Name 28=PMLP179425-28_horn_8_ttuba_2.pdf
|File Name 29=PMLP179425-33_picc_trumpet.pdf
|File Name 30=PMLP179425-29_trumpet_1.pdf
|File Name 31=PMLP179425-30_trumpet_2.pdf
|File Name 32=PMLP179425-31_trumpet_3.pdf
|File Name 33=PMLP179425-32_trumpet_4_bass_tpt.pdf
|File Name 34=PMLP179425-34_trombone_1.pdf
|File Name 35=PMLP179425-35_trombone_2.pdf
|File Name 36=PMLP179425-36_trombone_3.pdf
|File Name 37=PMLP179425-37_tuba_1.pdf
|File Name 38=PMLP179425-38_tuba_2.pdf
|File Name 39=PMLP179425-39_timpani_1.pdf
|File Name 40=PMLP179425-40_timpani_2.pdf
|File Name 41=PMLP179425-41_bd_cym_guiro.pdf
|File Name 42=PMLP179425-42_tri_tamb_crot_guiro.pdf
|File Name 43=PMLP179425-43_tam.pdf
|File Name 44=PMLP179425-91_vi.pdf
|File Name 45=PMLP179425-92_vii.pdf
|File Name 46=PMLP179425-93_va.pdf
|File Name 47=PMLP179425-94_vc.pdf
|File Name 48=PMLP179425-95_cb.pdf
|File Description 1=Piccolo 1
|File Description 2=Flute 1
|File Description 3=Flute 2
|File Description 4=Flute 3/Piccolo 2
|File Description 5=Alto Flute (G)
|File Description 6=Oboe 1
|File Description 7=Oboe 2
|File Description 8=Oboe 3
|File Description 9=Oboe 4/English Horn 2
|File Description 10=English Horn 1
|File Description 11=Piccolo Clarinet (D/E{{flat}})
|File Description 12=Clarinet 1 (A/B{{flat}})
|File Description 13=Clarinet 2 (A/B{{flat}})
|File Description 14=Clarinet 3/Bass Clarinet 2 (B{{flat}})
|File Description 15=Bass Clarinet 1 (B{{flat}})
|File Description 16=Bassoon 1
|File Description 17=Bassoon 2
|File Description 18=Bassoon 3
|File Description 19=Bassoon 4/Contrabassoon 2
|File Description 20=Contrabassoon 1
|File Description 21=Horn 1 (F)
|File Description 22=Horn 2 (F)
|File Description 23=Horn 3 (F)
|File Description 24=Horn 4 (F)
|File Description 25=Horn 5 (F)
|File Description 26=Horn 6 (F)
|File Description 27=Horn 7 (F)/Tenor (Wagner) Tuba 1 (B{{flat}})
|File Description 28=Horn 8 (F)/Tenor (Wagner) Tuba 2 (B{{flat}})
|File Description 29=Piccolo Trumpet (D)
|File Description 30=Trumpet 1 (C)
|File Description 31=Trumpet 2 (C)
|File Description 32=Trumpet 3 (C)
|File Description 33=Trumpet 4 (C)/Bass Trumpet (E{{flat}})
|File Description 34=Trombone 1
|File Description 35=Trombone 2
|File Description 36=Trombone 3
|File Description 37=Tuba 1
|File Description 38=Tuba 2
|File Description 39=Timpani 1
|File Description 40=Timpani 2
|File Description 41=Bass Drum/Cymbals/Guiro
|File Description 42=Triangle/Tambourine/Crotales/Guiro
|File Description 43=Tam-Tam
|File Description 44=Violins I
|File Description 45=Violins II
|File Description 46=Violas
|File Description 47=Cellos
|File Description 48=Basses
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2023/9/22
|Publisher Information={{P|Editions Russes de Musique|Russischer Musikverlag G.m.b.H.|Berlin|1921|||R.M.V. 198}} {{P|Boosey & Hawkes||London|1947|||B. & H. 16603}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP179425-Rite_of_Spring-_Percussion_Score.pdf
|File Description 1=Percussion Score
|Editor={{LinkEd|Joaquin|Hernandez}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Joaquinpercusses|Joaquinpercusses]]
|Date Submitted=2024/12/24
|Publisher Information=Joaquin Hernandez, 2024.
|Copyright=Creative Commons Zero 1.0
|Misc. Notes=Percussion Listing: Timpani 1/2/Cymbals/Bass Drum/Tam-Tam/Guiro/Tambourine/Triangle/Antique Cymbals
}}

===Arrangements and Transcriptions===
=====For Piano 4 hands=====
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky-Le-Sacre-pf4h-FE.pdf
|File Name 2=PMLP179425-Stravinsky-Le-sacre-du-printemps-pf4h.pdf
|File Name 3=PMLP179425-PMLUS00762-piano4hands.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (alternate scan)
|File Description 3=Complete Score (reprint)
|Arranger=Composer
|Editor={{FE}}
|Engraver={{Röder}}
|Scanner 1={{Loeb|1167979|7}}
|Scanner 2={{IArchS|lesacreduprintem00stra_3|n6}}
|Scanner 3=CDSM
|Uploader 1-2=[[User:Pnorcks|Pnorcks]]
|Uploader 3=[[User:Music Addict|Music Addict]]
|Date Submitted 1=2024/8/11
|Date Submitted 2=2024/7/10
|Date Submitted 3=2018/5/22
|Publisher Information={{P|Editions Russes de Musique||Berlin|n.d.[1913]|1913||R.M.V. 196}}
|Reprint={{P|Dover Publications||Mineola||1989||}}
|Copyright=Public Domain
|Thumb Filename=Strav-SacrePrintempsPf4h.jpg
|Misc. Notes=The piano reduction was issued in late 1913, but reprinted (with corrections) the next year. #922169: the front matter layout is consolidated to 4 pages (compared to the 8 pages from #926656), which explains why the score begins on page 9 in both printings. #524703: B&W, medium quality. Originally submitted by [[User:Jdeperi|Jdeperi]] on 19 December 2010.
|Amazon={{AmazonLinks|0486445399|Dover (reprint)}}
}}
=====For 2 Pianos=====
{{#fte:imslpfile
|File Name 1=PMLP179425-Le_Sacre_du_Printemps_-_partie_1_(2_pianos).pdf
|File Description 1=First part
|Arranger=Minel, Alcibiade
|Editor=
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2026/1/24
|Publisher Information=self published, 2012.
|Copyright=Public Domain
|Misc. Notes=This is a genuine transcription for two pianos, conceived to make full use of two independent instruments. It differs from Stravinsky’s piano version, which is essentially a four-hands transcription.
}}

===Sketches and Drafts===
{{#fte:imslpfile
|File Name 1=PMLP179425-PMLUS02191-Stravinsky_Le_Sacre_sketches_1911-1913.pdf
|File Description 1=Sketches (1911-13)
|Editor=
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Alaric|Alaric]]
|Date Submitted=2021/1/7
|Publisher Information={{MssAu|19||11-13}}
|Reprint={{P||Sacher Foundation|Winterthur|1969}}
|Copyright=Public Domain
|Misc. Notes=
}}

===Braille Scores===
{{#fte:imslpfile
|File Name 1=PMLP179425-Stravinsky_-_The_Rite_Of_Spring.brf
|File Description 1=Complete Score
|Editor={{LinkEd|Hu|Haipeng|1984|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2024/1/10
|Publisher Information=Hu Haipeng, 2020.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes={{BrailleScore|customized (combining bar-over-bar and line-over-line)|40|||}}
}}

| *****WORK INFO*****
|Work Title=Весна священная (Vesna svyashchennaya)
|Alternative Title=Le sacre du printemps ; The Rite of Spring
|Opus/Catalogue Number=K015
|Key=
|Movements Header=2 parts
|Number of Movements/Sections=2 parts:
{{#subitem:id=5of28t4c|level=1|number='''I'''|title='''L'adoration de la terre'''}}
{{#subitem:id=HRtB/5M9|level=2|number=1|title=Introduction}}
{{#subitem:id=pQiQ0CVk|level=2|number=2|title=Les Augures printaniers}}
{{#subitem:id=undlXJhL|level=2|number=3|title=Jeu du rapt}}
{{#subitem:id=wAuyFlOu|level=2|number=4|title=Rondes printanières}}
{{#subitem:id=JCk9BchC|level=2|number=5|title=Jeux des cités rivales}}
{{#subitem:id=iKAOz01H|level=2|number=6|title=Cortège du sage}}
{{#subitem:id=E3coVlDX|level=2|number=7|title=Danse de la terre}}
{{#subitem:id=8Fz4J0uN|level=1|number='''II'''|title='''Le sacrifice'''}}
{{#subitem:id=L+w7fptC|level=2|number=8|title=Introduction}}
{{#subitem:id=mZ+kQIJP|level=2|number=9|title=Cercles mystérieux des adolescentes}}
{{#subitem:id=o2bdQkuZ|level=2|number=10|title=Glorification de l'élue}}
{{#subitem:id=s6VSQwbr|level=2|number=11|title=Evocation des ancêtres}}
{{#subitem:id=NHItqXPp|level=2|number=12|title=Action rituelle des ancêtres}}
{{#subitem:id=0qD4430q|level=2|number=13|title=Danse sacrale (L'élue)}}
|Average Duration=33 minutes
|Dedication=
|First Performance=1913/05/29 in Paris, Théâtre des Champs-Élysées
:Ballets Russes; Pierre Monteux (conductor)
|Year/Date of Composition=1910-13
|Year of First Publication=1913, 1921 - Berlin: [[Editions Russes de Musique]] (piano duet, score and parts)
|Librettist=
|Language=
|Authorities={{Wikidata|Q206015}}
|Discography={{MusBrnz|W|54dacada-b00c-34b6-bbbb-e89855c7219f}}
|Extra Information={{ForumTh|13817|''Opening bassoon solo - source variants''}}, {{ForumTh|13816|''About the final chord''}}
|External Links={{StravCat|188-k015-the-rite-of-spring}} [[wikipedia:The_Rite_of_Spring|Wikipedia article]] {{AMG|mc0002360782}} {{SMPtsearch|igor-stravinsky-sheet-music/1800643|rite+of+spring}}
|Piece Style=Early 20th century
|Instrumentation=orchestra
|InstrDetail={{More}}
:piccolo, 3 flutes (3rd also piccolo), alto flute, 4 oboes (4th also english horn),
::english horn, E{{flat}} clarinet, 3 clarinets (3rd also bass clarinet), bass clarinet, 4 bassoons (4th also contrabassoon), contrabassoon
:8 horns (7th, 8th also Wagner tuba), piccolo trumpet,
::4 trumpets (4th also bass trumpet), 3 trombones, 2 tubas
:timpani (2 players), triangle, tambourine, tam-tam, guiro, bass drum, crotales, cymbals, strings {{MoreEnd}}
|Tags=ballets ; orch

| *****COMMENTS***** =

{{Ballets (Stravinsky, Igor)}}

| *****END OF TEMPLATE***** }}

[[Category:Scordatura|Rite of Spring (Stravinsky, Igor)]]
{{Missing}}

2011-06-08T10:32:44Z

Goreld:

Wishlist N-R

2011-06-07T17:09:11Z

Goreld: /* {{Cat|Ravel, Maurice}} (1875–1937) */

{{wishlist|L-M}}

<div style="float: right; margin-left: 10px; font-size: 85%; padding-left: 80px">__TOC__</div>

=={{Cat|Naudot, Paul}} (18__?–19__?)==
Dates needed!
* 2 Gavottes
=={{Cat|Naumann, Ernst}} (1832{{EN}}1910)==
*Viola Sonata, Op.1 (pub.mid-1850s judging from B&H plate no. 8983)
*String Quartet in B-flat major, Op.9 (pub.1877? by Breitkopf&Härtel)
*Serenate (Nonett) fuer 2 violinen, viola, cello, bass, flute, oboe, bassoon & horn, Op.10

=={{Cat|Naumann, Johann Gottlieb}} (1741–1801)==
* Messe in d-Moll, 1794
* Missa in c-Moll
* Missa in a-Moll
* La passione di Gesù Cristo, 1767
* Davide in Terebinto, 1794
* I pellegrini al sepolcro di Nostro Signore, 1798
* Orchestral works in minor keys
* Keyboard and Organ works in minor keys

=={{Cat|Navrátil, Karel}} (1867–1936)==
* Concert overture, Op.5 (pub.1872)
* Piano Trio No.1 (in E{{flat}}?), Op.9 (pub.1881)
* String Quartet No.1 in D minor, Op.18 (pub.1888)
* Cello sonata in D minor, Op.24 (pub. 1903)
* Opera Herman (manuscript)
* Symphony in G minor (1902? manuscript. At Free Library of Philadelphia.)

=={{Cat|Neitzel, Otto}} (1852–1920)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* Piano Concerto [Full Score or 2-piano reduction]

=={{Cat|Neunhaber, Andreas}} (1603–1663)==
* Chorale settings for Organ

=={{Cat|Nevin, Gordon Balch}} (1892–1943)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* A Moonlight Serenade (organ, publ. 1914)
* L'Arlequin (Staccato Etude) (organ, publ. 1917)
* Sketches of the City, Suite (organ, publ. 1917)
* Will 'o the Wisp (organ, publ. 1914)

=={{Cat|Nicolai, Otto}} (1810–1849)==
*Overture on "Von Himmel Hoch" - full score

=={{Cat|Nielsen, Carl}} (1865–1931)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
* Ved en ung Kunstners Baare (At the Bier of a Young Artist), op.58
* Aladdin Suite, Op.34
* Maskarade Overture - full score

=={{Cat|Nietzsche, Friedrich}} (1844–1900)==
*Ermanarich - Symphonic Poem (piano piece)

=={{Cat|Nivers, Guillaume-Gabriel}} (ca. 1632–1714)==
* Observations sur le toucher et jeu de l'orgue (1665, included in Livre d'orgue contenant cent pièces)
* Méthode facile pour apprendre à chanter la musique (1666, also attributed to Charles le Maire[1])
* Traité de la composition de musique (1667)
* Dissertation sur le chant grégorien (1683)
* L'art d'accompagner sur la basse continue (1689, included in Motets а voix seule)
* Méthode certaine pour apprendre le plain-chant de l'Église (1698)
* Complete Liturgical Editions
* Livre d'orgue contenant cent pièces de tous les tons de l'église (1665)
* 2e livre d'orgue contenant la messe et les hymnes de l'église (1667)

=={{Cat|Norman, Ludvig}} (1831–1885)==
*Violin Sonata in D minor, Op.3 (Kistner, 1852).
*Piano Trio in D major, Op.4 (pub. Kistner, 1853).
*Piano Quartet in E minor, Op.10 (pub. Kistner, 1862).
*Cello Sonata in D, Op.28 (pub. Kistner, 1876).
*String Quartet No.2 in E, Op.20 (pub. Bagge, 1882.)
*String Quartet No.3 in D Minor, Op.24?? (not sure. from Wikipedia but not positive where that part of the list was from, and I think I helped compile it, too. likewise quartet 4 in C. must check.- Schissel)
*Viola Sonata Op.32 in G minor (pub.1875).
*Piano Trio No.2 in B minor, Op.38 (pub. by 1911.)
*Symphony No.2 in E{{flat}} major, Op.40 (pub. Musikaliska Konstföreningen, 1873.)
*Symphony No.3 in D minor, Op.58 (pub. Musikaliska Konstföreningen, 1885.)
*String Quartet no.4 in C major, Op.41/2 (poss. unpublished??)
*String Quartet no.5 in A minor, Op.65 (pub.Bagge, 1887.)

=={{Cat|Nováček, Ottokar}} (1866–1900)==
* Concerto Eroica for piano & orchestra [Full Orchestral Score]
* Perpetum Mobile (For Violin and Orchestra)

=={{Cat|Novák, Vítězslav}} (1879–1941)==
* Serenade in F major (not opus 9 though often given that opus number. opus 9 is the Serenaden: 4 Piano pieces, or [[Serenades, Op.9 (Novák, Vítězslav)]], a much much briefer work than the 40-minute serenade in F.)
* Violin concerto in E minor (Sibley has piano reduction)

=={{Cat|Nowowiejski, Feliks}} (1877–1946)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* organ works



=={{Cat|Ockeghem, Johannes}} (ca.1410–1497)==
* Requiem (Missa pro defunctis)
* Missa prolationum

=={{Cat|Offenbach, Jacques}} (1819–1880)==
* Les Larmes du Jacqueline
* La Perichole, vocal score
:Now uploaded [[La Périchole (Offenbach, Jacques)|here]].
* La Vie Parisienne, overture in full score
* Grand duo Concertante for two cellos, parts
* Complete Piano Solo Works
* Concerto militaire for cello and orchestra
* Grand Duchess of Gerolstein Overture - full score

=={{Cat|Oley, Johann Christoph}} (1738–1789)==
* Chorale Prel.

==Olsson, Otto Emanuel (1879–1964)==
Under copyright worldwide, apart from a couple of very early works (publ. before 1923) which are PD in the USA. No posting without written permission from the copyright owner.
*Organ Symphony No. 1 in E{{flat}} Op. 15 (1902)
*Second Symphony - Credo Symphoniacum Op. 50 (1918)

=={{Cat|Onslow, Georges}} (1784–1853)==
*Cello Sonata
*String quartet 35, opus 66, in D major? (1844, pub.1845)
*String quintet 26, opus 67, in C minor (1844, pub.1845)
*Symphony No.1 in A major op.41 (pub. Kistner ca.1831, republished recently)
*Symphony No.2 in D minor op.42 (pub. Kistner ca.1832, republished recently)
*Symphony No.4 in G major op.71 (pub. Kistner 1800s - manuscript at Free Library of Philadelphia.)

=={{Cat|Oppel, Reinhard}} (1878–1941)==
*Solo violin sonata in D minor op.12 (pub.1912, Tischer&Jagenburg, and earlier self-published in 1910. BSB has- unscanned in, of course for now - this latter edition) (appears in HMB under "Oppel, Reinhold" but assuming that the composer is the same-Schissel)
*Suite in E minor for solo violin op.19 (pub. 1913. self-published in Kiel apparently? also at BSB.)
*String Quartet in F minor, Op.33 (pub.1929, Peters)
=={{Cat|Orefice, Giacomo}} (1865–1922)==
*Opera ''Chopin'' (pub. Milan: E. Sonzogno, 1904.) (Newberry Lib., Roosevelt Lib. both of Chicago IL, Southern Utah Lib. have. Hrm... - Librettist, Angielo Orvieto (1869-1967), makes this a PD-US production for now. Apparently like Wright & Forrest's musicals the music in the opera is mostly by Chopin, oddly... I wonder what Orefice's contribution was.)
*''Il gladiatore'' : dramma lirico in un atto (libretto by Pietro Cossa (1830–1881), pub. 1897? by Bologna: A. Tedeschi.)

=={{Cat|Ornstein, Leo}} (1893–2002) ==
All works under copyright worldwide. No posting without written permission from the copyright owner.
*Dance of the Fates (S822)
*Piano Concerto (S824)

=={{Cat|Ortells, Antonio Teodoro}} (1649–1706)==
* Oratorio sacro a la Passione de Christo

=={{Cat|Ortiz, Diego}} (1510–1570) ==
* Doulce mémoire: Recercada segonda



=={{Cat|Pabst, Paul}} (1854–1897)==
* Six Morceaux Caracteristiques for piano, Op. 84

=={{Cat|Pachelbel, Johann}} (1653–1706)==
* Ciacona (Chaconne)in D minor
* Ciacona (Chaconne)in D major
* Organ Works --> most (or all?) of the organ works are here!
**Magnificats
**Chorale Preludes
**Preludes & Fugues
* Any Preludes, Toccatas, Fantasias, Fugues, Chaconnes, Chorale preludes, Chorale variations, etc. not in DTB.
* Preludes and Fugues and other works from Mylau Tabulature
* Works from the Weimarer Orgeltabulatur
* Sacred Concertos
* Deus in adjutorium meum intende, ingressus, SSATB, 2vn, 3va, b.c., d minor P 92, T 396 & 382, WPC 426
* Deus in adjutorium meum intende, ingressus, SATB, 2vn, fg, b.c., g minor (no. 1) P 95, T 399, WPC 428
* Deus in adjutorium meum intende, ingressus, SSATB, 2vn, va, 2vg, fg, b.c., g minor (no. 2) P 96, T 400, WPC 429
* Deus in adjutorium meum intende, ingressus, SSATB, 2vn, 3va, fg, b.c., a minor P 98, T 402, WPC 431
* Deutlich Anweisung. Wie man durchs ganze Jahr bey wehrenden Gottesdienst, so wohl in den Vespern als Tagambt, bey S. Sebald m. der Orgel zu intonieren und zu respondiren sich zu verhalten habe.
* Fantasia (Weimar copy, details unknown)
* Fantasia (Weimar copy, details unknown)

=={{Cat|Pachelbel, Wilhelm Hieronymus}} (ca. 1685–1764)==
* Keyboard works (DTB contains some by him)
* {{LinkWork|Prelude in A minor|BWV 923a|Bach|Johann Sebastian}} (work also attributed to {{LinkComp|Johann Sebastian|Bach}})

=={{Cat|Paderewski, Ignacy Jan}} (1860–1941)==
* Overture in E-Flat
* Symphony in B Minor (uploaded)
* [[Piano Concerto, Op.17 (Paderewski, Ignacy Jan)|Concerto in A minor Op. 17 for piano and orchestra]] (dedicated to Theodore Leschetitzky), 1882-89 (only arrangement there now as of 2/11 but keep page on watchlist)

=={{Cat|Paganini, Niccolò}} (1782–1840)==
* Duetto Amoroso per violino e chitarra
* Variation on "God Save the Queen", Op. 9
* Violin Concerto No. 1 in D (Eb) Major, Op. 6 (Score)
* Violin Concerto No. 2 in B Minor, Op. 7 (Score)
* Violin Concerto No. 3 in E Major, MS 50
* Violin Concerto No. 5 in A Minor (Score and a better quality version of violin part)
* Violin Concerto No. 6 in E Minor (Score and a better quality version of violin part)
* Caprice no. 24 for violin and piano (Auer/Schumman)
* Violin Concerto No.1 in Eb Major, Op. 6 First Version
* Three Duets For Violin And Bassoon, MS 130
* Couvent Du Mont St. Bernard for violin, orchestra and male chorus, MS67
* Polacca con variazioni in A major, MS 18

=={{Cat|Paine, John Knowles}} (1839–1906)==
* Symphony No. 1, Op. 23 - full score

=={{Cat|Paisiello, Giovanni}} (1740–1816)==
*Il Barbiere di Siviglia, vocal score and full score
*La Molinara, vocal score
*Nina, ossia la pazza per amore, vocal score
*Keyboard Concerto No.1 in C major
*Keyboard Concerto No.2 in F major
*Keyboard Concerto No.3 in A major
*Keyboard Concerto No.4 in G minor
*Keyboard Concerto No.5 in D major
*Keyboard Concerto No.6 in B flat major
*Keyboard Concerto No.7 in A major
*Keyboard Concerto No.8 in C major
* R 3.02 - La Passione di Nostro Signor Gesù Cristo
* R 3.03 - Passio secundum Mattheum
* R 3.04 - Passio di San Giovanni
* R 3.11 - Passio per la domenica delle Palme
* R 3.12 - Passio per il venerdi Santo
* R 4.05 - Veni ferox, veni in G minor
* R 4.13 - Messa in Pastorale per il Natale in G major
* R 4.14 - Mass for Passion and Palm Sundays in F major
* R 4.20 - Sitibundi desolati in D minor
* R 4.47 - Laudate pueri in E minor
* R 5.01 - Missa Defunctorum in C minor
* R 5.58 - Stabat Mater del Pergolese in C minor
* R 5.59 - Libera me Domine in D minor
* R 6.17 - Psalm: Laetatus sum in D minor
* R 6.21 - Responsoria Nativitatis Domini in E minor
* R 6.22 - Responsori per la settimana santa
* R 6.23 - Responsori per Giovedi Santo
* R 6.24 - Responsori per Venerdi Santo
* R 6.25 - Lamentazione prima in C major
* R 6.26 - Lamentazione seconda in G major
* R 6.26 - Lamentazione terza in F major
* R 6.28 - Lezione per la sera del Giovedi Santo
* R 6.29 - Christus factus est in A minor
* R 6.30 - Miserere a 5 in D minor
* R 6.31 - Hymn: Pange lingua in C minor

=={{Cat|Palestrina, Giovanni Pierluigi da}} (1525 or 1526–1594)==
*[[Missarum - Liber Primus (Palestrina, Giovanni Pierluigi da)|Missa Pro defunctis a 5 — included in the first book of masses]]
* Stabat Mater dolorosa (7) (attributed by some writers to Felice Anerio) — not the versions for [[Motettorum I (Palestrina, Giovanni Pierluigi da)|8]] and [[Motettorum II (Palestrina, Giovanni Pierluigi da)|12]] voices?
*[[Lamentationum (Palestrina, Giovanni Pierluigi da)|All 4 set of Lamentations are here]] — PML

=={{Cat|Palmgren, Selim}} (1878–1951)==
*3 Humoresques for Piano, Op.26 (Was one of Palmgren's most known piano works. I don't know why this isn't uploaded yet.) (first published ca.1908? by Trieste : G. Schmidl & Co.)
*Ungarischer Tanz for Piano (may be in copyright, since it may be posthumous?)
*Rondo a Capriccio, Op.49b or Op.53 (Published ca.1930 by London : Augener)
*Ballad with Theme and Variations for Piano, Op.18 (lost? I know it was published because it is mentioned in literature, but not even WorldCat has it, and I can find no signs that it exists today.)
*Preludietto, Op.84 No.1 (Published ca.1927 by London : Augener)
*The Rest of Palmgren's Finnish Lyrics, Op.22 (Published 190? by Berlin : Schlesinger'sche Buch-u Musikhandlung; available from the Denver Public Library)
*Piano Concerto No.4, Op.85 ''April'' (Published 1931 by Stockholm : Gehrmans)
*The Complete Six Lyric Pieces, Op.28 (Published 1909 by Kbh. : Wilhelm Hansen; a more common yet later publication was from 1912 by Boston : Boston Music Co.; available from the Denver Public Library)
**The Aus Finland, Op.24 score and parts, the scores and parts for the Valse from Palmgren's incidental music for Cinderella, Der Fluss Piano Concerto No.2 score and parts, Metamorphoses Piano Concerto No.3 score and parts, and the Pastoral in Three Scenes, Op.50 scores and parts are all available from the Free Library of Philadelphia, if someone has access to it. I know it would definitely be worthwhile if we got these rather large and important works by Palmgren uploaded, especially since we don't have any full scores or parts for any of his larger orchestral works and concerti. They are located in the Fleischer Collection, and therefore will need an appointment scheduled for photocopying the individual parts and scores. --[[User:Lisztrachmaninovfan|Lisztrachmaninovfan]] 05:52, 4 April 2011 (UTC)
**A very large amount of scores and parts for Palmgren works, including score for ones that are for piano are available from the DBC, or Danish Union Catalogue and Danish National Bibliography, according to WorldCat. --[[User:Lisztrachmaninovfan|Lisztrachmaninovfan]] 23:23, 12 April 2011 (UTC)

=={{Cat|Paradies, Pietro Domenico}} (1709–1791)==
* Keyboard music
* Cantatas
* Organ works

=={{Cat|Parry, Charles Hubert Hastings}} (1848–1918)==
* I was glad (see [[cpdl:Parry|CPDL]])
* Blest pair of Sirens (full score)
* The Vision of Life (1907)
* An English Suite
* Symphony No.5 in B minor (Symphonic fantasia, 1912)
* Any Organ Works (Fantasias, Chorale Preludes, etc)
* Manuscripts of the 3 string quartets and quintet

=={{Cat|Pasquini, Bernardo}} (1637–1710)==
* Keyboard works
* Organ works
* Oratorios

=={{Cat|Pasquini, Ercole}} (ca.1560–1619)==
* 6 Toccatas
* 2 Durezze
* 9 or 10 Canzonas
* 5 sets of variations
* 3 dances
* an intabulation of Cipriano de Rore's madrigal Ancor che co'l partire.

=={{Cat|Pepusch, John Christopher}} (1667–1752)==
* Keyboard works
* Organ works
* Sacred Vocal works
* The Death of Dido
* Menaloas
* Chamber music in minor keys
* Orchestral music in minor keys

=={{Cat|Peraut, Mathieu}} (fl.1797–1804)==
* Méthode pour la Flûte (Paris, c.1800)

=={{Cat|Pergolesi, Giovanni Battista}} (1710–1736)==
* [[Stabat Mater (Pergolesi, Giovanni Battista)|Stabat Mater (orchestra parts)]] - Manuscript now available
* Sonata ''(in stile di Concerto)'' in Eb Major for Violin with accomp. of 2 Violins, Viola and Basso continuo
* "Tilge, Höchster, meine Sünden" (Bach arrangement of Stabat mater), BWV 1083 (Full Score and Manuscript).
* Orfeo altrimenti noto come Nel chiuso centro - Cantata per soprano e archi. Talvolta attribuita anche a Benedetto Marcello.
* Salve Regina in Do minore, mottetto per soprano, archi e basso continuo.(*)
* Salve regina in Fa minore, mottetto per contralto, archi e basso continuo.
* Miserere II in Do minore.

=={{Cat|Perosi, Lorenzo}} (1872–1956)==
* La Passione di Cristo (1897)
* La Trasfigurazione di Cristo (1898)
* La Risurrezione di Lazzaro (1898)
* La Risurrezione di Cristo (1898)
* Il Natale del Redentore (1899)
* La Strage degli Innocenti (1900)

=={{Cat|Perti, Giacomo Antonio}} (1661–1756)==
* Oratorio della Passione, 1685
* La Passione di Cristo, 1694
* Cristo al Limbo, 1698
* Gesù al Sepolcro, 1703
* La Sepoltura di Cristo, 1704
* La Passione di Cristo, 1721
* Oratorio della nascita del Signore, no date
* La sepoltura di Cristo, non datato (differente da Bologna, 1704; attribuito a Perti, possibile rielaborazione di un lavoro di Giacomo Cesare Predieri; tramandato anche col titolo spurio di San Giovanni)
* 28 Masses
* Sonatas and Sinfonias for Instruments

=={{Cat|Pescetti, Giovanni Battista}} (1704–1766)==
* 10 Sonate per clavicembalo (1739, Londra)
* 4 lavori per organo
* 2 Sonate per clavicembalo
* Lezione per tastiera

=={{Cat|Peterson-Berger, Wilhelm}} (1867–1942)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA. 
* Frösöblomster II and III (Piano parts)
* Symphonies

=={{Cat|Petrali, Vincenzo Antonio}} (1832–1889)==
* Any organ works

=={{Cat|Pfitzner, Hans}} (1869–1949)==
* Cello Concerto in A minor (1888–89)

=={{Cat|Philipp, Isidor}} (1863–1958)==
* Broken Chords
* School Of Technique

=={{Cat|Piccinini, Alessandro}} (1566–1639)==
* Toccata für Laute Nr. 13

=={{Cat|Pischna, Josef}} (1826–1896)==
* Preparatory Exercises
* The Little Pischna

==[[:Category:Piutti, Karl|Piutti, Carl]] (1846–1902)==
* Choralbearbeitungen op. 34 for organ (first print 1900)

=={{Cat|Pixis, Johann Peter}} (1788–1874)==
* Piano Concerto in C, Op. 100 [Full Score or 2-piano reduction]
* Double Concerto for Violin & Piano [Full Score or parts]

=={{Cat|Plaidy, Louis}} (1810–1874)==
* Technical Studies

=={{Cat|Platti, Giovanni Benedetto}} (1697–1763)==
* Stabat Mater Dolorosa
* Concerti grossi, after op. 5 of {{LinkComp|Arcangelo|Corelli}}
* Concerto in C minor for piano, strings and orchertra
* 6 sonatas for harpsichord op. 4
* 6 „Sonates pour le clavessin sur le goût italien“, op.1 (Nürnberg, 1742)
* Konzert für Oboe, Streicher und b.c.
* 16 Konzerte für obligates Violoncello, Streicher und Bass
* 9 Konzerte für Violoncello concertato, Streicher und Bass
* 2 Oratorien, Franchonia cristiana und Sant'Elena a calvario, 1732
* Sonatas for cello and B.C.

=={{Cat|Pollini, Francesco}} (1762–1846)==
* Methodo del clavicembelo (c.1811)

==[[:Category:Ponce, Manuel|Ponce Cuéllar, Manuel María]] (1882–1948)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA. 
* Estrellita for piano solo

=={{Cat|Porpora, Nicola Antonio}} (1686–1766)==
* Gedeone
* Il martirio di Santa Eugenia
* I martìri di San Giovanni Nepomuceno
* Il verbo incarnato
* Davide
* Il trionfo della divina giustizia
* 6 sinfonie da camera a 3, op. 2 (1736, Londra)
* Ouverture roiale per orchestra (1763)
* Concerto in sol maggiore per violoncello e archi
* Concerto per flauto e archi
* 2 fughe per clavicembalo

=={{Cat|Poulenc, Francis}} (1899–1963)==
Under copyright worldwide, apart from earlier works (publ. before 1923) which are PD in the USA. No posting without written permission from the copyright owner. 

=={{Cat|Praetorius, Hieronymus (I)}} (1560–1629)==
* Organ and Keyboard works
* Masses
* Magnificat settings
* Kyries

=={{Cat|Praetorius, Hieronymus (II)}} (ca. 1620–?)==
* Any works

=={{Cat|Praetorius, Hieronymus (III)}} (1614–1629)==
* Organ works
* Sacred vocal works

=={{Cat|Praetorius, Jakob (I)}} (ca. 1520–1586)==
* Any works

=={{Cat|Praetorius, Jakob (II)}} (1586–1621)==
* Organ and Keyboard works
* Sacred vocal works

=={{Cat|Praetorius, Johann}} (1595–1660)==
* Organ works

=={{Cat|Praetorius, Michael}} (1571–1621)==
* Terpsichore (any dances)

=={{Cat|Praetorius, Michael (II)}} (ca. 1587–1624)==
* Any works

=={{Cat|Prokofiev, Sergei}} (1891–1953)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA. 
* Alexander Nevsky Op.78 -full score for first movement and parts available
* Cello Sonata in C Op.119
* Cinderella, Ballet version Op.87
* Cinderella Orchestral Suites No.1 Op.107, No.2 Op.108, No.3 Op.109
* Complete Symphonies
* Flute Sonata op.94a
* Five Melodies for Violin and Piano
* Romeo and Juliet symphonic suites No 1, 2, and 3
* Scythian Suite - parts and score -string parts uploaded
* Sonata for Solo Violin, Op. 115
* Violin Sonata in F minor Op.80
* Sinfonia Concertante for Cello & orchestra (Solo part and Piano Reduction)

=={{Cat|Puccini, Giacomo}} (1858–1924)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* E L'uccellino, Song
* 3 Minuetti for String Quartet
* Chrisanthemums

=={{Cat|Purcell, Henry}} (1659–1695)==
* The Fairy Queen (First edition published in 2009)
:?? Please clarify: there’s been a published edition of this '''long''' before 2009 (pub. Novello). Do you want this or the new 2009 edition by Bruce Wood and Andrew Pinnock — which is unlikely to be permitted. PML
* Come, ye Sons of Art, Z 323
:See my edition over at [[cpdl:Come, ye Sons of Art, Z 323 (Henry Purcell)|CPDL]]. One day I might get around to uploading it here… PML



=={{Cat|Quantz, Johann Joachim}} (1697–1773)==
*Flute Sonatas
*Flute Concerti
*Concerto For Flute In G Minor QV5:192 (Flute/Piano)
* Flute concerti in C minor
* Flute concerti in D minor
* Flute concerti in E minor
* Flute concerti in G minor
* Flute concerti in A minor
* Flute concerti in B minor
* QV 6:3 - Concerto No. 59 for flute, oboe and violin in E minor
* QV 6:4 - Pastorale in G major



=={{Cat|Rachmaninoff, Sergei}} (1873–1943)==

While works first published before 1960 are PD in Canada, many works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* Solo Piano part of piano concerti
* 1 piano version of all concerti
* Transcriptions - Kreisler's ''Liebesfreud'' and ''Liebeslied'' (1925?)
* Youth symphony
* Melodie in D major for cello and piano (1890) 
* The Miserly Knight, Op. 24 (full score) - the other two operas are here
* Prelude for Cello and Piano, Op.2 No.1 (1892)
These works under copyright worldwide. No posting without written permission from the copyright owner.
* Daisies for violin and piano (transcribed by Heifetz)

=={{Cat|Racquet, Charles}} (1597–1664)==
* 12 Duos for Organ

=={{Cat|Radeck, Johann Martin}} (ca. 1623–1684)==
* Organ works

=={{Cat|Radecke, Rudolf}} (1829–1893)==
Older brother of {{LinkComp|Robert|Radecke}} (1830–1911). See [[Talk:List of compositions by Robert Radecke]] for an ulterior motive for my interest here: worklist ambiguity, reduction of.-Schissel
14? published works with opus number (and a couple apparently without) of which
*Psalm 23, Op.13 (pub.1877)
*Zwei Lieder (Trinklied ; Morgenwanderung) f. vierstimm. Männerchor, Op.14 (pub.1891, Challier & Co.) seem the most interesting offhand.

=={{Cat|Raff, Joachim}} (1822–1882)==
* [[Piano Concerto, Op.185 (Raff, Joachim)|Piano Concerto, Op.185, C minor]] full score or two piano reduction (pub.1874 or so) (full score now uploaded.)
* Suite for piano & orchestra, Op.200 [Full Score or two piano reduction] (pub.1876 so should be fine.) (Sibley has arr. for 2 pianos of this)
* Die Tageszeiten for piano, orchestra & chorus, Op.209 (pub. about 1880 so should be fine.)
* Piano Trio No.4, Op.158 (pub.1871) (Sibley has but in restricted circ.)
* Suite de morceaux, Op.75 - [complete] (pub.1859/60)
* Piano arrangement of Bach's six Cello Suites WoO.30 (pub. 1869-71)
* Duo for Piano and Cello or Violin, Op.59 (1852)
* Cello Concerto No.2 WoO.44 (1876)
* Symphonies (Sibley has no.1 in 1864 Score. sym.2 (1868), sym. 3 (1870 piano, 1871 full score), sym. 4 1872, , sym. 6 (1874), sym. 9 (1879 score), sym.10 (1882), sym. 11 ed. (1883)), sinfonietta (1874)
* Festmarsch, op.139 (1878) (copy at Sibley)
* Sinfonie Nr. 4 g-Moll op. 167
* Sinfonie Nr. 6 d-Moll op. 189 („Gelebt: Gestrebt, Gelitten, Gestritten – Gestorben – Umworben“)
* Sinfonie Nr. 9 e-Moll op. 208 („Im Sommer“)
* Sinfonie Nr. 10 f-Moll op. 213 („Zur Herbstzeit“)
* Sinfonie Nr. 11 a-Moll op. 214 („Der Winter“)

=={{Cat|Raison, André}} (1640s–1719)==
* Second livre d`Orgue sur les acclamations de la paix tant desirées … 1714
* Offertoire du 5e ton
* Messe du 3e ton

=={{Cat|Rameau, Jean-Philippe}} (1683–1764)==
* Pièces de clavecin en Concert (Rameau, Jean-Philippe), violon 2ieme
:(The 1741 edition states in the title that one can use a second violin in stead of the bass viol, but none of the three editions on IMSLP contains this part.)
* Les Boreades - full score or orchestral suite
* Mémoire où l'on expose les fondemens du Système de musique théorique et pratique de M. Rameau (1749)
* Nouvelles réflexions de M. Rameau sur sa 'Démonstration du principe de l'harmonie' (Paris, 1752)
* Suite des erreurs sur la musique dans l'Encyclopédie (Paris, 1756)
* Reponse de M. Rameau à MM. les editeurs de l'Encyclopédie sur leur dernier Avertissement (Paris, 1757)
* Nouvelles réflexions sur le principe sonore (1758–9)
* Lettre à M. Alembert sur ses opinions en musique (Paris, 1760)
* Origine des sciences, suivie d'un controverse sur le même sujet (Paris, 1762)

=={{Cat|Ramsöe, Wilhelm}} (1837–1895)==
*Brass Quartets 1 and 4, parts

=={{Cat|Ranzato, Virgilio}} (1883–1937)==
* Cin ci la (1925, vocal score)

=={{Cat|Rathgeber, Valentin}} (1682–1750)==
* Augsburger Tafel-Confect
* Opus I Octava musica clavium octo musicarum in Missis octo musicalibus (mass compositions)
* Opus VI (secular instrumental works)
* Opus VII (masses for the church year)
* Opus VIII (requiem and Libera)
* Opus XIII (Miserere and Tantum ergo)
* Opus XIX (masses)

=={{Cat|Ravel, Maurice}} (1875–1937)==
*Piano fugues
THESE WORKS UNDER COPYRIGHT: 

=={{Cat|Reger, Max}} (1873–1916)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* All Organ Works
** especially all Organ Transcriptions (Toccatas, Preludes and Fugues from Well-Tempered Clavier, Chromatic Fantasy and Fugue, Inventions and Sinfonias by Bach)
* All Choir Works
* Piano quartets (uploaded)
* Piano trios (uploaded)
* Piano quintets (uploaded)
* String Sextet in F major, Op.118 (pub. 1911 by Bote & Bock)
* Cello sonatas (cello and piano) (only no.3 lacks separate cello part, I think? but all uploaded)
* Two Sonatas for Clarinet or Viola and Piano, Op.49 (1900), for viola and piano

=={{Cat|Reicha, Anton}} (1770–1836)==
* Cello Concerto dedicated to de Jacques-Michel Hurel de Lamare (1803/1823)
* Cello Concerto in D major (performed before 1789 or between 1812 and 1814) (possibly by Josef Reicha)
* Cello Concerto in D-sharp major (possibly by Josef Reicha) || have not seen the score, but as far as I know, works described as 'in Dis' were - generally - not in D{{sharp}} / E{{flat}} major, but rather in D with a heavy predominance of woodwinds to whom the sharpish key was being warned about. It's "a Classical/early-Romantic thing". (Schissel)
* Sinfonico for 4 flutes
* [[3 String Quartets, Op.95 (Reicha, Anton)|3 string quartets, Op.95]] (pub.ca.1810? Sibley, other places have.)

=={{Cat|Reicha, Josef}} (1752–1795)==
* Cello Concerto in A Major Op.4/1
* Cello Concerto in C Major Op.2/2
* Cello Concerto in D Major
* Cello Concerto in E Major (Cello and Strings or Quartet)
* Cello Concerto in G Major
* Double Concerto for Violin and Cello in D Major Op.3
* 5 other Cello Concertos

=={{Cat|Reichert, Mathieu-André}} (1830–1880)==
* 7 Daily Exercises, Op. 5

=={{Cat|Reinecke, Carl}} (1824–1910)==
*Symphony No. 1 in A major, Op.79, Two Piano Reduction or full Orchestral score
*Symphony No. 2 in C minor, Op.134, Two Piano Reduction or full Orchestral score (pub. ca. 1870 in 4-hand reduction by composer)
*Symphony No. 3 in G minor, Op.227, Two Piano Reduction or full Orchestral score (pub.1895 in 4-hand reduction by composer) (4-hand reductions of all symphonies now uploaded)
*[[Trio for Piano, Clarinet, and Horn, Op.274 (Reinecke, Carl)|Trio for piano, clarinet, cor (va), Op.274]]
*Harp concerto op.182 (note: harp part has been uploaded I see, awaiting rest-Schissel)
*Flute Concerto, Op. 283 - Full Orchestral Score
*Cello Concerto in D minor, Op.82 (piano reduction pub. ca. 1860s, Schott 18383/18386) (Sibley has cello solo, string parts and piano reduction, not yet scanned I believe as of 12/2010)
*Violin Concerto in G minor, Op.141 (pub.ca.1877, B&H 14652 full score)
*Complete symphonies in Full Orchestral Score
*Lieder, Op.64
*6 pieces for piano, Op.123

=={{Cat|Reinhold, Hugo}} (1854{{EN}}1935)==
*Praeludium, Menuett und Fuge : für Streichorchester, Op.10 (Kistner, 1880s?)
*String Quartet in A major, Op.18 (ca.1880)
*Intermezzo scherzoso for orchestra, Op.29 (pub. about 1882, Gutmann) (@Harvard)
*Serenade No.2 for Violin and Piano in E minor, Op.31.(ca.1882.)
*Concert overture in A minor, Op.32 (pub.1882, Gutmann) (@Harvard & Wissenschaftliche Stadtbibliothek Mainz)

=={{Cat|Reissiger, Carl Gottlieb}} (1798–1859)==
* Concertino, op. 63
* Symphony (no.1?) in E{{flat}}, op.120 (published 1838 according to HMB)
* Duo Brillant in B{{flat}} major, op. 130 (published in 1838 by Paul of Dresden)
* Fantasie, op. 146
* Second Fantasie, op. 180
* Adagio und Rondo alla polacca, op. 214
* Masses (no.2 in C pub. by 1850s; no.4 in E{{flat}} major published in 1825, republished edited by Charles Lewis in 1884, republished in 2009; no. 9 manuscript "O. Lange, Dresden, 1885."; Missa solemnis in D minor (composed 1827 according to Reißiger Society)- may be too recent a publication (by Edition MF 1997 with ©1996 ,and recorded in 1996 also) but hopefully an earlier pub. exists, likewise with "Missa X" for soloists, mixed chorus and orch. published in 2000 and again in 2010.)

=={{Cat|Respighi, Ottorino}} (1879–1936)==
Those first published after 1922 are possibly copyright in the USA.
* Violin Concerto Gregoriano (pub.1922?)
* Sinfonia drammatica - full orchestral score (composed 1914, pub.(c)1922 apparently by UE)
* Piano concerto a-minor (pub. 1961 apparently by Ricordi - in copyright everywhere until next year?)
* Pini di Roma - oboe 1 and english horn part
* La primavera - full orchestral score (even vocal score not pub. until 1923 or so, orch. score - ?)

=={{Cat|Reuchsel, Amédée}} (1875–1931)==
* Organ Sonatas

=={{Cat|Reuss, August}} (1871–1935)==
*Gotenzug, Op.5 for mens' chorus (1900)
*''Symphonischer Prolog für grosses Orchester zu Hugo von Hofmannsthal's Der Thor und der Tod'', Op.10 (ca.1901)
*Piano Quintet in F minor, Op.12 (©1902)
*Johannisnacht, Tondichtung für Orchester, op.19 (Kistner, 1903)
*Judith, Tone poem after Hebbel, op.20 (Kahnt, ©1905)
*String Quartet in D minor, Op.25 (ca.1906)
*Sonata for violin and piano, Op.26 (©1910, Wunderhorn)
*Sonata in C minor for piano, Op.27 (1912 by HMB)
*Piano trio op.30 (ca.1913)
*String Quartet "Frühlings-Quartett" op.31 in E major
*Romantische Sonata in D minor (for violin and piano), Op.35 (ca.1918)
*Wind octet in B major (H-dur), Op.37 (ca.1920)
*Sommer-Idylle (2 pieces for small orchestra), Op.39 (ca.1920)
*Fantasy in A minor for 2 pianos op.42 (Tischer and Jagenberg. 1920s.)

=={{Cat|Reuss, Heinrich}} (1855–1910)==
* Symphony No. 1 in C minor, Op. 10 (pub by Bartholff Senff, 1892. at Free Library of Philadelphia. )
* Symphony No. 2 in A major (hopefully published)
* Symphony No. 3 in E minor, Op. 28 (pub. by Carl Giesel, 1907. at Free Library of Philadelphia.)
* Symphony No. 4 in A major, Op. 30 (date ? - opus numbers not a good indication with Reuss. will check)
* Symphony no.5, op.34 (pub.1907)
* Symphony no.6 in E{{flat}} major, Op.36 (pub.1909)
* String Quartet No.1 in D minor, Op.1 (ca.1881)
* String Quartet No.2 in F major, Op.11 (ca.1911 by Eulenburg) (at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden)

=={{Cat|Reutter, Georg (I)}} (1656–1738)==
* Church music
* Masses
* Oratorios
* Organ and Keyboard music
* Versetteln (short Organ Preludes)
* Toccatas
* Orchestral music

=={{Cat|Reutter, Georg}} (1708–1772)==
* 80 Masses
* 6 Requiems
* Oratorios
* Organ and Keyboard music
* 2 Symphonies
* 2 Keyboard concerti
* 2 Clarino concerti

=={{Cat|Reyer, Ernest}} (1823–1909)==
* ''La statue'' - full orchestral score (any version)

=={{Cat|Revueltas, Silvestre}} (1899–1940)==
All works of this composer are likely under copyright in the USA. Works published before 1961 are public domain in Canada.
*First and Second Little Serious Piece (pub. 1957)
*La Noche de los Mayas (pub. 1959)
*String Quartet No.1 (pub. 1952)
*String Quartet No.2 (pub. 1953)
*Toccata Without a Fugue (pub. 1959)
*Homenaje a Federico Garcia Lorca (pub. 1958)
*El Tecolote (pub. 1956)
*Ocho por Radio (pub. 1951)
*Ranas (pub. 1956)
*3 Pieces for Violin and Piano (pub. 1951)
The following works under copyright worldwide:
*Redes (pub. 1971)
*String Quartet No.3 (pub. 1995)
*String Quartet No.4 'Musica de Feria' (pub. 1967)
*Danza geometrica (pub. 1964)
*Planos (pub. 1963)
*Janitzio (pub. 1966)
*Ventanas (pub. 1970)
*Alcancías (pub. 1971)
*Batik (pub. 1996)
*Dos canciones (pub. 1946) - No.2 'Caminando' (Nicolás Guillén d.1989)
*Colorines (pub. 1966)
*Caminos (pub. 1971)
*3 Sonetos (pub. 1974)

=={{Cat|Rheinberger, Josef Gabriel}} (1839–1901)==
* Two Organ Concerts
* Piano Sonata No. 1 in C Major ("Symphonic"), Op. 47 (pub. before 1871, from plate no.?)
* Piano Sonata No. 2 in D{{flat}} Major, Op. 99 (pub.1877)
* Piano Sonata No. 4 in F{{sharp}} Minor ("Romantic"), Op. 184 (pub.1896)
* Sonata, Op.178 for Horn and Piano(score and parts) (pub. 1894, but parts may need extraction)
* Sextet for piano and winds Op. 191b - arrangement (or more or less arrangement?) of {{NoComp|Piano Trio No.4, Op.191|Rheinberger, Josef Gabriel}} so would go on that page
* Suite for organ and violin, Op. 166 (piano and organ versions both pub. 1891)
* 6 pieces for organ and violin, Op. 150
**[http://www.mediafire.com/?ajojmh2tmzu score]
**[http://www.mediafire.com/?tkj4x3kzwge violin part] -- these are both scanned in from the Carus Complete Edition with title pages. They seem to be copies of earlier editions mostly, that said. If Carus has made any changes to the scores we may not be able to use them - it's uncertain. We do have to remove the Carus title pages as these are their property afaik. (Schissel)
* 9 Advent-Motetten, Op.176 (pub. Leuckart 1894?)
* Violin Sonata No.1 in E{{flat}} major, Op.77 (pub. Robert Forberg, 1874) (NY Pub.Lib., Senckenberg, Yale, Carnegie Lib Pittsburgh, Harvard, Newberry, not counting 1960+ reprints of course)
* Symphony No.2 in F major, Op.87 (pub. by André, 1876) (Princeton U Library, Boston Pub. Library)
* operas - as available...
* 3 Requiems
* 2 Stabat maters
* 3 Overtures
* Organ Concerto in G minor OI. 177
* Piano Concerto
* Preludes, Trios, Fughettas, Character pieces, Meditations for Organ
* [[Der Stern von Bethlehem, Op.164 (Rheinberger, Josef Gabriel)|„Der Stern von Bethlehem“ op. 164]]
* Other Cantatas
* Piano works
* Tarantella in B, Op. 13

=={{Cat|Rieding, Oskar}} (1840–1918)==
* Violin Concerto op.34 in G major (note:published Bosworth, London 1909 (plate 13261?) - Schissel.)

=={{Cat|Ries, Ferdinand}} (1784–1838)==
* Trio for clarinet, cello, and piano, Op. 28
* Concertos for piano (full score)
* Symphonies
* Oratorios (Die Könige in Israel and Der Sieg des Glaubens)
* Symphonies and Overtures
* Double Horn Concerto in E-flat, WoO 19
* Introduction & Rondo, op. 113 no. 2 for Horn and Piano
* Piano Quartets op. 13, op. 17

=={{Cat|Ries, Franz}} (1846–1932)==
* Suite No.2 for Violin and Piano, Op.27 (in F major)
* Perpetuum Mobile, Op.34

=={{Cat|Rietz, Julius}} (1812–1877)==
* Concert-Ouverture ''für das Niederrheinische Musikfest 1839'' in A major, Op.7 (pub. 1840s?)
* Clarinet Concerto in G minor, Op.29
* Jery und Bätely, Singspiel, Op.10 (pub.ca.1841?)
* Lustspiel-Ouverture für Orchester, Op.18 (pub. [http://anno.onb.ac.at/cgi-content/anno-buch?apm=0&aid=1000001&bd=0001854&teil=0203&seite=00000494&zoom=1 1854] by [[Kistner]])
* Symphony No.1 in G minor, Op.13
* Symphony No.3 in E{{flat}} major, Op.31 (pub.1855 or 1856 - opening of February 1856 HMB)

=={{Cat|Rimsky-Korsakov, Nikolai}} (1844–1908)==
* ''Mlada'' (complete opera score, and suite)
* ''The Tale of Tsar Saltan'' (full score, complete opera)
* ''Млада'': ''Mlada'' (Opera-ballet) (1872) (4 acts) Collaborative work divided among Cesar Cui (Act 1), Modest Mussorgsky (Acts 2 and 3), Nikolai Rimsky-Korsakov (Acts 2 and 3), Alexander Borodin (Act 4), and Minkus (dances). The complete work has never been published or performed. [[Mlada (Finale) (Borodin, Alexander Porfirevich)|Borodin's Act 4 Finale]] (orchestrated by Rimsky-Korsakov_and [[Mlada (Act I) (Cui, César)|Cui's Act 1]] were published; the remainder is in manuscript, the music of which was largely recycled by the respective composers in later works.
* The flight of the bumble bee for violin and piano
* Servilia (Complete Opera) piano reduction.
* The Stone Guest (Complete Opera)--Full Score (Collaboration with Cesar Cui, completion of unfinished original by Alexander Dragomyschski).

=={{Cat|Rinck, Christian Heinrich}} (1770–1846)==
* ''Ah, vous dirai-je, Maman'' -- 9 Variations and Finale, Op. 90 (for Organ)

=={{Cat|Ritter, August Gottfried}} (1811–1885)==
* Organ Sonatas
* other Organ Works

=={{Cat|Robyn, Alfred George}} (1860–1935)==
*Symphony in D minor
*Concerto for piano and orchestra

=={{Cat|Röntgen, Julius}} (1855–1932)==
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* Piano Concerto in D major, Op.18 (1879), Two Piano Reduction
* Two Piano Concertos, (1929-30), Two Piano Reduction
* Violin Sonata in B minor op.1 (pub. B&H 1873) (note: Basel library has, at least- so not lost, unlike some Röntgen works, a fact always worth checking to see - not just with this composer of course. Though some of his are known to be lost or at least missing, since a catalog of his music was compiled in the 19th c including works no longer known.)
* Cello Sonata (no.1?), Op.3 (pub. B&H, 1873.) (or no.2, counting early sonata in B{{flat}} major? which would make op.41 no.3, sort of.) (at Cornell and U Illinois.)
* Serenade in A major op.14 (has been recorded. Pub. B&H 1878.)
* Violin Sonata No.2 in F{{sharp}} minor Op.20 (pub. B&H 1883). (Juilliard School library has.)
* Violin Sonata No.4 in E major Op.40 (recorded).
* Sonata, op.2, for piano. (pub. ca.1873, B&H. at Dutch Royal Lib.)
* Piano Trio No.1 in B{{flat}} major, Op.23 (pub.1885.) (at Dutch R.L.)

=={{Cat|Romberg, Bernhard}} (1767–1841)==
*Grand Cello Concerto No. 2 in D Major, Op.3
*Concerto No. 7 in C Major, Op.44
*Concertino in E minor, Op.41
*Double Concerto, for violin, cello, and orchestra
*Violoncello studies, three books

=={{Cat|Ropartz, Guy}} (1864–1955)==
'''Chamber music'''
* [[String Quartet No.2 in D minor (Ropartz, Guy)|String quartet n°2 in d minor]] (1912). (pub.ca.1913) Scanned in by Google [http://hdl.handle.net/2027/mdp.39015007985909 here.]
* String quartet n°3 in G major (1925). (pub.ca.1926?)
* String quartet n°4 in E major (1934, pub.ca.1936).
* String quartet n°5 "quasi una fantasia" in D major (1940, pub.ca. 1947).
* String quartet n°6 in F major (1948, pub.ca.1951).
* "Fantaisie brève sur un thème unique sur le nom d'Albéric Magnard" for string quartet (1892, unpublished)
'''Works for orchestra'''
* "Pêcheur d'Islande" (Suite, 1891)
* "La cloche des morts" (1887)

=={{Cat|Roseingrave, Thomas}} (1690–1766)==
* Roseingrave "Glory to the Father" (not clear that -any- work of this name was published prior to 1966. possibly (depending on relevant law) manuscript could be uploaded.- Schissel)

=={{Cat|Rosenfeld, Isidor}} (1834–fl.1876?)==
(MusicSack entry gives obit year as 1975, which may apply to the other Isidor Rosenfeld listed in VIAF, who was born in 1881. Also published as Jsidor, according to HMB.)
*Symphony in F major, Op.20 (published in 1870 by Bote & Bock)
*Richard III: Overture, Op.26 (composed 1860, published in 1873. Mentioned by German Shakespeare-Gesellschaft ''Jahrbuch der Deutschen Shakespeare-Gesellschaft, Volume 37'', 1901)
*Die Braut von Messina: Overture, Op.25 (pub.1874)
*Piano Trio, Op.27 (published 1873) (later works in HMB anyway after op.33 in 1876 seem to be arrangements perhaps by other hands etc., so fl.1876?)

=={{Cat|Roslavets, Nikolay}} (1881–1944)==
'''Piano music'''
* Three etudes (1914)
* Three compositions (1914)
* Two compositions (1915)
* Prelude (1915)
* Five preludes (1919-22)
* Two poems (1920)
'''Cello & Piano music'''
* Meditation for Cello and Piano (1921)

=={{Cat|Rossini, Gioacchino}} (1792–1868)==
*The Barber of Seville (full score)
*Petite Messe Solennelle - both versions, the original with two pianos and organ, and the orchestral version
*Giuseppe Radiciotti: "Gioacchino Rossini. Vita documentata, opere ed influenza su l'arte", 3 vols. (Tivoli, 1927-9)
*6 String Sonatas or String Quartets (if possible, with individual parts)
*Péchés de vieillesse: All XIII volumes if possible, specially the piano works
*William Tell (Full work; full score)
*6 Sonatas for Wind Quartet (fl., cl., fg., hrn.) (separate parts)
* La Donna del lago - Act I: "Quali accenti! Quai tormenti!" (Uberto, Elena) - Voice and Piano
* Tancredi Duetto "Lasciami, non t'ascolto" (Tancredi Amenaide) - Voice and piano
* Il Viaggio a Reims (vocal or full score)
* Le Comte Ory (full score)

=={{Cat|Rott, Hans}} (1858–1884)==
* Symphony in E major (was this published before 2002? if not, may not be usable at all in any form, since not performed during Rott's lifetime - premiered in 1989. The information [http://www.hans-rott.de/werke/s1emajor.htm here] along with a Worldcat search do not settle the matter but also do not find any earlier publications.)

=={{Cat|Różycki, Ludomir}} (1884–1953)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
*Op.2 - Preludes for piano (1904)
*Op.3 - Two Preludes and Two Nocturnes for piano (1904)
*Op.4 - Gra fal for piano (1904)
*Op.6 - Four Impromptus for piano (1904)
*Op.18 - Ballad for piano and orchestra (1904) Full Orchestral Score
*Op.35 - Piano Quintet (1913-1915?16??) in C minor (pub.1915 acc.to HMB; [[Schott]]. at a half-dozen libraries or so.)
*Op.39 - Neuf Esquisses for piano (1915)
*Op.42 - Four Intermezzi four piano (1915-1918)
*Op.43 - Piano Concerto No.1 in G minor (1917-1918) Full Orchestral Score
*Piano Concerto No. 2 Full Orchestral Score

=={{Cat|Rubinstein, Anton}} (1829–1894)==
* Soirees Musicales, Op.109 (piano solo)
* Reve Angelique Op.10/22 - Transcription for organ
* Op.91 - Lied und Requiem an Mignon for Voices, Chorus and Pianoforte
* Romance "The Wish" (1850, published in 1857, Russian title: «Желанье», lyrics by Lermontov [[:wikisource:ru:Желанье (Лермонтов)]])

=={{Cat|Rudolph, Erherzog}} (1788–1832)==
* Trio for clarinet, cello, and piano (1814)

----
{{WLfooter}}

Le tombeau de Couperin, M.68a (Ravel, Maurice)

2011-06-07T12:33:22Z

Goreld:

: ''For the earlier suite for piano, see [[Le tombeau de Couperin (piano) (Ravel, Maurice)|Le tombeau de Couperin (piano)]]''
{{#fte:imslppage

| *****FILES***** =

===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP80671-Ravel_-_Tombeau_de_Couperin.pdf
|File Description 1=Complete score
|Page Count 1=56
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919. Plate D. & F. 9794 (first printing) and 10,398 (study score)
|Reprint=Mineola: [[Dover Publications]], 2001
|Copyright=Public Domain
|Misc. Notes=big margins removed (from Daphnis's file), some pages sligthly rotated
|Amazon=Large score: {{AmazonLinks|0486418987}} - Dover vol. (reprint)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/7
}}
{{#fte:imslpfile
|File Name 1=Ravel_-_Le_Tombeau_de_Couperin_(orchestral_score).pdf
|File Description 1=Complete score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2007/6/12
|Page Count 1=56
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919. Plate D. & F. 9794 (first printing) and 10,398 (study score)
|Reprint=Mineola: [[Dover Publications]], 2001
|Copyright=Public Domain
|Misc. Notes=
|Amazon=Large score: {{AmazonLinks|0486418987}} - Dover vol. (reprint)
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP80671-Ravel-Tombeau.Flute.pdf
|File Name 2=PMLP80671-Ravel-Tombeau.Oboe.pdf
|File Name 3=PMLP80671-Ravel-Tombeau.Clarinet.pdf
|File Name 4=PMLP80671-Ravel-Tombeau.Bassoon.pdf
|File Name 5=PMLP80671-Ravel-Tombeau.Horn.pdf
|File Name 6=PMLP80671-Ravel-Tombeau.Trumpet.pdf
|File Name 7=PMLP80671-Ravel-Tombeau.Harp.pdf
|File Name 8=PMLP80671-Ravel-Tombeau.Violin1.pdf
|File Name 9=PMLP80671-Ravel-Tombeau.Violin2.pdf
|File Name 10=PMLP80671-Ravel-Tombeau.Viola.pdf
|File Name 12=PMLP80671-Ravel-Tombeau.Bass.pdf
|File Description 1=Flute 1/2 (2 doubles Piccolo)
|File Description 2=Oboe 1/2 (2 doubles English Horn)
|File Description 3=Clarinet 1/2 (A, B{{flat}})
|File Description 4=Bassoon 1/2
|File Description 5=Horn 1/2 (F)
|File Description 6=Trumpet (C)
|File Description 7=Harp
|File Description 8=Violins I
|File Description 9=Violins II
|File Description 10=Violas
|File Description 12=Basses
|Page Count 1=8
|Page Count 2=12
|Page Count 3=10 (#2-11)
|Page Count 4=9 (#2-10)
|Page Count 5=7
|Page Count 6=3
|Page Count 7=9
|Page Count 8=10 (#2-11)
|Page Count 9=11 (#2-12)
|Page Count 10=9
|Page Count 12=5 (#2-6)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2009/12/5
|Uploader 12=[[User:Ottaviano|Ottaviano]]
|Date Submitted 12=2009/12/5
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919.
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|File Name 11=PMLP04975-Ravel_Le_Tombeau_de_Couperin_cello.pdf
|File Description 11=Cellos
|Page Count 11=8
|Uploader 11=[[User:Generoso|Generoso]]
|Date Submitted 11=2009/2/7
}}

| *****WORK INFO*****

|Work Title=Le tombeau de Couperin
|Alternative Title=
|Opus/Catalogue Number=M.68a
|Number of Movements/Sections=4
|Dedication=
|Year/Date of Composition=1919
|Year of First Publication=
|Genre=Ballet
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=2 Flutes, Oboe, English Horn, 2 Clarinets (A), 2 Bassoons, 2 Horns (F), Trumpet (C), Harp, Violins I, Violins II, Violas, Cellos, Double Basses
|Tags=tombeaux ; ballets ; orch

| *****COMMENTS***** =

===Section Listing===
# ''Prélude''. Vif (E minor)
# ''Forlane''. Allegretto (E minor)
# ''Menuet''. Allegro moderato (E minor)
# ''Rigaudon''. Assez vif (C major)

===Version History===
* Composed between 1914 and 1917 as a suite for solo piano (see [[Le tombeau de Couperin (suite) (Ravel, Maurice)|Le tombeau de Couperin (piano)]]).
* Nos.1, 3, 5 and 4 from the original piano version were orchestrated by Ravel in 1919, to form the present work.

===Copyright Status===
* Public Domain in the USA.

===External Links===
* [http://www.maurice-ravel.net/tombeau.htm Maurice-Ravel.net]
* [http://en.wikipedia.org/wiki/Le_Tombeau_de_Couperin Wikipedia]

| *****END OF TEMPLATE***** }}

Le tombeau de Couperin, M.68a (Ravel, Maurice)

2011-06-07T12:31:31Z

Goreld:

: ''For the earlier suite for piano, see [[Le tombeau de Couperin (piano) (Ravel, Maurice)|Le tombeau de Couperin (piano)]]''
{{#fte:imslppage

| *****FILES***** =

===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP80671-Ravel_-_Tombeau_de_Couperin.pdf
|File Description 1=Complete score
|Page Count 1=56
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919. Plate D. & F. 9794 (first printing) and 10,398 (study score)
|Reprint=Mineola: [[Dover Publications]], 2001
|Copyright=Public Domain
|Misc. Notes=removed big margins from Daphnis's file
|Amazon=Large score: {{AmazonLinks|0486418987}} - Dover vol. (reprint)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/7
}}
{{#fte:imslpfile
|File Name 1=Ravel_-_Le_Tombeau_de_Couperin_(orchestral_score).pdf
|File Description 1=Complete score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2007/6/12
|Page Count 1=56
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919. Plate D. & F. 9794 (first printing) and 10,398 (study score)
|Reprint=Mineola: [[Dover Publications]], 2001
|Copyright=Public Domain
|Misc. Notes=
|Amazon=Large score: {{AmazonLinks|0486418987}} - Dover vol. (reprint)
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP80671-Ravel-Tombeau.Flute.pdf
|File Name 2=PMLP80671-Ravel-Tombeau.Oboe.pdf
|File Name 3=PMLP80671-Ravel-Tombeau.Clarinet.pdf
|File Name 4=PMLP80671-Ravel-Tombeau.Bassoon.pdf
|File Name 5=PMLP80671-Ravel-Tombeau.Horn.pdf
|File Name 6=PMLP80671-Ravel-Tombeau.Trumpet.pdf
|File Name 7=PMLP80671-Ravel-Tombeau.Harp.pdf
|File Name 8=PMLP80671-Ravel-Tombeau.Violin1.pdf
|File Name 9=PMLP80671-Ravel-Tombeau.Violin2.pdf
|File Name 10=PMLP80671-Ravel-Tombeau.Viola.pdf
|File Name 12=PMLP80671-Ravel-Tombeau.Bass.pdf
|File Description 1=Flute 1/2 (2 doubles Piccolo)
|File Description 2=Oboe 1/2 (2 doubles English Horn)
|File Description 3=Clarinet 1/2 (A, B{{flat}})
|File Description 4=Bassoon 1/2
|File Description 5=Horn 1/2 (F)
|File Description 6=Trumpet (C)
|File Description 7=Harp
|File Description 8=Violins I
|File Description 9=Violins II
|File Description 10=Violas
|File Description 12=Basses
|Page Count 1=8
|Page Count 2=12
|Page Count 3=10 (#2-11)
|Page Count 4=9 (#2-10)
|Page Count 5=7
|Page Count 6=3
|Page Count 7=9
|Page Count 8=10 (#2-11)
|Page Count 9=11 (#2-12)
|Page Count 10=9
|Page Count 12=5 (#2-6)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2009/12/5
|Uploader 12=[[User:Ottaviano|Ottaviano]]
|Date Submitted 12=2009/12/5
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919.
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|File Name 11=PMLP04975-Ravel_Le_Tombeau_de_Couperin_cello.pdf
|File Description 11=Cellos
|Page Count 11=8
|Uploader 11=[[User:Generoso|Generoso]]
|Date Submitted 11=2009/2/7
}}

| *****WORK INFO*****

|Work Title=Le tombeau de Couperin
|Alternative Title=
|Opus/Catalogue Number=M.68a
|Number of Movements/Sections=4
|Dedication=
|Year/Date of Composition=1919
|Year of First Publication=
|Genre=Ballet
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=2 Flutes, Oboe, English Horn, 2 Clarinets (A), 2 Bassoons, 2 Horns (F), Trumpet (C), Harp, Violins I, Violins II, Violas, Cellos, Double Basses
|Tags=tombeaux ; ballets ; orch

| *****COMMENTS***** =

===Section Listing===
# ''Prélude''. Vif (E minor)
# ''Forlane''. Allegretto (E minor)
# ''Menuet''. Allegro moderato (E minor)
# ''Rigaudon''. Assez vif (C major)

===Version History===
* Composed between 1914 and 1917 as a suite for solo piano (see [[Le tombeau de Couperin (suite) (Ravel, Maurice)|Le tombeau de Couperin (piano)]]).
* Nos.1, 3, 5 and 4 from the original piano version were orchestrated by Ravel in 1919, to form the present work.

===Copyright Status===
* Public Domain in the USA.

===External Links===
* [http://www.maurice-ravel.net/tombeau.htm Maurice-Ravel.net]
* [http://en.wikipedia.org/wiki/Le_Tombeau_de_Couperin Wikipedia]

| *****END OF TEMPLATE***** }}

Le tombeau de Couperin, M.68a (Ravel, Maurice)

2011-06-07T12:21:54Z

Goreld: Added 1 files to Le tombeau de Couperin (orchestra) (Ravel, Maurice)

: ''For the earlier suite for piano, see [[Le tombeau de Couperin (piano) (Ravel, Maurice)|Le tombeau de Couperin (piano)]]''
{{#fte:imslppage

| *****FILES***** =

===Full Scores===
{{#fte:imslpfile
|File Name 1=Ravel_-_Le_Tombeau_de_Couperin_(orchestral_score).pdf
|File Description 1=Complete score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2007/6/12
|Page Count 1=56
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919. Plate D. & F. 9794 (first printing) and 10,398 (study score)
|Reprint=Mineola: [[Dover Publications]], 2001
|Copyright=Public Domain
|Misc. Notes=
|Amazon=Large score: {{AmazonLinks|0486418987}} - Dover vol. (reprint)
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP80671-Ravel-Tombeau.Flute.pdf
|File Name 2=PMLP80671-Ravel-Tombeau.Oboe.pdf
|File Name 3=PMLP80671-Ravel-Tombeau.Clarinet.pdf
|File Name 4=PMLP80671-Ravel-Tombeau.Bassoon.pdf
|File Name 5=PMLP80671-Ravel-Tombeau.Horn.pdf
|File Name 6=PMLP80671-Ravel-Tombeau.Trumpet.pdf
|File Name 7=PMLP80671-Ravel-Tombeau.Harp.pdf
|File Name 8=PMLP80671-Ravel-Tombeau.Violin1.pdf
|File Name 9=PMLP80671-Ravel-Tombeau.Violin2.pdf
|File Name 10=PMLP80671-Ravel-Tombeau.Viola.pdf
|File Name 12=PMLP80671-Ravel-Tombeau.Bass.pdf
|File Description 1=Flute 1/2 (2 doubles Piccolo)
|File Description 2=Oboe 1/2 (2 doubles English Horn)
|File Description 3=Clarinet 1/2 (A, B{{flat}})
|File Description 4=Bassoon 1/2
|File Description 5=Horn 1/2 (F)
|File Description 6=Trumpet (C)
|File Description 7=Harp
|File Description 8=Violins I
|File Description 9=Violins II
|File Description 10=Violas
|File Description 12=Basses
|Page Count 1=8
|Page Count 2=12
|Page Count 3=10 (#2-11)
|Page Count 4=9 (#2-10)
|Page Count 5=7
|Page Count 6=3
|Page Count 7=9
|Page Count 8=10 (#2-11)
|Page Count 9=11 (#2-12)
|Page Count 10=9
|Page Count 12=5 (#2-6)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2009/12/5
|Uploader 12=[[User:Ottaviano|Ottaviano]]
|Date Submitted 12=2009/12/5
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1919.
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|File Name 11=PMLP04975-Ravel_Le_Tombeau_de_Couperin_cello.pdf
|File Description 11=Cellos
|Page Count 11=8
|Uploader 11=[[User:Generoso|Generoso]]
|Date Submitted 11=2009/2/7
}}
{{#fte:imslpfile
|File Name 1=PMLP80671-Ravel_-_Tombeau_de_Couperin.pdf
|File Description 1=Complete score
|Page Count 1=
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/7
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Le tombeau de Couperin
|Alternative Title=
|Opus/Catalogue Number=M.68a
|Number of Movements/Sections=4
|Dedication=
|Year/Date of Composition=1919
|Year of First Publication=
|Genre=Ballet
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=2 Flutes, Oboe, English Horn, 2 Clarinets (A), 2 Bassoons, 2 Horns (F), Trumpet (C), Harp, Violins I, Violins II, Violas, Cellos, Double Basses
|Tags=tombeaux ; ballets ; orch

| *****COMMENTS***** =

===Section Listing===
# ''Prélude''. Vif (E minor)
# ''Forlane''. Allegretto (E minor)
# ''Menuet''. Allegro moderato (E minor)
# ''Rigaudon''. Assez vif (C major)

===Version History===
* Composed between 1914 and 1917 as a suite for solo piano (see [[Le tombeau de Couperin (suite) (Ravel, Maurice)|Le tombeau de Couperin (piano)]]).
* Nos.1, 3, 5 and 4 from the original piano version were orchestrated by Ravel in 1919, to form the present work.

===Copyright Status===
* Public Domain in the USA.

===External Links===
* [http://www.maurice-ravel.net/tombeau.htm Maurice-Ravel.net]
* [http://en.wikipedia.org/wiki/Le_Tombeau_de_Couperin Wikipedia]

| *****END OF TEMPLATE***** }}

File:PMLP80671-Ravel - Tombeau de Couperin.pdf

2011-06-07T12:21:03Z

Goreld:

User talk:Daphnis

2011-06-07T10:02:30Z

Goreld: /* Mahler Symphon */

==Archive Pages for this page==
*[[User talk:Daphnis/archive1|Archive 1]] (Pre-8 October, 2007)
*[[User talk:Daphnis/archive2|Archive 2]] (8 October 2007-14 March, 2009)
*[[User talk:Daphnis/archive3|Archive 3]] (14 March 2009 - 24 September 2009)
*[[User talk:Daphnis/archive4|Archive 4]] (25 September 2009 - 25 April 2010)
*[[User talk:Daphnis/archive5|Archive 5]] (25 April 2010-15 September 2010)
== Instrumentation ==

I notice that when you upload works, under the 'instrumentation field' you often put 'Violin, Viola, Cello', or something along these lines. 'Piano', in the newest. While it is no longer preferable to have include numbers since it gets cluttered (e.g. "1 violin, 1 viola, 1 cello"), except in cases where needed for clarity, according to our manual of style for general information (a work in progress) there is no need to capitalize the first letter, for purpose of standardization. If you have objections, feel free to dispute. Refer to the [[Manual of Style/General Information|general information guide]] for specific details concerning the general information. In case you have suggestions, feel free to write them via forums or discussion page. On a completely different note, you'll never guess what I use now....... Adobe! You're right, sorry for the arguments a while back on the forums ;) [[User:BKhon|BKhon]] 02:59, 15 September 2010 (UTC)
:Oops, you're right. I'll go back and fix these in a second. [[User:Daphnis|Daphnis]] 03:01, 15 September 2010 (UTC)
Thanks for the Dohnanyi, btw-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:04, 15 September 2010 (UTC)

== Archive ==

Just a suggestion: this talk page is getting fairly long, and it might be a good idea to consider archiving it at this point (33 topics!) [[User:BKhon|BKhon]] 03:01, 15 September 2010 (UTC)
:Probably a good idea. Perlnerd, can you show/tell me the correct way to do this? [[User:Daphnis|Daphnis]] 03:20, 15 September 2010 (UTC)
Done. You might do well to remember next time ;)-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:59, 16 September 2010 (UTC)
:Yes, I know. Thanks all the same. [[User:Daphnis|Daphnis]] 02:01, 16 September 2010 (UTC)

== G. Hartmann publisher page ==

Wanted to let you know I created a publisher page for [[G. Hartmann]] -- thought the amount of works here published by him warranted a unique page. I've started a plate number list with Massenet and will go about adding other composers and linking from the corresponding work pages, if you have some Saint-Saëns works or others you can add that would be great. Thanks![[User:Massenetique|Massenetique]] 01:55, 16 September 2010 (UTC)
:Cool. Be sure to trawl the site for all the Hartmann publications. I know I'm guilty of adding tons of pieces. [[User:Daphnis|Daphnis]] 01:59, 16 September 2010 (UTC)
::Will do.[[User:Massenetique|Massenetique]] 05:52, 16 September 2010 (UTC)
@Massenetique: Thanks, but make sure to cite your source in Chicago format. Thanks again-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:33, 16 September 2010 (UTC)

== Sibley, Durand ==

Ah, will try to do that. Thanks! [[User:Schissel|Eric]] 15:10, 20 September 2010 (UTC)
:By the way, you can respond on your talk page to messages we leave as we'll be watching them for changes. Thanks again. [[User:Daphnis|Daphnis]] 15:12, 20 September 2010 (UTC)

== Sibley ==

I noticed you recently uploaded [[Polyphème (Cras, Jean)|Polyphème]], by Jean Cras. I also notice that in this file order, the cover comes first. Did you manually do that, or was it Sibley? It's usually customary (refer to my talk page discussion) to have the cover last, but the there really aren't any established rules on that. It should probably be done at some point. Personally, I would like covers to come first, but seeing as IMSLP needs to be standardized, most of the files have the covers last. For sake of consistency, I would suggest we leave it like that. Thanks, [[User:BKhon|BKhon]] 01:15, 23 September 2010 (UTC)
:I put the cover first. I am not aware of a convention for Sibley file order uploads. Personally, I think the covers are pretty much useless as they mostly add nothing of significance, but if they must be uploaded, it would make most sense to put them first. After all, they are the FRONT covers and nothing else. I don't do a lot of Sibley upload, so if you'd like to change this one, feel free. [[User:Daphnis|Daphnis]] 01:20, 23 September 2010 (UTC)
::The reason the usual method makes sense to me, speaking for myself, is rather like this- primary secondary tertiary (uploading a violin sonata, putting the full score on top, the violin part second, the color cover not at all or third because it's nice to look at and interesting- third.) [[User:Schissel|Eric]] 01:32, 23 September 2010 (UTC)
:::I completely agree with you that it makes the most sense. However all the files on Sibley put the cover last. On IMSLP we tend to like consistency, and a uniform look. At this point, it makes sense just to leave the files as Sibley put them, since it would save a lot of time, while still being standard. With kind regards, [[User:BKhon|BKhon]] 01:36, 23 September 2010 (UTC)
::::That seems a bit unusual to me. Generally speaking, the way we organize files is based on a master instrumentation score order. The trend is the same if it's a violin sonata, in which case the solo part(s) precede the piano part, or if there is a collection of orchestral parts. And BKhon, just because Sibley does something one way does not mean we have to follow suit, or even that it is the most efficient system. They are actually rather slack at including correct and relevant information on their pages. Examples include 1.) Wrong or mere "guessing" of publication dates, 2.) omission almost entirely of plate numbers, 3.) the use of non-unicode font system which leaves out necessary characters in composers' names, and 4.) non-standardization of piece titles, essentially only putting as a title what the publisher indicates on the cover, which when coupled with the lack of necessary accents can render a reading of the page next to useless. [[User:Daphnis|Daphnis]] 01:43, 23 September 2010 (UTC)
::Not to mention often (perhaps unavoidably given how their database works) writing 1890, 1900, 1910, ... when the information they're passing on - easily accessible from other library catalogs (via WorldCat, say) - is no more accurate than "189?", "190?", or even "19??"- sometime in the 1890s or even sometime in the 20th century (for publication date, I mean.) That is, many of their inaccurate 1900 publication dates come from other librarians' guesses that something was published either in the first decade of the 20th century, or sometime... in the 20th century... (I've been thinking for a long long time, as I got practice in it myself that is, of putting together some tips for people working on the Sibley Mirror Project. Vain though that makes me... wouldn't make a half-bad collaborative project of its own maybe, if kept briefish and guidelines/tips instead of more rules, I think :) ) [[User:Schissel|Eric]] 01:59, 23 September 2010 (UTC)
:::Daphnis, I think you missed my point. My point wasn't that the Sibley way was more efficient at all... far from it. I have strong disagreements with the order that Sibley puts the scores in. This is what I ''am'' saying: At this point, 1000's of files have been added from Sibley. Since IMSLP needs to be uniform, I would say about 99% of those files from Sibley are put in the order where covers are last. For the sake of time, I think it would be easier that we just leave it be, and continue uploading files in the order Sibley puts it. The reason is because if we changed this, we would need to go back and change nearly ''every'' Sibley file that has been uploaded. Sorry, I think standardization is crucial. I consider my primary purpose on IMSLP is to make sure everything is uniform and standardized. But I think time and effort of the administration staff must be considered when the ultimate outcome isn't something that will make any profound difference. [[User:BKhon|BKhon]] 02:03, 23 September 2010 (UTC)
:::::I agree that consistency is extremely important. I must not have observed the trend to put the covers last in the file order. If this is how it's going to be done here then I'll follow suit. [[User:Daphnis|Daphnis]] 02:13, 23 September 2010 (UTC)
{{outdent}}I also haven’t noticed the trend to put covers last. Since we do divide publications on a completely arbitrary basis already, what is the rationale for listing an edition’s contents in a different order to the publication order? This seems to be inherently confusing. [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 11:27, 26 September 2010 (UTC)
:Philip, I agree. I have noticed (or at least THOUGHT I noticed) the opposite, which is to list the cover first, then solo part, then score, but I'm trying to give the benefit of the doubt since others probably do more Sibley work than I. In any case, I still believe it should follow this order since this is how a piece is usually assembled, but I'm not going to resort to fisticuffs for it. [[User:Daphnis|Daphnis]] 13:40, 26 September 2010 (UTC)
::Personally, I think the cover should go first. But the trend in Sibley is to the put the cover last (not saying that's really the best thing to do, but it's already done for 1000's of files). Schissel notices the same trend, and he's practically the god of the Sibley project :) [[User:BKhon|BKhon]] 14:30, 26 September 2010 (UTC)
:::::Several very bad jokes occur to me, all shelved, but thanks much :) Have decided for myself to finesse the issue for now by shelving the covers unless they contain actual information not otherwise available (e.g., copyright or dedication information cropped on the other scans), and not just keep them because they look nice, as previously! [[User:Schissel|Eric]] 15:13, 26 September 2010 (UTC)
{{outdent}}Since I’m not keen on typing lots of these : I thought I’d re-employ the <nowiki>{{outdent}}</nowiki> template I purloined from Wikipedia. I don’t think it’s the largest problem with the Wiki, but is the above suggesting that front covers and prefatory matter should now always be put after the scores, rather than before?!? For all works, not just Sibley? o_O [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 05:04, 27 September 2010 (UTC)

== Ravel, L'enfant ==

Daphnis, Could you please contact me via [mailto:j.salemkour@staatsoper-berlin.de email] Thank you Stuchash
:May I ask what this is in reference to? I generally don't make it a habit to contact users outside of the IMSLP forums and talk pages. [[User:Daphnis|Daphnis]] 13:34, 5 October 2010 (UTC)

== [[Chôros No.3, W206 (Villa-Lobos, Heitor)]] ==

Hi Daphnis, I notice that there's no copyright notice on the first page of the parts for this piece, but you still tagged the US copyright as expiring in 2024 (based on the date for the score), as opposed to C. Are you basing this on the absence of reprints, or do you have another reason? Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:47, 3 November 2010 (UTC)
:Hmm, I guess I hadn't noticed that when I was in a rush to get these things put together. Off the top of my head, I don't recall seeing reprints of these parts, which isn't conclusive, but is a fairly good indication these may be protected. While I can't remember specifically about these parts, it is possible they had a copyright notification but it had to be removed due to watermarks or library stamps etc. I think it is fairly unlikely I did this to every first page, but if this is going to be considered a case where it could be available in the US, it may be prudent to obtain another physical copy of these parts and have a good look. [[User:Daphnis|Daphnis]] 02:27, 3 November 2010 (UTC)

==Daphnis & Chloe Suite No.2==
Hi, I note that the original publications were entitled "Fragments Symphoniques " (I and II) - which you (or someone) have helpfully included in the alternate title field. Is there any difference at all between the Garban arrangement for 2 pianos and the orchestral suite that you know of? It appears to be a straightforward arrangement of the second suite from what I could see. I'll change the header to 5 equal signs so that the category walker can read it as a two-piano arrangement. If there is some sort of sequential difference, or material present in the Garban arrangement not found in the second suite, we can add in the 4-equal level designation "Selections - Fragments Symphoniques" or something along those lines to point out that its different from the standard suite 2. Cheers, [[User:Carolus|Carolus]] 22:01, 3 November 2010 (UTC)
:I was actually investigating this before you left the message and after I submitted the score. My suspicion stems from the fact that a solo piano transcription of a selections over on the main Daphnis page are also entitled "fragments" and so for that reason I went ahead and listed the Garban transcription as a "fragments symphoniques" until I did a more thorough comparison. [[User:Daphnis|Daphnis]] 22:13, 3 November 2010 (UTC)

== Thank you ==

-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 04:18, 16 December 2010 (UTC)
:No problem. I hope I got them all. [[User:Daphnis|Daphnis]] 04:48, 16 December 2010 (UTC)
I think you did. Thanks for fixing my page too. EQ's might be getting a letter from a lawyer about his repeated attempts at vandalism. [[User:Carolus|Carolus]] 06:09, 16 December 2010 (UTC)

Hello,

I noticed that the score for the "Five Variants on Dives and Lazarus" is currently unavailable. Is there any idea as to when it might again be available, or how I might get a copy? Thank you for your time. ChipotlePipes
:Another 35 years in the US. The score should be available for sale at many online locations. [[User:Daphnis|Daphnis]] 17:03, 7 January 2011 (UTC)

== Jenufa ==

A certain person at our very favorite Viennese music publisher has made mention via back channels that the Max Brod (d.1968) German translation is still protected in Canada, which I have to admit is probably true. It's free in the USA of course and has even been reprinted by Dover. I'm blocking this for the time being until it can be relocated to the US server. [[User:Carolus|Carolus]] 05:40, 8 January 2011 (UTC)
:Alright then, I suppose that's fair of them to mention. [[User:Daphnis|Daphnis]] 12:53, 8 January 2011 (UTC)

== Sibelius Symphony No. 6 ==

Daphnis,

This item is currently blocked [TB] for "technical reasons". What is the problem and is there anything I can do to help?
:I'm not daphnis, but the reason that it is blocked is due to it's being in copyright in the US and EU. I'm afraid that there is nothing that you can do but wait.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:19, 12 January 2011 (UTC)

== Enescu ==

I'll see if my local library has Malcolm's ''George Enescu: his life and music'' which refers to the composer's preface to the 1950 edition of ''something'' according to the Google preview- maybe the octet, maybe not, can't tell. [[User:Schissel|Eric]] 02:09, 30 January 2011 (UTC)
:Good deal. Let me me know if you can't get your hands on it and I'll grab a copy. Although my assessment is by no means definitive, this is just my suspicion based on Enoch and other publisher's tactics. In any case, assuming this is purported to be a new "edition", I very, very seriously doubt this would be eligible for a new copyright. [[User:Daphnis|Daphnis]] 02:11, 30 January 2011 (UTC)
In the meanwhile- I'm too often near the library 'in transit' and too rarely actually go in, lately, unfortunately; must again write down lists of the several-to-many books and scores and listening items I will make use of next I do explore that quite good library - anyway. But see [[User_talk:Carolus#Enescu_octet]] - barring any amazing revelations from Malcolm, I think it very most likely you are right. [[User:Schissel|Eric]] 16:21, 30 January 2011 (UTC)
:Oh right, I forgot to mention that this piece (score and parts) was reprinted by Kalmus. [[User:Daphnis|Daphnis]] 16:25, 30 January 2011 (UTC)

== Dans la forêt, Op.22 (Gédalge, André) ==

:"Recmusic.org has the beginning of a listing of texts of the poems of op.22, which make it clear that they are not all by Bouchor, however."
It's not that clear! "Complainte du naufragé" on a text by Bosselin, #4 on the Recmusic page, does not belong to ''Dans la forêt'', but to ''Les Vaux de Vire'' (#3)...
I think Recmusic's song order for Gédalge is spurious. [[User:Pierre.chepelov|Pierre.chepelov]] 22:00, 31 January 2011 (UTC)

:Erm, I wrote that. Why are you complaining to Daphnis about it? And no, it's not at all clear, and I am now confused. I will write and ask Ms. Ezust... it's unlikely to be a matter of a renaming of the poem whose content is unavailable. But in the absence of an actual copy of the original 1903 score... well, yes, I will ask her or at least try to get hold of her by email or otherwise. Doesn't mean I'll get a response of course. Her mother and I used to be email correspondents but that means naught :) [[User:Schissel|Eric]] 22:04, 31 January 2011 (UTC)'

:That said, they still may have reordered the poems- I can believe that Le Sentier is first in order as her page claims, and not Épanouissement as Recital Publications does- though again I don't have a reason to believe one way or the other and would have to see the 1903 score. For piano piece cycles like Heller's the order seems to have varied randomly with the publisher and edition, and opus 47 no.12 might be one piece or another from his opus 47 set depending on what year and what publisher- but with a song cycle changing the order can be quite another thing, so I hope they did not do that... [[User:Schissel|Eric]] 22:11, 31 January 2011 (UTC)

::If the cycle have been reordered, it certainly was not by Recital. The titles' engraving looks old, and French!... Maybe between 1902 and 1903 ther order changed... BTW, there's an (partial) older edition [http://www.musimem.com/gedalge.htm here] (pub. in the newspaper ''Musica'', 1901). [[User:Pierre.chepelov|Pierre.chepelov]] 22:29, 31 January 2011 (UTC)

==Satie, mélodies et chansons==
Dear Daphnis: Thanks for these -- I would like to tag them, but I don't know which were the mélodies and which were the chansons and I would rather not use the generic "song" if possible. Would you be able to give a list of which is which? Alternatively, do you know of a source I could go to that would give me the breakdown? (Steltz)
:The Grove article is probably the best I can suggest off-hand. [[User:Daphnis|Daphnis]] 05:33, 5 February 2011 (UTC)

== [[String Quartet No.3, Op.74 (Reger, Max)]] ==

Hi Daphnis. I just happened to notice that the edition of the parts you uploaded for this piece appears to be edited by Eduard Drolc (1919-1973) (non-urtext - fingering, bowings, etc.). According to the [http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?Search_Arg=Drolc+Eduard&Search_Code=NALL&PID=YyVhMHAs1vkeSzPvOYmV9KKJ0olU&SEQ=20110208210300&CNT=25&HIST=1 Copyright Office], the 1963 reissue was registered and renewed, so I've taken the liberty of removing the file as I don't really see any way out of its being under copyright in all the major areas. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:06, 9 February 2011 (UTC)
:Hmm, not sure how this one slipped through the cracks, and I can't remember if we (Carolus and I) had a conversation about this a while back. Anyways, probably best if it is removed. Thanks. [[User:Daphnis|Daphnis]] 02:09, 9 February 2011 (UTC)

== Huré Violin sonata & Cello sonata ==

Hi Daphnis! Have to say I'm very happy finding so much French repertoire here, I'm a big fan. I have a comment about your scan about Jean Huré's Violin Sonata: the scan quality seems to be very uneven, there are some pages that take forever to load, but are in fact of inferior quality. Example: page 19 (page 4 of the piano score), but every 5th page or so from then. Would it be possible to harmonise these with surrounding pages? Thanks! [[User:cvdwoest|cvdwoest]] 11:00, 10 February 2011 (CEST)
:What program and version are you using? [[User:Daphnis|Daphnis]] 14:44, 10 February 2011 (UTC)
::I notice longer page loading times with Adobe Reader 8.1.3 under Linux, evince Document Viewer 2.23.0 under Linux, as well as the most recent Preview under Mac OS X, so I presume there is an artifact of the files involved. Inferior rendering only in Mac OS X Preview. There's the same behaviour in the Cello sonata in F# minor, IMSLP59809, pages 2 in the cello part and 1,7,8,13,15,17,21 in the piano score (printed page numbers). Sorry btw for not reacting for a long time, I thought I'd get notified of your reaction here, but I wasn't. [[User:cvdwoest|cvdwoest]] 17:15, 9 May 2011 (CEST)
:These files were created with Acrobat pro 9.x. Try with that version or higher. [[User:Daphnis|Daphnis]] 15:59, 9 May 2011 (UTC)

==Dialogo della musica (Galilei, Vincenzo)==
I wonder what basis you declared the 'style' of this book to be 'Medieval'? The publication date is 30 years after the Susato Dances (third music box, 1551) and 80 years after Petrucci's first printed music using moveable type (Harmonice Musices Odhecaton A, 1501.) Given that both of these were squarely in the Renaissance period, that might be a better style. Generally, Medieval end point is called between 1450 (think Gutenberg) and 1517 (the latest date used, based on the death of King Ferdinand II.) Galilei's use of White Mensural Notation and arabic numbers for calculations also point to Renaissance.
[[User:Tiorbinist|Tiorbinist]] 01:13, 11 February 2011 (UTC)
:Indeed. This was a simple slip-up as I was in the middle of posting about a dozen items. Thanks for the heads-up. [[User:Daphnis|Daphnis]] 01:45, 11 February 2011 (UTC)

== Enoch ==

Hi Daphnis,
Thanks for your message.
I'm in holiday at present... I'll give you many informations about this publisher in few days... --[[User:Squin|Squin]] 17:22, 20 February 2011 (UTC)
:Ok, I'm back ... ... The firm is founded in 1863 by Charles Enoch (1804- 1883) with Wilhelm (1840-1913), the elder son, and Emile, the younger, with the following proportions : 4/10 for Charles, 4/10 for Whilhelm, 2/10 for Emile. In the first year only very few score are edited (in 1875 plate n°63),... the imprint is Enoch Père et Fils = Plates E.P. et F. ###........ on 1/1/1880, Costallat is associated and the imprint change : Enoch Frères et Costallat = Plates E.F. et C. ### (about plate n°490-500)..... Emile leaves the firm but I don't know when....in 31.12.1894 Costallat leaves but 3 others members of the Enoch family are newly associated (Daniel-Mardochée, Georges Abraham, Marguerite)... The new imprint is Enoch et Compagnie = E. et Cie #### (about plates 2250-2300)... for plate numbers year after year, if you want to manage I can send you a table (give me a your mail)as I've do for some publishers as Grus, Troupenas, Rouart, Gallet and others; or I can put it directly on Enoch page. addresses : 30 rue Meslay (1863-1875) + 23 Boulevard Saint-Martin (1874-1875) ; 27 Boulevard des Italiens after 1875 --[[User:Squin|Squin]] 16:18, 25 February 2011 (UTC)

== Brod: Oboe method ==

Hi,

Our friends at Lemoine are really attempting some nonsense here. Looking at the [[Méthode de hautbois (Brod, Henri)|score you uploaded]], my bet is that this item was issued in an edition by Gillet sometime in the 1880s (based on the Lemoine plate number 9516 and Gillet's dates). They may have even reprinted the Schonenberger score from the 1830s, but to be honest the engraving looks more like the work done in the late 1800s and early 1900s by an outfit like L. Parent. The 18347 number suggests early 20th century, and I've confirmed printings from ca.1890 and 1947 on OCLC. The 1963 copyright claim is just outrageous, of course. [[User:Carolus|Carolus]] 04:59, 23 February 2011 (UTC)
:Ok makes sense. I wasn't very satisfied with the brief research I did; it was all I had time for at present and I intended to come back to it. Glad you did some further digging. I'm hoping to get a few photocopies from the Schoenenberger score at some point for comparison. [[User:Daphnis|Daphnis]] 05:10, 23 February 2011 (UTC)

Lemoine plate H.L. 9516 is edited in juanary 1889 (in 1889 we have plates 9515 to 9602)...........but n° 18347 is edited in 1895 --[[User:Squin|Squin]] 16:24, 25 February 2011 (UTC)

== Villa-Lobos ==

Dear Daphnis!

Excuse for bothering you, but could you, please, send me (on my e-mail) scores of Villa-Lobos' Bachianas Brasileiras 1-4 (as for 4, I need an orchestra score) and 6?

Many thanks.

My e-mail is: [email removed]
:No, I do not do that. [[User:Daphnis|Daphnis]] 18:27, 13 March 2011 (UTC)

== Duparc ==

Do you mind trying to find publisher information for these songs? I can't verify it.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:58, 13 March 2011 (UTC)
:I think I tried to at one point but couldn't verify it either. Without grabbing the several different publications out there it would be a difficult task. [[User:Daphnis|Daphnis]] 23:00, 13 March 2011 (UTC)
OK. Thanks-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:48, 13 March 2011 (UTC)

== Roger-Ducasse's Orphée ==

Hi Daphnis - Just a question - did you intend to delete the file I had uploaded earlier of the vocal score to Orphée? I do not doubt that your scan is superior in quality, but often there are considerations of file size and what may or may not be included in the front matter which warrants the old uploads remain. Thoughts? [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 00:01, 19 March 2011 (UTC)
:Hi, and yes, I did intend to delete the file. Carolus and I as well as some others had this discussion a while back. The justification in doing so, such as in this exact instance, is where we have two files that represent the EXACT same edition, both sans third-party markings of any kinds and that essentially represent "clean" printings, and one is clearly superior in quality. In cases like these, there really is no compelling reason to keep around the lesser of the two files, even if the file size is less. While, true, removing redundant files of inferior quality does free up some server space, removing them also removes potential confusion from users, especially those who constantly chide us for having files of dubious quality. We need to always be in the business of providing the best quality materials to the masses, especially when everything else remains constant. [[User:Daphnis|Daphnis]] 02:43, 19 March 2011 (UTC)
::I completely understand. Thank you for clarifying -- this is helpful because I have had the desire to delete files for the exact same reason but did not know the prevailing policy on the subject and have left imperfect scans alongside some I have uploaded. I will keep this in mind for the future. Best, [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 03:03, 20 March 2011 (UTC)
:::By all means, yes, proceed. With the vocal scores by U of Toronto, for example, I would love nothing more than to see all of them replaced with high-quality, 1-bit scans. [[User:Daphnis|Daphnis]] 03:08, 20 March 2011 (UTC)
::::I agree, but for the time being most of them are better than nothing. Thanks, [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 22:12, 20 March 2011 (UTC)

== Daphnis et Chloé for 4 hands, by Léon Roques ==
Hi Daphnis,
It's a pleasure to see all your great uploads. Have you the 4 hands transcription of Daphnis, by Léon Roques? I added it to the wishlist.
Thanks!--[[User:Goreld|Goreld]] 14:01, 21 March 2011 (UTC)
:Yes, actually, I do. I'll try to post it in the coming week. [[User:Daphnis|Daphnis]] 15:09, 21 March 2011 (UTC)
Hi Daphnis, thanks for the post! It seems to be the 1st suite only, will you scan the 2d suite by Roques? You should put it in the 1st suite page instead of the full ballet (or I'll do it). Have a nice day [[User:Goreld|Goreld]] 07:52, 31 March 2011 (UTC)
:Yes, I'm going to post the second suite as well. And I've moved it the first one to the appropriate page. [[User:Daphnis|Daphnis]] 15:10, 31 March 2011 (UTC)
Second suite now available. [[User:Daphnis|Daphnis]] 20:22, 12 April 2011 (UTC)
:Great! [[User:Goreld|Goreld]] 01:21, 23 April 2011 (UTC)

== I gather quartet no.8 has a copyright notice of 1936- ==

but even if not, I ''think'' on the imslp.us server we're being very careful to restrict to pieces ''actually'' published before 1923. I realize PD-US has other clauses. I may be mistaken. I have deleted the Milhaud quartet 8 page. It can of course be restored; I have not deleted the file though I advise doing so. [[User:Schissel|Eric]] 18:52, 23 March 2011 (UTC)
:Schissel, please check with me first before deleting pages. This piece has been injected into the public domain in the US due to faulty copyright notice and is verified as it is currently offered for sale in the Masters reprint catalog, from which this reprint comes. There are a few cases of this happening in Milhaud's and other's works as well. I have restored the page. [[User:Daphnis|Daphnis]] 18:55, 23 March 2011 (UTC)
Ah, they didn't renew. Will do - but may I suggest that lack of renewal or similar be mentioned on the page itself (unless I missed?)- as very often is done. Not only because of other admins, but others who view the site. Thank you. [[User:Schissel|Eric]] 19:00, 23 March 2011 (UTC)
:It wasn't a matter of renewing or not. There are a variety of ways a certain publication may have its copyright nullified or invalid, and failure to renew is but one of those. I may not be able to verify absolutely every single piece that was published after 1923, but it is quite safe to say that due to this being reprinted by a notable publisher (and 10 years ago at that), it is quite legal. [[User:Daphnis|Daphnis]] 19:02, 23 March 2011 (UTC)
:Also, the entire Milhaud page is a work in progress right now. I'm doing a lot of work on this as far as gathering pieces and information goes, so it might just be best to wait for a few days after something has appeared. Often I'll submit something and tweak things here and there before coming back to it later when I have more time. [[User:Daphnis|Daphnis]] 19:05, 23 March 2011 (UTC)

== FTE template for US server ==

I just added 5 more to the template. Let's see if it picks up an additional 5 files after the cache clears. If it does, It shouldn't be too tedious to up the file-stack to 40 or even 50 for the template. [[User:Carolus|Carolus]] 03:35, 6 April 2011 (UTC)
:Ok, thanks. I'll see how it works after a couple of days. [[User:Daphnis|Daphnis]] 03:36, 6 April 2011 (UTC)
I see that Feldmahler (who is amazing) has already solved this problem! [[User:Carolus|Carolus]] 04:13, 8 April 2011 (UTC)

== Stravinsky ==

In going through some of my archive here, I've discovered that I have some actual old Chester parts, to wit:

*Pribaoutki
*Berceuses du chat
*Renard
*Les noces

I will have someone I know in the area do some cleaning as there are quite a few superfluous markings, etc. At any rate, can I send these to you for scanning once they're ready? I'll see what I can do about locating us a set of the 1919 suite (not the McAlister edition) as well. [[User:Carolus|Carolus]] 04:10, 8 April 2011 (UTC)
:Sure thing, I'd be glad to scan them. I still need to get your initial mountain of things back to you soon. I don't know how worthwhile it would even be to scan the 1919 suite parts (non-McAlister) if you found them. They appear to be copyist manuscript and are absolutely chock full of errors. [[User:Daphnis|Daphnis]] 13:35, 8 April 2011 (UTC)
I've read that too, so I am a bit apprehensive. At any rate, the other items above should be OK to have. I also have a Muzyka score of ''Les noces'' we can add later. [[User:Carolus|Carolus]] 03:58, 9 April 2011 (UTC)

== Swipsey ==

Joplin's co-composer, Arthur Marshall (1881-1968), is not free in Canada. You'll need to move to the US server as soon as you can. [[User:Carolus|Carolus]] 01:35, 26 April 2011 (UTC)
:Man, I stupidly didn't even check for that!. Thank you for looking over me--I'll transfer it tomorrow. [[User:Daphnis|Daphnis]] 01:36, 26 April 2011 (UTC)

== Vaughan Williams - Five Variants on Dives and Lazarus ==

If you would be so kind, could you send or direct me to this score? I am a student and this could really help my contrapuntal string writing... my email is [REMOVED] i would really appreciate it
:I'm sorry but as I have no way of verifying geolocation (and thus adherence to copyright law in your country), I do not email my scores to individuals. If you are actually a student (at a university/college), you likely have access to some interlibrary loan program, through which this score is readily available. [[User:Daphnis|Daphnis]] 03:30, 2 May 2011 (UTC)

==George Enescu String Quartet Op. 22 #1==

Hello Daphnis, can you shed some light on this subject. I am somewhat puzzled about the claim that this work is not PD. According to the publishers (Salabert) who published the work in 1921, it is still listed as 1921 on Durand-Salabert catalogues: http://www.durand-salabert-eschig.com/formcat/catalogues/enesco_georges.pdf
It has been 90 years since its publication, how is that not PD? Is it possible to contact you by email regarding this work? Please let me know. [[User:bravi1|bravi1]]
:The dates in parenthesis represent date of composition and not publication. By my research, the first quartet appears to have been published in 1957. This isn't odd considering many of his early works were also issued towards the end of his life or postmortem. [[User:Daphnis|Daphnis]] 19:53, 9 May 2011 (UTC)

== Bartok String Quartet No. 4 ==

Hi Daphnis, I saw, that you have uploaded 4th String Quartet by Bela Bartok. However, the score is still blocked. I really need the score for analyzing it. Please, can you contact me (aschrofel@email.cz) or send me the score?
Thanks a lot! --[[User:Aschrofel|Aschrofel]] 10:03, 15 May 2011 (UTC)
:No, sorry. I do not email my scores. [[User:Daphnis|Daphnis]] 15:21, 15 May 2011 (UTC)

== Enoch ==

Looks very fine. I tweaked one thing (prefix instead of formats). Impressive. How's the perusal score acquisition going? Send me an e-mail if you need any help. [[User:Carolus|Carolus]] 01:14, 23 May 2011 (UTC)
:No perusals in a while. I really haven't had the time with other work going on. [[User:Daphnis|Daphnis]] 01:17, 23 May 2011 (UTC)

== Mahler Symphony n°7 ==

Hi Daphnis, I did some modifications to some files you uploaded (Mahler 7th symphony), please have a look to the discussion page [[http://imslp.org/wiki/Talk:Symphony_No.7_%28Mahler,_Gustav%29]] and tell me if you agree with these scripts. Thanks.
:Looks fine to me. I can't remember if these scans are my own or if I downloaded them from some place. At first glance, they don't look like my work, but in any case the clean-ups look better. [[User:Daphnis|Daphnis]] 15:27, 6 June 2011 (UTC)

Talk:Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-07T10:01:05Z

Goreld:

Hi,

I uploaded an optimized version of the 7th symphony, from Daphnis's uploads. I did some batch photoshop and acrobat custom scripts:

PHOTOSHOP
* improved 300 dpi resolution to 1200 dpi (for further operations)
* threshold black/white, level 140
* trim (sometimes manually erase borders)
* add a 4-5% margin
* convert to monochrome bitmap 600 dpi

ACROBAT
* import with CCITT4 compression (no other options), medium size

I find these optimized files much more usable and screen-readable (and probably printable too).
Please tell me if you'd like me to do other batch processing, or comment a couple of the script-lines I used.

[[User:Goreld|Goreld]] 10:01, 7 June 2011 (UTC)

Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T19:15:20Z

Goreld:

{{#fte:imslppage

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphonie_n°_7.pdf
|File Description 1=Complete Score
|File Name 2=PMLP30475-Symphonie_7-1_(opt).pdf
|File Name 3=PMLP30475-II._Nachtmusik.pdf
|File Name 4=PMLP30475-III._Scherzo.pdf
|File Name 5=PMLP30475-IV._Nachtmusik.pdf
|File Name 6=PMLP30475-V._Rondo_-_Finale.pdf
|File Description 2=I. Langsam
|File Description 3=II. Nachtmusik
|File Description 4=III. Scherzo
|File Description 5=IV. Nachtmusik
|File Description 6=V. Rondo - Finale
|Page Count 1=258
|Page Count 2=80
|Page Count 3=38
|Page Count 4=36
|Page Count 5=29
|Page Count 6=75
|Editor=Erwin Ratz (1898-1973) for the International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes=Optimized monochrome 600 dpi. See discussion page. {{USA-C-renewed|56}}{{Urtext}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._I_(orch._score).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=Erwin Ratz (1898-1973) for the International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2009/5/26
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes={{USA-C-renewed|56}}{{Urtext}}
|File Name 2=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._II_(orch._score).pdf
|File Description 2=II. Nachtmusik
|Page Count 2=38
|File Name 3=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._III_(orch._score).pdf
|File Description 3=III. Scherzo
|Page Count 3=36
|File Name 4=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._IV_(orch._score).pdf
|File Description 4=IV. Nachtmusik
|Page Count 4=29
|File Name 5=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._V_(orch._score).pdf
|File Description 5=V. Rondo - Finale
|Page Count 5=75
|SM+=Study score: {{SMPlink|4126167|Bote & Bock}}
}}

===Parts===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler-Sym7.Flute12.pdf
|File Name 2=PMLP30475-Mahler-Sym7.Flute34.pdf
|File Name 3=PMLP30475-Mahler-Sym7.Oboe1a2.pdf
|File Name 4=PMLP30475-Mahler-Sym7.Oboe3eh.pdf
|File Name 5=PMLP30475-Mahler-Sym7.Clarinet1a2.pdf
|File Name 6=PMLP30475-Mahler-Sym7.Clarinet3EbBass.pdf
|File Name 7=PMLP30475-Mahler-Sym7.Bassoon1a2.pdf
|File Name 8=PMLP30475-Mahler-Sym7.Bassoon3cbn.pdf
|File Name 9=PMLP30475-Mahler-Sym7.Horn.pdf
|File Name 10=PMLP30475-Mahler-Sym7.Trumpet.pdf
|File Name 11=PMLP30475-Mahler-Sym7.LowBrass.pdf
|File Name 12=PMLP30475-Mahler-Sym7.TimpPerc.pdf
|File Name 13=PMLP30475-Mahler-Sym7.Harp.pdf
|File Name 14=PMLP30475-Mahler-Sym7.Guitar.pdf
|File Name 15=PMLP30475-Mahler-Sym7.Mandoline.pdf
|File Name 16=PMLP30475-Mahler-Sym7.Violin1.pdf
|File Name 17=PMLP30475-Mahler-Sym7.Violin2.pdf
|File Name 18=PMLP30475-Mahler-Sym7.Viola.pdf
|File Name 19=PMLP30475-Mahler_-_Symphony_No7_in_E_minor_(cello-part)a.pdf
|File Name 20=PMLP30475-Mahler-Sym7.Bass.pdf
|File Description 1=Flute 1, 2
|File Description 2=Flute 3, 4 (doubles Piccolo 2), Piccolo 1
|File Description 3=Oboe 1, 2
|File Description 4=Oboe 3, English Horn
|File Description 5=Clarinet 1, 2 (A, B{{flat}})
|File Description 6=Clarinet 3 (A, B{{flat}}), Piccolo Clarinet (E{{flat}}), Bass Clarinet (A, B{{flat}})
|File Description 7=Bassoon 1, 2
|File Description 8=Bassoon 3, Contrabassoon
|File Description 9=Horn 1, 2, 3, 4 (F), Tenorhorn (B{{flat}})
|File Description 10=Trumpet 1, 2, 3 (B{{flat}}, F)
|File Description 11=Trombone 1, 2, 3, Tuba
|File Description 12=Timpani / Rute, Bass Drum / Cymbals / Rute, Glockenspiel / Bells, Snare Drum / Tam-tam, Tambourine / Cowbell, Triangle
|File Description 13=Harp 1, 2
|File Description 14=Guitar
|File Description 15=Mandolin
|File Description 16=Violins I
|File Description 17=Violins II
|File Description 18=Violas
|File Description 19=Cellos
|File Description 20=Basses
|Page Count 1=30, 30
|Page Count 2=24, 24, 16
|Page Count 3=27, 26
|Page Count 4=22, 20
|Page Count 5=35, 32
|Page Count 6=26, 12, 24
|Page Count 7=26, 26
|Page Count 8=22, 20
|Page Count 9=26, 26, 21, 22, 3
|Page Count 10=18, 16, 16
|Page Count 11=15, 15, 16, 16
|Page Count 12=18, 13, 11, 10, 8, 14
|Page Count 13=15, 6
|Page Count 14=3
|Page Count 15=3
|Page Count 16=43
|Page Count 17=40
|Page Count 18=39
|Page Count 19=40
|Page Count 20=32
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 19=[[User:Generoso|Generoso]]
|Date Submitted=2009/10/31
|Date Submitted 19=2009/1/7
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16867
|Reprint=Miami: [[Edwin F. Kalmus]], n.d.(after 1986).
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|SM+=Set of Parts: {{SMPlink|3309662|Kalmus (reprint)}}
}}
===Arrangements and Transcriptions===
=====For Piano 4 hands (Casella)=====
{{#fte:imslpfile
|File Name 1=Mahler_-_Symphony_No.7_-_pno_Casella.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Alfredo|Casella}} (1883-1947)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4399}}
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/8/25
|Page Count 1=154
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16869
|Copyright=Public Domain
|Thumb Filename=Mahler - Symphony No.7 - pno Casella.jpg
|Sample Filename=Mahler - Symphony No.7 - pno Casella.png
|Misc. Notes={{SibleyProject}}
}}
{{#fte:imslpfile

|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Symphony No.7
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=1905
|Year of First Publication=
|Genre=Symphony
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piccolo, 4 Flutes (IV. Doubling Piccolo II.), 3 Oboes, English Horn, E{{Flat}} Clarinet, 3 Clarinets in A and B{{Flat}}, Bass Clarinet in A and B{{Flat}}, 3 Bassoons, Contrabassoon 4 Horns in F, Tenor Horn in B{{Flat}}, 3 Trumpets in B{{Flat}} and F, 3 Trombones, Tuba Timpani, Snare Drum, Bass Drum, Cymbals, Triangle, Glockenspiel, Bells, Tam-Tam, Cowbells, Rute, Tambourine 2 Harps, Mandolin, Guitar and Strings
|Tags=symphonies ; orch
| *****COMMENTS***** =

{{Symphonies (Mahler, Gustav)}}

| *****END OF TEMPLATE***** }}

Talk:Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T18:39:36Z

Goreld:

Talk:Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T13:16:47Z

Goreld:

Hi,

I uploaded an optimized version of the 7th symphony, from Daphnis's uploads. I did some batch photoshop and acrobat custom scrits:

PHOTOSHOP
* improved 300 dpi resolution to 1200 dpi (for further operations)
* threshold black/white, level 140
* trim (sometimes manually erase borders)
* add a 4-5% margin
* convert to monochrome bitmap 600 dpi

ACROBAT
* import with CCITT4 compression (no other options), medium size

I find these optimized files much more usable and screen-readable (and probably printable too).
Please tell me if you'd like me to do other batch processing, or comment a couple of the script-lines I used.

Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T13:02:48Z

Goreld:

{{#fte:imslppage

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._I_(orch._score).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2009/5/26
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
|File Name 2=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._II_(orch._score).pdf
|File Description 2=II. Nachtmusik
|Page Count 2=38
|File Name 3=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._III_(orch._score).pdf
|File Description 3=III. Scherzo
|Page Count 3=36
|File Name 4=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._IV_(orch._score).pdf
|File Description 4=IV. Nachtmusik
|Page Count 4=29
|File Name 5=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._V_(orch._score).pdf
|File Description 5=V. Rondo - Finale
|Page Count 5=75
|SM+=Study score: {{SMPlink|4126167|Bote & Bock}}
}}

{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphonie_n°_7.pdf
|File Description 1=Complete Score

|File Name 2=PMLP30475-Symphonie_7-1_(opt).pdf

|File Name 3=PMLP30475-II._Nachtmusik.pdf
|File Name 4=PMLP30475-III._Scherzo.pdf
|File Name 5=PMLP30475-IV._Nachtmusik.pdf
|File Name 6=PMLP30475-V._Rondo_-_Finale.pdf
|File Description 2=I. Langsam
|File Description 3=II. Nachtmusik
|File Description 4=III. Scherzo
|File Description 5=IV. Nachtmusik
|File Description 6=V. Rondo - Finale
|Page Count 1=258
|Page Count 2=80
|Page Count 3=38
|Page Count 4=36
|Page Count 5=29
|Page Count 6=75
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes=Optimized monochrome 600 dpi. See discussion page.{{Urtext}}
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler-Sym7.Flute12.pdf
|File Name 2=PMLP30475-Mahler-Sym7.Flute34.pdf
|File Name 3=PMLP30475-Mahler-Sym7.Oboe1a2.pdf
|File Name 4=PMLP30475-Mahler-Sym7.Oboe3eh.pdf
|File Name 5=PMLP30475-Mahler-Sym7.Clarinet1a2.pdf
|File Name 6=PMLP30475-Mahler-Sym7.Clarinet3EbBass.pdf
|File Name 7=PMLP30475-Mahler-Sym7.Bassoon1a2.pdf
|File Name 8=PMLP30475-Mahler-Sym7.Bassoon3cbn.pdf
|File Name 9=PMLP30475-Mahler-Sym7.Horn.pdf
|File Name 10=PMLP30475-Mahler-Sym7.Trumpet.pdf
|File Name 11=PMLP30475-Mahler-Sym7.LowBrass.pdf
|File Name 12=PMLP30475-Mahler-Sym7.TimpPerc.pdf
|File Name 13=PMLP30475-Mahler-Sym7.Harp.pdf
|File Name 14=PMLP30475-Mahler-Sym7.Guitar.pdf
|File Name 15=PMLP30475-Mahler-Sym7.Mandoline.pdf
|File Name 16=PMLP30475-Mahler-Sym7.Violin1.pdf
|File Name 17=PMLP30475-Mahler-Sym7.Violin2.pdf
|File Name 18=PMLP30475-Mahler-Sym7.Viola.pdf
|File Name 19=PMLP30475-Mahler_-_Symphony_No7_in_E_minor_(cello-part)a.pdf
|File Name 20=PMLP30475-Mahler-Sym7.Bass.pdf
|File Description 1=Flute 1, 2
|File Description 2=Flute 3, 4 (doubles Piccolo 2), Piccolo 1
|File Description 3=Oboe 1, 2
|File Description 4=Oboe 3, English Horn
|File Description 5=Clarinet 1, 2 (A, B{{flat}})
|File Description 6=Clarinet 3 (A, B{{flat}}), Piccolo Clarinet (E{{flat}}), Bass Clarinet (A, B{{flat}})
|File Description 7=Bassoon 1, 2
|File Description 8=Bassoon 3, Contrabassoon
|File Description 9=Horn 1, 2, 3, 4 (F), Tenorhorn (B{{flat}})
|File Description 10=Trumpet 1, 2, 3 (B{{flat}}, F)
|File Description 11=Trombone 1, 2, 3, Tuba
|File Description 12=Timpani / Rute, Bass Drum / Cymbals / Rute, Glockenspiel / Bells, Snare Drum / Tam-tam, Tambourine / Cowbell, Triangle
|File Description 13=Harp 1, 2
|File Description 14=Guitar
|File Description 15=Mandolin
|File Description 16=Violins I
|File Description 17=Violins II
|File Description 18=Violas
|File Description 19=Cellos
|File Description 20=Basses
|Page Count 1=30, 30
|Page Count 2=24, 24, 16
|Page Count 3=27, 26
|Page Count 4=22, 20
|Page Count 5=35, 32
|Page Count 6=26, 12, 24
|Page Count 7=26, 26
|Page Count 8=22, 20
|Page Count 9=26, 26, 21, 22, 3
|Page Count 10=18, 16, 16
|Page Count 11=15, 15, 16, 16
|Page Count 12=18, 13, 11, 10, 8, 14
|Page Count 13=15, 6
|Page Count 14=3
|Page Count 15=3
|Page Count 16=43
|Page Count 17=40
|Page Count 18=39
|Page Count 19=40
|Page Count 20=32
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 19=[[User:Generoso|Generoso]]
|Date Submitted=2009/10/31
|Date Submitted 19=2009/1/7
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16867
|Reprint=Miami: [[Edwin F. Kalmus]], n.d.(after 1986).
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|SM+=Set of Parts: {{SMPlink|3309662|Kalmus (reprint)}}
}}
===Arrangements and Transcriptions===
=====For Piano 4 hands (Casella)=====
{{#fte:imslpfile
|File Name 1=Mahler_-_Symphony_No.7_-_pno_Casella.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Alfredo|Casella}} (1883-1947)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4399}}
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/8/25
|Page Count 1=154
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16869
|Copyright=Public Domain
|Thumb Filename=Mahler - Symphony No.7 - pno Casella.jpg
|Sample Filename=Mahler - Symphony No.7 - pno Casella.png
|Misc. Notes={{SibleyProject}}
}}
{{#fte:imslpfile

|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Symphony No.7
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=1905
|Year of First Publication=
|Genre=Symphony
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piccolo, 4 Flutes (IV. Doubling Piccolo II.), 3 Oboes, English Horn, E{{Flat}} Clarinet, 3 Clarinets in A and B{{Flat}}, Bass Clarinet in A and B{{Flat}}, 3 Bassoons, Contrabassoon 4 Horns in F, Tenor Horn in B{{Flat}}, 3 Trumpets in B{{Flat}} and F, 3 Trombones, Tuba Timpani, Snare Drum, Bass Drum, Cymbals, Triangle, Glockenspiel, Bells, Tam-Tam, Cowbells, Rute, Tambourine 2 Harps, Mandolin, Guitar and Strings
|Tags=symphonies ; orch
| *****COMMENTS***** =

{{Symphonies (Mahler, Gustav)}}

| *****END OF TEMPLATE***** }}

Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T12:54:59Z

Goreld: Added 1 files to Symphony No.7 (Mahler, Gustav)

{{#fte:imslppage

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._I_(orch._score).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2009/5/26
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
|File Name 2=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._II_(orch._score).pdf
|File Description 2=II. Nachtmusik
|Page Count 2=38
|File Name 3=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._III_(orch._score).pdf
|File Description 3=III. Scherzo
|Page Count 3=36
|File Name 4=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._IV_(orch._score).pdf
|File Description 4=IV. Nachtmusik
|Page Count 4=29
|File Name 5=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._V_(orch._score).pdf
|File Description 5=V. Rondo - Finale
|Page Count 5=75
|SM+=Study score: {{SMPlink|4126167|Bote & Bock}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-Symphonie_7-1_(opt).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes=Optimized monochrome 600 dpi. See discussion page.{{Urtext}}
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler-Sym7.Flute12.pdf
|File Name 2=PMLP30475-Mahler-Sym7.Flute34.pdf
|File Name 3=PMLP30475-Mahler-Sym7.Oboe1a2.pdf
|File Name 4=PMLP30475-Mahler-Sym7.Oboe3eh.pdf
|File Name 5=PMLP30475-Mahler-Sym7.Clarinet1a2.pdf
|File Name 6=PMLP30475-Mahler-Sym7.Clarinet3EbBass.pdf
|File Name 7=PMLP30475-Mahler-Sym7.Bassoon1a2.pdf
|File Name 8=PMLP30475-Mahler-Sym7.Bassoon3cbn.pdf
|File Name 9=PMLP30475-Mahler-Sym7.Horn.pdf
|File Name 10=PMLP30475-Mahler-Sym7.Trumpet.pdf
|File Name 11=PMLP30475-Mahler-Sym7.LowBrass.pdf
|File Name 12=PMLP30475-Mahler-Sym7.TimpPerc.pdf
|File Name 13=PMLP30475-Mahler-Sym7.Harp.pdf
|File Name 14=PMLP30475-Mahler-Sym7.Guitar.pdf
|File Name 15=PMLP30475-Mahler-Sym7.Mandoline.pdf
|File Name 16=PMLP30475-Mahler-Sym7.Violin1.pdf
|File Name 17=PMLP30475-Mahler-Sym7.Violin2.pdf
|File Name 18=PMLP30475-Mahler-Sym7.Viola.pdf
|File Name 19=PMLP30475-Mahler_-_Symphony_No7_in_E_minor_(cello-part)a.pdf
|File Name 20=PMLP30475-Mahler-Sym7.Bass.pdf
|File Description 1=Flute 1, 2
|File Description 2=Flute 3, 4 (doubles Piccolo 2), Piccolo 1
|File Description 3=Oboe 1, 2
|File Description 4=Oboe 3, English Horn
|File Description 5=Clarinet 1, 2 (A, B{{flat}})
|File Description 6=Clarinet 3 (A, B{{flat}}), Piccolo Clarinet (E{{flat}}), Bass Clarinet (A, B{{flat}})
|File Description 7=Bassoon 1, 2
|File Description 8=Bassoon 3, Contrabassoon
|File Description 9=Horn 1, 2, 3, 4 (F), Tenorhorn (B{{flat}})
|File Description 10=Trumpet 1, 2, 3 (B{{flat}}, F)
|File Description 11=Trombone 1, 2, 3, Tuba
|File Description 12=Timpani / Rute, Bass Drum / Cymbals / Rute, Glockenspiel / Bells, Snare Drum / Tam-tam, Tambourine / Cowbell, Triangle
|File Description 13=Harp 1, 2
|File Description 14=Guitar
|File Description 15=Mandolin
|File Description 16=Violins I
|File Description 17=Violins II
|File Description 18=Violas
|File Description 19=Cellos
|File Description 20=Basses
|Page Count 1=30, 30
|Page Count 2=24, 24, 16
|Page Count 3=27, 26
|Page Count 4=22, 20
|Page Count 5=35, 32
|Page Count 6=26, 12, 24
|Page Count 7=26, 26
|Page Count 8=22, 20
|Page Count 9=26, 26, 21, 22, 3
|Page Count 10=18, 16, 16
|Page Count 11=15, 15, 16, 16
|Page Count 12=18, 13, 11, 10, 8, 14
|Page Count 13=15, 6
|Page Count 14=3
|Page Count 15=3
|Page Count 16=43
|Page Count 17=40
|Page Count 18=39
|Page Count 19=40
|Page Count 20=32
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 19=[[User:Generoso|Generoso]]
|Date Submitted=2009/10/31
|Date Submitted 19=2009/1/7
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16867
|Reprint=Miami: [[Edwin F. Kalmus]], n.d.(after 1986).
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|SM+=Set of Parts: {{SMPlink|3309662|Kalmus (reprint)}}
}}
===Arrangements and Transcriptions===
=====For Piano 4 hands (Casella)=====
{{#fte:imslpfile
|File Name 1=Mahler_-_Symphony_No.7_-_pno_Casella.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Alfredo|Casella}} (1883-1947)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4399}}
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/8/25
|Page Count 1=154
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16869
|Copyright=Public Domain
|Thumb Filename=Mahler - Symphony No.7 - pno Casella.jpg
|Sample Filename=Mahler - Symphony No.7 - pno Casella.png
|Misc. Notes={{SibleyProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-II._Nachtmusik.pdf
|File Name 2=PMLP30475-III._Scherzo.pdf
|File Name 3=PMLP30475-IV._Nachtmusik.pdf
|File Name 4=PMLP30475-V._Rondo_-_Finale.pdf
|File Description 1=II. Nachtmusik
|File Description 2=III. Scherzo
|File Description 3=IV. Nachtmusik
|File Description 4=V. Rondo - Finale
|Page Count 1=
|Page Count 2=
|Page Count 3=
|Page Count 4=
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphonie_n°_7.pdf
|File Description 1=Complete Score
|Page Count 1=
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Symphony No.7
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=1905
|Year of First Publication=
|Genre=Symphony
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piccolo, 4 Flutes (IV. Doubling Piccolo II.), 3 Oboes, English Horn, E{{Flat}} Clarinet, 3 Clarinets in A and B{{Flat}}, Bass Clarinet in A and B{{Flat}}, 3 Bassoons, Contrabassoon 4 Horns in F, Tenor Horn in B{{Flat}}, 3 Trumpets in B{{Flat}} and F, 3 Trombones, Tuba Timpani, Snare Drum, Bass Drum, Cymbals, Triangle, Glockenspiel, Bells, Tam-Tam, Cowbells, Rute, Tambourine 2 Harps, Mandolin, Guitar and Strings
|Tags=symphonies ; orch
| *****COMMENTS***** =

{{Symphonies (Mahler, Gustav)}}

| *****END OF TEMPLATE***** }}

File:PMLP30475-Mahler - Symphonie n° 7.pdf

2011-06-06T12:54:57Z

Goreld:

Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T12:54:21Z

Goreld: Added 4 files to Symphony No.7 (Mahler, Gustav)

{{#fte:imslppage

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._I_(orch._score).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2009/5/26
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
|File Name 2=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._II_(orch._score).pdf
|File Description 2=II. Nachtmusik
|Page Count 2=38
|File Name 3=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._III_(orch._score).pdf
|File Description 3=III. Scherzo
|Page Count 3=36
|File Name 4=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._IV_(orch._score).pdf
|File Description 4=IV. Nachtmusik
|Page Count 4=29
|File Name 5=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._V_(orch._score).pdf
|File Description 5=V. Rondo - Finale
|Page Count 5=75
|SM+=Study score: {{SMPlink|4126167|Bote & Bock}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-Symphonie_7-1_(opt).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes=Optimized monochrome 600 dpi. See discussion page.{{Urtext}}
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler-Sym7.Flute12.pdf
|File Name 2=PMLP30475-Mahler-Sym7.Flute34.pdf
|File Name 3=PMLP30475-Mahler-Sym7.Oboe1a2.pdf
|File Name 4=PMLP30475-Mahler-Sym7.Oboe3eh.pdf
|File Name 5=PMLP30475-Mahler-Sym7.Clarinet1a2.pdf
|File Name 6=PMLP30475-Mahler-Sym7.Clarinet3EbBass.pdf
|File Name 7=PMLP30475-Mahler-Sym7.Bassoon1a2.pdf
|File Name 8=PMLP30475-Mahler-Sym7.Bassoon3cbn.pdf
|File Name 9=PMLP30475-Mahler-Sym7.Horn.pdf
|File Name 10=PMLP30475-Mahler-Sym7.Trumpet.pdf
|File Name 11=PMLP30475-Mahler-Sym7.LowBrass.pdf
|File Name 12=PMLP30475-Mahler-Sym7.TimpPerc.pdf
|File Name 13=PMLP30475-Mahler-Sym7.Harp.pdf
|File Name 14=PMLP30475-Mahler-Sym7.Guitar.pdf
|File Name 15=PMLP30475-Mahler-Sym7.Mandoline.pdf
|File Name 16=PMLP30475-Mahler-Sym7.Violin1.pdf
|File Name 17=PMLP30475-Mahler-Sym7.Violin2.pdf
|File Name 18=PMLP30475-Mahler-Sym7.Viola.pdf
|File Name 19=PMLP30475-Mahler_-_Symphony_No7_in_E_minor_(cello-part)a.pdf
|File Name 20=PMLP30475-Mahler-Sym7.Bass.pdf
|File Description 1=Flute 1, 2
|File Description 2=Flute 3, 4 (doubles Piccolo 2), Piccolo 1
|File Description 3=Oboe 1, 2
|File Description 4=Oboe 3, English Horn
|File Description 5=Clarinet 1, 2 (A, B{{flat}})
|File Description 6=Clarinet 3 (A, B{{flat}}), Piccolo Clarinet (E{{flat}}), Bass Clarinet (A, B{{flat}})
|File Description 7=Bassoon 1, 2
|File Description 8=Bassoon 3, Contrabassoon
|File Description 9=Horn 1, 2, 3, 4 (F), Tenorhorn (B{{flat}})
|File Description 10=Trumpet 1, 2, 3 (B{{flat}}, F)
|File Description 11=Trombone 1, 2, 3, Tuba
|File Description 12=Timpani / Rute, Bass Drum / Cymbals / Rute, Glockenspiel / Bells, Snare Drum / Tam-tam, Tambourine / Cowbell, Triangle
|File Description 13=Harp 1, 2
|File Description 14=Guitar
|File Description 15=Mandolin
|File Description 16=Violins I
|File Description 17=Violins II
|File Description 18=Violas
|File Description 19=Cellos
|File Description 20=Basses
|Page Count 1=30, 30
|Page Count 2=24, 24, 16
|Page Count 3=27, 26
|Page Count 4=22, 20
|Page Count 5=35, 32
|Page Count 6=26, 12, 24
|Page Count 7=26, 26
|Page Count 8=22, 20
|Page Count 9=26, 26, 21, 22, 3
|Page Count 10=18, 16, 16
|Page Count 11=15, 15, 16, 16
|Page Count 12=18, 13, 11, 10, 8, 14
|Page Count 13=15, 6
|Page Count 14=3
|Page Count 15=3
|Page Count 16=43
|Page Count 17=40
|Page Count 18=39
|Page Count 19=40
|Page Count 20=32
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 19=[[User:Generoso|Generoso]]
|Date Submitted=2009/10/31
|Date Submitted 19=2009/1/7
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16867
|Reprint=Miami: [[Edwin F. Kalmus]], n.d.(after 1986).
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|SM+=Set of Parts: {{SMPlink|3309662|Kalmus (reprint)}}
}}
===Arrangements and Transcriptions===
=====For Piano 4 hands (Casella)=====
{{#fte:imslpfile
|File Name 1=Mahler_-_Symphony_No.7_-_pno_Casella.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Alfredo|Casella}} (1883-1947)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4399}}
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/8/25
|Page Count 1=154
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16869
|Copyright=Public Domain
|Thumb Filename=Mahler - Symphony No.7 - pno Casella.jpg
|Sample Filename=Mahler - Symphony No.7 - pno Casella.png
|Misc. Notes={{SibleyProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-II._Nachtmusik.pdf
|File Name 2=PMLP30475-III._Scherzo.pdf
|File Name 3=PMLP30475-IV._Nachtmusik.pdf
|File Name 4=PMLP30475-V._Rondo_-_Finale.pdf
|File Description 1=II. Nachtmusik
|File Description 2=III. Scherzo
|File Description 3=IV. Nachtmusik
|File Description 4=V. Rondo - Finale
|Page Count 1=
|Page Count 2=
|Page Count 3=
|Page Count 4=
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Symphony No.7
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=1905
|Year of First Publication=
|Genre=Symphony
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piccolo, 4 Flutes (IV. Doubling Piccolo II.), 3 Oboes, English Horn, E{{Flat}} Clarinet, 3 Clarinets in A and B{{Flat}}, Bass Clarinet in A and B{{Flat}}, 3 Bassoons, Contrabassoon 4 Horns in F, Tenor Horn in B{{Flat}}, 3 Trumpets in B{{Flat}} and F, 3 Trombones, Tuba Timpani, Snare Drum, Bass Drum, Cymbals, Triangle, Glockenspiel, Bells, Tam-Tam, Cowbells, Rute, Tambourine 2 Harps, Mandolin, Guitar and Strings
|Tags=symphonies ; orch
| *****COMMENTS***** =

{{Symphonies (Mahler, Gustav)}}

| *****END OF TEMPLATE***** }}

User talk:Daphnis

2011-06-06T12:09:28Z

Goreld: /* Mahler Symphon */ new section

==Archive Pages for this page==
*[[User talk:Daphnis/archive1|Archive 1]] (Pre-8 October, 2007)
*[[User talk:Daphnis/archive2|Archive 2]] (8 October 2007-14 March, 2009)
*[[User talk:Daphnis/archive3|Archive 3]] (14 March 2009 - 24 September 2009)
*[[User talk:Daphnis/archive4|Archive 4]] (25 September 2009 - 25 April 2010)
*[[User talk:Daphnis/archive5|Archive 5]] (25 April 2010-15 September 2010)
== Instrumentation ==

I notice that when you upload works, under the 'instrumentation field' you often put 'Violin, Viola, Cello', or something along these lines. 'Piano', in the newest. While it is no longer preferable to have include numbers since it gets cluttered (e.g. "1 violin, 1 viola, 1 cello"), except in cases where needed for clarity, according to our manual of style for general information (a work in progress) there is no need to capitalize the first letter, for purpose of standardization. If you have objections, feel free to dispute. Refer to the [[Manual of Style/General Information|general information guide]] for specific details concerning the general information. In case you have suggestions, feel free to write them via forums or discussion page. On a completely different note, you'll never guess what I use now....... Adobe! You're right, sorry for the arguments a while back on the forums ;) [[User:BKhon|BKhon]] 02:59, 15 September 2010 (UTC)
:Oops, you're right. I'll go back and fix these in a second. [[User:Daphnis|Daphnis]] 03:01, 15 September 2010 (UTC)
Thanks for the Dohnanyi, btw-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:04, 15 September 2010 (UTC)

== Archive ==

Just a suggestion: this talk page is getting fairly long, and it might be a good idea to consider archiving it at this point (33 topics!) [[User:BKhon|BKhon]] 03:01, 15 September 2010 (UTC)
:Probably a good idea. Perlnerd, can you show/tell me the correct way to do this? [[User:Daphnis|Daphnis]] 03:20, 15 September 2010 (UTC)
Done. You might do well to remember next time ;)-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:59, 16 September 2010 (UTC)
:Yes, I know. Thanks all the same. [[User:Daphnis|Daphnis]] 02:01, 16 September 2010 (UTC)

== G. Hartmann publisher page ==

Wanted to let you know I created a publisher page for [[G. Hartmann]] -- thought the amount of works here published by him warranted a unique page. I've started a plate number list with Massenet and will go about adding other composers and linking from the corresponding work pages, if you have some Saint-Saëns works or others you can add that would be great. Thanks![[User:Massenetique|Massenetique]] 01:55, 16 September 2010 (UTC)
:Cool. Be sure to trawl the site for all the Hartmann publications. I know I'm guilty of adding tons of pieces. [[User:Daphnis|Daphnis]] 01:59, 16 September 2010 (UTC)
::Will do.[[User:Massenetique|Massenetique]] 05:52, 16 September 2010 (UTC)
@Massenetique: Thanks, but make sure to cite your source in Chicago format. Thanks again-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:33, 16 September 2010 (UTC)

== Sibley, Durand ==

Ah, will try to do that. Thanks! [[User:Schissel|Eric]] 15:10, 20 September 2010 (UTC)
:By the way, you can respond on your talk page to messages we leave as we'll be watching them for changes. Thanks again. [[User:Daphnis|Daphnis]] 15:12, 20 September 2010 (UTC)

== Sibley ==

I noticed you recently uploaded [[Polyphème (Cras, Jean)|Polyphème]], by Jean Cras. I also notice that in this file order, the cover comes first. Did you manually do that, or was it Sibley? It's usually customary (refer to my talk page discussion) to have the cover last, but the there really aren't any established rules on that. It should probably be done at some point. Personally, I would like covers to come first, but seeing as IMSLP needs to be standardized, most of the files have the covers last. For sake of consistency, I would suggest we leave it like that. Thanks, [[User:BKhon|BKhon]] 01:15, 23 September 2010 (UTC)
:I put the cover first. I am not aware of a convention for Sibley file order uploads. Personally, I think the covers are pretty much useless as they mostly add nothing of significance, but if they must be uploaded, it would make most sense to put them first. After all, they are the FRONT covers and nothing else. I don't do a lot of Sibley upload, so if you'd like to change this one, feel free. [[User:Daphnis|Daphnis]] 01:20, 23 September 2010 (UTC)
::The reason the usual method makes sense to me, speaking for myself, is rather like this- primary secondary tertiary (uploading a violin sonata, putting the full score on top, the violin part second, the color cover not at all or third because it's nice to look at and interesting- third.) [[User:Schissel|Eric]] 01:32, 23 September 2010 (UTC)
:::I completely agree with you that it makes the most sense. However all the files on Sibley put the cover last. On IMSLP we tend to like consistency, and a uniform look. At this point, it makes sense just to leave the files as Sibley put them, since it would save a lot of time, while still being standard. With kind regards, [[User:BKhon|BKhon]] 01:36, 23 September 2010 (UTC)
::::That seems a bit unusual to me. Generally speaking, the way we organize files is based on a master instrumentation score order. The trend is the same if it's a violin sonata, in which case the solo part(s) precede the piano part, or if there is a collection of orchestral parts. And BKhon, just because Sibley does something one way does not mean we have to follow suit, or even that it is the most efficient system. They are actually rather slack at including correct and relevant information on their pages. Examples include 1.) Wrong or mere "guessing" of publication dates, 2.) omission almost entirely of plate numbers, 3.) the use of non-unicode font system which leaves out necessary characters in composers' names, and 4.) non-standardization of piece titles, essentially only putting as a title what the publisher indicates on the cover, which when coupled with the lack of necessary accents can render a reading of the page next to useless. [[User:Daphnis|Daphnis]] 01:43, 23 September 2010 (UTC)
::Not to mention often (perhaps unavoidably given how their database works) writing 1890, 1900, 1910, ... when the information they're passing on - easily accessible from other library catalogs (via WorldCat, say) - is no more accurate than "189?", "190?", or even "19??"- sometime in the 1890s or even sometime in the 20th century (for publication date, I mean.) That is, many of their inaccurate 1900 publication dates come from other librarians' guesses that something was published either in the first decade of the 20th century, or sometime... in the 20th century... (I've been thinking for a long long time, as I got practice in it myself that is, of putting together some tips for people working on the Sibley Mirror Project. Vain though that makes me... wouldn't make a half-bad collaborative project of its own maybe, if kept briefish and guidelines/tips instead of more rules, I think :) ) [[User:Schissel|Eric]] 01:59, 23 September 2010 (UTC)
:::Daphnis, I think you missed my point. My point wasn't that the Sibley way was more efficient at all... far from it. I have strong disagreements with the order that Sibley puts the scores in. This is what I ''am'' saying: At this point, 1000's of files have been added from Sibley. Since IMSLP needs to be uniform, I would say about 99% of those files from Sibley are put in the order where covers are last. For the sake of time, I think it would be easier that we just leave it be, and continue uploading files in the order Sibley puts it. The reason is because if we changed this, we would need to go back and change nearly ''every'' Sibley file that has been uploaded. Sorry, I think standardization is crucial. I consider my primary purpose on IMSLP is to make sure everything is uniform and standardized. But I think time and effort of the administration staff must be considered when the ultimate outcome isn't something that will make any profound difference. [[User:BKhon|BKhon]] 02:03, 23 September 2010 (UTC)
:::::I agree that consistency is extremely important. I must not have observed the trend to put the covers last in the file order. If this is how it's going to be done here then I'll follow suit. [[User:Daphnis|Daphnis]] 02:13, 23 September 2010 (UTC)
{{outdent}}I also haven’t noticed the trend to put covers last. Since we do divide publications on a completely arbitrary basis already, what is the rationale for listing an edition’s contents in a different order to the publication order? This seems to be inherently confusing. [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 11:27, 26 September 2010 (UTC)
:Philip, I agree. I have noticed (or at least THOUGHT I noticed) the opposite, which is to list the cover first, then solo part, then score, but I'm trying to give the benefit of the doubt since others probably do more Sibley work than I. In any case, I still believe it should follow this order since this is how a piece is usually assembled, but I'm not going to resort to fisticuffs for it. [[User:Daphnis|Daphnis]] 13:40, 26 September 2010 (UTC)
::Personally, I think the cover should go first. But the trend in Sibley is to the put the cover last (not saying that's really the best thing to do, but it's already done for 1000's of files). Schissel notices the same trend, and he's practically the god of the Sibley project :) [[User:BKhon|BKhon]] 14:30, 26 September 2010 (UTC)
:::::Several very bad jokes occur to me, all shelved, but thanks much :) Have decided for myself to finesse the issue for now by shelving the covers unless they contain actual information not otherwise available (e.g., copyright or dedication information cropped on the other scans), and not just keep them because they look nice, as previously! [[User:Schissel|Eric]] 15:13, 26 September 2010 (UTC)
{{outdent}}Since I’m not keen on typing lots of these : I thought I’d re-employ the <nowiki>{{outdent}}</nowiki> template I purloined from Wikipedia. I don’t think it’s the largest problem with the Wiki, but is the above suggesting that front covers and prefatory matter should now always be put after the scores, rather than before?!? For all works, not just Sibley? o_O [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 05:04, 27 September 2010 (UTC)

== Ravel, L'enfant ==

Daphnis, Could you please contact me via [mailto:j.salemkour@staatsoper-berlin.de email] Thank you Stuchash
:May I ask what this is in reference to? I generally don't make it a habit to contact users outside of the IMSLP forums and talk pages. [[User:Daphnis|Daphnis]] 13:34, 5 October 2010 (UTC)

== [[Chôros No.3, W206 (Villa-Lobos, Heitor)]] ==

Hi Daphnis, I notice that there's no copyright notice on the first page of the parts for this piece, but you still tagged the US copyright as expiring in 2024 (based on the date for the score), as opposed to C. Are you basing this on the absence of reprints, or do you have another reason? Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:47, 3 November 2010 (UTC)
:Hmm, I guess I hadn't noticed that when I was in a rush to get these things put together. Off the top of my head, I don't recall seeing reprints of these parts, which isn't conclusive, but is a fairly good indication these may be protected. While I can't remember specifically about these parts, it is possible they had a copyright notification but it had to be removed due to watermarks or library stamps etc. I think it is fairly unlikely I did this to every first page, but if this is going to be considered a case where it could be available in the US, it may be prudent to obtain another physical copy of these parts and have a good look. [[User:Daphnis|Daphnis]] 02:27, 3 November 2010 (UTC)

==Daphnis & Chloe Suite No.2==
Hi, I note that the original publications were entitled "Fragments Symphoniques " (I and II) - which you (or someone) have helpfully included in the alternate title field. Is there any difference at all between the Garban arrangement for 2 pianos and the orchestral suite that you know of? It appears to be a straightforward arrangement of the second suite from what I could see. I'll change the header to 5 equal signs so that the category walker can read it as a two-piano arrangement. If there is some sort of sequential difference, or material present in the Garban arrangement not found in the second suite, we can add in the 4-equal level designation "Selections - Fragments Symphoniques" or something along those lines to point out that its different from the standard suite 2. Cheers, [[User:Carolus|Carolus]] 22:01, 3 November 2010 (UTC)
:I was actually investigating this before you left the message and after I submitted the score. My suspicion stems from the fact that a solo piano transcription of a selections over on the main Daphnis page are also entitled "fragments" and so for that reason I went ahead and listed the Garban transcription as a "fragments symphoniques" until I did a more thorough comparison. [[User:Daphnis|Daphnis]] 22:13, 3 November 2010 (UTC)

== Thank you ==

-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 04:18, 16 December 2010 (UTC)
:No problem. I hope I got them all. [[User:Daphnis|Daphnis]] 04:48, 16 December 2010 (UTC)
I think you did. Thanks for fixing my page too. EQ's might be getting a letter from a lawyer about his repeated attempts at vandalism. [[User:Carolus|Carolus]] 06:09, 16 December 2010 (UTC)

Hello,

I noticed that the score for the "Five Variants on Dives and Lazarus" is currently unavailable. Is there any idea as to when it might again be available, or how I might get a copy? Thank you for your time. ChipotlePipes
:Another 35 years in the US. The score should be available for sale at many online locations. [[User:Daphnis|Daphnis]] 17:03, 7 January 2011 (UTC)

== Jenufa ==

A certain person at our very favorite Viennese music publisher has made mention via back channels that the Max Brod (d.1968) German translation is still protected in Canada, which I have to admit is probably true. It's free in the USA of course and has even been reprinted by Dover. I'm blocking this for the time being until it can be relocated to the US server. [[User:Carolus|Carolus]] 05:40, 8 January 2011 (UTC)
:Alright then, I suppose that's fair of them to mention. [[User:Daphnis|Daphnis]] 12:53, 8 January 2011 (UTC)

== Sibelius Symphony No. 6 ==

Daphnis,

This item is currently blocked [TB] for "technical reasons". What is the problem and is there anything I can do to help?
:I'm not daphnis, but the reason that it is blocked is due to it's being in copyright in the US and EU. I'm afraid that there is nothing that you can do but wait.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:19, 12 January 2011 (UTC)

== Enescu ==

I'll see if my local library has Malcolm's ''George Enescu: his life and music'' which refers to the composer's preface to the 1950 edition of ''something'' according to the Google preview- maybe the octet, maybe not, can't tell. [[User:Schissel|Eric]] 02:09, 30 January 2011 (UTC)
:Good deal. Let me me know if you can't get your hands on it and I'll grab a copy. Although my assessment is by no means definitive, this is just my suspicion based on Enoch and other publisher's tactics. In any case, assuming this is purported to be a new "edition", I very, very seriously doubt this would be eligible for a new copyright. [[User:Daphnis|Daphnis]] 02:11, 30 January 2011 (UTC)
In the meanwhile- I'm too often near the library 'in transit' and too rarely actually go in, lately, unfortunately; must again write down lists of the several-to-many books and scores and listening items I will make use of next I do explore that quite good library - anyway. But see [[User_talk:Carolus#Enescu_octet]] - barring any amazing revelations from Malcolm, I think it very most likely you are right. [[User:Schissel|Eric]] 16:21, 30 January 2011 (UTC)
:Oh right, I forgot to mention that this piece (score and parts) was reprinted by Kalmus. [[User:Daphnis|Daphnis]] 16:25, 30 January 2011 (UTC)

== Dans la forêt, Op.22 (Gédalge, André) ==

:"Recmusic.org has the beginning of a listing of texts of the poems of op.22, which make it clear that they are not all by Bouchor, however."
It's not that clear! "Complainte du naufragé" on a text by Bosselin, #4 on the Recmusic page, does not belong to ''Dans la forêt'', but to ''Les Vaux de Vire'' (#3)...
I think Recmusic's song order for Gédalge is spurious. [[User:Pierre.chepelov|Pierre.chepelov]] 22:00, 31 January 2011 (UTC)

:Erm, I wrote that. Why are you complaining to Daphnis about it? And no, it's not at all clear, and I am now confused. I will write and ask Ms. Ezust... it's unlikely to be a matter of a renaming of the poem whose content is unavailable. But in the absence of an actual copy of the original 1903 score... well, yes, I will ask her or at least try to get hold of her by email or otherwise. Doesn't mean I'll get a response of course. Her mother and I used to be email correspondents but that means naught :) [[User:Schissel|Eric]] 22:04, 31 January 2011 (UTC)'

:That said, they still may have reordered the poems- I can believe that Le Sentier is first in order as her page claims, and not Épanouissement as Recital Publications does- though again I don't have a reason to believe one way or the other and would have to see the 1903 score. For piano piece cycles like Heller's the order seems to have varied randomly with the publisher and edition, and opus 47 no.12 might be one piece or another from his opus 47 set depending on what year and what publisher- but with a song cycle changing the order can be quite another thing, so I hope they did not do that... [[User:Schissel|Eric]] 22:11, 31 January 2011 (UTC)

::If the cycle have been reordered, it certainly was not by Recital. The titles' engraving looks old, and French!... Maybe between 1902 and 1903 ther order changed... BTW, there's an (partial) older edition [http://www.musimem.com/gedalge.htm here] (pub. in the newspaper ''Musica'', 1901). [[User:Pierre.chepelov|Pierre.chepelov]] 22:29, 31 January 2011 (UTC)

==Satie, mélodies et chansons==
Dear Daphnis: Thanks for these -- I would like to tag them, but I don't know which were the mélodies and which were the chansons and I would rather not use the generic "song" if possible. Would you be able to give a list of which is which? Alternatively, do you know of a source I could go to that would give me the breakdown? (Steltz)
:The Grove article is probably the best I can suggest off-hand. [[User:Daphnis|Daphnis]] 05:33, 5 February 2011 (UTC)

== [[String Quartet No.3, Op.74 (Reger, Max)]] ==

Hi Daphnis. I just happened to notice that the edition of the parts you uploaded for this piece appears to be edited by Eduard Drolc (1919-1973) (non-urtext - fingering, bowings, etc.). According to the [http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?Search_Arg=Drolc+Eduard&Search_Code=NALL&PID=YyVhMHAs1vkeSzPvOYmV9KKJ0olU&SEQ=20110208210300&CNT=25&HIST=1 Copyright Office], the 1963 reissue was registered and renewed, so I've taken the liberty of removing the file as I don't really see any way out of its being under copyright in all the major areas. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:06, 9 February 2011 (UTC)
:Hmm, not sure how this one slipped through the cracks, and I can't remember if we (Carolus and I) had a conversation about this a while back. Anyways, probably best if it is removed. Thanks. [[User:Daphnis|Daphnis]] 02:09, 9 February 2011 (UTC)

== Huré Violin sonata & Cello sonata ==

Hi Daphnis! Have to say I'm very happy finding so much French repertoire here, I'm a big fan. I have a comment about your scan about Jean Huré's Violin Sonata: the scan quality seems to be very uneven, there are some pages that take forever to load, but are in fact of inferior quality. Example: page 19 (page 4 of the piano score), but every 5th page or so from then. Would it be possible to harmonise these with surrounding pages? Thanks! [[User:cvdwoest|cvdwoest]] 11:00, 10 February 2011 (CEST)
:What program and version are you using? [[User:Daphnis|Daphnis]] 14:44, 10 February 2011 (UTC)
::I notice longer page loading times with Adobe Reader 8.1.3 under Linux, evince Document Viewer 2.23.0 under Linux, as well as the most recent Preview under Mac OS X, so I presume there is an artifact of the files involved. Inferior rendering only in Mac OS X Preview. There's the same behaviour in the Cello sonata in F# minor, IMSLP59809, pages 2 in the cello part and 1,7,8,13,15,17,21 in the piano score (printed page numbers). Sorry btw for not reacting for a long time, I thought I'd get notified of your reaction here, but I wasn't. [[User:cvdwoest|cvdwoest]] 17:15, 9 May 2011 (CEST)
:These files were created with Acrobat pro 9.x. Try with that version or higher. [[User:Daphnis|Daphnis]] 15:59, 9 May 2011 (UTC)

==Dialogo della musica (Galilei, Vincenzo)==
I wonder what basis you declared the 'style' of this book to be 'Medieval'? The publication date is 30 years after the Susato Dances (third music box, 1551) and 80 years after Petrucci's first printed music using moveable type (Harmonice Musices Odhecaton A, 1501.) Given that both of these were squarely in the Renaissance period, that might be a better style. Generally, Medieval end point is called between 1450 (think Gutenberg) and 1517 (the latest date used, based on the death of King Ferdinand II.) Galilei's use of White Mensural Notation and arabic numbers for calculations also point to Renaissance.
[[User:Tiorbinist|Tiorbinist]] 01:13, 11 February 2011 (UTC)
:Indeed. This was a simple slip-up as I was in the middle of posting about a dozen items. Thanks for the heads-up. [[User:Daphnis|Daphnis]] 01:45, 11 February 2011 (UTC)

== Enoch ==

Hi Daphnis,
Thanks for your message.
I'm in holiday at present... I'll give you many informations about this publisher in few days... --[[User:Squin|Squin]] 17:22, 20 February 2011 (UTC)
:Ok, I'm back ... ... The firm is founded in 1863 by Charles Enoch (1804- 1883) with Wilhelm (1840-1913), the elder son, and Emile, the younger, with the following proportions : 4/10 for Charles, 4/10 for Whilhelm, 2/10 for Emile. In the first year only very few score are edited (in 1875 plate n°63),... the imprint is Enoch Père et Fils = Plates E.P. et F. ###........ on 1/1/1880, Costallat is associated and the imprint change : Enoch Frères et Costallat = Plates E.F. et C. ### (about plate n°490-500)..... Emile leaves the firm but I don't know when....in 31.12.1894 Costallat leaves but 3 others members of the Enoch family are newly associated (Daniel-Mardochée, Georges Abraham, Marguerite)... The new imprint is Enoch et Compagnie = E. et Cie #### (about plates 2250-2300)... for plate numbers year after year, if you want to manage I can send you a table (give me a your mail)as I've do for some publishers as Grus, Troupenas, Rouart, Gallet and others; or I can put it directly on Enoch page. addresses : 30 rue Meslay (1863-1875) + 23 Boulevard Saint-Martin (1874-1875) ; 27 Boulevard des Italiens after 1875 --[[User:Squin|Squin]] 16:18, 25 February 2011 (UTC)

== Brod: Oboe method ==

Hi,

Our friends at Lemoine are really attempting some nonsense here. Looking at the [[Méthode de hautbois (Brod, Henri)|score you uploaded]], my bet is that this item was issued in an edition by Gillet sometime in the 1880s (based on the Lemoine plate number 9516 and Gillet's dates). They may have even reprinted the Schonenberger score from the 1830s, but to be honest the engraving looks more like the work done in the late 1800s and early 1900s by an outfit like L. Parent. The 18347 number suggests early 20th century, and I've confirmed printings from ca.1890 and 1947 on OCLC. The 1963 copyright claim is just outrageous, of course. [[User:Carolus|Carolus]] 04:59, 23 February 2011 (UTC)
:Ok makes sense. I wasn't very satisfied with the brief research I did; it was all I had time for at present and I intended to come back to it. Glad you did some further digging. I'm hoping to get a few photocopies from the Schoenenberger score at some point for comparison. [[User:Daphnis|Daphnis]] 05:10, 23 February 2011 (UTC)

Lemoine plate H.L. 9516 is edited in juanary 1889 (in 1889 we have plates 9515 to 9602)...........but n° 18347 is edited in 1895 --[[User:Squin|Squin]] 16:24, 25 February 2011 (UTC)

== Villa-Lobos ==

Dear Daphnis!

Excuse for bothering you, but could you, please, send me (on my e-mail) scores of Villa-Lobos' Bachianas Brasileiras 1-4 (as for 4, I need an orchestra score) and 6?

Many thanks.

My e-mail is: [email removed]
:No, I do not do that. [[User:Daphnis|Daphnis]] 18:27, 13 March 2011 (UTC)

== Duparc ==

Do you mind trying to find publisher information for these songs? I can't verify it.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:58, 13 March 2011 (UTC)
:I think I tried to at one point but couldn't verify it either. Without grabbing the several different publications out there it would be a difficult task. [[User:Daphnis|Daphnis]] 23:00, 13 March 2011 (UTC)
OK. Thanks-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:48, 13 March 2011 (UTC)

== Roger-Ducasse's Orphée ==

Hi Daphnis - Just a question - did you intend to delete the file I had uploaded earlier of the vocal score to Orphée? I do not doubt that your scan is superior in quality, but often there are considerations of file size and what may or may not be included in the front matter which warrants the old uploads remain. Thoughts? [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 00:01, 19 March 2011 (UTC)
:Hi, and yes, I did intend to delete the file. Carolus and I as well as some others had this discussion a while back. The justification in doing so, such as in this exact instance, is where we have two files that represent the EXACT same edition, both sans third-party markings of any kinds and that essentially represent "clean" printings, and one is clearly superior in quality. In cases like these, there really is no compelling reason to keep around the lesser of the two files, even if the file size is less. While, true, removing redundant files of inferior quality does free up some server space, removing them also removes potential confusion from users, especially those who constantly chide us for having files of dubious quality. We need to always be in the business of providing the best quality materials to the masses, especially when everything else remains constant. [[User:Daphnis|Daphnis]] 02:43, 19 March 2011 (UTC)
::I completely understand. Thank you for clarifying -- this is helpful because I have had the desire to delete files for the exact same reason but did not know the prevailing policy on the subject and have left imperfect scans alongside some I have uploaded. I will keep this in mind for the future. Best, [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 03:03, 20 March 2011 (UTC)
:::By all means, yes, proceed. With the vocal scores by U of Toronto, for example, I would love nothing more than to see all of them replaced with high-quality, 1-bit scans. [[User:Daphnis|Daphnis]] 03:08, 20 March 2011 (UTC)
::::I agree, but for the time being most of them are better than nothing. Thanks, [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 22:12, 20 March 2011 (UTC)

== Daphnis et Chloé for 4 hands, by Léon Roques ==
Hi Daphnis,
It's a pleasure to see all your great uploads. Have you the 4 hands transcription of Daphnis, by Léon Roques? I added it to the wishlist.
Thanks!--[[User:Goreld|Goreld]] 14:01, 21 March 2011 (UTC)
:Yes, actually, I do. I'll try to post it in the coming week. [[User:Daphnis|Daphnis]] 15:09, 21 March 2011 (UTC)
Hi Daphnis, thanks for the post! It seems to be the 1st suite only, will you scan the 2d suite by Roques? You should put it in the 1st suite page instead of the full ballet (or I'll do it). Have a nice day [[User:Goreld|Goreld]] 07:52, 31 March 2011 (UTC)
:Yes, I'm going to post the second suite as well. And I've moved it the first one to the appropriate page. [[User:Daphnis|Daphnis]] 15:10, 31 March 2011 (UTC)
Second suite now available. [[User:Daphnis|Daphnis]] 20:22, 12 April 2011 (UTC)
:Great! [[User:Goreld|Goreld]] 01:21, 23 April 2011 (UTC)

== I gather quartet no.8 has a copyright notice of 1936- ==

but even if not, I ''think'' on the imslp.us server we're being very careful to restrict to pieces ''actually'' published before 1923. I realize PD-US has other clauses. I may be mistaken. I have deleted the Milhaud quartet 8 page. It can of course be restored; I have not deleted the file though I advise doing so. [[User:Schissel|Eric]] 18:52, 23 March 2011 (UTC)
:Schissel, please check with me first before deleting pages. This piece has been injected into the public domain in the US due to faulty copyright notice and is verified as it is currently offered for sale in the Masters reprint catalog, from which this reprint comes. There are a few cases of this happening in Milhaud's and other's works as well. I have restored the page. [[User:Daphnis|Daphnis]] 18:55, 23 March 2011 (UTC)
Ah, they didn't renew. Will do - but may I suggest that lack of renewal or similar be mentioned on the page itself (unless I missed?)- as very often is done. Not only because of other admins, but others who view the site. Thank you. [[User:Schissel|Eric]] 19:00, 23 March 2011 (UTC)
:It wasn't a matter of renewing or not. There are a variety of ways a certain publication may have its copyright nullified or invalid, and failure to renew is but one of those. I may not be able to verify absolutely every single piece that was published after 1923, but it is quite safe to say that due to this being reprinted by a notable publisher (and 10 years ago at that), it is quite legal. [[User:Daphnis|Daphnis]] 19:02, 23 March 2011 (UTC)
:Also, the entire Milhaud page is a work in progress right now. I'm doing a lot of work on this as far as gathering pieces and information goes, so it might just be best to wait for a few days after something has appeared. Often I'll submit something and tweak things here and there before coming back to it later when I have more time. [[User:Daphnis|Daphnis]] 19:05, 23 March 2011 (UTC)

== FTE template for US server ==

I just added 5 more to the template. Let's see if it picks up an additional 5 files after the cache clears. If it does, It shouldn't be too tedious to up the file-stack to 40 or even 50 for the template. [[User:Carolus|Carolus]] 03:35, 6 April 2011 (UTC)
:Ok, thanks. I'll see how it works after a couple of days. [[User:Daphnis|Daphnis]] 03:36, 6 April 2011 (UTC)
I see that Feldmahler (who is amazing) has already solved this problem! [[User:Carolus|Carolus]] 04:13, 8 April 2011 (UTC)

== Stravinsky ==

In going through some of my archive here, I've discovered that I have some actual old Chester parts, to wit:

*Pribaoutki
*Berceuses du chat
*Renard
*Les noces

I will have someone I know in the area do some cleaning as there are quite a few superfluous markings, etc. At any rate, can I send these to you for scanning once they're ready? I'll see what I can do about locating us a set of the 1919 suite (not the McAlister edition) as well. [[User:Carolus|Carolus]] 04:10, 8 April 2011 (UTC)
:Sure thing, I'd be glad to scan them. I still need to get your initial mountain of things back to you soon. I don't know how worthwhile it would even be to scan the 1919 suite parts (non-McAlister) if you found them. They appear to be copyist manuscript and are absolutely chock full of errors. [[User:Daphnis|Daphnis]] 13:35, 8 April 2011 (UTC)
I've read that too, so I am a bit apprehensive. At any rate, the other items above should be OK to have. I also have a Muzyka score of ''Les noces'' we can add later. [[User:Carolus|Carolus]] 03:58, 9 April 2011 (UTC)

== Swipsey ==

Joplin's co-composer, Arthur Marshall (1881-1968), is not free in Canada. You'll need to move to the US server as soon as you can. [[User:Carolus|Carolus]] 01:35, 26 April 2011 (UTC)
:Man, I stupidly didn't even check for that!. Thank you for looking over me--I'll transfer it tomorrow. [[User:Daphnis|Daphnis]] 01:36, 26 April 2011 (UTC)

== Vaughan Williams - Five Variants on Dives and Lazarus ==

If you would be so kind, could you send or direct me to this score? I am a student and this could really help my contrapuntal string writing... my email is [REMOVED] i would really appreciate it
:I'm sorry but as I have no way of verifying geolocation (and thus adherence to copyright law in your country), I do not email my scores to individuals. If you are actually a student (at a university/college), you likely have access to some interlibrary loan program, through which this score is readily available. [[User:Daphnis|Daphnis]] 03:30, 2 May 2011 (UTC)

==George Enescu String Quartet Op. 22 #1==

Hello Daphnis, can you shed some light on this subject. I am somewhat puzzled about the claim that this work is not PD. According to the publishers (Salabert) who published the work in 1921, it is still listed as 1921 on Durand-Salabert catalogues: http://www.durand-salabert-eschig.com/formcat/catalogues/enesco_georges.pdf
It has been 90 years since its publication, how is that not PD? Is it possible to contact you by email regarding this work? Please let me know. [[User:bravi1|bravi1]]
:The dates in parenthesis represent date of composition and not publication. By my research, the first quartet appears to have been published in 1957. This isn't odd considering many of his early works were also issued towards the end of his life or postmortem. [[User:Daphnis|Daphnis]] 19:53, 9 May 2011 (UTC)

== Bartok String Quartet No. 4 ==

Hi Daphnis, I saw, that you have uploaded 4th String Quartet by Bela Bartok. However, the score is still blocked. I really need the score for analyzing it. Please, can you contact me (aschrofel@email.cz) or send me the score?
Thanks a lot! --[[User:Aschrofel|Aschrofel]] 10:03, 15 May 2011 (UTC)
:No, sorry. I do not email my scores. [[User:Daphnis|Daphnis]] 15:21, 15 May 2011 (UTC)

== Enoch ==

Looks very fine. I tweaked one thing (prefix instead of formats). Impressive. How's the perusal score acquisition going? Send me an e-mail if you need any help. [[User:Carolus|Carolus]] 01:14, 23 May 2011 (UTC)
:No perusals in a while. I really haven't had the time with other work going on. [[User:Daphnis|Daphnis]] 01:17, 23 May 2011 (UTC)

== Mahler Symphon ==

Hi Daphnis,

I did some modifications to some files you uploaded (Mahler 7th symphony), please have a look to the discussion page [[http://imslp.org/wiki/Talk:Symphony_No.7_%28Mahler,_Gustav%29]] and tell me if you agree with these scripts.

Thanks.

Talk:Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T12:08:27Z

Goreld:

Hi,

I uploaded an optimized version of the 1st movement of 7th symphony. I did some batch photoshop and acrobat custom scrits:

PHOTOSHOP
* improved 300 dpi resolution to 1200 dpi (for further operations)
* threshold black/white, level 140
* trim (sometimes manually erase borders)
* add a 4-5% margin
* convert to monochrome bitmap 600 dpi

ACROBAT
* import with CCITT4 compression (no other options), medium size

I find these optimized files much more usable and screen-readable (and probably printable too).
Please tell me if you'd like me to do other batch processing, or comment a couple of the script-lines I used.

Talk:Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T12:04:05Z

Goreld:

Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T11:59:23Z

Goreld:

{{#fte:imslppage

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._I_(orch._score).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2009/5/26
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
|File Name 2=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._II_(orch._score).pdf
|File Description 2=II. Nachtmusik
|Page Count 2=38
|File Name 3=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._III_(orch._score).pdf
|File Description 3=III. Scherzo
|Page Count 3=36
|File Name 4=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._IV_(orch._score).pdf
|File Description 4=IV. Nachtmusik
|Page Count 4=29
|File Name 5=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._V_(orch._score).pdf
|File Description 5=V. Rondo - Finale
|Page Count 5=75
|SM+=Study score: {{SMPlink|4126167|Bote & Bock}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-Symphonie_7-1_(opt).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes=Optimized monochrome 600 dpi. See discussion page.{{Urtext}}
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler-Sym7.Flute12.pdf
|File Name 2=PMLP30475-Mahler-Sym7.Flute34.pdf
|File Name 3=PMLP30475-Mahler-Sym7.Oboe1a2.pdf
|File Name 4=PMLP30475-Mahler-Sym7.Oboe3eh.pdf
|File Name 5=PMLP30475-Mahler-Sym7.Clarinet1a2.pdf
|File Name 6=PMLP30475-Mahler-Sym7.Clarinet3EbBass.pdf
|File Name 7=PMLP30475-Mahler-Sym7.Bassoon1a2.pdf
|File Name 8=PMLP30475-Mahler-Sym7.Bassoon3cbn.pdf
|File Name 9=PMLP30475-Mahler-Sym7.Horn.pdf
|File Name 10=PMLP30475-Mahler-Sym7.Trumpet.pdf
|File Name 11=PMLP30475-Mahler-Sym7.LowBrass.pdf
|File Name 12=PMLP30475-Mahler-Sym7.TimpPerc.pdf
|File Name 13=PMLP30475-Mahler-Sym7.Harp.pdf
|File Name 14=PMLP30475-Mahler-Sym7.Guitar.pdf
|File Name 15=PMLP30475-Mahler-Sym7.Mandoline.pdf
|File Name 16=PMLP30475-Mahler-Sym7.Violin1.pdf
|File Name 17=PMLP30475-Mahler-Sym7.Violin2.pdf
|File Name 18=PMLP30475-Mahler-Sym7.Viola.pdf
|File Name 19=PMLP30475-Mahler_-_Symphony_No7_in_E_minor_(cello-part)a.pdf
|File Name 20=PMLP30475-Mahler-Sym7.Bass.pdf
|File Description 1=Flute 1, 2
|File Description 2=Flute 3, 4 (doubles Piccolo 2), Piccolo 1
|File Description 3=Oboe 1, 2
|File Description 4=Oboe 3, English Horn
|File Description 5=Clarinet 1, 2 (A, B{{flat}})
|File Description 6=Clarinet 3 (A, B{{flat}}), Piccolo Clarinet (E{{flat}}), Bass Clarinet (A, B{{flat}})
|File Description 7=Bassoon 1, 2
|File Description 8=Bassoon 3, Contrabassoon
|File Description 9=Horn 1, 2, 3, 4 (F), Tenorhorn (B{{flat}})
|File Description 10=Trumpet 1, 2, 3 (B{{flat}}, F)
|File Description 11=Trombone 1, 2, 3, Tuba
|File Description 12=Timpani / Rute, Bass Drum / Cymbals / Rute, Glockenspiel / Bells, Snare Drum / Tam-tam, Tambourine / Cowbell, Triangle
|File Description 13=Harp 1, 2
|File Description 14=Guitar
|File Description 15=Mandolin
|File Description 16=Violins I
|File Description 17=Violins II
|File Description 18=Violas
|File Description 19=Cellos
|File Description 20=Basses
|Page Count 1=30, 30
|Page Count 2=24, 24, 16
|Page Count 3=27, 26
|Page Count 4=22, 20
|Page Count 5=35, 32
|Page Count 6=26, 12, 24
|Page Count 7=26, 26
|Page Count 8=22, 20
|Page Count 9=26, 26, 21, 22, 3
|Page Count 10=18, 16, 16
|Page Count 11=15, 15, 16, 16
|Page Count 12=18, 13, 11, 10, 8, 14
|Page Count 13=15, 6
|Page Count 14=3
|Page Count 15=3
|Page Count 16=43
|Page Count 17=40
|Page Count 18=39
|Page Count 19=40
|Page Count 20=32
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 19=[[User:Generoso|Generoso]]
|Date Submitted=2009/10/31
|Date Submitted 19=2009/1/7
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16867
|Reprint=Miami: [[Edwin F. Kalmus]], n.d.(after 1986).
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|SM+=Set of Parts: {{SMPlink|3309662|Kalmus (reprint)}}
}}
===Arrangements and Transcriptions===
=====For Piano 4 hands (Casella)=====
{{#fte:imslpfile
|File Name 1=Mahler_-_Symphony_No.7_-_pno_Casella.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Alfredo|Casella}} (1883-1947)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4399}}
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/8/25
|Page Count 1=154
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16869
|Copyright=Public Domain
|Thumb Filename=Mahler - Symphony No.7 - pno Casella.jpg
|Sample Filename=Mahler - Symphony No.7 - pno Casella.png
|Misc. Notes={{SibleyProject}}
}}

| *****WORK INFO*****

|Work Title=Symphony No.7
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=1905
|Year of First Publication=
|Genre=Symphony
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piccolo, 4 Flutes (IV. Doubling Piccolo II.), 3 Oboes, English Horn, E{{Flat}} Clarinet, 3 Clarinets in A and B{{Flat}}, Bass Clarinet in A and B{{Flat}}, 3 Bassoons, Contrabassoon 4 Horns in F, Tenor Horn in B{{Flat}}, 3 Trumpets in B{{Flat}} and F, 3 Trombones, Tuba Timpani, Snare Drum, Bass Drum, Cymbals, Triangle, Glockenspiel, Bells, Tam-Tam, Cowbells, Rute, Tambourine 2 Harps, Mandolin, Guitar and Strings
|Tags=symphonies ; orch
| *****COMMENTS***** =

{{Symphonies (Mahler, Gustav)}}

| *****END OF TEMPLATE***** }}

Talk:Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T11:54:14Z

Goreld: Created page with 'Hi, I uploaded an optimized version of the 1st movement of 7th symphony. I did some batch photoshop and acrobat custom scrits: PHOTOSHOP - improved 300 dpi resolution to 1200 d…'

Hi,

I uploaded an optimized version of the 1st movement of 7th symphony. I did some batch photoshop and acrobat custom scrits:

PHOTOSHOP
- improved 300 dpi resolution to 1200 dpi (for further operations)
- threshold black/white, level 140
- trim (sometimes manually erase borders)
- add a 4-5% margin
- convert to monochrome bitmap 600 dpi

ACROBAT
- import with CCITT4 compression (no other options), medium size

I find these optimized files much more usable and screen-readable (and probably printable too).
Please tell me if you'd like me to do other batch processing, or comment a couple of the script-lines I used.

Symphony No.7, GMW 47 (Mahler, Gustav)

2011-06-06T11:46:39Z

Goreld: Added 1 files to Symphony No.7 (Mahler, Gustav)

{{#fte:imslppage

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._I_(orch._score).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2009/5/26
|Publisher Information=Berlin: [[Bote & Bock]], 1909. Reprint - Berlin: [[Bote & Bock]], ©1960, with corrections.
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
|File Name 2=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._II_(orch._score).pdf
|File Description 2=II. Nachtmusik
|Page Count 2=38
|File Name 3=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._III_(orch._score).pdf
|File Description 3=III. Scherzo
|Page Count 3=36
|File Name 4=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._IV_(orch._score).pdf
|File Description 4=IV. Nachtmusik
|Page Count 4=29
|File Name 5=PMLP30475-Mahler_-_Symphony_No._7_-_Mvt._V_(orch._score).pdf
|File Description 5=V. Rondo - Finale
|Page Count 5=75
|SM+=Study score: {{SMPlink|4126167|Bote & Bock}}
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP30475-Mahler-Sym7.Flute12.pdf
|File Name 2=PMLP30475-Mahler-Sym7.Flute34.pdf
|File Name 3=PMLP30475-Mahler-Sym7.Oboe1a2.pdf
|File Name 4=PMLP30475-Mahler-Sym7.Oboe3eh.pdf
|File Name 5=PMLP30475-Mahler-Sym7.Clarinet1a2.pdf
|File Name 6=PMLP30475-Mahler-Sym7.Clarinet3EbBass.pdf
|File Name 7=PMLP30475-Mahler-Sym7.Bassoon1a2.pdf
|File Name 8=PMLP30475-Mahler-Sym7.Bassoon3cbn.pdf
|File Name 9=PMLP30475-Mahler-Sym7.Horn.pdf
|File Name 10=PMLP30475-Mahler-Sym7.Trumpet.pdf
|File Name 11=PMLP30475-Mahler-Sym7.LowBrass.pdf
|File Name 12=PMLP30475-Mahler-Sym7.TimpPerc.pdf
|File Name 13=PMLP30475-Mahler-Sym7.Harp.pdf
|File Name 14=PMLP30475-Mahler-Sym7.Guitar.pdf
|File Name 15=PMLP30475-Mahler-Sym7.Mandoline.pdf
|File Name 16=PMLP30475-Mahler-Sym7.Violin1.pdf
|File Name 17=PMLP30475-Mahler-Sym7.Violin2.pdf
|File Name 18=PMLP30475-Mahler-Sym7.Viola.pdf
|File Name 19=PMLP30475-Mahler_-_Symphony_No7_in_E_minor_(cello-part)a.pdf
|File Name 20=PMLP30475-Mahler-Sym7.Bass.pdf
|File Description 1=Flute 1, 2
|File Description 2=Flute 3, 4 (doubles Piccolo 2), Piccolo 1
|File Description 3=Oboe 1, 2
|File Description 4=Oboe 3, English Horn
|File Description 5=Clarinet 1, 2 (A, B{{flat}})
|File Description 6=Clarinet 3 (A, B{{flat}}), Piccolo Clarinet (E{{flat}}), Bass Clarinet (A, B{{flat}})
|File Description 7=Bassoon 1, 2
|File Description 8=Bassoon 3, Contrabassoon
|File Description 9=Horn 1, 2, 3, 4 (F), Tenorhorn (B{{flat}})
|File Description 10=Trumpet 1, 2, 3 (B{{flat}}, F)
|File Description 11=Trombone 1, 2, 3, Tuba
|File Description 12=Timpani / Rute, Bass Drum / Cymbals / Rute, Glockenspiel / Bells, Snare Drum / Tam-tam, Tambourine / Cowbell, Triangle
|File Description 13=Harp 1, 2
|File Description 14=Guitar
|File Description 15=Mandolin
|File Description 16=Violins I
|File Description 17=Violins II
|File Description 18=Violas
|File Description 19=Cellos
|File Description 20=Basses
|Page Count 1=30, 30
|Page Count 2=24, 24, 16
|Page Count 3=27, 26
|Page Count 4=22, 20
|Page Count 5=35, 32
|Page Count 6=26, 12, 24
|Page Count 7=26, 26
|Page Count 8=22, 20
|Page Count 9=26, 26, 21, 22, 3
|Page Count 10=18, 16, 16
|Page Count 11=15, 15, 16, 16
|Page Count 12=18, 13, 11, 10, 8, 14
|Page Count 13=15, 6
|Page Count 14=3
|Page Count 15=3
|Page Count 16=43
|Page Count 17=40
|Page Count 18=39
|Page Count 19=40
|Page Count 20=32
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 19=[[User:Generoso|Generoso]]
|Date Submitted=2009/10/31
|Date Submitted 19=2009/1/7
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16867
|Reprint=Miami: [[Edwin F. Kalmus]], n.d.(after 1986).
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|SM+=Set of Parts: {{SMPlink|3309662|Kalmus (reprint)}}
}}
===Arrangements and Transcriptions===
=====For Piano 4 hands (Casella)=====
{{#fte:imslpfile
|File Name 1=Mahler_-_Symphony_No.7_-_pno_Casella.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Alfredo|Casella}} (1883-1947)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4399}}
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/8/25
|Page Count 1=154
|Publisher Information=Berlin: [[Bote & Bock]], 1910, Plate B. & B. 16869
|Copyright=Public Domain
|Thumb Filename=Mahler - Symphony No.7 - pno Casella.jpg
|Sample Filename=Mahler - Symphony No.7 - pno Casella.png
|Misc. Notes={{SibleyProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP30475-Symphonie_7-1_(opt).pdf
|File Description 1=I. Langsam
|Page Count 1=80
|Editor=International Mahler Gesellschaft
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/6/6
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Symphony No.7
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=1905
|Year of First Publication=
|Genre=Symphony
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piccolo, 4 Flutes (IV. Doubling Piccolo II.), 3 Oboes, English Horn, E{{Flat}} Clarinet, 3 Clarinets in A and B{{Flat}}, Bass Clarinet in A and B{{Flat}}, 3 Bassoons, Contrabassoon 4 Horns in F, Tenor Horn in B{{Flat}}, 3 Trumpets in B{{Flat}} and F, 3 Trombones, Tuba Timpani, Snare Drum, Bass Drum, Cymbals, Triangle, Glockenspiel, Bells, Tam-Tam, Cowbells, Rute, Tambourine 2 Harps, Mandolin, Guitar and Strings
|Tags=symphonies ; orch
| *****COMMENTS***** =

{{Symphonies (Mahler, Gustav)}}

| *****END OF TEMPLATE***** }}

User talk:Daphnis

2011-04-23T01:21:24Z

Goreld: /* Daphnis et Chloé for 4 hands, by Léon Roques */

==Archive Pages for this page==
*[[User talk:Daphnis/archive1|Archive 1]] (Pre-8 October, 2007)
*[[User talk:Daphnis/archive2|Archive 2]] (8 October 2007-14 March, 2009)
*[[User talk:Daphnis/archive3|Archive 3]] (14 March 2009 - 24 September 2009)
*[[User talk:Daphnis/archive4|Archive 4]] (25 September 2009 - 25 April 2010)
*[[User talk:Daphnis/archive5|Archive 5]] (25 April 2010-15 September 2010)
== Instrumentation ==

I notice that when you upload works, under the 'instrumentation field' you often put 'Violin, Viola, Cello', or something along these lines. 'Piano', in the newest. While it is no longer preferable to have include numbers since it gets cluttered (e.g. "1 violin, 1 viola, 1 cello"), except in cases where needed for clarity, according to our manual of style for general information (a work in progress) there is no need to capitalize the first letter, for purpose of standardization. If you have objections, feel free to dispute. Refer to the [[Manual of Style/General Information|general information guide]] for specific details concerning the general information. In case you have suggestions, feel free to write them via forums or discussion page. On a completely different note, you'll never guess what I use now....... Adobe! You're right, sorry for the arguments a while back on the forums ;) [[User:BKhon|BKhon]] 02:59, 15 September 2010 (UTC)
:Oops, you're right. I'll go back and fix these in a second. [[User:Daphnis|Daphnis]] 03:01, 15 September 2010 (UTC)
Thanks for the Dohnanyi, btw-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:04, 15 September 2010 (UTC)

== Archive ==

Just a suggestion: this talk page is getting fairly long, and it might be a good idea to consider archiving it at this point (33 topics!) [[User:BKhon|BKhon]] 03:01, 15 September 2010 (UTC)
:Probably a good idea. Perlnerd, can you show/tell me the correct way to do this? [[User:Daphnis|Daphnis]] 03:20, 15 September 2010 (UTC)
Done. You might do well to remember next time ;)-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:59, 16 September 2010 (UTC)
:Yes, I know. Thanks all the same. [[User:Daphnis|Daphnis]] 02:01, 16 September 2010 (UTC)

== G. Hartmann publisher page ==

Wanted to let you know I created a publisher page for [[G. Hartmann]] -- thought the amount of works here published by him warranted a unique page. I've started a plate number list with Massenet and will go about adding other composers and linking from the corresponding work pages, if you have some Saint-Saëns works or others you can add that would be great. Thanks![[User:Massenetique|Massenetique]] 01:55, 16 September 2010 (UTC)
:Cool. Be sure to trawl the site for all the Hartmann publications. I know I'm guilty of adding tons of pieces. [[User:Daphnis|Daphnis]] 01:59, 16 September 2010 (UTC)
::Will do.[[User:Massenetique|Massenetique]] 05:52, 16 September 2010 (UTC)
@Massenetique: Thanks, but make sure to cite your source in Chicago format. Thanks again-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:33, 16 September 2010 (UTC)

== Sibley, Durand ==

Ah, will try to do that. Thanks! [[User:Schissel|Eric]] 15:10, 20 September 2010 (UTC)
:By the way, you can respond on your talk page to messages we leave as we'll be watching them for changes. Thanks again. [[User:Daphnis|Daphnis]] 15:12, 20 September 2010 (UTC)

== Sibley ==

I noticed you recently uploaded [[Polyphème (Cras, Jean)|Polyphème]], by Jean Cras. I also notice that in this file order, the cover comes first. Did you manually do that, or was it Sibley? It's usually customary (refer to my talk page discussion) to have the cover last, but the there really aren't any established rules on that. It should probably be done at some point. Personally, I would like covers to come first, but seeing as IMSLP needs to be standardized, most of the files have the covers last. For sake of consistency, I would suggest we leave it like that. Thanks, [[User:BKhon|BKhon]] 01:15, 23 September 2010 (UTC)
:I put the cover first. I am not aware of a convention for Sibley file order uploads. Personally, I think the covers are pretty much useless as they mostly add nothing of significance, but if they must be uploaded, it would make most sense to put them first. After all, they are the FRONT covers and nothing else. I don't do a lot of Sibley upload, so if you'd like to change this one, feel free. [[User:Daphnis|Daphnis]] 01:20, 23 September 2010 (UTC)
::The reason the usual method makes sense to me, speaking for myself, is rather like this- primary secondary tertiary (uploading a violin sonata, putting the full score on top, the violin part second, the color cover not at all or third because it's nice to look at and interesting- third.) [[User:Schissel|Eric]] 01:32, 23 September 2010 (UTC)
:::I completely agree with you that it makes the most sense. However all the files on Sibley put the cover last. On IMSLP we tend to like consistency, and a uniform look. At this point, it makes sense just to leave the files as Sibley put them, since it would save a lot of time, while still being standard. With kind regards, [[User:BKhon|BKhon]] 01:36, 23 September 2010 (UTC)
::::That seems a bit unusual to me. Generally speaking, the way we organize files is based on a master instrumentation score order. The trend is the same if it's a violin sonata, in which case the solo part(s) precede the piano part, or if there is a collection of orchestral parts. And BKhon, just because Sibley does something one way does not mean we have to follow suit, or even that it is the most efficient system. They are actually rather slack at including correct and relevant information on their pages. Examples include 1.) Wrong or mere "guessing" of publication dates, 2.) omission almost entirely of plate numbers, 3.) the use of non-unicode font system which leaves out necessary characters in composers' names, and 4.) non-standardization of piece titles, essentially only putting as a title what the publisher indicates on the cover, which when coupled with the lack of necessary accents can render a reading of the page next to useless. [[User:Daphnis|Daphnis]] 01:43, 23 September 2010 (UTC)
::Not to mention often (perhaps unavoidably given how their database works) writing 1890, 1900, 1910, ... when the information they're passing on - easily accessible from other library catalogs (via WorldCat, say) - is no more accurate than "189?", "190?", or even "19??"- sometime in the 1890s or even sometime in the 20th century (for publication date, I mean.) That is, many of their inaccurate 1900 publication dates come from other librarians' guesses that something was published either in the first decade of the 20th century, or sometime... in the 20th century... (I've been thinking for a long long time, as I got practice in it myself that is, of putting together some tips for people working on the Sibley Mirror Project. Vain though that makes me... wouldn't make a half-bad collaborative project of its own maybe, if kept briefish and guidelines/tips instead of more rules, I think :) ) [[User:Schissel|Eric]] 01:59, 23 September 2010 (UTC)
:::Daphnis, I think you missed my point. My point wasn't that the Sibley way was more efficient at all... far from it. I have strong disagreements with the order that Sibley puts the scores in. This is what I ''am'' saying: At this point, 1000's of files have been added from Sibley. Since IMSLP needs to be uniform, I would say about 99% of those files from Sibley are put in the order where covers are last. For the sake of time, I think it would be easier that we just leave it be, and continue uploading files in the order Sibley puts it. The reason is because if we changed this, we would need to go back and change nearly ''every'' Sibley file that has been uploaded. Sorry, I think standardization is crucial. I consider my primary purpose on IMSLP is to make sure everything is uniform and standardized. But I think time and effort of the administration staff must be considered when the ultimate outcome isn't something that will make any profound difference. [[User:BKhon|BKhon]] 02:03, 23 September 2010 (UTC)
:::::I agree that consistency is extremely important. I must not have observed the trend to put the covers last in the file order. If this is how it's going to be done here then I'll follow suit. [[User:Daphnis|Daphnis]] 02:13, 23 September 2010 (UTC)
{{outdent}}I also haven’t noticed the trend to put covers last. Since we do divide publications on a completely arbitrary basis already, what is the rationale for listing an edition’s contents in a different order to the publication order? This seems to be inherently confusing. [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 11:27, 26 September 2010 (UTC)
:Philip, I agree. I have noticed (or at least THOUGHT I noticed) the opposite, which is to list the cover first, then solo part, then score, but I'm trying to give the benefit of the doubt since others probably do more Sibley work than I. In any case, I still believe it should follow this order since this is how a piece is usually assembled, but I'm not going to resort to fisticuffs for it. [[User:Daphnis|Daphnis]] 13:40, 26 September 2010 (UTC)
::Personally, I think the cover should go first. But the trend in Sibley is to the put the cover last (not saying that's really the best thing to do, but it's already done for 1000's of files). Schissel notices the same trend, and he's practically the god of the Sibley project :) [[User:BKhon|BKhon]] 14:30, 26 September 2010 (UTC)
:::::Several very bad jokes occur to me, all shelved, but thanks much :) Have decided for myself to finesse the issue for now by shelving the covers unless they contain actual information not otherwise available (e.g., copyright or dedication information cropped on the other scans), and not just keep them because they look nice, as previously! [[User:Schissel|Eric]] 15:13, 26 September 2010 (UTC)
{{outdent}}Since I’m not keen on typing lots of these : I thought I’d re-employ the <nowiki>{{outdent}}</nowiki> template I purloined from Wikipedia. I don’t think it’s the largest problem with the Wiki, but is the above suggesting that front covers and prefatory matter should now always be put after the scores, rather than before?!? For all works, not just Sibley? o_O [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 05:04, 27 September 2010 (UTC)

== Ravel, L'enfant ==

Daphnis, Could you please contact me via [mailto:j.salemkour@staatsoper-berlin.de email] Thank you Stuchash
:May I ask what this is in reference to? I generally don't make it a habit to contact users outside of the IMSLP forums and talk pages. [[User:Daphnis|Daphnis]] 13:34, 5 October 2010 (UTC)

== [[Chôros No.3, W206 (Villa-Lobos, Heitor)]] ==

Hi Daphnis, I notice that there's no copyright notice on the first page of the parts for this piece, but you still tagged the US copyright as expiring in 2024 (based on the date for the score), as opposed to C. Are you basing this on the absence of reprints, or do you have another reason? Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:47, 3 November 2010 (UTC)
:Hmm, I guess I hadn't noticed that when I was in a rush to get these things put together. Off the top of my head, I don't recall seeing reprints of these parts, which isn't conclusive, but is a fairly good indication these may be protected. While I can't remember specifically about these parts, it is possible they had a copyright notification but it had to be removed due to watermarks or library stamps etc. I think it is fairly unlikely I did this to every first page, but if this is going to be considered a case where it could be available in the US, it may be prudent to obtain another physical copy of these parts and have a good look. [[User:Daphnis|Daphnis]] 02:27, 3 November 2010 (UTC)

==Daphnis & Chloe Suite No.2==
Hi, I note that the original publications were entitled "Fragments Symphoniques " (I and II) - which you (or someone) have helpfully included in the alternate title field. Is there any difference at all between the Garban arrangement for 2 pianos and the orchestral suite that you know of? It appears to be a straightforward arrangement of the second suite from what I could see. I'll change the header to 5 equal signs so that the category walker can read it as a two-piano arrangement. If there is some sort of sequential difference, or material present in the Garban arrangement not found in the second suite, we can add in the 4-equal level designation "Selections - Fragments Symphoniques" or something along those lines to point out that its different from the standard suite 2. Cheers, [[User:Carolus|Carolus]] 22:01, 3 November 2010 (UTC)
:I was actually investigating this before you left the message and after I submitted the score. My suspicion stems from the fact that a solo piano transcription of a selections over on the main Daphnis page are also entitled "fragments" and so for that reason I went ahead and listed the Garban transcription as a "fragments symphoniques" until I did a more thorough comparison. [[User:Daphnis|Daphnis]] 22:13, 3 November 2010 (UTC)

== Thank you ==

-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 04:18, 16 December 2010 (UTC)
:No problem. I hope I got them all. [[User:Daphnis|Daphnis]] 04:48, 16 December 2010 (UTC)
I think you did. Thanks for fixing my page too. EQ's might be getting a letter from a lawyer about his repeated attempts at vandalism. [[User:Carolus|Carolus]] 06:09, 16 December 2010 (UTC)

Hello,

I noticed that the score for the "Five Variants on Dives and Lazarus" is currently unavailable. Is there any idea as to when it might again be available, or how I might get a copy? Thank you for your time. ChipotlePipes
:Another 35 years in the US. The score should be available for sale at many online locations. [[User:Daphnis|Daphnis]] 17:03, 7 January 2011 (UTC)

== Jenufa ==

A certain person at our very favorite Viennese music publisher has made mention via back channels that the Max Brod (d.1968) German translation is still protected in Canada, which I have to admit is probably true. It's free in the USA of course and has even been reprinted by Dover. I'm blocking this for the time being until it can be relocated to the US server. [[User:Carolus|Carolus]] 05:40, 8 January 2011 (UTC)
:Alright then, I suppose that's fair of them to mention. [[User:Daphnis|Daphnis]] 12:53, 8 January 2011 (UTC)

== Sibelius Symphony No. 6 ==

Daphnis,

This item is currently blocked [TB] for "technical reasons". What is the problem and is there anything I can do to help?
:I'm not daphnis, but the reason that it is blocked is due to it's being in copyright in the US and EU. I'm afraid that there is nothing that you can do but wait.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:19, 12 January 2011 (UTC)

== Enescu ==

I'll see if my local library has Malcolm's ''George Enescu: his life and music'' which refers to the composer's preface to the 1950 edition of ''something'' according to the Google preview- maybe the octet, maybe not, can't tell. [[User:Schissel|Eric]] 02:09, 30 January 2011 (UTC)
:Good deal. Let me me know if you can't get your hands on it and I'll grab a copy. Although my assessment is by no means definitive, this is just my suspicion based on Enoch and other publisher's tactics. In any case, assuming this is purported to be a new "edition", I very, very seriously doubt this would be eligible for a new copyright. [[User:Daphnis|Daphnis]] 02:11, 30 January 2011 (UTC)
In the meanwhile- I'm too often near the library 'in transit' and too rarely actually go in, lately, unfortunately; must again write down lists of the several-to-many books and scores and listening items I will make use of next I do explore that quite good library - anyway. But see [[User_talk:Carolus#Enescu_octet]] - barring any amazing revelations from Malcolm, I think it very most likely you are right. [[User:Schissel|Eric]] 16:21, 30 January 2011 (UTC)
:Oh right, I forgot to mention that this piece (score and parts) was reprinted by Kalmus. [[User:Daphnis|Daphnis]] 16:25, 30 January 2011 (UTC)

== Dans la forêt, Op.22 (Gédalge, André) ==

:"Recmusic.org has the beginning of a listing of texts of the poems of op.22, which make it clear that they are not all by Bouchor, however."
It's not that clear! "Complainte du naufragé" on a text by Bosselin, #4 on the Recmusic page, does not belong to ''Dans la forêt'', but to ''Les Vaux de Vire'' (#3)...
I think Recmusic's song order for Gédalge is spurious. [[User:Pierre.chepelov|Pierre.chepelov]] 22:00, 31 January 2011 (UTC)

:Erm, I wrote that. Why are you complaining to Daphnis about it? And no, it's not at all clear, and I am now confused. I will write and ask Ms. Ezust... it's unlikely to be a matter of a renaming of the poem whose content is unavailable. But in the absence of an actual copy of the original 1903 score... well, yes, I will ask her or at least try to get hold of her by email or otherwise. Doesn't mean I'll get a response of course. Her mother and I used to be email correspondents but that means naught :) [[User:Schissel|Eric]] 22:04, 31 January 2011 (UTC)'

:That said, they still may have reordered the poems- I can believe that Le Sentier is first in order as her page claims, and not Épanouissement as Recital Publications does- though again I don't have a reason to believe one way or the other and would have to see the 1903 score. For piano piece cycles like Heller's the order seems to have varied randomly with the publisher and edition, and opus 47 no.12 might be one piece or another from his opus 47 set depending on what year and what publisher- but with a song cycle changing the order can be quite another thing, so I hope they did not do that... [[User:Schissel|Eric]] 22:11, 31 January 2011 (UTC)

::If the cycle have been reordered, it certainly was not by Recital. The titles' engraving looks old, and French!... Maybe between 1902 and 1903 ther order changed... BTW, there's an (partial) older edition [http://www.musimem.com/gedalge.htm here] (pub. in the newspaper ''Musica'', 1901). [[User:Pierre.chepelov|Pierre.chepelov]] 22:29, 31 January 2011 (UTC)

==Satie, mélodies et chansons==
Dear Daphnis: Thanks for these -- I would like to tag them, but I don't know which were the mélodies and which were the chansons and I would rather not use the generic "song" if possible. Would you be able to give a list of which is which? Alternatively, do you know of a source I could go to that would give me the breakdown? (Steltz)
:The Grove article is probably the best I can suggest off-hand. [[User:Daphnis|Daphnis]] 05:33, 5 February 2011 (UTC)

== [[String Quartet No.3, Op.74 (Reger, Max)]] ==

Hi Daphnis. I just happened to notice that the edition of the parts you uploaded for this piece appears to be edited by Eduard Drolc (1919-1973) (non-urtext - fingering, bowings, etc.). According to the [http://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?Search_Arg=Drolc+Eduard&Search_Code=NALL&PID=YyVhMHAs1vkeSzPvOYmV9KKJ0olU&SEQ=20110208210300&CNT=25&HIST=1 Copyright Office], the 1963 reissue was registered and renewed, so I've taken the liberty of removing the file as I don't really see any way out of its being under copyright in all the major areas. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:06, 9 February 2011 (UTC)
:Hmm, not sure how this one slipped through the cracks, and I can't remember if we (Carolus and I) had a conversation about this a while back. Anyways, probably best if it is removed. Thanks. [[User:Daphnis|Daphnis]] 02:09, 9 February 2011 (UTC)

== Huré Violin sonata ==

Hi Daphnis! Have to say I'm very happy finding so much French repertoire here, I'm a big fan. I have a comment about your scan about Jean Huré's Violin Sonata: the scan quality seems to be very uneven, there are some pages that take forever to load, but are in fact of inferior quality. Example: page 19 (page 4 of the piano score), but every 5th page or so from then. Would it be possible to harmonise these with surrounding pages? Thanks! [[User:cvdwoest|cvdwoest]] 11:00, 10 February 2011 (CEST)
:What program and version are you using? [[User:Daphnis|Daphnis]] 14:44, 10 February 2011 (UTC)

==Dialogo della musica (Galilei, Vincenzo)==
I wonder what basis you declared the 'style' of this book to be 'Medieval'? The publication date is 30 years after the Susato Dances (third music box, 1551) and 80 years after Petrucci's first printed music using moveable type (Harmonice Musices Odhecaton A, 1501.) Given that both of these were squarely in the Renaissance period, that might be a better style. Generally, Medieval end point is called between 1450 (think Gutenberg) and 1517 (the latest date used, based on the death of King Ferdinand II.) Galilei's use of White Mensural Notation and arabic numbers for calculations also point to Renaissance.
[[User:Tiorbinist|Tiorbinist]] 01:13, 11 February 2011 (UTC)
:Indeed. This was a simple slip-up as I was in the middle of posting about a dozen items. Thanks for the heads-up. [[User:Daphnis|Daphnis]] 01:45, 11 February 2011 (UTC)

== Enoch ==

Hi Daphnis,
Thanks for your message.
I'm in holiday at present... I'll give you many informations about this publisher in few days... --[[User:Squin|Squin]] 17:22, 20 February 2011 (UTC)
:Ok, I'm back ... ... The firm is founded in 1863 by Charles Enoch (1804- 1883) with Wilhelm (1840-1913), the elder son, and Emile, the younger, with the following proportions : 4/10 for Charles, 4/10 for Whilhelm, 2/10 for Emile. In the first year only very few score are edited (in 1875 plate n°63),... the imprint is Enoch Père et Fils = Plates E.P. et F. ###........ on 1/1/1880, Costallat is associated and the imprint change : Enoch Frères et Costallat = Plates E.F. et C. ### (about plate n°490-500)..... Emile leaves the firm but I don't know when....in 31.12.1894 Costallat leaves but 3 others members of the Enoch family are newly associated (Daniel-Mardochée, Georges Abraham, Marguerite)... The new imprint is Enoch et Compagnie = E. et Cie #### (about plates 2250-2300)... for plate numbers year after year, if you want to manage I can send you a table (give me a your mail)as I've do for some publishers as Grus, Troupenas, Rouart, Gallet and others; or I can put it directly on Enoch page. addresses : 30 rue Meslay (1863-1875) + 23 Boulevard Saint-Martin (1874-1875) ; 27 Boulevard des Italiens after 1875 --[[User:Squin|Squin]] 16:18, 25 February 2011 (UTC)

== Brod: Oboe method ==

Hi,

Our friends at Lemoine are really attempting some nonsense here. Looking at the [[Méthode de hautbois (Brod, Henri)|score you uploaded]], my bet is that this item was issued in an edition by Gillet sometime in the 1880s (based on the Lemoine plate number 9516 and Gillet's dates). They may have even reprinted the Schonenberger score from the 1830s, but to be honest the engraving looks more like the work done in the late 1800s and early 1900s by an outfit like L. Parent. The 18347 number suggests early 20th century, and I've confirmed printings from ca.1890 and 1947 on OCLC. The 1963 copyright claim is just outrageous, of course. [[User:Carolus|Carolus]] 04:59, 23 February 2011 (UTC)
:Ok makes sense. I wasn't very satisfied with the brief research I did; it was all I had time for at present and I intended to come back to it. Glad you did some further digging. I'm hoping to get a few photocopies from the Schoenenberger score at some point for comparison. [[User:Daphnis|Daphnis]] 05:10, 23 February 2011 (UTC)

Lemoine plate H.L. 9516 is edited in juanary 1889 (in 1889 we have plates 9515 to 9602)...........but n° 18347 is edited in 1895 --[[User:Squin|Squin]] 16:24, 25 February 2011 (UTC)

== Villa-Lobos ==

Dear Daphnis!

Excuse for bothering you, but could you, please, send me (on my e-mail) scores of Villa-Lobos' Bachianas Brasileiras 1-4 (as for 4, I need an orchestra score) and 6?

Many thanks.

My e-mail is: [email removed]
:No, I do not do that. [[User:Daphnis|Daphnis]] 18:27, 13 March 2011 (UTC)

== Duparc ==

Do you mind trying to find publisher information for these songs? I can't verify it.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:58, 13 March 2011 (UTC)
:I think I tried to at one point but couldn't verify it either. Without grabbing the several different publications out there it would be a difficult task. [[User:Daphnis|Daphnis]] 23:00, 13 March 2011 (UTC)
OK. Thanks-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:48, 13 March 2011 (UTC)

== Roger-Ducasse's Orphée ==

Hi Daphnis - Just a question - did you intend to delete the file I had uploaded earlier of the vocal score to Orphée? I do not doubt that your scan is superior in quality, but often there are considerations of file size and what may or may not be included in the front matter which warrants the old uploads remain. Thoughts? [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 00:01, 19 March 2011 (UTC)
:Hi, and yes, I did intend to delete the file. Carolus and I as well as some others had this discussion a while back. The justification in doing so, such as in this exact instance, is where we have two files that represent the EXACT same edition, both sans third-party markings of any kinds and that essentially represent "clean" printings, and one is clearly superior in quality. In cases like these, there really is no compelling reason to keep around the lesser of the two files, even if the file size is less. While, true, removing redundant files of inferior quality does free up some server space, removing them also removes potential confusion from users, especially those who constantly chide us for having files of dubious quality. We need to always be in the business of providing the best quality materials to the masses, especially when everything else remains constant. [[User:Daphnis|Daphnis]] 02:43, 19 March 2011 (UTC)
::I completely understand. Thank you for clarifying -- this is helpful because I have had the desire to delete files for the exact same reason but did not know the prevailing policy on the subject and have left imperfect scans alongside some I have uploaded. I will keep this in mind for the future. Best, [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 03:03, 20 March 2011 (UTC)
:::By all means, yes, proceed. With the vocal scores by U of Toronto, for example, I would love nothing more than to see all of them replaced with high-quality, 1-bit scans. [[User:Daphnis|Daphnis]] 03:08, 20 March 2011 (UTC)
::::I agree, but for the time being most of them are better than nothing. Thanks, [[User:Massenetique|Massenetique]] [[User Talk:Massenetique|talk]] [[Special:Emailuser/Massenetique|email]] 22:12, 20 March 2011 (UTC)

== Daphnis et Chloé for 4 hands, by Léon Roques ==
Hi Daphnis,
It's a pleasure to see all your great uploads. Have you the 4 hands transcription of Daphnis, by Léon Roques? I added it to the wishlist.
Thanks!--[[User:Goreld|Goreld]] 14:01, 21 March 2011 (UTC)
:Yes, actually, I do. I'll try to post it in the coming week. [[User:Daphnis|Daphnis]] 15:09, 21 March 2011 (UTC)
Hi Daphnis, thanks for the post! It seems to be the 1st suite only, will you scan the 2d suite by Roques? You should put it in the 1st suite page instead of the full ballet (or I'll do it). Have a nice day [[User:Goreld|Goreld]] 07:52, 31 March 2011 (UTC)
:Yes, I'm going to post the second suite as well. And I've moved it the first one to the appropriate page. [[User:Daphnis|Daphnis]] 15:10, 31 March 2011 (UTC)
Second suite now available. [[User:Daphnis|Daphnis]] 20:22, 12 April 2011 (UTC)
:Great! [[User:Goreld|Goreld]] 01:21, 23 April 2011 (UTC)

== I gather quartet no.8 has a copyright notice of 1936- ==

but even if not, I ''think'' on the imslp.us server we're being very careful to restrict to pieces ''actually'' published before 1923. I realize PD-US has other clauses. I may be mistaken. I have deleted the Milhaud quartet 8 page. It can of course be restored; I have not deleted the file though I advise doing so. [[User:Schissel|Eric]] 18:52, 23 March 2011 (UTC)
:Schissel, please check with me first before deleting pages. This piece has been injected into the public domain in the US due to faulty copyright notice and is verified as it is currently offered for sale in the Masters reprint catalog, from which this reprint comes. There are a few cases of this happening in Milhaud's and other's works as well. I have restored the page. [[User:Daphnis|Daphnis]] 18:55, 23 March 2011 (UTC)
Ah, they didn't renew. Will do - but may I suggest that lack of renewal or similar be mentioned on the page itself (unless I missed?)- as very often is done. Not only because of other admins, but others who view the site. Thank you. [[User:Schissel|Eric]] 19:00, 23 March 2011 (UTC)
:It wasn't a matter of renewing or not. There are a variety of ways a certain publication may have its copyright nullified or invalid, and failure to renew is but one of those. I may not be able to verify absolutely every single piece that was published after 1923, but it is quite safe to say that due to this being reprinted by a notable publisher (and 10 years ago at that), it is quite legal. [[User:Daphnis|Daphnis]] 19:02, 23 March 2011 (UTC)
:Also, the entire Milhaud page is a work in progress right now. I'm doing a lot of work on this as far as gathering pieces and information goes, so it might just be best to wait for a few days after something has appeared. Often I'll submit something and tweak things here and there before coming back to it later when I have more time. [[User:Daphnis|Daphnis]] 19:05, 23 March 2011 (UTC)

== FTE template for US server ==

I just added 5 more to the template. Let's see if it picks up an additional 5 files after the cache clears. If it does, It shouldn't be too tedious to up the file-stack to 40 or even 50 for the template. [[User:Carolus|Carolus]] 03:35, 6 April 2011 (UTC)
:Ok, thanks. I'll see how it works after a couple of days. [[User:Daphnis|Daphnis]] 03:36, 6 April 2011 (UTC)
I see that Feldmahler (who is amazing) has already solved this problem! [[User:Carolus|Carolus]] 04:13, 8 April 2011 (UTC)

== Stravinsky ==

In going through some of my archive here, I've discovered that I have some actual old Chester parts, to wit:

*Pribaoutki
*Berceuses du chat
*Renard
*Les noces

I will have someone I know in the area do some cleaning as there are quite a few superfluous markings, etc. At any rate, can I send these to you for scanning once they're ready? I'll see what I can do about locating us a set of the 1919 suite (not the McAlister edition) as well. [[User:Carolus|Carolus]] 04:10, 8 April 2011 (UTC)
:Sure thing, I'd be glad to scan them. I still need to get your initial mountain of things back to you soon. I don't know how worthwhile it would even be to scan the 1919 suite parts (non-McAlister) if you found them. They appear to be copyist manuscript and are absolutely chock full of errors. [[User:Daphnis|Daphnis]] 13:35, 8 April 2011 (UTC)
I've read that too, so I am a bit apprehensive. At any rate, the other items above should be OK to have. I also have a Muzyka score of ''Les noces'' we can add later. [[User:Carolus|Carolus]] 03:58, 9 April 2011 (UTC)

2011-03-13T12:17:53Z

Goreld: Added 1 files to Die Fledermaus (Strauss Jr., Johann)

{{#fte:imslppage

| *****FILES***** =

===Full Scores===
====Overture====
{{#fte:imslpfile
||File Name 1=PMLP06836-Die_Fledermaus;_Overtüre.pdf
|File Description 1=Complete Score
|Page Count 1=52
|Editor=Hans Swarowsky
|Image Type=Normal Scan
|Scanner=Unkown
|Uploader=[[User:Msb|Msb]]
|Date Submitted=2009/2/16
|Publisher Information=London: [[Eulenburg|Ernst Eulenburg]], 1968.
|Copyright=Public Domain
|Misc. Notes=Low-resolution scan.{{Urtext}}
}}
===Parts===
====Complete Operetta====
{{#fte:imslpfile
|File Name 1=PMLP06836-Strauss_J._-_Die_Fledermaus_(Oboe_1).pdf
|File Name 2=PMLP06836-Strauss_J._-_Die_Fledermaus_(Oboe_2).pdf
|File Description 1=Oboe 1
|File Description 2=Oboe 2
|Page Count 1=32
|Page Count 2=21
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2010/3/18
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d. (ca.1910). Plate O.B. 4963. (Overture) Manuscript, n.d. (Operetta)
|Reprint=Boca Raton: [[Edwin F. Kalmus]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
====Overture====
{{#fte:imslpfile
|File Name 1=PMLP06836-StraussJ2-FledermausOv.Flute.pdf
|File Name 2=PMLP06836-StraussJ2-FledermausOv.Oboe.pdf
|File Name 3=PMLP06836-StraussJ2-FledermausOv.Clarinet.pdf
|File Name 4=PMLP06836-StraussJ2-FledermausOv.Bassoon.pdf
|File Name 5=PMLP06836-StraussJ2-FledermausOv.Horn.pdf
|File Name 6=PMLP06836-StraussJ2-FledermausOv.Trumpet.pdf
|File Name 7=PMLP06836-StraussJ2-FledermausOv.Trombone.pdf
|File Name 8=PMLP06836-StraussJ2-FledermausOv.TimpPerc.pdf
|File Name 9=PMLP06836-StraussJ2-FledermausOv.Violin1.pdf
|File Name 10=PMLP06836-StraussJ2-FledermausOv.Violin2.pdf
|File Name 11=PMLP06836-StraussJ2-FledermausOv.Viola.pdf
|File Name 12=PMLP06836-Strauss_Johann_Die_Fledermaus_Overture_cello.pdf
|File Name 13=PMLP06836-StraussJ2-FledermausOv.Bass.pdf
|File Description 1=Flute 1, 2 (doubles Piccolo)
|File Description 2=Oboe 1, 2
|File Description 3=Clarinet 1, 2 (A)
|File Description 4=Bassoon 1, 2
|File Description 5=Horn 1, 2, 3, 4 (F)
|File Description 6=Trumpet 1, 2 (F)
|File Description 7=Trombone 1, 2, 3
|File Description 8=Timpani, Bass Drum / Snare Drum / Bell (E) / Triangle
|File Description 9=Violins I
|File Description 10=Violins II
|File Description 11=Violas
|File Description 12=Cellos
|File Description 13=Basses
|Page Count 1=5 (3, 2)
|Page Count 2=5 (3, 2)
|Page Count 3=6 (3, 3)
|Page Count 4=6 (3, 3)
|Page Count 5=10 (3, 3, 2, 2)
|Page Count 6=4 (2, 2)
|Page Count 7=6 (2, 2, 2)
|Page Count 8=4 (2, 2)
|Page Count 9=4
|Page Count 10=4
|Page Count 11=4
|Page Count 12=4
|Page Count 13=3
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Horndude77|Horndude77]]
|Uploader 12=[[User:Generoso|Generoso]]
|Date Submitted=2009/12/23
|Date Submitted 12=2009/2/5
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d. (ca.1910). Plate O.B. 4963.
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
}}
===Vocal Scores===
{{#fte:imslpfile
|File Name 1=FledermausVScranz.pdf
|File Description 1=Complete Score
|Page Count 1=168
|Arranger={{LinkArr|Richard|Genée}} (1823–1895)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2008/1/21
|Publisher Information=Leipzig: [[August Cranz]], n.d. (ca.1875).
|Reprint=Budapest: Könemann, n.d. (ca.1990).
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
====Complete Operetta====
=====For Piano solo (Unknown)=====
{{#fte:imslpfile
|File Name 1=PMLP06836-Strauss_-_Chauve-souris_PS.pdf
|File Description 1=''Le Chauve-Souris'' - Complete Score
|Page Count 1=126 (ii, #2-125)
|Editor=
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/12262}}
|Uploader=[[User:Massenetique|Massenetique]]
|Date Submitted=2010/9/29
|Publisher Information=Paris: [[Heugel]], n.d.(ca.1905). Plate H. & Cie. 21,940.
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}''Le Chauve-Souris'' is an adaptation of ''Die Fledermaus'' to a French text by Ludovic Halévy (1834-1908), Henri Meilhac (1831-1897) and Paul Ferrier (livret) (1843-1928) done in the 1870s. The piano arrangement here was obviously issued a couple of decades later, which is indicative of the adaptation's longstanding popularity in France.
}}
====Selections====
=====For Orchestra (Strauss)=====
: ''See:'' {{LinkWork|Du und Du|Op.367|Strauss Jr.|Johann}}
=====For Piano solo (Godowsky)=====
: ''See:'' No.2 of {{LinkWorkN|Symphonische Metamorphosen Johann Strauss’scher Themen||Godowsky|Leopold}}
====Overture====
=====For Piano Solo (Genée)=====
{{#fte:imslpfile
|File Name 1=PMLP06836-Die_Fledermaus_(Overture)_-_J._Strauss.pdf
|File Description 1=Complete score
|Page Count 1=10 (#238–247)
|Arranger=Richard Genée (1823–1895)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Budis|budis]]
|Date Submitted=2009/4/19
|Publisher Information=Copenhagen: [[Wilhelm Hansen]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
====Adela's Aria====
=====For Piano Solo (Unknown)=====
{{#fte:imslpfile
|File Name 1=Strauss_Jr._-_Adela's_Aria_from_Die_Fledermaus.pdf
|File Description 1=Complete score
|Editor=
|Image Type=Typeset
|Scanner=(Sibelius)
|Uploader=[[User:Jujimufu|Jujimufu]]
|Date Submitted=2006/12/27
|Page Count 1=1
|Arranger=Unknown
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=from [http://www.sheetmusicfox.com sheetmusicfox.com]
}}
====Waltz====
=====For Piano Solo (Warren)=====
{{#fte:imslpfile
|File Name 1=PMLP06836-Strauss-Jr--die-Fledermaus--Waltz-arr-Warren.pdf
|File Description 1=Complete Score
|Page Count 1=7 (incl. cover)
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner=
|Arranger={{LinkArr|Alfred E.|Warren}} (1835–)
|Uploader=[[User:Guifre|Guifré]]
|Date Submitted=2010/9/1
|Publisher Information=Boston: White, Smith & Co. 1880. Plate 3882*6.
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP06836-Strauss_-_Die_Fledermaus.pdf
|File Description 1=Vocal score
|Page Count 1=
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goreld|Goreld]]
|Date Submitted=2011/3/13
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Die Fledermaus
|Alternative Title=The Bat
|Opus/Catalogue Number=
|Number of Movements/Sections=Operetta in 3 Acts
|Dedication=
|Year/Date of Composition=1874
|Year of First Publication=1875
|Genre=Opera
|Librettist=Carl Haffner (1804-1876) Richard Genée (1823-1895)
|Language=German
|Piece Style=Romantic
|Instrumentation=voices, chorus / orchestra
|Tags=operettas ; vv ch orch ; de

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Wishlist S

2011-03-09T12:10:02Z

Goreld: /* {{Cat|Ravel, Maurice}} (1875–1937) */

{{wishlist|Q-S}}

<div style="float: right; margin-left: 10px; font-size: 85%; padding-left: 80px">__TOC__</div>

=={{Cat|Quantz, Johann Joachim}} (1697–1773)==
*Flute Sonatas
*Flute Concerti
*[[Versuch einer Anweisung die Flöte traversiere zu spielen (Quantz, Johann Joachim)|Versuch einer Anweisung die Flöte traversiere zu spielen]]
*Concerto For Flute In G Minor QV5:192 (Flute/Piano)
* Flute concerti in C minor
* Flute concerti in D minor
* Flute concerti in E minor
* Flute concerti in G minor
* Flute concerti in A minor
* Flute concerti in B minor
* QV 6:3 - Concerto No. 59 for flute, oboe and violin in E minor
* QV 6:4 - Pastorale in G major



=={{Cat|Rachmaninoff, Sergei}} (1873–1943)==
While works first published before 1960 are PD in Canada, many works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* Solo Piano part of piano concerti
* 1 piano version of all concerti
* Transcriptions - Kreisler's ''Liebesfreud'' and ''Liebeslied'' (1925?)
* Youth symphony
* Melodie in D major for cello and piano (1890) 
* The Miserly Knight, Op. 24 (full score) - the other two operas are here
* Prelude for Cello and Piano, Op.2 No.1 (1892)
These works under copyright worldwide. No posting without written permission from the copyright owner.
* Daisies for violin and piano (transcribed by Heifetz)

=={{Cat|Racquet, Charles}} (1597–1664)==
* 12 Duos for Organ

=={{Cat|Radeck, Johann Martin}} (ca. 1623–1684)==
* Organ works

=={{Cat|Raff, Joachim}} (1822–1882)==
* [[Piano Concerto, Op.185 (Raff, Joachim)|Piano Concerto, Op.185, C minor]] full score or two piano reduction (pub.1874 or so) (full score now uploaded.)
* Suite for piano & orchestra, Op.200 [Full Score or two piano reduction] (pub.1876 so should be fine.) (Sibley has arr. for 2 pianos of this)
* Die Tageszeiten for piano, orchestra & chorus, Op.209 (pub. about 1880 so should be fine.)
* Piano Trio No.4, Op.158 (pub.1871) (Sibley has but in restricted circ.)
* Suite de morceaux, Op.75 - [complete] (pub.1859/60)
* Piano arrangement of Bach's six Cello Suites WoO.30 (pub. 1869-71)
* Duo for Piano and Cello or Violin, Op.59 (1852)
* Cello Concerto No.2 WoO.44 (1876)
* Symphonies (Sibley has no.1 in 1864 Score. sym.2 (1868), sym. 3 (1870 piano, 1871 full score), sym. 4 1872, , sym. 6 (1874), sym. 9 (1879 score), sym.10 (1882), sym. 11 ed. (1883)), sinfonietta (1874)
* Festmarsch, op.139 (1878) (copy at Sibley)
* Sinfonie Nr. 4 g-Moll op. 167
* Sinfonie Nr. 6 d-Moll op. 189 („Gelebt: Gestrebt, Gelitten, Gestritten – Gestorben – Umworben“)
* Sinfonie Nr. 9 e-Moll op. 208 („Im Sommer“)
* Sinfonie Nr. 10 f-Moll op. 213 („Zur Herbstzeit“)
* Sinfonie Nr. 11 a-Moll op. 214 („Der Winter“)

=={{Cat|Raison, André}} (1640s–1719)==
* Second livre d`Orgue sur les acclamations de la paix tant desirées … 1714
* Offertoire du 5e ton
* Messe du 3e ton

=={{Cat|Rameau, Jean-Philippe}} (1683–1764)==
* Pièces de clavecin en Concert (Rameau, Jean-Philippe), violon 2ieme
:(The 1741 edition states in the title that one can use a second violin in stead of the bass viol, but none of the three editions on IMSLP contains this part.)
* Les Boreades - full score or orchestral suite
* Mémoire où l'on expose les fondemens du Système de musique théorique et pratique de M. Rameau (1749)
* Nouvelles réflexions de M. Rameau sur sa 'Démonstration du principe de l'harmonie' (Paris, 1752)
* Suite des erreurs sur la musique dans l'Encyclopédie (Paris, 1756)
* Reponse de M. Rameau à MM. les editeurs de l'Encyclopédie sur leur dernier Avertissement (Paris, 1757)
* Nouvelles réflexions sur le principe sonore (1758–9)
* Lettre à M. Alembert sur ses opinions en musique (Paris, 1760)
* Origine des sciences, suivie d'un controverse sur le même sujet (Paris, 1762)

=={{Cat|Ramsöe, Wilhelm}} (1837–1895)==
*Brass Quartets 1 and 4, parts

=={{Cat|Ranzato, Virgilio}} (1883–1937)==
* Cin ci la (1925, vocal score)

=={{Cat|Rathgeber, Valentin}} (1682–1750)==
* Augsburger Tafel-Confect
* Opus I Octava musica clavium octo musicarum in Missis octo musicalibus (mass compositions)
* Opus VI (secular instrumental works)
* Opus VII (masses for the church year)
* Opus VIII (requiem and Libera)
* Opus XIII (Miserere and Tantum ergo)
* Opus XIX (masses)

=={{Cat|Ravel, Maurice}} (1875–1937)==
*Piano fugues
*Serenade Grotesque, M.5 in F-sharp minor for Piano
*Daphnis et Chloé for 4 hands, by Léon Roques
THESE WORKS UNDER COPYRIGHT: 
*Ouverture féérique (Shéhérazade) for orchestra (pub. 1975)
*Shéhérazade (poetry by Tristan Klingsor, pseudonym of Léon Leclère (d.1966)); public domain in USA only.

=={{Cat|Reger, Max}} (1873–1916)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* All Organ Works
** especially all Organ Transcriptions (Toccatas, Preludes and Fugues from Well-Tempered Clavier, Chromatic Fantasy and Fugue, Inventions and Sinfonias by Bach)
* All Choir Works
* Piano quartets (uploaded)
* Piano trios (uploaded)
* Piano quintets (uploaded)
* String Sextet in F major, Op.118 (pub. 1911 by Bote & Bock)
* Cello sonatas (cello and piano) (only no.3 lacks separate cello part, I think? but all uploaded)
* Two Sonatas for Clarinet or Viola and Piano, Op.49 (1900), for viola and piano

=={{Cat|Reicha, Anton}} (1770–1836)==
* Cello Concerto dedicated to de Jacques-Michel Hurel de Lamare (1803/1823)
* Cello Concerto in D major (performed before 1789 or between 1812 and 1814) (possibly by Josef Reicha)
* Cello Concerto in D-sharp major (possibly by Josef Reicha) || have not seen the score, but as far as I know, works described as 'in Dis' were - generally - not in D{{sharp}} / E{{flat}} major, but rather in D with a heavy predominance of woodwinds to whom the sharpish key was being warned about. It's "a Classical/early-Romantic thing". (Schissel)
* Sinfonico for 4 flutes
* 3 string quartets, Op.95 (pub.ca.1810? Sibley, other places have.)

=={{Cat|Reicha, Josef}} (1752–1795)==
* Cello Concerto in A Major Op.4/1
* Cello Concerto in C Major Op.2/2
* Cello Concerto in D Major
* Cello Concerto in E Major (Cello and Strings or Quartet)
* Cello Concerto in G Major
* Double Concerto for Violin and Cello in D Major Op.3
* 5 other Cello Concertos

=={{Cat|Reichert, Mathieu-André}} (1830–1880)==
* 7 Daily Exercises, Op. 5

=={{Cat|Reinecke, Carl}} (1824–1910)==
*Symphony No. 1 in A major, Op.79, Two Piano Reduction or full Orchestral score
*Symphony No. 2 in C minor, Op.134, Two Piano Reduction or full Orchestral score (pub. ca. 1870 in 4-hand reduction by composer)
*Symphony No. 3 in G minor, Op.227, Two Piano Reduction or full Orchestral score (pub.1895 in 4-hand reduction by composer)
*[[Trio for Piano, Clarinet, and Horn, Op.274 (Reinecke, Carl)|Trio for piano, clarinet, cor (va), Op.274]]
*Harp concerto op.182
*Flute Concerto, Op. 283 - Full Orchestral Score
*Cello Concerto in D minor, Op.82 (piano reduction pub. ca. 1860s, Schott 18383/18386) (Sibley has cello solo, string parts and piano reduction, not yet scanned I believe as of 12/2010)
*Violin Concerto in G minor, Op.141 (pub.ca.1877, B&H 14652 full score)
*Complete symphonies in Full Orchestral Score

=={{Cat|Reinhold, Hugo}} (1854{{EN}}1935)==
*Praeludium, Menuett und Fuge : für Streichorchester, Op.10 (Kistner, 1880s?)
*String Quartet in A major, Op.18 (ca.1880)
*Intermezzo scherzoso for orchestra, Op.29 (pub. about 1882, Gutmann) (@Harvard)
*Serenade No.2 for Violin and Piano in E minor, Op.31.(ca.1882.)
*Concert overture in A minor, Op.32 (pub.1882, Gutmann) (@Harvard & Wissenschaftliche Stadtbibliothek Mainz)

=={{Cat|Reissiger, Carl Gottlieb}} (1798–1859)==
* Concertino, op. 63
* Symphony (no.1?) in E{{flat}}, op.120 (published 1838 according to HMB)
* Duo Brillant, op. 130
* Fantasie, op. 146
* Second Fantasie, op. 180
* Adagio und Rondo alla polacca, op. 214
* Masses (no.2 in C pub. by 1850s; no.4 in E{{flat}} major published in 1825, republished edited by Charles Lewis in 1884, republished in 2009; no. 9 manuscript "O. Lange, Dresden, 1885."; Missa solemnis in D minor (composed 1827 according to Reißiger Society)- may be too recent a publication (by Edition MF 1997 with ©1996 ,and recorded in 1996 also) but hopefully an earlier pub. exists, likewise with "Missa X" for soloists, mixed chorus and orch. published in 2000 and again in 2010.)

=={{Cat|Respighi, Ottorino}} (1879–1936)==
Those first published after 1922 are possibly copyright in the USA.
* Violin Concerto Gregoriano (pub.1922?)
* Impressioni Brasiliane ((C)1931.)
* Sinfonia drammatica - full orchestral score (composed 1914, pub.(c)1922 apparently by UE)
* Piano concerto a-minor (pub. 1961 apparently by Ricordi - in copyright everywhere until next year?)
* Pini di Roma - oboe 1 and english horn part
* La primavera - full orchestral score (even vocal score not pub. until 1923 or so, orch. score - ?)

=={{Cat|Reuchsel, Amédée}} (1875–1931)==
* Organ Sonatas

=={{Cat|Reuss, August}} (1871–1935)==
*Gotenzug, Op.5 for mens' chorus (1900)
*''Symphonischer Prolog für grosses Orchester zu Hugo von Hofmannsthal's Der Thor und der Tod'', Op.10 (ca.1901)
*Piano Quintet in F minor, Op.12 (©1902)
*Johannisnacht, Tondichtung für Orchester, op.19 (Kistner, 1903)
*Judith, Tone poem after Hebbel, op.20 (Kahnt, ©1905)
*String Quartet in D minor, Op.25 (ca.1906)
*Sonata for violin and piano, Op.26 (©1910, Wunderhorn)
*Sonata in C minor for piano, Op.27 (1912 by HMB)
*Piano trio op.30 (ca.1913)
*String Quartet "Frühlings-Quartett" op.31 in E major
*Romantische Sonata in D minor (for violin and piano), Op.35 (ca.1918)
*Wind octet in B major (H-dur), Op.37 (ca.1920)
*Sommer-Idylle (2 pieces for small orchestra), Op.39 (ca.1920)
*Fantasy in A minor for 2 pianos op.42 (Tischer and Jagenberg. 1920s.)

=={{Cat|Reuss, Heinrich}} (1855{{EN}}1910)==
* Symphony No. 1 in C minor, Op. 10 (pub by Bartholff Senff, 1892. at Free Library of Philadelphia. )
* Symphony No. 2 in A major (hopefully published)
* Symphony No. 3 in E minor, Op. 28 (pub. by Carl Giesel, 1907. at Free Library of Philadelphia.)
* Symphony No. 4 in A major, Op. 30 (date ? - opus numbers not a good indication with Reuss. will check)
* Symphony no.5, op.34 (pub.1907)
* Symphony no.6 in E{{flat}} major, Op.36 (pub.1909)
* String Quartet No.1 in D minor, Op.1 (ca.1881)
* String Quartet No.2 in F major, Op.11 (ca.1911 by Eulenburg) (at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden)

=={{Cat|Reutter, Georg (I)}} (1656–1738)==
* Church music
* Masses
* Oratorios
* Organ and Keyboard music
* Versetteln (short Organ Preludes)
* Toccatas
* Orchestral music

=={{Cat|Reutter, Georg}} (1708–1772)==
* 80 Masses
* 6 Requiems
* Oratorios
* Organ and Keyboard music
* 2 Symphonies
* 2 Keyboard concerti
* 2 Clarino concerti

=={{Cat|Revueltas, Silvestre}} (1899–1940)==
All works of this composer are likely under copyright in the USA. Works published before 1961 are public domain in Canada.
*First and Second Little Serious Piece (pub. 1957)
*La Noche de los Mayas (pub. 1959)
*String Quartet No.1 (pub. 1952)
*String Quartet No.2 (pub. 1953)
*Toccata Without a Fugue (pub. 1959)
*Homenaje a Federico Garcia Lorca (pub. 1958)
*El Tecolote (pub. 1956)
*Ocho por Radio (pub. 1951)
*Ranas (pub. 1956)
*3 Pieces for Violin and Piano (pub. 1951)
The following works under copyright worldwide:
*Redes (pub. 1971)
*String Quartet No.3 (pub. 1995)
*String Quartet No.4 'Musica de Feria' (pub. 1967)
*Danza geometrica (pub. 1964)
*Planos (pub. 1963)
*Janitzio (pub. 1966)
*Ventanas (pub. 1970)
*Alcancías (pub. 1971)
*Batik (pub. 1996)
*Dos canciones (pub. 1946) - No.2 'Caminando' (Nicolás Guillén d.1989)
*Colorines (pub. 1966)
*Caminos (pub. 1971)
*3 Sonetos (pub. 1974)

=={{Cat|Rheinberger, Josef Gabriel}} (1839–1901)==
* Two Organ Concerts
* Piano Sonata No. 1 in C Major ("Symphonic"), Op. 47 (pub. before 1871, from plate no.?)
* Piano Sonata No. 2 in D{{flat}} Major, Op. 99 (pub.1877)
* Piano Sonata No. 4 in F{{sharp}} Minor ("Romantic"), Op. 184 (pub.1896)
* Sonata, Op.178 for Horn and Piano(score and parts) (pub. 1894, but parts may need extraction)
* Sextet for piano and winds Op. 191b - arrangement (or more or less arrangement?) of {{NoComp|Piano Trio No.4, Op.191|Rheinberger, Josef Gabriel}} so would go on that page
* Suite for organ and violin, Op. 166 (piano and organ versions both pub. 1891)
* 6 pieces for organ and violin, Op. 150
**[http://www.mediafire.com/?ajojmh2tmzu score]
**[http://www.mediafire.com/?tkj4x3kzwge violin part] -- these are both scanned in from the Carus Complete Edition with title pages. They seem to be copies of earlier editions mostly, that said. If Carus has made any changes to the scores we may not be able to use them - it's uncertain. We do have to remove the Carus title pages as these are their property afaik. (Schissel)
* 9 Advent-Motetten, Op.176 (pub. Leuckart 1894?)
* Violin Sonata No.1 in E{{flat}} major, Op.77 (pub. Robert Forberg, 1874) (NY Pub.Lib., Senckenberg, Yale, Carnegie Lib Pittsburgh, Harvard, Newberry, not counting 1960+ reprints of course)
* Symphony No.2 in F major, Op.87 (pub. by André, 1876) (Princeton U Library, Boston Pub. Library)
* operas - as available...
* 3 Requiems
* 2 Stabat maters
* 3 Overtures
* Organ Concerto in G minor OI. 177
* Piano Concerto
* Preludes, Trios, Fughettas, Character pieces, Meditations for Organ
* [[Der Stern von Bethlehem, Op.164 (Rheinberger, Josef Gabriel)|„Der Stern von Bethlehem“ op. 164]]
* Other Cantatas
* Piano works

=={{Cat|Ries, Ferdinand}} (1784–1838)==
* Trio for clarinet, cello, and piano, Op. 28
* Concertos for piano (full score)
* Symphonies
* Oratorios (Die Könige in Israel and Der Sieg des Glaubens)
* Symphonies and Overtures
* Double Horn Concerto in E-flat, WoO 19
* Introduction & Rondo, op. 113 no. 2 for Horn and Piano
* Piano Quartets op. 13, op. 17

=={{Cat|Ries, Franz}} (1846–1932)==
* Suite No.2 for Violin and Piano, Op.27 (in F major)
* Perpetuum Mobile, Op.34

=={{Cat|Rietz, Julius}} (1812–1877)==
* Concert-Ouverture ''für das Niederrheinische Musikfest 1839'' in A major, Op.7 (pub. 1840s?)
* Clarinet Concerto in G minor, Op.29
* Jery und Bätely, Singspiel, Op.10 (pub.ca.1841?)
* Lustspiel-Ouverture für Orchester, Op.18 (pub. [http://anno.onb.ac.at/cgi-content/anno-buch?apm=0&aid=1000001&bd=0001854&teil=0203&seite=00000494&zoom=1 1854] by [[Kistner]])
* Symphony No.3 in E{{flat}} major, Op.31 (pub.1856?)

=={{Cat|Rimsky-Korsakov, Nikolai}} (1844–1908)==
* ''Mlada'' (complete opera score, and suite)
* ''The Tale of Tsar Saltan'' (full score, complete opera)
* ''Млада'': ''Mlada'' (Opera-ballet) (1872) (4 acts) Collaborative work divided among Cesar Cui (Act 1), Modest Mussorgsky (Acts 2 and 3), Nikolai Rimsky-Korsakov (Acts 2 and 3), Alexander Borodin (Act 4), and Minkus (dances). The complete work has never been published or performed. [[Mlada (Finale) (Borodin, Alexander Porfirevich)|Borodin's Act 4 Finale]] (orchestrated by Rimsky-Korsakov_and [[Mlada (Act I) (Cui, César)|Cui's Act 1]] were published; the remainder is in manuscript, the music of which was largely recycled by the respective composers in later works.
* The flight of the bumble bee for violin and piano
* Servilia (Complete Opera) piano reduction.
* The Stone Guest (Complete Opera)--Full Score (Collaboration with Cesar Cui, completion of unfinished original by Alexander Dragomyschski).

=={{Cat|Rinck, Christian Heinrich}} (1770–1846)==
* ''Ah, vous dirai-je, Maman'' -- 9 Variations and Finale, Op. 90 (for Organ)

=={{Cat|Ritter, August Gottfried}} (1811–1885)==
* Organ Sonatas
* other Organ Works

=={{Cat|Röntgen, Julius}} (1855–1932)==
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* Piano Concerto in D major, Op.18 (1879), Two Piano Reduction
* Two Piano Concertos, (1929-30), Two Piano Reduction
* Violin Sonata in B minor op.1 (pub. B&H 1873) (note: Basel library has, at least- so not lost, unlike some Röntgen works, a fact always worth checking to see - not just with this composer of course. Though some of his are known to be lost or at least missing, since a catalog of his music was compiled in the 19th c including works no longer known.)
* Cello Sonata (no.1?), Op.3 (pub. B&H, 1873.) (or no.2, counting early sonata in B{{flat}} major? which would make op.41 no.3, sort of.) (at Cornell and U Illinois.)
* Serenade in A major op.14 (has been recorded. Pub. B&H 1878.)
* Violin Sonata No.2 in F{{sharp}} minor Op.20 (pub. B&H 1883). (Juilliard School library has.)
* Violin Sonata No.4 in E major Op.40 (recorded).
* Sonata, op.2, for piano. (pub. ca.1873, B&H. at Dutch Royal Lib.)
* Piano Trio No.1 in B{{flat}} major, Op.23 (pub.1885.) (at Dutch R.L.)

=={{Cat|Ropartz, Guy}} (1864–1955)==
'''Chamber music'''
* [[String Quartet No.2 in D minor (Ropartz, Guy)|String quartet n°2 in d minor]] (1912). (pub.ca.1913) Scanned in by Google [http://hdl.handle.net/2027/mdp.39015007985909 here.]
* String quartet n°3 in G major (1925). (pub.ca.1926?)
* String quartet n°4 in E major (1934, pub.ca.1936).
* String quartet n°5 "quasi una fantasia" in D major (1940, pub.ca. 1947).
* String quartet n°6 in F major (1948, pub.ca.1951).
* "Fantaisie brève sur un thème unique sur le nom d'Albéric Magnard" for string quartet (1892, unpublished)
'''Works for orchestra'''
* "Pêcheur d'Islande" (Suite, 1891)
* "La cloche des morts" (1887)

=={{Cat|Roseingrave, Thomas}} (1690–1766)==
* Roseingrave "Glory to the Father" (not clear that -any- work of this name was published prior to 1966. possibly (depending on relevant law) manuscript could be uploaded.- Schissel)

=={{Cat|Roslavets, Nikolay}} (1881–1944)==
'''Piano music'''
* Three etudes (1914)
* Three compositions (1914)
* Two compositions (1915)
* Prelude (1915)
* Five preludes (1919-22)
* Two poems (1920)
'''Cello & Piano music'''
* Meditation for Cello and Piano (1921)

=={{Cat|Rossini, Gioacchino}} (1792–1868)==
*The Barber of Seville (full score) Already uploaded: [[Il barbiere di Siviglia (Rossini, Gioacchino)]]
*Petite Messe Solennelle - both versions, the original with two pianos and organ, and the orchestral version
*Giuseppe Radiciotti: "Gioacchino Rossini. Vita documentata, opere ed influenza su l'arte", 3 vols. (Tivoli, 1927-9)
*6 String Sonatas or String Quartets (if possible, with individual parts)
*Péchés de vieillesse: All XIII volumes if possible, specially the piano works
*William Tell (Full work; full score)
*6 Sonatas for Wind Quartet (fl., cl., fg., hrn.) (separate parts)
* La Donna del lago - Act I: "Quali accenti! Quai tormenti!" (Uberto, Elena) - Voice and Piano
* Tancredi Duetto "Lasciami, non t'ascolto" (Tancredi Amenaide) - Voice and piano

=={{Cat|Rott, Hans}} (1858–1884)==
* Symphony in E major (was this published before 2002? if not, may not be usable at all in any form, since not performed during Rott's lifetime - premiered in 1989. The information [http://www.hans-rott.de/werke/s1emajor.htm here] along with a Worldcat search do not settle the matter but also do not find any earlier publications.)

=={{Cat|Różycki, Ludomir}} (1884–1953)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
*Op.2 - Preludes for piano (1904)
*Op.3 - Two Preludes and Two Nocturnes for piano (1904)
*Op.4 - Gra fal for piano (1904)
*Op.6 - Four Impromptus for piano (1904)
*Op.18 - Ballad for piano and orchestra (1904) Full Orchestral Score
*Op.39 - Neuf Esquisses for piano (1915)
*Op.42 - Four Intermezzi four piano (1915-1918)
*Op.43 - Piano Concerto No.1 in G minor (1917-1918) Full Orchestral Score
*Piano Concerto No. 2 Full Orchestral Score

=={{Cat|Rubinstein, Anton}} (1829–1894)==
* Soirees Musicales, Op.109 (piano solo)
* Reve Angelique Op.10/22 - Transcription for organ
* [[Etude on False Notes (Rubinstein, Anton)|Etude sur des notes fausses]] (no. opus number)
* Symphonies (symphonies Symphonies [[Symphony No.2, Op.42 'Océan' (Rubinstein, Anton)|2]], [[Symphony No.3, Op.56 (Rubinstein, Anton)|3]] and [[Symphony No.4, Op.95 (Rubinstein, Anton)|4]] now uploaded)
* Op.91 - Lied und Requiem an Mignon for Voices, Chorus and Pianoforte
* Romance "The Wish" (1850, published in 1857, Russian title: «Желанье», lyrics by Lermontov [[:wikisource:ru:Желанье (Лермонтов)]])

=={{Cat|Rudolph, Erherzog}} (1788–1832)==
* Trio for clarinet, cello, and piano (1814)



=={{Cat|Saint-Saëns, Camille}} (1835–1921)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
*[[Barcarolle, Op.108 (Saint-Saëns, Camille)]] --- Violin part for the piano quartet version is missing. It appears to be different.
* Le Timbre d'Argent (Full Score)
* Antigone (Full Score)
* Frédégonde (Full Score)
* The Promised Land (Full Score)
* Psalm 136/137 ''Super flumina Babylonis'' (?1874)
* Ode d'Horace (Horace trans. Saint-Saëns) 1905(?1905)
* Deux choeurs (T. Saint-Félix) Op.71 1884(1884)
* Trois choeurs Op.151 1917(1917)
* Le printemps (?J. de la Fontaine) Op.165 1921(1921)
* My Land (?T. Davis) 1871(1871)
* Night song to Preciosa (I. Ginner) 1879(1879)
* Amour viril (Georges Boyer) 1891(1891)
* Vénus (Saint-Saëns) 1896(1896)
* Les vendanges (Sicard) 1898(1898)
* Lever du soleil sur le Nil (Saint-Saëns) 1898(1898)
* Soeur Anne (André Pressat) 1903(1903)
* L'étoile (Haïdar-Pacha) 1907(1907)
* Les sapins (P. Martin) 1914(1914)
* S'il est un charmant gazon (Hugo) 1915(1915)
* Où nous avons aimé (Pierre Aguétant) 1918(1918)
* Trois morceaux Op.1 (1852)
* Vers la victoire Op.152 (1918)
* Marche dédiée aux étudiants d'Alger Op.163 (1921)
* Piano Concerto No.3 (Orchestral Parts)
* Symphony No. 3 in c minor, Op. 78 (1886)
THESE WORKS UNDER COPYRIGHT WORLDWIDE:
*Spartacus Overture (pub. 1984)
*[[Le Carnaval des Animaux (Saint-Saëns, Camille)|Le Carnaval des Animaux]] (2 piano reduction by Ralph Berkowitz (b. 1910))

=={{Cat|Salabert, Bert}}==
* Lilac's Serenade (Century Music Publishing, 1905)

=={{Cat|Salas y Castro, Esteban}} (1725–1803)==
* 7 Masses
* Passio Domine Nostri Jesu Christe
* Requiem Mass
* Officium Hebdomadae Sanctae (Oficio de Semana Santa, conjunto de 21 piezas)
* Salve Regina in do minore

=={{Cat|Salieri, Antonio}} (1750–1825)==
* 3 Trios for 2 Oboes & Bassoon (Score or Parts)
* Concerto in C for Flute & Oboe
* Axur, re d'Ormus
* Falstaff, ossia le tre burle
* Die Hussiten vor Naumburg
* Piano Concertos
* Semiramide
* L'Europa riconosciuta
* Prima la musica poi le parole
* Requiem c-Moll für Soli, vierstimmigen Chor und Orchester (1804)
* Mass in D
* Mass in B
* Davidde für Soli, vierstimmigen Chor und Orchester (1791) – Fragment
* Gesù al limbo für Soli, vierstimmigen Chor und Orchester (1803)
* La Passione di Nostro Signore Gesù Cristo für Soli, vierstimmigen Chor und Orchester (1776)
* Le Jugement dernier für Tenor, vierstimmigen Chor und Orchester (1787/88) – siehe oben
* Saul für Soli, vierstimmigen Chor und Orchester (1791) – Fragment
* Messe d-Moll für Soli, vierstimmigen Chor und Orchester (1805)
* Requiem d-Moll für vierstimmigen Chor und Orchester (ca. 1815-20) – Fragment
* Improperium c-Moll für vierstimmigen Chor a cappella
* Spiritus meus d-Moll für vierstimmigen Chor und Orchester (1820)
* Miserere nostri g-moll für vierstimmigen Chor und Orchester (1805)
* Si ambulavero in medio g-moll für vierstimmigen Chor und Orchester (1809)
* De profundis f-moll für zweistimmigen Chor, Bass und Orgel (1815)
* De profundis g-moll für vierstimmigen Chor und Orchester (1815)
* Dico ergo pro Festis Beatae Mariae Virginis, d-moll für vierstimmigen Chor, Streicher und Orgel
* Et justitiam tuam pro Festo Epiphaniae, d-moll für vierstimmigen Chor, Streicher und Orgel
* Other Introituses, Motets, and Sacred Arias and Songs in minor keys
* 26 Variationen über La Follia di Spagna für großes Orchester mit Solo-Violine und Harfe (1815)
* Stabat Mater f-moll von Giovanni Battista Pergolesi: Bearbeitung für Soli, Chor und Orchester, Instrumentierung von Franz Xaver Süßmayr
* Theoretical works

=={{Cat|Salvatore, Giovanni}} (1620–1688)==
* Ricercari a Quattro Voci, Canzoni Francesi, Toccate, et Versi per rispondere nelle Messe con l'Organo al choro (Ottavio Beltrano, 1641)

=={{Cat|Samuel, Adolphe-Abraham}} (1824–1898)==
*Symphony no.6 in D minor op.44 (pub. [[Schott]] 1890)
*Mass in D minor op.53 (poss. not published until the 1930s, not sure)

=={{Cat|Sarasate, Pablo de}} (1844–1908)==
* Muñeira Op. 32 (full score).
* Introduction and Tarantella Op.43
* Miramar (Zortico) Op.42
* Fantasy on Don Giovanni
* Spanish Airs
Spanish Dances:
* Zapateado
* Malaguena
* Romanza Andaluza
* Habanera
* Jota aragonesa
:Here's a website with Sarasate's complete works: http://www.chez.com/craton/musique/sarasate/sarasate.htm.

=={{Cat|Satie, Erik}} (1866–1925)==
* Allegro
* Angora Ox
* Carnet d'esquisses et de croquis
* Cinq grimaces pour "Le songe d'une nuit d'été" (piano reduction by Milhaud)
* Danse de Travers
* Douze petits chorals
* The dreamy fish
* Embarquement pour Cythère (violin and piano)
* Fantaisie-valse
* Gnossiennes Nos. 6 & 7
* Mercure (orchestral score)
* Musique d'ameublement
* Ogives
* Petite ouverture à danser
* Le Piccadille - La Transatlantique
* Uspud
* Valse-ballet

=={{Cat|Sauer, Emil von}} (1862–1942)==
* Suite moderne (for piano)

=={{Cat|Scarlatti, Alessandro}} (1660–1725)==
* Masses
* Oratorios
* Latin Passion Oratorio
* Passio Domini nostri Iesu Christi secundum Ioannem (St. John Passion)
* Stabat mater
* Toccate per cembalo
* Toccata in re minore
* 10 partite sopra basso obbligato (1716)
* Primo e secondo libro di toccate (sol maggiore, la minore, sol maggiore, la minore, sol maggiore, re minore, re minore, la minore, sol maggiore, fa maggiore)
* 2 sinfonie per cembalo (16 giugno 1699)
* Toccata per studio di cembalo
* Toccata d'intavolatura per cembalo ò pure per organo d'ottava stesa
* Toccata in mi minore
* 3 toccate, ognuna seguita da fuga e minuetto (1716)
* Variazioni sopra "La follia" (1715) -Video/Audio YouTube-Giannalisa Arena, cembalo
* 6 Concerti per clavicembalo e archi
* 12 sinfonie di concerto grosso (1715)
* 6 concerti in sette parti per due violini e violoncello obbligato, con in più due violini, un tenore e basso continuo (fa minore, do minore, fa maggiore, sol minore, re minore, mi maggiore; 1724)
* Regole per principianti (1715 ca.)
* Discorso sopra un caso particolare di arte (aprile 1717)
* Canoni: Tenta la fuga ma la tenta invano; Voi sola; Commincio solo; 2 canoni a 2
* 15 fuge a 2
* Studio a quattro sulla nota fermia
* Varie partite obbligate al basso
* Toccate per cembalo
* Varie introduttioni per sonare e mettersi in tono delle compositioni (1715 ca.)

=={{Cat|Scarlatti, Domenico}} (1685–1757)==
*'''Stabat Mater''' (Vocalscore)
*[[Keyboard Sonatas, Longo Catalogue 201-300 (Scarlatti, Domenico)|Keyboard Sonata in C{{sharp}} minor K.247/L.256]]
:Will be here shortly.
*K. 204a - F minor - Allegro
*K. 204b - F minor - Allegro - Allegro - Allegrissimo
*K. 452 - A major - Andante Allegro
*K. 453 - A major - Andante
*K. 201-555

I have found both of these (K.247 is acually in C# minor) on nlib.org.ua but they're both re-typeset so are they ok to upload here? There is no copyright info anywhere on the website, so i would guess yes, but best to check. Also is it worth picking individual sonatas out of the 450 avalible there and other 100ish not avalible there, or should we make an effort to get the lot of them here (assuming it's legal). They have a cap of 5 pdf files per day, but i can partially get round this by a variety of methods, so should hopefully be able to get 20-30 per day. The whole collection would theoretically take less than a month.--[[User:Matthew|Matthew]] 17:28, 11 January 2007 (EST)
:I've seen the website you're talking about, but the sonatas available there are from another catalogue, Longo.[[User:Sofia81|Sofia81]] 12:46, 12 January 2007 (EST)
::Tis the same sonatas, just ordered differently, the Kirkpatrick (K,Kp or Kk) catalogue appears to catalogue all of the sonatas, the Longo (L) catalogue almost all of them, but in a completely different order, both of those are commonly used and often both numbers are given. What about my other questions: are these fair game to upload here, and if they are should we get the lot of them? --[[User:Matthew|Matthew]] 17:04, 12 January 2007 (EST)
:::Well Matthew, I have to say that I don't understand much about copyright and wiki projects. But I know two other sites that have many sonatas in the Longo catalogue, they are: sheetmusicarchive.net and midiworld.com/scarlatti. Those are legal, I'm sure. Take a look! You can take information with someone who understands better this subject.
:::I didn't know the pieces were the same, but of course, what and idiot am I! Then, the one I search for is not n.247 in Longo. I think it belongs only to Kirkpatrik. :( [[User:Sofia81|Sofia81]] 19:41, 13 January 2007 (EST)
:::Correcting, better this link: sankey.ws/scarlatti/index.html [[User:Sofia81|Sofia81]] 20:09, 13 January 2007 (EST)
{{outdent}}I know about sheetmusic archive and the sankey site, they both have K1-K175, a fairly impressive selection, but less than a third of the total number of sonatas, those ones are acually avalible on this website already, [[Keyboard Sonatas (Scarlatti, Domenico)|here]] they are. That unfortunately doesn't contain the one you're looking for (K247) that will be avalible here relatively soon i hope, but if you can't wait then it's L256 on nlib.org.ua and it's acually in C# minor, not C minor. The numbering of music is almost always confusing unless you know what you're doing.--[[User:Matthew|Matthew]] 06:10, 14 January 2007 (EST)
:I found it! Yes, it's 256L, thanks. I haven't seen that link showing all catalogues. Thanks anyway!
:I'm new here, I have to learn first something. But I think we can take Scarlatti from that site, at least the sonatas that are missing here. Scarlatti is already in public domain, so... [[User:Sofia81|Sofia81]] 12:08, 14 January 2007 (EST)
::I think you can better use this link for all 450 L-numbers and 45 S-numbers sonatas http://www.piano.ru/scarlatti.html.
::--[[User:Abelard|Abelard]]. I think the typeset is also better.
:::I wasn't aware of that site, And though it looks quite good, i think i'll persevere with getting them from nlib.org.ua for several reasons, the file i got from there was about twice the size of the equivilent one from nlib, and it took about a minute to download, compared to less than 10s from nlib. I think the music looks better from nlib, the lines are clearer and it looks tidy, and while nlib does impose a download limit, i can partially, and hopefully soon entirely, avoid that and it should not take too long to get the whole collection, i will however get L451-500 and The L.S ones from there which will give me all but 4 of the sonatas: K. 204a, 204b, 452 and 453. If anyone has these they would be much appreciated.--[[User:Matthew|Matthew]] 15:18, 15 January 2007 (EST)
*Would [http://icking-music-archive.org/ByComposer/Scarlatti.php] be useful? FWC.
:No, uploads from WIMA are not generally permitted here without the explicit permission of the typesetter. [[User talk:Pml|PML]]

=={{Cat|Scharwenka, Xaver}} (1850–1924)==
*Piano Concerto No. 2 in C minor, Op.56 '''Two Piano Reduction’’’

=={{Cat|Scharwenka, Philipp}} (1847–1917)==
*Piano Quintet in B Minor, Op. 118

=={{Cat|Scheidemann, Heinrich}} (''ca''.1595–1663)==
* Complete Organ works

=={{Cat|Scheidt, Samuel}} (1587–1654)==
*Galliarda - Variations on the King of Denmark's Galliard
*Complete Organ works

=={{Cat|Scheinpflug, Paul}} (1875{{EN}}1937)==
*Ouverture zu einem Lustspiel von Shakespeare, (mit Benutzung einer altenglischen Melodie aus dem 16. Jahrhundert) für grosses Orchester, Op.15 (pub.1908/early 1909, Heinrichshofens Verlag)
*Das Hofkonzert : heitere Oper in drei Akten, Op.24 (pub.1922 by O. Wrede, Regina-Verlag)

=={{Cat|Scheve, Edward Benjamin}} (1865–1924)==
[[wikipedia:Edward Benjamin Scheve|Wikipedia]]
*The Death And Resurection Of Christ
*all Anthems and Songs

=={{Cat|Schjelderup, Gerhard Rosenkrone}} (1859{{EN}}1933)==
*Weinacht-suite : Aus einem Weinachtspiel (1896) (B&H)
*Brand (symphonic drama) (pub.1914) (recently recorded with symphony no.2)
*Sommernacht auf dem Fjord, symphonic poem for orchestra (pub.1904, Bote&Bock)
*Sonnenaufgang über Himalaja (aus „Opferfeuer", Legendenstück von K. Gjellerup) (pub.1909, Leuckart)
*Frühlingsreigen, suite for middle-sized orchestra (pub.1934)
*Norwegische Hochzeit (pub. Tischer&Jagenburg, 1900. Music drama in 2 acts.)
*Symphony no.2 (1924) (MS) (listed at http://mic.bibits.no/ ) (recorded with the symphonic poem "Brand" on the label cpo, released in early 2010)
*String quartet in F{{sharp}} minor (1931) (MS) (also mic.bibits.no )
*"Kleine norwegische Suite" (pub. Tischer&Jagenburg, 1930)

=={{Cat|Schlick, Johann Conrad}} (1759–1825)==
(Husband of Regina Strinasacchi for whom Mozart composed the Sonata in B flat for Violin and Keyboard "Strinasacchi" K.454.)
* Cello Concerto

=={{Cat|Schmidt, Franz}} (1874–1939)==
*Notre Dame Opera
*Carnival music and Intermezzo from the Opera Notre Dame
*Symphonies:
**[[Symphony No.1 (Schmidt, Franz)|Symphony Nr.1 E-major]]
**Symphony Nr.2 E{{flat}} major (pub. 1914)
**Symphony Nr.3 A major
**Symphony Nr.4 C major

=={{Cat|Schmitt, Aloys}} (1788–1866)==
*Preparatory Exercises, Op. 16

=={{Cat|Schmitt, Florent}} (1870–1958)==
*O Salutaris, Op.1
*2 Chansons, Op.2 (I. Nature morte, II. Chanson) (no.2bis, [[Ritournelle, Op.2 No.2 bis (Schmitt, Florent)|Ritournelle]])
*[[Chant du Soir, Op.7 (Schmitt, Florent)|Chant du Soir, Op.7]] (violin part) (not uploaded yet; add to watchlist and someone is sure to... - Schissel)
*[[Les barques, Op.8 (Schmitt, Florent)|Les Barques, Op.8]] (orchestral score)
*Soir sur le lac, Op.9 (voice and piano)
*Prélude pour orgue, Op.11
*2 Pièces (piano), Op.12 (I. En yacht le soir, II. Sérénade burlesque)
*3 Morceaux (piano), Op.13 (I. Sarabande (Pavane), II. Bourrée (Chevauchee du matin), III. Scottisch)
*[[5 Pièces for Violin (Cello) and Piano, Op.19 (Schmitt, Florent)|5 Pièces (violin/cello and piano), Op.19]] (I. Chanson à bercer, V. Petites cloches)
*Demande, Op.20 (voice and piano/orchestra)
*3 Chansons, Op.21 (II. Femme et chatte, III. Si mon cœur avait des ailes)
*Feuillets de voyage, Op.26 (Book I. Compliments (orch. score), Book II. Valse (orch. score))
*3 Choeurs a cappella, Op.40 (I. Sous bois, III. Vocalise)
*[[4 Lieds, Op.45 (Schmitt, Florent)|4 Lieds (voice and piano/orchestra), Op.45]] (III. Fleurs décloses, IV. Ils ont tué trois petites filles) (yes, we don't have the complete set - add the page we do have to your watchlist. it will inform you when people add more files. - Schissel)
*2 Chansons, Op.55 (I. Dans l'air fraîchi, II. O triste, triste était mon âme)
*[[Fonctionnaire MCMXII, Op.74 (Schmitt, Florent)|Fonctionnaire MCMXII, Op.74]] (orchestral score)
*La tête de Kenwarc'h, Op.114 (male voices a capella)
*6 Choeurs, Op.81 (female voices and orchestra/piano)
*En bonnes voix, Op.91 (female voices)
*Conseil tenu par les rats, Op.123 (4 voices a capella)
*Fables sans morales, Op.130 (4 voices a capella)
THESE WORKS UNDER COPYRIGHT WORLDWIDE:
*5 chœurs en vingt minutes, Op.117 (poetry protected)
*3 Poèmes de Ganzo, Op.118 (poetry protected)
*De vives voix, Op.131 (poetry protected)
*Prelude pour une suite à venir (pub. 1974)

=={{Cat|Schoenberg, Arnold}} (1874–1951)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* Violin Concerto
* Serenade, Op.24
* Die Jakobsleiter
These works below under copyright in Canada and E.U.:
* Erwartung, Op.17 (libretto by Marie Pappenheim (d. 1966))

These works below under copyright worldwide:
* Verklärte Nacht (piano reduction by Edward Steuermann (d.1964))
* Piano Concerto, Op.42 (2 piano reduction by Edward Steuermann (d.1964))

=={{Cat|Scholz, Bernhard}} (1835–1916)==
*Symphony No.1 in B{{flat}} major, Op.60 (pub.1886, premiered 1886)
*Piano Quartet in F major, Op.79 (pub.1899)
*Cello Sonata (No.2?) in A minor, Op.81 (pub. 1900, at Sibley but not scanned in as of 11/2010)
*Piano Trio No.2 In A minor, Op.83 (pub.1900. also at Sibley)

=={{Cat|Schröder, Carl}} (1848{{EN}}1935)==
*String Quartet in C major, Op.89 (pub.1909)

=={{Cat|Schubert, Franz}} (1797–1828)==
The following are the Schubert works we are missing (or I am not in the process of obtaining) as at end of November 2008. Any PD score is most welcome but if we can get the original Breitkopf & Härtel Complete Works Edition (Gesamtausgabe) or reprints thereof (Kalmus or Lea pocket scores, or Dover reprints), it would be a bonus.
* [[:Allegro, D.571 (Schubert, Franz) |Allegro, D.571]] (although the work is unfinished, there is at least one page of printed music that does not appear in the Franz Schuberts Werke file.)
* Symphonies 1-2
*Setting on Psalm 92
* Piano Sonata in D major D.850 (Op.53), with corrected 2nd part
* Piano Sonata in A major D.959, with corrected 4th part
* Polonaise in Bb for Violin and Orchestra D.580
* Operas/Stage Works (full scores):
: Des Teufels Lustschloss, D.84
: Die Zauberharfe, D.644
: Die Verschworenen, D.787
:(other operas/stage works hopefully coming soon) [[User:Aldona|Aldona]] 08:02, 28 April 2008 (EDT)
* There are some Schubert manuscripts at the Juilliard music library at http://www.juilliardmanuscriptcollection.org/ - I wonder if somebody with the right contacts and diplomatic skills could persuade the good people there to share them with the rest of us.
:There is no need for diplomatic skills. Use [http://commons.wikimedia.org/wiki/Help:Zoomable_images/dezoomify.py Dezoomify], written by Inductiveload. --[[User:Funper|Funper]] 21:05, 4 September 2010 (UTC)

=={{Cat|Schulhoff, Erwin}} (1894–1942)==
* 5 Stücke für Streichquartett (1925)

=={{Cat|Schulz, Franz}} (1897–1971)==
* Scales And Chords

=={{Cat|Schumann, Clara}} (1819–1896)==
* Piano Concerto in A minor, Op.7 (1833-1835) (apparently published 19th century, not sure of date - BSB listing suggests plate no.2169 pub. 1836? quite possible.)
* 3 Romances for piano, Op.11 (1838-1839) (published in 1977. published before 1977?)
* 3 Romances (violin and piano), op.22 (pub.1856)

'''THESE WORKS UNDER COPYRIGHT WORLDWIDE:'''
* Piano Sonata G minor (1842) (first published 1991) (''possible'' exception: manuscript scan.)

=={{Cat|Schumann, Robert}} (1810–1856)==
* String Quartets (ONLY PARTS, the full scores are already available)
* Piano Quartet WoO32 in c minor (Piano score) -- when was this published? Redlich's edition in 1961, was this available earlier though?
* Symphony WoO29 in g minor "Zwickauer Symphony", Piano Solo Arrangement
* Symphony WoO20 in g minor "Zwickauer-Sinfonie", Full Score (pub. ca. 1972. apparently.)
* Genoveva, Ouverture, arranged for Piano 4 hands.
* Symphony Nr. 4 d-Moll Op. 120 (early 1841 version, apparently published by Brahms in 1891) full score

=={{Cat|Schütz, Heinrich}} (1585–1672)==
*Sacred Choral Works:
**Psalmen Davids
**Musikalische Exequien
**Symphoniae Sacrae
**Weihnachts-Historie SWV 435 and 435a Full Scores
**Die sieben Wortte unsers lieben Erlösers und Seeligmachers Jesu Christi SWV 478 Full Score
**Die drei Passionen SWV 479-481 Full Scores
**Auferstehungs-Historie SWV 50 Full Score
*Symphoniae sacrae II (1647): SWV 356 Es steh Gott auf

=={{Cat|Scriabin, Alexander}} (1872–1915)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
* Piano transcription (solo, 4 hands or 2 pianos) of Symphony No.1
* Piano transcription (solo, 4 hands or 2 pianos) of Symphony No.2
* Solo piano transcription of Symphony No. 3
* Two-piano transcription of Symphony No. 3 (Leon Conus)

=={{Cat|Sebastiani, Johann}} (1622–1683)==
* Matthäus Passion

=={{Cat|Seixas, Carlos}} (1704–1742)==
* Harpsichord Sonatas
* Harpsichord Concerto
* Sinfonia in B{{flat}} major

=={{Cat|Séjan, Nicolas}} (1745–1819)==
* Noël suisse, for organ
* Organ Works

=={{Cat|Servais, Adrien-François}} (1807–1866)==
::Abbreviations:
::P = cello & piano
::Q = cello & quartet
::O = cello & symphonic orchestra
::H = cello & harp
::C = two cellos
-------
::Published compositions
::Compositions with opus number (with year of first publication by B. Schott’s Söhne - Mainz)
*1- 1838 - PH- Fantaisie sur un thème favori
*7- 1849 - PO- Andante cantabile et Rondo à la Mazurka sur un Air de Balfe
*8- 1848 - PQO- Fantaisie Caracteristique sur deux célèbres Romances de Lafont
*10- 1849 - PQO- Souvenir de la Suisse. Caprice
*13- 1853 - PQ- Fantaisie sur 2 Airs russes
*17- 1859 - PO- O cara memoria: Fantaisie et Variations
*19- 1860 - PO- Grande Fantaisie polonaise sur des Airs du ballet ‘La Noce de Cracovie’
*21- 1863 - P- Souvenir de Czernowitz. Morceau de Salon sur des Airs Roumains
* Souvenir de Bade - Grande Fantaisie, Op.20-(Piano part)

=={{Cat|Ševčík, Otakar}} (1852–1934)==
*[[Preparatory Exercises in Double-Stopping, Op.9 (Ševčík, Otakar)|Preparatory Exercises In Double-Stopping, Op. 9]]

==Shostakovich, Dmitri (1906–1975)==
'''Under copyright worldwide. No posting without written permission from the copyright owner.''' 
(very early works may be PD-US if first published before 1923 or if a few other conditions apply; but not PD-CA or PD-EU; in particular, cannot be hosted on this site.)
* Piano Trio No.1 c minor op.8 (incomplete ; mostly composed 1923. completed by other composers, e.g. Boris Tishchenko.)
* Piano Trio No.2 e minor op.67 (composed 1944)

=={{Cat|Sibelius, Jean}} (1865–1957)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA. 
These works under copyright worldwide
* Suite for Violin and String Orchestra Op.117
* String Trio in C (1888)("Lovisa trio")
* Suite in A major for string trio (1889)
* String Quartet in B-flat major
* Theme and Variations for cello solo (1887)
* Kullervo (pub. 1961)
* Masonic Ritual Music (rev. ed. 1950; ed. Marshall Kernochan (1919-2007))
* Kurkikohtaus (Scene with cranes), Op.44 No.2 (pub. 1973)
* Cassezione, Op.6
* Skogsrået, Op.15 (Complete Works ed.)
* Academic March
* Jordens sång (Song of the Earth), Op.93
* Kavaljeren (The Cavalier)
* Spagnuolo
* Till trånaden (To longing)
* 5 Esquisses, Op.114 (pub. 1973)
* Violin Concerto opus 47 original 1903-1904 version

=={{Cat|Sieveking, Martinus}} (1867–1950)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* Valse Lente

=={{Cat|Silas, Edouard}} (1827–1909)==
* Organ Works

=={{Cat|Simon, Anton}} (1850–1916)==
* 22 Little Pieces for Brass, op. 26

=={{Cat|Sinding, Christian}} (1856–1941)==
* String Quartet, Op.70
* Symphonies
* Violin Concertos (No. 2 reduction for violin and piano available)
* "Berceuse" from 3 Elegische stücke, Op. 106

=={{Cat|Singer, Otto}} (1833–1894)==
* Piano Concerto, Op.8 [Full Orchestral Score]

=={{Cat|Sinigaglia, Leone}} (1868–1944)==
* Serenade for String Trio in D major, Op.33 (pub. by Breitkopf ca. 1908)
* Cello Sonata, Op.41 (pub. Breitkopf ca.1925, PD-CA only until 2015, then PD-EU I think)
* Violin Concerto, Op.20 (score pub. Breitkopf 1903) (opp. 20, 33, 41 in the possession of U. Rochester library, not yet scanned to my knowledge as of December 2010.)

=={{Cat|Smart, Henry Thomas}} (1813–1879)==
* Air with Variations and Finale
* Three Andantes
* Choral with Variations in E flat
* Postlude in D major
* Postlude in D minor

=={{Cat|Smetana, Bedřich}} (1824–1884)==
* [[Piano Trio, Op.15 (Smetana, Bedřich)|Trio for Piano, violin and cello]]
* ''Triumfální symfonie'' (Festive Symphony / Triumph-Symphonie) in E major, Op.6 (1853–1854, rev. 1881)

=={{Cat|Sörgel, Friedrich Wilhelm}} (1847–1870)==
* Quartet for 4 Violins, Op.34 (pub.1833)
* Quartet for 2 Violins and 2 Violas, Op.35 (pub.1839)

=={{Cat|Sousa, John Philip}} (1854–1932)==
* New Mexico
* The Glory of the Yankee Navy
*El Capitan Full Score

=={{Cat|Soussmann, Heinrich}} (1776–1848)==
* 12 Duets, Op. 53

=={{Cat|Späth, Andreas}} (1792–1876)==
* String Quartet, Op.131 in G major (pub. late 1833 or early 1834)

=={{Cat|Spohr, Louis}} (1784–1859)==
* [[Die letzten Dinge, Op.61 (Spohr, Louis)|Die Letzten Dinge]] (Oratorium)/ The Last Judgment / Le Dernier Jugement, Op. 61 (scanned in in large choral/piano score [http://hdl.handle.net/2027/uc1.b3516255 here by Google]
* Six German Lieder, Op. 103 for soprano, clarinet, and piano
* Sonatas for Violin and Harp (Op.16, Op.114, Op.115)
* Sonata concertante for Violin and Harp in D major, Op. 115
* Faust (German version in two acts, 1816; Italian version in three acts, 1852)
* Clarinet Concerto No.3 and 4 (either piano reduction or full score) || when was no.4 first published - poss. 1965 in which case not avail. here until 2016. Conc. 3 was published in 1908 so. . .
* Violin Concerto No.14, Op.110 (Sonst und jetzt, pub.Sept. 1840 acc. Hofmeister, Pietro Mechetti)
* Symphony no.1 in E{{flat}} major, op.20 (comp.1811, pub. in parts the same year by A. Kühnel of Leipzig)
* Symphony no.2 in D minor, op.49 (comp.1820. pub. about then by Peters in parts- 1573 Peters?)
* Symphony no.4 in F major, op.86 (comp.1832, pub.1840s or earlier, Häslinger T.H. 6534)
* Symphony no.5 in C minor, op.102 (comp.1837, pub. by 1839, Häslinger T.H.7717)
* Symphony no.6 in G major, op.116 (comp.1839, pub. 1840s, Mechetti P.M.3526)
* Symphony no.8 in G major, op.137 (comp.1847, pub.1854 by Peters)

=={{Cat|Spontini, Gaspare}} (1774–1851)==
* La vestale (1807)
* Fernando Cortez (1809, revised in 1817)
* Agnese di Hohenstaufen (1829 revised in 1837 by K. von Lichtenstein)

=={{Cat|Stahl, Friedrich}} (1795–1852)==
(dates conjectural. works under Frédéric Stahl)
*Trois trios faciles et brillans, pour deux violons & violoncelle, Op.5
*Trois trios faciles et brillans, pour deux violons & violoncelle, Op.6 (Cornell U. has opp.5 and 6, but in locked press)
*String Quartet No.1, Op.7 in A minor (by 1829, Falter of Munich)
*String Quartet No.2, Op.8 in D major
*String Quartet No.3, Op.9 in G major (1831 HMB) (quartets at libraries apparently but I don't know where)

=={{Cat|Stamaty, Camille}} (1811–1870)==
* Rhythmic Training For The Fingers, Op. 36

=={{Cat|Stamitz, Carl Philipp}} (ca.1745–1801)==
* Duets, Op. 27
* Duo in D major for 2 flutes

=={{Cat|Stanford, Charles Villiers}} (1852–1924)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
* Irish Rhapsody No. 1 in D minor, Op.78
* Irish Rhapsody No. 2 in F minor, Op.84 (unpublished)
* Irish Rhapsody No. 3 for Cello & Orchestra, Op.137 (unpublished)
* Irish Rhapsody No. 4 in A minor, Op.141
* Irish Rhapsody No. 5 in G minor, Op.147 (unpublished)
* Irish Rhapsody No. 6 for Violin & Orchestra, Op.191 (unpublished)
* Piano Concerto No. 1 in G major, Op.59 (unpublished)
* [[Piano Concerto No.2, Op.126 (Stanford, Charles Villiers)|Piano Concerto No. 2 in C minor, Op.126]] (2-piano reduction only as of January 2011. full score (Stainer & Bell, 1916) at Cambridge University Pendleton library and BSB, also Newberry Library)
* Symphony No. 1 in B{{flat}} major (unpublished)
* Symphony No. 2 in D minor "Elegiac" (unpublished) (1882. Cambridge library has a manuscript, not sure if that helps. http://search.lib.cam.ac.uk/?itemid=|cambrdgedb|4449652 )
* [[Symphony No.4, Op.31 (Stanford, Charles Villiers)|Symphony No. 4 in F major, Op.31]] (piano 4-hand arrangement by Charles Wood uploaded in 2008, nothing else on page as of 1-2011)
* Symphony No. 5 in D major, Op.56
* Symphony No. 6 in E{{flat}} major, Op.94 (unpublished)
* Songs
* 4 Intermezzi for Organ
* Opera ''Seamus o'Brien'', Op.61 (pub. in arrangement in 1896 - Cambridge has this form. Overture also published by Boosey in 1896, in Cambridge lib.)
* Eden, Op.40 (Novello, 1898) (at Cambridge lib.) (oratorio)
* Te Deum, Op.66 (piano score from 1898 - Boosey/Breitkopf - at Sibley)
* Violin Concerto No.2 in G minor, Op.162 (1918) (violin and piano manuscript available at Morgan Library - full score location unknown?)
* Cello sonata in A major opus 9 (Bote und Bock score ca.1879 at Royal Academy of Music library)
* Organ Sonata No.5, Op.159 ''quasi una fantasia'' (cop.1921, published Augener. at several libraries though don't know if any of them interloan, scan, or allow copying.)
* String Quartets 4, 6, 7, (8?), Piano Quartet 2 (all I believe in manuscript, not published? not sure of location- neither RAM nor RCM seems to have them I think... will see if I can find out though. Not listed in [http://www.bl.uk/catalogues/manuscripts/HITS0001.ASP?VPath=arevhtml/68895.htm&Search=RPS+MS.+170&Highlight=F British Library catalog of manuscripts]. Just throwing this out there I'm afraid.)

=={{Cat|Steggall, Charles}} (1826–1905)==
* Three Preludes and Fugues for Organ
* Postlude in G for Organ
* Postlude in C minor for Organ
* Allegretto Pastorale in A for Organ
* Fugue in D for Organ

=={{Cat|Steigleder, Johann Ulrich}} (1593–1635)==
*40 variations on the chorale Vater unser im Himmelreich

=={{Cat|Storace, Bernardo}} (1637–1707)==
* Selva di varie compositioni d'intavolatura per cimbalo ed organo (publ. 1664, Venezia)

=={{Cat|Stoughton, Roy Spaulding}} (1884–1953)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* Ancient Phoenecian Procession (organ, publ. 1919)
* Egyptian Suite (organ, publ. 1916)
* Tanglewood Tales Suite (organ, publ. 1921)

=={{Cat|Straesser, Ewald}} (1867–1933)==
* Symphony in G major op.22 (1910, pub.1911?) (at Univ. Otago, New Zealand)
* Symphony in D minor op.27 (ca.1913)
* Piano Concerto op.8
* String quartets 2 op.12/2 (pub.1901, G major), 3 op.15 (pub.ca.1913)
* Piano quintet in F{{sharp}} minor op.18 ((c) 1911)
* Violin sonata in D, op.32 (pub. 1918 by Tischer&Jagenberg of Cologne)

=={{Cat|Strauss, Franz}} (1822–1905)==
* Les Adieux
* Fantasie, Op.2
* [[Horn Concerto, Op.8 (Strauss, Franz)|Horn Concerto Op.8]] (Full Score)
* Empgindungen am Meere, Op.12
* Introduction, Thema, und Variationen, Op.13
More info: [http://www.hornplayer.net/archive/a62.html]

==[[:Category:Strauss Jr., Johann|Strauss, Johann II]] (1825–1899)==
* Ägyptischer Marsch, Op.355
* Der Zigeunerbaron
* Champagner-Polka, Op.211
* Eljen a Magyar, Op.332
* Explosions-Polka, Op.43
* Wiener Bonbons, Op.307
* Die Fledermaus (Full Score)
* Tausend und eine Nacht, Op.346 (Full Score)

=={{Cat|Strauss, Richard}} (1864–1949)==
While works first published before 1961 are PD in Canada, the works of this composer are copyright in the EU. Only works published before 1923 are PD in the USA.
* Die Frau ohne Schatten (1919, opera) : Orchestral Score
* Horn Concertos No.2 (orchestral score & piano reduction)
* Der Bürger als Edelmann (orchestral suite), Op.60c
* Josephslegende(ballet music), Op.63
* Sonatina No.1 in F major ''Aus der Werkstatt eines Invaliden'' ("From an invalid’s workshop") for 16 wind instruments
* Sonatina No.2 in E{{flat}} major ''Fröhliche Werkstatt'' ("Happy workshop") for 16 wind instruments
* Fanfare zur eroffnung der Musikwoche der Stadt Wien (1924)AV110 (fur blechblasinstrumente und Pauken)
* Wiener Fanfare (Fanfare der Stadt Wien) AV134 (fur blechblasinstrumente und Pauken)

=={{Cat|Stravinsky, Igor}} (1882–1971)==
Under copyright worldwide, apart from earlier works (publ. before 1923) which are PD in the USA. No posting without written permission from the copyright owner. (Works in Red are copyright worldwide.)
* Le Sacre du Printemps (Piano Reduction)
* Firebird -- non-copyrighted full score (only the 1945 suite is protected)
* Petrushka (complete)
* Renard-Full Score
* Symphony No. 1 in E-flat
* Les Noces-Full score
* Mass-Full Score
* The Song of the Nightingale-Le chant du Rossignol- Symphonic Poem for orchestra
* Le Rossignol- Opera or Lyric tale
* Feu d'artifice
* Fairy's Kiss
* Symphony in Three Movements
* Symphony of Psalms
* Symphonies of Wind instruments (Symphonies a la vent) (either origional or revised)
* Violin concerto, serperate parts please.
* Violin & Piano sonata
* Dumbarton Oaks-Concerto in E {{flat}}
* Concerto for Piano & wind instruments
* Ebony Concerto
* Capriccio for piano & orchestra
* Movements for piano & orchestra
* Pulcinella -full score
* Madrid Etude pour pianola
* L'Histoire du Soldat (In French)-Full Orchestra or suite
* Concertino for 12 instruments
* Octet
* Symphony in C
* Ode (Triptychon for Orchestra)
* Agon-Ballet-Full Score
* Apollon Musagete-Ballet-Full Score
* Scenes de Ballet -Full Score
* Variations: Aldous Huxley in Memoriam
* Jeu de Cartes-Full Score
* Oedipus Rex-OPera-Oratorio in French-Full Score
* Concert in D major-Full Score
* Card Game/Jeu de cartes-Ballet in three Deals-Full Score
* Danses Concertantes, for chamber orchestra-Full Score
* Orpheus-Ballet in three scenes-Full Score
* Chanson Russe (russian song)for violin and piano (trans. by Samuel Dushkin (1891–1976))

==Streabbog, Louis (1835–1886)==
Pseudonym of [[Wishlist G-K#Gobbaerts, Louis (1835–1886)|Louis Gobbaerts]]; please consult the list linked there.

=={{Cat|Suk, Josef}} (1874–1935)==
Works first published after 1960 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA. 
* Dumky Trio for Violin, Cello, and Piano
** ''Please specify: Referring to Dvorak's Piano Trio (Op. 90) of the same name? Or please give other identifying details if Suk work.''
* 4 Pieces for Violin and Piano, Op. 17 ((c)1900)
# Quasi ballada
# Appassionato
# Un poco triste
* Elegy, Op. 23
** Original version for Piano, Cello, String Quartet, Harmonium and Harp (pub. ca. 1911)
** Piano Trio Version ((c) 1902)
* Pohádka léta (A Summer’s Tale), Symphonic Poem, Op. 29 (pub.ca.1910)
* String quartet No. 2, Op. 31 (score and parts) ((c) 1912)
* Zrání (The Ripening), Symphonic Poem, Op. 34 ((c) 1924)
* Meditace na staročeský chorál „Svatý Václave“ (Meditation on th Old Czech Chorale “St. Wenceslas”) for String Orchestra or String Quartet, Op. 35a (full score) - we have the parts [[Meditation on the Old Czech Chorale 'St. Wenceslas', Op.35a (Suk, Josef)|here]] (from which one could collate a score, admittedly with much work) and some arrangements.
* Epilog (Epilogue) for Soprano, Baritone, Bass, Chorus and Orchestra, Op. 37 ((c) 1939)
* Fantasy in G minor for Violin and Orchestra, op.24 (violin/piano reduction published in 1905, edited by Josef Jiránek (1855-1940?))

=={{Cat|Sweelinck, Jan Pieterszoon}} (1562–1621)==
* Duo for flute (?? is this an arrangement? wouldn't it be a recorder in the 17th century?)

=={{Cat|Szymanowski, Karol}} (1882–1937)==
* ''Stabat Mater'' (piano reduction pub. 1928, choral score pub. 1956)
* Symphony No.3 (first pub. ca.1925? by Universal Edition)
* [[Hagith, Op.25 (Szymanowski, Karol)|''Hagith'']], opera Op.25 (vocal score pub. 1920)
* Violin Concerto No. 1 ( first pub. 1923, according to listing in Voyager catalog of Rochester library)
* Violin Concerto No. 2 (first pub. 1934)

----

[[Wishlist A-B|Composers A-B]] | [[Wishlist C-F|Composers C-F]] | [[Wishlist G-K|Composers G-K]] | [[Wishlist L-P|Composers L-P]] | [[Wishlist T-Z|Composers T-Z]]

Daphnis et Chloé Suite No.2, M.57b (Ravel, Maurice)

2011-03-09T11:50:48Z

Goreld: Undo revision 659482 by Goreld (Talk)

: ''For the complete ballet see [[Daphnis et Chloé (Ravel, Maurice)|Daphnis et Chloé]]''

{{#fte:imslppage

| *****AUDIO***** =

{{#fte:imslpaudio
|File Name 1=PMLP80636-Daphnis_and_Chloe_-_Ravel.mp3
|File Description 1=Complete Performance
|Audio Length 1=16:15
|Performers=The Scottish Sinfonia / Neil Mantle
|Performer Categories=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2010/8/30
|Publisher Information=[http://scottishsinfonia.org.uk/recordings.htm The Scottish Sinfonia]
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP80636-dso20101009-002-ravel-daphis-et-chloe-suite-no2.mp3
|File Description 1=Complete Performance
|Audio Length 1=15:58
|Performers=DuPage Symphony Orchestra / Barbara Schubert
|Performer Categories=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2011/2/2
|Publisher Information=DuPage, IL: DuPage Symphony Orchestra
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0
|Misc. Notes=From [http://www.archive.org/details/dso20101009 Internet Archive]. Performed 9 October 2010, Wentz Concert Hall, Naperville.
}}

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP80636-Ravel_-_Daphnis_et_Chloe_Suite_2_FS.pdf
|File Description 1=Complete Score
|Page Count 1=128 (iii, #1-125)
|Editor=
|Image Type=Normal Scan
|Scanner=University of North Carolina
|Uploader=[[User:Massenetique|Massenetique]]
|Date Submitted=2010/10/19
|Publisher Information=Paris: [[Durand]], 1913. Plate D. & Cie. 8920.
|Copyright=Public Domain
|Misc. Notes=Unenlarged scan of miniature score, resulting in small page size (4"x6")
}}
{{#fte:imslpfile
|File Name 1=PMLP14560-Ravel-DaphnisetChloeSte2FSmuz.pdf
|File Description 1=Complete score
|Page Count 1=160
|Editor=
|Image Type=Normal Scan
|Scanner=Tarakanov
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/5/10
|Publisher Information=Moscow: [[Muzyka]], 1991. Plate 14633.
|Copyright=Public Domain
|Misc. Notes=
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP80636-Ravel-DaphnisSte2.Piccolo1.pdf
|File Name 2=PMLP80636-Ravel-DaphnisSte2.Flute12.pdf
|File Name 3=PMLP80636-Ravel-DaphnisSte2.AltoFlute.pdf
|File Name 4=PMLP80636-Ravel-DaphnisSte2.Oboe.pdf
|File Name 5=PMLP80636-Ravel-DaphnisSte2.PiccClarEb.pdf
|File Name 6=PMLP80636-Ravel-DaphnisSte2.Clarinet.pdf
|File Name 7=PMLP80636-Ravel-DaphnisSte2.Bassoon.pdf
|File Name 8=PMLP80636-Ravel-DaphnisSte2.Horn.pdf
|File Name 9=PMLP80636-Ravel-DaphnisSte2.Trumpet.pdf
|File Name 10=PMLP80636-Ravel-DaphnisSte2.LowBrass.pdf
|File Name 12=PMLP80636-Ravel-DaphnisSte2.Harp.pdf
|File Name 13=PMLP80636-Ravel-DaphnisSte2.Celesta.pdf
|File Name 16=PMLP80636-Ravel-DaphnisSte2.Viola.pdf
|File Name 18=PMLP80636-Ravel-DaphnisSte2.Bass.pdf
|File Description 1=Piccolo 1, Piccolo sur la scène
|File Description 2=Flute 1/2 (2 doubles as Piccolo 2)
|File Description 3=Alto Flute
|File Description 4=Oboe 1/2, English Horn
|File Description 5=Piccolo Clarinet, Piccolo Clarinet sur la scène (E{{flat}})
|File Description 6=Clarinet 1/2 (A), Bass Clarinet (B{{flat}})
|File Description 7=Bassoon 1/2, 3, Contrabassoon
|File Description 8=Horn 1/2, 3/4 (F)
|File Description 9=Trumpet 1/2, 3/4 (C)
|File Description 10=Trombone 1/2, 3, Tuba
|File Description 12=Harp 1/2
|File Description 13=Celesta
|File Description 16=Violas
|File Description 18=Basses
|Page Count 1=6 (#2-7), 1
|Page Count 2=15
|Page Count 3=6 (#2-7)
|Page Count 4=12, 6
|Page Count 5=6 (#2-7), 1
|Page Count 6=14 (#2-15), 6 (#2-7)
|Page Count 7=10 (#2-11), 4 (#2-5), 4
|Page Count 8=9, 10 (#2-11)
|Page Count 9=7 (#2-8), 6
|Page Count 10=7, 4, 4
|Page Count 12=16 (#2-17)
|Page Count 13=4 (#2-5)
|Page Count 16=15
|Page Count 18=9 (#2-10)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2009/11/22
|Uploader 12=[[User:Ottaviano|Ottaviano]]
|Uploader 13=[[User:Ottaviano|Ottaviano]]
|Uploader 16=[[User:Ottaviano|Ottaviano]]
|Uploader 18=[[User:Ottaviano|Ottaviano]]
|Date Submitted 12=2009/11/22
|Date Submitted 13=2009/11/22
|Date Submitted 16=2009/11/22
|Date Submitted 18=2009/11/22
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1912.
|Reprint={{RpEFKbr|1988}}
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|File Name 11=PMLP14560-Ravel_Daphnis2_Perc.pdf
|File Description 11=Timpani, Bass Drum, Cymbals, Drum, Tambourine Snare Drum, Triangle, Glockenspiel, Castanets
|Page Count 11=3, 3, 5, 3, 4, 3, 3, 4, 3
|Uploader 11=[[User:Romanov76110|Romanov76110]]
|Date Submitted 11=2008/10/22
|File Name 17=PMLP14560-Ravel_Daphnis_et_Chloe,_Suite_No.2_cello.pdf
|File Description 17=Cellos
|Page Count 17=12
|Uploader 17=[[User:Generoso|Generoso]]
|Date Submitted 17=2009/2/7
|File Name 14=PMLP14560-Ravel-DaphnisChloeSte2.vn1.pdf
|File Name 15=PMLP14560-Ravel-DaphnisChloeSte2.vn2.pdf
|File Description 14=Violins I
|File Description 15=Violins II
|Page Count 14=17 (2-18)
|Page Count 15=18 (2-19)
|Uploader 14=[[User:Carolus|Carolus]]
|Date Submitted 14=2009/7/13
|Uploader 15=[[User:Carolus|Carolus]]
|Date Submitted 15=2009/7/13
}}
===Arrangements and Transcriptions===
=====For 2 Pianos (Garban)=====
{{#fte:imslpfile
|File Name 1=PMLP80636-Ravel_-_Daphnis_et_Chloé_-_Fragments_Symphoniques_(trans._Garban_-_piano_4_hands).pdf
|File Description 1=Complete Score
|Page Count 1=44
|Arranger={{LinkArr|Lucien|Garban}} (1877–1959)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2010/11/3
|Publisher Information=Paris: [[Durand & Cie]], 1919. Plate D. & F. 9678.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For 2 Pianos (Gryaznov)=====
{{#fte:imslpfile
|File Name 1=PMLP14560-Ravel_Daphnise_et_Chloe.pdf
|File Description 1=Complete score
|Page Count 1=54
|Arranger={{LinkArr|Vyacheslav|Gryaznov}}
|Image Type=Typeset
|Scanner=Sibelius 5
|Uploader=[[User:Kunstderfug|Vyacheslav Gryaznov]]
|Date Submitted=2009/7/19
|Publisher Information=Vyacheslav Gryaznov
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=High quality
}}

|NCRecordings=
*[http://www.peabody.jhu.edu/data/27/link/506/PSO042404-Ravel-Daphnis-Suite2.mp3 Peabody Symphony Orchestra / Hajime Teri Murai ♬]
| *****WORK INFO*****

|Work Title=Daphnis et Chloé Suite No.2
|Alternative Title=Fragments symphoniques II
|Opus/Catalogue Number=M.57b
|Number of Movements/Sections=3
|Dedication=
|Year/Date of Composition=1913
|Year of First Publication=
|Genre=Symphonic dance piece
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Orchestra
|Tags=ballets ; suites ; orch

| *****COMMENTS***** =

===Section Listing===
# ''Lever de jour''
# ''Pantomime''
# ''Danse générale''

===Version History===
* Compiled in 1913, based on Nos.10, 11 and 12 from the original ballet.

| *****END OF TEMPLATE***** }}

Daphnis et Chloé Suite No.2, M.57b (Ravel, Maurice)

2011-03-09T11:39:10Z

Goreld:

: ''For the complete ballet see [[Daphnis et Chloé (Ravel, Maurice)|Daphnis et Chloé]]''

{{#fte:imslppage

| *****AUDIO***** =

{{#fte:imslpaudio
|File Name 1=PMLP80636-Daphnis_and_Chloe_-_Ravel.mp3
|File Description 1=Complete Performance
|Audio Length 1=16:15
|Performers=The Scottish Sinfonia / Neil Mantle
|Performer Categories=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2010/8/30
|Publisher Information=[http://scottishsinfonia.org.uk/recordings.htm The Scottish Sinfonia]
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP80636-dso20101009-002-ravel-daphis-et-chloe-suite-no2.mp3
|File Description 1=Complete Performance
|Audio Length 1=15:58
|Performers=DuPage Symphony Orchestra / Barbara Schubert
|Performer Categories=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2011/2/2
|Publisher Information=DuPage, IL: DuPage Symphony Orchestra
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0
|Misc. Notes=From [http://www.archive.org/details/dso20101009 Internet Archive]. Performed 9 October 2010, Wentz Concert Hall, Naperville.
}}

| *****FILES***** =
===Full Scores===
{{#fte:imslpfile
|File Name 1=PMLP80636-Ravel_-_Daphnis_et_Chloe_Suite_2_FS.pdf
|File Description 1=Complete Score
|Page Count 1=128 (iii, #1-125)
|Editor=
|Image Type=Normal Scan
|Scanner=University of North Carolina
|Uploader=[[User:Massenetique|Massenetique]]
|Date Submitted=2010/10/19
|Publisher Information=Paris: [[Durand]], 1913. Plate D. & Cie. 8920.
|Copyright=Public Domain
|Misc. Notes=Unenlarged scan of miniature score, resulting in small page size (4"x6")
}}
{{#fte:imslpfile
|File Name 1=PMLP14560-Ravel-DaphnisetChloeSte2FSmuz.pdf
|File Description 1=Complete score
|Page Count 1=160
|Editor=
|Image Type=Normal Scan
|Scanner=Tarakanov
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/5/10
|Publisher Information=Moscow: [[Muzyka]], 1991. Plate 14633.
|Copyright=Public Domain
|Misc. Notes=
}}
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP80636-Ravel-DaphnisSte2.Piccolo1.pdf
|File Name 2=PMLP80636-Ravel-DaphnisSte2.Flute12.pdf
|File Name 3=PMLP80636-Ravel-DaphnisSte2.AltoFlute.pdf
|File Name 4=PMLP80636-Ravel-DaphnisSte2.Oboe.pdf
|File Name 5=PMLP80636-Ravel-DaphnisSte2.PiccClarEb.pdf
|File Name 6=PMLP80636-Ravel-DaphnisSte2.Clarinet.pdf
|File Name 7=PMLP80636-Ravel-DaphnisSte2.Bassoon.pdf
|File Name 8=PMLP80636-Ravel-DaphnisSte2.Horn.pdf
|File Name 9=PMLP80636-Ravel-DaphnisSte2.Trumpet.pdf
|File Name 10=PMLP80636-Ravel-DaphnisSte2.LowBrass.pdf
|File Name 12=PMLP80636-Ravel-DaphnisSte2.Harp.pdf
|File Name 13=PMLP80636-Ravel-DaphnisSte2.Celesta.pdf
|File Name 16=PMLP80636-Ravel-DaphnisSte2.Viola.pdf
|File Name 18=PMLP80636-Ravel-DaphnisSte2.Bass.pdf
|File Description 1=Piccolo 1, Piccolo sur la scène
|File Description 2=Flute 1/2 (2 doubles as Piccolo 2)
|File Description 3=Alto Flute
|File Description 4=Oboe 1/2, English Horn
|File Description 5=Piccolo Clarinet, Piccolo Clarinet sur la scène (E{{flat}})
|File Description 6=Clarinet 1/2 (A), Bass Clarinet (B{{flat}})
|File Description 7=Bassoon 1/2, 3, Contrabassoon
|File Description 8=Horn 1/2, 3/4 (F)
|File Description 9=Trumpet 1/2, 3/4 (C)
|File Description 10=Trombone 1/2, 3, Tuba
|File Description 12=Harp 1/2
|File Description 13=Celesta
|File Description 16=Violas
|File Description 18=Basses
|Page Count 1=6 (#2-7), 1
|Page Count 2=15
|Page Count 3=6 (#2-7)
|Page Count 4=12, 6
|Page Count 5=6 (#2-7), 1
|Page Count 6=14 (#2-15), 6 (#2-7)
|Page Count 7=10 (#2-11), 4 (#2-5), 4
|Page Count 8=9, 10 (#2-11)
|Page Count 9=7 (#2-8), 6
|Page Count 10=7, 4, 4
|Page Count 12=16 (#2-17)
|Page Count 13=4 (#2-5)
|Page Count 16=15
|Page Count 18=9 (#2-10)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2009/11/22
|Uploader 12=[[User:Ottaviano|Ottaviano]]
|Uploader 13=[[User:Ottaviano|Ottaviano]]
|Uploader 16=[[User:Ottaviano|Ottaviano]]
|Uploader 18=[[User:Ottaviano|Ottaviano]]
|Date Submitted 12=2009/11/22
|Date Submitted 13=2009/11/22
|Date Submitted 16=2009/11/22
|Date Submitted 18=2009/11/22
|Publisher Information=Paris: [[Durand|Durand & Cie.]], 1912.
|Reprint={{RpEFKbr|1988}}
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
|File Name 11=PMLP14560-Ravel_Daphnis2_Perc.pdf
|File Description 11=Timpani, Bass Drum, Cymbals, Drum, Tambourine Snare Drum, Triangle, Glockenspiel, Castanets
|Page Count 11=3, 3, 5, 3, 4, 3, 3, 4, 3
|Uploader 11=[[User:Romanov76110|Romanov76110]]
|Date Submitted 11=2008/10/22
|File Name 17=PMLP14560-Ravel_Daphnis_et_Chloe,_Suite_No.2_cello.pdf
|File Description 17=Cellos
|Page Count 17=12
|Uploader 17=[[User:Generoso|Generoso]]
|Date Submitted 17=2009/2/7
|File Name 14=PMLP14560-Ravel-DaphnisChloeSte2.vn1.pdf
|File Name 15=PMLP14560-Ravel-DaphnisChloeSte2.vn2.pdf
|File Description 14=Violins I
|File Description 15=Violins II
|Page Count 14=17 (2-18)
|Page Count 15=18 (2-19)
|Uploader 14=[[User:Carolus|Carolus]]
|Date Submitted 14=2009/7/13
|Uploader 15=[[User:Carolus|Carolus]]
|Date Submitted 15=2009/7/13
}}
===Arrangements and Transcriptions===
=====For 4 hands (Garban)=====
{{#fte:imslpfile
|File Name 1=PMLP80636-Ravel_-_Daphnis_et_Chloé_-_Fragments_Symphoniques_(trans._Garban_-_piano_4_hands).pdf
|File Description 1=Complete Score
|Page Count 1=44
|Arranger={{LinkArr|Lucien|Garban}} (1877–1959)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2010/11/3
|Publisher Information=Paris: [[Durand & Cie]], 1919. Plate D. & F. 9678.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For 2 Pianos (Gryaznov)=====
{{#fte:imslpfile
|File Name 1=PMLP14560-Ravel_Daphnise_et_Chloe.pdf
|File Description 1=Complete score
|Page Count 1=54
|Arranger={{LinkArr|Vyacheslav|Gryaznov}}
|Image Type=Typeset
|Scanner=Sibelius 5
|Uploader=[[User:Kunstderfug|Vyacheslav Gryaznov]]
|Date Submitted=2009/7/19
|Publisher Information=Vyacheslav Gryaznov
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=High quality
}}

|NCRecordings=
*[http://www.peabody.jhu.edu/data/27/link/506/PSO042404-Ravel-Daphnis-Suite2.mp3 Peabody Symphony Orchestra / Hajime Teri Murai ♬]
| *****WORK INFO*****

|Work Title=Daphnis et Chloé Suite No.2
|Alternative Title=Fragments symphoniques II
|Opus/Catalogue Number=M.57b
|Number of Movements/Sections=3
|Dedication=
|Year/Date of Composition=1913
|Year of First Publication=
|Genre=Symphonic dance piece
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Orchestra
|Tags=ballets ; suites ; orch

| *****COMMENTS***** =

===Section Listing===
# ''Lever de jour''
# ''Pantomime''
# ''Danse générale''

===Version History===
* Compiled in 1913, based on Nos.10, 11 and 12 from the original ballet.

| *****END OF TEMPLATE***** }}