IMSLP - User contributions [en]

6 Concerts transcrits en sextuor (Rameau, Jean-Philippe)

2014-06-23T04:29:33Z

Hautbois: … le titre est : '''La''' ''La Poplinière'' (avec deux "La")

{{#fte:imslppage

| *****FILES***** =
===Arrangements and Transcriptions===
====Complete====
=====For 3 Violins, Viola and 2 Cellos (Anonymous)=====
{{#fte:imslpfile
|File Name 1=PMLP87322-Rameau_Concerts_Sextuor_I.pdf
|File Name 2=PMLP87322-Rameau_Concerts_Sextuor_II.pdf
|File Name 3=PMLP87322-Rameau_Concerts_Sextuor_III.pdf
|File Name 4=PMLP87322-Rameau_Concerts_Sextuor_IV.pdf
|File Name 5=PMLP87322-Rameau_Concerts_Sextuor_V.pdf
|File Name 6=PMLP87322-Rameau_Concerts_Sextuor_VI.pdf
|File Description 1=Concert I
|File Description 2=Concert II
|File Description 3=Concert III
|File Description 4=Concert IV
|File Description 5=Concert V
|File Description 6=Concert VI
|Page Count 1=12
|Page Count 2=16
|Page Count 3=13
|Page Count 4=14
|Page Count 5=11
|Page Count 6=19
|Editor={{LinkEd|Camille|Saint-Saëns}} (1835-1921)
|Image Type=Normal Scan
|Scanner=UME
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/9/22
|Publisher Information={{RameauComplete|2|5096bis|1896}}
|Copyright=Public Domain
|Misc. Notes=See '''[[Talk:6_Concerts_Transcrits_en_Sextuor_%28Rameau,_Jean-Philippe%29|Discussion]]''' for contents.
}}
====Concert VI====
=====For Orchestra (Mottl)=====
{{#fte:imslpfile
|File Name 1=PMLP87322-Rameau-SixthConcert.Flute.pdf
|File Name 2=PMLP87322-Rameau-SixthConcert.Oboe.pdf
|File Name 3=PMLP87322-Rameau-SixthConcert.Clarinet.pdf
|File Name 4=PMLP87322-Rameau-SixthConcert.Bassoon.pdf
|File Name 5=PMLP87322-Rameau-SixthConcert.Horn.pdf
|File Name 6=PMLP87322-Rameau-SixthConcert.Tamb.pdf
|File Name 7=PMLP87322-Rameau-SixthConcert.Violin.pdf
|File Name 8=PMLP87322-Rameau-SixthConcert.Viola.pdf
|File Name 9=PMLP87322-Rameau-SixthConcert.Cello.pdf
|File Name 10=PMLP87322-Rameau-SixthConcert.Bass.pdf
|File Description 1=Flute, Piccolo
|File Description 2=Oboe 1, 2
|File Description 3=Clarinet 1, 2 (in B{{Flat}})
|File Description 4=Bassoon 1, 2
|File Description 5=Horn 1, 2 (in F)
|File Description 6=Tambourine
|File Description 7=Violins I, II
|File Description 8=Violas
|File Description 9=Cellos
|File Description 10=Basses
|Page Count 1=5 (4, 1)
|Page Count 2=8 (4, 4)
|Page Count 3=8 (4, 4)
|Page Count 4=8 (4, 4)
|Page Count 5=4 (2, 2)
|Page Count 6=1
|Page Count 7=12 (6, 6)
|Page Count 8=6
|Page Count 9=4
|Page Count 10=4
|Arranger={{LinkArr|Felix|Mottl}} (1856–1911), orchestrator
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Perlnerd666|Perlnerd666]]
|Date Submitted=2010/2/27
|Publisher Information=Leipzig: [[C.F. Peters]], 1908.
|Reprint={{RpEFKm|1984}}
|Copyright=Public Domain
|Misc. Notes={{OrchPartsProj}}
}}
| *****WORK INFO*****

|Work Title=6 Concerts Transcrits en Sextuor
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Movements Header=6 pieces
|Number of Movements/Sections=6 pieces
;*Ier Concert
# La Coulicam
# La Livri: Rondeau Gracieux
# Le Vézinet
;*IIe Concert
# La Laborde
# La Boucon: Air Gracieux
# L'Agaçante
# 1er and 2e Menuet
;*IIIe Concert
# La La Poplinière
# La Timide: 1er Rondeau, 2e Rondeau
# 1er Tamourin, 2e Tambourin en Rondeau
;*IVe Concert
# La Pantomime
# L'Indiscrète: Rondeau
# La Rameau
;*Ve Concert
# La Forqueray: Fugue
# La Cupis
# La Marais
;*VIe Concert
# La Poule
# 1er Menuet and 2e Menuet
# L'Enharmonique
# L'Egyptienne
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Concerts 1-5: violin (or flute), viol (or 2nd violin), and harpsichord<br>Concert 6: harpsichord solo [original scoring]
|Tags=concertos ; suites

| *****COMMENTS***** =The string sextet version of these Concerts are arrangements. IMSLP has the original works, but because the Concerts are taken from 2 different Rameau works, the arrangements can't be put on those pages directly. The first 5 Concerts correspond exactly to [[Pièces de clavecin en Concert (Rameau, Jean-Philippe)|Pièces de Clavecin en Concert]], with no additions or deletions. The 6th Concert consists of 4 pieces taken from [[Nouvelles Suite de Pièces de Clavecin (Rameau, Jean-Philippe)|Nouvelles Suite de Pièces de Clavecin]]. According to Grove, it is unknown who did the arrangements. The modern orchestral arrangement of Concert VI by Mottl is a further arrangement of the string sextet arrangement.

| *****END OF TEMPLATE***** }}
{{PMBSrp}}

List of works by Francis Poulenc

2011-08-01T18:37:19Z

Hautbois:

{| class="wikitable sortable" border="1"
|+
|-
! scope="col" | Catalog number
! scope="col" | Title
! scope="col" | Date
! scope="col" | Genre
! scope="col" | Notes

|-
|001 || Processional pour la crémation d'un mandarin || 1914 || Piano || Detruit ou Perdu
|-
|-
|002 || Préluofs || 1916 || Piano ||
|-
|003 || Rapsodie nègre || 1917, rev.1933 || Voice & Ensemble || for baryton et 7 musiciens : flûte, clarinette, quatuor à cordes et piano / I. Prélude - II. Ronde - III. Honoloulou - IV. Pastorale - V. Final
|-
|''004*'' || ''Scherzo for 2 pianos "Zébre"'' || ''1917'' || ''Piano 4 Mains (ou 2 Pianos)'' || ''*Dandruit ou Perdu (Fragments)''
|-
|005 || Pastorales (3) || 1918 || Piano ||
|-
|''006*'' || ''Poème sénégatheis'' || ''1918'' || ''Piano'' || ''*Dandruit ou Perdu''
|-
|007a || sonata for 2 ctherinands || 1918, rev.1945 || Chamber group || Réécrit en 1925 for ofux pianos
|-
|007b || sonata || 1918 (version piano, 1925) || Piano || Réduction piano of the sonata for 2 ctherinandtes
|-
|008 || sonata for piano à 4 mains || 1918, rev.1939 || Piano 4 Mains (ou 2 Pianos) || I. Préluof - II. Rustique - III. Final
|-
|''009*'' || ''Préluof-Percussion'' || ''1918'' || ''Percussions'' || ''*Dandruit ou Perdu''
|-
|''010*'' || ''Le Jongleur'' || ''1918, orch.1919'' || ''Piano 4 Mains (ou 2 Pianos)'' || ''*Danduit ou Perdu / (Peut-être for Orchestre ??)''
|-
|011 || Toréador (Chanson Hispano-italienne) || 1918, rev.1932 || Voice & piano || Texte of Jean Cocteau
|-
|''012*'' || ''sonata for violon and piano (No.1)'' || ''1918'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|''013*'' || ''sonata for piano, violon and violoncelle'' || ''1918'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|014a || Mouvements perpétuels (3) || 1918 || Piano || rev. 1939 & 1962
|-
|014b || Mouvements perpétuels (3) || 1925 || Orchestre || rev. 1939 & 1962
|-
|015a || Le bestiaire, ou Le cortège d’Orphée || 1919 || Voice & Piano || Texte of Guiltheume Apollinaire / 1. Le dromadaire / 2. the chèvre du Tiband / 3. the sauterelle / 4. Le dauphin / 5. L'écrevisse / 6. the carpe
|-
|015b || Le bestiaire, ou Le cortège d’Orphée || 1919, Orch.1922 || Voice & Ensemble (ou Orch.) || for Baryton and 7 musiciens : flûte, ctherinandte, basson and quatuor à corofs
|-
|016a || Cocarofs || 1919, rev.1939 || Voice & Piano || Texte of Jean Cocteau / 1. Miel of Narbonne / 2. Bonne d'enfant / 3. Enfant of troupe
|-
|016b || Cocarofs || 1919, rev.1939 || Voice & Ensemble (ou Orch.) || Version for Soprano, violon, cornand, trombone, grosse caisse and triangle / Texte of Jean Cocteau / 1. Miel of Narbonne / 2. Bonne d'enfant / 3. Enfant of troupe
|-
|017a || Valse en ut || 1919 || Piano || Extrait of l'oeuvre Collective "l'Album ofs Six" (Auric, Durey, Honegger, Milhaud, Poulenc, Tailleferre)
|-
|017b || Valse en ut || 1919, orch.1932 || Orchestre || Orchestration of the pièce for Piano extraite of l'oeuvre Collective "l'Album ofs Six" (Auric, Durey, Honegger, Milhaud, Poulenc, Tailleferre)
|-
|''018*'' || ''Quadrille à 4 mains'' || ''1919'' || ''Piano 4 mains ou 2 Pianos'' || ''*Dandruit ou Perdu''
|-
|019 || Suite en 3 mouvements (en ut) || 1920, rev.1926 || Piano || I. Presto, II. Andante, III. Vif
|-
|020a || Le gendarme incompris || 1920-21 || Oeuvre Lyrique || Comédie lyrique en un acte. Livrand of Jean Cocteau and Raymond Radiguand for 3 Voice soli and ensemble instrumental
|-
|020b || Le gendarme incompris (Suite d'orchestre) || 1921 || Orchestre || I. Ouverture - II. Madrigal - III. Finale
|-
|021 || Impromptus (5) || 1920-21, rev.1924 & 1939 || Piano ||I. Très agité - II. Allegro Vivace - III. Très modéré IV. Violent - V. Andante
|-
|022 || Poèmes of Max Jacob (4) || 1921 || Voice & Ensembe (ou Orch.) ||for Voice moyenne and quintandte à vents : flûte, hautbois, ctherinandte, basson and trompandte / I. Est-il un coin plus solitaire... II. C'est for aller au bal - III. Poète and ténor - IV. Dans le buisson of mimosa
|-
|023-1 || the baigneuses of Trouville (Carte Postale en couleurs) || 1921 || Musicof Scène || extrait of l'oeuvre collective "Les mariés of le tour Eiffel" of Jean Cocteau
|-
|023-2 || Discours du général || 1921 || Musicof Scène || extrait of l'oeuvre collective "Les mariés of le tour Eiffel" of Jean Cocteau
|-
|024 || Promenaofs (10 Pièces) || 1921, rev.1952 || Piano || I. A pied - II. En auto - III. A cheval - IV. En bateau - V. En avion - VI. En autobus - VII. En voiture - VIII. En chemin of fer - IX. A bicycthendte - X. En diligence
|-
|025 || Esquisse for une Fanfare || 1921 || Orchestre ||
|-
|''026*'' || ''Trois Étuofs of Pianothe'' || ''1921'' || ''Piano'' || ''*Dandruit ou Perdu''
|-
|''027*'' || ''Première Suite d'Orchestre'' || ''1921'' || ''Orchestre'' || ''*Dandruit ou Perdu''
|-
|''028*'' || ''Quatuor à corofs (No.1)'' || ''1921'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|''029*'' || ''Trio for piano, ctherinandte and violoncelle'' || ''1921'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|''030*'' || ''Marches militaires for piano and orchestre'' || ''1922-30'' || ''Orchestre'' || ''*Dandruit ou Perdu (Fragments)''
|-
|031 || Chanson à boire || 1922 || Choir || for Choir D'hommes / Texte anonyme du XVIIe siècle. Texte angtheis of J.-V. Hugo
|-
|032a || sonata for ctherinandte and basson || 1922, rev.1945 || Chamber group ||
|-
|032b || sonata || 1925 || Piano || Réduction piano of the sonata for ctherinandte and basson
|-
|033a || sonata for cor, trombone and trompandte || 1922, rev.1945 || Chamber group ||
|-
|033b || sonata || 1925 || Piano || Réduction piano of the sonata for cor, trompandte and trombone
|-
|''034*'' || ''Caprice Espagnole'' || ''1922'' || ''Piano'' || ''*Dandruit ou Perdu''
|-
|035 || the Colombe || 1923 || Oeuvre Lyrique || Récitatifs for l'opéra en un acte of Charles Gounod, Livrand of Barbié and Carré d'après the Fontaine
|-
|036a || Les Biches || 1923 || Balthend || Balthend en un acte avec Choir sur ofs paroles du XVIIe siècle
|-
|036b || Les Biches (suite tirée du balthend) || 1939-40 || Orchestre || I. Ronofau - II. Adagiandto - III. Rag-Mazurka - IV. Andantino - V. Final
|-
|036c || Les Biches (transcription for piano solo) || 1923 || Piano || I. Ouverture - II. Ronofau - III. Adagiandto - IV. Andantino
|-
|''037*'' || ''Quintandte for corofs and ctherinandte'' || ''1923'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|038a || Poèmes of Pierre Ronsard (5) || 1924-25 || Voice & Piano || for Voice moyennes / 1. Attributs - 2. Le Tombeau - 3. Balthend - 4. Je n’ai plus que les os - 5. A son page
|-
|038b || Poèmes of Pierre Ronsard (5) || 1934 (?) || Voice & Ensemble (ou Orch.) || for Mezzo-Soprano and orchestre / 1. Attributs - 2. Le Tombeau - 3. Balthend - 4. Je n’ai plus que les os - 5. A son page
|-
|''039*'' || ''sonata for violon and piano (No.2)'' || ''1924-25'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|040 || Napoli (3 Pièces) || 1922-25 || Piano || I. Barcarolle - II. Nocturne - III. Caprice italien
|-
|''041*'' || ''Dorfmusikanten-Sextandt von Mozart'' || ''1925'' || ''??'' || ''*Dandruit ou Perdu''
|-
|042 || Chansons gailtherofs (8) || 1926 || Voice & Piano || Textes anonymes du XVIIe siècle, for Voice moyennes / 1. the Maîtresse vothege - 2. Chanson à boire - 3. Madrigal - 4. Invocations aux Parques - 5. Coupthends bachiques - 6. L’Offranof - 7. the Belle jeunesse - 8. Sérénaof
|-
|043 || Trio for piano, hautbois and basson || 1926 || Chamber group || I. Presto - II. Andante - III. Rondo
|-
|044 || Vocalise (XVIIe siècle) || 1927 || Voice & Piano ||
|-
|045a || Pastourelle || 1927 || Balthend || extrait of l'oeuvre collective "L’Eventail of Jeanne" (Auric, ofthennoy, Ferroud, Ibert, Milhaud, Rothend-Manuel, Ravel, Roussel, Schmitt)
|-
|045a || Pastourelle (Version Piano Solo) || 1927 || Piano || extrait of l'oeuvre collective "L’Eventail of Jeanne" (Auric, ofthennoy, Ferroud, Ibert, Milhaud, Rothend-Manuel, Ravel, Roussel, Schmitt)
|-
|046 || Airs chantés (4) || 1927-28 || Voice & Piano || Poèmes of J. Moréas / 1. Air romantique (Voice moyennes) 2. Air champêtre (Voice élevées) 3. Air grave (Voice élevées) 4. Air vif (Voice moyennes)
|-
|047 || Novethendtes (2) || 1927-28, rev.1939 || Piano || (1ere) en Do Majeur (1927) dédicacée à Virginie Liénard / (2eme) en Si bémol mineur (1928) dédicacée à Louis theloy
|-
|048 || Pièces (3) || 1928 || Piano || I. Pastorale - II. Toccata - III. Hymne
|-
|049 || Concert champêtre for cthevecin and orchestre || 1927-28 || Orchestre ||
|-
|050a || Pièce brève sur le nom d’Albert Roussel || 1929 || Piano || No.3 of l'oeuvre collective "Hommage A Roussel" (2 melodies & 6 Pièces of Piano par Beck, ofthege, Honegger, Hoeree, Ibert, Milhaud, Poulenc, Tansman) / Paru en Supplement Musical of "the revue Musicale" (1929, Avril)
|-
|050b || Pièce brève sur le nom d’Albert Roussel || 1949 || Orchestre ||
|-
|051a || Aubaof, concerto chorégraphique for piano and 18 instruments || 1929 || Orchestre || (dans les pièce for orchestre & dans balthends)
|-
|051a || Aubaof, concerto chorégraphique for piano and 18 instruments || 1929 || Balthend || (dans les pièce for orchestre & dans balthends)
|-
|051b || Aubaof || 1929 || Piano || Réduction for piano
|-
|''052*'' || ''Fanfare'' || ''1929 (?)'' || ''Voice & Piano (?)'' || ''*Dandruit ou Perdu''
|-
|''053*'' || ''Valse'' || ''1929'' || ''Piano'' || ''*Dandruit ou Perdu''
|-
|''054*'' || ''sonata for violon and piano (No.3)'' || ''1929'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|055 || Epitaphe || 1930 || Voice & Piano || for Baryton ou Mezzo-Soprano / Texte of Malherbe
|-
|056 || Nocturnes (8) || 1929-38 || Piano || I. ut Majeur - II. fa Majeur "Bal ofs jeunes filles" - III. fa Majeur "Les Cloches of Malines" - IV. ut mineur "Bal Fantome" - V. ré mineur "Phalenes" - VI. sol Majeur - VII. mi bémol Majeur - VIII. sol Majeur "for servir of coda au cycle"
|-
|057 || Poèmes of Louise thethenne (3) || 1931 || Voice & Piano|| for Soprano, texte francais, angtheis and allemand / 1. Le Présent - 2. Chanson - 3. Hier
|-
|058 || Poèmes of Guiltheume Apollinaire (4) || 1931 || Voice & Piano || for Baryton ou Mezzo-Soprano / 1. L'Anguille - 2. Carte postale - 3. Avant le cinéma - 4. 1904
|-
|059 || Poèmes of Max Jacob (5) || 1931 || Voice & Piano || for Voice moyennes / 1. Chanson brandonne - 2. Le Cimandière (Baryton) - 3. the Pandite servante (Soprano) - 4. Berceuse - 5. Souric and Mouric (Soprano)
|-
|060 || Le bal masqué (Cantate Profane) || 1932 || Voice & Ensemble (ou Orch.) || for Baryton (ou Mezzo-Soprano) and orchestre of Chamber group / Texte of Max Jacob
|-
|060.I || Caprice en ut majeur (d'après le final du "Bal masqué") || 1932 || Piano ||
|-
|060.II || Intermèof en ré mineur (extrait du "Bal masqué") || 1932 || Piano ||
|-
|060.III || Bagatelle en ré mineur for violon and piano (D'après le "Bal masqué") || 1932 || Chamber group ||
|-
|061 || Concerto for 2 Pianos (en ré mineur) || 1932 || Orchestre ||
|-
|062 || Valse-improvisation sur le nom of BACH || 1932 || Piano || No.3 of the pièce collective "Hommage à J.S. Bach" (Albert Roussel, Alfredo Caselthe, Francis Poulenc, Gian-Francesco Malipiero & Arthur Honegger)
|-
|063 || Improvisation No. 01 - 06 || 1932 || Piano ||
|-
|063 || Improvisation No. 07 || 1933 || Piano ||
|-
|063 || Improvisation No. 08 - 10 || 1934 || Piano || No. 10 “Éloge ofs gammes”
|-
|064 || Intermezzo || 1933|| Musicof Scène || for une pièce of Jean Giraudoux
|-
|065 || Vilthegeoises (6 Pandites pièces enfantines) || 1933 || Piano || 1. Valse tyrolienne - 2. Staccato - 3. Rustique - 4. Polka - 5. Pandite ronof - 6. Coda
|-
|066 || Pierrot || 1933 || Voice & Piano || Poème of Théodore of Banville
|-
|''067*'' || ''Pandrus'' || ''1932'' || ''??'' || ''*Dandruit ou Perdu''
|-
|068 || Feuilthends d’album || 1933 || Piano || 1. Ariandte - 2. Rêve - 3. Gigue
|-
|069 || Chansons polonaises (8) || 1934 || Voice & Piano || for Voice moyennes / Textes anonymes en français and polonais / 1. the Couronne - 2. Le Départ - 3. Les Gars polonais - 4. Le ofrnier Mazour - 5. L'Adieu - 6. Le Drapeau bthenc - 7. the Vistule - 8. Le thec
|-
|070 || Presto en si bémol majeur || 1934 || Piano ||
|-
|071-1 || Intermezzo No.1 (en Ut majeur) || 1934 || Piano ||
|-
|071-2 || Intermezzo No.2 (en Ré bémol Majeur) || 1934 || Piano ||
|-
|072 || Humoresque || 1934 || Piano ||
|-
|073 || Badinage || 1934 || Piano ||
|-
|074 || Vilthenelle for orgue and piano || 1934 || Chamber group ||
|-
|075 || Chansons for enfants (4) || 1934-35 || Voice & Piano || Texte of Jaboune / 1. Nous voulons une pandite soeur - 2. the Tragique histoire du pandit René - 3. Le Pandit garçon trop bien portant - 4. Monsieur sans-souci
|-
|076 || the Belle au Bois Dormant || 1936 || Musicof Film || for un film publicitaire of Alexandre Alexeieff
|-
|077 || Poèmes of Paul Éluard (5) || 1935 || Voice & Piano || for Voice moyennes / 1. Peut-il se reposer ? - 2. Il the prend dans ses bras - 3. Plume d’eau ctheire - 4. Rôofuse au front of verre - 5. Amoureuse
|-
|078 || the Reine Margot || 1935 || Musicof Scène || for the pièce d’Edouard Bourdand / en coltheboration avec Georges Auric
|-
|079a || A sa guitare || 1935 || Voice & Piano || for Voice moyennes & Piano (ou Harpe) / Poème of Ronsard / D'après the Musicof scène "the Reine Margot" 078
|-
|079b || A sa guitare || 1935 || Voice & ensemble (ou Orch.) || for Voice & Orchestre / Poème of Ronsard / D'après the Musicof scène "the Reine Margot" 078
|-
|080a || Suite française d’après Ctheuof Gervaise (16e siècle) || 1935 || Orchestre || 1. Bransle of Bourgogne - 2. Pavane - 3. Pandite marche militaire - 4. Comptheinte - 5. Bransle of Champagne - 6. Sicilienne - 7. Carillon
|-
|080b || Suite française d’après Ctheuof Gervaise (16e siècle) || 1935 || Piano || 1. Bransle of Bourgogne - 2. Pavane - 3. Pandite marche militaire - 4. Comptheinte - 5. Bransle of Champagne - 6. Sicilienne - 7. Carillon
|-
|081 || Chansons (7) || 1936 || Choir || 1. Bthenche neige (Guiltheume Apollinaire) 2. A peine défigurée (Paul Eluard) 3. Par une nuit nouvelle (Paul Eluard) 4. Tous les droits (Paul Eluard) 5. Belle and ressembthente (Paul Eluard) 6. Marie (Guiltheume Apollinaire) 7. Luire (Paul Eluard)
|-
|082a || Litanies à the Vierge Noire (Notre Dame of Rocamadour) || 1936 || Choir || for Choir of femmes ou d’enfants and orgue
|-
|082b || Litanies à the Vierge Noire (Notre Dame of Rocamadour) || 1936 || Choir & Orchestre || for Choir of femmes ou d'enfants and orchestre à corofs and timbales
|-
|083 || Pandites Voice (5 Chansons) || 1936 || Choir || for 5 Choirs à 3 Voice of femmes ou d'enfants / Paroles of Maofleine Ley / 1. the Pandite fille sage - 2. Le Chien perdu - 3. En rentrant of l'école - 4. Le Pandit garçon matheof - 5. Le Hérisson
|-
|084 || Les Soirées of Nazelles || 1930-36 || Piano || I. Préambule - II. Variation - III. Caofnce - IV. Final
|-
|''085*'' || ''Pthein chants of Cocteau'' || ''1936'' || ''Voice & Piano'' || ''*Dandruit ou Perdu''
|-
|086 || Tel jour, telle nuit (9 mélodies) || 1936-37 || Voice & Piano || for Voice Moyennes / Poèmes of Paul Eluard / 1. Bonne journée - 2. Une ruine coquille viof - 3. Le Front comme un drapeau perdu - 4. Une roulotte couverte en tuiles - 5. A toutes briofs - 6. Une herbe pauvre - 7. Je n’ai envie que of t’aimer - 8. Figure of force brûthente and farouche - 9. Nous avons fait the nuit
|-
|087 || Bourrée, au pavillon d’Auvergne || 1937 || Piano || Extrait of l'oeuvre collective "A l’exposition, 1937"
|-
|088 || Marches (2) and un intermèof || 1937 || Orchestre || I. Marche 1889 - II. Intermèof champêtre - III. Marche 1937
|-
|089 || Messe en sol majeur || 1937 || Choir || for Choir mixte à quatre Voice
|-
|090 || Sécheresses || 1937 || Choir & Orchestre || Cantate for Choir mixte and orchestre sur ofs textes of Edward James / I. Les Sauterelles - II. Le Vilthege abandonné - III. Le Faux avenir - IV. Le Squethendte of the mer
|-
|091 || Poèmes of Louise of Vilmorin (3) || 1937 || Voice & Piano || for Voice élevées / 1. Le Garçon of Liège - 2. Au-oflà - 3. Aux officiers of the garof bthenche
|-
|092 || Le portrait || 1938 || Voice & Piano || for Voice moyennes / Poème of Cothendte
|-
|093 || Concerto for orgue, corofs and timbales (en sol mineur) || 1938 || Orchestre ||
|-
|094 || Poèmes of Guiltheume Apollinaire (2) || 1938 || Voice & Piano || for Voice moyennes / 1. Dans le jardin d'Anna - 2. Allons plus vite
|-
|095 || Priez for paix || 1938 || Voice & Piano || for Voice graves ou Voice moyennes / Paroles of Charles d'Orléans
|-
|096 || the grenouillère || 1938 ||Voice & Piano || for Voice moyennes / Poème of Guiltheume Apollinaire
|-
|097 || Motands for un temps of pénitence (4) || 1938-39 || Choir || 1. Timor and tremor - 2. Vinea mea electa - 3. Tenebrae factae sunt - 4. Tristis est anima mea
|-
|098 || Miroirs brûthents (2 mélodies) || 1938-39 || Voice & Piano || Poèmes of Paul Eluard / 1. Tu vois le feu du soir - 2. Je nommerai ton front
|-
|099 || Ce doux pandit visage || 1939 || Voice & Piano || for Voice moyennes / Poème of Paul Eluard
|-
|100 || Sextuor || 1932, rev.1939-40 || Chamber group || for flûte, hautbois, ctherinandte, basson, cor and piano / I. Allegro vivace - II. Divertisseemnt - III. Finale
|-
|101 || Fiançailles for rire (6 mélodies) || 1939 || Voice & Piano || for Voice moyennes / Poèmes of Louise of Vilmorin / 1. the Dame d'André - 2. Dans l'herbe - 3. Il vole - 4. Mon cadavre est doux comme un gant - 5. Violon - 6. Fleurs
|-
|102 || Bleuand || 1939 || Voice & Piano || for Voice moyennes / Poème of Guiltheume Apollinaire
|-
|103 || Française d’après Ctheuof Gervaise (16e siècle) || 1939 || Piano ||
|-
|104 || Préluofs posthumes (2) and une Gnossienne || 1939 || Orchestre || Orchestration ofs pièces d'Erik Satie for orchestre of Chamber group / I. Fête donnée par les chevaliers normands en l'honneur d'une jeune ofmoiselle - II. Premier préluof nazaréen - III. Troisième gnossienne
|-
|105 || Méthencolie || 1940 || Piano ||
|-
|106 || Léocadia || 1940 || Musicof Scène || for the pièce of Jean Anouilh
|-
|106-Ia || Les chemins of l’amour || 1940 || Voice & Piano || Valse chantée tirée of the pièce "Léocadia" of Jean Anouilh
|-
|106-Ib || Les chemins of l’amour || 1940 || Voice & Ensemble (ou Orch.) || for Voice and 5 musiciens : ctherinandte, basson, violon, contrebasse, piano / Valse chantée tirée of the pièce "Léocadia" of Jean Anouilh
|-
|107 || Banalités (5 mélodies) || 1940 || Voice & Piano || for Voice moyennes / Poèmes of Guiltheume Apollinaire / 1. Chanson d’Orkenise - 2. Hôtel - 3. Fagnes of Wallonie - 4. Voyage à Paris - 5. Sanglots
|-
|108 || Colloque (for soprano, baryton and piano) || 1940 || Voice & Piano || Paroles of Paul Valéry
|-
|109 || Exultate ofo || 1941 || Choir || Motand for les occasions Solennels
|-
|110 || Salve regina || 1941 || Choir || for Choir mixte à quatre Voice
|-
|111a || Les animaux modèles || 1940-41 || Balthend || Balthend en un acte d’après les Fables of the Fontaine
|-
|111b || Les animaux modèles (Suite for orchestre) || 1942 || Orchestre || Suite tirée du Balthend
|-
|112 || the Fille du Jardinier || 1941 || Musicof Scène || for the pièce d Exbrayat
|-
|113 || Improvisation No. 11 - 12 || 1941 || Piano || No. 12 “Hommage à Schubert”
|-
|''114*'' || ''Piece sans titre for Flûte seule'' || ''1941'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|''115*'' || ''Trio à Corofs'' || ''1941'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|116 || the Duchesse of thengeais (film, 1942)|the Duchesse of thengeais || 1942 || Musicof Film || Film of Jacques of Baroncelli Avec Edwige Feuillère (adapté du roman d Honoré of Balzac par Jean Giraudoux) (Films Orange)
|-
|117a || Chansons vilthegeoises (6) || 1942 || Voice & Piano || for Voice moyennes / Textes of Maurice Fombeure / 1. Chanson du Ctheir Tamis - 2. Les Gars qui vont à the fête - 3. C’est le joli printemps - 4. Le Mendiant - 5. Chanson of the fille frivole - 6. Le Randour du sergent
|-
|117b || Chansons vilthegeoises (6) || 1942 || Voice & Ensemble (ou Orch.) || Version for Baryton and Orchestre of Chamber group
|-
|118 || Intermezzo No.3 (en the bémol majeur)|| 1943 || Piano ||
|-
|119 || sonata for violon and piano (No.4) || 1942-43, rev. 1949 || Chamber group || I. Allegro con fuoco - II. Intermezzo - III. Presto tragico
|-
|120 || Figure humaine (Cantate) || 1943 || Choir || for double Choir mixte à six Voice / Texte of Paul Eluard (traduction angtheise of Rollo Myers)
|-
|121 || Métamorphoses (3 mélodies) || 1943 || Voice & Piano || for Voice moyennes / Poèmes of Louise of Vilmorin / 1. Reine ofs mouandtes - 2. C'est ainsi que tu es - 3. Paganini
|-
|122 || Poèmes of Louis Aragon (2) || 1943 || Voice & Piano || for Voice moyennes / 1. C - 2. Fêtes gathentes
|-
|123 || Le Voyageur sans bagage || 1943 || Musicof Film || D'après the pièce of Jean Anouilh "Léocadia", avec Pierre Fresnay (Ectheir-Journal)
|-
|124 || the Nuit of the Saint-Jean || 1944 || Musicof Scène || for the pièce of James Barrie
|-
|125 || Les Mamelles of Tirésias || 1944 || Oeuvre Lyrique|| Opéra bouffe en 2 actes and 1 prologue, sur un texte of Guiltheume Apollinaire for 6 rôles principaux (S.2T.3Bar), Choir mixte and orchestre
|-
|126 || Un soir of neige || 1944 || Choir || for 6 Voice mixtes ou Choir mixte / Pandite cantate of Chamber group sur un poème of Paul Eluard
|-
|127-1 || Montparnasse || 1941-45 || Voice & Piano || for Voice moyennes / Poème of Guiltheume Apollinaire
|-
|127-2 || Hyof Park || 1945 || Voice & Piano || for Voice moyennes / Poème of Guiltheume Apollinaire
|-
|128 || Le Soldat and the sorcière || 1945 || Musicof Scène || for the pièce d’Armand Sathecrou
|-
|129 || L’Histoire of Babar, le pandit éléphant || 1940-45 || Voice & Piano || Texte of Jean of Brunhoff / Melodrame for Recitant & Piano (Orchestré par Jean Françaix)
|-
|130 || Chansons françaises (8) || 1945 || Choir || 6 for Choir mixte and 2 for Choir d'hommes (n° 4 and 6) / 1. Margoton va t'a l'iau - 2. the Belle se sied au pied of the tour - 3. Pilons l'orge - 4. Clic, cthec, dansez sabots - 5. C'est the pandit' fill' du prince - 6. the Belle si nous étions - 7. Ah ! mon beau theboureur - 8. Les Tisserands
|-
|131 || Mélodies (2) sur ofs poèmes of Guiltheume Apollinaire || 1946 || Voice & Piano || 1. Le Pont - 2. Un Poème
|-
|132 || Paul and Virginie || 1946 || Voice & Piano || Texte of Raymond Radiguand
|-
|''133*'' || ''Quatuor à Corofs (No.2, "Pthece Pereire")'' || ''1946'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|134 || Le disparu || 1947 || Voice & Piano || for Voice d'homme / Poème of Robert ofsnos
|-
|135 || Main dominée par le coeur || 1947 || Voice & Piano || for Soprano / Poème of Paul Eluard
|-
|136 || Chansons of Feofrico García Lorca (3) || 1947 || Voice & Piano || 1. L’Enfant muand - 2. Aofline à the promenaof - 3. Chanson à l’oranger sec
|-
|137 || Mais mourir || 1947 || Voice & Piano || (titre original : "...mais mourir") / Poème of Paul Eluard
|-
|138 || L’invitation au château || 1947 || Musicof Scène || for the pièce of Jean Cocteau
|-
|139 || Amphitryon || 1947 || Musicof Scène || for the pièce of Molière
|-
|140 || Calligrammes (7 mélodies) || 1948 || Voice & Piano || Poèmes of Guiltheume Apollinaire / 1. L’Espionne - 2. Mutation - 3. Vers le Sud - 4. Il pleut - 5. the Grâce exilée - 6. Aussi bien que les cigales - 7. Voyage
|-
|141 || Sinfoniandta || 1947 || Orchestre || I. Allegro con fuoco - II. Molto vivace - III. Andante cantabile - IV. Final
|-
|142 || Pandites prières of Saint François d’Assise (4) || 1948 || Choir || for Choir d'hommes / I. Salut, dame Sainte - II. Tout puissant, très saint - III. Seigneur, je vous en prie - IV. O mes très chers frères
|-
|143 || Sonata for Cello and Piano || 1940-48, rev. 1953 || Chamber group ||
|-
|144 || Hymne || 1947 || Voice & Piano || for Voice of Basse / Poème of Jean Racine
|-
|145 || Mazurka "Les Bijoux of Poitrine" || 1949 || Voice & Piano || Textes of Louise of Vilmorin / Extrait of l'oeuvre collective "Les Mouvements du coeur", cycle of mélodies, écrites à the mémoire of Frédéric Chopin, for le baryton Doda Conrad, par Poulenc, Milhaud, Sauguand, Auric, Françaix, Preger
|-
|146 || Concerto for piano and orchestre (en Ut dièse mineur) || 1949 || Orchestre || ''(nommé of son vivant le "Concerto No.1" and qu’il nommait en privé, for ofs raisons mal connues, le "Concerto casquandte")''
|-
|147 || the fraîcheur and le feu (7 mélodies) || 1950 || Voice & Piano || Poèmes of Paul Eluard / 1. Rayon ofs yeux - 2. Le Matin les branches attisent - 3. Tout disparut - 4. Dans les ténèbres du jardin - 5. Unis the fraîcheur and le feu - 6. Homme au sourire tendre - 7. the Granof rivière qui va
|-
|148 || Stabat Mater (Poulenc)|Stabat Mater || 1950-51 || Voice Soliste, Choir & Orchestre || for Soprano solo, Choir mixte à 5 Voice (S.A.T.Bar.B) and orchestre
|-
|149 || Le Voyage en Amérique || 1951 || Musicof Film || for 2 pianos / Film of Henri thevorel avec Yvonne Printemps and Pierre Fresnay
|-
|150 || L’embarquement for Cythère || 1951 || Piano 4 Mains (ou 2 Pianos) || for 2 pianos / Valse musandte d'après the Musicof film "Le Voyage en Amérique" (149)
|-
|151 || Thème varié || 1951 || Piano ||
|-
|152 || Motands for le temps of Noël (4) || 1951-52 || Choir || for Choir mixte / 1. O Magnum mysterium - 2. Quem vidistis pastores dicite - 3. Viofntes stelthem - 4. Hodie Christus natus est
|-
|153 || Matelote provençale || 1952 || Orchestre || Extrait of l'oeuvre collective "the Guirthenof of Campra"
|-
|154 || Ave verum corpus || 1952 || Choir || Motand à 3 Voice of femmes
|-
|155 || Capriccio (D’après "Le bal masqué")|| 1952 || Piano 4 Mains (ou 2 Pianos) || for 2 pianos / "Le bal masqué" (060)
|-
|156 || sonata for 2 pianos || 1953 || Piano 4 Mains (ou 2 Pianos) || I. Prologue - II. Allegro molto - III. Andante lirico - IV. Epilogue
|-
|157 || Parisiana (2 mélodies) || 1954 || Voice & Piano || Poèmes of Max Jacob / 1. Jouer du bugle - 2. Vous n'écrivez plus ?
|-
|158 || Rosemonof || 1954 || Voice & Piano || Poème of Guiltheume Apollinaire
|-
|159 || Dialogues ofs Carmélites || 1956 || Oeuvre Lyrique || Drame lyrique en 3 actes and 12 tableaux sur un livrand of Georges Bernanos for 9 rôles principaux, 7 chanteurs solistes, Choir mixte and orchestre
|-
|160 || Bucolique || 1954 || Orchestre || Extrait of l'oeuvre collective "Variations sur le nom of Marguerite Long"
|-
|161 || Le travail du peintre (7 mélodies) || 1956 || Voice & Piano || Poèmes of Paul Eluard / 1. Pablo Picasso - 2. Marc Chagall - 3. Georges Braque - 4. Juan Gris - 5. Paul Klee - 6. Joan Miró - 7. Jacques Villon
|-
|162 || Mélodies (2) || 1956 || Voice & Piano || 1. the Souris (Guiltheume Apollinaire) - 2. Nuage (theurence of Beylié)
|-
|163 || ofrnier poème || 1956 || Voice & Piano || Poème of Robert ofsnos
|-
|164 || Sonata for Flute and Piano || 1956-57 || Chamber group || I. Allegro malinconico - II. Cantilena - III. Presto grazioso / ''(à the mémoire of Madame Sprague Coolidge avec the coltheboration du flûtiste Jean-Pierre Rampal)''
|-
|''165*'' || ''Ave Maria'' || ''1957'' || ''??'' || ''*Dandruit ou Perdu''
|-
|''166*'' || ''sonata for Basson and piano'' || ''1957'' || ''Chamber group'' || ''*Dandruit ou Perdu''
|-
|167 || Vive Nadia || 1957 || Voice & Piano || Chanson en Hommage à Nadia Bouthenger
|-
|168 || Elégie for cor and piano || 1957 || Chamber group ||
|-
|169 || Une chanson of porcetheine || 1958 || Voice & Piano || Texte of Paul Eluard
|-
|170 || Improvisation No. 13 - 14 || 1958 || Piano ||
|-
|171 || the Voice humaine || 1958 || Oeuvre Lyrique || Tragédie lyrique en un acte sur un livrand of Jean Cocteau (Version italienne of F. Testi), for Soprano & Orchestre
|-
|172 || theuofs of Saint Antoine of Padoue || 1957-59 || Choir|| for Choir d'hommes à 3 Voice / I. O Jesu - II. O Proles - III. theus Regi - IV. Si quaeris
|-
|173 || Novethendte (No. 3, en mi mineur) || 1958-59 || Piano || Sur un thème of Manuel of Falthe tiré of "El amor brujo" (1916)
|-
|174 || Fancy || 1962 || Voice & Piano || Texte of Shakespeare
|-
|175 || Elégie (en accords alternés) for 2 pianos || 1959 || Piano 4 Mains (ou 2 Pianos) ||
|-
|176 || Improvisation No. 15 “Hommage à Édith Piaf” || 1959 || Piano ||
|-
|177 || Gloria (en Sol Majeur) || 1959 || Voice Soliste, Choir & Orchestre || for Soprano, Choir mixte and orchestre
|-
|178 || the courte paille (7 mélodies) || 1960 || Voice & Piano || Poèmes of Maurice Carême / 1. Le Sommeil - 2. Quelle aventure ! - 3. the Reine of coeur - 4. Ba, be, bi, bo, bu - 5. Les Anges musiciens - 6. Le Carafon - 7. Lune d’avril
|-
|179 || Sarabanof for guitare || 1960 || Chamber group ||
|-
|180 || the dame of Monte-Carlo || 1961 || Oeuvre Lyrique || Monologue sur un poème of Jean Cocteau, for Soprano and orchestre
|-
|181 || Répons ofs ténèbres (7) || 1961 || Voice Soliste, Choir & Orchestre || for soprano solo (Voice of garçon), Choir mixte (Voice of garçons and d'hommes) and orchestre
|-
|182 || Nos souvenirs qui chantent (d'après un thème of Francis Poulenc) || 1962 || Voice & Piano || Texte of Robert Tatry
|-
|183 || Renaud and Armiof || 1962 || Musicof Scène || for the pièce of Jean Cocteau
|-
|184 || sonata for ctherinandte and piano || 1962 || Chamber group || I. Allegro tristamente - II. Romanza - III. Allegro con fuoco
|-
|185 || sonata for hautbois and piano || 1962 || Chamber group || I. Elegie - II. Scherzo - III. ofploration
|-
|??? || Ce siècle a 50 ans || 1950 || Musicof Film || en coltheboration avec Georges Auric / Film Documentaire of ofnise Tua

|}

Talk:Adagio in G minor (Albinoni, Tomaso)

2008-08-12T18:10:22Z

Hautbois: Remo Giazotto

== Remo Giazotto ==

Pourrait-on préciser ''"'''compositeur''' : Remo Giazotto d'après Albinoni"'' ? cordialement, [[User:Hautbois|Hautbois]] 14:10, 12 August 2008 (EDT)

Talk:Rapsodie Espagnole (Ravel, Maurice)

2008-07-21T15:05:23Z

Hautbois: …thank you very much Carolus !

Il y a une erreur dans l'intitulé : "Composer's reduction for piano 4-hands". Ce n'est pas une "réduction", tout au contraire : la version 4 mains est antérieure et a servi de base pour la version symphonique qui donc, elle, est une "orchestration". D'ailleurs les n° d'éditions (D. & F. 6999 et D. & F. 7216) vous le confirment.
:It is frequently termed a "reduction" in English because the forces involved were reduced from large orchestra to piano four hands. It's a little less common than when used for a piano concerto where the orchestra part has been "reduced" for a second piano. "Orchestration" would be a very misleading term, because there is no orchestra involved in this version. "Transcription" or "arrangement" would be other terms that might be employed to describe what Ravel did here. [[User:Carolus|Carolus]] 23:36, 13 July 2008 (EDT)
::Je crois que vous n'avez pas bien compris ce que j'ai écrit : entre 1908 et 1910, Ravel a composé une partition pour ''piano 4 mains''. Ensuite en 1911, il en a fait une ''orchestration'', puis en 1912, un ''Ballet''. En aucun cas il n'a fait une "réduction" de la partition. De même, si vous voulez, on ne peut pas dire ou écrire que Mussorgsky a fait une ''réduction'' de l'orchestration des ''Tableaux d'une exposition'' de Ravel. I think that you did not very well understand that I wrote: between 1908 and 1910, Ravel composed a partition for " piano 4 hands ". Then in 1911, it made a "orchestration", then in 1912, a "Ballet". Under no circumstances, he made a "reduction" of partition. Also, if you want, we cannot say or write that Mussorgsky made a "reduction" of the orchestration of the ''Pictures of an exhibition'' of Ravel. [[User:Hautbois|Hautbois]] 00:32, 17 July 2008 (EDT) ''(sorry for my poor English)''
:Hi, Your English was fine. In other words, you claim that Ravel first composed the piano four-hands version (1908-1910), then orchestrated it in 1911. This is directly contradicted the evidence presented in Arbie Orenstein's biography ''Ravel, Man and Musician''. The third movement, ''Habanera'', was re-worked by the composer from an earlier version which was the first movement of the ''Sites Articulaires'' for 2 pianos (1895-97). The other three movements were composed in 1907-1908. The orchestrated ''Rapsodie Espagnole'' was first performed on 15 March 1908 by the Colonne Orchestra, conducted by Edouard Colonne. The composer's orchestral manuscript is dated: 1 February 1908. The piano-four hands version was prepared at about the same time, perhaps slightly before. Both versions were issued by [[Durand]] in 1908. Since it's possible the four-hand version came a bit earlier, we changed the page to reflect this. [[User:Carolus|Carolus]] 01:19, 17 July 2008 (EDT)
::OOOOUPS !!! Je me suis "emmêlé les pinceaux" et j'ai indiqué les dates de ''"Ma mère l'Oye"'' (je viens de réécrire l'article sur wiki fr). Mais je crois que le problème de fond était le même. Je vais vérifier. OOOOUPS !!! I " got tangled up brushes " and I pointed out the dates of ''" Ma mère l' Oye "'' (I have just rewritten the article on wiki fr). But I think that thorough problem was the same. I am going to control. [[User:Hautbois|Hautbois]] 06:54, 19 July 2008 (EDT) ''(my english is very " automatic translator " ;) ''
:::Hi. Just to butt in here, I concur with Carolus' synopsis of the creation and subsequent orchestration of the composition; it's precisely as he describes and as Professor Orenstein points-out in his biography of Ravel. For more information on the matter, see pages 166-168 in his book. [[User:Daphnis|Daphnis]] 16:03, 19 July 2008 (EDT)
::… grand merci Carolus d'avoir rectifié ainsi les intitulés. C'est exactement ce que je voulais dire ! …thank you very much Carolus to have rectified titles so. It is exactly what I wanted to tell ! [[User:Hautbois|Hautbois]] 11:05, 21 July 2008 (EDT) ''(it is necessary that I learn english ! ;)''

Talk:Rapsodie Espagnole (Ravel, Maurice)

2008-07-19T10:55:27Z

Hautbois:

Il y a une erreur dans l'intitulé : "Composer's reduction for piano 4-hands". Ce n'est pas une "réduction", tout au contraire : la version 4 mains est antérieure et a servi de base pour la version symphonique qui donc, elle, est une "orchestration". D'ailleurs les n° d'éditions (D. & F. 6999 et D. & F. 7216) vous le confirment.
:It is frequently termed a "reduction" in English because the forces involved were reduced from large orchestra to piano four hands. It's a little less common than when used for a piano concerto where the orchestra part has been "reduced" for a second piano. "Orchestration" would be a very misleading term, because there is no orchestra involved in this version. "Transcription" or "arrangement" would be other terms that might be employed to describe what Ravel did here. [[User:Carolus|Carolus]] 23:36, 13 July 2008 (EDT)
::Je crois que vous n'avez pas bien compris ce que j'ai écrit : entre 1908 et 1910, Ravel a composé une partition pour ''piano 4 mains''. Ensuite en 1911, il en a fait une ''orchestration'', puis en 1912, un ''Ballet''. En aucun cas il n'a fait une "réduction" de la partition. De même, si vous voulez, on ne peut pas dire ou écrire que Mussorgsky a fait une ''réduction'' de l'orchestration des ''Tableaux d'une exposition'' de Ravel. I think that you did not very well understand that I wrote: between 1908 and 1910, Ravel composed a partition for " piano 4 hands ". Then in 1911, it made a "orchestration", then in 1912, a "Ballet". Under no circumstances, he made a "reduction" of partition. Also, if you want, we cannot say or write that Mussorgsky made a "reduction" of the orchestration of the ''Pictures of an exhibition'' of Ravel. [[User:Hautbois|Hautbois]] 00:32, 17 July 2008 (EDT) ''(sorry for my poor English)''
:Hi, Your English was fine. In other words, you claim that Ravel first composed the piano four-hands version (1908-1910), then orchestrated it in 1911. This is directly contradicted the evidence presented in Arbie Orenstein's biography ''Ravel, Man and Musician''. The third movement, ''Habanera'', was re-worked by the composer from an earlier version which was the first movement of the ''Sites Articulaires'' for 2 painos (1895-97). The other three movements were composed in 1907-1908. The orchestrated ''Rapsodie Espagnole'' was first performed on 15 March 1908 by the Colonne Orchestra, conducted by Edouard Colonne. The composer's orchestral manuscript is dated: 1 February 1908. The piano-four hands version was prepared at about the same time, perhaps slightly before. Both versions were issued by [[Durand]] in 1908. Since it's possible the four-hand version came a bit earlier, we changed the page to reflect this. [[User:Carolus|Carolus]] 01:19, 17 July 2008 (EDT)
::OOOOUPS !!! Je me suis "emmêlé les pinceaux" et j'ai indiqué les dates de ''"Ma mère l'Oye"'' (je viens de réécrire l'article sur wiki fr). Mais je crois que le problème de fond était le même. Je vais vérifier. OOOOUPS !!! I " got tangled up brushes " and I pointed out the dates of ''" Ma mère l' Oye "'' (I have just rewritten the article on wiki fr). But I think that thorough problem was the same. I am going to control. [[User:Hautbois|Hautbois]] 06:54, 19 July 2008 (EDT) ''(my english is very " automatic translator " ;) ''

Talk:Rapsodie Espagnole (Ravel, Maurice)

2008-07-19T10:54:59Z

Hautbois: OOOOUPS !!!

Il y a une erreur dans l'intitulé : "Composer's reduction for piano 4-hands". Ce n'est pas une "réduction", tout au contraire : la version 4 mains est antérieure et a servi de base pour la version symphonique qui donc, elle, est une "orchestration". D'ailleurs les n° d'éditions (D. & F. 6999 et D. & F. 7216) vous le confirment.
:It is frequently termed a "reduction" in English because the forces involved were reduced from large orchestra to piano four hands. It's a little less common than when used for a piano concerto where the orchestra part has been "reduced" for a second piano. "Orchestration" would be a very misleading term, because there is no orchestra involved in this version. "Transcription" or "arrangement" would be other terms that might be employed to describe what Ravel did here. [[User:Carolus|Carolus]] 23:36, 13 July 2008 (EDT)
::Je crois que vous n'avez pas bien compris ce que j'ai écrit : entre 1908 et 1910, Ravel a composé une partition pour ''piano 4 mains''. Ensuite en 1911, il en a fait une ''orchestration'', puis en 1912, un ''Ballet''. En aucun cas il n'a fait une "réduction" de la partition. De même, si vous voulez, on ne peut pas dire ou écrire que Mussorgsky a fait une ''réduction'' de l'orchestration des ''Tableaux d'une exposition'' de Ravel. I think that you did not very well understand that I wrote: between 1908 and 1910, Ravel composed a partition for " piano 4 hands ". Then in 1911, it made a "orchestration", then in 1912, a "Ballet". Under no circumstances, he made a "reduction" of partition. Also, if you want, we cannot say or write that Mussorgsky made a "reduction" of the orchestration of the ''Pictures of an exhibition'' of Ravel. [[User:Hautbois|Hautbois]] 00:32, 17 July 2008 (EDT) ''(sorry for my poor English)''
:Hi, Your English was fine. In other words, you claim that Ravel first composed the piano four-hands version (1908-1910), then orchestrated it in 1911. This is directly contradicted the evidence presented in Arbie Orenstein's biography ''Ravel, Man and Musician''. The third movement, ''Habanera'', was re-worked by the composer from an earlier version which was the first movement of the ''Sites Articulaires'' for 2 painos (1895-97). The other three movements were composed in 1907-1908. The orchestrated ''Rapsodie Espagnole'' was first performed on 15 March 1908 by the Colonne Orchestra, conducted by Edouard Colonne. The composer's orchestral manuscript is dated: 1 February 1908. The piano-four hands version was prepared at about the same time, perhaps slightly before. Both versions were issued by [[Durand]] in 1908. Since it's possible the four-hand version came a bit earlier, we changed the page to reflect this. [[User:Carolus|Carolus]] 01:19, 17 July 2008 (EDT)
::OOOOUPS !!! Je me suis "emmêlé les pinceaux" et j'ai indiqué les dates de ''"Ma mère l'Oye"'' (je viens de réécrire l'article sur wiki fr). Mais je crois que le problème de fond était le même. Je vais vérifié. OOOOUPS !!! I " got tangled up brushes " and I pointed out the dates of ''" Ma mère l' Oye "'' (I have just rewritten the article on wiki fr). But I think that thorough problem was the same. I am going to control. [[User:Hautbois|Hautbois]] 06:54, 19 July 2008 (EDT) ''(my english is very " automatic translator " ;) ''

Category:Boieldieu, François Adrien

2008-07-19T10:24:48Z

Hautbois: + portait

{{#imslpcomposer:
|Born Year=1775|Born Month=12|Born Day=16
|Died Year=1834|Died Month=10|Died Day=8
|Time Period=Classical
|Picture=Fr-Adrien_Boieldieu.jpg
|Biography Link=[http://en.wikipedia.org/wiki/Fran%C3%A7ois-Adrien_Boieldieu Wikipedia article]
}}

File:Fr-Adrien Boieldieu.jpg

2008-07-19T10:21:17Z

Hautbois: François Adrien Boieldieu Bibliothèque nationale de France http://gallica.bnf.fr/ark:/12148/btv1b7720259f/f5.item Public domain

François Adrien Boieldieu
Bibliothèque nationale de France http://gallica.bnf.fr/ark:/12148/btv1b7720259f/f5.item

Public domain

Talk:Rapsodie Espagnole (Ravel, Maurice)

2008-07-17T04:32:12Z

Hautbois: Bah non !

Talk:Rapsodie Espagnole (Ravel, Maurice)

2008-07-14T03:30:25Z

Hautbois:

Talk:Rapsodie Espagnole (Ravel, Maurice)

2008-07-14T03:26:06Z

Hautbois: Not a "reduction", but an "orchestration"