IMSLP - User contributions [en]

User:James Bailey

2017-05-18T01:20:56Z

James Bailey: /* Works Arranged by Opus Number */

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-|ca-}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music.

The list of locations is certainly not complete; in particular, it does not contain the many libraries whose catalogues are not online or many private collections. If you would like to help make this list more complete and do not feel comfortable editing the table, then please contact me via my user page.

[[User:James Bailey|James Bailey]]

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1823 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
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| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
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| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
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| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
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| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || || Mlle. Hortense Renoud || Lemoine 1622 || 1835 || 12 || JLB
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1835-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine, 1259 || 1829 || 17, 7 ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

Looking at this table we see that locations of the following compositions are unknown:

 
Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

User:James Bailey

2016-11-23T04:57:04Z

James Bailey: /* Works Arranged by Opus Number */

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-|ca-}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music.

The list of locations is certainly not complete; in particular, it does not contain the many libraries whose catalogues are not online or many private collections. If you would like to help make this list more complete and do not feel comfortable editing the table, then please contact me via my user page.

[[User:James Bailey|James Bailey]]

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || || Mlle. Hortense Renoud || Lemoine 1622 || 1835 || 12 || JLB
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1835-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine, 1259 || 1829 || 17, 7 ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

Looking at this table we see that locations of the following compositions are unknown:

 
Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

User:James Bailey

2016-03-29T02:27:36Z

James Bailey: Added paragraph before the table; rearranged the information.

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-|ca-}}
[[Category:Users by language|ca-N]]
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music.

The list of locations is certainly not complete; in particular, it does not contain the many libraries whose catalogues are not online or many private collections. If you would like to help make this list more complete and do not feel comfortable editing the table, then please contact me via my user page.

[[User:James Bailey|James Bailey]]

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
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| || || || Fillastre, 1900 || || || BMB M 343/2
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| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
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| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
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| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
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| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
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| || || || Schott || || ||
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| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
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| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1835-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
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| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
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| || || || Batelli || || || CCF
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| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
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| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
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| || || || Schott || || ||
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| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
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| || || || Brandus || || ||
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| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
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| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
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| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
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| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
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| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
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| || || || Ricordi || || ||
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| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
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| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
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| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
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| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
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| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
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| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
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| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
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| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
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| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
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| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
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| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
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| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
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| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
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| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
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| || || || Troupenas || || ||
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| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
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| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
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| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
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| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
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| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
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| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
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| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine, 1259 || 1829 || 17, 7 ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

Looking at this table we see that locations of the following compositions are unknown:

 
Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

User:James Bailey

2015-04-05T04:12:02Z

James Bailey: Removed unused locations; moved table of locations to the end.

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
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[[Category:Users by language|ca-N]]
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music. Looking at this table we see that there are no known extant copies of the following compositions:

Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1835-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine, 1259 || 1829 || 17, 7 ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

User:James Bailey

2015-04-01T03:49:04Z

James Bailey: Added cotage, publication date, and number of pages to Notturno pour piano et violon, 9ème livre, by Bertini and Fontaine

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-|ca-}}
[[Category:Users by language|ca-N]]
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music. Looking at this table we see that there are no known extant copies of the following compositions:

Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.ambrosiana.eu/jsp/index.jsp BAM] || Biblioteca Ambrosiana, Milan
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| [http://www.bncf.firenze.sbn.it/ BCF] || Biblioteca Nazionale Centrale di Firenze
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.internetculturale.it/opencms/opencms/it/main/partner/istituto_22.html BGN] || Biblioteca de Girolamini, Napoli
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.ville-ge.ch/bge/ BPU] || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| [http://vecchiosito.bnnonline.it/traduzio/fra/frapre.htm BVN] || Biblioteca Nazionale Vittorio Emmanuele, Napoli
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| [http://www.conservatorio-bologna.com/context.jsp?ID_LINK=15&area=7 CMB] || Conservatoire Martini, Bologne
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://aleph.sbg.ac.at/F?func=file&file_name=login-ums01&local_base=UMS01&RN=798819862 UMZ] || Universität Mozarteum, Salzburg
|-valign="top"
| [http://www.lib.washington.edu/music UWS] || University of Washington. Seattle
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1835-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine, 1259 || 1829 || 17, 7 ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

User:James Bailey

2014-03-06T02:36:41Z

James Bailey:

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-|ca-}}
[[Category:Users by language|ca-N]]
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music. Looking at this table we see that there are no known extant copies of the following compositions:

Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.ambrosiana.eu/jsp/index.jsp BAM] || Biblioteca Ambrosiana, Milan
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| [http://www.bncf.firenze.sbn.it/ BCF] || Biblioteca Nazionale Centrale di Firenze
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.internetculturale.it/opencms/opencms/it/main/partner/istituto_22.html BGN] || Biblioteca de Girolamini, Napoli
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.ville-ge.ch/bge/ BPU] || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| [http://vecchiosito.bnnonline.it/traduzio/fra/frapre.htm BVN] || Biblioteca Nazionale Vittorio Emmanuele, Napoli
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| [http://www.conservatorio-bologna.com/context.jsp?ID_LINK=15&area=7 CMB] || Conservatoire Martini, Bologne
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://aleph.sbg.ac.at/F?func=file&file_name=login-ums01&local_base=UMS01&RN=798819862 UMZ] || Universität Mozarteum, Salzburg
|-valign="top"
| [http://www.lib.washington.edu/music UWS] || University of Washington. Seattle
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1835-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine || || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

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2013-12-12T17:41:50Z

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User:James Bailey

2013-12-12T17:40:21Z

James Bailey:

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-|ca-}}
[[Category:Users by language|ca-N]]
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music. Looking at this table we see that there are no known extant copies of the following compositions:

Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.ambrosiana.eu/jsp/index.jsp BAM] || Biblioteca Ambrosiana, Milan
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| [http://www.bncf.firenze.sbn.it/ BCF] || Biblioteca Nazionale Centrale di Firenze
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.internetculturale.it/opencms/opencms/it/main/partner/istituto_22.html BGN] || Biblioteca de Girolamini, Napoli
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.ville-ge.ch/bge/ BPU] || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| [http://vecchiosito.bnnonline.it/traduzio/fra/frapre.htm BVN] || Biblioteca Nazionale Vittorio Emmanuele, Napoli
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| [http://www.conservatorio-bologna.com/context.jsp?ID_LINK=15&area=7 CMB] || Conservatoire Martini, Bologne
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://aleph.sbg.ac.at/F?func=file&file_name=login-ums01&local_base=UMS01&RN=798819862 UMZ] || Universität Mozarteum, Salzburg
|-valign="top"
| [http://www.lib.washington.edu/music UWS] || University of Washington. Seattle
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
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| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1845-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine || || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

User:James Bailey

2013-10-23T04:29:02Z

James Bailey: Listed lost compositions

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]].

The following table of compositions by Bertini is based on the one put together by Pascal Beyls (1999) [http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html ''Henri Bertini, pianiste virtuose, compositeur de musique''], Grenoble (in French). This is a superbly researched book; I highly recommend it to anyone who is interested in Bertini's music. Looking at this table we see that there are no known extant copies of the following compositions:

Solo Piano
* Op. 36. Divertissement sur un air de Gluck, pour piano
* Op. 44. Variations brillantes pour piano sur le choeur favori de Robin des bois, musique de Weber
* Op. 50. Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau''
* Op. 51. Rondoletto brillant pour piano
* Op. 52. Thème avec variations brillantes pour le piano forte
* Op. 56. Variations brillantes sur Il crociato Egitto
* Op. 57. Variations brillantes pour piano sur une valse autichienne
* Op. 63. Rondoletto pour piano
* Op. 71. No 1. Rondoletto pour piano No 2. Polacca pour piano
* Op. 74. Six Valses brillantes pour piano
* Op. 80. Six Valses brillantes pour piano
* Op. 91. Rondino, sur un motif de L'Orgie, pour piano
* Op. 112. Fantaisie sur ''Le Caevalier de Canolle''
* Op. 115. Caprice pour piano sur Le Postillon de Lonjumeau
* Op. 128 bis. Duo brillant à quatre mains sur l'opéra La fille du régiment de Donizetti. Version for piano solo has not survived
* Op. 139. Duo à quatre mains pour le piano sur thèmes du Duc d'Olonne, opéra d'Auber
* Op. 145. L'impromptu. Rondo-Valse
* La Romanesca
* Storielle amorosa pour piano
* Sérénade, Sotto i Platani

Piano, Four Hands
* Op. 59. Trois Valses à quatre mains
* Op. 73. Variations sur un thème original à quatre mains

Chamber Music
* Op. 35. Duo sur ''Au clair de la lune,'' pour harpe et piano
* Op. 49. Sérénade pour piano, violon, alto et basse
* Op. 69. Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass (only the piano part has survived; no known copies of the other parts)
* Op. 93. Grande Polonaise avec orchestre ad libitium (parts for the two versions, with orchestra and string quartet, have not survived)
* Op. 105. Grand Rondo de concert avec orchestre (parts for two versions, with orchestra and string quartet, have not survived)
* Duetto pour piano et violon (Henri Bertini and Antoine Fontaine, 7ème livre.)
* Notturno pour piano et violon (Henri Bertini and Antoine Fontaine, 9ème livre.)
* Fantaisie pour piano et flûte (Henri Bertini and Joseph Guillou)

Orchestral Music
* Op. 133. Première symphonie pour orchestre
* Op. 138. Deuxième symphonie pour orchestre

Music Auctioned After Bertini's Death
* Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
* Third Lot, Awarded to Médar Nicklès for 250 francs: 32 valses en recueils et 5 autres valses.
* Fourth Lot, Awarded to Henri Lemoine for 500 francs. In particular
<ul>
* Deux symphonies avec piano obligé
* Trois Nonettos pour piano et instruments à vent
* 13 morceaux de chants; only 1, ''Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales,'' has survived
* 12 Morceaux de chants religieux
</ul>

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.ambrosiana.eu/jsp/index.jsp BAM] || Biblioteca Ambrosiana, Milan
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| [http://www.bncf.firenze.sbn.it/ BCF] || Biblioteca Nazionale Centrale di Firenze
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.internetculturale.it/opencms/opencms/it/main/partner/istituto_22.html BGN] || Biblioteca de Girolamini, Napoli
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.ville-ge.ch/bge/ BPU] || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| [http://vecchiosito.bnnonline.it/traduzio/fra/frapre.htm BVN] || Biblioteca Nazionale Vittorio Emmanuele, Napoli
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| [http://www.conservatorio-bologna.com/context.jsp?ID_LINK=15&area=7 CMB] || Conservatoire Martini, Bologne
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://aleph.sbg.ac.at/F?func=file&file_name=login-ums01&local_base=UMS01&RN=798819862 UMZ] || Universität Mozarteum, Salzburg
|-valign="top"
| [http://www.lib.washington.edu/music UWS] || University of Washington. Seattle
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || ||
[http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/view/action/singleViewer.do?dvs=1381364509728~387&locale=en_US&VIEWER_URL=/view/action/singleViewer.do?&DELIVERY_RULE_ID=10&frameId=1&usePid1=true&usePid2=true BDH]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3322199&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612885&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180719&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
[http://ia600305.us.archive.org/12/items/artoffingerdexte06czer/artoffingerdexte06czer.pdf EROMM]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer EROMM]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612850&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3612884&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4206262&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3962283&custom_att_2=simple_viewer EROMM]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4181024&custom_att_2=simple_viewer EROMM]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://daten.digitale-sammlungen.de/~db/0006/bsb00061258/images/ EROMM]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
[http://www.worldcat.org/oclc/435856754 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251207&custom_att_2=simple_viewer]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1845-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C2C00000000 EROMM]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || 1842 || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
[http://nla.gov.au/nla.mus-an22600727 EROMM]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=3251201&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://bibliotecadigitalhispanica.bne.es/webclient/DeliveryManager?pid=4180718&custom_att_2=simple_viewer EROMM]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC download]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500010000 EROMM]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500020000 EROMM]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
[http://resolver.staatsbibliothek-berlin.de/SBB00001C3500040000 EROMM]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| O salutaris hostia || || Régnier-Canaux || 1868? || ||
|-valign="top"
| Ave maris stella à 3 voix || || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| Tantum ergo diversi || || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine || || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || [http://hdl.handle.net/2027/nyp.33433082275581 EROMM] CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
[http://hdl.handle.net/2027/nyp.33433082275573 EROMM]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
[http://babel.hathitrust.org/cgi/pt?id=nyp.33433082275599;view=1up;seq=9 EROMM]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"
| || || Kohler || || ||
[http://babel.hathitrust.org/cgi/pt?id=uc2.ark:/13960/t9t14zg4c;view=1up;seq=5 EROMM]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"
| Book 1. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2007 || 208, 223, 118, 118 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_I,_BWV_846-869_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"
| Book 2. Score and versions for piano duo, duet (primo and secondo) || || JLB || 2008 || 286, 315, 155, 154 ||
[http://imslp.org/wiki/Das_wohltemperierte_Klavier_II,_BWV_870-893_(Bach,_Johann_Sebastian) IMSLP]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

Violin Sonata No.3, Op.156 (Bertini, Henri)

2013-10-17T03:22:57Z

James Bailey: Added movement names

{{#fte:imslppage

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|File Description 1=Bertini Violin Sonata No3 Op156 Movement 1
|File Description 2=Bertini Violin Sonata No3 Op156 Movement 2
|File Description 3=Bertini Violin Sonata No3 Op156 Movement 3
|File Description 4=Bertini Violin Sonata No3 Op156 Movement 4
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|File Description 1=Bertini Violin Sonata 3 Op 156 Score
|File Description 2=Bertini Violin Sonata 3 Op 156 Violin
|Editor=James L. Bailey
|Image Type=Typeset
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|Uploader=[[User:James Bailey|James Bailey]]
|Date Submitted=2013/10/16
|Publisher Information=James L. Bailey
|Copyright=Creative Commons Attribution-ShareAlike 3.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Violin Sonata No.3
|Alternative Title=Troisième Grande Sonate pour Piano et Violon
|Opus/Catalogue Number=Op.156
|Key=D minor
|Number of Movements/Sections=4 movements
#Allegro vivace con Brio
#Andante
#Scherzo. Allegro vivace
#Finale. Presto dramatico
|Average Duration=24 minutes
|Dedication=François Antoine Habeneck (1781-1849)
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1845
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Piano, violin

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Violin Sonata No.3, Op.156 (Bertini, Henri)

2013-10-17T03:17:23Z

James Bailey: Added 4 files to Violin Sonata, Op.156 (Bertini, Henri)

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===

{{#fte:imslpaudio
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|File Description 2=Bertini Violin Sonata No3 Op156 Movement 2
|File Description 3=Bertini Violin Sonata No3 Op156 Movement 3
|File Description 4=Bertini Violin Sonata No3 Op156 Movement 4
|Audio Length 1=7:00
|Audio Length 2=7:00
|Audio Length 3=3:20
|Audio Length 4=6:10
|Performers=Midi Files
|Performer Categories=
|Uploader=[[User:James Bailey|James Bailey]]
|Date Submitted=2013/10/16
|Publisher Information=James L. Bailey
|Copyright=Creative Commons Attribution-ShareAlike 3.0
|Misc. Notes=
}}

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP485123-Bertini_Violin_Sonata_3_Score.pdf
|File Name 2=PMLP485123-Bertini_Violin_Sonata_3_Violin.pdf
|File Description 1=Bertini Violin Sonata 3 Op 156 Score
|File Description 2=Bertini Violin Sonata 3 Op 156 Violin
|Editor=James L. Bailey
|Image Type=Typeset
|Scanner=James L. Bailey
|Uploader=[[User:James Bailey|James Bailey]]
|Date Submitted=2013/10/16
|Publisher Information=James L. Bailey
|Copyright=Creative Commons Attribution-ShareAlike 3.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Violin Sonata No.3
|Alternative Title=Troisième Grande Sonate pour Piano et Violon
|Opus/Catalogue Number=Op.156
|Key=D minor
|Number of Movements/Sections=4 movements
|Average Duration=24 minutes
|Dedication=François Antoine Habeneck (1781-1849)
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1845
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Piano, violin

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP485123-BertiniViolinSonataOp156m4.mid

2013-10-17T03:15:55Z

James Bailey:

File:PMLP485123-BertiniViolinSonataOp156m3.mid

2013-10-17T03:15:55Z

James Bailey:

File:PMLP485123-BertiniViolinSonataOp156m2.mid

2013-10-17T03:15:55Z

James Bailey:

File:PMLP485123-BertiniViolinSonataOp156m1.mid

2013-10-17T03:15:55Z

James Bailey:

Violin Sonata No.3, Op.156 (Bertini, Henri)

2013-10-17T02:57:12Z

James Bailey: Added 2 files to Violin Sonata, Op.156 (Bertini, Henri)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP485123-Bertini_Violin_Sonata_3_Score.pdf
|File Name 2=PMLP485123-Bertini_Violin_Sonata_3_Violin.pdf
|File Description 1=Bertini Violin Sonata 3 Op 156 Score
|File Description 2=Bertini Violin Sonata 3 Op 156 Violin
|Editor=James L. Bailey
|Image Type=Typeset
|Scanner=James L. Bailey
|Uploader=[[User:James Bailey|James Bailey]]
|Date Submitted=2013/10/16
|Publisher Information=James L. Bailey
|Copyright=Creative Commons Attribution-ShareAlike 3.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Violin Sonata No.3
|Alternative Title=Troisième Grande Sonate pour Piano et Violon
|Opus/Catalogue Number=Op.156
|Key=D minor
|Number of Movements/Sections=4 movements
|Average Duration=24 minutes
|Dedication=François Antoine Habeneck (1781-1849)
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1845
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Piano, violin

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP485123-Bertini Violin Sonata 3 Violin.pdf

2013-10-17T02:54:22Z

James Bailey:

File:PMLP485123-Bertini Violin Sonata 3 Score.pdf

2013-10-17T02:54:22Z

James Bailey:

Violin Sonata No.3, Op.156 (Bertini, Henri)

2013-10-17T02:43:14Z

James Bailey: Create article for work

{{#fte:imslppage

| *****FILES***** =

| *****WORK INFO*****

|Work Title=Violin Sonata No.3
|Alternative Title=Troisième Grande Sonate pour Piano et Violon
|Opus/Catalogue Number=Op.156
|Key=d minor
|Number of Movements/Sections=4 movements
|Average Duration=24 minutes
|Dedication=François Antoine Habeneck (1781-1849)
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1845
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Piano, violin

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

User:James Bailey

2013-10-09T05:07:50Z

James Bailey: Continued to add links to locations

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]]. This list is based on the one in [[http://en.wikipedia.org/wiki/Henri_Bertini Wikipedia]] which in turn was based on Beyls, Pascal (1999) [[http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html "Henri Bertini, pianiste virtuose, compositeur de musique"]] (in French). Grenoble.

Needs proof reading!!
[http://www.worldcat.org/oclc/86137686 Bodelian Library]

[http://www.eromm.org/ EROMM]

Johann Wolfgang Goethe University: Portraits

Kalkbrenner dedicated his Rondo Brillant pour Le Piano sur un motif de l'opera Le Serment or les faux monnoyeurs Opus 116 to Bertini

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.ambrosiana.eu/jsp/index.jsp BAM] || Biblioteca Ambrosiana, Milan
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| [http://www.bncf.firenze.sbn.it/ BCF] || Biblioteca Nazionale Centrale di Firenze
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.internetculturale.it/opencms/opencms/it/main/partner/istituto_22.html BGN] || Biblioteca de Girolamini, Napoli
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.ville-ge.ch/bge/ BPU] || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| [http://vecchiosito.bnnonline.it/traduzio/fra/frapre.htm BVN] || Biblioteca Nazionale Vittorio Emmanuele, Napoli
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| [http://www.conservatorio-bologna.com/context.jsp?ID_LINK=15&area=7 CMB] || Conservatoire Martini, Bologne
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| OCLC ||
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://aleph.sbg.ac.at/F?func=file&file_name=login-ums01&local_base=UMS01&RN=798819862 UMZ] || Universität Mozarteum, Salzburg
|-valign="top"
| [http://www.lib.washington.edu/music UWS] || University of Washington. Seattle
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

* [http://www.ubka.uni-karlsruhe.de/kvk_en.html KVK - Karlsruhe Virtual Catalog]
* [http://opac.sbn.it/opacsbn/opac/iccu/free.jsp OPAC SBN]
* [http://mediatheque.cite-musique.fr/masc/ Cite de la Musique Paris]
* Sérénade pour piano, violon, alto, et violoncelle [http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || sa soeur || Chapell, 758 || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]; CMP D 979 (1)
|-valign="top"
| || || || Heckel, 546 || ca.1834 || ||
[http://www.worldcat.org/oclc/249592942 OCLC]
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B; CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 ||
[http://nucat.library.northwestern.edu/cgi-bin/Pwebrecon.cgi?v1=6&ti=1,6&Search_Arg=bertini%2C%20henri&SL=None&Search_Code=NAME&CNT=25&PID=PIBjejyMXBBjMbJ2Cim0e9JIN&SEQ=20131006085718&SID=1 NWU]
BMV Partition 912; CRB 6403;
|-valign="top"
| || || || Simrock, 3196 || 1835 || 19, 5, 5 ||
[http://www.worldcat.org/oclc/828197607 OCLC]
[http://www.worldcat.org/oclc/807513325 OCLC]
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || ||
[http://www.worldcat.org/oclc/179943460 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || ||
[http://www.worldcat.org/oclc/179943463 OCLC]
CRB 6403
|-valign="top"
| || Arrangé pour piano et violon par (Nicolas Louis) || || Meissonnier || ca.1835 || ||
[http://www.worldcat.org/oclc/165563253 OCLC]
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
[http://inti.univ-paris4.fr/F/?func=find-c&ccl_term=idn=ppn128252871&local_base=MAH01 SUP?]
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF] CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Manuscript || || || BMM I-SSVcap, Ms 495 - FG
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
CMP Ac. P. 2259, L 13880
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.29_(Bertini,_Henri) IMSLP]
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || Manuscript || || || BMA
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF];
BMG Vh 157
|-valign="top"
| || || || Many others || || || [http://imslp.org/wiki/24_Etudes,_Op.32_(Bertini,_Henri) IMSLP]
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]; CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF];
CMP Ac p 1088;
CPV
|-valign="top"
| || || || Lemoine, 1688 || 1836? || ||
[http://imslp.org/wiki/Rondeau_brillant,_Op.37_(Bertini,_Henri) IMSLP]
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF];
CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
CMP D 979 (2);
CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || 1830? || ||
[http://www.worldcat.org/oclc/212425234 OCLC]
CMP L 15074;
CRB 6404;
BMV Partition 912;
SML;
CMG Ah 3/1c;rf
|-valign="top"
| || || || JLB || 2008 || 76, 20, 19 ||
[http://imslp.org/wiki/Piano_Trio,_Op.43_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Simrock, 3197 || ca.1835 || ||
[http://www.worldcat.org/oclc/828196319 OCLC]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || JLB || 2007 || 37 || [http://imslp.org/wiki/Grande_Fantaisie_Etude,_Op.46_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || 34 || 3 ||
[http://www.sudoc.fr/125996527 SUDOC]
CRB 6405;
CMG Ah 3/1c;rf
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 ||
[http://www.worldcat.org/oclc/635298793 OCLC]
BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| || || || Simrock || 1840 || 14-25 ||
[http://www.worldcat.org/oclc/815947855 OCLC]
|-valign="top"
| || || || Peters, 7892 || || 23 ||

|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 ||
[http://www.worldcat.org/oclc/165563230 OCLC]
CMP Ac p 1074;
BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || Manuscript || || || BnF Ms 3514
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1 and 2]
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || Manuscript || || || BnF Ms 3505
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://visualiseur.bnf.fr/CadresFenetre?O=IFN-9074981&M=chemindefer BnF/Gallica]
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || Manuscript || || || BnF Ms 3516
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
CMP G 1386 (4)
|-valign="top"
| || 3e édition || || Lemoine, 2917 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL] [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
[http://imslp.org/wiki/25_Etudes,_Op.66_(Bertini,_Henri) IMSLP]
|-valign="top"
| || 4e édition || || || || ||
[http://www.worldcat.org/oclc/20616948 OCLC]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| || || || Lose & Delbanco, 2126 || 1845 || 30 ||
[http://www.worldcat.org/oclc/474096763 OCLC]
|-valign="top"
| || || || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/776079214 OCLC]
|-valign="top"
| || || || Schott || || 91 ||
[http://www.worldcat.org/oclc/471532586 OCLC]
[http://www.worldcat.org/oclc/165563215 OCLC]
|-valign="top"
| || || || Möller. || || ||
[http://www.worldcat.org/oclc/471532593 OCLC]
[http://www.worldcat.org/oclc/471532612 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401675 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401684 OCLC] (book 2)
[http://www.worldcat.org/oclc/249401280 OCLC] (book 3)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 ||
JLB (piano only)
|-valign="top"
| || || || JLB (piano only) || 2007 || 23 ||
[http://imslp.org/wiki/Variations_de_Concert,_Op.69_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || ||
CRB 6406;
CMG Ah 3/1;c;rf
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || Manuscript || || || BnF Ms 3511
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle contrebasse || || Manuscript || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF]
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF/Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
[http://library.utulsa.edu//record=b1517888~S0 UTulsa]
([http://www.worldcat.org/oclc/226997305 OCLC])
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || Manuscript, strings only, lacks piano || || || BnF Ms 3513 a-c
|-valign="top"
| || || || Lemoine || || 21, 7, 7, 7 ||
[http://www.worldcat.org/oclc/487481998 OCLC]
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249400783 OCLC]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || Manuscript || || 6 || CMP Ms 3508
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || Manuscript || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44, 4 parts || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://www.worldcat.org/oclc/494409083 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=17 SUDOC]
CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 ||
[http://www.worldcat.org/oclc/825077007 OCLC]
[http://www.worldcat.org/oclc/699580582 OCLC]
[http://www.worldcat.org/oclc/165563238 OCLC]
CVM Da Camera.A.18.6;
BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || Manuscript || || || BnF Ms 3510
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || Manuscript || || || BnF Ms 3519
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || Manuscript || || || BnF Ms 3517
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 ||
BMG Vh 158;
JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
[http://www.worldcat.org/oclc/498180944 OCLC]
CVM 1.A.67.10
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401702 OCLC] (book 1)
[http://www.worldcat.org/oclc/249401319 OCLC] (book 2)
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || Manuscript || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.2,_Op.85_(Bertini,_Henri) IMSLP]
CRB 6407;
CPV
|-valign="top"
| || || || Breitkopf, 6057 || 1839 || 33, 4 parts || CMP Verdi : A.18.7
[http://www.worldcat.org/oclc/48647363 OCLC]
[http://www.worldcat.org/oclc/165563244 OCLC]
[http://www.worldcat.org/oclc/840015205 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102210540&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Second+sextuor+pour+pianoforte&vid=BLVU1&fn=search BLL]
BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Ball, 2299 || || || JLB
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
[http://www.worldcat.org/oclc/471532396 OCLC]
[http://www.worldcat.org/oclc/807379151 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || 15 || CGG [http://www.worldcat.org/oclc/249401325 OCLC]
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336903 OCLC]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
[http://www.worldcat.org/oclc/54336964 OCLC]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || || || Collard & Collard || 1833 || ||
[http://www.worldcat.org/oclc/54336871 OCLC]
|-valign="top"
| || Les trois nocturnes || || Lemoine, 1379-81 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2007 || 19 ||
[http://imslp.org/wiki/3_Nocturnes,_Op.87_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) ||
[http://www.worldcat.org/oclc/638425760 OCLC]
[http://www.worldcat.org/oclc/165178172 OCLC]
CMP L.5899 (2);
BSM 4 Mus pr 5490+6-7/8;
JLB;
BRB WBs Mus. 14311 C [M-MUS];
CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || Manuscript || || || BnF Ms 3515
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || [http://www.worldcat.org/oclc/165563226 OCLC] BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| || || || Hansen || 187? || ||
[http://www.worldcat.org/oclc/473390923 OCLC]
|-valign="top"
| || || || Cohen || || ||
[http://www.worldcat.org/oclc/473385441 OCLC]
|-valign="top"
| || || || Bote & Bock || 1839? || 9 ||
[http://www.worldcat.org/oclc/67720717 OCLC]
|-valign="top"
| || || || JLB || 2007 || 13 ||
[http://imslp.org/wiki/Ma_Normandie,_Op.88_(Bertini,_Henri) IMSLP]
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| || || || Simrock, 4002 || ca.1843 || 15 ||
[http://www.worldcat.org/oclc/314743371 OCLC]
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || Manuscript, shows op.93 || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
[http://www.worldcat.org/oclc/38526220 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
[http://imslp.org/wiki/Piano_Sextet_No.3,_Op.90_(Bertini,_Henri) IMSLP]
CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || 33, 8, 8, 8, 16 || BSM 4 Mus pr 37428 [http://www.worldcat.org/oclc/486958453 OCLC] [http://www.worldcat.org/oclc/730091001 OCLC] [http://www.worldcat.org/oclc/165563247 OCLC]
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier de Séville.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || 183? || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| || || || JLB || 2006 || 29 || [http://imslp.org/wiki/Grande_Polonaise,_Op.93_(Bertini,_Henri) IMSLP]
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6;
CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 ||
[http://www.worldcat.org/oclc/77161797 OCLC]
JLB
|-valign="top"
| || || || Schott, 4221 1-8 || 1836 || 131 ||
[http://www.worldcat.org/oclc/57456741 OCLC]
[http://www.worldcat.org/oclc/254936239 OCLC]
[http://www.worldcat.org/oclc/478521528 OCLC]
[http://www.worldcat.org/oclc/474420772 OCLC]
CPG;
CMN;
CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401714 OCLC]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://www.worldcat.org/oclc/212425247 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || ca.1835 || ||
[http://www.worldcat.org/oclc/212425241 OCLC]
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
[http://www.worldcat.org/oclc/855123098 OCLC]
CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 ||
[http://www.worldcat.org/oclc/642768836 OCLC]
[http://www.worldcat.org/oclc/475822012 OCLC]
[http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
CMP L. 13945;
CPG
|-valign="top"
| || || || Simrock, 4385 || ca.1844 || pp.18-37 ||
[http://www.worldcat.org/oclc/314743110 OCLC]
[http://www.worldcat.org/oclc/475822022 OCLC]
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401345 OCLC]
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
[http://www.worldcat.org/oclc/27857064 OCLC]
|-valign="top"
| || || || Haslinger || || ||
[http://www.worldcat.org/oclc/706649484 OCLC]
[http://imslp.org/wiki/Etudes_musicales,_Op.97_(Bertini,_Henri) IMSLP]
BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || || || Breitkopf & Härtel, 2756 || || 53 ||
[http://www.worldcat.org/oclc/43458281 OCLC]
[http://www.worldcat.org/oclc/606543791 OCLC]
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
|-valign="top"
| || || || Aibl || 1844 || 15 ||
[http://www.worldcat.org/oclc/165563171 OCLC]
[http://www.worldcat.org/oclc/253885344 OCLC]
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 ||
[http://www.worldcat.org/oclc/475966941 OCLC]
[http://www.worldcat.org/oclc/474420785 OCLC] (both)
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616879&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92044&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92044&QueryObject=Obj_422201381068279 BAnQ]
CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || ca.1830 || 13 || CPG
|-valign="top"
| || || || Simrock || 184? || 13 ||
[http://iris.banq.qc.ca/alswww2.dll/APS_PRESENT_BIB?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&no=0000616878&Via=Z3950&View=ISBD&Parent=Obj_422251381068280&SearchBrowseList=Obj_422251381068280&SearchBrowseListItem=92045&BrowseList=Obj_422251381068280?Style=Portal3&SubStyle=&Lang=FRE&ResponseEncoding=utf-8&BrowseListItem=92045&QueryObject=Obj_422201381068279 BAnQ]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
[http://imslp.org/wiki/25_Etudes_faciles_et_progressives,_Op.100_(Bertini,_Henri) IMSLP]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || CMP Ac P 1085 (2) [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV [http://www.worldcat.org/oclc/471532380 OCLC]
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Augener || ca.1860 || ||
[http://www.worldcat.org/oclc/249401293 OCLC]
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
[http://www.worldcat.org/oclc/5248650 OCLC]
|-valign="top"
| || || || Challier || ca.1840 || ||
[http://www.worldcat.org/oclc/314727427 OCLC] (15-18 only)
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
JLB
|-valign="top"
| || || || JLB || 2006 || 13 ||
[http://imslp.org/wiki/2_Nocturnes,_Op.102_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 ||
[http://imslp.org/wiki/Grand_Rondo_de_Concert,_Op.105_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
[http://www.worldcat.org/oclc/18315539 OCLC]
CMP D 979 (7);
JLB
|-valign="top"
| || || || JLB || 2005 || 24 ||
[http://imslp.org/wiki/Variations_sur_le_Choeur_favori,_Op.106_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
[http://www.worldcat.org/oclc/43346685 OCLC]
CMT;
CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
CMP D 980 (1);
JLB
|-valign="top"
| || || || JLB || 2005 || 25 ||
[http://imslp.org/wiki/Solo_pour_le_Piano,_Op.109_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || ca.1834 || 13 ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460;
[http://www.worldcat.org/oclc/165563250 OCLC]
CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || 1836 || 9 ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Pacini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
[http://www.worldcat.org/oclc/18307177 OCLC]
CMP D 979 (10);
BMG Vh 149;
CPV;
JLB;
|-valign="top"
| || || || JLB || 2005 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_sur_un_Th%C3%A8me_de_Pacini,_Op.113_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || Manuscript || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF]
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages ||
[http://www.worldcat.org/oclc/16454033 OCLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14584;
CRB 6407;
CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31, 5 parts || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
[http://www.worldcat.org/oclc/48647366 OCLC]
[http://www.worldcat.org/oclc/165563234 OCLC]
[http://www.worldcat.org/oclc/472149878 OCLC]
[http://www.worldcat.org/oclc/824249795 OCLC download]
[http://imslp.org/wiki/Piano_Sextet_No.4,_Op.114_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB [http://www.worldcat.org/oclc/435856754 OCLC]
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || ca.1836 || 13 ||
[http://www.worldcat.org/oclc/164740566 OCLC]
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || 1845-1843 || 17 ||
[http://www.worldcat.org/oclc/18307218 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Schott || ca.1836 || 15 ||
[http://www.worldcat.org/oclc/164743626 OCLC]
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| || || || JLB || 2007 || 35 || [http://imslp.org/wiki/Grande_Fantaisie_Dramatique,_Op.118_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/478522064 OCLC]
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || JLB [http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || 55 ||
[http://www.worldcat.org/oclc/471532571 OCLC]
[https://www.iris.rutgers.edu/uhtbin/cgisirsi/?ps=tqlxA45qoc/ALCOHOL/250320144/9 RUL]
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
CMP D 980 (2), Ac p 1060;
BMG Vh 151;
JLB
|-valign="top"
| || || || JLB || 2007 || 30 ||
[http://imslp.org/wiki/Solo_de_concours_No.2,_Op.121_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott || 1838 || 19 ||
[http://www.worldcat.org/oclc/837490999 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625154649 SBB jpegs]
[http://www.worldcat.org/oclc/834069410 OCLC]
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF] CMP X683 (2);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || 3e édition || || Lemoine || || ||
[http://www.worldcat.org/oclc/34129473 OCLC]
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6 [http://www.worldcat.org/oclc/20616949 OCLC] [http://www.worldcat.org/oclc/478522166 OCLC] [http://www.worldcat.org/oclc/854780125 OCLC]
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 ||
[http://www.worldcat.org/oclc/164743652 OCLC]
BCV
|-valign="top"
| || || || Lahou, 766 || || 11 ||
[http://www.worldcat.org/oclc/39293494 OCLC]
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1841 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 145856;
CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 ||
[http://www.worldcat.org/oclc/165563236 OCLC]
BSM 4 Mus pr 37429
|-valign="top"
| || || || JLB || 2009 || 141, 22, 22, 21, 22, 17, 67 ||
[http://imslp.org/wiki/Piano_Sextet_No.5,_Op.124_(Bertini,_Henri) IMSLP]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || Manuscript || || 18 || BnF Ms 3519
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
JLB
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
[http://www.worldcat.org/oclc/805543982 OCLC]
CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || ||
[http://www.worldcat.org/oclc/471532580 OCLC]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 128bis. || Arrangée pour piano seul || || Schott || 1844 || 11 ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
CMP D 980 (6)
|-valign="top"
| || || || Schott || ca.1840 || ||
[http://www.worldcat.org/oclc/163884852 OCLC]
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 6150 || || 25 ||
[http://www.worldcat.org/oclc/776079228 OCLC]
[http://www.worldcat.org/oclc/474962138 OCLC]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF] CMP L 5991;
BMB M 2383;
JLB
|-valign="top"
| || || || Schott || 1840 || 23 ||
[http://www.worldcat.org/oclc/815947866 OCLC]
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
[http://www.worldcat.org/oclc/476825367 OCLC]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| || || || Schott 6587 1,2 || ca.1880 || 103 ||
[http://www.worldcat.org/oclc/488009537 OCLC]
[http://www.worldcat.org/oclc/179984009 OCLC]
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| || || || Troupenas 1100 || || 19 ||
JLB
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 932 || || 37 || JLB
|-valign="top"
| || || || Schonenberger, 1340 || 1842 || 37 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
CMP L 5994;
BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
[http://www.worldcat.org/oclc/478522228 OCLC]
|-valign="top"
| || || || Augener, 11430 || 1897 || 21 ||
CPG
|-valign="top"
| || || || Ashdown & Parry, 5853 || ca.1865 || ||
[http://imslp.org/wiki/25_Etudes,_Op.137_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| || || || Glen & Co. 5853 || 187? || 19 ||
[http://www.worldcat.org/oclc/222950275 OCLC]
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || Manuscript || 1842 || 18 || BnF Ms 3518
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
CMP G. 6854;
BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 ||
[http://www.worldcat.org/oclc/800248939 OCLC]
CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
[http://www.worldcat.org/oclc/66657718 OCLC]
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || 1843 || 11 ||
[http://www.worldcat.org/oclc/733131898 OCLC]
[http://www.worldcat.org/oclc/829248827 OCLC download]
[http://imslp.org/wiki/Le_double_di%C3%A8ze,_Op.143_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Schott, 7220 || || 11 ||
[http://www.worldcat.org/oclc/478522484 OCLC]
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| || || || Schott, 7221 || || 13 ||
[http://www.worldcat.org/oclc/488191328 OCLC]
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Bureaux de la France musicale, 324 || ca.1842 || 15 ||
[http://www.worldcat.org/oclc/5309155 OCLC]
|-valign="top"
| || || || Schott, 7750 || 1844 || 15 ||
[http://www.worldcat.org/oclc/57456714]
CVM 1.A.63.13
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Troupenas, 1370 || || 16 ||
[http://www.worldcat.org/oclc/7679408 OCLC]
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || Mlle Gabrielle Bertini || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
[http://www.worldcat.org/oclc/471532456 OCLC]
CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| || || || Muzgiz, 13739 || 1933 || || [http://imslp.org/wiki/25_Etudes_tr%C3%A8s_faciles,_Op.149_(Bertini,_Henri) IMSLP]
|-valign="top"

| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
BMG L 10357;
JLB
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott, 7466 || ca.1855 || 35 || CMP L 13946
[http://www.worldcat.org/oclc/730519986 OCLC]
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, BC 418 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
[http://www.worldcat.org/oclc/39293486 OCLC]
CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://www.sudoc.abes.fr//DB=2.1/SET=1/TTL=11/SHW?FRST=15 SUDOC]
CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || 27, 9 || BRB WBS Mus. 1922 C [M-MUS]
[http://www.worldcat.org/oclc/488104785 OCLC]
[http://www.worldcat.org/oclc/315268838 OCLC]
[http://www.worldcat.org/oclc/212425254 OCLC]
|-valign="top"
| || || || JLB || 2012 || 47, 18 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.152_(Bertini,_Henri) IMSLP]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || 33, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| || || || Schott, 7954 || ca.1850 || 33, 9 ||
[http://www.worldcat.org/oclc/488104822 OCLC]
[http://www.worldcat.org/oclc/315270322 OCLC]
[http://www.worldcat.org/oclc/474420798 OCLC]
|-valign="top"
| || || || JLB || 2012 || 52, 20 ||
[http://imslp.org/wiki/Violin_Sonata,_Op.153_(Bertini,_Henri) IMSLP]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| || || || Schott, 7952 || ca.1845 || ||
[http://imslp.org/wiki/Fantaisie-valse,_Op.154_(Bertini,_Henri) IMSLP]
|-valign="top"

| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || 39, 12 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| || || || Schott, 8119 || 1845 || 39, 12 ||
[http://www.worldcat.org/oclc/212425261 OCLC]
[http://www.worldcat.org/oclc/488104842 OCLC]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
CMP D 979 (16);
CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || ca.1860 || 27 ||
[http://www.worldcat.org/oclc/65515095 OCLC]
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF] CMP L 6000; BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
CMP D 979 (18);
CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
CMP D 979 (15);
BMG Vh 152
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743675 OCLC]
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
CMP D 979 (20)
|-valign="top"
| || || || Schott || ca.1846 || 15 ||
[http://www.worldcat.org/oclc/164743713 OCLC]
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
[http://www.worldcat.org/oclc/165563167 OCLC]
CMP D 980 (11);
BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.2;
CPV;
CPG;
JLB
|-valign="top"
| || || || Cocks || 1846 || 35 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215479&con_lng=prm BLL]
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Schott || ca.1885 || 26 ||
[http://www.worldcat.org/oclc/435716378 OCLC]
[http://imslp.org/wiki/25_%C3%89tudes_primaires,_Op.166_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| || || || Schirmer 15735 || 1902 || ||
[http://www.worldcat.org/oclc/5848575 OCLC]
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
[http://www.worldcat.org/oclc/834066644 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/inhaltsverzeichnis/?PPN=PPN625193873 SBB jpegs]
CMP D 979 (21)
|-valign="top"
| || 1. Allegro Agitato || || Schott, 9222 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491726 OCLC]
[http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN625194276 SBB jpegs]
[http://www.worldcat.org/oclc/834066651 OCLC doenload]
|-valign="top"
| || 2. Allegretto Grazioso || || Schott, 9223 || 1847 || 5 ||
[http://www.worldcat.org/oclc/837491803 OCLC]
[http://www.worldcat.org/oclc/834069417 OCLC]
|-valign="top"
| || 3. Rondo alla Polacca || || Schott, 9224 || 1847 || 7 ||
[http://www.worldcat.org/oclc/837491879 OCLC]
[http://www.worldcat.org/oclc/834069416 OCLC]
|-valign="top"
| || All three || || Schott, 9222-24 || 1847 || 7 ||
[http://imslp.org/wiki/3_Solos_de_concours,_Op.167_(Bertini,_Henri) IMSLP]
|-valign="top"

| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || 15 ||
[http://www.worldcat.org/oclc/824985908 OCLC]
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| || No1. Rondinetto || || Hansen || || ||
[http://www.worldcat.org/oclc/474918967 OCLC]
|-valign="top"
| || || || Plenge || || ||
[http://www.worldcat.org/oclc/474907738 OCLC]
|-valign="top"
| || No2. Pastorale || || Skandinavisk Musikforlag || 1910 || ||
[http://www.worldcat.org/oclc/474926752 OCLC]
|-valign="top"
| || No3. Tyrolienne || || Det Nordiske Forlag || 189? || ||
[http://www.worldcat.org/oclc/473317628 OCLC]
|-valign="top"
| || || || Skandinavisk Musikforlag || 1910 || 5 ||
[http://www.worldcat.org/oclc/472917398 OCLC]
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
[http://www.worldcat.org/oclc/48894557 OCLC]
CMP L 14586;
CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || Manuscript || || || BnF Ms 13755
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4);
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || ca.1850 || 43 ||
[http://www.worldcat.org/oclc/165563221 OCLC]
BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357;
CVM 1.A.65.5;
CPG;
CPV
|-valign="top"
| || || || Schott || 190? || ||
[http://www.worldcat.org/oclc/557310551 OCLC]
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
CMP L 6002;
BMG L 10357;
JLB
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || BMM
|-valign="top"
| || || || Schott || || 71 ||
[http://www.worldcat.org/oclc/43451153 OCLC]
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
BMG L 10357;
CPV;
JLB
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
CMP L 6011;
BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
CMP D 1030 (1-2);
CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| || Ave Maria pour basse solo et choeur avec accompagnement de piano ou orgue || Schonenberger || || 4 pages and 4 parts ||
[http://www.worldcat.org/oclc/19727458 OCLC]
|-valign="top"
| || O salutaris hostia || Régnier-Canaux || 1868? || ||
|-valign="top"
| || Ave maris stella à 3 voix || Régnier-Canaux || 1868? || ||
[http://www.worldcat.org/oclc/801157201 OCLC]
|-valign="top"
| || Tantum ergo diversi || Manuscript || || ||
[http://www.worldcat.org/oclc/797365361 OCLC]
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || Manuscript || || || CMD
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || Manuscript || || 18 || BnF
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| || || Playel || || 21, part ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || 1830 || 18, part || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
[http://www.worldcat.org/oclc/14444570 OCLC]
[http://imslp.org/wiki/La_conversation_(Bertini,_Henri) IMSLP]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || 15, part ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine || || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
| || || Simrock || 1836 || 15, part ||
|-valign="top"
| || || Latte || 183? || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 ||
CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
[http://www.worldcat.org/oclc/21132538 OCLC]
JLB
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
JLB

CMP L 5973

CRB EE 9118

CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 ||
[http://www.worldcat.org/oclc/69406016 OCLC]
CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| A progressive and complete method for the piano-forte || || White Smith || || 191 ||
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://www.worldcat.org/oclc/20414731 OCLC]
[http://imslp.org/wiki/M%C3%A9thode_compl%C3%A8te_et_progressive_de_piano_(Bertini,_Henri) IMSLP]
|-valign="top"
| || || Wade & Oakes || || ||
[http://www.worldcat.org/oclc/191271409 OCLC]
|-valign="top"
| || || Ditson || || ||
[http://www.worldcat.org/oclc/83266211 OCLC]
|-valign="top"

| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| || || Schott, 6481 || ca.1841 || 281 ||
[http://sflib1.sfpl.org/search~S1?/aBertini%2C+Henri/abertini+henri/1%2C2%2C2%2CB/frameset&FF=abertini+henri+1798+1876&1%2C1%2C SFPL]
[http://www.worldcat.org/oclc/488005478 OCLC]
[http://www.worldcat.org/oclc/249375879 OCLC]
[http://www.worldcat.org/oclc/180575070 OCLC]
[http://www.worldcat.org/oclc/180058805 OCLC]
[http://stabikat.de/DB=1/SET=6/TTL=1/SHW?FRST=2 SBB]
|-valign="top"

| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || Delloye || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
[http://www.worldcat.org/oclc/21790105 OCLC]
[http://www.worldcat.org/oclc/13782869 OCLC]
[http://www.worldcat.org/oclc/65993864 OCLC]
[http://www.worldcat.org/oclc/834140623 OCLC]
[http://www.sudoc.abes.fr//DB=2.1/SET=2/TTL=1/CMD?ACT=SRCHA&IKT=1016&SRT=RLV&TRM=pittoresque+bertini SUDOC]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lose & Olsen || || ||
[http://www.worldcat.org/oclc/807363445 OCLC]
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| || Cocks, 5633 || 1846 || 13 ||
[http://www.worldcat.org/oclc/49913888 OCLC]
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381083659019&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=La+Gymnastique+des+doigts&vid=BLVU1&fn=search BLL]
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Cocks || 1840? || ||
[http://www.worldcat.org/oclc/498180990 OCLC]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || Manuscript || || 8 || BnF
|-valign="top"
| Exercices en octaves, exercices en accord || Manuscript || || 15 || BnF
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259266 OCLC]
|-valign="top"
| || Horneman & Erslev || || 6 ||
[http://www.worldcat.org/oclc/476259319 OCLC]
[http://www.worldcat.org/oclc/474930377 OCLC]
[http://www.worldcat.org/oclc/776079233 OCLC]
[http://www.worldcat.org/oclc/474246335 OCLC]
|-valign="top"
| || Schott, 6083:1 || || 9 ||
[http://www.worldcat.org/oclc/474962159 OCLC]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| || Horneman & Erslev || || ||
[http://www.worldcat.org/oclc/472921702 OCLC]
|-valign="top"
| || Hansen || || ||
[http://www.worldcat.org/oclc/476259251 OCLC]
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. No2 Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"
| || Schott || 1842? || 4 ||
[http://www.worldcat.org/oclc/40884222 OCLC]
|-valign="top"
| || London || ca.1845 || 4 ||
[http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&vl(174399379UI0)=any&frbg=&scp.scps=scope%3A%28BLCONTENT%29&tab=local_tab&dstmp=1381102551166&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(freeText0)=Bertini+dramatique&vid=BLVU1&fn=search BLL]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || Manuscript || || || BnF W 24,93
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || ca.1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

User:James Bailey

2013-09-30T04:00:38Z

James Bailey: Started to put links to copies found in the BnF, BLL, WLC; completed the table of works auctioned after Bertini's death; amalgamated some of the tables.

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en|fr-|de-}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]]. This list is based on the one in [[http://en.wikipedia.org/wiki/Henri_Bertini Wikipedia]] which in turn was based on Beyls, Pascal (1999) [[http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html "Henri Bertini, pianiste virtuose, compositeur de musique"]] (in French). Grenoble.

Needs proof reading!!

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| [http://www.ambrosiana.eu/jsp/index.jsp BAM] || Biblioteca Ambrosiana, Milan
|-valign="top"
| [http://www.bibliotecabertoliana.it/ BBV] || Biblioteca Bertoliana, Vicenza
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| [http://www.bncf.firenze.sbn.it/ BCF] || Biblioteca Nazionale Centrale di Firenze
|-valign="top"
| [http://www.comune.modena.it/biblioteche/ BCM] || Biblioteche del Comune di Modena
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Biblioteca Civica di Verona (Bibliothèque Civica, Vérone)
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| [http://www.internetculturale.it/opencms/opencms/it/main/partner/istituto_22.html BGN] || Biblioteca de Girolamini, Napoli
|-valign="top"
| [http://www.bl.uk/ BLL] || British Library, London
|-valign="top"
| [http://vecchiosito.bnnonline.it/sezioni/lp.htm BLPN] || Biblioteca Lucchesi Palli di Napoli (Bibliothèque Luccesi Palli, Naples)
|-valign="top"
| [http://www.avignon.fr/fr/pratique/biblio/ BMB] || Bibliothèque Municipale d'Avignon
|-valign="top"
| [http://www.bordeaux.fr/ebx/pgPresStand8.psml?_nfpb=true&_pageLabel=pgPresStand8&classofcontent=presentationStandard&id=63899 BMB] || Bibliothèque Municipale de Bordeaux
|-valign="top"
| [http://www.bm-grenoble.fr/ BMG] || Bibliothèque Municipale de Grenoble
|-valign="top"
| [http://www.comune.milano.it/dseserver/WebCity/documenti.nsf/weball/3CBD594EF2454D8BC1256C45002E735B?opendocument BMM] || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| [http://www.bibliotheques.versailles.fr BMV?] || Bibliothèque Municipale de Versailles
|-valign="top"
| [http://www.bnf.fr/fr/acc/x.accueil.html BnF] || Bibliothèque Nationale de France
|-valign="top"
| BOM || Bibliothèque de l'Opera. Mantoue
|-valign="top"
| [http://www.ville-ge.ch/bge/ BPU] || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| [http://www.kbr.be/accueil_fr.html BRB] || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| [http://www.bsb-muenchen.de/index.php BSM] || Bayerische Staatsbibliothek, München
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| [http://vecchiosito.bnnonline.it/traduzio/fra/frapre.htm BVN] || Biblioteca Nazionale Vittorio Emmanuele, Napoli
|-valign="top"
| [http://www.conservatorio.firenze.it/index.php?id=1210 CCF] || Conservatorio Cherubini, Firenze
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| [http://www.conservatorio-bologna.com/context.jsp?ID_LINK=15&area=7 CMB] || Conservatoire Martini, Bologne
|-valign="top"
| [http://www.dijon.fr/conservatoire-a-rayonnement-regional-de-dijon!0-87/ CMD] || Conservatoire de Musique de Dijon
|-valign="top"
| [http://www.conservatoire-grenoble.fr/1085-musique.htm CMG] || Conservatoire de Musique de Grenoble
|-valign="top"
| [http://www.cnsmd-lyon.fr/fr-2/letablissement/mediatheque-nadia-boulanger CML] || Conservatoire de Musique de Lyon
|-valign="top"
| [http://www.grand-nancy.org/sports-culture-loisirs/conservatoire-regional/ CMN] || Conservatoire de Musique de Nancy
|-valign="top"
| [http://mediatheque.cnsmdp.fr/opacwebaloes/opac/index.aspx CMP] || Conservatoire de Musique de Paris
|-valign="top"
| [http://conservatoirerayonnementregional.toulouse.fr/index.php?post/La-mediatheque CMT] || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| [http://www.conservatoire.be/biblio.html CRB] || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| [http://www.consmilano.it/ CVM] || Conservatorio di musica “Giuseppe Verdi” di Milano
|-valign="top"
| [http://www.nydahlcoll.se/Components/eframes.html MFS] || Musikkulturens Främjande, Stockholm
|-valign="top"
| JLB || [[User:James Bailey|James Bailey]]
|-valign="top"
| [http://catalog.nypl.org/ NYPL] || New York Public Library
|-valign="top"
| [http://www.esm.rochester.edu/sibley/ SML] || Sibley Music Library
|-valign="top"
| TB || Toggenburg, Bolzano
|-valign="top"
| [http://aleph.sbg.ac.at/F?func=file&file_name=login-ums01&local_base=UMS01&RN=798819862 UMZ] || Universität Mozarteum, Salzburg
|-valign="top"
| [http://www.lib.washington.edu/music UWS] || University of Washington. Seattle
|-valign="top"
| [http://catalog2.loc.gov/ WLC] || Washington Library of Congress
|-valign="top"

[http://www.ubka.uni-karlsruhe.de/kvk_en.html KVK - Karlsruhe Virtual Catalog]

[http://opac.sbn.it/opacsbn/opac/iccu/free.jsp OPAC SBN]

[http://mediatheque.cite-musique.fr/masc/ Cite de la Musique Paris]
== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215489&con_lng=prm BLL]
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215491&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215490&con_lng=prm BLL]
[http://lccn.loc.gov/unk84157105 WLC]
|-valign="top"
| || Third divertimento for the piano forte || || Chapell || 1818 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215410&con_lng=prm BLL]
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (1)
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 || BMV Partition 912
|-valign="top"
| || || || || || || CRB 6403
|-valign="top"
| || || || Simrock, 3196 || || ||
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || || CRB 6403
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || || CRB 6403
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 || [http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
|-valign="top"
| || || || Paris || 1825? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215522&con_lng=prm BLL]
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || || || || BMM I-SSVcap, Ms 495 - FG (manuscript)
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP Ac. P. 2259, L 13880
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || || || || BMA (manuscript)
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG Vh 157
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215501&con_lng=prm BLL]
|-valign="top"
| || || || || || || CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || ||
[http://lccn.loc.gov/unk84161724 WLC] CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF]
|-valign="top"
| || || || || || || CMP Ac p 1088
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || son ami Benazet || Lemoine, 1721 HL || || 14, 5 || JLB
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (2)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault || || || CMP L 15074
|-valign="top"
| || || || || || || CRB 6404
|-valign="top"
| || || || || || || BMV Partition 912
|-valign="top"
| || || || || || || CMG Ah 3/1c;rf
|-valign="top"
| || || || || || || SML
|-valign="top"
| || || || Simrock, 5063 || || || NYPL
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || || || CMG Ah 3/1c;rf
|-valign="top"
| || || || || || || CRB 6405
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 || BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 || CMP Ac p 1074
|-valign="top"
| || || || || || || BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || || || || BnF Ms 3514 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215407&con_lng=prm BLL No.1] h 722 oo (1) and (2)
|-valign="top"
| || || || Edwin Ashwoen || 1887 || 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102311&con_lng=prm BLL]
|-valign="top"
| || || || Duff || || 6, 9 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=013679159&con_lng=prm BLL (2)]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215408&con_lng=prm BLL (2)]
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || || || || BnF Ms 3505 (manuscript)
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || || || || BnF Ms 3516 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
[http://lccn.loc.gov/unk84050511 WLC?]
|-valign="top"
| || || || || || || CMP G 1386 (4)
|-valign="top"
| || 3e édition || || || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF]
|-valign="top"
| || || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215457&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215456&con_lng=prm BLL]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || 1830 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215527&con_lng=prm BLL]
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 || JLB (piano only)
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || || CMG Ah 3/1;c;rf
|-valign="top"
| || || || || || || CRB 6406
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || || || || BnF Ms 3511 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle contrebasse || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF] (manuscript)
[http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42408448&SN1=0&SN2=0&host=catalogue BnF Gallica]
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle, contrebasse || || || || || BnF Ms 3513 a-c strings only, lacks piano
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino favroi à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || || || 6 || CMP Ms 3508 (manuscript)
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102318&con_lng=prm BLL]
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44 || CMP L14581–14587
[http://lccn.loc.gov/unk84108413 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215523&con_lng=prm BLL]
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 || CVM Da Camera.A.18.6
|-valign="top"
| || || || || || || BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || || || || BnF Ms 3510 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée de St Germain, à quatre mains || || || || || BnF Ms 3519 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1863 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102286&con_lng=prm BLL]
|-valign="top"
| 83. || Six Divertissements à quatre mains || || || || || BnF Ms 3517 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 || BMG Vh 158
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215517&con_lng=prm BLL]
CVM 1.A.67.10
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
[http://lccn.loc.gov/unk84202424 WLC]
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Breitkopf, 6057 || || 33 || CMP Verdi : A.18.7
|-valign="top"
| || || || || || || BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215462&con_lng=prm BLL]
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || || || Collard & Collard || 1833 || 4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215415&con_lng=prm BLL]
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || || || Collard & Collard || 1833 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215512&con_lng=prm BLL]
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || Les trois nocturnes || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) || CMP L.5899 (2)
|-valign="top"
| || || || || || || BSM 4 Mus pr 5490+6-7/8
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || || || || BRB WBs Mus. 14311 C [M-MUS]
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || || || || BnF Ms 3515 (manuscript)
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || BSM 4 Mus. pr. 11465
|-valign="top"
| || || || D'Almaire || 1843 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215494&con_lng=prm BLL]
|-valign="top"
| || || || Purday || ca.1835 || 7 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215493&con_lng=prm BLL]
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF] (manuscript, shows op.93)
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
[http://lccn.loc.gov/unk84196821 WLC]
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || || BSM 4 Mus pr 37428
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6
|-valign="top"
| || || || || || || CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 || JLB
|-valign="top"
| || || || Schott, 4221 || 1836 || 131 || CMN
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || || || || CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
[http://lccn.loc.gov/unk84223439 WLC]
|-valign="top"
| || || || || || || CMP L 5986
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 || CMP L. 13945
|-valign="top"
| || || || || || || [http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
[http://lccn.loc.gov/unk84042638 WLC]
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
|-valign="top"
| || || || Haslinger || || || BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue''. || || Cranz || || 11 || CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue''. || || Lemoine || || ||
|-valign="top"
| || || || Cranz || || 13 || CPG
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 ||
|-valign="top"
| || Many others || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP Ac P 1085 (2)
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 || JLB
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (7)
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| || || || Ashdown & Parry || ca.1964 || 15 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102316&con_lng=prm BLL]
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
[http://lccn.loc.gov/unk84070853 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215503&con_lng=prm BLL]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215502&con_lng=prm BLL]
|-valign="top"
| || || || || || || CMT
|-valign="top"
| || || || || || || CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même reduit en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84223809 WLC]
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
[http://gallica.bnf.fr/ark:/12148/btv1b9074992t BnF/Gallica]
|-valign="top"
| || || || || || || CMP D 980 (1)
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Ashdown & Parry || ca.1864 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102309&con_lng=prm BLL]
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || || ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460
|-valign="top"
| || || || || || || CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Paddini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (10)
|-valign="top"
| || || || || || || BMG Vh 149
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || London || 1852 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215414&con_lng=prm BLL]
|-valign="top"
| || || || Schott || || 23 ||
[http://lccn.loc.gov/unk84216137 WLC]
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages || CMP L 14584
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || || || || CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || ca.1830 || 31 || BSM 4 Mus pr 10646
[http://lccn.loc.gov/unk84211303 WLC]
[http://lccn.loc.gov/unk84196983 WLC]
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || || ||
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215484&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5098 || || ||
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (2), Ac p 1060
|-valign="top"
| || || || || || || BMG Vh 151
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP X683 (2)
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| || || || London || 1838 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215472&con_lng=prm BLL]
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 || BCV
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1840 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
[http://lccn.loc.gov/unk84208331 WLC]
|-valign="top"
| || || || || || || CMP L 145856
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 || BSM 4 Mus pr 37429
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV, JLB
|-valign="top"
| || Le même, arrange en trio pour piano, violon et violoncelle par Ch. Schwencke || || Lemoine || || ||
[http://lccn.loc.gov/unk84208324 WLC]
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || || || 18 || BnF Ms 3519 (manuscript)
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215488&con_lng=prm BLL]
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215412&con_lng=prm BLL]
|-valign="top"
| 127. || Grande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (17)
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102298&con_lng=prm BLL]
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (6)
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || Cramer, Addison & Beale || 1842? || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215525&con_lng=prm BLL]
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5991
|-valign="top"
| || || || || || || BMB M 2383
|-valign="top"
| 134bis || || || Schott || 1845 || 61 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215475&con_lng=prm BLL]
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| || || || Ashdown & Parry || ca.1870 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=015102283&con_lng=prm BLL]
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 1340 || 1842 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5994
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Ricordi || 1992 || 37 || BCF
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
|-valign="top"
| || || || Augener, 11430 || || 21 || CPG
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || || 1842 || 18 || BnF Ms 3518 (manuscript)
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1843 || 21 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215413&con_lng=prm BLL]
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP G. 6854
|-valign="top"
| || || || || || || BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Cocks || 1843 || 2 books ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215507&con_lng=prm BLL]
|-valign="top"
| || 17 Préludes pour piano, Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"

| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 || CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
|-valign="top"
| || || || London || 1843 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215478&con_lng=prm BLL]
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
|-valign="top"
| || || || || || || CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott || || || CMP L 13946
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, B.C. || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || || BRB WBS Mus. 1922 C [M-MUS]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
|-valign="top"
| || || || || || || BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
[http://lccn.loc.gov/unk84196825 WLC]
|-valign="top"
| || || || || || || BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (16)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || || 27 || NYPL
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215411&con_lng=prm BLL]
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 6000
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 || [http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLI BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (18)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (15)
|-valign="top"
| || || || || || || BMG Vh 152
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (20)
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
CMP D 980 (11)
|-valign="top"
| || || || || || || BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357
|-valign="top"
| || || || || || || CVM 1.A.65.2
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (21)
|-valign="top"
| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || ||
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
[http://lccn.loc.gov/unk84178644 WLC]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 ||
[http://lccn.loc.gov/unk84196866 WLC]
CMP L 14586
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || || || || BnF Ms 13755 (manuscript)
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215406&con_lng=prm BLL]
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4)
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || || 43 || BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357
|-valign="top"
| || || || || || || CVM 1.A.65.5
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 6002
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || Bmm
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 6011
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 1030 (1-2)
|-valign="top"
| || || || || || || CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || || [http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215495&con_lng=prm BLL]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || || || || CMD (manuscript)
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Compositions written in collaboration with other musicians
|-valign="top"

|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215528&con_lng=prm BLL]
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
[http://lccn.loc.gov/m58000354 WLC]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || || || 18 || BnF (manuscript)
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || ||
[http://lccn.loc.gov/unk84042638 WLC?]
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine || || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

! colspan="6" align="center" |
|-valign="top"

! colspan="6" align="center" | Methods, Didactic Arrangement
|-valign="top"

| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 || CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || || [http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 5973
|-valign="top"
| || || || || || CRB EE 9118
|-valign="top"
| || || || || || CPG
|-valign="top"
| || || || || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215499&con_lng=prm BLL (8e ed.)]
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 || CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"
| || || Novello || 1845 || book 1 only, lacks 2--4 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004188058&con_lng=prm BLL]
|-valign="top"
| Encyclopédie pittoresque de la musique : contenant l'histoire de la musique ancienne et moderne, la biographie et le portrait des artistes célèbres ... / tome premier. Adolphe Ledhuy, Henri Bertini || || || 1835 || 201 ||
[http://catalogue.bnf.fr/ark:/12148/cb300969543/PUBLIC BnF]
[http://lccn.loc.gov/unk84111013 WLC]
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=002108818&con_lng=prm BLL]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || Schonenberger, 2ème édition || || || CMP L 5975
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || || || 8 || BnF (manuscript)
|-valign="top"
| Exercices en octaves, exercices en accord || || || 15 || BnF (manuscript)
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215485&con_lng=prm BLL]
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"

! colspan="5" align="center" |
|-valign="top"

! colspan="5" align="center" | Music Without Opus Number: Miscellaneous pieces
|-valign="top"

| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || || || || BnF W 24,93 (manuscript)
|-valign="top"
|Rarah, musique de Grisar || Schott || 1836? || 13 ||
[http://lccn.loc.gov/unk84169044 WLC]
|-valign="top"
| The popular ballad "O when do I wish for thee" (by S. S. Wisley) varié en forme de nocturne || || London || 1835 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215506&con_lng=prm BLL]
|-valign="top"
| Polacca à la militaire, suivi d’un rondo en valse pour le piano forte || Harry May || 1860 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215505&con_lng=prm BLL]
|-valign="top"
| || D'Almaine || c1840 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215504&con_lng=prm BLL]
|-valign="top"
| Rondo à la chasse pour le Pianoforte. || D'Almaine || 1846 || ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215516&con_lng=prm BBL]
|-valign="top"
| Tyrolienne varié pour le Piano Forte || D'Almaine || 1844 || 5 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215526&con_lng=prm BLL]
|-valign="top"
| Le Retour du Chasseur; Rondino espressivo for the Piano Forte. Op. 119 || D’Almaine || 1838 || 11 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215514&con_lng=prm BLL]
|-valign="top"
| An introduction and Polonaise for the Piano Forte || Chappell || 1818 || 8 ||
[http://primocat.bl.uk/F?func=direct&local_base=ITEMV&doc_number=004215487&con_lng=prm BLL]
|-valign="top"
| xx. || || || ||
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="wikitable"
! colspan="6" align="center" | Music Auctioned After Bertini's Death
|-valign="top"

! colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"

! colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs: 17 compositions for piano.
|-valign="top"
| ||1. Deux mélodies || || || ||
|-valign="top"
| ||2. Pèlerinage à Notre-Dame de la Salette || || || ||
|-valign="top"
| ||3. Fantasia en ré || || || ||
|-valign="top"
| ||4. Les Triolets. Caprice. Morceau de concert || || || ||
|-valign="top"
| ||5.La Vales interrompue || || || ||
|-valign="top"
| ||6. La berceuse. Fantaisie || || || ||
|-valign="top"
| ||7. Improvisation. Caprice || || || ||
|-valign="top"
| ||8. Grand valse brillante à 4 mains || || || ||
|-valign="top"
| ||9. Deux nocturnes || || || ||
|-valign="top"
| ||10. Fantaisie en la bémol || || || ||
|-valign="top"
| ||11. Rêverie d'un célibataire || || || ||
|-valign="top"
| ||12. Andante et scherzo. Fantaisie || || || ||
|-valign="top"
| ||13. Un petit rien pour piano et orgue || || || ||
|-valign="top"
| ||14. Deux nocrutnes : Minuit. Au bord de la Méditerrannée || || || ||
|-valign="top"
| ||15. Deux romances: Avignon (1844), Valence (1844) || || || ||
|-valign="top"
| ||16. Trois petits solos || || || ||
|-valign="top"
| ||17. Vingt-trois pensées en thème || || || ||
|-valign="top"

! colspan="6" align="center" | Third Lot, Awarded to Médar Nicklès for 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

! colspan="6" align="center" | Fourth Lot, Awarded to Henri Lemoine for 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
CMP L 7181 (1-2)
|-valign="top"
| ||2. Hymne à la Mélodie religieuse || || || ||
|-valign="top"
| ||3. Prière à 4 voix : Verbe égal || || || ||
|-valign="top"
| ||4. Prière à 4 voix : Astre que l'Olympe || || || ||
|-valign="top"
| ||5. Choeur à 4 voix d'hommes : Un ange au radieux visage || || || ||
|-valign="top"
| ||6. Mélodie : O Marie consolatrice || || || ||
|-valign="top"
| ||7. Solitude, mélodie || || || ||
|-valign="top"
| ||8. Chante de nuit, mélodie || || || ||
|-valign="top"
| ||9. Mystère || || || ||
|-valign="top"
| ||10. Regret || || || ||
|-valign="top"
| ||11. Consolation || || || ||
|-valign="top"
| ||12. Chant du gondolier || || || ||
|-valign="top"
| ||13. Ballade || || || ||
|-valign="top"
| IV: || 12 Morceaux de chants religieux : || || || ||
|-valign="top"
| ||1. Pie Jesus (solo, choeur) avec orchestre || || || ||
|-valign="top"
| ||2. Requiem à 4 voix d'hommes || || || ||
|-valign="top"
| ||3. O salutaris à 3 voix d'hommes || || || ||
|-valign="top"
| ||4. O salutaris à 4 voix d'hommes || || || ||
|-valign="top"
| ||5. Sancta Maria à 4 voix d'hommes || || || ||
|-valign="top"
| ||6. Veni Sponsa Christi à 4 voix d'hommes || || || ||
|-valign="top"
| ||7. Laudate Dominum à 3 voix d'hommes || || || ||
|-valign="top"
| ||8. Ave Maris Stella à 4 voix mixtes || || || ||
|-valign="top"
| ||9. Ave Maria, solo pour soprano || || || ||
|-valign="top"
| ||10. O Salutaris, solo pour soprano || || || ||
|-valign="top"
| ||11. Pie Jesu, solo pour ténor ou soprano, solo pour basse ou contralto || || || ||
|-valign="top"
| ||12. Lux aeterna, pour basse solo et choeur à 4 voix d'hommes || || || ||
|-valign="top"

User:James Bailey

2013-09-27T03:58:59Z

James Bailey: Inserted links to BnF catalogue.

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]]. This list is based on the one in [[http://en.wikipedia.org/wiki/Henri_Bertini Wikipedia]] which in turn was based on Beyls, Pascal (1999). [[http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html "Henri Bertini, pianiste virtuose, compositeur de musique"]] (in French). Grenoble.

Needs proof reading!!

{|class="sortable wikitable"
|+ Abbreviations (Locations of Early Editions)
!Abbreviation!!Location
|-valign="top"
| BAM || Bibliothèque Ambrosiana, Milan
|-valign="top"
| BBV || Bibliothèque Bertoliana, Vicenze
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| BCF || Bibliothèque Centrale, Florence
|-valign="top"
| BCM || Bibliothèque Communale, Modène
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Bibliothèque Civica, Vérone
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| BGN || Bibliothèque Gerolamini, Naples
|-valign="top"
| BLL || British Library, London
|-valign="top"
| BLPN || Bibliothèque Luccesi Palli, Naples
|-valign="top"
| BMB || Bibliothèque Municipale d'Avignon
|-valign="top"
| BMB || Bibliothèque Municipale de Bordeaux
|-valign="top"
| BMG || Bibliothèque Municipale de Grenoble
|-valign="top"
| BMM || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| BMV || Bibliothèque Municipale de Versailles
|-valign="top"
| BnF || [http://www.bnf.fr/fr/acc/x.accueil.html Bibliothèque Nationale de France]
|-valign="top"
| BOM || Bibliothèque de l'Opera. Manétoue
|-valign="top"
| BPU || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| BRB || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| BSM || Bayerische Staatsbibliothek, Munich
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| BVN || Bibliothèque Vittorio Emmanuele, Naples
|-valign="top"
| CCF || Conservatoire Cherubini, Florence
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| CMB || Conservatoire Martini, Bologne
|-valign="top"
| CMD || Conservatoire de Musique de Dijon
|-valign="top"
| CMG || Conservatoire de Musique de Grenoble
|-valign="top"
| CML || Conservatoire de Musique de Lyon
|-valign="top"
| CMN || Conservatoire de Musique de Nancy
|-valign="top"
| CMP || Conservatoire de Musique de Paris
|-valign="top"
| CMT || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| CRB || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| CVM || [http://www.consmilano.it/ Conservatorio di musica “Giuseppe Verdi” di Milano]
|-valign="top"
| MFS || Musikulturens Framjande, Stockholm
|-valign="top"
| NYPL || New York Public Library
|-valign="top"
| SML || Sibley Music Library
|-valign="top"
| TB || Toggenberg, Bolzano
|-valign="top"
| UMZ || Universität Mozarteum, Salzberg
|-valign="top"
| UWS || University of Washington. Seattle
|-valign="top"
| WLC || Washington Library of Congress
|-valign="top"

[http://www.ubka.uni-karlsruhe.de/kvk_en.html KVK - Karlsruhe Virtual Catalog]

== Works Arranged by Opus Number ==

{|class="sortable wikitable"
!Op!!Music With Opus Number (includes early pieces)!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || || BLL g 272 m (10)
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 || BLL h 551 (21)
|-valign="top"
| || Third divertimento for the piano forte || || Chapell || 1818 || 11 || BLL h 551 (20)
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frère || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1841 || 7 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507979/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (1)
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 || BMV Partition 912
|-valign="top"
| || || || || || || CRB 6403
|-valign="top"
| || || || Simrock, 3196 || || ||
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || || CRB 6403
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || || CRB 6403
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 || [http://catalogue.bnf.fr/ark:/12148/cb42850793x/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850792k/PUBLIC BnF]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850668f/PUBLIC BnF]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || || || || BMM I-SSVcap, Ms 495 - FG (manuscript)
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850701f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF (Cotage 787 HL)]
[http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP Ac. P. 2259, L 13880
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || || || || BMA (manuscript)
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850699q/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG Vh 157
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 || [http://catalogue.bnf.fr/ark:/12148/cb42850781x/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850780k/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || || CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850795m/PUBLICe BnF]
|-valign="top"
| || || || || || || CMP Ac p 1088
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428508173/PUBLIC BnF]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine, 2955 || 1844 || || BMV Partition 929
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850818f/PUBLIC BnF]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || 1842 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506700/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (2)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault || || || CMP L 15074
|-valign="top"
| || || || || || || CRB 6404
|-valign="top"
| || || || || || || BMV Partition 912
|-valign="top"
| || || || || || || CMG Ah 3/1c;rf
|-valign="top"
| || || || || || || SML
|-valign="top"
| || || || Simrock, 5063 || || || NYPL
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault, 5594 R, 2ème || || 24 || JLB
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || || || CMG Ah 3/1c;rf
|-valign="top"
| || || || || || || CRB 6405
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 || BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 || CMP Ac p 1074
|-valign="top"
| || || || || || || BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || || || || BnF Ms 3514 (manuscript)
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 || BLL h 722 oo (1) and (2)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || || || || BnF Ms 3505 (manuscript)
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || No 1 || || Lemoine, 7542P465 HL || 1874 || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714107p/PUBLIC BnF]
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || || || || BnF Ms 3516 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507123/PUBLIC BNF]
[http://catalogue.bnf.fr/ark:/12148/cb42850707h/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850710d/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP G 1386 (4)
|-valign="top"
| || 3e édition || || || || || [http://catalogue.bnf.fr/ark:/12148/cb42850708v/PUBLIC BnF]
|-valign="top"
| || || || La Haye, 1786, 1787 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850711r/PUBLIC BnF]
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || || ||
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano, deux Violons, Alto, Bass, et Contrabass || Jacques Herz || Lemoine, 1732 HL || || 15 || JLB (piano only)
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || || CMG Ah 3/1;c;rf
|-valign="top"
| || || || || || || CRB 6406
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || || || || BnF Ms 3511 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle contrebasse || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42408448g/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle contrebasse || || || || || BnF Ms 3513 a-c strings only, lacks piano
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || || || 6 || CMP Ms 3508 (manuscript)
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || || || 27 || [http://catalogue.bnf.fr/ark:/12148/cb428508022/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44 || CMP L14581–14587
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 || CVM Da Camera.A.18.6
|-valign="top"
| || || || || || || BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || || || || BnF Ms 3510 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée, à quatre mains || || || || || BnF Ms 3519 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| 83. || Six Divertissements à quatre mains || || || || || BnF Ms 3517 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || 91 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850798n/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 || BMG Vh 158
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 || CVM 1.A.67.10
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || || || 128 || [http://catalogue.bnf.fr/ark:/12148/cb42850803d/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Breitkopf, 6057 || || 33 || CMP Verdi : A.18.7
|-valign="top"
| || || || || || || BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || || BLL h.512.b.(11)
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
|-valign="top"
| 87. || Trois nocturnes pour piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || Les trois nocturnes || || || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850784z/PUBLIC BnF]
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Schuberth || 1835 || 24 (with Op 78) || CMP L.5899 (2)
|-valign="top"
| || || || || || || BSM 4 Mus pr 5490+6-7/8
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || || || || BRB WBs Mus. 14311 C [M-MUS]
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || || || || BnF Ms 3515 (manuscript)
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || BSM 4 Mus. pr. 11465
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850796z/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || || ca.1830 || 151 || [http://catalogue.bnf.fr/ark:/12148/cb42850804r/PUBLIC BnF] (manuscript, shows op.93)
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || || BSM 4 Mus pr 37428
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || || ||
[http://catalogue.bnf.fr/ark:/12148/cb43243448w/PUBLIC BnF]
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || Mme la Marquise de Senevoy || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine, 1453 || || 19 || JLB
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506762/PUBLIC BnF] booklets 1,2,5, missing 3,4,6
|-valign="top"
| || || || || || || CMP Ac p 1958 (1), (2), (5)
|-valign="top"
| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 || JLB
|-valign="top"
| || || || Schott, 4221 || 1836 || 131 || CMN
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || || || || CVM 1.A.66.8
|-valign="top"
| || || || Haslinger || || ||
|-valign="top"
| || Nos 23, 25. || || Lemoine || 1889 || || [http://catalogue.bnf.fr/ark:/12148/cb42850675q/PUBLIC BnF]
|-valign="top"
| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 ||
[http://catalogue.bnf.fr/ark:/12148/cb42957868v/PUBLIC BnF] (shows op.93)
|-valign="top"
| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
|-valign="top"
| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850713f/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850714s/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5986
|-valign="top"
|-valign="top"
| || || || Schott, 3856 || 1833 || 59 || CMP L. 13945
|-valign="top"
| || || || || || || [http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
|-valign="top"
| || || || Haslinger || || || BBV
|-valign="top"
| || || || Peters || || || CVM
|-valign="top"
| || || || Universal, 131 || || 53 ||
|-valign="top"
| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/ark:/12148/cb428507154/PUBLIC BnF]
|-valign="top"
| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
|-valign="top"
| || || || Delahante, 1186 || 1835 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850691z/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D.979 (4)
|-valign="top"
| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
|-valign="top"
| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue'' || || Cranz || || 11 || CPG
|-valign="top"
| || No 2. Rondeau Valse sur ''La Sentinelle perdue'' || || Lemoine || || ||
|-valign="top"
| || || || Cranz || || 13 || CPG
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 || BnF Vm8 76–1064
|-valign="top"
| || Many others || || || || || [http://catalogue.bnf.fr/ark:/12148/cb397433842/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850719h/PUBLIC BnF]
|-valign="top"
| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || [http://catalogue.bnf.fr/ark:/12148/cb428507948/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP Ac P 1085 (2)
|-valign="top"
| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV
|-valign="top"
| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
|-valign="top"
| || || || Böhme, 1–3 || || 11, 11, 11 ||
|-valign="top"
| || || || Schirmer, 16265 || 1903 || 45 || JLB
|-valign="top"
| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
|-valign="top"
| || || || Lemoine, 1671 || || 9 pages || JLB
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
|-valign="top"
| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
|-valign="top"
| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850765p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (6)
|-valign="top"
| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
|-valign="top"
| 105. || Grand Rondo de concert avec orchestre || son ami Henri Herz || Lemoine || || ||
|-valign="top"
| || Le même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || Le même pour piano seul || || Lemoine, 1709 || || 21 || JLB
|-valign="top"
| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
|-valign="top"
| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506820/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (7)
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Schott, 9171 || || ||
|-valign="top"
| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1845 || 9 parties, 37, 9, 9, 9, 9, 5, 8, 5, 7 pages ||
[http://catalogue.bnf.fr/ark:/12148/cb428507859/PUBLIC BnF]
|-valign="top"
| || || || || || || CMT
|-valign="top"
| || || || || || || CRB 6409
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
|-valign="top"
| || Le même arrangé en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || || WLC?
|-valign="top"
| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850678r/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D979 (8)
|-valign="top"
| || || || Schott, 4490 || 1847 || 11 || CPG
|-valign="top"
| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || aux \'eleves qui ont remport\'e le 1er Prix en partage: Mesdemoiselles Paquier, Berchtold, et Rustenholtz || Lemoine, 1795 || 1836 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb39714102z/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428508084/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (1)
|-valign="top"
| || || || || || || JLB
|-valign="top"
| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || || ||
|-valign="top"
| || || || Latte, BL 1190 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb421217444/PUBLIC BnF]
|-valign="top"
| || || || Le Boulch || || ||
|-valign="top"
| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850812c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (9)
|-valign="top"
| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460
|-valign="top"
| || || || || || || CPG
|-valign="top"
| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Paddini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 ||
[http://catalogue.bnf.fr/ark:/12148/cb432475097/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb428507619/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850759r/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (10)
|-valign="top"
| || || || || || || BMG Vh 149
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || London || 1852 || || BLL h 725 a (38)
|-valign="top"
| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || || ca.1840 || 91 || [http://catalogue.bnf.fr/ark:/12148/cb428508053/PUBLIC BnF] (manuscript)
|-valign="top"
| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages || CMP L 14584
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || || || || CCF
|-valign="top"
| || || || Fillastre, 1900 || || || BMB M 343/2
|-valign="top"
| || || || Breitkopf, 6059 || || 31 || BSM 4 Mus pr 10646
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
|-valign="top"
| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || || ||
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Batelli || || || CCF
|-valign="top"
| 118. || Grande Fantaisie dramatique pour le piano || Mademoiselle Amélie de Bonnard || Lemoine, 1910 || || 23 || JLB
|-valign="top"
| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850783m/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (11)
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || BLL h552 h (8)
|-valign="top"
| || || || Schott, 5098 || || ||
|-valign="top"
| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850809g/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (2), Ac p 1060
|-valign="top"
| || || || || || || BMG Vh 151
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || || || Ricordi || || ||
|-valign="top"
| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || [http://catalogue.bnf.fr/ark:/12148/cb428507212/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP X683 (2)
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6
|-valign="top"
| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
|-valign="top"
| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
|-valign="top"
| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
|-valign="top"
| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850772z/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 || BCV
|-valign="top"
| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1840 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850806f/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 145856
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 || BSM 4 Mus pr 37429
|-valign="top"
| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV
|-valign="top"
| || || || || || || JLB
|-valign="top"
| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || || || 18 || BnF Ms 3519 (manuscript)
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| || || || D'Almaine || 1850 || || BLL h 552 h (7)
|-valign="top"
| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
|-valign="top"
| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507572/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
|-valign="top"
| || || || Chappell || 1850 || 19 || BLL h 60 w (17)
|-valign="top"
| 127. || Frande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850758d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42958035x/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (17)
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850686c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506851/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
|-valign="top"
| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
|-valign="top"
| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507828/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera'' de Bellini || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850677d/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (6)
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
|-valign="top"
| || || || Troupenas || || ||
|-valign="top"
| 133. || Première symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || [http://catalogue.bnf.fr/ark:/12148/cb428507243/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850722d/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850723r/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5991
|-valign="top"
| || || || || || || BMB M 2383
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || [http://catalogue.bnf.fr/ark:/12148/cb42850725f/PUBLIC BnF]
CMP L 5993
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
|-valign="top"
| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 1340 || 1842 || 37 || [http://catalogue.bnf.fr/ark:/12148/cb42850726s/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5994
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Ricordi || 1992 || 37 || BCF
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
|-valign="top"
| || || || Augener, 11430 || || 21 || CPG
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
|-valign="top"
| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || || 1842 || 18 || BnF Ms 3518 (manuscript)
|-valign="top"
| || || || Paris || 1877 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850819s/PUBLIC BnF]
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1483 || 21 || BLL h.554.(5)
|-valign="top"
| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850790w/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP G. 6854
|-valign="top"
| || || || || || || BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| || [17 Préludes pour piano], Bertini. Op.141. 1ère suite || || 7071.1 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507917/PUBLIC BnF]
|-valign="top"

| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || [http://catalogue.bnf.fr/ark:/12148/cb42850728g/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 || CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850801q/PUBLIC BnF] (shows Op.145)
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || || Schonenberger, 1059 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
|-valign="top"
| || || || || || || CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850729t/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott || || || CMP L 13946
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, B.C. || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850753p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb42850813q/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || || BRB WBS Mus. 1922 C [M-MUS]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || || [http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
|-valign="top"
| || || || || || || BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || [http://catalogue.bnf.fr/ark:/12148/cb42850760z/PUBLIC BnF]
|-valign="top"
| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850684p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508142/PUBLIC BnF]
|-valign="top"
| || || || || || || BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb432633648/PUBLIC BnF] Ave Maria, shows as Op.137.
[http://catalogue.bnf.fr/ark:/12148/cb43263608m/PUBLIC BnF] Ständchen.
[http://catalogue.bnf.fr/ark:/12148/cb43263275n/PUBLIC BnF]
CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || [http://catalogue.bnf.fr/ark:/12148/cb42850683b/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (16)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || || 27 || NYPL
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 || BLL h 62 j (2)
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || [http://catalogue.bnf.fr/ark:/12148/cb42850671b/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 6000
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 || [http://catalogue.bnf.fr/ark:/12148/cb428507692/PUBLI BnF] [http://catalogue.bnf.fr/ark:/12148/cb42850777p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || [http://catalogue.bnf.fr/ark:/12148/cb42850674c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (18)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507870/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (15)
|-valign="top"
| || || || || || || BMG Vh 152
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850815d/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (20)
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb43264043q/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850687q/PUBLIC BnF]
CMP D 980 (11)
|-valign="top"
| || || || || || || BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507274/PUBLIC BnF]
BMG L 10357
|-valign="top"
| || || || || || || CVM 1.A.65.2
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850810p/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 979 (21)
|-valign="top"
| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini'' de Bellini || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 ||
[http://catalogue.bnf.fr/ark:/12148/cb42842097n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850756q/PUBLIC BnF]
CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || ||
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 ||
[http://catalogue.bnf.fr/ark:/12148/cb42841880w/PUBLIC BnF]?
[http://catalogue.bnf.fr/ark:/12148/cb428506882/PUBLIC BnF]
CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Sonnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb428422151/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850762n/PUBLIC BnF]
CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508111/PUBLIC BnF] (shows Op.17)
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 || CMP L 14586
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || || || || BnF Ms 13755 (manuscript)
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || || BLL h.723.a.(39)
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
CMP L 6001 (3-4)
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || || 43 || BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
BMG L 10357
|-valign="top"
| || || || || || || CVM 1.A.65.5
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850731c/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 6002
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || Bmm
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850732q/PUBLIC BnF]
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507332/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP L 6011
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || 1859 || 62, 64 || [http://catalogue.bnf.fr/ark:/12148/cb428506929/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850693n/PUBLIC BnF]
|-valign="top"
| || || || || || || CMP D 1030 (1-2)
|-valign="top"
| || || || || || || CPV
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Vocal and Choral Music!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || || [http://catalogue.bnf.fr/ark:/12148/cb428507781/PUBLIC BnF]
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| Deuxième Messe à quatre voix pour deux ténors et deux basses avec accompagnement d'orgue || Mr l'abbé Modelonde, curé de la Sainte Trinité || Régnier, 3039 || 1859 || 45 || [http://catalogue.bnf.fr/ark:/12148/cb42850774n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D977
|-valign="top"
| La Melodie Religieuse. Collection de motets au Saint Sacrement et à la Sainte Vierge à une ou plusieurs voix avec accompagnement d'orgue || || Régnier-Canaux, RC 2088 || 1859 || 130 (40 fascicules) ||
[http://catalogue.bnf.fr/ark:/12148/cb42850779c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850771m/PUBLIC BnF]
|-valign="top"
| || || || || || CMP D 976
|-valign="top"
| Chant: No 1. L'Ame. Mélodie. Words: Mme Marceline Valmore. Incipit: Lasse de douleur || || Lemoine, 1851 || 1836 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850669s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1699
|-valign="top"
| No 2. L'Orage. Mélodie. Words: Mr Ed. Corbière. Incipit: La foudre du sein des nuages || || Lemoine, 1852 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850786n/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1700
|-valign="top"
| No 3. Ballade. Words: Mr le vicomte de Chateaubriand. Incipit: Le roi Don Juan, un jour chevauchant || || Lemoine, 1853 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850672p/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1701
|-valign="top"
| No 4. Paysage. Elégie. Words: Melle Elisa Mercoeur. Incipit: De l'echo, la voix inégale || || Lemoine, 1854 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb42850788b/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1702
|-valign="top"
| No 5. Marie. Mélodie. Words by Mr Bassel de St Martin. Incipit: On avait vu l'herbe jaunie || || Lemoine, 1997 || 1839 || 4 || [http://catalogue.bnf.fr/ark:/12148/cb428507708/PUBLIC BnF]
|-valign="top"
| || || || || || CMP A 1698
|-valign="top"
| Caïn. Scène biblique. Words: Emilien Pacini. Incipit: J'avais choisi les doux fruits de la terre || Mr Géraldy || Pacini, 3107 || || 9 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506731/PUBLIC BnF]
CMP A 1704
|-valign="top"
| Françoise de Rimini. Words: Emilien Pacini || mademoiselle Falcon || Pacini || 1836 || ||
[http://catalogue.bnf.fr/ark:/12148/cb420305195/PUBLIC BnF]
|-valign="top"
| Le jaloux dupé. Opéra comique en 1 acte. Words: M. Mellinet || || || || || CMD (manuscript)
|-valign="top"

{|class="sortable wikitable"
!Compositions written in collaboration with other musicians!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Antoine Fontaine
|-valign="top"
| 1er livre. L'Amitié, grand Duo pour piano et violon || M. Auguste VandenBergt || Le Duc, 1324 || 1830 || 36, 11 || CPV
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 2ème livre. Les saisons, Duo brillant pour piano, violon ou violoncelle || || Lemoine || || ||
|-valign="top"
| || || Pleyel || || || [http://catalogue.bnf.fr/ark:/12148/cb428507990/PUBLIC BnF] [http://catalogue.bnf.fr/ark:/12148/cb429913367/PUBLIC BnF]
|-valign="top"
| || || || || || BLL g 271 n (3)
|-valign="top"
| 3ème livre. Fantaisie et variations brillantes sur un air suisse pour piano et violon concertantes || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 524 || || 17 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850755c/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991332v/PUBLIC BnF]
|-valign="top"
| 4ème livre. Fantaisie concertante sur Robin des Bois pour piano et violon || || Lemoine || || ||
|-valign="top"
| || || Pleyel, 1705 || 1824 || 25 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507541/PUBLIC BnF]
|-valign="top"
| 5ème livre. L'automne. Grand duo concertant pour piano et violon || || || || 18 || BnF (manuscript)
|-valign="top"
| || || Lemoine || || ||
|-valign="top"
| 6ème livre. La Conversation. Duo concertant pour piano et violon || || Launer, 2589 || || || [http://catalogue.bnf.fr/ark:/12148/cb42850681n/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42991328m/PUBLIC BnF]
|-valign="top"
| 7ème livre. Duetto pour piano et violon || || Lemoine || || ||
|-valign="top"
| 8ème livre. Serenata pour piano et violon || || Lemoine || || ||
|-valign="top"
| 9ème livre. Notturno pour piano et violon || || Lemoine || || ||
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Auguste Franchomme
|-valign="top"
| Thème varié pour piano et violoncelle || Mme la vicomtesse Ernert de Gourjault || Breitkopt, 5679 || 1836 || 15 and part ||
[http://catalogue.bnf.fr/ark:/12148/cb42850816r/PUBLIC BnF]
|-valign="top"
! colspan="6" align="center" | Henri Bertini and Joseph Guillou
|-valign="top"
| Fantaisie pour piano et flûte || || Lemoine || || ||
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Studies!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Gymnastique des doigts. Préparation à l'étude du piano || Schonenberger, 1008 || 1843 || 13 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850764b/PUBLIC BnF]
|-valign="top"
| || || Schonenberger, 2ème édition || || CMP L 5975
|-valign="top"
| || Lucca, 5080 || 1847 || 13 || CVM 1.A.61.4
|-valign="top"
| La Semaine du Pianiste. Etudes journalières de la gamme dans tous les tons majeurs et mineurs || Schonenberger, S 700 || || 29 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850800c/PUBLIC BnF]
|-valign="top"
| || Pozzi || || ||
|-valign="top"
| || Schott || || ||
|-valign="top"
| Etudes pour le piano forte en 24 exercices, 1re livre || Leduc, 1276 || || 60 || CMP L 5980
|-valign="top"
| Exercices en doubles notes. Règles générales des doigtés || || || 8 || BnF (manuscript)
|-valign="top"
| Exercices en octaves, exercices en accord || || || 15 || BnF (manuscript)
|-valign="top"
| Premières leçons doigtées et arrangées pour les petites mains. En deux suites || Schinenberger, S 424 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507661/PUBLIC BnF]
|-valign="top"
| Cinquantes Leçons progressives, faisant suite aux précédentes || Schonenberger, 2 booklets, S 424 bis 1, 2 || || ||
[http://catalogue.bnf.fr/ark:/12148/cb42850768q/PUBLIC BnF]
|-valign="top"
| || Haslinger, 8027 || || 14 || BnF
|-valign="top"
| Douze Etudes spéciales || Ricordi, 36832 || || 9 || CVM 1.A.67.14
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || Schonenberger, 761 (1-4) || 1840 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507630/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (7)
|-valign="top"
| || Wessel & Co, London || 1846 || || BLL h.554.(14)
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || Schonenberger, 1316 1-4 || 1846 || 10 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507739/PUBLIC BnF]
|-valign="top"
| || || || || CMP D 980 (10)
|-valign="top"
| 25 études nouvelles pour piano en 2 cahiers, oeuvre-posthume || Lemoine 8126 HL || 1878 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428507301/PUBLIC BnF]
|-valign="top"
| 25 études pour le piano, dédiées à J. B. Cramer. 3e livre, 2e partie || Lemoine, 3094 HL || 1845 || 63 ||
[http://catalogue.bnf.fr/ark:/12148/cb42850738s/PUBLIC BnF]
|-valign="top"
| 6 Morceaux de salon pour le piano. Mélodie dramatique || Paris || 1841 || ||
[http://catalogue.bnf.fr/ark:/12148/cb428508200/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb433570395/PUBLIC BnF]
|-valign="top"

{|class="sortable wikitable"
!Music Without Opus Number: Miscellaneous pieces!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| La Romanesca || Schonenberger || || ||
|-valign="top"
| Scherzo en do majeur pour piano || Ricordi, 51663 || 1887 || 6 || CVM 1.A.67.14
|-valign="top"
| Storielle amorosa pour piano || Ricordi, 51661 || 1887 || 6 ||
|-valign="top"
| Sérénade, Sotto i Platani || Ricordi || 1887 || ||
|-valign="top"
| Petit quatuor à cordes || || || || BnF W 24,93 (manuscript)
|-valign="top"
|-style="background: #DFDFDF"
| xx. || || || ||
|-valign="top"

{|class="sortable wikitable"
!Methods, Didactic Arrangement!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Méthode pratique pour le piano forte rédigée d'après le mode d'enseignement indiqué par J. Jacotet et composée de morceaux choisis || || Romagnésy, 55 || || 204 || CMP L 6090
|-valign="top"
| Méthode élémentaire et facile de piano || aux élèves || Lemoine || 1843 || 112 || BMA Fol. 480
|-valign="top"
| || || Schonenberger || || || [http://catalogue.bnf.fr/ark:/12148/cb42850776b/PUBLIC BnF]
|-valign="top"
| || || Lucca, 11116 || 1861 || 115 || CVM 1.A.64.1
|-valign="top"
| || || Diston || 1586 || 115 || NYPL
|-valign="top"
| Méthode complète et progressive de piano || aux professeurs || Schonenberger, 643 || 1840 || 212 ||
[http://catalogue.bnf.fr/ark:/12148/cb428507750/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 5973
|-valign="top"
| || || || || || CRB EE 9118
|-valign="top"
| || || || || || CPG
|-valign="top"
| || || Lucca, 18349 || 1869 || 239 || CVM 1.A.64.2
|-valign="top"
| || || Schott, 643 || || 211 || CMD
|-valign="top"
| || || Gordon || ca.1860 || 191 || CPG
|-valign="top"
| || || Mason || ca.1860 || 197 || CPG
|-valign="top"
| || || Wade || 1850 || 191 || NYPL
|-valign="top"
| Collection des préludes et fugues de J.S.Bach, arrangés pour le piano à 4 mains || || Schonenberger, 817 (1-10) || 1840 || 316 ||
[http://catalogue.bnf.fr/ark:/12148/cb42826780d/PUBLIC BnF] CMP L 5974
|-valign="top"

Several unpublished works by Bertini were auctioned in Paris on the 26 April 1877 in four batches.

{|class="sortable wikitable"
! colspan="2" align="center" | Music Auctioned After Bertini's Death!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| colspan="6" align="center" | First Lot, Awarded to Henri Lemoine for 2100 francs
|-valign="top"
| I et II: || Vingt-cinq Etudes nouvelles pour piano à deux mains. || Ricordi, 74991, 74992 || 1890 || 35 || CMV 1.A.67.7
|-valign="top"
| || || Lucca, 25570, 25571 || after 1878 || 67 || CVM 1.A.60.17-18
|-valign="top"
| III et IV: || Etudes spéciales du double dièse et du double bémol. || Lucca, 25572, 25573 || 1878 || 37, 22 || CVM 1.A.60.19
|-valign="top"
| V et VI: || Vingt-quatre Etudes à quatre mains spéciales pour le rythme et la mesure. || Lemoine, 8113 || 1878 || || [http://catalogue.bnf.fr/ark:/12148/cb42850735r/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 6013 (1-2)
|-valign="top"
| || || Lucca, 25574, 25575 || ca.1878 || 35, 43 || CVM A.20.16.8-9
|-valign="top"
| || || Ricordi, 74995, 74996 || 1890 || 43, 35 || CVM A.20.16.12
|-valign="top"
| colspan="6" align="center" | Second Lot, Awarded to Médar Nicklès for 350 francs
|-valign="top"
| || 17 compositions for piano. || || || ||
|-valign="top"

| colspan="6" align="center" | Troisième lot, adjugé à Médar Nicklès pour 250 francs
|-valign="top"
| || 32 valses en recueils et 5 autres valses. || || || ||
|-valign="top"

| colspan="6" align="center" | Quatrième lot, adjugé à Henri Lemoine pour 500 francs:
|-valign="top"
| I: || Deux symphonies avec piano, obligé. || || || ||
|-valign="top"
| II: || Trois Nonettos pour piano et instruments à vent. || || || ||
|-valign="top"
| III: || 13 morceaux de chants. || || || ||
|-valign="top"
| || 1. Solfège d'ensemble à quatre voix d'hommes à l'usage des sociétés chorales. Complément du "Solfège des Solfèges." || Lemoine, 19960, 19971 || 1906 || 31, 39 ||
[http://catalogue.bnf.fr/ark:/12148/cb428506809/PUBLIC BnF]
[http://catalogue.bnf.fr/ark:/12148/cb42850807s/PUBLIC BnF]
|-valign="top"
| || || || || || CMP L 7181 (1-2)
|-valign="top"
| IV: || 12 Morceaux de chants religieux. || || || ||
|-valign="top"

User:James Bailey

2013-09-22T00:22:33Z

James Bailey: Finished the table of compositions with opus number.

{{Instr|pno-2|hpd-2}}
{{User MusiXTeX}}
{{Babel|en}}
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.

In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article ''Regular Meantone Temperaments Applied to Francesco da Milano'' appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).

[[User:James Bailey|James Bailey]] 15:47, 3 October 2012 (EDT)

== Sandbox ==

I intend to have a page containing Bertini's works arranged by opus number similar to [[List of works by Hector Berlioz]]. This list is based on the one in [[http://en.wikipedia.org/wiki/Henri_Bertini Wikipedia]] which in turn was based on Beyls, Pascal (1999). [[http://pascal.beyls.pagesperso-orange.fr/bertini/bertini.html "Henri Bertini, pianiste virtuose, compositeur de musique"]] (in French). Grenoble.

I would like to use this list to compile a catalogue of extant copies of early editions of Bertini's works. Pascal Beyls has located

Needs proof reading!!

==Abbreviations==

{|class="sortable wikitable"
!Abbreviation!!Location
|-valign="top"
| BAM || Bibliothèque Ambrosiana, Milan
|-valign="top"
| BBV || Bibliothèque Bertoliana, Vicenze
|-valign="top"
| BCB || Bibliothèque Civica, Bari
|-valign="top"
| BCF || Bibliothèque Centrale, Florence
|-valign="top"
| BCM || Bibliothèque Communale, Modène
|-valign="top"
| BCR || Bibliothèque Communale, Ravenne
|-valign="top"
| BCV || Bibliothèque Civica, Vérone
|-valign="top"
| BDB || Bibliothèque Donizetti, Bergame
|-valign="top"
| BEM || Bibliothèque Estense, Modène
|-valign="top"
| BGN || Bibliothèque Gerolamini, Naples
|-valign="top"
| BLL || British Library, London
|-valign="top"
| BLPN || Bibliothèque Luccesi Palli, Naples
|-valign="top"
| BMB || Bibliothèque Municipale d'Avignon
|-valign="top"
| BMB || Bibliothèque Municipale de Bordeaux
|-valign="top"
| BMG || Bibliothèque Municipale de Grenoble
|-valign="top"
| BMM || Bibliothèque Municipale Sormani, Milan
|-valign="top"
| BMV || Bibliothèque Municipale de Versailles
|-valign="top"
| BnF || [http://www.bnf.fr/fr/acc/x.accueil.html Bibliothèque Nationale de France]
|-valign="top"
| BOM || Bibliothèque de l'Opera. Manétoue
|-valign="top"
| BPU || Bibliothèque Publique Universitaire, Genève
|-valign="top"
| BRB || Bibliothèque Royale de Belgique, Bruxelles
|-valign="top"
| BSM || Bayerische Staatsbibliothek, Munich
|-valign="top"
| BSR || Bibliothèque Storia dell'arte. Rimini
|-valign="top"
| BVN || Bibliothèque Vittorio Emmanuele, Naples
|-valign="top"
| CCF || Conservatoire Cherubini, Florence
|-valign="top"
| CMA || Conservatoire de Musique d'Angers
|-valign="top"
| CMB || Conservatoire Martini, Bologne
|-valign="top"
| CMD || Conservatoire de Musique de Dijon
|-valign="top"
| CMG || Conservatoire de Musique de Grenoble
|-valign="top"
| CML || Conservatoire de Musique de Lyon
|-valign="top"
| CMN || Conservatoire de Musique de Nancy
|-valign="top"
| CMP || Conservatoire de Musique de Paris
|-valign="top"
| CMT || Conservatoire de Musique de Toulouse
|-valign="top"
| CPG || Collection Particulière. Grenoble
|-valign="top"
| CPV || Collection Particulière. Vienna
|-valign="top"
| CRB || Conservatoire Royale de Musique, Bruxelles
|-valign="top"
| CVM || [http://www.consmilano.it/ Conservatorio di musica “Giuseppe Verdi” di Milano]
|-valign="top"
| MFS || Musikulturens Framjande, Stockholm
|-valign="top"
| NYPL || New York Public Library
|-valign="top"
| SML || Sibley Music Library
|-valign="top"
| TB || Toggenberg, Bolzano
|-valign="top"
| UMZ || Universität Mozarteum, Salzberg
|-valign="top"
| UWS || University of Washington. Seattle
|-valign="top"
| WLC || Washington Library of Congress
|-valign="top"

[http://www.ubka.uni-karlsruhe.de/kvk_en.html KVK - Karlsruhe Virtual Catalog]

== Works Arranged Opus Number ==

{|class="sortable wikitable"
!Op!!Title!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| || Introduction and variations upon the air of ''Gondrillon'' || || London || ca.1815 || || BLL g 272 m (10)
|-valign="top"
| || Celebrated Irish melody as sung in the opera of ''Guy Mannering'' with variations and an introduction for the piano forte || || D'Almaine || 1818 || 7 || BLL h 551 (21)
|-valign="top"
| || Third divertimento for the piano forte || || Chapell || 1818 || 11 || BLL h 551 (20)
|-valign="top"
| || Air with seven variations for the piano forte || Mlle Broes || Hummel, 1536 || || || MFS
|-valign="top"
| || Polacca composed pour the piano forte || || Depot central de la librairie, XXVI || || 9 || CMP, Ac.P. 1066
|-valign="top"
| || Encor un petit rien. Andante pour piano forte || Mlle Thompson || Lemoine, 799 || 1822 || 6 || CPV
|-valign="top"
| 11. || Quatrième Divertissement pour le piano forte || son frere || Richault, 1961 || || 18 || BMG, Vh 150
|-valign="top"
| 12. || Rondeau polonaise pour le piano forte || || Richault || || ||
|-valign="top"
| || || || Heckel, 545 || after 1828 || 10 || TB
|-valign="top"
| 15. || Rondo pastoral pour le piano || Melle Justine Walter || Latte, 2733 || 1843 || 7 || [http://catalogue.bnf.fr/servlet/RechercheEquation?TexteCollection=HGARSTUVWXYZ1DIECBMJNQLOKP&TexteTypeDoc=DESNFPIBTMCJOV&Equation=IDP%3Dcb428507979&host=catalogue BnF Vm12 3096]
|-valign="top"
| || || || || || || CMP D 979 (1)
|-valign="top"
| || || || L'année Musicale, 8eme mois || || ||
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 16. || Fantaisie pour piano sur l'air ''Au clair de la lune'' || Melle Emilie Houlton || Messemaeckers || || ||
|-valign="top"
| || || || Petit, 54 || || 11 || CPV
|-valign="top"
| 17. || Fantaisie pour piano forte sur le trio des deux jaloux, ''Ta Fanchette est charmante'' || son ami Zimmerman || Petit, 388 || || 13 || CPV
|-valign="top"
| || || || Schonenberger || || ||
|-valign="top"
| 18. || Air allemande, varié pour le piano forte et précédé d'une introduction || || Pacini || ca. 1825 || 13 || WLC M27.B
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 20. || Trio pour piano, violon, et basse, no 1 || M. Reijel || Meissonnier, 140 || 1822 || 19 || BMV Partition 912
|-valign="top"
| || || || || || || CRB 6403
|-valign="top"
| || || || Simrock, 3196 || || ||
|-valign="top"
| 21. || Trio pour piano, violon, et basse, no 2 || || Meissonnier, 141 || || || CRB 6403
|-valign="top"
| 22. || Trio pour piano, violon, et basse, no 3 || || Meissonnier, 142 || || || CRB 6403
|-valign="top"
| 23. || Rondo brillant pour piano || Melle Alesandrine Vavino || Omont, 237 || || 11 || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 24. || Grand Quatuor pour piano forte, harpe, violon et violoncelle || Cécilia Bertini || Lemoine, 734 || 1821 || 23 || [http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42850793&SN1=0&SN2=0&host=catalogue BnF Vm7 10387, Vm18 22]
|-valign="top"
| 25. || Première Sérénade pour piano, violon, alto, et violoncelle || || Lemoine, 737 || 1821 || || BMV Partition 929
|-valign="top"
| 26. || Rondo brillant pour piano || Madame Adélaïde Végrel née Setfert || Lemoine || || 12 || CPV
|-valign="top"
| || || || Pleyel || || ||
|-valign="top"
| 27. || Variations pour le forte-piano sur la Romance : ''Si tu voulais'' || son ami Dupoty || Lemoine, 761 || 1822 || 14 || CPV
|-valign="top"
| 28. || Air allemand avec introduction varié pour la harpe || Pierre Erard || Erard, 930 || || 9 || [http://catalogue.bnf.fr/servlet/RechercheEquation?TexteCollection=HGARSTUVWXYZ1DIECBMJNQLOKP&TexteTypeDoc=DESNFPIBTMCJOV&Equation=IDP%3Dcb42850668f&host=catalogue BnF Vm9 3876, Vm9 3876A]
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 29. || Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer || Melle Elisa Lemoine || || || || BMM I-SSVcap, Ms 495 - FG (manuscript)
|-valign="top"
| || || || Lemoine, 1884 || 1836 || 35 ||
[http://catalogue.bnf.fr/servlet/RechercheEquation?TexteCollection=HGARSTUVWXYZ1DIECBMJNQLOKP&TexteTypeDoc=DESNFPIBTMCJOV&Equation=IDP%3Dcb42850701f&host=catalogue BnF Vm8 s. 104],
Vmg 6597 (1) [http://catalogue.bnf.fr/servlet/RechercheEquation?TexteCollection=HGARSTUVWXYZ1DIECBMJNQLOKP&TexteTypeDoc=DESNFPIBTMCJOV&Equation=IDP%3Dcb42850699q&host=catalogue 787 HL]
|-valign="top"
| || || || || || || CMP Ac. P. 2259, L 13880
|-valign="top"
| 30. || Deux Caprices pour le piano-forte || Melle Athénais de Villiers || Petit, 941 || || 10 and 9 || CPV
|-valign="top"
| || || || Schonenberger, 1388 1 and 2 || || 13 and 11 ||
|-valign="top"
| || || || Lemoine || || 13 and 11 ||
|-valign="top"
| 31. || Deuxième Sérénade pour piano, violon, alto et violoncelle || || || || || BMA (manuscript)
|-valign="top"
| || || || Lemoine, 1718 || 1836 || || BMV Partition 929
|-valign="top"
| 32. || Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer || Melle Elisa Lemoine || Lemoine || || ||
[http://catalogue.bnf.fr/servlet/RechercheEquation?TexteCollection=HGARSTUVWXYZ1DIECBMJNQLOKP&TexteTypeDoc=DESNFPIBTMCJOV&Equation=IDP%3Dcb42850699q&host=catalogue BnF V8 s. 104]
|-valign="top"
| || || || || || || BMG Vh 157
|-valign="top"
| 33. || Nocturne concertant pour piano, violon et violoncelle || son ami Sor || Pleyel, 1644 || || 16 || BnF Vm17 1006
|-valign="top"
| || || || || || || CMP Ac e3 22
|-valign="top"
| || || || Lemoine || || || CRB 6408
|-valign="top"
| 34. || Trois Bagatelles pour piano forte || || Lemoine, 899 1-3 || 1823 || 7, 9, 9 || CPV
|-valign="top"
| 35. || Duo sur ''Au clair de la lune,'' pour harpe et piano || || Lemoine || || ||
|-valign="top"
| 36. || Divertissement sur un air de Gluck, pour piano || || Lemoine || || ||
|-valign="top"
| 37. || Rondeau brillant pour piano forte || Plantade, maitre de chapelle de S.M. || Pleyel, 1688 || || 18 ||
[http://catalogue.bnf.fr/servlet/RechercheEquation?TexteCollection=HGARSTUVWXYZ1DIECBMJNQLOKP&TexteTypeDoc=DESNFPIBTMCJOV&Equation=IDP%3Dcb42850795m&host=catalogue BnF Vm12 3095]
|-valign="top"
| || || || || || || CMP Ac p 1088
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 38. || Variations brillantes pour le piano || Mme Clémentine Migneron-Rémy || Hanry, 125 || || 16 || BnF Vm12 3103
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 39. || Troisième Sérénade pour piano, violon, violoncelle || || Lemoine,2955 || 1844 || || BMV Partition 929
|-valign="top"
| 40. || Variations brillantes pour le piano || J.P.Pixis || Hanry, 131 || || 23 || BnF Vm12 3104
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 41. || Polonaise sur ''Le Freyschütz'' pour piano et violoncelle || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 1700 || || ||
|-valign="top"
| 42. || ''L'Angélus'' de A.Romagnési. Variations brillantes pour le piano forte || || Romagnési & Meissonnier, 336 || || 20 || BnF Vm7 2244
|-valign="top"
| || || || || || || CMP D 979 (2)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 43. || Grand Trio pour piano, violon, violoncelle || || Richault, 400 || || || CMP L 15074
|-valign="top"
| || || || || || || CRB 6404
|-valign="top"
| || || || || || || BMV Partition 912
|-valign="top"
| || || || || || || CMG Ah 3/1c;rf
|-valign="top"
| || || || Simrock, 5063 || || || NYPL
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 44. || Variations brillantes pour piano sur le choeur favori de ''Robin des bois,'' musique de Weber || L.Adam || Hanry, 148 || || 21 ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 45. || Souvenirs de Freyschütz (Robin des bois). Variations et Rondo pour piano sur la jolie cavatine L'Infortune, les alarmes et autres motifs || M. le marquis de Cubière || Lemoine, 1010 || 1826 || 24 || CPV
|-valign="top"
| 46. || Grande Fantasie. Etude de 1ère force || son ami Camille Pleyel || Richault || || || JLB
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 47. || Rondo brillant pour piano composé sur le quatuor de Joconde, ''Quand on attend so belle'' || Sophie Nicolo || Troupenas, 164 || 1825 || 16 || CPV
|-valign="top"
| || || || Maquet || || ||
|-valign="top"
| 48. || Grand Trio pour piano, violon et violoncelle || Georges Onslow || Langlois || || ||
|-valign="top"
| || || || Lemoine, 1722 || || || CMG Ah 3/1c;rf
|-valign="top"
| || || || || || || CRB 6405
|-valign="top"
| 49. || Sérénade pour piano, violon, alto et basse || || Leduc || || ||
|-valign="top"
| 50. || Rondo brillant pour piano forte sur l'air : ''A l'eau, voilà la porteuse d'eau'' || son ami Charles Plante || Frère || || ||
|-valign="top"
| 51. || Rondoletto brillant pour piano || || Richault || || ||
|-valign="top"
| || || || Langlois || || ||
|-valign="top"
| 52. || Thème avec variations brillantes pour le piano forte || Melle Clara Robillon || Champein || || ||
|-valign="top"
| 53. || Douze petits morceaux pour le piano précédés chaqun d'un prélude composés expressément pour les élèves || || Girard, 8030–34 || || 25 || BLPN
|-valign="top"
| || || || Ricordi, 5811–12 || 1832 || 13, 13 || CVM 1.A.61.2-3
|-valign="top"
| 54. || Rondo brillant pour le piano || || Schesinger, 548 || 1826 || 18 || CMP Ac p 1074
|-valign="top"
| || || || || || || BSM 2 Mus pr 3099-4
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 56. || Variations brillantes sur ''Il crociato Egitto'' || || Richault || || ||
|-valign="top"
| || || || Langois || || ||
|-valign="top"
| || || || Costallat || || ||
|-valign="top"
| 57. || Variations brillantes pour piano sur une valse autichienne || || Hanry || || ||
|-valign="top"
| || || || Girod || || ||
|-valign="top"
| 59. || Trois Valses à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2425 || || ||
|-valign="top"
| 60. || Deux petits Rondos pour le piano forte No 1. La belle Anglaise No 2. La belle Suisse || || || || || BnF Ms 3514 (manuscript)
|-valign="top"
| || || || George & Manby || 1840 || 5, 9 || BLL h 722 oo (1) and (2)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2328 || || ||
|-valign="top"
| 61. || Variations brillantes pour le piano forte || || || || || BnF Ms 3505 (manuscript)
|-valign="top"
| || || || Dépôt Central de la Librairie || || || CMP Ac p 1073
|-valign="top"
| || || || Pleyel, 2168 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 62. || Le Calme. Andante pour piano forte || || Pleyel, 2169 || between 1828 and 1834 || 7 || CVM Noseda.C.30.6
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| 63. || Rondoletto pour piano || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2167 || || ||
|-valign="top"
| 64. || Deux thèmes pour le piano No 1. Variations sur un thème original pour piano, en ré No 2. Variations sur une valse autrichienne pour piano || || Dépôt Central de la Librairie || || || CMP Ac p 2548
|-valign="top"
| || || || Lemoine, 1728 || 1836 || || CMP Ac p 2251
|-valign="top"
| || || || Pleyel, 2329 || || ||
|-valign="top"
| 65. || Divertissement pour piano || || || || || BnF Ms 3516 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2330 || || ||
|-valign="top"
| 66. || Vingt-cinq Etudes caractéristiques || l'Ecole Royal de Musique || Lemoine, 1194 || 1828 || 91 || BNF Vm8 s. 72
|-valign="top"
| || || || || || || CMP G 1386 (4)
|-valign="top"
| 68. || Variations sur un thème original pour piano, en mi || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2374 || || ||
|-valign="top"
| || || || Kistner || || ||
|-valign="top"
| || || || Probst, 917 || ca. 1831 || 12 || CPG
|-valign="top"
| 69. || Variations de concert pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2505 || || ||
|-valign="top"
| 70. || Trio pour piano, violon, violoncelle || Vidal || Lemoine, 1733 || || || CMG Ah 3/1;c;rf
|-valign="top"
| || || || || || || CRB 6406
|-valign="top"
| 71. || No 1. Rondoletto pour piano No 2. Polacca pour piano || || Lemoine || || ||
|-valign="top"
| 72. || Divertissement pour piano || || || || || BnF Ms 3511 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 73. || Variations sur un thème original à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2631 || || ||
|-valign="top"
| 74. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 75. || Quatrième Sérénade pour piano, violon, alto, violoncelle contrebasse || || || || || BnF Ms 3512 (manuscript)
|-valign="top"
| || || || Lemoine, 1738 || 1838 || || BMV Partition 929
|-valign="top"
| || || || Pleyel, 2579 || || ||
|-valign="top"
| 76. || Cinquième Sérénade pour piano, violon, alto, violoncelle contrebasse || || || || || BnF Ms 3513 a-c strings only, lacks piano
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2647 || || ||
|-valign="top"
| 77. || Rondino à quatre mains || || Lemoine || || ||
|-valign="top"
| || || || Breitkopf || || ||
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 78. || Variations brillantes pour piano sur un thème original || Mme Laurent || || || 6 || CMP Ms 3508 (manuscript)
|-valign="top"
| || || || Lemoine || || || CMP Ac. P. 2548
|-valign="top"
| || || || Schuberth || || || BRB WBS Mus. 14311 C [M-MUS]
|-valign="top"
| || || || Pleyel, 2773 || || ||
|-valign="top"
| 79. || Première grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || Meyerbeer || || || || BnF Vma ms 466 (manuscript
|-valign="top"
| || || || Lemoine, 1282 || 1830 || 44 || CMP L14581–14587
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Breitkopf, 6056 || 1839 || 34 || CVM Da Camera.A.18.6
|-valign="top"
| || || || || || || BSM 4 mus pr 37427
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1931 || || || JLB
|-valign="top"
| 80. || Six Valses brillantes pour piano || || Lemoine || || ||
|-valign="top"
| 81. || Trois petits Rondos pour piano No 1. La contredanse No 2. La ronde No 3. La polonaise || || || || || BnF Ms 3510 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2771 || || ||
|-valign="top"
| 82. || La soirée, à quatre mains || || || || || BnF Ms 3519 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2772 || || ||
|-valign="top"
| 83. || Six Divertissements à quatre mains || || || || || BnF Ms 3517 (manuscript)
|-valign="top"
| || || || Lemoine || || ||
|-valign="top"
| || || || Pleyel, 2778 || || ||
|-valign="top"
| 84. || Le Rudiment du Pianiste ou réunion des exercices les plus indispensables pour acquérir un mécanisme parfat || || Lemoine, 6370 || 1867 || || BnF Vm8 s.74,Vm8 s.75
|-valign="top"
| || || || || || || CMP L 5985
|-valign="top"
| || || || Lemoine, 2158 2ème édition || || 85 || BMG Vh 158
|-valign="top"
| || || || || || || JLB
|-valign="top"
| || || || Lemoine, 6370 5ème édition || 1878 || 91 || CPV
|-valign="top"
| || || || Ricordi, 10122 || 1838 || 89 || CVM 1.A.61.1
|-valign="top"
| || || || Breitkopf, 2226 || || ||
|-valign="top"
| || || || Schott, 3422 || 1831 || 95 || CVM 1.A.67.10
|-valign="top"
| 85. || Second grand Sextuor pour piano forte, deux violons, alto, violoncelle et contrebasse || J.B.Cramer || || || 128 || BnF Res. Vma. Ms. 1058 (manuscript)
|-valign="top"
| || || || Lemoine, 1473 || 1833 || 37 || CMP L 14582
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Breitkopf, 6057 || || 33 || CMP Verdi : A.18.7
|-valign="top"
| || || || || || || BSM 4 Mus pr 10645
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1932 || || || JLB
|-valign="top"
| 86. || Etudes mélodiques sur des romances de A.Romagnési || || Richault || || ||
|-valign="top"
| || || || Bartelli || || || CCF
|-valign="top"
| || || || Girard, 7335 || || 15 || CVM Noseda.C.30.7
|-valign="top"
| || || || Romagnési || 1835 || || BLL h.512.b.(11)
|-valign="top"
| || || || Lose || ca.1835 || 15 || CGG
|-valign="top"
| 87. || Trois nocturnes pour piano et varriations brillantes pour le piano || || || || ||
|-valign="top"
| || No 1. L'espérance || || Lemoine, 1379 || 1832 || 4 || CMP Ac. p. 1062
|-valign="top"
| || || || Schuberth || 1840 || || CMP L.5899 (5)
|-valign="top"
| || No 2. Les regrets || || Lemoine, 1380 || 1832 || 8 ||
|-valign="top"
| || No 3. Le calme || || Lemoine, 1381 || 1832 || 4 || CPV
|-valign="top"
| || Les trois nocturnes || || || || || BnF Vm12 3093
|-valign="top"
| || || || Schuberth || 1835 || 24 || CMP L.5899 (2)
|-valign="top"
| || || || || || || BSM 4 Mus pr 5490+6-7/8
|-valign="top"
| || || || || || || BRB WBs Mus. 14311 C [M-MUS]
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Collard & Collard, London || 1833 || 13 || BLL h.551.(24.)
|-valign="top"
| 88. || Ma Normandie. Romance favorite de Mr F.Bérat variée pour le piano || Melle Joséphine Giovananetti || || || || BnF Ms 3515 (manuscript)
|-valign="top"
| || || || Ricordi, 9925 || 1837 || 9 || CVM 1.A.61.6
|-valign="top"
| || || || Société Caleographique, 163 || || 9 || CVM Noseda.C.30.5
|-valign="top"
| || || || Schott, 4396 || || 9 || BSM 4 Mus. pr. 11465
|-valign="top"
| || || || Willig, Philadelphia || || ||
|-valign="top"
| || || || Ditson || ca.1850 || 8 || CPG
|-valign="top"
| 89. || Rondino alla polacca pour le piano || Melle Déiré Rousse || Richault || || ||
|-valign="top"
| || || || Delahante, 1185 || 1835 || 14 || BnF Vm7 2256
|-valign="top"
| || || || || || || CMP D 979 (3)
|-valign="top"
| || || || Schott, 4391 || 1834 || 14 ||
|-valign="top"
| 90. || Troisième grand Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || M. le marquis de Louvois || || || 151 || BnF Res. Vma ms 1058 (manuscript)
|-valign="top"
| || || || Lemoine, 1499 || 1834 || 33 || CMP L 14583
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| || || || Breitkopf, 6058 || 1839 || || BSM 4 Mus pr 37428
|-valign="top"
| || Le même, arrangé à quatre mains par Ch. Schwenck || || Lemoine, 1933 || || || JLB
|-valign="top"
| 91. || Rondino, sur un motif de L'Orgie, pour piano || || Lemoine || || ||
|-valign="top"
| 92. || Souvenirs du ''Barbier.'' Duo concertant pour piano et violon et basse ad libitum || || Lemoine || || ||
|-valign="top"
| || || || Simrock || || ||
|-valign="top"
| 93. || Grande Polonaise avec orchestre ad libitium || || Lemoine || || ||
|-valign="top"
| || La même pour piano et quatuor || || Lemoine || || ||
|-valign="top"
| || La même pour piano seul || || Lemoine || || || JLB
|-valign="top"
| 94. || Vingt-cinq Etudes caprice ou Complément aux Etudes caractéristiques || Melle Adèle de Jomini || Lemoine, 1532 1o–5o || 1834 || 131 || BnF Vm<\sup>12 3083 (1), (2), (5)
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| || || || || || || CMP Ac p 1958 (1), (2), (5)
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| || || || Lemoine, 2851 1o–5o (2e Edition) || || 105 || JLB
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| || || || Schott, 4221 || 1836 || 131 || CMN
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| || || || || || || CPG
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| || || || || || || CVM 1.A.66.8
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| || || || Haslinger || || ||
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| 95. || Souvenirs d'''Anna Bolena''. Duo concertant pour piano et violon avec accompagnement de basse ad libitum || || Lemoine, 1389 || || 14 || BnF Vm15 567
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| 96. || Caprice sur ''Le Pirate'' pour piano, violon et contrebasse ad libitum || || Lemoine || || ||
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| 97. || Vingt-cinq Etudes musicales à quatre mains pour le piano. Le but de cet ouvrage est de faire aux élèves un exercise spécial de la mesure, du rythme et de la phrase musicale || || Lemoine, 4426.1–3 || || 59 || [http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42850713&SN1=0&SN2=0&host=catalogue BnF Vm8 s. 98]
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| || || || || || || CMP L 5986
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| || arranged for 2 hands || || Rozsavölgyi, Budapest, 1881 || || 25 || [http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42850715&SN1=0&SN2=0&host=catalogue BnF Vm12 52]
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| || || || Schott, 3856 || 1833 || 59 || CMP L. 13945
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| || || || || || || [http://opac.sbn.it/opacsbn/opaclib?db=solr_iccu&select_db=solr_iccu&Invia=Perform+search&saveparams=false&resultForward=opac%2Ficcu%2Ffull.jsp&searchForm=opac%2Ficcu%2Favanzata.jsp&do_cmd=search_show_cmd&nentries=1&rpnlabel=+Any+%3D+Bertini+opus+97+%28ricerca.parole+tutte%29+&rpnquery=%2540attrset%2Bbib-1%2B%2B%2540attr%2B1%253D1016%2B%2540attr%2B4%253D6%2B%2522Bertini%2Bopus%2B97%2522&&fname=none&from=1 CVM A.20.16.10 ?]
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| || || || || || || CPG
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| || || || Peters, 9721 || 1893 || 51 || CVM A.20.16.11
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| || || || Haslinger || || || BBV
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| || || || Peters || || || CVM
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| || || || Universal, 131 || || 53 ||
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| 98. || Episode d'un bal. Rondo caractéristique pour piano || || Richault || || ||
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| || || || Delahante, 1186 || 1835 || 15 || BnF Vm7 2247
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| || || || || || || CMP D.979 (4)
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| || || || Ricordi, 10520 || 1838 || 13 || CVM 1.A.67.11
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| 99. || No 1. Rondeau Galop sur ''La Sentinelle perdue'' || || Cranz || || 11 || CPG
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| || No 2. Rondeau Valse sur ''La Sentinelle perdue'' || || Lemoine || || ||
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| || || || Cranz || || 13 || CPG
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| || || || Simrock || || ||
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| || || || Breitkopf || || ||
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| 100. || Vingt-cinq Etudes facile composées expressément pour les petites mains qui ne peuvent encore embrasser l'étendue de l'octave || || Lemoine, 1521 || 1834 || 37 || BnF Vm8 76–1064
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| || Many others || || || || ||
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| 101. || Le Repos. Vingt-quatre leçons mélodiques || aux jeunes élèves || Meisonnier, 791 1o–3o || 1835 || || BnF Vm12 3094 (1–3)
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| || || || || || || CMP Ac P 1085 (2)
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| || || || Schott, 4408–4410 || || 17, 30, ?? || CPV
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| || || || Ricordi, 10344–10346 || 1837 || 17, 15, 19 || CVM 1.A.63.9
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| || || || Böhme, 1–3 || || 11, 11, 11 ||
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| || || || Schirmer, 16265 || 1903 || 45 || JLB
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| 102. || Deux Nocturnes No 1. A Toi !!! No 2. La solitude || || Ricordi, 10521 || 1838 || 9 || CVM 1.A.63.10
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| || || || Lemoine || || || JLB
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| || || || Breitkopf || || ||
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| 103. || Adieu beau rivage de France. Rondo barcarolle pour le piano sur le thème favori de Albert Grisar || || Abrahams, La Hay || || || NYPL
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| || || || Ricordi, 10652 || 1838 || 11 || CVM 1.A.61.9
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| 104. || ''Jura.'' Impressions de voyage, les souvenirs pour piano || || Meissonnier, 794 || 1836 || 11 || BnF Vm12 3090
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| || || || || || || CMP D 979 (6)
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| || || || Ricordi, 10355 || 1837 || 11 || CVM 1.A.61.10
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| 105. || Grand Rondo de concert avec orchestre || son ami Henry Herz || Lemoine || || ||
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| || Le même pour piano et quatuor || || Lemoine || || ||
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| || Le même pour piano seul || || Simrock, 3297 || 1836 || 25 || CPG
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| || || || || || || JLB
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| || || || || || || IMSLP
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| 106. || Dell' aura tua profetica, choeur de ''Norma'' varié pour le piano || son élève et ami Pierre Wolf || Lemoine, 1713 || 1836 || 15 || BnF Vm12 3084
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| || || || || || || CMP D 979 (7)
|-valign="top"
| || || || Schott, 9171 || || ||
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| 107. || Nonetto en ré pour piano, flûte, hautbois, alto, violoncelle, cor, basson, trompette et contrebasse || || Lemoine, 1750 || 1836 || 9 parties, 37 pages || BnF Vmg 14929
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| || || || || || || CMT
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| || || || || || || CRB 6409
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| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1935 || || 79 || JLB
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| || Le même arrangé en quintet pour piano, flûte, violon, alto, et violoncelle par Ch. Scwencke || || Lemoine || || || WLC?
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| 108. || Caprice sur la romance de Grisar, ''Les laveuses du couvent,'' pour le piano || || Latte, BL 1024 || 1836 || || Vm12 3081
|-valign="top"
| || || || || || || CMP D979 (8)
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| || || || Schott, 4490 || 1847 || 11 || CPG
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| 109. || Solo composé pour le concours de 1836. Ecole royale de musique, classe de piano de L.Adam || || Lemoine, 1795 || 1836 || 17 || BnF Vm12 3097
|-valign="top"
| || || || || || || CMP D 980 (1)
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| 110. || Caprice pour piano sur l'opera ''Sarah'' || || Schott || || ||
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| || || || Le Boulch || || ||
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| 111. || ''Son nom.'' Rondo caprice pour piano sur la romance favouite de Melle Loïsa Puget || || Meissonnier, 853 || 1837 || 13 || BnF Vm7 2257
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| || || || || || || CMP D 979 (9)
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| || || || Schott, 4551 || || 13 || BSM s Mus. Pr. 1460
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| || || || || || || CPG
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| 112. || Fantaisie sur ''Le Caevalier de Canolle'' || || Lemoine || || ||
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| || || || Schott || || ||
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| 113. || ''Ernestine.'' Grande Fantaisie sur un thème de Paddini intercalée par Rubini dans ''La Straniera'' || Melle Ernestine de Villiers || Lemoine, 1881 || 1837 || 24 || BnF Vm7 2252, Vm12 3088
|-valign="top"
| || || || || || || CMP D 979 (10)
|-valign="top"
| || || || || || || BMG Vh 149
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| || || || || || || CPV
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| || || || London || 1852 || || BLL h 725 a (38)
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| 114. || Quatrième grand Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Mme C.Peruzzi || || ca.1840 || 91 || BnF Ms 20513
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| || || || Lemoine, 1900 || 1837 || 6 parts, 37 pages || CMP L 14584
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| || || || || || || CRB 6407
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| || || || || || || CCF
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| || || || Fillastre, 1900 || || || BMB M 343/2
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| || || || Breitkopf, 6059 || || 31 || BSM 4 Mus pr 10646
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| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 1954 || || 73 || JLB
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| 115. || Caprice pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
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| || || || Schott || || ||
|-valign="top"
| 116. || Fantaisie pour piano sur ''Le Postillon de Lonjumeau'' || || Joubert || || ||
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| || || || Schott || || ||
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| 117. || Caprice pour le piano sur des motifs de ''L'Ambassedrice'' d'Auber || || Troupenas || || ||
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| || || || Brandus || || ||
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| || || || Batelli || || || CCF
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| 11. || || || || || ||
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| 118. || Grande Fantaisie dramatique pour le piano || || || || || JLB
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| 119. || Duex Nocturnes pour le piano. No 1. Sympathie No 2. Souvenir || || Lemoine, 2187, 2188 || 1840 || || BnF Vm7 2254
|-valign="top"
| 11. || || || || || || CMP D 979 (11)
|-valign="top"
| 11. || || || Schott || || ||
|-valign="top"
| 120. || Grande Fantaisie à quatre mains pour le piano sur les motifs de l'opéra ''Le domino noir'' d'Auber || Melle Marie Fugo || Troupenas, 393 || 1830 || 33 || CMG Af 4670
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| || || || Brandus || || ||
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| || || || D'Almaine || 1850 || || BLL h552 h (8)
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| || || || Schott, 5098 || || ||
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| 121. || Deuxième Solo composé pour le piano pour le concours de 1838. Ecole royale de musique, classe de piano de L.Adam || Melle Victorine Picard || Lemoine, 2050 || 1838 || 19 || BnF Vm12 3098
|-valign="top"
| || || || || || || CMP D 980 (2), Ac p 1060
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| || || || || || || BMG Vh 151
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| || || || Schott || || ||
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| || || || Ricordi || || ||
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| 122. || Vingt-cinq Grandes Etudes artistiques de première force d'exécution en deux suites || || Schonenberger, 492 (1–2) || || 75, 93 || BnF Vm8 s 78
|-valign="top"
| || || || || || || CMP X683 (2)
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Schott, 5219 || 1838 || 167 || CVM 1.A.66.5–6
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| || || || Lucca, 2040–41 || ca.1840 || 75, 93 || CVM 1.A.62.4.1–2
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| || || || Lucca, 10957–58 || 1861 || 75, 93 || CVM 1.A.62.1–2
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| || || || Ricordi, 74971–84 || 1890 || 75 || BDB
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| 123. || ''La mère du chasseur.'' Rondino expresso pour piano sur la romance de P.Chéret || || Martin, 109 || 1838 || 11 || BnF Vm12 3092
|-valign="top"
| || || || || || || CMP D 979 (12)
|-valign="top"
| || || || Schott, 5232 || 1839 || 11 || BCV
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| 124. || Cinquième Sextuor pour piano, violon, deux altos, violoncelle et contrebasse || Ch. De Bériot || Lemoine, 2379 || 1840 || 37 || BnF Vm7 10523
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| || || || || || || CMP L 145856
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| || || || || || || CRB 6407
|-valign="top"
| || || || Schott, 6125 || 1841 || 37 || BSM 4 Mus pr 37429
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| || Le même arrangé à quatre mains par Ch. Scwencke || || Lemoine, 3085 || || 63 || CPV
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| || || || || || || JLB
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| 125. || Duo brillant à quatre mains sur ''Le Lac des fées'' d'Auber || || || || 18 || BnF Ms 3519 (manuscript)
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| || || || Brandus || || ||
|-valign="top"
| || || || Troupenas || || ||
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| || || || D'Almaine || 1850 || || BLL h 552 h (7)
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| || || || Schott, 5570 || 1839 || || BRB WBS Mus. 7269 C [M-Mus]
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| 126. || Fantaisie à quatre mains pour piano sur deux motifs de l'opéra Robert Devereux de Donizetti || Elina de Perinelle || Lemoine, 2175 || 1841 || 19 || BnF Vm7 2248
|-valign="top"
| || || || || || || CMP 980 (3)
|-valign="top"
| || || || Artaria, 633 || between 1837 and 1848 || 19 || BCR
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| || || || Chappell || 1850 || 19 || BLL h 60 w (17)
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| 127. || Frande fantaisie pour le piano sur l'opéra ''L'Elisire d'Amour'' || Mlle Elisa de Severt || Lemoine, 2176 || BnF Vm7 2251 || ||
|-valign="top"
| || || || || || || CMP D 979 (17)
|-valign="top"
| 128. || Duo brillant à quatre mains sur l'opéra ''La fille du régiment'' de Donizetti || || Schonenberger, 701 || 1840 || || BnF Vm7 2246
|-valign="top"
| || || || || || || CMP 980 (4)
|-valign="top"
| || || || Schott, 5930 || || ||
|-valign="top"
| 129. || Duo brillant à quatre mains sur l'opéra ''Les Martyrs'' de Donizetti || || Schonenberger, 702 || 1840 || 23 || BnF Vm7 2245
|-valign="top"
| || || || || || || CMP D 980 (5)
|-valign="top"
| || || || Schott, 5930 || || 19 || NYPL
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| || || || Schott, 5931 || between 1898 and 1906 || 23 || BCR
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| 130. || Deux Nocturnes No 1. Contenpiazone No 2. Inquieto || son ami Jules Maurel || Lemoine, 2289, 2290 || 1843 || 7, 9 || BnF Vm7 2255
|-valign="top"
| || || || || || || CMP D 979 (14)
|-valign="top"
| 131. || Grand Caprice pour piano à quatre mains sur un motif de ''La Straniera de Bellini'' || Melle Cécile de Meaugras || Lemoine, 2294 || 1840 || 25 || BnF Vm7 2250
|-valign="top"
| || || || || || || CMP D 980 (6)
|-valign="top"
| 132. || Souvenirs de ''Zanetta,'' l'opéra d'Auber. Grand Duo || || Brandus, 922 || || 25 || BMG Vh 154
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| || || || Troupenas || || ||
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| 133. || Première symphonie pour orchestre || || Lemoine || || ||
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| 134. || Vingt-cinq Etudes pour le piano. Introduction aux Etudes caractéristiques de l'opus 66 || || Lemoine, 2547 || 1841 || 61 || BnF Vm8 s. 79
|-valign="top"
| || || || || || || CMP L 5991
|-valign="top"
| || || || || || || BMB M 2383
|-valign="top"
| 135. || Vingt-cinq Etudes musicales pour piano à quatre mains || || Lemoine || 1841 || 103 || CMP L 5993
|-valign="top"
| 136. || Grande fantaisie à quatre mains sur ''Les Diamants de la couronne'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 6790 || ca.1842 || || BRB WBS Mus. 8216 C [M-MUS]
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| 137. || Vingt-cinq Etudes élémentaires pour les petites mains || pour sa fille Isabelle || Schonenberger, 1340 || 1842 || 37 || BnF Vm8 s 81
|-valign="top"
| || || || || || || CMP L 5994
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| || || || || || || BMG L 10357
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| || || || Lemoine || || ||
|-valign="top"
| || || || Ricordi, 23377–78 || 1863 || 37 || CVM 1.A.67.1
|-valign="top"
| || || || Ricordi, 49307 || 1881 || 37 || CVM 1.A.64.5
|-valign="top"
| || || || Ricordi || 1992 || 37 || BCF
|-valign="top"
| || || || Euterpe, 153–154 || || || BDB
|-valign="top"
| || || || Lucca, 10952 || 1860 || 37 || CVM 1.A.61.16
|-valign="top"
| || || || Nacher, 1070 || || || BRB WBS Mus.2671 C [M-Mus]
|-valign="top"
| || || || Schott, 6675 || || 37 ||
|-valign="top"
| || || || Augener, 11430 || || 21 || CPG
|-valign="top"
| || || || Ditson || || ||
|-valign="top"
| 138. || Deuxième symphonie pour orchestre || || Lemoine || || ||
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| 139. || Duo à quatre mains pour le piano sur thèmes du ''Duc d'Olonne,'' opéra d'Auber || || Brandus || || ||
|-valign="top"
| || || || Schott || 1843 || 19 ||
|-valign="top"
| 140. || Grand Duo pour piano à quatre mains sur les motifs du ''Stabat'' de G.Rossini || || || 1842 || 18 || BnF Ms 3518 (manuscript)
|-valign="top"
| || || || Brandus || || || CMP Ac p 1078
|-valign="top"
| || || || Ricordi, 13700 || 1841 || 21 || CVM A.20.16.1
|-valign="top"
| || || || D'Almaine & Co, London || 1483 || 21 || BLL h.554.(5)
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| 141. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 1. || son ami Henry Lemoine (père) || Schonenberger, 959 1–2 || 1843 || 79 || BnF Vm8 s 82
|-valign="top"
| || || || || || || CMP G. 6854
|-valign="top"
| || || || || || || BMG Vh 153
|-valign="top"
| || || || Ricordi || || || CVM 1.A.61.12
|-valign="top"
| || || || Lucca, 3891–92 || 1846 || 38, 32 || CVM 1.A.61.12
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Schott || || ||
|-valign="top"
| 142. || Cinquante Etudes mélodiques précédées chacune d'un prélude en deux suites. No 2. || Mme Jenny de Montgolfier || Schonenberger, 960 1–5 || 1843 || 5 booklets || BnF Vm8 s 101
|-valign="top"
| || || || || || || CMP L 5999 (4-5)
|-valign="top"
| || || || Schonenberger, 1416 (2) || || 77 || CPV
|-valign="top"
| || || || Pozzi, 752 || || 33 || CCF
|-valign="top"
| || || || Lucca, 4692–96 || 1845 || 26, 26, 30, 36, 29 || CVM 1.A.66.9–11
|-valign="top"
| || || || Schott, 7073 || 1843 || 21 ||
|-valign="top"
| 143. || Le double dièze. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| 144. || Le double bémol. Rondino-Etude || || Meissonnier || || ||
|-valign="top"
| 145. || L'impromptu. Rondo-Valse || || Messonnier || || ||
|-valign="top"
| 146. || Sérénade. Caprice sur un motif de ''Don Pasquale de Donizetti'' || || La France nouvelle, 338 || 1843 || 13 || BnF Vm12 3086
|-valign="top"
| || || || Ricordi || || || CVM 1.A.63.13
|-valign="top"
| || || || Meissonier || || ||
|-valign="top"
| 147. || Etude et andante pour piano || || Meissonnier, 1778 || || 9 || CML B 130
|-valign="top"
| 148. || Grand Duo sur ''La Part du Diable'' || || Brandus || || ||
|-valign="top"
| || || || Schott, 7245 || || ||
|-valign="top"
| 149. || Vingt-cinq Etudes très faciles à quatre mains || || Schonenberger, 1059 || 1844 || || BnF Vm8 s. 101
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Schott || 1844 || 51 || CMP L 13944
|-valign="top"
| || || || || || || CMG Af 612/2;rf
|-valign="top"
| || || || Lucca, 10960 || 1860 || 51 || CVM A.200.16.4
|-valign="top"
| 150. || Vingt-cinq Etudes faciles à quatre mains || || Schonenberger, 1064 || 1844 || || BnF Vm8 s. 101
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || Delacour || Lucca, 10961 || 1860 || 51 || CVM A.20.16.5
|-valign="top"
| || || || Schott || || || CMP L 13946
|-valign="top"
| 151. || Fantaisie brillante pour piano sur des motifs favoris de ''Maria di Rohan' de Donizetti || || Bureau Central de musique, B.C. || 1843 || 13 || BnF Vm12 3091
|-valign="top"
| || || || || || || CMP D 979 (15)
|-valign="top"
| || || || Ricordi, 15628 || 1843 || 13 || CVM 1.A.61.14
|-valign="top"
| || || || Lucca, 3893 || ca. 1843 || 13 || BOM
|-valign="top"
| 152. || Première Sonate pour piano et violon || Cuvillon || Lemoine, 2937 || 1844 || || BnF Vm7 10171
|-valign="top"
| || || || || || || CMP L 1131 (1–3)
|-valign="top"
| || || || Schott, 7953 || 1845 || || BRB WBS Mus. 1922 C [M-MUS]
|-valign="top"
| 153. || Deuxième Sonate pour piano et violon || Alard || Lemoine, 2938 || 1844 || || BnF Vm7 10171
|-valign="top"
| || || || || || || BRB WBS Mus. 1923 C [M-MUS]
|-valign="top"
| 154. || Fantaisie valse, Elvina || || Lemoine, 2939 || 1844 || 15 || BnF Vm12 3087
|-valign="top"
| 155. || Grand Divertissement brillant pour le piano à quatre mains || Mr J.Roseheim || Lemoine, 2940 || 1844 || 29 || BnF Vm12 i.216
|-valign="top"
| || || || || || || CMP D 980 (9)
|-valign="top"
| 156. || Troisième Sonate pour piano et violon || Habeneck || Lemoine, 2974 || 1845 || || BnF Vm7 10171
|-valign="top"
| || || || || || || BRB WBS Mus. 1924 C [M-MUS]
|-valign="top"
| 157. || Deux melodies de Fr. Schubert, arrangées pour le piano à quatre mains No 1. Ave Maria No 2. La Sérénade || || Lemoine, 2975–76 || 1844 || 9, 9 || CMP D 980 (8)
|-valign="top"
| 158. || Les deux soeurs : Deux Romances sans paroles No 1. Louise No 2. Isabelle || Melle Jenny Veny || Lemoine, 3037-38 || 1845 || 7, ? || BnF Vm12 3085
|-valign="top"
| || || || || || || CMP D 979 (16)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 159. || Grand Duo à quatre mains sur les thèmes de ''Moïse,'' opéra de G.Rossini || || Schott, 8392 || || 27 || NYPL
|-valign="top"
| || || || Brandus || || ||
|-valign="top"
| || || || Hutchings & Romer, London || 1875 || 27 || BLL h 62 j (2)
|-valign="top"
| 160. || L'Art de la mesure, 25 Etudes primaires pour les petites mains, à quatre mains et en partition pour les commençants || || Schonenberger, 1231 || 1845 || 51 || BnF Vm8 s.84
|-valign="top"
| || || || || || || CMP L 6000
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 10959 || 1860 || 51 || CVM A.20.16.3
|-valign="top"
| 161. || Morceaux de salon. Grande Marche brillante pour le piano || || Lemoine, 3115 || 1846 || 13 || BnF Vm12 3089
|-valign="top"
| || || || || || || CMP D 979 (17)
|-valign="top"
| 162. || Cantilena pour piano || Melle Augustine Daniel || Lemoine, 3116 || 1846 || 9 || BnF Vm12 3080
|-valign="top"
| || || || || || || CMP D 979 (18)
|-valign="top"
| || || || || || || CPV
|-valign="top"
| 163. || Lou Pastour. Souvenir de Sainte Beaume. Fantaisie pour le piano || Mme L. Farrene || Lemoine, 3117 || 1846 || 15 || BnF Vm12 3101
|-valign="top"
| || || || || || || CMP D 979 (15)
|-valign="top"
| || || || || || || BMG Vh 152
|-valign="top"
| 164. || Souvenirs sur la Durance. Caprice pour piano || || Lemoine, 3118 || 1846 || 15 || BnF Vm12 3102
|-valign="top"
| || || || || || || CMP D 979 (20)
|-valign="top"
| 165. || Grand Duo pour le piano à quatre mains sur La cloche des agonisants et La poste, mélodies de F.Schubert || Mr et Mme Auguste Bertini || Meissonnier, 2364 || 1846 || 29 || CMP D 980 (11)
|-valign="top"
| || || || || || || BMB M 348/1
|-valign="top"
| 166. || Vingt-cinq Etudes primaires pour les petites mains || || Schonenberger, 1340 || || 35 || BMG L 10357
|-valign="top"
| || || || || || || CVM 1.A.65.2
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || Lucca, 10951 || 1860 || 35 || CVM 1.A.61.15
|-valign="top"
| || || || Ricordi, 74965 || 1890 || 35 || BDB
|-valign="top"
| 167. || Trois Solos pour piano de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3179-81 || 1847 || || BnF Vm12 3099 (1-3)
|-valign="top"
| || || || || || || CMP D 979 (21)
|-valign="top"
| 168. || Fantaisie pour le piano à quatre mains sur ''I Puratini de Bellini'' || Mr Genoud, professeur à Marseille || Lemoine, 3276 || 1847 || 15 || CMP D 980 (12)
|-valign="top"
| || || || Schott, 9170 || || ||
|-valign="top"
| 169. || Duo pour le piano à quatre mains sur ''Norma'' de Bellini || Mr Wugk Sabatié || Lemoine, 3277 || 1847 || 16 || CMP D 980 (13)
|-valign="top"
| 170. || Fantaisia pour le piano à quatre mains sur ''La Somnambula'' de Bellini || || Lemoine, 3278 || 1847 || 17 || CMP D 980 (14)
|-valign="top"
| || || || Schott, 9194 || || ||
|-valign="top"
| 171. || Trois petits Solos pour piano. Morceaux de concours à l'usage des pensionnats de jeunes demoiselles || || Lemoine, 3312-14 || 1847 || || BnF Vm12 3100 (1-3)
|-valign="top"
| 172. || Sixième Sextuor pour piano, deux violons, alto, violoncelle et contrebasse || Hector Berlioz || Lemoine, 3340 || 1848 || 44 || CMP L 14586
|-valign="top"
| || || || || || || CRB 6407
|-valign="top"
| || Le même transcrit pour 2 pianos par B.M.Colones || || || || || BnF Ms 13755 (manuscript)
|-valign="top"
| || Le même arrangé pour piano à quatre mains par Emmanuel Brice || || Lemoine, 3341 || 1848 || 85 || CPV
|-valign="top"
| 173. || Banockburn. Fantaisie pour le piano à quatre mains sur des motifs de ''Robert Bruce,'' opéra de Rossini || || Brandus || || ||
|-valign="top"
| || || || London || 1857 || || BLL h.723.a.(39)
|-valign="top"
| 175. || Vingt-cinq Etudes préparatoires || || Schonenberger, 1541 || 1849 || 43 || CMP L 6001 (3-4)
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10953 || 1860 || 43 || CVM 1.A.60.23
|-valign="top"
| || || || Ricordi, 74967-80 || ca.1890 || 43 || BDB
|-valign="top"
| || || || Gasparini || || 19 || BCM
|-valign="top"
| || || || Schott, 10342 || || 43 || BSM 4 Mus, pr. 56460
|-valign="top"
| 176. || Vingt-cinq Etudes intermédiaires || || Schonenberger, 1542 || || 43 || BMG L 10357
|-valign="top"
| || || || || || || CVM 1.A.65.5
|-valign="top"
| || || || || || || CPG
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10954 || 1860 || 43 || CVM 1.A.61.5
|-valign="top"
| 177. || Vingt-cinq Etudes spéciales de la vélocité, de trille et de la main gauche || || Schonenberger, 1586 || 1849 || 71 || BnF Vm8 s.86
|-valign="top"
| || || || || || || CMP L 6002
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 10955 || 1860 || 71 || CVM 1.A.63.8
|-valign="top"
| || || || Ricordi, 74969-82 || 1892 || 71 || Bmm
|-valign="top"
| 178. || Vingt-cinq Etudes normales et classiques || || Schonenerger, 1651 || 1850 || 103 || Vm8 s.87
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || || || || CPV
|-valign="top"
| || || || Lucca, 10956 || 1860 || 103 || CVM 1.A.60.24
|-valign="top"
| 179. || Vingt-cinq Etudes suite de l'opus 150 || || Schoenberger, 2437 1-2 || 1857 || || BnF Vm8 s.88
|-valign="top"
| || || || || || || CMP L 6011
|-valign="top"
| || || || || || || BMG L 10357
|-valign="top"
| || || || Lucca, 17826-27 || 1868 || 49, 47 || CVM A.20.16.6-7
|-valign="top"
| || || || Ricordi, 74973-74 || ca.1890 || || BDB
|-valign="top"
| 180. || Esquisses musicales. Vingt-quatre morceaux caractéristics || Ours du Vercors || Schonenberger, 2500 1-2 || || || BnF Vm7 2272 (19-20)
|-valign="top"
| . || || || || || || CMP D 1030 (1-2)
|-valign="top"
| || || || || || || CPV
|-valign="top"

== Works Without Opus Number ==

{|class="sortable wikitable"
!Title!!Dedication!!Publisher, Plate No.!!Year!!Pages!!Location
|-valign="top"
| Petit quatuor à cordes || || || || || BnF W 24,93 (manuscript)
|-valign="top"
| Frère et Soeur. Quatre petits Duos à quatre mains composés pour Henri et Isabelle || || Schonenberger, 761 (1-4) || 1840 || 10 || BnF Vm7 2249
|-valign="top"
| || || || || || CMP D 980 (7)
|-valign="top"
| || || Wessel & Co, London || 1846 || || BLL h.554.(14)
|-valign="top"
| Mère et fille. Quatre petits Duos à quatre mains faisant suite à Frère et Soeur || || Schonenberger, 1316 1-4 || 1846 || 10 || BnF Vm12 i.221 (1-4)
|-valign="top"
| || || || || || CMP D 980 (10)
|-valign="top"
| Cinq Morceaux religieux. Paroles latines à l'usage des séminaires, communautés religieuses, chapelles et maisons d'éducation. Ave Maris Stella, O Salutaris, Tantum Ergo, Ave Maris Stella, Ave Maria || || Schonenberger || 1847 || || BnF Vm1 2278
|-valign="top"
| || || || || || CMP K 9996 (1-5)
|-valign="top"
| xx. || || || || || ||
|-valign="top"

User:James Bailey

2013-09-19T04:36:23Z

James Bailey: Table of compositions continued to opus 70

User:James Bailey

2013-09-18T03:46:15Z

James Bailey: Table of abbreviations inserted, table of compositions continued to opus 50

User:James Bailey

2013-09-17T15:01:55Z

James Bailey: /* Works Arranged Opus Number */

User:James Bailey

2013-09-17T02:40:35Z

James Bailey: Added sandbox, started catalogue of Bertini's works.

Violin Sonata No.1, Op.152 (Bertini, Henri)

2012-12-09T00:26:09Z

James Bailey:

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|Uploader=[[User:James Bailey|James Bailey]]
|Date Submitted=2012/12/8
|Publisher Information=James L. Bailey
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=Based on a photocopy of the edition by B. Schott 7953.
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| *****WORK INFO*****

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|Alternative Title=
|Opus/Catalogue Number=Op.152
|Key=E Major
|Number of Movements/Sections=4 movements
#Allegro vivace.
#Andante.
#Menuet. Allegro.
#Finale. Allegro agitato.
|Average Duration=18 minutes
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|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Violin and Piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Category:Bertini, Henri

2012-12-09T00:16:14Z

James Bailey:

{{#fte:person
|Born Year=1798|Born Month=10|Born Day=28
|Died Year=1876|Died Month=09|Died Day=30
|Alternate Names=Henri Jérôme Bertini, Henri Bertini jeune
|Time Period=Romantic
|Nationality=French
|Biography Link=[[wikipedia:Henri Bertini|Wikipedia]]
|Picture=HenriBertini.jpg
|List Pages=*[[Wishlist A-B#Bertini, Henri (1798–1876)|Wishlist]]
}}

Violin Sonata No.1, Op.152 (Bertini, Henri)

2012-12-09T00:12:45Z

James Bailey:

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| *****WORK INFO*****

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|Alternative Title=
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#Allegro vivace.
#Andante.
#Menuet. Allegro.
#Finale. Allegro agitato.
|Average Duration=18 minutes
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|First Performance=
|Year/Date of Composition=
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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Violin Sonata No.1, Op.152 (Bertini, Henri)

2012-12-09T00:12:00Z

James Bailey: Added 4 files to Violin Sonata, Op.152 (Bertini, Henri)

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| *****WORK INFO*****

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|Alternative Title=
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#Allegro vivace.
#Andante.
#Menuet. Allegro.
#Finale. Allegro agitato.
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|First Performance=
|Year/Date of Composition=
|Year of First Publication=
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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP424002-op152m4.mid

2012-12-09T00:11:50Z

James Bailey:

File:PMLP424002-op152m3.mid

2012-12-09T00:11:50Z

James Bailey:

File:PMLP424002-op152m2.mid

2012-12-09T00:11:49Z

James Bailey:

File:PMLP424002-op152m1.mid

2012-12-09T00:11:49Z

James Bailey:

Violin Sonata No.1, Op.152 (Bertini, Henri)

2012-12-08T23:57:23Z

James Bailey:

{{#fte:imslppage

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| *****WORK INFO*****

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|Number of Movements/Sections=4 movements
#Allegro vivace.
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#Menuet. Allegro.
#Finale. Allegro agitato.
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Violin Sonata No.1, Op.152 (Bertini, Henri)

2012-12-08T23:52:28Z

James Bailey: Added 2 files to Violin Sonata, Op.152 (Bertini, Henri)

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{{#fte:imslpfile
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| *****WORK INFO*****

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|Alternative Title=
|Opus/Catalogue Number=Op.152
|Key=E Major
|Number of Movements/Sections=4 movements
|Average Duration=18 minutes
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|Year/Date of Composition=
|Year of First Publication=
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| *****COMMENTS***** =

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File:PMLP424002-Bertini Violin Sonata 1 Op152 Violin.pdf

2012-12-08T23:50:53Z

James Bailey:

File:PMLP424002-Bertini Violin Sonata 1 Op152 Score.pdf

2012-12-08T23:50:53Z

James Bailey:

Violin Sonata No.1, Op.152 (Bertini, Henri)

2012-12-08T23:41:41Z

James Bailey: Create article for work

{{#fte:imslppage

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|Average Duration=18 minutes
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|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Violin Sonata No.2, Op.153 (Bertini, Henri)

2012-11-12T00:34:25Z

James Bailey: Added 4 files to Violin Sonata Op.153 (Bertini, Henri)

{{#fte:imslppage

| *****AUDIO***** =

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|Page Count 1=56
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|Misc. Notes=Based on a photocopy of the edition by Henry Lemoine 2938 HL.
}}

| *****WORK INFO*****

|Work Title=Violin Sonata No.2
|Alternative Title=
|Opus/Catalogue Number=Op.153
|Key=a minor
|Number of Movements/Sections=4 movements
#Allegro vivace risoluto
#Andante
#Menuet: Allegro vivace
#Finale: Allegro
|Average Duration=21 minutes
|Dedication=Jean-Delphin Alard (1815--1888)
|First Performance=
|Year/Date of Composition=1844
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP418812-Bertini Violin Sonata 2 Op153 movement 4.mid

2012-11-12T00:33:00Z

James Bailey:

File:PMLP418812-Bertini Violin Sonata 2 Op153 movement 3.mid

2012-11-12T00:33:00Z

James Bailey:

File:PMLP418812-Bertini Violin Sonata 2 Op153 movement 2.mid

2012-11-12T00:32:59Z

James Bailey:

File:PMLP418812-Bertini Violin Sonata 2 Op153 movement 1.mid

2012-11-12T00:32:59Z

James Bailey:

Violin Sonata No.2, Op.153 (Bertini, Henri)

2012-11-11T23:57:32Z

James Bailey: Added 2 files to Violin Sonata Op.153 (Bertini, Henri)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP418812-Bertini_Violin_Sonata_2_Op153_Score.pdf
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|File Description 1=Score: Violin and Piano
|File Description 2=Violin Part
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| *****WORK INFO*****

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|Key=a minor
|Number of Movements/Sections=4 movements
#Allegro vivace risoluto
#Andante
#Menuet: Allegro vivace
#Finale: Allegro
|Average Duration=21 minutes
|Dedication=Jean-Delphin Alard (1815--1888)
|First Performance=
|Year/Date of Composition=1844
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Violin and Piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP418812-Bertini Violin Sonata 2 Op153 Violin.pdf

2012-11-11T23:55:38Z

James Bailey:

File:PMLP418812-Bertini Violin Sonata 2 Op153 Score.pdf

2012-11-11T23:55:37Z

James Bailey:

Violin Sonata No.2, Op.153 (Bertini, Henri)

2012-11-11T23:35:45Z

James Bailey:

{{#fte:imslppage

| *****FILES***** =

| *****WORK INFO*****

|Work Title=Violin Sonata No.2
|Alternative Title=
|Opus/Catalogue Number=Op.153
|Key=a minor
|Number of Movements/Sections=4 movements
#Allegro vivace risoluto
#Andante
#Menuet: Allegro vivace
#Finale: Allegro
|Average Duration=21 minutes
|Dedication=Jean-Delphin Alard (1815--1888)
|First Performance=
|Year/Date of Composition=1844
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Violin and Piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Violin Sonata No.2, Op.153 (Bertini, Henri)

2012-11-11T23:29:35Z

James Bailey: Create article for work

{{#fte:imslppage

| *****FILES***** =

| *****WORK INFO*****

|Work Title=Violin Sonata No.2
|Alternative Title=
|Opus/Catalogue Number=Op.153
|Key=a minor
|Number of Movements/Sections=4 movements
|Average Duration=21 minutes
|Dedication=Jean-Delphin Alard (1815--1888)
|First Performance=
|Year/Date of Composition=1844
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=Violin and Piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

User:James Bailey

2012-10-03T22:54:23Z

James Bailey: