IMSLP - User contributions [en]

Category:Blazy, Maurice

2019-02-26T12:31:08Z

JKhkJHA9kjglkj:

{{MoreInfo|Maurice Blazy|dates of birth and death, or biography links}}

{{#imslpcomposer:
|Born Year=1873|Born Month=09|Born Day=16
|Died Year=1933|Died Month=12|Died Day=21
|Time Period=Early 20th century
|Picture=Blazy.jpg
|Biography Link=
|Extra Information=Blazy's most notable distinction is that of being Louis Vierne's teacher. The Elévation movement from Vierne's final composition, ''Messe Basse pour les défunts (Low Mass for the Departed)'' is dedicated to his memory. Blazy died in a tragic accident after being hit outside his house by a bus.
}}

Arien (Krieger, Adam)

2019-02-14T12:38:58Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP97036-DDT019_-_Krieger,_Adam_-_Arias.pdf
|File Description 1=Complete Score
|Page Count 1=194
|Editor=A. Heuss
|Image Type=Normal Scan
|Scanner={{BSB}}
|Uploader=[[User:Ctesibius|ctesibius]]
|Date Submitted=2009/11/5
|Publisher Information={{DeutscherTonkunst|19|1905|XIX}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Neue Arien Anno 1676
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Number of Movements/Sections=in 5 "decades"
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1667
|Genre=Aria
|Librettist=
|Language=German
|Piece Style=Baroque
|Instrumentation=1, 2 or 5 voices (S/SS/SSATB/ST/SB/TT), continuo, with ritornelli for strings
|Tags=arias ; sop str bc ; 2sop str bc ; 2ten str bc ; 2sop alt ten bass str bc ; sop ten str bc ; sop bass str bc ; de

| *****COMMENTS***** =
Das einzige Werk Krieger’s, welches sich erhalten, hat folgenden Titel: „Herrn Adam Krieger’s, Churf. Durchl. zu Sachsen etc. wohlbestalt gewesenen Cammer- und Hofmusici, Neue Arien, In 5 Zahlen eingetheilet, von Einer, Zwo, Drey und Fünf Vocal-Stimmen, benebst ihren Ritornellen, aus zwey Violinen, zwey Violen und einem Violon, sammt dem Basso Continuo zu singen und zu spielen. So nach seinem Seel. Tode erst zusammengebracht, und zum Druck befördert worden“ (Dresden 1667, Fol.). Im J. 1676 erschien in Dresden unter demselben Titel und derselben äußeren Erscheinung eine zweite, mit zehn Arien vermehrte Ausgabe.

| *****END OF TEMPLATE***** }}

Arien (Krieger, Adam)

2019-02-14T12:32:37Z

JKhkJHA9kjglkj:

Adoramus te (Gasparini, Francesco)

2019-01-23T08:13:20Z

JKhkJHA9kjglkj: moved Adoramus te (Gasparini, Francesco) to Adoramus te (Gasparini, Quirino): misattribution

#REDIRECT [[Adoramus te (Gasparini, Quirino)]]

Adoramus te (Gasparini, Quirino)

2019-01-23T08:13:19Z

JKhkJHA9kjglkj: moved Adoramus te (Gasparini, Francesco) to Adoramus te (Gasparini, Quirino): misattribution

{{mbox|This composition was formerly attributed to [[:Category:Mozart, Wolfgang Amadeus|Wolfgang Amadeus Mozart]] (K.327)}}

{{#fte:imslppage
| *****AUDIO***** =
===Recordings===
=====For 2 Trumpets and 2 Trombones (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=PMLP365561-AdoChr.mp3
|File Description 1=Complete Performance
|Audio Length 1=
|Performers=Michel Rondeau, Marthe Jobidon (trumpets), Eric Vaillancourt, Steve Guerin (trombones)
|Performer Categories=Rondeau, Michel=Trumpet
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/19
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP158889-Mozart_Werke_Breitkopf_Serie_03_KV327.pdf
|File Description 1=Complete Score
|Page Count 1=2
|Editor={{LinkEd|Gustav|Nottebohm}} (1817–1882)
|Image Type=Normal Scan
|Scanner={{Lodz}}
|Uploader=[[User:Piupianissimo|piupianissimo]]
|Date Submitted=2010/9/12
|Publisher Information={{MozartComplete|III: Kleinere geistliche Gesangwerke, Bd.2, No.30|327|1880|121-122}}
|Copyright=Public Domain
|Thumb Filename=TN-Mozart_Werke_Breitkopf_Serie_03_KV327.jpg
|Sample Filename=PV-Mozart_Werke_Breitkopf_Serie_03_KV327.jpg
|Misc. Notes=Originally scanned at 300dpi grayscale, [[Image Conversion|converted to 600dpi monochrome]].
}}
{{#fte:imslpfile
|File Name 1=PMLP158889-Adoramus_Te.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Rodrigo|Ruelas Villela|1990|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Rodrigo Ruelas Villela|RRV]]
|Date Submitted=2017/9/6
|Publisher Information=Durango: Rodrigo Ruelas Villela, 2017.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP158889-Adoramus_Te-5960.jpg
|Misc. Notes=
}}

===Arrangements and transcriptions===
=====For 2 Trumpets and 2 Trombones (Rondeau)=====
{{#fte:imslpfile
|File Name 1=WIMA.816a-GASco.pdf
|File Name 2=WIMA.9b53-GATrp1.pdf
|File Name 3=WIMA.a57e-GATrp2.pdf
|File Name 4=WIMA.a2a5-GATrb.pdf
|File Name 5=WIMA.aafb-GABtrb.pdf
|File Name 6=WIMA.6911-GA.zip
|File Description 1=Complete score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|File Description 6=Engraving files (Finale)
|Page Count 1=
|Page Count 2=
|Page Count 3=
|Page Count 4=
|Page Count 5=
|Page Count 6=
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=Michel Rondeau
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/19
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Adoramus te
|Alternative Title=
|Opus/Catalogue Number=(K.327 ; K6.Anh.A10)
|Key=C minor
|Number of Movements/Sections=1
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=Latin
|Piece Style=Classical
|Instrumentation=mixed chorus, organ
|Tags=motets ; ch bc ; ch org ; la

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Category:La Pierre, Monsieur de

2019-01-16T11:42:28Z

JKhkJHA9kjglkj:

{{MoreInfo|Monsieur de La Pierre|dates of birth and death, or biography links}}

{{#fte:composer
|Alternate Names=Paul de la Pierre
|Born Year=1612|Born Month=01|Born Day=07
|Died Year=1689|Died Month=|Died Day=
|Time Period=Baroque
|Nationality=French
|Sex=male
|Biography Link=The '''De la Pierre''' family counts many musicians like : '''Paul de la Pierre''', born in Avignon (France) (bap. 7 Jan 1612), established himself in Turin (Italy) ca. 1662, where he died around 1689.
According to Davitt Moroney, '''M. de la Pierre le vieux''' is probably ''Monsieur Paul de la Pierre'' who had several children: '''M. de la Pierre L'ésné''' (l'aine,the elder),also named Paul (Paolo) (born c.1637-died after 1689) and a younger son, '''Théophyle de la Pierre''', which daughter Jeanne (Giovanna) Constance will become Marc-Roger Normand's spouse in 1725.
Several harpsichord pieces by those composers are handwritten in the ''Livre de Tablature de Clavescin de Mr. de Druent écrit par Couperin'' [https://imslp.org/wiki/Category:Normand%2C_Marc_Roger (Marc-Roger Normand)], Turin (ca.1695). Minkoff Reprint (1998). Davitt Moroney editor.

A link between this family and Mademoiselle de la Pierre* is plausible but has not been asserted yet.
* [https://gallica.bnf.fr/ark:/12148/btv1b52510086n.r=Mademoiselle%20de%20la%20Pierre?rk=21459;2 ''Manuscrit de Mademoiselle de La Pierre''] (v. 1687), Bibliothèque nationale de France (Rés. Vmd ms.18).
|List Pages={{viaf|74119496}}
}}

Vergin tutto amor (Durante, Francesco)

2019-01-08T15:35:20Z

JKhkJHA9kjglkj: Added 1 files to Vergin tutto amor (Durante, Francesco)

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP70768-Vergin_tutt-amor.pdf
|File Description 1=Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2019/1/8
|Publisher Information={{P|Durand||Paris|1874|||}}
|Copyright=Public Domain
|Misc. Notes=Echos d'Italie. 6 volume. Les maîtres italiens des XVII° et XVIII° siècles.
}}

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect, although Vergin tutta amor is acceptable), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}}

| *****END OF TEMPLATE***** }}

File:PMLP70768-Vergin tutt-amor.pdf

2019-01-08T15:35:19Z

JKhkJHA9kjglkj:

Vergin tutto amor (Durante, Francesco)

2019-01-08T13:17:43Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect, although Vergin tutta amor is acceptable), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}}

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T12:49:06Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=after {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2 (late edition), p.101 (key changed,originally should be in D minor)
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect, although Vergin tutta amor is acceptable), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}}

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T12:47:24Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=after {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890 (key changed,originally should be in D minor)
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect, although Vergin tutta amor is acceptable), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}}

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T12:23:32Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=after {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890 (key changed,originally should be in D minor)
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect, although Vergin tutta amor is acceptable), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T12:21:34Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=after {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890 (key changed,originally should be in D minor)
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T11:25:00Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=after {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890 (key changed,originally should be in D minor)
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874,edited by {{Plain|https://imslp.org/wiki/Category:Pagans,_Lorenzo|L.Pagans}} (1833-1883),a spanish tenor,who may set the words and the arrangement.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T10:47:28Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874,edited by {{Plain|https://imslp.org/wiki/Category:Pagans,_Lorenzo|L.Pagans}} (1833-1883),a spanish tenor,who may set the words and the arrangement.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890

| *****END OF TEMPLATE***** }}

Vergin tutto amor (Durante, Francesco)

2019-01-08T10:46:23Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =
=====For Voice and Piano (Valls)=====
{{#fte:imslpaudio
|File Name 1=PMLP70768-Vergin_Tutt'Amor_(Cm).mp3
|File Description 1=Piano Accompaniment (C minor)
|Performers=
|Performer Categories=Valls, Héctor=Piano
|Uploader=[[User:Free Pianist|Free Pianist]]
|Date Submitted=2016/11/9
|Publisher Information=Héctor Valls
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Piano accompaniment only.
}}

| *****FILES***** =

===Arrangements and Transcriptions===
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-twentyfouritalia00newy_38-40.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/11/6
|Publisher Information={{P|Schirmer||New York||1894||41573}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Voice and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP70768-vergin_tutto_amor-durante2.pdf
|File Name 2=PMLP70768-vergin_tutto_amor-durante-high.pdf
|File Description 1=Complete Score (low)
|File Description 2=Complete Score (high)
|Editor={{LinkEd|Niksa|Lendic}}
|Image Type=Typeset
|Scanner=nlendic
|Uploader=[[User:Nlendic|nlendic]]
|Date Submitted=2009/5/7
|Publisher Information=Edition Lendic
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Organ=====
{{#fte:imslpfile
|File Name 1=PMLP70768-Durante-Largo_religioso-01.pdf
|File Description 1=Complete Score (D minor)
|Editor=Ronia
|Image Type=Typeset
|Scanner=Ronia
|Uploader=[[User:Ronia|Ronia]]
|Date Submitted=2016/2/15
|Publisher Information=Ronia
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vergin tutto amor
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Librettist={{LinkLib|Lorenzo|Pagans}}?
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice, continuo
|Tags=solfeggios ; v bc ; it

| *****COMMENTS***** =
According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, ''Danza, danza fanciulla'' and ''Vergin tutt’ amore'', are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874,edited by {{Plain|https://imslp.org/wiki/Category:Pagans,_Lorenzo|L.Pagans}}) (1833-1883),a spanish tenor,who may set the words and the arrangement.
In modern form with the romantic piano accompaniment it was published by {{Plain|https://imslp.org/wiki/Category:Parisotti,_Alessandro|A.Parisotti}} (1853-1913) in {{Plain|https://imslp.org/wiki/Arie_Antiche_(Parisotti,_Alessandro)|Arie Antiche}} vol.2,1890

| *****END OF TEMPLATE***** }}

Flee as a Bird (Shindler, Mary S. B.)

2018-12-27T11:26:30Z

JKhkJHA9kjglkj:

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP737239-Dana_M-Flee_as_a_bird-orig.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner={{Plain|http://digitalcommons.conncoll.edu/sheetmusic/|CT Coll.}}
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2016/12/30
|Publisher Information={{P|Ditson|Oliver Ditson & Co.|Boston||1857||8907}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP737239-sabco00root_0375.jpg.pdf
|File Description 1=Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/12/27
|Publisher Information={{P|Mason Brothers||New York|1856|||}}
|Copyright=Public Domain
|Misc. Notes=first known publication (The Sabbath Bell p. 373)
}}

===Arrangements and Transcriptions===
=====For 2 Guitars (Weidt)=====
{{#fte:imslpfile
|File Name 1=PMLP737239-Weidt_A_J-Flee_as_a_Bird-orig.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Albert John|Weidt}} (1866-1945)
|Editor=
|Image Type=Normal Scan
|Scanner={{Plain|http://www.meantone.com/|Coester}}
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2016/12/30
|Publisher Information={{P|Walter Jacobs||Boston||1905||1191}}
|Copyright=Public Domain
|Misc. Notes=The source file is extracted from "Jacobs' Easy Guitar Collection of Solos and Duets Vol.11: 12 Duets"
}}
{{#fte:imslpfile
|File Name 1=PMLP737239-Weidt_Flee_as_a_Bird.pdf
|File Name 2=PMLP737239-Weidt_Flee_as_a_Bird_tab.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (tablature)
|Arranger={{LinkArr|Albert John|Weidt|1866|1945}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Marieh|Marieh]]
|Date Submitted=2017/8/31
|Publisher Information=Marieh
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Flee as a Bird
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Movements Header=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1856 or earlier
|Librettist=
|Language=English
|Piece Style=Romantic
|Instrumentation=voice, piano
|Tags=sacred songs ; v pf ; en

| *****COMMENTS***** =
Melody thought to be anonymous after a spanish (in 1893 edition {{Plain|https://hymnary.org/hymn/SS21893/86|'italian'}}) tune.
{{Plain|http://www.pdmusic.org/root-gf.html|This site}} states autor (arranger) is {{Plain|https://imslp.org/wiki/Category:Root,_George_Frederick|George Frederick Root}}

| *****END OF TEMPLATE***** }}

Flee as a Bird (Shindler, Mary S. B.)

2018-12-27T11:25:45Z

JKhkJHA9kjglkj: Added 1 files to Flee as a Bird (Dana, Mary S.B.)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP737239-Dana_M-Flee_as_a_bird-orig.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner={{Plain|http://digitalcommons.conncoll.edu/sheetmusic/|CT Coll.}}
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2016/12/30
|Publisher Information={{P|Ditson|Oliver Ditson & Co.|Boston||1857||8907}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP737239-sabco00root_0375.jpg.pdf
|File Description 1=Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JKhkJHA9kjglkj|JKhkJHA9kjglkj]]
|Date Submitted=2018/12/27
|Publisher Information={{P|Mason Brothers||New York|1856|||}}
|Copyright=Public Domain
|Misc. Notes=first known publication (The Sabbath Bell p. 373)
}}

===Arrangements and Transcriptions===
=====For 2 Guitars (Weidt)=====
{{#fte:imslpfile
|File Name 1=PMLP737239-Weidt_A_J-Flee_as_a_Bird-orig.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Albert John|Weidt}} (1866-1945)
|Editor=
|Image Type=Normal Scan
|Scanner={{Plain|http://www.meantone.com/|Coester}}
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2016/12/30
|Publisher Information={{P|Walter Jacobs||Boston||1905||1191}}
|Copyright=Public Domain
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| *****COMMENTS***** =
Melody thought to be anonymous after a spanish (in 1893 edition {{Plain|https://hymnary.org/hymn/SS21893/86|'italian'}}) tune.
{{Plain|http://www.pdmusic.org/root-gf.html|This site}} states autor (arranger) is {{Plain|https://imslp.org/wiki/Category:Root,_George_Frederick|George Frederick Root}}

first known publication in 1856 (The Sabbath Bell p. 373)

| *****END OF TEMPLATE***** }}

File:PMLP737239-sabco00root 0375.jpg.pdf

2018-12-27T11:25:41Z

JKhkJHA9kjglkj:

Flee as a Bird (Shindler, Mary S. B.)

2018-12-27T10:55:27Z

JKhkJHA9kjglkj:

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===Arrangements and Transcriptions===
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Melody thought to be anonymous after a spanish (in 1893 edition {{Plain|https://hymnary.org/hymn/SS21893/86|'italian'}}) tune.
{{Plain|http://www.pdmusic.org/root-gf.html|This site}} states autor (arranger) is {{Plain|https://imslp.org/wiki/Category:Root,_George_Frederick|George Frederick Root}}

first known publication in 1856 (The Sabbath Bell p. 373)

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Flee as a Bird (Shindler, Mary S. B.)

2018-12-27T10:54:48Z

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===Arrangements and Transcriptions===
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Melody thought to be anonymous after a spanish (in 1896 edition {{Plain|https://hymnary.org/hymn/SS21893/86|'italian'}}) tune.
{{Plain|http://www.pdmusic.org/root-gf.html|This site}} states autor (arranger) is {{Plain|https://imslp.org/wiki/Category:Root,_George_Frederick|George Frederick Root}}

first known publication in 1856 (The Sabbath Bell p. 373)

| *****END OF TEMPLATE***** }}

Flee as a Bird (Shindler, Mary S. B.)

2018-12-27T10:50:43Z

JKhkJHA9kjglkj:

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| *****COMMENTS***** =
Melody thought to be anonymous after a spanish (in 1896 edition 'italian') tune.
{{Plain|http://www.pdmusic.org/root-gf.html|This site}} states autor (arranger) is {{Plain|https://imslp.org/wiki/Category:Root,_George_Frederick|George Frederick Root}}

first known publication in 1856 (The Sabbath Bell p. 373)

| *****END OF TEMPLATE***** }}

Flee as a Bird (Shindler, Mary S. B.)

2018-12-27T10:49:21Z

JKhkJHA9kjglkj:

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===Arrangements and Transcriptions===
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| *****COMMENTS***** =
Melody thought to be anonymous after a spanish (in 1896 edition 'italian') tune.
{{Plain|http://www.pdmusic.org/root-gf.htm|This site}} states autor (arranger) is {{Plain|https://imslp.org/wiki/Category:Root,_George_Frederick|George Frederick Root}}

first known publication in 1856 (The Sabbath Bell p. 373)

| *****END OF TEMPLATE***** }}

A System of Technique (Dunham, Henry Morton)

2018-12-02T09:36:38Z

JKhkJHA9kjglkj: Added 1 files to A System of technique (Dunham, Henry Morton)

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| *****WORK INFO*****

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File:PMLP889709-A System of technique.pdf

2018-12-02T09:36:37Z

JKhkJHA9kjglkj:

Exercises in Pedal Playing, Op.11 (Dunham, Henry Morton)

2018-12-02T09:36:23Z

JKhkJHA9kjglkj:

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A System of Technique (Dunham, Henry Morton)

2018-12-02T09:34:32Z

JKhkJHA9kjglkj:

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A System of Technique (Dunham, Henry Morton)

2018-12-02T09:34:11Z

JKhkJHA9kjglkj: Create work

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Exercises in Pedal Playing, Op.11 (Dunham, Henry Morton)

2018-12-02T08:58:28Z

JKhkJHA9kjglkj: Added 1 files to Exercises in pedal playing (Dunham, Henry Morton)

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File:PMLP889700-Exercises in pedal playing.pdf

2018-12-02T08:58:25Z

JKhkJHA9kjglkj:

Exercises in Pedal Playing, Op.11 (Dunham, Henry Morton)

2018-12-02T08:51:31Z

JKhkJHA9kjglkj: Create work

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Ein Schön Nutz unnd Gebreüchlich Orgel Tabulaturbüch (Paix, Jakob)

2018-12-01T07:47:09Z

JKhkJHA9kjglkj:

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|Misc. Notes=[http://www.loc.gov/item/consortium.bl_004566938/ Detailed description] by Library of Congress.
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|Work Title=Ein Schön Nutz- unnd Gebreüchlich Orgel Tabulaturbüch
|Alternative Title=Ein Schoen Nutz- vnnd Gebreüchlich Orgel Tabulaturbüch. Darinnen etlich der berümbten Componisten, beste Moteten, mit 12. 8. 7. 6. 5. und 4. Stimmen ausserlesen, dieselben auff alle fürneme Festa des gantzen Jars, und zü dem Chormas gesetzt. Zü letzt auch allerhand der schönsten Lieder, Pass' è mezzo und Täntz, Alle mit grossem fleiß Coloriert. Zü trewem dienst den liebhabern diser Kunst, selb Corrigiert und in Truck verwilligt. Von Iacobo Paix Augustano, diser zeit Organist zü Laugingen.
|Opus/Catalogue Number=
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:f. = folio, numérotation de page à la main; ( ) no de page du PDF

:Dédicace au Dr. Johann Lobbet (en latin) f. 2 (3)
:''An den Käuffer'' (avertissement en allemand) f. 4 (7)
:3 Poèmes (en latin) f. 5 (9)
:Index (sommaire) f. 6 (11)

'''Sacred Hymns'''

'''Præambulum.''' ''Certa fortiter, Ora ferventer''. Orlandus f. 7 (13)

'''In Resurrectione Domini.'''
:1. ''Congratulamini mihi omnes''. Orlandus f. 8a (16)
::Secunda Pars : ''Tulerunt Dominum meum'' (21)
:2. ''Angelus Domini''. Aloysius f. 13a (26)
::Secunda Pars : ''Et introeuntes'' f. 16a (32)
:3. ''Surgens Jesus''. Orlandus f. 19a (38)

'''In Ascensione Domini.'''
:4. ''Viri Galilei''. Aloysius f. 21a (42)
::Secunda Pars : ''Ascendit Deus et Jubilatione'' f. 23a (46)
:5. ''Jubilate Domino''. Gilis Paix f. 25a (50)

'''In die pentecostes.'''
:6. ''Veni sancte Spiritus''. Josquin f. 27a (54)
::Secunda Pars : ''O Lux beatissima'' f. 30a (60)
:7. ''Dum complerentur''. Aloysius f. 33a (66)
::Secunda pars : ''Dum ergo essent'' f. 35a (70)

'''In Festo Trinitatis.'''
:8. ''O Beata & gloriosa Trinitas''. Aloysius f. 37a (74)
::Secunda pars : ''O Vera summa sempiterna Trinitas'' f. 40 (79)

'''In Adventu Domini.'''
:9. ''Jerusalem plantabis vineam''. Orlandus f. 42a (84)
::Secunda pars : ''Gaude & Lætare Jacob'' f. 44 (87)

'''In die Natalis Domini.'''
:10. ''Hodie Christus natus est''. Aloysius f. 46 (91)
:11. ''Laudate Dominum''. Orlandus f. 49 (97)
:12. ''Hæc dies quam fecit Dominus''. Aloysius f. 53 (105)
:13. ''Nucium vobis''. Orlandus f. 54 (108)
::Secunda pars : ''Thus Deo mirrham'' f. 55a (110)

'''In S. Stephani.'''
:14. ''Lapidabant Stephanum''. Aloysius f. 56a (112)

'''In S. Joannis.'''
:15. ''Valde honorandus est''. Aloysius f. 59a (118)

'''In Circuncisionis Domini.'''
:16. ''Senex puerum''. Aloysius f. 61a (122)
::Secunda pars : ''Hodie Beata virgo Maria'' f. 61 (127)

'''In Epiphania Domini.'''
:17. ''Tribus miraculis''. Aloysius f. 66a (132)

'''In Annuntiatione Beatæ Mariæ.'''
:18. ''Ave Maria''. Riccius f. 69 (137)
:19. ''Vita in ligno''. Senflius f. 70a (140)
::Secunda pars : ''Qui Prophetice'' f. 72a (144)
::Tertia pars : '''Qui expansis''' f. 74 (147)

'''In S. Ceciliæ.'''
:20. ''Cantantibus Organis''. Aloysius f. 75a (150)
::Secunda pars : ''Biduanis ac triduanis'' f. 77a (154)

'''Epithalamium.'''
:21. ''Beati omnes''. Orlandus f. 79a (158)
::Secunda pars : ''Ecce sic benedicetur'' f. 82 (163)

'''In dedicatione Templi.'''
:22. ''Decantabat populus in Israel''. Clemens f 83a (166)

'''Pro pace.'''
:23. ''Da pacem Domine''. Orlandus f. 86 (171)

'''Oration afflicti.'''
:24. ''Domine quid multiplicati sunt''. Jacobus Paix f. 87a (174)

'''Oratio Domini'''
:25. ''Pater noster''. Aloysius f. 88a (176)
:[25.1] Phantasia primi toni. f. 91 (181)
:[25.2] Phantasia septimi toni. f. 93 (185)

'''Gratiarum actio.'''
:[25b]. ''Benediction et Claritas''. Orlandus f. 95 (189)

Finis. Ende der Moteten und Phantasien. Folgen nun außerlesen keiner Sprachen schöne Lieder, Pass’è mezzo, und güte neiue Teutsche Tänz.

'''Various songs'''
:26. ''Alma d’Amor''. Phil. de Monte f. 97 (193)
:27. ''Nasce la pena mia''. Strigio (Alessandro Striggio) f. 99 (197)
:28. ''Le de partir''. Orlandus f. 101 (201)
:29. ''Resonet in laudibus''. Waltherus f. 103 (205)
:30. ''Erhalt uns Herr''. Jacobus Paix f. 105 (208)
:31. ''Susanna frumm''. Orlandus f. 105 (209)
:32. ''Non è lasso martire''. Cyprianus f. 107 (213)
:33. ''Onques amour''. Crequilon f. 108a (216)
:34. ''Die grosse Schlacht'' (La bataille). Janequin f. 110 (219)
::Secunda Pars : ''Fan Fan Feyne'' f. 112a (224)
:35. ''Ist keiner hie[r]''. Orlandus f. 116 (231)
:36. ''Im Mayen''. Orlandus f. 117a (234)
:37. ''Die alte Schwi[e]ger : Mein Man der ist in Krieg zogen''. Utentaler f. 118a (236)
::Ander Thail. ''In welchs Hauß wöllt ihr dann ziehen'' f. 120 (239)
:38. ''Elle s’en va de moy''. Orlandus f. 122a (244)
:39. ''Der Liendel alle tag trat zu der''. Ivo f. 123a (246)
::Ander Thail. ''Lauff mein lieber Liendel lauff'' f. 124a (248)
:40. ''Es war einmal eins Baurn Döcht''. Uten. f. 125a (250)
:41. ''Der Liendel alle tag der war''. Jacobus Paix f. 126 (251)
:42. ''Auff Gnad so will ichs heben an''. Jacobus Paix f. 127 (253)
:43. ''Recht so man acht unnd wol''. Jacobus Paix f. 128 (255)
:44. ''Je ne veulx rien''. Orlandus f. 128a (256)
:45. ''Monsieur l’Abbé''. Orlandus f. 130 (259)
:46. ''Bonjour mon [cœur]''. Orlandus f. 131 (261)
:47. ''Alix avait''. Crequilon f. 132 (263)
:48. ''Ich armes Medlein klag mich''. Senflius f. 133 (265)
:49. ''Da bei rami''. Clem[entine] de Bourges f. 134 (267)
:50. ''Schöne Zucht''. Jacobus Paix f. 135 (269)
:51. ''Bewar mich Herr''. Cirlerus f. 136 (271)
:52. ''Zucht Ehr unnd Lob i[h]r wohnet''. (Paix?) f. 137a (274)

'''Composers'''
:Aloysius : Giovanni Pier Luigi, dit Palestrina (1525?-1594)
:A.P.O. : Aegidius ou Gilis Paix (fl. 1583-90)
:Cirlerus : Stephan Zirler (ca. 1520-1568)
:Clemens : Jacobus Clemens non Papa (ca. 1510-ca. 1555)
:Clémentine de Bourges (married to Jean de Peyrat) (died 9/30/1561)
:Crequilon : Thomas Créquillon (? – 1557?)
:Cyprianus: Cipriano de Rore (1515/16-1565)
:E.M.O. : Elias Mertel (ca. 1561-1626)
:I.P.O : Jacob Paix (1556 – ca 1623)
:Ivo : Ivo de Vento (1544-1575)
:Janequin : Clément Janequin (ca. 1495-ca. 1560)
:Josquin : Josquin des Prez (? - 1521)
:Orlandus : Orlando di Lasso ou Roland de Lassus (1532-1594)
:Phil. de Monte : Philippe de Monte (1521-1603)
:Riccius : Teodoro Riccio (Brescia v. 1540-1583?)
:Senflius : Ludwig Senfl (ca. 1486-1542/3)
:Strigio : Alessandro Striggio (1536/7-1592)
:Utentaler : Alexander Utendal (Utenthaler) (ca. 1544-1581)
:Waltherus : Johann Walter (1496-1570)

'''Various dances'''
:[53.] Pass’è mezzo Antico f. 139 (277)
:[54.] Saltarello f. 140a (280)
:[55.] Pass’è mezzo Coloriert f. 141a (282)
:[56.] Saltarello f. 144a (288)
:[57.] Pass’è mezzo novo f. 146a (292)
:[58.] Saltarello f. 147 (293)
:[59.] Pass’è mezzo La parenzina f. 148 (295)
:[60.] Saltarello f. 149 (297)
:[61.] Un altro Pass’è mezzo novo f. 149a (298)
:[62.] Saltarello f. 151 (301)
:[63.] [[Padoana Venetiana (Paix, Jakob)|Padoana Venetiana]] f. 152 (303)
:[64.] Galliarda nova f. 153 (305)
:[65.] Branle commune f. 153a (306)
:[66.] Branle f. 154 (307)
:[67.] [[Galliarda (Paix, Jakob)|Galliarda]] f. 154a (308)
:[68.] [[Branle Gay (Paix, Jakob)|Branle Gay]] f. 155 (309)
:[69.] Ein güter gar neuer T[eutscher] Tanz. I.P.O., f. 156 (311)
::[69.1] Nachtanz f. 157 (312)
:[70.] Ein güter neuer Teu[tscher] Tanz. A.P.O., f. 157 (313)
::[70.1] Nachtanz f. 157a (314)
:[71.] Ein güter neuer Teu[tscher] Tanz. E.M.O., f. 158 (315)
::[71.1] Nachtanz f. 159 (317)
:[72.] Der Keyserin Tanz f. 159a [318)
::[72.1] Nachtanz f. 160 (319)
:[73.] Ein güter neuer Teu[tscher] Tanz. I.P.O., f. 160a (320)
::[73.1] Nachtanz f. 161 (321)
:[74] Auß frischem freyem müth f. 162 (323)
::[74.1] Nachtanz f. 162a (324)
:[75.] [[Ungarescha and Saltarello (Paix, Jakob)|Ungarescha]] f. 163 (325)
:[76.] [[Ungarescha and Saltarello (Paix, Jakob)|Saltarello]] f. 163 (325)
:[77.[ Du hast mich wöllen nemmen. I.P.O., f. 163a (326)
::[77.1] Nachtanz f. 164 (327)
:[78.] Ein güter neuer Teu[tscher] Tanz. f. 164a (328)
::[78.1] Nachtanz f. 165 (329)
:[79.] Ein güter neuer Teu[tscher] Tanz. A.P.O., f. 165a (330)
::[79.1] Nachtanz f. 166 (331)
:[80.] Ein gar güter neuer T[eutscher] Tanz. A.P.O., f. 166a (332)
::[80.1] Nachtanz f. 167 (333)
:[81.] Ein güter neuer Teu[tscher] Tanz. f. 168 (335)
::[81.1] Nachtanz f. 168a (336)
:[82.] Ist mir ein fein braun Meg. f. 169 (337)
::[82.1] Nachtanz f. 169a (338)
:[83.] Es wolt ein Med. ein Schr. f. 170 (339)
::[83.1] Nachtanz f. 170a (340)
:[84.] Proportio invers[a] f. 171 (341)
:[85.] [[Ballo Francese (Paix, Jakob)|Ballo Francese]] f. 171a (342)
:[86.] [[Saltarello (Paix, Jakob)|Saltarello]] f. 172 (343)
:[87.] [[Ballo Angelese (Paix, Jakob)|Ballo Angelese]] f. 172a (344)
:[88.] Saltarello f. 173 (345)
:[89.] Aria di Canzon francese per sonar del’ primo tono f. 173a (346)
:[90.] Aria di Canzon francese per sonar del’ottavo tono f. 174 (347)
:[91.] [[L'arboscello ballo Furlano (Paix, Jakob)|L’arboscello ballo Furlano]] f. 175 (349)
:[92.] [[Ballo Millanese (Paix, Jakob)|Ballo Millanese]] f. 175 (349)
:[93.] [[Schirazula Marazula (Paix, Jakob)|Schirazula Marazula]] f. 175a (350)

'''Composers'''
:A.P.O. : Aegidius Paix Organista
:E.M.O. : Elias Mertel Organista
:I.P.O. : Iacob Paix Organista

|Average Duration=
|Dedication=Dr. Johann Lobet (Lobbet)
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1583
|Librettist=
|Language=German, Latin
|Page Type=Collection
|Piece Style=Renaissance
|Instrumentation=organ, harpsichord, keyboard
|Tags=pieces ; motets ; passamezzos ; galliards ; org ; hpd

| *****COMMENTS***** =No traditional notation here: only ancient keyboard tablature. 
The front page gives "MDXXCIII" as the year of publication which is not the usual way [1500 + (100-20) + 3]; in Roman numerals, 1583 would rather read "MDLXXXIII".
 Some of the dances were published earlier by [http://imslp.org/wiki/Category:Mainerio%2C_Giorgio Giorgio Mainerio] in his [[Il Primo Libro de Balli (Mainerio, Giorgio)|''Primo Libro de Balli'']], Venice, 1578. This leaves the possibility that these organ intabulations should be re-tagged as arrangements; both originals would have to be analysed to see how much original input is in Paix's versions.

| *****END OF TEMPLATE***** }}
[[Category:Tablature (keyboard)]]

Category:Stern, Théophile

2018-11-28T10:06:27Z

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{{#fte:person
|Born Year=1803|Born Month=07|Born Day=24
|Died Year=1886|Died Month=12|Died Day=01
|Time Period=Romantic
|Biography Link={{Plain|https://ru.wikipedia.org/wiki/Штерн,_Георг_Фридрих_Теофил|Russian}}
}}

Category:Stern, Théophile

2018-11-28T10:05:02Z

JKhkJHA9kjglkj:

{{#fte:person
|Born Year=1803|Born Month=|Born Day=
|Died Year=1886|Died Month=|Died Day=
|Time Period=Romantic
|Biography Link={{Plain|https://ru.wikipedia.org/wiki/Штерн,_Георг_Фридрих_Теофил|Russian}}
}}

8 Tantum ergo und Genitori, Op.51 (Roeder, Georg Valentin)

2018-11-17T10:00:42Z

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Vesperpsalmen für alle Feste des Jahrs (Roeder, Georg Valentin)

2018-11-17T09:58:43Z

JKhkJHA9kjglkj: Added 1 files to Vesperpsalmen für alle Feste des Jahrs (Roeder, Georg Valentin)

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File:PMLP886834-1542447376bsb00117091.pdf

2018-11-17T09:58:38Z

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Vesperpsalmen für alle Feste des Jahrs (Roeder, Georg Valentin)

2018-11-17T09:50:10Z

JKhkJHA9kjglkj: Create work

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8 Tantum ergo und Genitori, Op.51 (Roeder, Georg Valentin)

2018-11-17T09:30:09Z

JKhkJHA9kjglkj: Added 1 files to 8 Tantum ergo und Genitori, Op.51 (Roeder, Georg Valentin)

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2018-11-17T09:30:08Z

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File:PMLP886831-1542445209bsb00076313.pdf

2018-11-17T09:30:06Z

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8 Tantum ergo und Genitori, Op.51 (Roeder, Georg Valentin)

2018-11-17T09:24:26Z

JKhkJHA9kjglkj: Create work

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Category:Roeder, Georg Valentin

2018-11-17T09:21:43Z

JKhkJHA9kjglkj:

{{#fte:person
|Alternate Names=Georg Valentin Röder, sometimes Georg Vincent Röder
|Born Year=1776|Born Month=11|Born Day=21
|Died Year=1848|Died Month=12|Died Day=30
|Nationality=German
|Time Period=Classical
|Sex=male
|Biography Link={{Plain|https://de.wikipedia.org/wiki/Georg_Valentin_Röder|German}}
|Extra Information=
}}

Category:Roeder, Georg Valentin

2018-11-17T09:20:55Z

JKhkJHA9kjglkj: Create composer

{{#fte:person
|Alternate Names=Georg Valentin Röder, sometimes Georg Vincent Röder
|Born Year=1776|Born Month=11|Born Day=21
|Died Year=1848|Died Month=12|Died Day=30
|Nationality=German
|Time Period=Classical
|Sex=male
|Biography Link={{Plain|Georg_Valentin_Röder|German}}
|Extra Information=
}}

Category:Carr, Robert

2018-11-15T12:08:22Z

JKhkJHA9kjglkj:

{{#fte:person
|Alternate Names=
|Born Year=|Born Month=|Born Day=
|Died Year=?|Died Month=|Died Day=
|Flourished=1684-1687
|Nationality=English
|Sex=male
|Time Period=Baroque
|Biography Link=
|Extra Information=English musician and music publisher, son of John Carr. He was a member of the King’s Musick in the reign of Charles II
|List Pages=*{{viaf|18296805}}
}}

Category:Matys, Karl

2018-11-10T10:59:24Z

JKhkJHA9kjglkj:

{{#fte:person
|Born Year=1835|Born Month=9|Born Day=1
|Died Year=1908|Died Month=11|Died Day=25
|Alternate Names=Carl Matys, maybe Johann Carl Matys (was called 'junior' to distinguish from his father)
|Time Period=Romantic
|Biography Link=[http://books.google.com/books?id=ZLRUAAAAYAAJ&pg=PA97 Catechism of violoncello playing] (page 97) by {{LinkName|Carl|Schröder}} (published 1893 by [[Augener]])
|Nationality=German
|Extra Information=
Karl Matys (1.9.1835 Hannover - 25.11.1908 Hannover), was deputy solo cellist at the Hannover State Orchestra in 1869-78, principal solo cellist in 1878-95; he studied with his father Johann Carl Matys (a renowned cellist from Prague ("Violoncellist aus Prag",Jan Matys from Komorní Hrádek near Chocerad, grad. Prague Conservatory,1822), also with Menter, Servais and Cossmann; joined the Hannover Orchestra in 1854 as tutti cellist, royal chamber musician 30th May, 1863, Royal Chamber Virtuoso 27th of May 1865; retired 1st of Nov.1895; fruitful composer, composed four concert pieces for horn & orchestra (also horn & piano) plus another pieces for horn & piano in a very melodious style, most inspired by the horn virtuoso Carl Daniel Lorenz 1816-66.
|List Pages=*{{ms|100139290}}
*[[List of works by Karl Matys]]

}}

Category:Matys, Karl

2018-11-10T09:23:01Z

JKhkJHA9kjglkj:

{{#fte:person
|Born Year=1835|Born Month=9|Born Day=1
|Died Year=1908|Died Month=11|Died Day=25
|Alternate Names=Carl Matys
|Time Period=Romantic
|Biography Link=[http://books.google.com/books?id=ZLRUAAAAYAAJ&pg=PA97 Catechism of violoncello playing] (page 97) by {{LinkName|Carl|Schröder}} (published 1893 by [[Augener]])
|Nationality=German
|Extra Information=Pupil of Menter, Servais and Cossmann.

Karl Matys (1.9.1835 Hannover - 25.11.1908 Hannover), was deputy solo cellist at the Hannover State Orchestra from 1869-78, principal solo cellist in 1878-95; he studied with his father (also a cellist), joined the orchestra in 1854 as tutti cellist, chamber virtuoso 30th May, 1863, Royal Chamber Virtuoso 27th of May 1865; retired 1st of Nov.1895; fruitful composer, composed four concert pieces for horn & orchestra (also horn & piano) plus another pieces for horn & piano in a very melodious style, most inspired by the horn virtuoso Carl Daniel Lorenz (this is the ominous C.D.Lorenz) 1816-66.
|List Pages=*{{ms|100139290}}
*[[List of works by Karl Matys]]

}}

List of works by Karl Matys

2018-11-10T09:04:15Z

JKhkJHA9kjglkj:

{{worklist|Matys, Karl}}
Sources:
*''Hofmeisters Monatsberichte''
*''[http://musikipac.staatsbibliothek-berlin.de/catalog/toc SBB card catalog]''
*[http://www.ubka.uni-karlsruhe.de/kvk.html KVB]

__TOC__
==Works with Opus Number==

===Opus 1-20===

*'''Op.1''' - Gesangstück f. Vclle mit Pfte. (Hannover: Nagel, 1856).

*'''Op.2''' - Romance p. Vclle av. Pfte. (Hannover: Bachmann, 1856).

*'''Op.3''' - Notturno (Hannover: Nagel, 1858).

*'''Op.4''' - Largo v. Beethoven, aus Sonate Op.2 No.2, übertr. f. Vcello u. Pfte. (Hamburg: Berens, 1876).

*'''Op.5''' - 2 Lieder f. Sopran (od. Tenor) (Hannover: Nagel, 1860).
#Der sterbende Schwan
#Schäfer’s Klagelied

*'''Op.6''' - Capriccio über irländische Lieder f. Violoncell mit Pfte. (Hannover: Nagel, 1860).

*'''Op.7''' - Des Knaben Tod. Ballade v. Uhland, f. Bass (od. Bariton) (Hannover: Nagel, 1860).

*'''Op.8''' - Der Deserteur, von Mosenthal. Lied f. Bass (od Bariton) (Hannover: Bachmann, 1859).

*'''Op.9''' - Palmblätter. 6 Solostücke f. Violoncell m. Pfte. (Hannover: Nagel, 1862).
#Impromptu
#Canzonette
#Tarantelle
#Gesangstück
#Notturno
#Saltarello

*'''Op.10''' - Salonstück f. Violoncell m. Pfte. (Hannover: Nagel, 1864).

*'''Op.11''' - Waldestraum. Fantasiestück f. Ventilhorn m. Pfte. (Hannover: Nagel, 1870).

*'''Op.12''' - Konzertstück f. Ventilhorn m. Pfte (in F minor) (Hannover: Nagel, 1870).

*'''Op.13''' - Fantasiestück f. Vcllo m. Pfte. (Hannover: Nagel, 1870).

*'''Op.14''' - 8 Lieder (Hannover: Riewe & Th., 1869).
#Abendlied
#Wolle Keiner mich fragen
#Wiegenlied
#Wenn still mit seinen letzten Flammen
#Blumenkuss
#Um Mitternacht
#Nun ist der Tag geschieden
#Nachtlied.

*'''Op.15''' - {{LinkWorkN|4 Solostücke|Op.15|Matys|Karl|0}} Vier solostücke f. Waldhorn m. Pfte.
#Romanze
#Gondellied
#Ballade
#Serenade

*'''Op.16''' - 8 Lieder (Hannover: Nagel, 1871).
#Nun schweigt die Höh’
#Wiegenlied: #Die Aehren nur noch nicken
#Wo ich gehe
#Vergissmeinnicht
#Es steht in meinem Garten
#Die Blumen sind verwelket
#Veilchen sah’ ich
#Es schlief ein Keim

*'''Op.17''' - 4 Stücke f. Waldhorn m. Pfte. (Hannover: Nagel, 1871).
#Impromptu
#Barcarole
#Idylle
#Marsch

*'''Op.18''' - Caprice für Violoncelle m. Begl. d. Pfte. (Hannover: Nagel, 1873).

*'''Op.19''' - 2 Pièces p. Violoncelle av. Piano (Hamburg: Berens, 1866).
#in D major
#in A minor

*'''Op.20''' - Hochzeit-Marsch, f. Pfte. (Magdeburg: Heinrichshofen, 1874).

===Opus 21-40===

*'''Op.21''' - Impromptu (Haag: Weygand u. Co., 1864).

*'''Op.23''' - Der Thürmer. Ged. v. H. Rustige, f. B. (od. Br.) (Winterthur: Rieter-Biedermann, 1862).

*'''Op.24''' - 2tes Concertstück für Ventilhorn in F mit Begl. d. Orchesters (od. Pfte) (Mainz: Schott, 1873).

*'''Op.25''' - Fantasiestück über böhmische Lieder f. Vcllo m. Pfte. (Hannover: Schlüter, 1871).

*'''Op.26''' - Elegie f. Clarinette m. Pfte. (Haag: Weygand u. Co., 1865).

*'''Op.27''' - 9 Lieder. 3 Heft (Hannover: Schlüter, 1872).
#Der Sturm zog längst vorüber
#Wohl lag ich einst in Gram und Schmerz
#Sonntagfrühe
#Schlummerlied
#Schiffer’s Braut
#Ein Fichtenbaum steht einsam
#Ich will meine Seele tauchen
#Dein Gedenken
#Auf dem See

*'''Op.28''' - 3 Lieder f. 4 Mst. (Hannover: Nagel, 1872).
#Im Walde möcht’ ich leben
#Frühlingslied
#Da droben

*'''Op.30''' - 8 Lieder f. eine Singst. m. Pfte. (Hannover: Schlüter, 1873).
#„Da drüben“
#Alte Heimath („In einem dunklen Thal“)
#„Mein Liebchen wir sassen beisammen“
#Andenken („Dein Bildniss wunderselig“)
#Das Blatt im Buche im („Ich hab’ eine alte Muhme“)
#Schlummerlied („Weiches Abendläuten“)
#Abendfeier („Wie ist der Abend so traulich“)
#Gute Nacht („Die Höh’n und Wälder“)

*'''Op.31''' - {{LinkWorkN|Barcarolle and Ballade|Op.31|Matys|Karl|0}} f. Vclle m. Pfte. (Bremen: Praeger u. M., 1867).
#Barcarole (in G major)
#Ballade (in C minor)

*'''Op.32''' - Romanza in A major for Violincello and Piano (Hannover: Schlüter, 1871).

*'''Op.36''' - Erinnerungen. Vier Stücke f. Vcello m. Pfte. 2 Hefte (Hannover: Simon, 1877).

*'''Op.39''' - {{LinkWorkN|Konzertstück No.3|Op.39|Matys|Karl|0}} in G minor f. Ventilhorn (F) m. Pfte. (Mainz: Schott, 1890).

===Opus 41-61===

*'''Op.42 No.2''' - Lied eines Mädchens („Der Garten grünt“). Siehe: Welt (Die musikalische) Il. Bd. Heft 4 (1873).

*'''Op.44''' - {{LinkWorkN|Konzertstück No.4|Op.44|Matys|Karl|0}} in F minor f. Ventilhorn (F) m. Pfte. (Mainz: Schott, 1892).

*'''Op.45''' - Zwei Lieder f. 1 Singst. m. Vcello (od. V.) u. Pfte. (Hannover: Gries, 1898).
#Frühlingslied: „Grünen und blühen Auen und Felder“
#Meine Boten: „Der Mond der soll mein Bote sein“

*'''Op.47''' - Im Maien: „Nun bricht aus allen Zweigen“, f. 1 Singst. m. Vcello u. Pfte. (Hannover: Simon, 1877).

*'''Op.49''' - Vier Stücke f. Vcll. m. Beglt. d. Pfte. (Magdeburg: Heinrichshofen, 1874).
#Serenade
#Gondellied
#Bolero
#Capriccioso

*'''Op.51''' - Abendgesang. Andante f. Violoncello, Harm. u. Harfe (oder Pianoforte) (Magdeburg: Heinrichshofen, 1874).

*'''Op.52''' - {{LinkWorkN|Duos for 2 Cellos|Op.52|Matys|Karl|0}} (Magdeburg: Heinrichshofen, 1876). No.1 in B minor.

*'''Op.53''' - {{LinkWorkN|Duos for 2 Cellos|Op.53|Matys|Karl|0}} (Magdeburg: Heinrichshofen, 1876). No.2 in A minor.

*'''Op.54''' - Drei Stücke f. Vcello m. Pfte. (Magdeburg: Heinrichshofen, 1876).
#Romanze
#Barcarole.
#Impromptu

*'''Op.55''' - Duos f. 2 Vcelli (Magdeburg: Heinrichshofen, 1879). No.3. in E major.

*'''Op.56''' - Serenade in G major f. 4 Vcelli (Magdeburg: Heinrichshofen Vlg, 1879).

*'''Op.58''' - {{LinkWorkN|Salve Regina|Op.58|Matys|Karl|0}} Trio f. Vcello (V.), Harm. u. Harfe (od. Pfte) (Berlin: Simon, 1886).

*'''Op.59''' - {{LinkWorkN|Fantasiestück|Op.59|Matys|Karl|0}} f. Vcello, Harm. u. Harfe (od. Pfte) (Berlin: Simon, 1887).

*'''Op.60''' - {{LinkWorkN|Notturno|Op.60|Matys|Karl|0}} in C dur für Violine, Harmonium und Harfe - oder Pianoforte (Berlin: C. Simon, 1887).

*'''Op.61''' - Vier Duos für Violoncell und Harmonium (Berlin: C. Simon, 1887).
#Impromptu
#Canzone
#Intermezzo
#Reverie

==Works without Opus==
*''Am 6. August 1870'' f. Männerquartett (Berlin: Lipperheide, 1870).

Category:Matys, Karl

2018-11-10T09:00:48Z

JKhkJHA9kjglkj:

{{#fte:person
|Born Year=1835|Born Month=9|Born Day=1
|Died Year=1908|Died Month=11|Died Day=25
|Alternate Names=Carl Matys
|Time Period=Romantic
|Biography Link=[http://books.google.com/books?id=ZLRUAAAAYAAJ&pg=PA97 Catechism of violoncello playing] (page 97) by {{LinkName|Carl|Schröder}} (published 1893 by [[Augener]])
|Nationality=German
|Extra Information=Pupil of Menter, Servais and Cossmann.

Karl Matys (1.9.1835 Hannover - 25.11.1908 Hannover), was deputy solo cellist at the Hannover State Orchestra from 1869-78, solo cellist from 1878-95; he studied with his father, joined the orchestra in 1854 as tutti cellist, chamber virtuoso 30th May, 1863, Royal Chamber Virtuoso 27th of May 1865; retired 1st of Nov.1895; fruitful composer, composed four concert pieces for horn & orchestra (also horn & piano) plus another pieces for horn & piano in a very melodious style, most inspired by the horn virtuoso Carl Daniel Lorenz (this is the ominous C.D.Lorenz) 1816-66.
|List Pages=*{{ms|100139290}}
*[[List of works by Karl Matys]]

}}

Category:Matys, Karl

2018-11-10T08:52:47Z

JKhkJHA9kjglkj:

{{#fte:person
|Born Year=1835|Born Month=9|Born Day=1
|Died Year=1908|Died Month=11|Died Day=25
|Alternate Names=Carl Matys
|Time Period=Romantic
|Biography Link=[http://books.google.com/books?id=ZLRUAAAAYAAJ&pg=PA97 Catechism of violoncello playing] (page 97) by {{LinkName|Carl|Schröder}} (published 1893 by [[Augener]])
|Nationality=German
|Extra Information=Pupil of Menter, Servais and Cossmann.

Karl Matys (1.9.1835 Hannover - 25.11.1908 Hannover), was deputy solo cellist at the Hannover State Orchestra from 1869-78, solo cellist from 1878-95; he studied with his father, joined the orchestra in 1854 as tutti cellist, chamber virtuoso 30th May, 1863, Royal Chamber Virtuoso 27th of May 1865; retired 1st of Nov.1895; fruitful composer, composed four concert pieces for horn & orchestra (also horn & piano) plus another seven + pieces for horn & piano in a very melodious style, most inspired by the horn virtuoso Carl Daniel Lorenz (this is the ominous C.D.Lorenz) 1816-66.
|List Pages=*{{ms|100139290}}
*[[List of works by Karl Matys]]

}}