IMSLP - User contributions [en]

File:PMLP126430-VivaldiLaFoliaVlnII.pdf

2026-01-11T19:17:23Z

Grimbald: uploaded a new version of "File:PMLP126430-VivaldiLaFoliaVlnII.pdf": Corrected typos and bar numbers

Trio Sonata in D minor, RV 63 (Vivaldi, Antonio)

2026-01-09T22:30:32Z

Grimbald: Added 1 files to Trio Sonata in D minor, RV 63 (Vivaldi, Antonio)

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP126430-vivaldi_rv63_Gardner.mp3
|File Description 1=Complete Recording
|Performers={{GardnerPerf|Bella Hristova (violin)}} ; {{GardnerPerf|Lily Francis (violin)}} ; {{GardnerPerf|Andreas Brantelid (gamba)}}
|Performer Categories=Gibbons, John=harpsichord
|Uploader=[[User:Schissel|Schissel]]
|Date Submitted=2014/4/24
|Publisher Information={{GardnerMus}}
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0
|Misc. Notes=
}}

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP126430-Trio_Sonata_In_D_Minor_Movement_One_of_Three_RV_63_Antonio_Vivaldi_1705.mid
|File Name 2=PMLP126430-Trio_Sonata_In_D_Minor_Movement_Two_of_Three_RV_63_Antonio_Vivaldi_1705.mid
|File Name 3=PMLP126430-Trio_Sonata_In_D_Minor_Movement_Three_of_Three_RV_63_Antonio_Vivaldi_1705.mid
|File Description 1=1. Adagio - Andante - Allegro
|File Description 2=2. [no tempo indication]
|File Description 3=3. Adagio - Allegro
|Audio Length 1=
|Audio Length 2=
|Audio Length 3=
|Performers=Dillon Upton
|Performer Categories=
|Uploader=[[User:DillonUpton1992|DillonUpton1992]]
|Date Submitted=2016/11/27
|Publisher Information=Dillon Upton
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For 2 Violins and Cello (Fryer)=====
{{#fte:imslpaudio
|File Name 1=PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vl_clo.mp3
|File Description 1=Synthesized Performance
|Performers=Finale
|Performer Categories=
|Uploader=[[User:Vevace|Vevace]]
|Date Submitted=2023/11/12
|Publisher Information=S. Fryer, 2023.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vl_clo-2497.png
|Misc. Notes=sheet music found below
}}

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi-LaFolia-Vn1.pdf
|File Name 2=PMLP126430-Vivaldi-LaFolia-Vn2.pdf
|File Name 3=PMLP126430-Vivaldi-LaFolia-Vc.pdf
|File Description 1=Violin 1
|File Description 2=Violin 2
|File Description 3=Cello
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner=NTB
|Uploader=[[User:Newtrinitybaroque|NTB]]
|Date Submitted=2011/9/8
|Publisher Information={{NoCompS|12 Trio Sonatas, Op.1|Vivaldi, Antonio|''Suonate da camera a tre, Op.1'' (No.12)}} {{P|Estienne Roger|Estienne Roger Marchand Libraire|Amsterdam|n.d.[1715]|1715||}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP126430-follia_score.pdf
|File Description 1=Complete Score
|File Name 2=PMLP126430-follia_vn1.pdf
|File Name 3=PMLP126430-follia_vn2.pdf
|File Name 4=PMLP126430-follia_bc.pdf
|File Description 2=Violin 1
|File Description 3=Violin 2
|File Description 4=Continuo
|Editor={{LinkEd|Louise|Cawte}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Louise Cawte|Louise Cawte]]
|Date Submitted=2013/5/12
|Publisher Information=Louise Cawte
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP126430-A_Bornstein_Vivaldi_Rv63_score.pdf
|File Name 2=PMLP126430-A_Bornstein_Vivaldi_Rv63_vn1.pdf
|File Name 3=PMLP126430-A_Bornstein_Vivaldi_Rv63_vn2.pdf
|File Name 4=PMLP126430-A_Bornstein_Vivaldi_Rv63_vc.pdf
|File Description 1=Complete Score
|File Description 2=Violin 1
|File Description 3=Violin 2
|File Description 4=Cello
|Editor={{LinkEd|Andrea|Bornstein}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Gardane|Gardane]]
|Date Submitted=2017/3/21
|Publisher Information=Andrea Bornstein
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP126430-VivaldiLaFoliaVlnII.pdf
|File Description 1=Violino Secondo
|Page Count 1=3
|Editor={{LinkEd|Grimbald}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Grimbald|Grimbald]]
|Date Submitted=2026/1/9
|Publisher Information= Grimbald
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=Layout facilitating page turning
}}

===Arrangements and Transcriptions===
=====For Strings and Continuo (Kompy)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-vivaldi_folia_abc_quartett_score.pdf
|File Name 2=PMLP126430-vivaldi_folia_abc_cont_score.pdf
|File Name 3=PMLP126430-vivaldi_folia_abc_vl1.pdf
|File Name 4=PMLP126430-vivaldi_folia_abc_vl2.pdf
|File Name 5=PMLP126430-vivaldi_folia_abc_vl3.pdf
|File Name 6=PMLP126430-vivaldi_folia_abc_va.pdf
|File Name 7=PMLP126430-vivaldi_folia_abc_vc.pdf
|File Name 8=PMLP126430-vivaldi_folia_abc_cb.pdf
|File Name 9=PMLP126430-vivaldi_folia_abc_cemb.pdf
|File Description 1=Complete Score (unrealized continuo)
|File Description 2=Complete Score (with realized continuo)
|File Description 3=Violins I
|File Description 4=Violins II
|File Description 5=Violins III (= Violas)
|File Description 6=Violas
|File Description 7=Cellos
|File Description 8=Double Basses
|File Description 9=Harpsichord or Organ
|Arranger={{LinkArr|Kompy}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Kompy|kompy]]
|Date Submitted=2013/2/6
|Publisher Information=Kompy
|Copyright=Creative Commons Attribution-ShareAlike 3.0
|Misc. Notes=Added optional Viola and Double Bass part, without these, it's the original instrumentation
}}
=====For 4 Guitars (Höger)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-4Git.pdf
|File Name 2=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-4Git_-_Git._1.pdf
|File Name 3=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-4Git_-_Git._2.pdf
|File Name 4=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-4Git_-_Git._3.pdf
|File Name 5=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-4Git_-_Git._4.pdf
|File Description 1=Complete score
|File Description 2=Guitar 1
|File Description 3=Guitar 2
|File Description 4=Guitar 3
|File Description 5=Guitar 4
|Editor=Anton Höger
|Image Type=Typeset
|Scanner=Anton Höger
|Uploader=[[User:Hoeger|Hoeger]]
|Date Submitted=2013/5/28
|Publisher Information=Anton Höger
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=If performed I would look forward about a small reference to my efforts.
}}
=====For 3 Cellos (Mandozzi)=====
{{#fte:imslpfile
|File Name 1=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Score.pdf
|File Name 2=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Cello1.pdf
|File Name 3=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Cello2.pdf
|File Name 4=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Cello3.pdf
|File Name 5=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Small_layout_Cello1.pdf
|File Name 6=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Small_layout_Cello2.pdf
|File Name 7=PMLP10351-Vivaldi_-_Sonata_Follia_3celli_mandozzi_Small_layout_Cello3.pdf
|File Name 8=PMLP126430-Vivaldi_-_Sonata_Follia_3celli_mandozzi.xml.zip
|File Description 1=Complete Score
|File Description 2=Cello 1 Part
|File Description 3=Cello 2 Part
|File Description 4=Cello 3 Part
|File Description 5=Cello 1 Part less page turns
|File Description 6=Cello 2 Part less page turns
|File Description 7=Cello 3 Part less page turns
|File Description 8=Engraving Files (xml from Sibelius 7)
|Arranger={{LinkArr|Orfeo|Mandozzi}}
|Editor=Orfeo Mandozzi
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Cellofan|Cellofan]]
|Date Submitted=2013/9/18
|Date Submitted 8=2013/9/20
|Publisher Information=Winterthur: Orfeo Mandozzi
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For 3 Cellos (Wachter)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi_-_Folia_XII_4_Cellos.pdf
|File Description 1=Complete Score
|Arranger=Wilfried Wachter
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Danilochaib|Danilochaib]]
|Date Submitted=2017/7/26
|Publisher Information=Wilfried Wachter, 2016.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=
}}
=====For 3 Guitars (Höger)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi,_Antonio_-_La_Folia.pdf
|File Name 2=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-_Git._1.pdf
|File Name 3=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-_Git._2.pdf
|File Name 4=PMLP126430-Vivaldi,_Antonio_-_La_Folia_-_Git._3_6=D.pdf
|File Description 1=Complete score
|File Description 2=Guitar 1
|File Description 3=Guitar 2
|File Description 4=Guitar 3
|Arranger={{LinkArr|Anton|Höger}}
|Image Type=Typeset
|Scanner=Anton Höger
|Uploader=[[User:Hoeger|Hoeger]]
|Date Submitted=2013/5/27
|Publisher Information=Anton Höger
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=If performed I would look forward about a small reference to my efforts.
}}
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP1140314-La_Follia_Opus_1_-_Score_(etc).pdf
|File Name 2=PMLP1140314-La_Follia_Opus_1_-_Horn_F_(etc).pdf
|File Name 3=PMLP1140314-La_Follia_Opus_1_-_trp._Bb_(etc).pdf
|File Name 4=PMLP1140314-La_Follia_Opus_1_-_Euphonium_(etc).pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/7/10
|Publisher Information=Hans Jorgen Messerschmidt, 2018.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For 2 Violins and Cello (Fryer)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vl_clo_-_Violin_1_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Stephen|Fryer||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Vevace|Vevace]]
|Date Submitted=2023/11/12
|Publisher Information=Stephen Fryer, 2023.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vl_clo_-_Violin_1_(etc)-7636.png
|Misc. Notes=created from parts found on this site
}}
=====For Violin, Viola and Cello (Fryer)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vla_clo_-_Violin_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Stephen|Fryer||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Vevace|Vevace]]
|Date Submitted=2023/11/12
|Publisher Information=Stephen Fryer, 2023.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vla_clo_-_Violin_(etc)-4607.png
|Misc. Notes=created from parts found on this site
}}
=====For 2 Violins and Viola (Fryer)=====
{{#fte:imslpfile
|File Name 1=PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vl_vla_-_Violin_1_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Stephen|Fryer||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Vevace|Vevace]]
|Date Submitted=2023/11/12
|Publisher Information=Stephen Fryer, 2023.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP126430-Vivaldi_Trio_Sonata_No_12_vl_vl_vla_-_Violin_1_(etc)-5129.png
|Misc. Notes=created from parts found on this site
}}

| *****WORK INFO*****

|Work Title=Trio Sonata in D minor
|Alternative Title=
|Opus/Catalogue Number=RV 63 ; Op.1 No.12
|Movements Header=3 connected movements
|Number of Movements/Sections=3 connected movements in several sections:
#Adagio - Andante - Allegro - ''(volti)''
#[no tempo indication] - Adagio - Vivace - Allegro - Larg[h]etto - Allegro - ''(volti)''
#Adagio - Allegro
|Dedication=
|Key={{key|d}}
|Year/Date of Composition=
|Year of First Publication=1705 in {{LinkWork|12 Trio Sonatas, Op.1||Vivaldi|Antonio|0}} (No.12)
|Related Works={{Folia}}
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 violins, continuo
|Tags=sonatas ; 2vn bc

| *****COMMENTS***** =

{{Template:Trio Sonatas (Vivaldi, Antonio)}}
| *****END OF TEMPLATE***** }}

File:PMLP126430-VivaldiLaFoliaVlnII.pdf

2026-01-09T22:25:04Z

Grimbald:

IMSLP:Abbreviations for Instruments

2025-11-05T14:22:01Z

Grimbald:

The following abbreviations for instruments and voice ranges may be used in work lists, and is not intended to be a comprehensive list of musical instruments.

The abbreviations should be used in the following order:
* ''Voices'': solo voices first, then choruses
* ''Solo Instruments'': woodwinds, brass, percussion, strings, keyboard
* ''Ensembles'': woodwinds, brass, percussion, strings, orchestra, continuo
Within each group instruments are generally given in score order (see [[IMSLP:Tagging#Abbreviations for instruments]] for specific details).

The symbols ( ) + and / are used to indicate optional or alternative instrumentation, in the following manner:

;Examples
* '''fl vn pf''' = for flute, violin and piano (3 instruments)
* '''fl/vn pf''' = for either a flute ''or'' a violin, accompanied by a piano (2 instruments)
* '''fl/vn/pf''' = for a solo flute, ''or'' a solo violin, ''or'' a solo piano (1 instrument)
* '''fl vn (pf)''' = for a flute and violin playing together, with the optional (''ad lib.'') accompaniment of a piano (2 or 3 instruments)
* '''fl (vn/pf)''' = for a solo flute, with the optional (''ad lib.'') accompaniment of either a violin ''or'' a piano (1 or 2 instruments)
* '''(fl vn)/pf''' = for either just a flute and a violin playing together without any accompaniment, or a solo piano (1 or 2 instruments)
* '''fl vn (pf?)''' = for a flute and violin playing together, with a piano part which is lost or of doubtful authenticity.

Square brackets can be used to include more details:
* '''fch[SSA]''' = for 3-part female chorus consisting of 2 soprano sections and an alto section
* '''str[2.0.1.1]''' = a string ensemble consisting of 2 violin sections, a cello section and a bass section (no violas)
* '''2cl[E{{flat}}]''' = two E{{flat}} clarinets.

----
{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA"
! width="10%"|Abbreviation
! width="18%"|English
! width="18%"|French
! width="18%"|German
! width="18%"|Italian
! width="18%"|Spanish
|-
|bgcolor="#CCFFCC"|'''acc'''
| Accordion
| Accordéon
| Akkordeon (Ziehharmonika)
| Fisarmonica
| Acordeón
|-
|bgcolor="#CCFFCC"|'''afl'''
| Alto flute
| Flûte alto (Flûte en sol)
| Altflöte (Altquerflöte in G)
| Flauto contralto
| Flauta alto (Flauta en sol)
|-
|bgcolor="#CCFFCC"|'''alt'''
| Alto (voice) (contralto)
| Alto (Contralto)
| Alt
| Contralto
| Contralto
|-
|bgcolor="#CCFFCC"|'''arp'''
| Arpeggione
| Arpeggione
| Arpeggione
| Arpeggione
| Arpeggione
|-
|bgcolor="#CCFFCC"|'''bag'''
| Bagpipe
| Cornemuse (Biniou)
| Dudelsack (Sackpfeife)
| Cornamusa (Zampogna)
| Gaita
|-
|bgcolor="#CCFFCC"|'''bar'''
| Baritone (voice)
| Baryton (Bariton)
| Bariton
| Baritono
| Barítono
|-
|bgcolor="#CCFFCC"|'''bass'''
| Bass (voice)
| Basse
| Bass
| Basso
| Bajo
|-
|bgcolor="#CCFFCC"|'''bbar'''
| Bass baritone (voice)
| Basse-bayiton (Basse-bariton)
| Bassbariton
| Basso-baritono
| Bajo-barítono
|-
|bgcolor="#CCFFCC"|'''bc'''
| Continuo (Basso continuo)
| Basse continue
| Generalbass
| Basso continuo
| Bajo continuo
|-
|bgcolor="#CCFFCC"|'''bcl'''
| Bass clarinet
| Clarinette basse
| Bassklarinette
| Clarinetto basso
| Clarinete bajo
|-
|bgcolor="#CCFFCC"|'''bell'''
| Bell (Chimes)
| Cloches
| Glocken
| Campane
| Campanas
|-
|bgcolor="#CCFFCC"|'''bfl'''
| Bass flute
| Flûte basse
| Bassflöte (Bassquerflöte in C)
| Flauto basso
| Flauta baja
|-
|bgcolor="#CCFFCC"|'''bgtr'''
| Bass guitar
| Guitare basse
| E-Bass
| Basso eletrrico
| Bajo elétrico
|-
|bgcolor="#CCFFCC"|'''bjo'''
| Banjo
| Banjo
| Banjo
| Banjo
| Banjo
|-
|bgcolor="#CCFFCC"|'''bn'''
| Bassoon
| Basson
| Fagott
| Fagotto
| Fagot
|-
|bgcolor="#CCFFCC"|'''bob'''
| Bass oboe (Baritone oboe)
| Hautbois baryton
| Baritonoboe
| Oboe baritono
| Oboe bajo
|-
|bgcolor="#CCFFCC"|'''br'''
| Brass instruments
| instruments à vent de cuivres
| Blechblasinstrumente
| Strumento a fiato di ottone
| Instrumentos de viento-metal
|-
|bgcolor="#CCFFCC"|'''bryt'''
| Baryton
| Baryton (Bariton)
| Bariton
| Baritono
| Barítono
|-
|bgcolor="#CCFFCC"|'''bstcl'''
| Basset clarinet
| Clarinette de basset
| Bassettklarinette
| Clarinetto di bassetto
| Clarinete basset
|-
|bgcolor="#CCFFCC"|'''bsthn'''
| Basset horn
| Cor de basset
| Bassetthorn
| Corno di bassetto
| Cuerno basset (Trompa de basset)
|-
|bgcolor="#CCFFCC"|'''bug'''
| Bugle
| Clairon
| Signalhorn
| Corna de segnale
| Corneta
|-
|bgcolor="#CCFFCC"|'''cbcl'''
| Contrabass clarinet
| Clarinette contrabasse
| Kontrabassklarinette
| Clarinetto contrabbasso
| Clarinete contrabajo
|-
|bgcolor="#CCFFCC"|'''cbn'''
| Contrabassoon
| Contrebasson
| Kontrafagott
| Contrafagotto
| Contrafagot
|-
|bgcolor="#CCFFCC"|'''cch'''
| Children's chorus
| Choeur d'enfants
| Kinderchor
| Coro di fanciulli
| Coro infantil (Coro de niños)
|-
|bgcolor="#CCFFCC"|'''cel'''
| Celesta
| Célesta
| Celesta
| Celesta
| Celesta
|-
|bgcolor="#CCFFCC"|'''ch'''
| Mixed chorus
| Choeur mixtes
| gemischter Chor
| Coro miste
| Coro mixto
|-
|bgcolor="#CCFFCC"|'''cimb'''
| Cimbalom
| Cymbalum
| Zimbal
| Cimbalom
| Címbalo
|-
|bgcolor="#CCFFCC"|'''cit'''
| Cittern
| Cistre
| Cister (Cyther)
| Cetra (Cetara)
| Kithara (Cítara)
|-
|bgcolor="#CCFFCC"|'''cl'''
| Clarinet
| Clarinette
| Klarinette
| Clarinetto
| Clarinete
|-
|bgcolor="#CCFFCC"|'''clvd'''
| Clavichord
| Clavicorde
| Klavichord
| Clavicordo
| Clavicordio
|-
|bgcolor="#CCFFCC"|'''cm'''
| Chalumeau
| Chalumeau
| Chalumeau
| Salmoè
| Salmoé
|-
|bgcolor="#CCFFCC"|'''conc'''
| Concertina
| Concertina
| Konzertina
| Concertina
| Concertina
|-
|bgcolor="#CCFFCC"|'''crh'''
| Crumhorn
| Cromorne
| Krummhorn
| Cromorno
| Cromorno
|-
|bgcolor="#CCFFCC"|'''crt'''
| Cornet
| Cornet (à pistons)
| Kornett (Ventilkornett)
| Cornetta (a pistoni)
| Cornetín (de pistones)
|-
|bgcolor="#CCFFCC"|'''crtt'''
| Cornett (Zink)
| Cornet-à-bouquin
| Zink
| Cornetto
| Corneta
|-
|bgcolor="#CCFFCC"|'''ct'''
| Counter-Tenor
| Contre-Tenor
| Countertenor
| Controtenore
| Contratenor
|-
|bgcolor="#CCFFCC"|'''cv'''
| Child's voice
| Voix d'enfants
| Kinderstimme(n)
| Voce di fanciullo
| Voz de niño (Voz de infanto)
|-
|bgcolor="#CCFFCC"|'''db'''
| Double Bass
| Contrebasse
| Kontrabass
| Contrabasso
| Contrabajo
|-
|bgcolor="#CCFFCC"|'''dlcn'''
| Dulcian
| Douçaine
| Dulzian
| Dulciana
| Bajón (Dulcián)
|-
|bgcolor="#CCFFCC"|'''dom'''
| Domra
| Domra
| Domra
| Domra
| Domra
|-
|bgcolor="#CCFFCC"|'''dulc'''
| Dulcimer
| Psaltérion (Tympanon)
| Hackbrett
| Salterio
| Salterio (Tímpano)
|-
|bgcolor="#CCFFCC"|'''egtr'''
| Electric guitar
| Guitarre électrique
| Elektrische Gitarre
| Chitarra elettrica
| Guitarra eléctrica
|-
|bgcolor="#CCFFCC"|'''eh'''
| English horn (Cor anglais)
| Cor anglais
| Englischhorn
| Corno inglese
| Corno inglés
|-
|bgcolor="#CCFFCC"|'''elec'''
| Electronic Instruments
| Instrument électronique
| Elektronische(s) Instrument(e)
| Strumento elettrica
| Instrumentos eléctricos
|-
|bgcolor="#CCFFCC"|'''epf'''
| Electric piano
| Piano électronique
| Elektronisches Piano
| Pianoforte elettrico
| Piano eléctrico
|-
|bgcolor="#CCFFCC"|'''eq'''
| Equal voices
| Voix égales
| gleiche Stimmen
| Voci pari
| Voces iguales
|-
|bgcolor="#CCFFCC"|'''erhu'''
| Erhu
| Erhu
| Erhu
| Erhu
| Erhu
|-
|bgcolor="#CCFFCC"|'''euph'''
| Euphonium
| Euphonium
| Euphonium
| Eufonio
| Bombardino
|-
|bgcolor="#CCFFCC"|'''fch'''
| Female chorus
| Choeur de femmes
| Frauenchor
| Coro femminile
| Coro femenino (Coro de mujeres)
|-
|bgcolor="#CCFFCC"|'''fda'''
| Flute d'amore (Tenor flute)
| Flûte ténor
| Tenorflöte
| Flauto tenor
| Flauta tenor
|-
|bgcolor="#CCFFCC"|'''fgh'''
| Flugelhorn
| Bugle (Grand bugle)
| Flügelhorn
| Flicorno soprano
| Fliscorno
|-
|bgcolor="#CCFFCC"|'''fife'''
| Fife
| Fifre
| Querpfeife (Militärflöte)
| Fiffaro
| Pífano
|-
|bgcolor="#CCFFCC"|'''fl'''
| Flute
| Flûte
| Flöte
| Flauto
| Flauta
|-
|bgcolor="#CCFFCC"|'''flag'''
| Flageolet
| Flageolet
| Flageolett
| Flagioletto
| Flageolet (Flajeolet)
|-
|bgcolor="#CCFFCC"|'''ghca'''
| Glass harmonica (Bowl organ)
| Harmonica de verre (Coupes de verre)
| Glasharmonika (Gläserspiel)
| Glassarmonica (Bicchieri de vetro)
| Armónica de cristal
|-
|bgcolor="#CCFFCC"|'''gl'''
| Glockenspiel
| Jeu de timbres
| Glockenspiel
| Campanelli (Metallofono)
| Juego de campanas (Lira)
|-
|bgcolor="#CCFFCC"|'''gtr'''
| Guitar
| Guitare
| Gitarre
| Chitarra
| Guitarra
|-
|bgcolor="#CCFFCC"|'''harm'''
| Harmonium
| Harmonium
| Harmonium
| Armonium
| Armonium
|-
|bgcolor="#CCFFCC"|'''hca'''
| Harmonica (Mouth Organ)
| Harmonica
| Mundharmonika
| Armonica a bocco
| Armónica de boca
|-
|bgcolor="#CCFFCC"|'''heck'''
| Heckelphone
| Heckelphone
| Heckelphon
| Heckelfono
| Heckelfón
|-
|bgcolor="#CCFFCC"|'''hn'''
| Horn (French horn)
| Cor
| Horn
| Corno
| Trompa (Corno francés)
|-
|bgcolor="#CCFFCC"|'''hp'''
| Harp
| Harpe
| Harfe
| Arpa
| Arpa
|-
|bgcolor="#CCFFCC"|'''hpd'''
| Harpsichord
| Clavecin
| Cembalo (Clavicembalo)
| Cembalo (Clavicembalo)
| Clavicémbalo
|-
|bgcolor="#CCFFCC"|'''kbd'''
| Keyboard instrument
| Instrument à clavier
| Tasteninstrument
| Strumento a tastiera
| Instrumento de tecla
|-
|bgcolor="#CCFFCC"|'''lute'''
| Lute
| Luth
| Laute
| Liuto
| Laúd
|-
|bgcolor="#CCFFCC"|'''lyre'''
| Lyre
| Lyre
| Lyra
| Lira
| Lira
|-
|bgcolor="#CCFFCC"|'''mand'''
| Mandolin
| Mandoline
| Mandoline
| Mandolino
| Mandolina (Mandolín)
|-
|bgcolor="#CCFFCC"|'''mar'''
| Marimba
| Marimba
| Marimbaphon
| Marimba
| Marimba
|-
|bgcolor="#CCFFCC"|'''mch'''
| Male chorus
| Choeur d'homme
| Männerchor
| Coro maschile
| Coro masculino (Coro de hombres)
|-
|bgcolor="#CCFFCC"|'''mez'''
| Mezzo-soprano
| Messo-soprano
| Mezzosopran
| Mezzosoprano
| Mesosoprano (Mezzosoprano)
|-
|bgcolor="#CCFFCC"|'''mus'''
| Musette
| Musette
| Musette de Cour
| Musette de cour
| Musette
|-
|bgcolor="#CCFFCC"|'''nar'''
| Narrator (Reciter)
| Narrateur
| Erzähler
| Narratore
| Narrador
|-
|bgcolor="#CCFFCC"|'''ob'''
| Oboe
| Hautbois
| Oboe (Hoboe)
| Oboe
| Oboe
|-
|bgcolor="#CCFFCC"|'''oca'''
| Ocarina
| Ocarina
| Okarina
| Ocarina
| Ocarina
|-
|bgcolor="#CCFFCC"|'''oda'''
| Oboe d'amore
| Hautbois d'amour
| Oboe d'amore
| Oboe d'amore
| Oboe de amor
|-
|bgcolor="#CCFFCC"|'''om'''
| Ondes Martenot
| Ondes Martenot
| Ondes Martenot
| Onde Martenot
| Ondas Martenot
|-
|bgcolor="#CCFFCC"|'''oph'''
| Ophicleide
| Ophicléide
| Ophikleide
| Ophicleide
| Oficleido
|-
|bgcolor="#CCFFCC"|'''orch'''
| Orchestra
| Orchestre
| Orchester
| Orchestra
| Orquesta
|-
|bgcolor="#CCFFCC"|'''org'''
| Organ
| Orgue
| Orgel
| Organo
| Órgano
|-
|bgcolor="#CCFFCC"|'''oud'''
| Oud
| Oud
| Oud
| Oud
| Laúd árabe
|-
|bgcolor="#CCFFCC"|'''pan'''
| Pan flute (Pan-pipes)
| Flûte de Pan (Syrinx)
| Panflöte (Hirtenflöte)
| Flauto di Pan (Siringa)
| Flauta de Pan (Zampoñas)
|-
|bgcolor="#CCFFCC"|'''perc'''
| Percussion
| instruments à percussion
| Schlaginstrument (Schlagzeug)
| Strumento a percussione
| Percusión
|-
|bgcolor="#CCFFCC"|'''pf'''
| Piano
| Piano
| Klavier
| Pianoforte
| Piano
|-
|bgcolor="#CCFFCC"|'''pf3h'''
| Piano 3 hands
| Piano à 3 mains
| Klavier zu 3 Händen
| Pianoforte 3 mani
| Piano a 3 manos
|-
|bgcolor="#CCFFCC"|'''pf4h'''
| Piano 4 hands
| Piano à 4 mains
| Klavier zu 4 Händen
| Pianoforte 4 mani
| Piano a 4 manos
|-
|bgcolor="#CCFFCC"|'''pf5h'''
| Piano 5 hands
| Piano à 5 mains
| Klavier zu 5 Händen
| Pianoforte 5 mani
| Piano a 5 manos
|-
|bgcolor="#CCFFCC"|'''pf6h'''
| Piano 6 hands
| Piano à 6 mains
| Klavier zu 6 Händen
| Pianoforte 6 mani
| Piano a 6 manos
|-
|bgcolor="#CCFFCC"|'''pflh'''
| Piano left hand
| Piano à main gauche
| Klavier linkshändig
| Piano di sinistra
| Piano mano izquierda
|-
|bgcolor="#CCFFCC"|'''pfped'''
| Pedal piano
| Piano à pédalier (Clavier de pédales)
| Pedalflügel (Pedalklavier)
| Pianoforte organistico
| Piano con pedales
|-
|bgcolor="#CCFFCC"|'''pfrh'''
| Piano right hand
| Piano à main droite
| Klavier rechtshändig
| Piano di destra
| Piano mano derecha
|-
|bgcolor="#CCFFCC"|'''picc'''
| Piccolo
| Petite flûte
| Kleine Flöte (Piccoloflöte)
| Flauto piccolo (Ottavino)
| Flautín (Píccolo)
|-
|bgcolor="#CCFFCC"|'''pipa'''
| Pipa
| Pipa
| Pipa
| Pipa
| Pipa
|-
|bgcolor="#CCFFCC"|'''pk'''
| Timpani
| Timbales
| Pauken
| Timpani
| Timbales
|-
|bgcolor="#CCFFCC"|'''ptpt'''
| Piccolo trumpet
| Petite trompette
| Piccolotrompete
| Trombino
| Trompeta píccolo
|-
|bgcolor="#CCFFCC"|'''reb'''
| Rebec
| Rebecq (Rebecquet)
| Rebec
| Rebeca (Ribeca)
| Rabé (Rebequín)
|-
|bgcolor="#CCFFCC"|'''rec'''
| Recorder
| Flûte à bec (Flûte douce)
| Blockflöte
| Flauto dolce (Flauto a becco)
| Flauta de pico (Flauta dulce)
|-
|bgcolor="#CCFFCC"|'''sar'''
| Sarrusophone
| Sarrusophone
| Sarrusophon
| Sarrusofono
| Sarrusofón
|-
|bgcolor="#CCFFCC"|'''sax'''
| Saxophone
| Saxophone
| Saxophon
| Sassofono (Saxofono)
| Saxofón
|-
|bgcolor="#CCFFCC"|'''sheng'''
| Sheng
| Sheng
| Sheng
| Sheng
| Sheng
|-
|bgcolor="#CCFFCC"|'''shw'''
| Shawm
| Chalemie
| Schalmei
| Ciaramella (Piffaro)
| Chirimía (Xirimía)
|-
|bgcolor="#CCFFCC"|'''sit'''
| Sitar
| Sitar
| Sitar
| Sitar
| Sitar
|-
|bgcolor="#CCFFCC"|'''skbt'''
| Sackbut
| Sacqueboute
| Sackbutt
| Sackbut
| Sacabuche
|-
|bgcolor="#CCFFCC"|'''sop'''
| Soprano (voice)
| Soprano
| Sopran
| Soprano
| Soprano
|-
|bgcolor="#CCFFCC"|'''srp'''
| Serpent
| Serpent
| Serpent
| Serpentone
| Serpentón
|-
|bgcolor="#CCFFCC"|'''stpt'''
| Slide trumpet
| Trompette à couluisse
| Zugtrompete
| Tromba a tirarsi
| Trompeta de varas
|-
|bgcolor="#CCFFCC"|'''str'''
| String instruments
| Cordes
| Streicher
| Archi
| Instrumentos de cuerda
|-
|bgcolor="#CCFFCC"|'''sxh'''
| Saxhorn
| Saxhorn
| Bügelhorn
| Flicorni
| Saxhorno
|-
|bgcolor="#CCFFCC"|'''syn'''
| Synthesizer
| Synthétiseur
| Synthesizer
| Sintetizzatore
| Sintetizador
|-
|bgcolor="#CCFFCC"|'''tba'''
| Tuba
| Tuba
| Tuba
| Tuba
| Tuba
|-
|bgcolor="#CCFFCC"|'''tbn'''
| Trombone
| Trombone
| Posaune
| Trombone
| Trombón
|-
|bgcolor="#CCFFCC"|'''ten'''
| Tenor
| Ténor
| Tenor
| Tenore
| Tenor
|-
|bgcolor="#CCFFCC"|'''thrm'''
| Theremin
| Thérémine
| Theremin
| Theremin
| Theremín
|-
|bgcolor="#CCFFCC"|'''timp'''
| Timpani
| Timbales
| Pauken
| Timpani
| Timbales
|-
|bgcolor="#CCFFCC"|'''tpt'''
| Trumpet
| Trompette
| Trompete
| Tromba (Clarino)
| Trompeta
|-
|bgcolor="#CCFFCC"|'''uch'''
| Unison chorus
| Choeur unisson
| Unisonochor
| Coro unisono
| Coro unísono
|-
|bgcolor="#CCFFCC"|'''uke'''
| Ukelele (Ukulele)
| Ukulélé
| Ukelele
| Ukelele
| Ukelele
|-
|bgcolor="#CCFFCC"|'''v'''
| Voice (solo)
| Voix
| Stimme
| Voce
| Voz
|-
|bgcolor="#CCFFCC"|'''va'''
| Viola
| Alto
| Bratsche
| Viola
| Viola
|-
|bgcolor="#CCFFCC"|'''vap'''
| Viola pomposa
| Viola pomposa
| Viola pomposa
| Viola pomposa
| Viola pomposa
|-
|bgcolor="#CCFFCC"|'''vc'''
| Cello
| Violoncelle
| Violoncello
| Violoncello
| Violonchelo (Violoncello)
|-
|bgcolor="#CCFFCC"|'''vda'''
| Viola d'amore
| Viole d'amour
| Viola d'amore (Liebesgeige)
| Viola d'amore
| Viola de amor
|-
|bgcolor="#CCFFCC"|'''vib'''
| Vibraphone
| Vibraphone
| Vibraphon
| Vibrafono
| Vibráfono
|-
|bgcolor="#CCFFCC"|'''vie'''
| Vielle (Hurdy-Gurdy)
| Vielle à roue (Chifonie)
| Leier (Drehleier)
| Lyra tedesca (Ghironda)
| Viola de rueda (Zanfona)
|-
|bgcolor="#CCFFCC"|'''viol'''
| Viol (Viola da gamba)
| Gambe (Viola da gamba)
| Gambe
| Gamba (Viola da gamba)
| Viola de gamba
|-
|bgcolor="#CCFFCC"|'''vlne'''
| Violone
| Violone
| Violone
| Violone
| Violone
|-
|bgcolor="#CCFFCC"|'''vn'''
| Violin
| Violon
| Violine (Geige)
| Violino
| Violín
|-
|bgcolor="#CCFFCC"|'''vuv'''
| Vuvuzela
| Vuvuzela
| Vuvuzela
| Vuvuzela
| Vuvuzela
|-
|bgcolor="#CCFFCC"|'''vv '''
| Voices (multiple soloists)
| Voix
| Stimmen
| Voci
| Voces
|-
|bgcolor="#CCFFCC"|'''wag'''
| Wagner tuba
| Tuba wagnérien
| Wagnertuba
| Tuba di Wagner
| Tuba Wagneriana
|-
|bgcolor="#CCFFCC"|'''ww'''
| Woodwind instruments
| Instrument à vent en bois
| Holzblasinstrument
| Strumento a fiato di legno
| Instrumentos de viento-madera
|-
|bgcolor="#CCFFCC"|'''xiao'''
| Xiao
| Xiao
| Xiao
| Xiao
| Xiao
|-
|bgcolor="#CCFFCC"|'''xyl'''
| Xylophone
| Xylophone (Harmonica de bois)
| Xylophon
| Xilofono (Silofono)
| Xilófono
|-
|bgcolor="#CCFFCC"|'''zith'''
| Zither
| Cithare
| Zither
| Cetra da tavola
| Cítara
|}

IMSLP:Typesetting Guidelines

2025-11-05T10:34:39Z

Grimbald: /* Producing good typesets */

==IMSLP Music Typesetting Guidelines==

The purpose of this document is to promote a minimum set of quality guidelines for newly typeset works posted to IMSLP.

Where IMSLP has more than one edition posted of a work, the quality guidelines will be applied more rigorously than if there is only one edition posted. The rationale behind this is that having one edition is better than having none, but where we do have more than one, a typeset with major flaws that could cause potential problems in rehearsals and/or performances should be fixed or deleted.

However, a typeset work that falls short of the guidelines will not automatically be deleted. IMSLP will first contact the uploader and explain what the shortfalls are, and ask that they be fixed.

===Producing good typesets===
There are two aspects to producing a good typeset: one is learning what constitutes good notation, and the other is learning the finer points of whatever music notation package you use, so that you can do the more complicated typesetting.

One good resource would be ''Music Notation: A Manual of Modern Practice'' by Gardner Read. There are also smaller resources available on the web:
*[http://icking-music-archive.org/lists/sottisier/notation.pdf Standard ''Music notation practice''] by Music Publishers' Association of the United States.
*[https://web.archive.org/web/20240905233754/https://alpinevistamusic.weebly.com/uploads/2/3/0/7/23077310/essential_dictionary__of_music_notation.pdf ''Essential Dictionary of Music Notation''] by Gerou & Lusk. Complete book.
*[[Repository_of_music-notation_mistakes_(Coulon,_Jean-Pierre)|''Repository of common music-notation mistakes'']] by {{LinkName|Jean-Pierre|Coulon}}.
*[http://www.areditions.com/media/wysiwyg/pdfs/StyleGuide.pdf ''Style Guide''] by A-R Editions, Inc.
*[http://web.archive.org/web/20080107080020/http://www.coloradocollege.edu/dept/mu/Musicpress ''Colorado College project''] Archived site.
*[https://books.google.fr/books?id=yBK_DwAAQBAJ&printsec=frontcover&dq=intitle:behind+intitle:bars+inauthor:Elaine+inauthor:Gould&hl=fr&sa=X&ved=0ahUKEwjE3IONta3nAhUBUK0KHdh-CBsQ6AEIKTAA#v=onepage&q&f=false ''Behind Bars''] by Elaine Gould. Google books' limited preview.
Reading these will be a good start on basics. Other resources will be the forums for whatever package you use, whether it is Finale, Sibelius, or some other package. There is always someone available who can give advice on how to solve the unusual typesetting problems.

In order to understand the seeming pickiness of these rules, it might help to understand what sorts of problems badly typeset music cause for the performing musician.

The fact is that if music is extremely complex – but accurate, clear, large enough, adequately spaced, with proportional rhythmic spacing, good page turns and adequate cues, musicians can sightread fairly accurately, which means less rehearsal time wasted on correcting and adding things to the part that should have been there to start with.

Finally, while we acknowledge that some of the manuscript editions at IMSLP make for very bad reading as well, they have a very valuable place in the collection, especially autograph manuscripts from which one gleans the composer’s original intentions. First editions have similar high musicological value. Ideally, we want a combination of musicologically valuable editions, even if they are not necessarily usable in performance, combined with modern typesets that make rehearsals and performances easy {{EN}} in other words, we want the best of both worlds.

===The guidelines===

*State the source of your score. This has a two-fold purpose: 1) so that people can check the original source if they have a question about something, and 2) so that the public domain status of your typeset can be determined.

*General accuracy. This applies to notes, rhythms, articulations, dynamics, tempo changes, and everything else that is a part of the music.

*General visual appearance. Music size should be large enough to read easily (bear in mind that some instrumentalists cannot sit very close to their stands, for example, trombonists, harpists, double bass players. On the other hand, the music should not be so large, or widely spaced, as to waste paper or cause unnecessary extra page turns.

*Avoid collisions between elements:
:Staves must be adequately spaced so that low notes from a stave do not collide with high notes from the stave immediately below it.

:Similarly, stave spacing must make room vertically for dynamics, tempo changes, or other symbols.

:There must be no collisions of any elements (accidentals, dynamics, etc.) in the horizontal plane.

:Vertical bar lines drawn between staves should not cause collisions with lyrics in vocal parts or other written text.

*Rhythms must be visually spaced proportionally to those rhythms.
=====''The following items apply particularly to individual parts extracted from scores''=====
*Multi-movement or multi-sectional pieces should be combined into a single file for any given part. For example, the classic parts we have available for well-known symphonies like those of Beethoven and Brahms have all of the movements - not four different Violins I, Bassoon 1, etc. The only time a separate section should be extracted is if it is intended to be performed as a stand-alone piece, or is famous as a stand-alone piece (like the famous ''Canon'' from {{LinkWorkN|Canon and Gigue in D major||Pachelbel|Johann}}). For new arrangements for large groups such as orchestra or band of excerpts from very high-traffic works such as like Handel's ''Messiah'', all the parts should be merged into a single PDF file.

*Adequate page turns, especially for instruments that are “one-on-a-part” (for example, woodwinds, brass, percussion, harp). Page turns in string parts should take into account where it is not feasible to lose half the section sound while inner desk string players stop playing to turn the page.

*Repeats should not cause backward page turns.

*Use courtesy accidentals in reverting to diatonic notes, and other appropriate places. Typesetting programs do not automatically do this, especially if the music is entered by playing it in. Courtesy accidentals must be added manually.

*Use correct symbols. Tildes (”~ ~ ~ ~ ~”) are not acceptable as a substitute for the traditional trill squiggle, and neither are “MIDI-dump” equivalents. (A MIDI dump is where the typesetting program automatically typesets from a sound file or recording. In a MIDI dump, trills are inevitably written out as many demi-semiquavers or hemi-demi-semiquavers (32nd or 64th notes). Apart from taking up an awful lot of space horizontally (as well as ink), it is impossible to see at a glance how long the trill is.)

*Where there are repetitive patterns, indicate how many times the repetition happens. There are various ways to do this; use an incrementing number over the beginning of each repetition, or indicate “x6” over the first repetition, or use the symbol [[File:repeatsign.jpg|17x13px|text-bottom]] combined with numbers.

*Do not leave multiple-bar rests as individual bars. Group them in the traditional way – according to phrases, e.g. –4– –8– –12–, where each of those groups is an audible phrase.

*Musicians with many bars rest must have adequate cues toward the end of the rests:
:Cues must be wisely chosen; use something distinctive and audible to the person playing the part.
:Cues are to be labelled with the instrument playing them.

*Cues and grace notes must not be entered as full-size notes. Some variance with individual typesetting packages might be necessary, but 70% for cues should give a note that cannot be mistaken for a note to be played, and 60% for grace notes should be readable without being mistaken as adding to the base rhythm in the bar.

*Be clear as to where slurs and ties stop and start. If they do not start from the exact centre of the note, they should start close enough to the centre as to be clearly from that note.

*Clef changes should be put in rests, not in the middle of a played passage. If this is not possible, for example, in a very long run, at least choose a diatonic note that is at the beginning of a beat, and preferably at an octave or some other landmark place within the run. Do not put the clef change in front of a note with an accidental. Also check the part extraction, because in some cases, the computer program puts the part entirely in whatever clef the part starts in, with no changes afterward, i.e. your score will be correct, but the part extracted from it will have many leger lines. Proofreading is essential.

*Number the pages. If you are doing separate movements as separate files, make sure movement 2 is consecutively numbered after the last page number of movement 1, etc.

*Make sure all elements from a score that are printed once only at the top of the score come through to individual parts in an automated part extraction. Proofreading is essential here.

*Indications for use of mutes must include both the “with” (''con sordino'') and “without” (''senza sordino'') markings. The same applies to any other similar indication, for example, bells up (''schalltrichter auf'') and the ''una corda'' marking for pianists; indicate where the bells come down again, or where the soft pedal should stop. ''Solo'' or ''soli'' passages that stop at a certain point should also include the ''tutti'' marking.

*Clarinets, saxophones, horns, and trumpets are transposing instruments. Regardless of whether your score uses written pitch or concert pitch throughout, the extracted parts for those instruments must be transposed to the pitches the musicians will read. The common transpositions are B{{flat}} or A for clarinets (with the proviso that A clarinet is never used in a wind band setting), B{{flat}} for soprano and tenor saxophones, E{{flat}} for alto and baritone saxophones, B{{flat}} for trumpets, and F for horns. There a few others that apply to instruments used less frequently, e.g. E{{flat}} for piccolo clarinet, or D for piccolo trumpet.

:Check all automated transpositions. B major concert should become D-flat major for a B-flat clarinettist, not C-sharp major. If your program won’t do this in the score, make the key signature independent and change it manually.

*Bars AKA measures should be numbered, but in such a way that they do not clutter the page. Do not put them on every bar. A standard place to put them is at the beginning of every system, in a readable but unobtrusive font. If a piece starts with an upbeat it should be bar No.0. If there is a first-time second-time passage both versions should have the same bar numbers. Reset the bar number at each movement.

*(This is a point that not everyone might agree with.) It became the fashion at one point to number bars in increments of 10, but phrases rarely start every 10 bars, and this type of numbering is a nuisance when there is a multi-bar rest. Many performing musicians would rather see a barline where the phrase starts, because it gives a visual landmark on the page for an aural landmark that is easy to hear. Take the trouble to go through the score and mark where the multi-bar rests should divide, rather than letting the computer do an arbitrary division based on a number that has never been a common phrase length.

===Lastly, proofreading cannot be emphasized enough===
Everyone should proofread thoroughly, but especially those that get typesets from recognition software or use MIDI dumps from sound files. Although these technologies can save some time, they are simply not advanced enough yet to give foolproof typesets.

Ultimately, careful proofreading is for the benefit of those performing the works you write and edit, and that, in turn, benefits you.

==See also==
*[[IMSLP:Typeset Music formats]]
[[Category:Manuals]]

User talk:Grimbald

2016-05-19T00:13:15Z

Grimbald: /* User name change */ new section

Dear Grimbald

Welcome to IMLSP. The work by Fontana you posted contain a copyright notice Jacek Kurzidlo. Are you him or do you have permission from the editor? In the former case, you can not choose public domain as a license but one of the creative commons licences.

Thank you, [[User:Peter|Peter]] [[User talk:Peter|talk]] 14:16, 3 August 2008 (EDT)

== Szarzyński ==

Dear Grimbald, the sonata you just uploaded is a new typeset or edition that has been done in Sibelius or Finale. Are you the person who created this? If not, do you have the permission of the person who is responsible for this edition? Please read through our guidelines for contributors. We will have to delete these unless you are the one who created them or have permission. Thanks, [[User:Carolus|Carolus]] 17:21, 3 August 2008 (EDT)

:Please reply here by clicking on '''"edit"''' on top of this page. If you do not speak '''English''', use '''"Google Translate"'''. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 17:31, 3 August 2008 (EDT)

Dear all :)

All music I upload is created by me in Sibelius. What can I do next time in order to avoid such unclear situation?

Thanks,
Grimbald

Thanks, Grimbald. Simple - just list yourself as the editor and as the publisher. Putting files up on IMSLP constitutes publication under the legal definitions of the term in many countries, including Canada. Also choose "Typeset" instead of "Normal Scan" as the file format. Doing this when you upload makes the copyright tagging very simple for us. [[User:Carolus|Carolus]] 17:55, 3 August 2008 (EDT)

Ok, thanks a lot for help and sorry about the problem!

Best regards,
Grimbald

== User name change ==

Dear admins,

I was wondering if it's possible to change my user name on imslp? If yes, I'd like to change it to "Hyacinthus Cracoviensis", that's the nickname I've been using in my editions already for a while.

Thanks a lot for your great work here!

Membra Jesu Nostri, BuxWV 75 (Buxtehude, Dietrich)

2016-05-18T10:25:41Z

2011-09-09T12:17:13Z

Grimbald: Added 2 files to Ciaconna in D a violino, viola da gamba e basso continuo (Capricornus, Samuel)

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|Image Type=Typeset
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{{#fte:imslpfile
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|Image Type=Manuscript Scan
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}}
{{#fte:imslpfile
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|File Description 2=Viola da gamba part
|Page Count 1=3
|Page Count 2=3
|Editor=
|Image Type=Typeset
|Scanner=Grimbald
|Uploader=[[User:Grimbald|Grimbald]]
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|Copyright=Creative Commons Attribution 3.0
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| *****WORK INFO*****

|Work Title=Ciaconna in D a violino, viola da gamba e basso continuo
|Alternative Title=
|Opus/Catalogue Number=
|Key=D major
|Number of Movements/Sections=1
|Average Duration=
|Dedication=
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|Year/Date of Composition=
|Year of First Publication=
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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP242925-Capricornus Ciaconna Viola da gamba.pdf

2011-09-09T12:17:09Z

Grimbald:

File:PMLP242925-Capricornus Ciaconna Violino.pdf

2011-09-09T12:17:09Z

Grimbald:

File:PMLP242925-Samuel Capricornus - Ciaconna in D a violino, viola da gamba e basso continuo (manuscript).pdf

2011-09-09T12:15:50Z

Grimbald:

Chaconne in D major (Capricornus, Samuel)

2011-09-09T12:15:50Z

Grimbald: Added 1 files to Ciaconna in D a violino, viola da gamba e basso continuo (Capricornus, Samuel)

{{#fte:imslppage

| *****FILES***** =

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{{#fte:imslpfile
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|Page Count 1=3
|Editor=
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Grimbald|Grimbald]]
|Date Submitted=2011/9/9
|Publisher Information=
|Copyright=Public Domain
|Misc. Notes=Available at http://www.hab.de/
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| *****WORK INFO*****

|Work Title=Ciaconna in D a violino, viola da gamba e basso continuo
|Alternative Title=
|Opus/Catalogue Number=
|Key=D major
|Number of Movements/Sections=1
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
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|Instrumentation=Violin, Viola da gamba, Basso Continuo

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Chaconne in D major (Capricornus, Samuel)

2011-09-09T12:08:22Z

Grimbald: Added 1 files to Ciaconna in D a violino, viola da gamba e basso continuo (Capricornus, Samuel)

File:PMLP242925-Capricornus Ciaconna.pdf

2011-09-09T12:07:43Z

Grimbald:

Chaconne in D major (Capricornus, Samuel)

2011-09-09T12:06:21Z

Grimbald: Create article for work

{{#fte:imslppage

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| *****WORK INFO*****

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|Opus/Catalogue Number=
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|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violin, Viola da gamba, Basso Continuo

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Category:Capricornus, Samuel

2011-09-09T12:04:33Z

Grimbald: Create composer

{{#fte:person
|Born Year=1628|Born Month=12|Born Day=21
|Died Year=1665|Died Month=10|Died Day=10
|Time Period=Baroque
|Biography Link=[http://de.wikipedia.org/wiki/Samuel_Capricornus]
}}

6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)

2009-08-17T20:58:55Z

Grimbald:

{{#fte:imslppage

| *****FILES***** =

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|Scanner=
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2006/11/29
|Page Count 1=17
|Publisher Information={{BachComplete|9|1860}}
|Copyright=Public Domain
|Misc. Notes=This file contains pages 69-83 of volume 9.
|Image Type=Normal Scan
}}
{{#fte:imslpfile
|File Name 1=Bach_-_BGA_-_BWV_1015.pdf
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|Page Count 1=14
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|Image Type=Normal Scan
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{{#fte:imslpfile
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|Date Submitted=2006/11/29
|Page Count 1=22
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{{#fte:imslpfile
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|Page Count 1=16
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|Image Type=Normal Scan
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{{#fte:imslpfile
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|Uploader=[[User:Peter|Peter]]
|Date Submitted=2006/11/29
|Page Count 1=21
|Publisher Information={{BachComplete|9|1860}}
|Copyright=Public Domain
|Misc. Notes=This file contains pages 136-153 and 250-251 of volume 9. Please see [[Bach Gesellschaft Ausgabe Prefaces (Books 1-10) (Bach, Johann Sebastian)|the preface of Vol.9]] for a discussion about the ''Anhang''.
|Image Type=Normal Scan
}}
{{#fte:imslpfile
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|Uploader=[[User:Peter|Peter]]
|Date Submitted=2006/11/29
|Page Count 1=27
|Publisher Information={{BachComplete|9|1860}}
|Copyright=Public Domain
|Misc. Notes=This file contains pages 154-172 and 252-259 of volume 9. Please see [[Bach Gesellschaft Ausgabe Prefaces (Books 1-10) (Bach, Johann Sebastian)|the preface of Vol.9]] for a discussion about the ''Anhang''.
|Image Type=Normal Scan
}}
===Other Editions===
{{#fte:imslpfile
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|Date Submitted=2007/8/23
|Page Count 1=54
|Publisher Information=Vienna:[[ Universal Edition]], n.d.(ca.1915), plate 2841
|Copyright=Public Domain
|Misc. Notes=see the catalog on page 54 for plate number
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{{#fte:imslpfile
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|Scanner=Tarakanov
|Uploader=[[User:Matthieu|Matthieu]]
|Date Submitted=2007/8/23
|Page Count 1=56
|Publisher Information=Vienna: [[Universal Edition]], n.d.(ca.1915), plate 2842
|Copyright=Public Domain
|Misc. Notes=see the catalog on page 54 of IMSLP #12460 for plate number
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{{#fte:imslpfile
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|Image Type=Typeset
|Scanner=Grimbald
|Uploader=[[User:Grimbald|Grimbald]]
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|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
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| *****WORK INFO*****

|Work Title=Sonatas for Violin and Clavier, BWV 1014-1019
|Alternative Title=Sonaten für Clavier und Violine
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|Number of Movements/Sections=6
|Dedication=
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|Genre=Sonata (piano with 1 instrument)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)

2009-08-17T20:56:10Z

Grimbald: Added 1 files to Sonatas for Violin and Clavier, BWV 1014-1019 (Bach, Johann Sebastian)

{{#fte:imslppage

| *****FILES***** =

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|Page Count 1=16
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|Image Type=Normal Scan
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{{#fte:imslpfile
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|Page Count 1=21
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|Misc. Notes=This file contains pages 136-153 and 250-251 of volume 9. Please see [[Bach Gesellschaft Ausgabe Prefaces (Books 1-10) (Bach, Johann Sebastian)|the preface of Vol.9]] for a discussion about the ''Anhang''.
|Image Type=Normal Scan
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|Date Submitted=2006/11/29
|Page Count 1=27
|Publisher Information={{BachComplete|9|1860}}
|Copyright=Public Domain
|Misc. Notes=This file contains pages 154-172 and 252-259 of volume 9. Please see [[Bach Gesellschaft Ausgabe Prefaces (Books 1-10) (Bach, Johann Sebastian)|the preface of Vol.9]] for a discussion about the ''Anhang''.
|Image Type=Normal Scan
}}
===Other Editions===
{{#fte:imslpfile
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|Editor=Carl Nowotny (1858-?)
|Image Type=Normal Scan
|Scanner=Tarakanov
|Uploader=[[User:Matthieu|Matthieu]]
|Date Submitted=2007/8/23
|Page Count 1=54
|Publisher Information=Vienna:[[ Universal Edition]], n.d.(ca.1915), plate 2841
|Copyright=Public Domain
|Misc. Notes=see the catalog on page 54 for plate number
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|Page Count 2=21
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{{#fte:imslpfile
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|Image Type=Normal Scan
|Scanner=Tarakanov
|Uploader=[[User:Matthieu|Matthieu]]
|Date Submitted=2007/8/23
|Page Count 1=56
|Publisher Information=Vienna: [[Universal Edition]], n.d.(ca.1915), plate 2842
|Copyright=Public Domain
|Misc. Notes=see the catalog on page 54 of IMSLP #12460 for plate number
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{{#fte:imslpfile
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|Image Type=Typeset
|Scanner=Grimbald
|Uploader=[[User:Grimbald|Grimbald]]
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|Publisher Information=Based on Neue Bach Ausgabe
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Sonatas for Violin and Clavier, BWV 1014-1019
|Alternative Title=Sonaten für Clavier und Violine
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|Number of Movements/Sections=6
|Dedication=
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|Year of First Publication=
|Genre=Sonata (piano with 1 instrument)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

2009-05-21T18:54:24Z

Grimbald:

File:PMLP05990-C.P.E.Bach - sonata in g-minor for violin and harpsichord - violino.pdf

2008-12-09T10:42:08Z

Grimbald: uploaded a new version of "Image:PMLP05990-C.P.E.Bach - sonata in g-minor for violin and harpsichord - violino.pdf"

File:PMLP05990-C.P.E.Bach - sonata in g-minor for violin and harpsichord - violino.pdf

2008-12-08T17:41:03Z

Grimbald:

Violin Sonata in G minor, H.542.5 (Bach, Carl Philipp Emanuel)

2008-12-08T17:41:03Z

Grimbald: Added 1 files to Violin Sonata in G minor, H.524.5 (Bach, Carl Philipp Emanuel)

{{#fte:imslppage

| *****FILES***** =

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|Scanner=
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2006/11/30
|Page Count 1=13
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]]'' (1851-1899.), Band 9. Leipzig: [[Breitkopf & Härtel]], (1860), plate B.W. IX
|Copyright=Public Domain
|Misc. Notes=This file contains pages 274-286 of Bach Gesellschaft Ausgabe Band 9.
|Image Type=Normal Scan
}}
{{#fte:imslpfile
||File Name 1=PMLP05990-C.P.E.Bach_-_sonata_in_g-minor_for_violin_and_harpsichord_-_violino.pdf
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|Image Type=Typeset
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|Uploader=[[User:Grimbald|Grimbald]]
|Date Submitted=2008/12/8
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}

| *****INFO ID (SEE HELP PAGE)***** = 0

| *****COMMENTS***** =

This work was falsely attributed to J.S. Bach (BWV 1020)

| *****END OF TEMPLATE***** }}

Canon and Gigue in D major, P.37 (Pachelbel, Johann)

2008-08-04T15:59:05Z

Grimbald:

{{#fte:imslppage

| *****FILES***** =

===Full Scores===
{{#fte:imslpfile
||File Name 1=PMLP04611-Pachelbel_-_Kanon_und_Gigue.pdf
|File Name 2=PMLP04611-Pachelbel_-_Kanon_und_Gigue_Violino_I.pdf
|File Name 3=PMLP04611-Pachelbel_-_Kanon_und_Gigue_Violino_II.pdf
|File Name 4=PMLP04611-Pachelbel_-_Kanon_und_Gigue_Violino_III.pdf
|File Name 5=PMLP04611-Pachelbel_-_Kanon_und_Gigue_Basso.pdf
|File Description 1=Score
|File Description 2=Violino I
|File Description 3=Violino II
|File Description 4=Violino III
|File Description 5=Basso
|Page Count 1=6
|Page Count 2=2
|Page Count 3=2
|Page Count 4=2
|Page Count 5=2
|Editor=Grimbald
|Image Type=Typeset
|Scanner=Grimbald
|Uploader=[[User:Grimbald|Grimbald]]
|Date Submitted=2008/8/4
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=Pachelbel_-_Canon_in_D.pdf
|File Description 1=Canon - complete score
|Editor=Max Seiffert (1868-1948), editor and continuo realization
|Scanner=
|Uploader=[[User:Resnek|Resnek]]
|Date Submitted=2006/9/10
|Page Count 1=7
|Publisher Information=Leipzig: [[Kistner|Kistner & Siegel]], n.d.(1929), plate 28367 ''Reprinted by Kalmus, Lucks, and many others in USA''
|Copyright=Public Domain
|Misc. Notes=The work was first published in the volume ''Archiv für Musikwissenschaft I'' (G. Beckmann, 1918 - autograph facsimile) Seiffert's realiztion (keyboard r.h.) is possibly copyright in life-plus-70 countries [http://www.sheetmusicplus.com/a/item.html?id=298930&item=3241945 Available @SM+] Full Score (Kalmus reprint) [http://www.sheetmusicplus.com/a/item.html?id=298930&item=3318288 Available @SM+] Parts (Kalmus reprint)
}}
===Transcriptions, Arrangements===
{{#fte:imslpfile
|File Name 1=Pachelbel_kanon_e.pdf
|File Description 1=Piano Transcription
|Editor=H. M., transcriber
|Image Type=Typeset
|Scanner=H.M.
|Uploader=[[User:Guifre|Guifre]]
|Date Submitted=2007/7/4
|Page Count 1=4
|Publisher Information=H. M., 2007
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=Pachelbel_-_Kanon,_score_and_parts,_3_asax,_bsax.pdf
|File Description 1=Transcription for Saxophone Quartet, score and parts
|Editor=Pekka Siponen, transcriberer
|Image Type=Typeset
|Scanner=Pekka Siponen
|Uploader=[[User:Käkki|Käkki]]
|Date Submitted=2007/7/12
|Page Count 1=13
|Publisher Information=Pekka Siponen, 2007
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=high quality
}}
{{#fte:imslpfile
|File Name 1=Pachelbel_-_Canon_In_D_(Cello_&_Piano).pdf
|File Description 1=Transcription for Cello and Piano - score
|Editor=Anne Christopherson, transcriber
|Image Type=Typeset
|Scanner=Anne Christopherson
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/27
|Page Count 1=4
|Publisher Information=[http://www.music-scores.com music-scores.com], 2001
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
{{#fte:imslpfile
||File Name 1=Pach_kanono_bflut.pdf
|File Description 1=Transcription for Recorder Quartet (S A T B)
|Page Count 1=14
|Editor=kompy
|Image Type=Typeset
|Scanner=kompy
|Uploader=[[User:Kompy|kompy]]
|Date Submitted=2008/7/2
|Publisher Information=[[User:Kompy|kompy, 2008]]
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=arranged by kompy for Recorder Quartet (S A T B), Titles in Esperanto
}}
{{#fte:imslpfile
||File Name 1=PMLP04611-Johann_Pachelbel_-_Canon_in_D_-_arr._for_String_Quartet.pdf
|File Description 1=Transcription for String Quartet
|Page Count 1=13
|Editor=J-Raimon Alphonse, transcriber
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=Viola replaces 3rd Violin
}}

| *****INFO ID (SEE HELP PAGE)***** = 0

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP04611-Pachelbel - Kanon und Gigue Basso.pdf

2008-08-04T15:57:35Z

Grimbald:

Canon and Gigue in D major, P.37 (Pachelbel, Johann)

2008-08-04T15:57:35Z

Trio Sonata sopra la Monica, Op.8 No.45 (Marini, Biagio)

2008-08-04T15:47:56Z

Grimbald: Create article for work

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File:PMLP47233-Marini - Sonata in eco con tre violini Basso continuo.pdf

2008-08-04T15:46:19Z

Grimbald: