IMSLP - User contributions [en]

User:Maksymilian

2013-05-14T05:14:49Z

Maksymilian:

*{{cat|Wilkinson, Max}}

{{Babel|en}}{{Instr|trb|pno}}

User:Maksymilian

2011-07-07T23:43:53Z

Maksymilian: Replaced content with '*{{cat|Wilkinson, Max}} {{Babel|en}}{{Instr|trb-2|pno-2}} Hi there, I'm Max and I love music :)'

*{{cat|Wilkinson, Max}}

{{Babel|en}}{{Instr|trb-2|pno-2}}

Hi there, I'm Max and I love music :)

File:PMLP53136-SSCavatinaTrb.pdf

2008-10-17T03:46:33Z

Maksymilian:

Cavatine, Op.144 (Saint-Saëns, Camille)

2008-10-17T03:46:33Z

Maksymilian: Added 2 files to Cavatine for Trombone and Piano (Saint-Saëns, Camille)

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||File Name 1=PMLP53136-SSCavatina.pdf
|File Name 2=PMLP53136-SSCavatinaTrb.pdf
|File Description 1=Piano part
|File Description 2=Trombone part
|Page Count 1=9
|Page Count 2=3
|Editor=
|Image Type=Typeset
|Scanner=Typeset by Max Wilkinson
|Uploader=[[User:Maksymilian|Max Wilkinson]]
|Date Submitted=2008/10/16
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=Typeset in Sibelius version 4.1.0
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File:PMLP53136-SSCavatina.pdf

2008-10-17T03:46:32Z

Maksymilian:

Cavatine, Op.144 (Saint-Saëns, Camille)

2008-10-17T03:39:27Z

Maksymilian: Create article for work

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User:Maksymilian

2008-10-04T05:49:00Z

Maksymilian: New page: {{Babel|en}}{{Instr|trb-2|pno-2}} Good morning/afternoon/evening. My name is Max and my hobby is borrowing scores from the library and typesetting them in Sibelius. Occasionally I will u...

{{Babel|en}}{{Instr|trb-2|pno-2}}

Good morning/afternoon/evening.

My name is Max and my hobby is borrowing scores from the library and typesetting them in Sibelius. Occasionally I will upload one to this website.

Currently the public domain scores I have typesetted include...

* Also Sprach Zarathustra - opening
* Half of "And the Glory of the Lord" from Handel's Messiah
* Some of the "Aquarium" from Saint-Saens "Carnival of the Animals"
* Bach 2 part invention no. 6
* Bach Cello Suite No. 1
* A little bit of the Bach Chaconne in D Minor
* The Badinerie from the Bach Orchestral Suite No. 2
* The first page of the second movement of the Bartok Concerto for Orchestra
* Some of the Bartok string quartet
* Beethoven Piano Sonata in F minor, 1st movement WoO47
* First page from the variations on Blue Bells of Scotland for trombone and piano by Pryor
* Half of Ravel's Bolero
* A bit of the last movement of Brahms 1
* Some of the third movement of Bach's second brandenburg concerto
* 1.5 movements of Rimsky-Korsakov's Capriccio Espagnol
* a TINY bit of the Saint-saens trombone cavatine
* Chopin Prelude Op. 28 No. 6
* Chopin waltz in E
* Some of Bartok's Mikrokosmos
* Ferdinand David Trombone Concertino - arranged for trombone and piano
* Some of the Mozart requiem incl. Tuba Mirum
* The first movement of Elgar's cello concerto
* Some of the emperor concerto
* Fanfare for the Common Man
* Flight of the bumblebee for piano
* First page of the Franck D Minor symphony
* 'Ging Heut Morgen Ubers Feld' from Mahler's 'Lieder eines fahrenden Gesellen'
* Some of Vivaldi's gloria
* The aria from the goldberg variations
* Some of the grosse fugue
* Complete Hoe-Down from Copland's Rodeo
* All except for the 3rd movement of Sibelius's Kullervo - largely done by my brother
* The start of the third movement of Mahler 1
* The start of the second movement of Mahler 1
* The start of the fourth movement of Mahler 1
* The start of the first movement of Mahler 1
* The start of the 3rd movement of Mahler 3
* The start of the second movement of Mahler 3
* Half of the first movement of Mahler 3 (My greatest achievment...)
* The start of the fifth movement of Mahler 3
* The start of Mahler 6
* The start of the fifth movement of Mahler 7
* The start of the first movement of Mahler 9
* The start of the second movement of Mahler 9
* The start of the fourth movement of Mahler 9
* The start of the third movement of Mahler 2
* Complete 4th and 5th movements of Berlioz's Symphony Fantastique
* First movement of the Mendelssohn Violin Concerto
* A bit of Mozart 40
* Third movement of the Mozart piano sonata in C minor
* Nabucco Overture - Verdi
* Nessun Dorma from Turandot by Puccini
* A tiny bit of the third movement of Tchaikovsky Symphony No. 6 "Pathetique"
* Some of Borodin's Polovstein dances
* A bit of the posthorn solo in Mahler 3
* The 1st, half the second and a tiny bit of the 4th movements of Prokofiev's 7th symphony
* A couple of pages of the final movement of Rachmaninov symphony no. 1
* A couple of pages of the Rienzi overture
* A tiny little bit of Stravinsky's Rite of Spring
* A few bars of the Russian Easter Overture
* A page of Elgar's Salut d'Amour
* A LOT of Shostakovich, but that's not public domain so we'll forget about that
* A bit of the 1st movement of Sibelius 2
* Another bit of the third movement of Sibelius 5
* The opening of the first Strauss Horn Concerto
* Dance of the Sugar Plum fairy
* Complete Symphony No. 9 by Dvorak "From the New World"
* About a quarter of the 1st movement of the Tchaikovsky Piano Concerto No. 1
* The Trumpet Shall Sound - from Handel's Messiah
* Half the overture to La Gazza Ladra
* A bit of the Bach Toccato and Fugue in D minor
* Some of the trout quintet by Schubert
* Mozart's Twinkle Twinkle Little Star variations
* Some of Sibelius's Valse Triste
* The Wagenseil Trombone Concerto arranged for trombone and piano
* The William Tell Overture
* Some of the variations in Britten's Young Person's Guide to the Orchestra

You may notice that not many of them are actually finished. Ah well.

File:PMLP51151-Nabucco overtureIMSLP.pdf

2008-10-04T05:13:47Z

Maksymilian:

Nabucco (Verdi, Giuseppe)

2008-10-04T05:13:47Z

Maksymilian: Added 1 files to Nabucco (Verdi, Giuseppe)

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{{#fte:imslpfile
||File Name 1=PMLP51151-Nabucco_Klavierauszug.pdf
|File Description 1=Piano reduction, Vocal score
|Page Count 1=240
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ahandrich|Ahandrich]]
|Date Submitted=2008/9/25
|Publisher Information=Milan: [[Ricordi]], 1871 , plate 42312
|Copyright=Public Domain
|Misc. Notes="Va, Pensiero" on page 192, page 205 inverse, sorry
}}
{{#fte:imslpfile
||File Name 1=PMLP51151-Nabucco_overtureIMSLP.pdf
|File Description 1=Typeset score of overture
|Page Count 1=36
|Editor=
|Image Type=Typeset
|Scanner=Max Wilkinson
|Uploader=[[User:Maksymilian|Max Wilkinson]]
|Date Submitted=2008/10/4
|Publisher Information=Max Wilkinson, 2008
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=Typeset in Sibelius version 4.1.0
}}

| *****INFO ID (SEE HELP PAGE)***** = 0

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

User talk:Peter

2008-10-03T12:54:16Z

Maksymilian: New section: William Tell transcription

{{Graysmallbox|
'''For an archive of discussions on this page, see [[User talk:Peter/archive]].'''}}
 

== New users ==

Hi Peter, It appears that new user Caprotti has uploaded a number of replacement files for things we already have, inclding some previously submitted by Goldberg988 whose scans are usually of very high quality. Should he be doing this? I already had to zap a number of files from one new user (who has not read our copyright guidelines, etc.) and wanted to check with you to see if these replacements were OK or not. I've also noticed that these PDF files he's submitting fail to open all the way when I try to look at them. Thanks, [[User:Carolus|Carolus]] 19:07, 1 July 2008 (EDT)

:I can relate to your feelings!! How difficult can the guidelines be to understand? The deletions I did today were for two reasons: 1) a new edition, arrangement or typeset that was not created by the person who uploaded it (as far as I could tell), which is a potential copyright problem; 2) an exact duplicate (the identical file) of something already in the archive. Yes, I still use the yahoo e-mail account, so I'll reply there as well. OK, I read his e-mail and your reply. I have no problem with him wanting to replace the scans, though there is no protection for a library stamp or watermark attached to a scan of a public domain original in either Canada or the USA. The only (slight) issue I can think of is the fact that any of the files we've just certified as being public domain suddenly revert to unknown status when they are replaced. I light of the fact that we still have a fairly significant (ca.4500) number of files to go through and review, the prospect of Caprotti do all of this right now is less than ideal. Perhaps this should be organized as a community project. It would also be nice to credit Caprotti as the scanner, since (as you mentioned) we hardly ever know who has scanned what. I've also wondered about requiring additional identification on things from uploaders, especially page counts and publisher info. [[User:Carolus|Carolus]], 1 July 2008 (EDT)
::I agree he should better start uploading his new files instead of all those old files, but he does not seem to get how to do it - Italians were never good in English which is probably the source of all the problems. I suppose the Score Submission Guide has the highest priority in updating and translating the documentation.
::It is not the right moment for reviewing every new version of an existing file he would upload, but I do like the configuration in which new versions of existing files get a new tag - this way, I have already fished out some totally wrong uploads which otherwise would get no attention at all. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 07:59, 2 July 2008 (EDT)

== Regarding Danish translation ==

Hi Peter, I will be doing my best to keep the Danish translation updated - I can't promise more than that. I will be monitoring the English versions of all pages I translate and update them asap, but I can't always promise to have a translation ready within a day of updates. Hope this is good enough. Best regards, [[User:AKCarlsen|Andreas]] [[User talk:AKCarlsen|talk]]

==Haydn, Joseph - 3 Piano Trios, Hob.XV:9-10 (Op.27)==
Hello Peter, Nice to see this site up and running again. BTW the [[3 Piano Trios, Hob.XV:9-10 (Op.27) (Haydn, Joseph)]] does not open after I downloaded it. I noticed that you uploaded it and perhaps there is something wrong with the file. I just thought I would let you know. Thanks -- [[User:Generoso|Generoso]]
:Weird, I can download it perfectly. Have you tried clearing your browser cache? (see also the older news via the home page). --[[User:Peter|Peter]] [[User talk:Peter|talk]] 17:46, 3 July 2008 (EDT)
::Strange, I downloaded it again and it opens great! It must be a problem on my side. Thanks again.[[User:Generoso|Generoso]]

==instrument lists==
Yes, these lists are very helpful to find pieces. I too, have tried out many different combinations. What do you think of the one on the cello page now? It seems to be clearer than other. What is your opinion? I just changed them all. and it seems once the info is in they are quite easy to change format although it does take some time.[[User:Generoso|Generoso]]

== Tchaikovsky Cello Concerto ==

My completion is based on the sketches to the work, kindly supplied by Brett Langston. http://www.tchaikovsky-research.org/en/Works/Unfinished/TH249/index.html [[User:YuriyLcello|YuriyLcello]] 11:53, 6 July 2008 (EDT)

== Bruch Double Concerto ==

Hi Peter, I have a question about this. If Germany and EU Copyright give a 70-year term after publication for works first published in the term of protection following a composer's death, this work should theoretically be under full copyright until 2013 - just as you have tagged it. Why, then, does the Bavarian State Library have this available for free viewing over at their site? Perhaps there is an exemption for libraries and archives under the German / EU statutes, but if that's so why then aren't all of the more modern items like Bartok, Schoenberg, etc. likewise present in their digital collection?

While the publication is dated (on the title page), it was published without a copyright notice and would be public domain in the USA unless Eichmann or their successor filed an NIE in the two-year window of 1996-98. Nevertheless, we probably should leave it tagged as Non-PD US until some research is done. [[User:Carolus|Carolus]] 12:11, 7 July 2008 (EDT)

:Maybe they just made an error at the Bavarian State Library? The librarians are human after all. Or we can ask them. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 12:21, 7 July 2008 (EDT)
::You know, I've been re-reading the EU directive and the German and UK law, and I actually can't find the protection of 70years post-pub if posthumously published within the copyright term. They only talk about the 25-year protection if published after the copyright term of the author. But I might have read over it. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 12:32, 7 July 2008 (EDT)

That's interesting. I noticed that Denmark's law is that way when I looked it up for the dabte over at the forum about ''Canto Serioso''. I know that Canada starts the clock running at 50 years from date of publication if the work is published within the 50-year window, I thought that most laws that were based on the Berne Treaty's life-plus XX years rubric worked that way. Guess we'll need to do some more study in our copious spare time! [[User:Carolus|Carolus]] 13:33, 7 July 2008 (EDT)

I just looked over both the EU statute, the 93/98 Directive, and the German law itself (in the English translation linked from Wikipedia) and cannot find anything that indicates a work published within the 70-year window after the last surviving author's death is protected for any longer than works published within an author's lifetime. If that is indeed the case, this Bruch piece would be public domain in the USA as well because Bruch had enetered the German and EU public domain on 1/1/1991. [[User:Carolus|Carolus]] 13:48, 7 July 2008 (EDT)

== Copyright Review Instructions ==

Hi Peter, Excellent work - and thank you very much for this. It is greatly appreciated. I'd like to make a couple of minor changes in the last section:

# Typesets are digitalisations [this word is confusing, as "digitalization" can mean the scanning of an old score and coversion to a TIFF or PDF file. I would use "computer re-engravings" instead.] of certain editions. The work that is being digitized [has been re-engraved] should be in public domain too. In most cases, you will not [need to] identify the source publication. This is not a big problem, as the responsibility lies with the typesetter. In rare cases the typeset is a new or a critical edition made by the typesetter.
# Look for the name of typesetter. Is there one on the score? Is it the uploader? Contact them, and invite them to make theirself public on their user page. 99% of the typesetters are active on Mutopia or WIMA.
# Typesets are for practical purposes regarded as new editions, even if there is no editorial addition by the typesetter. [The typesetter should therefore be listed as the editor, even if it is merely a re-engraving of an older edition. By virtue of the fact that the music was enetered into a computer notation program, the person doing it becomes an editor since it is impossible to exactly duplicate a plate engraving with notational programs like Finale, Sibelius, Lilypond, and others.]
# [If the typeset originated at Mutopia or a similar site, that site should be listed as publisher, since making a file available for distribution - even if at no charge - constitutes "publication" according to the legal definition of the term in many countries. Otherwise, the typesetter/editor shoudl be listed as publisher.]
# If details are known, and the typesetter grants permission to distribute his scores, tag N!/N!/N!
# If nothing is known, you can tag C/C/C, releasing the file on the website. The typesetter can always id himself and ask for removal of the file. [The exception to this rule is for files which origibnally come from WIMA, who generally opposes re-distribution of typesets from their site.]

Yes sure go ahead, a hereby release that page in public domain :)) --[[User:Peter|Peter]] [[User talk:Peter|talk]] 07:55, 9 July 2008 (EDT)

== Question about your uploads ==

Hello Peter, I wanted to ask you if those two uploads of yours should acutally remain on IMSLP:
*[[Various Pieces for Violin and Piano (Kreisler, Fritz)]]
*[[Old Masters of the Viola (Meyer, Clemens)]]
And while I'm here, could you please explain to me what the CR tag '!N/!N/!N' means, and why the piece [[Invention (Pétronio, Arthur)]] is declared PD, rather than being released under a CC license? Thank you, --[[User:Leonard Vertighel|Leonard Vertighel]] 05:49, 10 July 2008 (EDT)
:Yes, my US-only files can be deleted, I uploaded them when I was not fully aware which would be allowed now. Don't worry I'll do it for you. !N is Not in Public Domain but Permission Granted -- see [[User_talk:Carolus/archive5#Permission_Granted]]. Public domain is indeed [[IMSLP:Permissible licenses|not allowed for typesets]]. P.S. You're no copyright reviewer ?? --[[User:Peter|Peter]] [[User talk:Peter|talk]] 05:58, 10 July 2008 (EDT)

== Frederic Rzewski ==

Hello

I tried to contact Frederic Rzewski but the email address I have seems to be out of date. Its probably best if you delete the additions until we know more. kind regards [[User:Helohe|Helohe]] 19:05, 11 July 2008 (EDT)

== Possible scores ==

Hi Peter, 
Thank you for fixing my countertenor template. I'm new to this whole wiki thing, and just sorting things out when I have free moments. I had a question for you about Brahms scores. I noticed you have Brahms lieder on your to-do list. I would love to take a look at the scores for Vier ernsten Gesänge, Op. 121 and Zwei Gesänge, Op. 91. If you've got them, it would be really great if you could share. No big deal if not. I've got Op. 121 on order from my local library. That's the opus I'm really interested in right now. Anyway thanks for your help. let me know if there's anything I could do for you. 
Till later, Steven

== Tchaikovsky Tempest score incomplete ==

Hi Peter, 

just wanted to note that page 62 and page 91 of the Tempest score (wonderful piece) are blank. Perhaps someone else has a complete version? 

best,
mhurshell
:I can't do much about it - it's from bh2000. [[User:Peter|Peter]] [[User talk:Peter|talk]] 09:03, 15 July 2008 (EDT) 

A pity. Perhaps one should include a comment on the score page, about the missing pages. mhurshell

== Translation to Catalan ==

Hi! Sure, I'll update the main page as soon as I can, as well as the other important pages (I'm having a bit of trouble with work, but I'll finish soon). --[[User:Gerardpc|Gerardpc]] 16:47, 15 July 2008 (EDT)

== Chinese Rhapsody ==

:This work was finished in Kostanai, Kazakhstan (part of USSR) in April 1945 and first published in Moscow immediately after his arrival in the Kremlin Hospital. Since Xian died before 1953 and this work was composed and first published in Russia (along his other works composed in Russia / Kazakhstan), his works should be in the public domain. This work was reprinted by the Peoples' Publishing House (Government owned) in 1951, which this work is scanned from.

kcleung

== Please help! ==

Hi -

I'm trying yo upload my extensive collection of sheet music in piano reduction of the scores of the composer Cesare Pugni, all written for the ballet. I have a large collection of extremely rare items. I also have several other rare sheet music of music for the Imperial ballet of St. Petersburg by such composers as Drigo and Minkus.

In my attempt to share with the site I registered with Adobe acrobat reader at this web page -
[https://share.acrobat.com/adc/adc.do?app=cpdf this is my page]

After that, I have no idea about what to do, and the adobe forums are confusing.

Does the sheet music I upload have to be in this format? - http://partners.adobe.com/public/asn/en/print_resource_center/Acrobat6PrintPress.pdf

If so could you please help me, or direct me to someone who can help create such a file?

I would very much like to share my extensive collection with everyone!

--[[User:MrLopez2681|MrLopez2681]] 08:43, 21 July 2008 (EDT)

:I see you have put your question in the IMSLP forum - that's the right place for such questions! --[[User:Peter|Peter]] [[User talk:Peter|talk]] 09:38, 21 July 2008 (EDT)
::OH YES - but thatk you anyway - I got it figured out! --[[User:MrLopez2681|MrLopez2681]] 21:01, 22 July 2008 (EDT)

== Capitalisations in titles ==

Hello Peter. I notice you've just altered the titles of Tchaikovsky's "The Voyevoda, opera, Op.3" and "The Voyevoda, melodrama" so that the words "opera" and "melodrama" have initial capitals restored. As these words don't form part of the title proper, but are required for disambiguation purposes, I understood that lower case should be used, as they have been in other instances (such as the Hamlet incidental music and the duet from Romeo and Juliet). Are there guidelines to follow in such cases? Thanks [[User:P.davydov|P.davydov]] 09:55, 22 July 2008 (EDT)

Many thanks for the quick response. I guess I'm just used to cataloging that way, with initial capitals for titles and lower case for everything else. Would you mind if I changed those two back to the lower-case versions, if only for the sake of consistency with the other entries on the page? [[User:P.davydov|P.davydov]] 13:17, 22 July 2008 (EDT)

== Recent additions ==

The german version
"Kürzlich hinzugefügt"
still only shows this older version:
*Handel: L'Allegro, il Penseroso, ed il Moderato, HWV 55 (#18743)
*Cui: Angelo (8 files)
*Handel: Athalia, HWV 52 (#18738)

I just recognized it, because there were no changes the last days. But the english and french version have counted to number 19247:

Recent additions
*Massenet: Dors, ami (#19247)
*Massenet: Chanson de Capri (#19246)
*Gounod: Chants Sacres (#19245)

Maybe you know how to change this.
Viele Grüße,
[[User:Ahandrich|Ahandrich]] 02:47, 23 July 2008 (EDT)

Oh, Wow, it just changed. [[User:Ahandrich|Ahandrich]] 02:49, 23 July 2008 (EDT)

:This depends on cache renewing on the server. This happens automatically after maximum 3 days, but you can purge the cache of the German homepage by typing &action=purge at the end of the url.--[[User:Peter|Peter]] [[User talk:Peter|talk]] 05:11, 23 July 2008 (EDT)

== Alan Belkin ==

In response to your question, yes I am indeed he, or me ... :-) So, yes, I have been uploarding my own music.

== [[Double Cello Concerto in G Minor, RV531 (Vivaldi, Antonio)|Double Cello Concerto in G Minor, RV531]] ==

Hi Peter, What's your take on this? There is a continuo realization as part of the full score, so that is most likely off-limits. The real question concerns the string parts. They appear to be fairly heavily edited to my eye. Is it urtext or interpretative? Do the slurs and articualtions added by Malipiero constitute sufficiently original additions to qualify as a full derivative work copyright? How original is the continuo realization, really? These things can drive one crazy!! [[User:Carolus|Carolus]] 16:49, 25 July 2008 (EDT)

:I'm not extensively accustomed to baroque literature, but after comparison with other Vivaldi scores available, it seems to me that this is indeed an interpretative edition. In the other scores, there are no dynamics present with only occasionally a slur or articulation - everything which is added by the editor is included in brackets on the score. One could argue that these additions could reflect the result of scientific research, but in common performer's sense the aforementioned musical components are the key elements of an interpretation. As I assume there are no precedents in law of the use of the scientific edition paragraph in music printing, I think we should keep the interpretation of this law very strict and remove the double concerto. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 06:18, 26 July 2008 (EDT)

== How i translate pages? ==

Is the second time that i start to translate a page and have to be reverted, Can you help me?--Jcegobrain 11:35, 30 July 2008 (EDT)

== Hierarchy of Items on a Page ==

Hi Peter, I thought I should bring you in on the discussion of what IMSLP's official page hierarchy should be. Lyle Neff has raised the issue over at the forum. While I disagree with his proposed hierarchy, he has a point in that there is a need for one now that we are seeing so many orchestral parts being uploaded. I'll be giving Feldmahler a call on this as well so we can all hopefully come up with some ideas of what it should be and why it should be in a given order. Thanks, [[User:Carolus|Carolus]] 17:52, 3 August 2008 (EDT)
== [[Canons and Fugues for Piano (Klengel, Julius)]]==
Peter, I could be wrong but I don't think Julius Klengel wrote these pieces. But actually they may have been written by Klengel, August Alexander. Thanks [[User:Generoso|Generoso]] 04:11, 4 August 2008 (EDT)
:Correct. I'll move it to the correct composer. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 04:37, 4 August 2008 (EDT)

== Please add Chinese language ==

I just translated the main page into Chinese ([[首页]]). Please add Chinese to the language list. Thanks! [[User:Yuanyelele|yuanyelele]] 03:25, 19 August 2008 (EDT)
:Very nice! I have added the Chinese language to the Main page languages list, but there is a bug to be solved first before the language will be detected by the browser. That's why you correctly added zh to [[OtherLangs:Main Page]] within a comment.--[[User:Peter|Peter]] [[User talk:Peter|talk]] 03:47, 19 August 2008 (EDT)

== Wieniawska-Paul-Poldowski whatever ==

Thank you for tidying up the composer name - I was wondering how best to do that - but it might cause a bit of confusion. The lady in question was usually known as Madame Poldowski (or usually just Poldowski). She was the daughter of Henryk Wieniawski but preferred to go by the pseudonym.

There are a couple of nice pictures of her at the following link that we could use for her composer page (but I'm far too blonde to know how to upload them).

http://www.npg.org.uk/live/search/person.asp?LinkID=mp61397

[[User:Aldona|Aldona]] 07:57, 26 August 2008 (EDT)

== Roger Branga/Lucien Garban ==

Hi Peter, I was curious to know where you found out about this? It's a very curious piece of info. I'd like to hear more about if you have time. Thanks for correcting the copyright tags accordingly. [[User:Daphnis|Daphnis]] 18:38, 6 September 2008 (EDT)
:On [[Orchestrators, Arrangers and Editors]]. I uploaded my own scan of the Bolero transcription in the beginning days of IMSLP, and I think it was Carolus who pointed this out. [[User:Peter|Peter]] [[User talk:Peter|talk]] 18:51, 6 September 2008 (EDT)
::Ok, thanks for the info. We'll let it hang out until 2010 I guess. [[User:Daphnis|Daphnis]] 18:54, 6 September 2008 (EDT)

== I'm sorry ==

I see how hard is to continue "help", but if you see had more than one page with this same name and i translate the second page with the link "portuguese", and if you see my [[Special:Contributions/Jcegobrain|contributions]] i'm not try to vandal or "delete" any page, but is realy dificult try to repair or continue what have been half done and left incompleted. Think about protect the pages in English, this will be more eficient than revert every mistake made, and only admin have permission to edit. In the begining i assume that not understand how it work. Realy sorry about this, see what i've said, i'm not trying to cause trouble, i give up.

:I know, but in those cases i'm thinking that translate the correct page. When i understanded how it work become easy. If you can erase that link to portuguese in "Babel's" page, i've already add a link "Otherlang Babel/pt". Thanks for the help, and the pacience!

== Copyright tagging ==

I'm slowly losing my fear of copyright tagging (sorry, default mindset for us medical people is "extreme phobia of anything that could conceivably end in a lawsuit"!)

I'm fine with the basic principles of date of death of author/editor etc, what I'm not sure about is copyright renewal/ reissue. Also for identification/ verification of scores, I don't have anything to check or compare with. (have to take the word of the sources I glean scores from.)

Oh well - gradually learning as I go along.
Not so much time for scanning at the moment, most of the time I set up the computer so I can press a few buttons and upload a file in between patients at work. There are still lots of treasures waiting to be unearthed in the Danish Royal Library and other websites.

[[User:Aldona|Aldona]] 21:31, 10 September 2008 (EDT)

== Could not log on to forum: seems to be solved. ==

Peter, thanks for your message. I tried to log on and it seems to be working. Cheers, Robert.

== de Bériot ==

There's already a [[:Category:Bériot, Charles-Auguste de]] created in May 2007, linked to from the English Wikipedia page on the composer, and containing many but not all the pieces now in [[:Category:Beriot, Charles de]] which you created (that is, same PDF, different container). (It contains 6 files to the latter's 7, lacking the Opéra-sans-paroles.) It may be advisable to do something about this rather confuzzling situation. I have suggested some sort of merge, anyway... [[User:Schissel|Eric]] 18:49, 20 September 2008 (EDT)
:Solved. Moved all files. However haven't checked the contents. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 05:08, 21 September 2008 (EDT)

Thanks- and I now finally (as of this morning, figured out why I didn't...er... never mind.) have a IMDBP account and can add things like no. movements, etc. in that area when missing. (I may not be able to scan well enough yet but I can do that *g*) Anyhow. Sorry about the trouble. [[User:Schissel|Eric]] 07:59, 21 September 2008 (EDT)

Sorry Peter,

Ik begrijp zeer zeker Engels!

Ik probeer uiteraard de guidelines te volgen en me te onderwerpen aan de copyright-rules.
Tot mijn grote spijt weet ik niet alle geboortedata van arrangeurs/trancribers en componisten, maar doe mijn uiterste best deze te vinden. Hier gaat soms veel tijd in zitten met soms weinig resultaat.
Door de jaren heen (sinds ongeveer 1998) heb ik rond de 20.000 stuks pianomuziek en 8.000 stuks vocale muziek gescand, maar vooral ook verzameld via het internet. Bij de verzamelde werken via internet is het voor mij dikwijls onmogelijk achter de juiste gegevens te komen.
Jullie schijnen echter over praktisch alle gegevens te beschikken waardoor het voor jullie mogelijk is de juiste gegevens in te voeren.
Als staflid zou ik dit persoonlijk ook als een uitdaging zien! Ik begrijp echter volkomen dat dit wel tijdrovend kan zijn. Bedenk echter ook dat uploaders niet altijd volledige kennis hebben van wat ze uploaden, daar heb ik namelijk voorbeelden genoeg van gezien tot nu. Is dit echter een reden om dikwijls fantastische uitgaven maar niet te sharen met de wereld.

Als uploader ben ik nieuw en er zijn ongelooflijk veel regels waar ik me aan moet conformeren, gun me echter een beetje tijd om de juiste ingangen te vinden.

Als professioneel musicus (zang & piano) heb ik net zoveel bewondering voor een arrangeur/transcriber als de originele componist van een werk. Het is namelijk een grote kunst om de essentie van een werk te vangen in een arrangement/transcriptie. Daarom gaat mijn voorkeur meestal uit naar het onderbrengen van deze werken op naam van de bewerker. Denk hierbij aan de grote hoeveelheid werken van Liszt of Stradal. Ook u/jij hebt bijvoorbeeld een transcriptie door Bartok van Bach ondergebracht bij Bartok zelf.
Een professioneel musicus zoekt meestal in 1ste instantie naar de bewerker en persoonlijk vind ik jou/jullie voorgestelde werkwijze onoverzichtelijk. Dit is echter persoonlijk (so don't shoot me!).

Nogmaals mijn excuses voor het feit dat ik wat foutjes gemaakt heb!

Als besluit wil ik jullie complimenteren met een fantastische site waar de muziek- liefhebber/professional zijn hart kan ophalen en genieten van de parels uit het verleden welke dikwijls vergeten zijn maar dikwijls zeer zeker de moeite van het spelen zijn. Fantastisch werk!!!

Met vriendelijke en muzikale groet

Innocente
==Bach==
I was wondering if you could finish scannign the Bach-Gesellschaft Ausgabe. I know the remaining volume's insignificant, but I would love to see at least one entry in "completed projects."
On a related note, shouldn't the uploading of other complete works editions (especially beethoven, Mozart, Schubert, Schumann, Brahms, and Berlioz - maybe Haydn too) should be made projects?
:Hi. The BGA is already fully scanned, not by me. You can find it everywhere on the internet. The last volume is a hard one of only manuscripts that need identification, haven't got time for this now. Feel free to help. The other breitkopf complete editions are almost completely uploaded, at least of what can be found on the net. They shouldn't be projects as there circulate to my knowledge no copies that have more completion than the ones we have. P.S. Please sign your comments on talk pages, best regards, --[[User:Peter|Peter]] [[User talk:Peter|talk]] 04:34, 30 September 2008 (EDT)
::Sorry, I forgot to sign. Thank you!--[[User:Perlnerd666|Snailey]] 16:59, 30 September 2008 (EDT)
:::Indeed you are right; a copy can be found [http://bach-gesellschaft.cygoth.com/BGA44.pdf here]. However, I do not want to upload this file - 500-some mg! I can totally understand any unwillingness! --[[User:Perlnerd666|Snailey]] 18:00, 30 September 2008 (EDT)
::::Yes, the file has to be split into individual works. [[User:Peter|Peter]] [[User talk:Peter|talk]] 04:07, 1 October 2008 (EDT)

== William Tell transcription ==

:Yes, indeed I am.

[[User:Maksymilian|Maksymilian]] 08:54, 3 October 2008 (EDT)

File:PMLP07234-WilliamTellOvertureIMSLPa.pdf

2008-10-03T09:50:37Z

Maksymilian:

Guillaume Tell (Rossini, Gioacchino)

2008-10-03T09:50:37Z

Maksymilian: Added 1 files to Guillaume Tell (Rossini, Gioacchino)

{{#fte:imslppage

| *****FILES***** =

==Complete Opera==
===Vocal Scores===
{{#fte:imslpfile
||File Name 1=PMLP07234-Rossini-GuillaumeTellvsF1.pdf
|File Description 1=Complete score (French)
|Page Count 1=491
|Editor=Louis Niedermeyer (1802-1861), piano reduction
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2008/8/16
|Publisher Information=Paris: Leon Grus, n.d.(1877), plate L.G. 2388
|Copyright=Public Domain
|Misc. Notes=''5th edition''
}}
{{#fte:imslpfile
||File Name 1=PMLP07234-Rossini-GuillaumeTellvsF2.pdf
|File Description 1=Complete score (French)
|Page Count 1=496
|Editor=Louis Niedermeyer (1802-1861), piano reduction
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ottaviano|Ottaviano]]
|Date Submitted=2008/8/16
|Publisher Information=Paris: Leon Grus, n.d.(1877), plate L.G. 2388 Reprint - Paris: Jules Tallandier, n.d.(ca.1900)
|Copyright=Public Domain
|Misc. Notes=
}}
==Excerpts==
===Orchestral Parts===
{{#fte:imslpfile
||File Name 1=PMLP07234-Rossini_Overture_William_Tell_V1.pdf
|File Name 2=PMLP07234-Rossini_Overture_William_Tell_V2.pdf
|File Description 1=Overture - 1st Violin Part
|File Description 2=Overture - 2nd Violin Part
|Page Count 1=6
|Page Count 2=5
|Editor=Unknown
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Ras1|ras1]]
|Date Submitted=2008/8/15
|Publisher Information=Leipzig: [[Breitkopf & Härtel]] Reprint - New York: [[Edwin F. Kalmus]] (after 1933)
|Copyright=Public Domain
|Misc. Notes=
}}
===Transcriptions===
{{#fte:imslpfile
|File Name 1=Gioacchino_Rossini_-_William_Tell_Overture_(Liszt_Transcription).pdf
|File Description 1=Overture, piano transcription
|Editor=[[:Category:Liszt, Franz|Franz Liszt (1811-1886)]], transcriber
|Image Type=Normal Scan
|Scanner=[http://www.sheetmusicarchive.net D. Siu]
|Uploader=[[User:Joshers2004|Josh Hauck]]
|Date Submitted=2006/7/23
|Page Count 1=29
|Publisher Information=Moscow: [[Muzgiz]], n.d.(ca.1960)
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Rossini_-_Allegro_Vivace_from_Overture_to_William_Tell.pdf
|File Description 2=Overture: Allegro vivace only
|Page Count 2=12
}}
{{#fte:imslpfile
|File Name 1=Gottschalk_rossini_william-tel_primo.pdf
|File Description 1=Transcription for piano four hands - Primo
|Editor=[[:Category:Gottschalk, Louis Moreau|Louis Moreau Gottschalk (1829-1869)]], transcriber
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Goldberg988|Goldberg988]]
|Date Submitted=2007/2/14
|Page Count 1=25
|Publisher Information=New York: William Hall & Son, 1864. Plate 6000
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Gottschalk_rossini_william-tel_secondo.pdf
|File Description 2=Transcription for piano four hands - Secondo
|Page Count 2=25
}}
{{#fte:imslpfile
|File Name 1=Rossini William Tell overture piano 4 hands.pdf
|File Description 1=Overture - transcription for piano 4 hands
|Editor=Claude Melnotte (1840-1923), transcriber
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Morel|Morel]]
|Date Submitted=2007/10/4
|Page Count 1=36
|Publisher Information=St Louis: Kunkel Bros. Plate No. 255.34
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
||File Name 1=PMLP07234-Rossini_Wilhelm_Tell_Overture_2hands.pdf
|File Description 1=Overture - transcription for piano solo
|Page Count 1=14
|Editor=Gustav Blasser (1857-1926?), transcriber
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2008/8/22
|Publisher Information=Vienna: [[Universal Edition]], n.d. (ca.1903), plate U.E. 455. 621.
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
||File Name 1=PMLP07234-WilliamTellOvertureIMSLPa.pdf
|File Description 1=Typeset score of overture
|Page Count 1=47
|Editor=
|Image Type=Typeset
|Scanner=Max Wilkinson
|Uploader=[[User:Maksymilian|Maksymilian]]
|Date Submitted=2008/10/3
|Publisher Information=Max Wilkinson, 2008
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=Typeset in Sibelius version 4.1.0
}}

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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}