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2026-04-19T21:12:57Z
User contributions
MediaWiki 1.18.1
//imslp.org/wiki/A_Trumpeters_Lullaby_(Anderson,_Leroy)
A Trumpeters Lullaby (Anderson, Leroy)
2026-04-03T11:09:15Z
<p>P.davydov: moved A Trumpeters Lullaby (Anderson, Leroy) to A Trumpeter's Lullaby (Anderson, Leroy)</p>
<hr />
<div>#REDIRECT [[A Trumpeter's Lullaby (Anderson, Leroy)]]</div>
P.davydov
//imslp.org/wiki/A_Trumpeter%27s_Lullaby_(Anderson,_Leroy)
A Trumpeter's Lullaby (Anderson, Leroy)
2026-04-03T11:09:15Z
<p>P.davydov: moved A Trumpeters Lullaby (Anderson, Leroy) to A Trumpeter's Lullaby (Anderson, Leroy)</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Arrangements and Transcriptions===<br />
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1575398-PMLASIA01015-placeholder-A_Trumpeters_Lullaby_-_Score.pdf<br />
|File Name 2=PMLP1575398-PMLASIA01016-placeholder-A_Trumpeters_Lullaby_-_Horn_i_F.pdf<br />
|File Name 3=PMLP1575398-PMLASIA01017-placeholder-A_Trumpeters_Lullaby_-_trp._Bb.pdf<br />
|File Name 4=PMLP1575398-PMLASIA01018-placeholder-A_Trumpeters_Lullaby_-_Euphonium.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Horn (F)<br />
|File Description 3=Trumpet (B{{flat}})<br />
|File Description 4=Euphonium<br />
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Messerman|Messerman]]<br />
|Date Submitted=2026/1/26<br />
|Publisher Information=Hans Jorgen Messerschmidt, 2026.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=A Trumpeters Lullaby<br />
|Alternative Title=<br />
|Opus/Catalogue Number=<br />
|Key={{key|F}}<br />
|Movements Header=<br />
|Number of Movements/Sections=<br />
|Average Duration=2-3 minutes<br />
|Dedication=<br />
|First Performance=1950/05/09 by the Boston Pops Orchestra <br />
:Roger Voisin (trumpet), Arthur Fiedler (conductor)<br />
|Year/Date of Composition=1949<br />
|Year of First Publication=<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Modern<br />
|External Links={{wp|A_Trumpeter%27s_Lullaby}}<br />
|Instrumentation=trumpet, wind band<br />
|Tags=berceuses ; tpt ww br perc<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Adventlied,_Op.71_(Schumann,_Robert)
Adventlied, Op.71 (Schumann, Robert)
2025-11-15T07:56:22Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
||File Name 1=PMLP65780-Schumann_-_071_-_Adventlied_für_Sopran-Solo_u._Chor_mit_Orch.pdf<br />
|File Description 1=Complete Score<br />
|Page Count 1=52<br />
|Editor={{LinkEd|Clara|Schumann|1819|1896}}<br />
|Image Type=Normal Scan<br />
|Scanner={{BSB}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2009/3/11<br />
|Publisher Information={{SchumannComplete|IX|80|1882}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP65780-00._SCHUMANN_-_ADVENTLIED,_OP._71_-_Conductor_Score.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Clara|Schumann|1819|1896}}<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:M.kowalski49|M.kowalski49]]<br />
|Date Submitted=2021/6/29<br />
|Publisher Information={{SchumannComplete|IX|80|1882}}<br />
|Reprint={{RpEFKbr}} Catalog A5262.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP65780-01._SCHUMANN_-_ADVENTLIED,_OP._71_-_Flute_1-2.pdf<br />
|File Name 2=PMLP65780-02._SCHUMANN_-_ADVENTLIED,_OP._71_-_Oboe_1-2.pdf<br />
|File Name 3=PMLP65780-03._SCHUMANN_-_ADVENTLIED,_OP._71_-_Clarinet_1-2.pdf<br />
|File Name 4=PMLP65780-04._SCHUMANN_-_ADVENTLIED,_OP._71_-_Bassoon_1-2.pdf<br />
|File Name 5=PMLP65780-05._SCHUMANN_-_ADVENTLIED,_OP._71_-_Horn_1-4.pdf<br />
|File Name 6=PMLP65780-06._SCHUMANN_-_ADVENTLIED,_OP._71_-_Trumpet_1-2.pdf<br />
|File Name 7=PMLP65780-07._SCHUMANN_-_ADVENTLIED,_OP._71_-_Trombone_1-3.pdf<br />
|File Name 8=PMLP65780-08._SCHUMANN_-_ADVENTLIED,_OP._71_-_Timpani.pdf<br />
|File Name 9=PMLP65780-09._SCHUMANN_-_ADVENTLIED,_OP._71_-_Violins_I.pdf<br />
|File Name 10=PMLP65780-10._SCHUMANN_-_ADVENTLIED,_OP._71_-_Violins_II.pdf<br />
|File Name 11=PMLP65780-11._SCHUMANN_-_ADVENTLIED,_OP._71_-_Violas.pdf<br />
|File Name 12=PMLP65780-12._SCHUMANN_-_ADVENTLIED,_OP._71_-_Cellos.pdf<br />
|File Name 13=PMLP65780-13._SCHUMANN_-_ADVENTLIED,_OP._71_-_Basses.pdf<br />
|File Description 1=Flute 1, 2<br />
|File Description 2=Oboe 1, 2<br />
|File Description 3=Clarinet 1, 2 (B{{flat}})<br />
|File Description 4=Bassoon 1, 2<br />
|File Description 5=Horn 1, 2, 3, 4 (D, E, F, G)<br />
|File Description 6=Trumpet 1, 2 (D)<br />
|File Description 7=Trombone 1, 2, 3<br />
|File Description 8=Timpani<br />
|File Description 9=Violins I<br />
|File Description 10=Violins II<br />
|File Description 11=Violas<br />
|File Description 12=Cellos<br />
|File Description 13=Basses<br />
|Editor={{LinkEd|Clara|Schumann|1819|1896}}<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:M.kowalski49|M.kowalski49]]<br />
|Date Submitted=2021/6/29<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(ca.1890)}}<br />
|Reprint={{RpEFKbr}} Catalog A5262.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
===Vocal Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.23899.05c8-39087011280650score.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Translator={{LinkTr|John|Troutbeck|1832|1899}}, English text<br />
|Language=English<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/23899}}<br />
|Uploader=[[User:Emblyadell|Emblyadell]]<br />
|Date Submitted=2014/4/21<br />
|Publisher Information={{P|Novello|Novello and Co.|London||||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP65780-00._SCHUMANN_-_ADVENTLIED,_OP._71_-_Chorus_Score.pdf<br />
|File Description 1=Chorus Score<br />
|Editor={{LinkEd|Clara|Schumann|1819|1896}}<br />
|Image Type=Normal Scan<br />
|Uploader=[[User:M.kowalski49|M.kowalski49]]<br />
|Date Submitted=2021/6/29<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(ca.1890)}}<br />
|Reprint={{RpEFKbr}} Catalog A5262.<br />
|Copyright=Public Domain<br />
|Misc. Notes=extracted from Full Score<br />
}}<br />
<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Adventlied<br />
|Alternative Title=<br />
|Opus/Catalogue Number=Op.71<br />
|Number of Movements/Sections=7<br />
|Key={{Key|G}}<br />
|Dedication=<br />
|Average Duration=18 minutes<br />
|Year/Date of Composition=1848-49<br />
|First Performance=1849-12-10 in Leipzig, Gewandhaus<br />
:Singakademie, Thomanerchor, Orchestra, Julius Rietz (conductor)<br />
|Year of First Publication=1849 - Breitkopf und Härtel (vocal score and vocal parts)<br />
:{{HMBref|1849|131}}<br />
|Librettist={{LinkLib|Friedrich|Rückert|1788|1866}}<br />
|Language=German<br />
|Piece Style=Romantic<br />
|Instrumentation=voices, chorus, orchestra<br />
|InstrDetail={{More}} ''Vocal soli'' (SATB)<br>''Mixed Chorus'' (SATTB)<br>''Orchestra''<br />
:2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, strings {{MoreEnd}}<br />
|Tags=sacred songs ; sop alt ten bass ch orch ; de<br />
<br />
| *****COMMENTS***** =<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/IMSLP:Tagging
IMSLP:Tagging
2025-11-02T08:14:25Z
<p>P.davydov: Reverted edits by Albrights (talk) to last revision by Fynnjamin</p>
<hr />
<div>[[IMSLP:Categorization|< Return to the Categorization Project homepage]]<br />
-----<br />
__TOC__<br />
<br />
===A not-so-short guide to Tagging===<br />
<br />
This page sets out how to decide what the tag for a particular work should be. Although this page of explanation is very long, the process is normally very short, and you will often find it takes less than a minute to tag a page (sometimes much less, sometimes more). <br />
<br />
The tags begin with <nowiki>|Tags=</nowiki> and consist of two main elements: the "work type" and the "instrumentation", separated by spaces and a semi-colon " ; ". Here are some examples:<br />
<br />
* <nowiki>|Tags=</nowiki>symphonies ; orch<br />
* <nowiki>|Tags=</nowiki>concertos ; pf orch<br />
* <nowiki>|Tags=</nowiki>minuets ; str<br />
* <nowiki>|Tags=</nowiki>sonatas ; vc pf<br />
* <nowiki>|Tags=</nowiki>operettas ; vv orch ; fr<br />
* <nowiki>|Tags=</nowiki>oratorios ; 2vv ch pf ; de<br />
<br />
You may have noticed that in the last two examples there is a third tag, indicating the language used in vocal works.<br />
<br />
'''Note that semi-colons are used rather than slashes, and no capital letters should be used in the tags'''.<br />
<br />
So let's start by looking at these in detail.<br />
<br />
==Work Type==<br />
The first element of the tag is the "work type", always given in the plural (so we use "symphonies" rather than "symphony"). Very often the type is contained in the work title, e.g. names of musical forms (sonata, symphony, concerto), tempo designations (adagio, allegro), and standard combinations of instruments (trio, quartet), and these can be identified very quickly.<br />
<br />
On the other hand there are works like ''Messiah'' or ''Le nozze di Figaro'' where the form of work is not obvious from the main title, but the composer has helpfully provided descriptions or subtitles so that we know these are oratorios and operas respectively. Sometimes there's no clarification in the score itself, and we might have to consult printed or online reference sources such as ''Grove'' for a definitive answer. <br />
<br />
It's also important to make sure that the types are always given in the same language, with the same capitalisation, according to the same rules (because "Part Song" and "partsong", for example, would be considered as different tags by IMSLP's software). So we need a standard glossary of terms that we can use. It so happens that music librarians have been grappling with these problems for years, and the list below owes much to the Music Library Association's list of ''Types of Compositions for Use in Music Uniform Titles'' [https://www.musiclibraryassoc.org/mpage/cmc_accpointsaacr2], supplemented by other sources. <br />
<br />
The first column lists a variety of musical forms, both singular and plural, in various languages (indicated by standard two-letter codes [http://en.wikipedia.org/wiki/List_of_ISO_639-1_codes]). The second column (highlighted in green) indicates the standardised type that we should use, which are usually in the plural. You may then need to scroll further up or down the list to see any important notes accompanying its usage in the main entry (in bold type), e.g. that the term ''Anthems'' should only be used for choral works rather than for national anthems (which have their own distinct tag). <br />
<br />
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"<br />
! width="30%"|Type of Work<br>(singular/plural/language)<br />
! width="20%"|See under<br />
! width="50%"|Notes<br />
|-<br />
| Abanera (it)<br />
| bgcolor="#CCFFCC"|habaneras <br />
| <br />
|-<br />
| Abertura (es)<br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| '''Adagietto/Adagiettos''' (it)<br />
| bgcolor="#CCFFCC"|adagiettos<br />
| use only when it is the composer&#39;s title for an independent piece <br />
|-<br />
| '''Adagio/Adagios''' (it)<br />
| bgcolor="#CCFFCC"|adagios<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| '''Agitato/Agitatos''' (it)<br />
| bgcolor="#CCFFCC"|agitatos<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
|'''Agnus Dei''' (la)<br />
| bgcolor="#CCFFCC"|agnus dei<br />
| part of the traditional Latin mass; use only for independent pieces (note the singular form)<br />
|-<br />
| Aire/Aires (en)<br />
| bgcolor="#CCFFCC"|airs<br />
| <br />
|-<br />
| '''Air/Airs''' (en)<br />
| bgcolor="#CCFFCC"|airs<br />
| <br />
|-<br />
| '''Allegretto/Allegrettos''' (it)<br />
| bgcolor="#CCFFCC"|allegrettos<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| '''Allegro/Allegros''' (it)<br />
| bgcolor="#CCFFCC"|allegros<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| '''Allemande/Allemandes''' (fr, de)<br />
| bgcolor="#CCFFCC"|allemandes<br />
| a Baroque German dance<br />
|-<br />
| Almain/Almains (en)<br />
| bgcolor="#CCFFCC"|allemandes<br />
| <br />
|-<br />
| Almaine/Almaines (en)<br />
| bgcolor="#CCFFCC"|allemandes<br />
| <br />
|-<br />
| Alman/Almans (en)<br />
| bgcolor="#CCFFCC"|allemandes<br />
| <br />
|-<br />
| '''Andante/Andantes''' (it)<br />
| bgcolor="#CCFFCC"|andantes<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| '''Andantino/Andantinos''' (it)<br />
| bgcolor="#CCFFCC"|andantinos<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| '''Anglaise/Anglaises''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|anglaises<br />
| a Baroque English dance<br />
|-<br />
| Anglez (ru)<br />
| bgcolor="#CCFFCC"|anglaises<br />
| <br />
|-<br />
| '''Anthem/Anthems''' (en)<br />
| bgcolor="#CCFFCC"|anthems<br />
| use only for choral settings of religious or moral texts (do not confuse with ''national anthems'')<br />
|-<br />
| '''Antiphons''' (en)<br />
| bgcolor="#CCFFCC"|antiphons<br />
| part of the traditional Latin mass; use only for independent pieces<br />
|-<br />
| Arabesca (it, es)<br />
| bgcolor="#CCFFCC"|arabesques<br />
| <br />
|-<br />
| Arabesco (es) <br />
| bgcolor="#CCFFCC"|arabesques<br />
| <br />
|-<br />
| Arabeska/ (ru)<br />
| bgcolor="#CCFFCC"|arabesques<br />
| <br />
|-<br />
| Arabeske (de)<br />
| bgcolor="#CCFFCC"|arabesques<br />
| <br />
|-<br />
| '''Arabesque/Arabesques''' (en, fr)<br />
| bgcolor="#CCFFCC"|arabesques<br />
| <br />
|-<br />
| '''Aria/Arias''' (en, fr, hu, it, es)<br />
| bgcolor="#CCFFCC"|arias<br />
| use only when it is the composer&#39;s title for an independent vocal work; use ''Airs for'' purely instrumental works of 17th/18th centuries<br />
|-<br />
| Arie (de)<br />
| bgcolor="#CCFFCC"|arias<br />
| <br />
|-<br />
| Arieta (es)<br />
| bgcolor="#CCFFCC"|ariettas<br />
| <br />
|-<br />
| '''Arietta/Ariettas '''(en, de, it, ru)<br />
| bgcolor="#CCFFCC"|ariettas<br />
| use only when it is the composer&#39;s title for an independent vocal work<br />
|-<br />
| Ariette (fr, de)<br />
| bgcolor="#CCFFCC"|ariettas<br />
| <br />
|-<br />
| Ariia (ru) <br />
| bgcolor="#CCFFCC"|arias<br />
| <br />
|-<br />
| '''Arioso/Ariosos''' (en)<br />
| bgcolor="#CCFFCC"|ariosos<br />
| use only when it is the composer&#39;s title for an independent vocal work<br />
|<br />
|-<br />
| ''Arpeggio/Arpeggios'' (en, it)<br />
| bgcolor="#CCFFCC"|scales<br />
| use for works designated as scale or pattern (e.g. arpeggio) studies by their composers; displays as "Scales and patterns"<br />
|<br />
|-<br />
| '''Aubade/Aubades''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|aubades<br />
| a piece of morning music (counterparts of serenades or nocturnes) <br />
|-<br />
| Aube (hu)<br />
| bgcolor="#CCFFCC"|aubades<br />
| <br />
|-<br />
| '''Ave Maria''' (la)<br />
| bgcolor="#CCFFCC"|ave maria<br />
| use only for independent works so titled by the composer<br />
|-<br />
| Ayre/Ayres (en)<br />
| bgcolor="#CCFFCC"|airs<br />
| <br />
|-<br />
| Bagatela (es)<br />
| bgcolor="#CCFFCC"|bagatelles<br />
| <br />
|-<br />
| Bagatell (hu)<br />
| bgcolor="#CCFFCC"|bagatelles<br />
| <br />
|-<br />
| Bagatella (it)<br />
| bgcolor="#CCFFCC"|bagatelles<br />
| <br />
|-<br />
| '''Bagatelle/Bagatelles''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|bagatelles<br />
| <br />
|-<br />
| Balada/Baladas (ru, es)<br />
| bgcolor="#CCFFCC"|ballads<br />
| <br />
|-<br />
| '''Ballad/Ballads''' (en)<br />
| bgcolor="#CCFFCC"|ballads<br />
| applies to vocal works only; use ''Ballade ''for instrumental works<br />
|-<br />
| Ballada (hu)<br />
| bgcolor="#CCFFCC"|ballads<br />
| <br />
|-<br />
| '''Ballade/Ballades''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|ballades<br />
| use for instrumental works only; use ''Ballad ''for vocal works<br />
|-<br />
| '''Ballata/Ballatas''' (it)<br />
| bgcolor="#CCFFCC"|ballatas<br />
| use only for Renaissance Italian songs so titled (do not confuse with ''Ballada'')<br />
|-<br />
| '''Ballet/Ballets''' (en, fr)<br />
| bgcolor="#CCFFCC"|ballets<br />
| use only for dance forms (do not confuse with ''Balletts'')<br />
|-<br />
| Ballet d'action (fr)<br />
| bgcolor="#CCFFCC"|pantomimes<br />
| <br />
|-<br />
| Ballet en action (fr)<br />
| bgcolor="#CCFFCC"|pantomimes<br />
| <br />
|-<br />
| '''Ballet héroïque/Ballets héroïques''' (fr)<br />
| bgcolor="#CCFFCC"|ballets heroiques <br />
| genre of 18th-century French opéra-ballet featuring the heroic and exotic; use only when designated as such by the composer <br />
|-<br />
| Ballet pantomime (fr)<br />
| bgcolor="#CCFFCC"|pantomimes<br />
| <br />
|-<br />
| '''Ballett/Balletts''' (en)<br />
| bgcolor="#CCFFCC"|balletts<br />
| use only for 16th/17th-century vocal works styled as such (do not confuse with ''Ballets)''<br />
|-<br />
| Ballett/Balletts (de)<br />
| bgcolor="#CCFFCC"|ballets<br />
| <br />
|-<br />
| '''Balletto/Balletti''' (it)<br />
| bgcolor="#CCFFCC"|balletti<br />
| use for the 15th/16th-century Italian dances, or late 16th-/early 17th-century Italian partsongs only (do not confuse with'' Ballatas, Ballets'')<br />
|-<br />
| Barcarola (es)<br />
| bgcolor="#CCFFCC"|barcarolles<br />
| <br />
|-<br />
| Barcarole (en, de)<br />
| bgcolor="#CCFFCC"|barcarolles<br />
| <br />
|-<br />
| '''Barcarolle/Barcarolles''' (fr)<br />
| bgcolor="#CCFFCC"|barcarolles<br />
| <br />
|-<br />
| Barcaruola (it)<br />
| bgcolor="#CCFFCC"|barcarolles<br />
| <br />
|-<br />
| Barkarola (hu)<br />
| bgcolor="#CCFFCC"|barcarolles<br />
| <br />
|-<br />
| Barkarola (ru)<br />
| bgcolor="#CCFFCC"|barcarolles<br />
| <br />
|-<br />
| Basdans (ru) <br />
| bgcolor="#CCFFCC"|basse danses<br />
| <br />
|-<br />
| Bassa danza/Bassadanza (it)<br />
| bgcolor="#CCFFCC"|basse danses<br />
| <br />
|-<br />
| Bassadanza (it)<br />
| bgcolor="#CCFFCC"|basse danses<br />
| <br />
|-<br />
| '''Basse danse/Basse danses''' (en, fr, es)''' '''<br />
| bgcolor="#CCFFCC"|basse danses<br />
| the principal court dance during the late Middle Ages and Renaissance<br />
|-<br />
| '''Beguine/Beguines''' (en, de, it, es)<br />
| bgcolor="#CCFFCC"|beguines<br />
| a social dance popular in Europe and American from the 1930s, with a rhythm similar to that of the bolero <br />
|-<br />
| Béguine (fr)<br />
| bgcolor="#CCFFCC"|beguines<br />
| <br />
|-<br />
| '''Benedictus''' (la)<br />
| bgcolor="#CCFFCC"|benedictus<br />
| use only for pieces independent from the ordinary mass<br />
|-<br />
| '''Berceuse/Berceuses''' (fr)<br />
| bgcolor="#CCFFCC"|berceuses<br />
| for instrumental works only; use ''lullabies'' for vocal works<br />
|-<br />
| '''Bicinium/Bicinia''' (la)<br />
| bgcolor="#CCFFCC"|bicinia<br />
| A two-voice work for voices, instruments, or keyboard; use only when it is the composer's title<br />
|-<br />
| Bigin (es)<br />
| bgcolor="#CCFFCC"|beguines<br />
| <br />
|-<br />
| Biguine (es)<br />
| bgcolor="#CCFFCC"|beguines<br />
| <br />
|-<br />
| '''Biography/Biographies''' (en)<br />
| bgcolor="#CCFFCC"|biographies<br />
| use for studies of individual musicians<br />
|-<br />
| '''Blues''' (en)<br />
| bgcolor="#CCFFCC"|blues<br />
| <br />
|-<br />
| Boceto (es)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| '''Bolero/Boleros''' (en, de, hu, it, ru, es)<br />
| bgcolor="#CCFFCC"|boleros<br />
| a Spanish dance in triple time<br />
|-<br />
| Boléro (fr)<br />
| bgcolor="#CCFFCC"|boleros<br />
| <br />
|-<br />
| Boree (en)<br />
| bgcolor="#CCFFCC"|bourrees<br />
| <br />
|-<br />
| '''Bossa nova/Bosa novas''' (en, fr, de, pt)<br />
| bgcolor="#CCFFCC"|bossa novas<br />
| Brazilian dance from the mid-20th century<br />
|-<br />
| '''Bourrée/Bourrées''' (fr)<br />
| bgcolor="#CCFFCC"|bourrees<br />
| French dance of the 17th/18th centuries<br />
|-<br />
| '''Boutade/Boutades''' (fr)<br />
| bgcolor="#CCFFCC"|boutades<br />
| 18th-century dance in a fanciful and playful style<br />
|-<br />
| Burlesca (it, es)<br />
| bgcolor="#CCFFCC"|burlesques<br />
| <br />
|-<br />
| Burleska (ru)<br />
| bgcolor="#CCFFCC"|burlesques<br />
| <br />
|-<br />
| Burleske (de)<br />
| bgcolor="#CCFFCC"|burlesques<br />
| <br />
|-<br />
| '''Burlesque/Burlesques''' (fr, en)<br />
| bgcolor="#CCFFCC"|burlesques<br />
| use for late 18th/early 19th century humorous stage works styled as such by the composer<br />
|-<br />
| Burleszk (hu)<br />
| bgcolor="#CCFFCC"|burlesques<br />
| <br />
|-<br />
| Burre (ru) <br />
| bgcolor="#CCFFCC"|bourrees<br />
| <br />
|-<br />
| Butada (it)<br />
| bgcolor="#CCFFCC"|boutades<br />
| <br />
|-<br />
| Caccia (it)<br />
| bgcolor="#CCFFCC"|catches<br />
| <br />
|-<br />
| Cadence (fr)<br />
| bgcolor="#CCFFCC"|cadenzas<br />
| <br />
|-<br />
| Cadencia (es)<br />
| bgcolor="#CCFFCC"|cadenzas<br />
| <br />
|-<br />
| '''Cadenza/Cadenzas''' (it, en)<br />
| bgcolor="#CCFFCC"|cadenzas<br />
| <br />
|-<br />
| '''Cakewalk/Cakewalks''' (en)<br />
| bgcolor="#CCFFCC"|cakewalks<br />
| African American dance of the late 19th/early 20th centuries<br />
|-<br />
| Canarie (fr)<br />
| bgcolor="#CCFFCC"|canaries<br />
| <br />
|-<br />
| Canario (it, es)<br />
| bgcolor="#CCFFCC"|canaries<br />
| <br />
|-<br />
| '''Canary/Canaries''' <br />
| bgcolor="#CCFFCC"|canaries<br />
| a form of dance and music popular in Europe from the mid-16th to mid-18th centuries<br />
|-<br />
| '''Canción/Canciónes''' (es)<br />
| bgcolor="#CCFFCC"|canciones<br />
| use only when it is the composer&#39;s title for a vocal piece<br />
|-<br />
| Cançoneta (pt)<br />
| bgcolor="#CCFFCC"|canzonettas<br />
| <br />
|-<br />
| '''Canon/Canons''' (en, fr, es)<br />
| bgcolor="#CCFFCC"|canons<br />
| see also ''Double canons'' <br />
|-<br />
| Canon doble (es)<br />
| bgcolor="#CCFFCC"|double canons<br />
| <br />
|-<br />
| Canon double (fr)<br />
| bgcolor="#CCFFCC"|double canons<br />
| <br />
|-<br />
| Canone (it)<br />
| bgcolor="#CCFFCC"|canons<br />
| <br />
|-<br />
| Canone doppio (it)<br />
| bgcolor="#CCFFCC"|double canons<br />
| <br />
|-<br />
| '''Cantabile/Cantabiles''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|cantabiles<br />
| use only when it is the composer&#39;s title for a short vocal piece<br />
|-<br />
| '''Cantata/Cantatas''' (en, it)<br />
| bgcolor="#CCFFCC"|cantatas<br />
| divide into ''sacred cantatas ''and ''secular cantatas'' where possible; otherwise use ''cantatas''<br />
|-<br />
| Cantate (fr)<br />
| bgcolor="#CCFFCC"|cantatas<br />
| <br />
|-<br />
| '''Cantatille/Cantatilles''' (fr)<br />
| bgcolor="#CCFFCC"|cantatas<br />
| divide into ''sacred cantatas ''and ''secular cantatas'' where possible; otherwise use ''cantatas''<br />
|-<br />
| '''Canticle/Canticles''' (en)<br />
| bgcolor="#CCFFCC"|canticles<br />
| Since this is a type of hymn (one that is not based on Psalms), it cannot be used for instrumental music.<br />
|-<br />
| Cantico (it)<br />
| bgcolor="#CCFFCC"|canticles<br />
| <br />
|-<br />
| Cántico (es)<br />
| bgcolor="#CCFFCC"|canticles<br />
| <br />
|-<br />
| Canticum (de)<br />
| bgcolor="#CCFFCC"|canticles<br />
| <br />
|-<br />
| '''Cantiga/Cantigas''' (es)<br />
| bgcolor="#CCFFCC"|cantigas<br />
| medieval Iberian monophonic songs<br />
|-<br />
| '''Cantilena/Cantilenas''' (it or la/en)<br />
| bgcolor="#CCFFCC"|cantilenas<br />
|<br />
|-<br />
| Cantilène (fr)<br />
| bgcolor="#CCFFCC"|cantilenas<br />
| <br />
|-<br />
| Cantique (fr)<br />
| bgcolor="#CCFFCC"|canticles<br />
| <br />
|-<br />
| '''Canto/Canti/Cantos''' (it, en)<br />
| bgcolor="#CCFFCC"|songs<br />
| <br />
|-<br />
| Canzon (it)<br />
| bgcolor="#CCFFCC"|canzonas<br />
| <br />
|-<br />
| '''Canzona/Canzonas''' (en, it, es)<br />
| bgcolor="#CCFFCC"|canzonas<br />
|originally Provençal troubadour songs; later, pieces of 16th-century Italian secular music, 16th- to 17th-century instrumental works (do not confuse with'' Canzoni'')<br />
|-<br />
| '''Canzone/Canzoni''' (it)<br />
| bgcolor="#CCFFCC"|canzoni<br />
| an 18th- and 19th-century song-like work for voice or instruments; use only where this is the composer&#39;s title (do not confuse with ''Canzonas'') <br />
|-<br />
| '''Canzonet/Canzonets''' (en)<br />
| bgcolor="#CCFFCC"|canzonets<br />
| late 16th-century English part-song (do not confuse with ''Canzonettas'')<br />
|-<br />
| Canzoneta (es)<br />
| bgcolor="#CCFFCC"|canzonettas<br />
| <br />
|-<br />
| '''Canzonetta/Canzonettas''' <br />
| bgcolor="#CCFFCC"|canzonettas<br />
| late 16th-century Italian part-song; also used for solo songs and instrumental pieces of a songlike nature (do not confuse with ''Canzonas, Canzonets'')<br />
|-<br />
| Canzonette (fr, de)<br />
| bgcolor="#CCFFCC"|canzonettas<br />
| <br />
|-<br />
| '''Capriccio/Capriccios''' (it)<br />
| bgcolor="#CCFFCC"|capriccios<br />
| use 'only when it is the composer&#39;s original title (do not confuse with ''Caprices'')<br />
|-<br />
| '''Caprice/Caprices''' (en, fr)<br />
| bgcolor="#CCFFCC"|caprices<br />
| use 'only when it is the composer&#39;s original title (do not confuse with ''Capriccios'')<br />
|-<br />
| Capricho/Caprichos (es)<br />
| bgcolor="#CCFFCC"|capriccios<br />
| <br />
|-<br />
| '''Carmina/Carminas''' (la)<br />
| bgcolor="#CCFFCC"|carminas<br />
| <br />
|-<br />
| '''Carol/Carols''' (en)<br />
| bgcolor="#CCFFCC"|carols<br />
| <br />
|-<br />
| Casación (es)<br />
| bgcolor="#CCFFCC"|cassations<br />
| <br />
|-<br />
| '''Cassation/Cassations''' (en)<br />
| bgcolor="#CCFFCC"|cassations<br />
| 18th-century instrumental composition (similar to ''Divertimentos ''and ''Serenades) ''often performed outdoors.<br />
|-<br />
| Cassazione (it)<br />
| bgcolor="#CCFFCC"|cassations<br />
| <br />
|-<br />
| '''Catalogs/Catalogues''' (en)<br />
| bgcolor="#CCFFCC"|catalogs<br />
| See also ''publishers catalogs''<br />
|-<br />
| '''Catch/Catches''' (en)<br />
| bgcolor="#CCFFCC"|catches<br />
| an English round for 3 voices <br />
|-<br />
| '''Cavatina/Cavatinas''' (en, it, es) <br />
| bgcolor="#CCFFCC"|cavatinas<br />
| use for aria-like vocal pieces or a song-like instrumental works so titled by the composeer, but not for individual cavatinas within operas<br />
|-<br />
| Cavatine (fr)<br />
| bgcolor="#CCFFCC"|cavatinas<br />
| <br />
|-<br />
| Chacona (es)<br />
| bgcolor="#CCFFCC"|chaconnes<br />
| <br />
|-<br />
| '''Chacarera/Chacareras''' (es)<br />
| bgcolor="#CCFFCC"|chacareras<br />
| an Argentinian dance form<br />
|-<br />
| '''Chaconne/Chaconnes''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|chaconnes<br />
| a form of variations popular during the Baroque era<br />
|-<br />
| Chakona (ru)<br />
| bgcolor="#CCFFCC"|chaconnes<br />
| <br />
|-<br />
| '''Chanson/Chansons''' (fr)<br />
| bgcolor="#CCFFCC"|chansons<br />
| use only when it, or chansonette, is the composer&#39;s original title<br />
|-<br />
| Chansonette/Chansonettes (fr)<br />
| bgcolor="#CCFFCC"|chansons<br />
| use only when it is the composer&#39;s original title<br />
|-<br />
| '''Chant/Chants''' (en)<br />
| bgcolor="#CCFFCC"|chants<br />
| use only when it is the composer&#39;s original title; do not confuse with French ''Chants''; for Gregorian chant, use ''Plainchant''<br />
|-<br />
| Chant/Chants (fr)<br />
| bgcolor="#CCFFCC"|songs<br />
| do not confuse with English ''Chants''<br />
|-<br />
| '''Character piece/Character pieces''' (en)<br />
| bgcolor="#CCFFCC"|character pieces<br />
| use only where this (or a foreign equivalent) is the composer's title<br />
|-<br />
| Characteristic piece/Characteristic pieces (en)<br />
| bgcolor="#CCFFCC"|character pieces<br />
| [variants: ''character piece, Charakterstück''; currently grouped with ''pieces'']<br />
|-<br />
| Charakterstück/Charakterstücke (de)<br />
| bgcolor="#CCFFCC"|character pieces<br />
| <br />
|-<br />
| Chast/Chasti (ru)<br />
| bgcolor="#CCFFCC"|movements<br />
| <br />
|-<br />
| Chœur (fr)<br />
| bgcolor="#CCFFCC"|choruses<br />
| <br />
|-<br />
| Chor (de)<br />
| bgcolor="#CCFFCC"|chorus<br />
| <br />
|-<br />
| Choral (fr, de)<br />
| bgcolor="#CCFFCC"|chorales<br />
| <br />
|-<br />
| '''Choralbearbeitung/Choralbearbeitungen''' (de)<br />
| bgcolor="#CCFFCC"|choralbearbeitungen <br />
| a German vocal or instrumental composition based on a pre-existing sacred melody; use only where styled as such by the composer<br />
|-<br />
| '''Chorale/Chorales''' (en)<br />
| bgcolor="#CCFFCC"|chorales<br />
| see also ''Chorale preludes''<br />
|-<br />
| '''Chorale prelude/Chorale preludes''' (en)<br />
| bgcolor="#CCFFCC"|chorale preludes<br />
| setting of a chorale melody, usually for organ <br />
|-<br />
| Choralvorspiel/Choralvorspiele; Choral-Vorspiel/Choral-Vorspiele (de) <br />
| bgcolor="#CCFFCC"|chorale preludes<br />
| <br />
|-<br />
| '''Chorinho/Chorinhos''' (es, pt)<br />
| bgcolor="#CCFFCC"|chorinhos<br />
| Brazilian dance of European origin<br />
|-<br />
| Choro/Choros (es, pt)<br />
| bgcolor="#CCFFCC"|chorinhos<br />
| do not confuse with ''coros''<br />
|-<br />
| '''Chorus/Choruses''' (en)<br />
| bgcolor="#CCFFCC"|choruses<br />
| divide into ''Sacred choruses ''and ''Secular choruses'' where possible; otherwise use ''Cantatas''<br />
|-<br />
| Chotis (es)<br />
| bgcolor="#CCFFCC"|ecossaises<br />
| <br />
|-<br />
| Ciaccona (it)<br />
| bgcolor="#CCFFCC"|chaconnes<br />
| <br />
|-<br />
| Ciciliano (it)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| '''Comic operas''' (en)<br />
| bgcolor="#CCFFCC"|comic operas<br />
|<br />
|-<br />
| '''Communions''' (en)<br />
| bgcolor="#CCFFCC"|communions<br />
| part of the traditional Latin mass; use only for independent pieces<br />
|-<br />
| Concert piece/Concert pieces (en)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Concertant (fr)<br />
| bgcolor="#CCFFCC"|concertantes<br />
| <br />
|-<br />
| '''Concertante/Concertantes''' (en, it, es)<br />
| bgcolor="#CCFFCC"|concertantes<br />
| use only where it is the composer&#39;s original title, but use different heading for ''Sinfonie concertanti'' <br />
|-<br />
| '''Concertino/Concertinos''' (it)<br />
| bgcolor="#CCFFCC"|concertinos<br />
| use only where it is the composer&#39;s original title<br />
|-<br />
| '''Concerto/Concertos''' (en, fr, it)<br />
| bgcolor="#CCFFCC"|concertos<br />
| a work for soloist(s) and orchestra;'' do not use'' &quot;Piano Concerto&quot;, &quot;Violin Concerto&quot;, &quot;Cello Concerto&quot;, etc., but see also ''Concerti grossi, Double Concertos, Triple Concertos''<br />
|-<br />
| '''Concerto grosso/Concerti grossi''' (it)<br />
| bgcolor="#CCFFCC"|concerti grossi<br />
| a type of Baroque concerto in which a large group alternates with a smaller group<br />
|-<br />
| '''Concertone/Concertoni''' (en)<br />
| bgcolor="#CCFFCC"|concertoni<br />
| a rarely-used term meaning &quot;large concerto&quot;<br />
|-<br />
| Concertpiece (en)<br />
| bgcolor="#CCFFCC"|concertinos<br />
| <br />
|-<br />
| Concertstück (de)<br />
| bgcolor="#CCFFCC"|concertinos<br />
| <br />
|-<br />
| Concierto (es)<br />
| bgcolor="#CCFFCC"|concertos<br />
| <br />
|-<br />
| '''Conductus''' (la)<br />
| bgcolor="#CCFFCC"|conductus<br />
| a Latin medieval song<br />
|-<br />
| '''Conga/Congas''' (en)<br />
| bgcolor="#CCFFCC"|congas<br />
| Latin-American dance in 2/4 meter with a repeated two-measure rhythmic pattern<br />
|-<br />
| Contradanza (it, es)<br />
| bgcolor="#CCFFCC"|country dances<br />
| <br />
|-<br />
| Contredanse (fr)<br />
| bgcolor="#CCFFCC"|country dances<br />
| <br />
|-<br />
| Coral (ed)<br />
| bgcolor="#CCFFCC"|chorales<br />
| <br />
|-<br />
| Corale (it)<br />
| bgcolor="#CCFFCC"|chorales<br />
| <br />
|-<br />
| Corant/Corants (en)<br />
| bgcolor="#CCFFCC"|courantes<br />
| <br />
|-<br />
| Coro (it, es)<br />
| bgcolor="#CCFFCC"|choruses<br />
| <br />
|-<br />
| Corrente/Correnti (it)<br />
| bgcolor="#CCFFCC"|courantes<br />
| <br />
|-<br />
| '''Correspondence''' (en)<br />
| bgcolor="#CCFFCC"|correspondence<br />
| use for collections of musicians' letters<br />
|-<br />
| '''Cortège/Cortèges''' (en, fr)<br />
| bgcolor="#CCFFCC"|corteges<br />
| a piece of music written to accompany a procession<br />
|-<br />
| '''Country dance/Country dances''' (en)<br />
| bgcolor="#CCFFCC"|country dances<br />
| <br />
|-<br />
| '''Courante/Courantes''' (fr)<br />
| bgcolor="#CCFFCC"|courantes<br />
| a Baroque dance form<br />
|-<br />
| Cracoviak/Cracoviak (fr)<br />
| bgcolor="#CCFFCC"|krakowiaks<br />
| <br />
|-<br />
| Cracoviana/Cracoviana(it, es)<br />
| bgcolor="#CCFFCC"|krakowiaks<br />
| <br />
|-<br />
| Cracovienne/Cracoviennes (en, fr)<br />
| bgcolor="#CCFFCC"|krakowiaks<br />
| <br />
|-<br />
| '''Cradle song/Cradle songs''' (en)<br />
| bgcolor="#CCFFCC"|lullabies<br />
| for vocal works only, otherwise use ''berceuses''<br />
|-<br />
| '''Credo''' (en, fr, de, it, la)<br />
| bgcolor="#CCFFCC"|credo<br />
| part of the traditional Latin mass; use only for independent pieces (note singular form)<br />
|-<br />
| Csárdás (fr)<br />
| bgcolor="#CCFFCC"|czardas <br />
| <br />
|-<br />
| Cuadrilla (es)<br />
| bgcolor="#CCFFCC"|quadrilles<br />
| <br />
|-<br />
| Cuarteto (es)<br />
| bgcolor="#CCFFCC"|quartets<br />
| <br />
|-<br />
| Cujawiak/Cujawiak (es)<br />
| bgcolor="#CCFFCC"|kujawiaks<br />
| <br />
|-<br />
| '''Czardas/Czardas''' (hu)<br />
| bgcolor="#CCFFCC"|czardas<br />
| a lively Hungarian dance<br />
|-<br />
| '''Dal/Dalok''' (hu)<br />
| bgcolor="#CCFFCC"|dalok<br />
| Hungarian vocal work; use only when it is the composer&#39;s original title<br />
|-<br />
| '''Dance/Dances''' (en)<br />
| bgcolor="#CCFFCC"|dances<br />
| <br />
|-<br />
| Danse (fr)<br />
| bgcolor="#CCFFCC"|dances<br />
| <br />
|-<br />
| '''Danza/Danzas''' (es, it)<br />
| bgcolor="#CCFFCC"|danzas<br />
| a particular genre of salon music for piano developed in Puerto Rico in the late 19th and early 20th centuries (do not confuse with ''Dance'') <br />
|-<br />
| '''Danzón''' (es)<br />
| bgcolor="#CCFFCC"|danzon <br />
| a Cuban ballroom dance developed during the 19th century (do not confuse with ''Dance'')<br />
|-<br />
| Darab/Darabok (hu)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| '''Decet/Decets''' (en)<br />
| bgcolor="#CCFFCC"|decets<br />
| <br />
|-<br />
| Decimino (it)<br />
| bgcolor="#CCFFCC"|decets<br />
| <br />
|-<br />
| Dectet (en)<br />
| bgcolor="#CCFFCC"|decets<br />
| <br />
|-<br />
| '''Descants''' (en)<br />
| bgcolor="#CCFFCC"|descants<br />
| <br />
|-<br />
| Detsimet (ru)<br />
| bgcolor="#CCFFCC"|decets<br />
| <br />
|-<br />
| Dezett (de)<br />
| bgcolor="#CCFFCC"|decets<br />
| <br />
|-<br />
| '''Dictionary/Dictionaries''' (en)<br />
| bgcolor="#CCFFCC"|dictionaries<br />
| use for reference books containing alphabetical articles concerning music and/or musicians<br />
|-<br />
| '''Dies irae''' (la)<br />
| bgcolor="#CCFFCC"|dies irae<br />
| a sequence from the traditional Latin mass; use only for independent pieces<br />
|-<br />
| '''Dirge/Dirges''' (en)<br />
| bgcolor="#CCFFCC"|dirges<br />
| a mournful song or instrumental piece for burial or memorial rites <br />
|-<br />
| '''Divertimento/Divertimenti''' (en, de, hu, it, es)<br />
| bgcolor="#CCFFCC"|divertimentos<br />
| <br />
|-<br />
| Divertisment (ru)<br />
| bgcolor="#CCFFCC"|divertimentos<br />
| use only for instrumental works; for the type of 17th/18th-century French musical-dramatic entertainment, use ''Divertissement'' <br />
|-<br />
| '''Divertissement/Divertisements''' (fr)<br />
| bgcolor="#CCFFCC"|divertissements<br />
| use only for the 17th/18th century form of French musical-dramatic entertainment; in all other cases use ''Divertimentos''<br />
|-<br />
| '''Division/Divisions''' (en)<br />
| bgcolor="#CCFFCC"|divisions<br />
| a mainly 17th-century English technique of improvised variation over a ground bass, written out for didactic or performance purposes <br />
|-<br />
| Divisions on a ground (en)<br />
| bgcolor="#CCFFCC"|divisions<br />
| <br />
|-<br />
| '''Dixtuor''' (en, fr)<br />
| bgcolor="#CCFFCC"|decets<br />
| a work for ten players <br />
|-<br />
| Doble canon (es)<br />
| bgcolor="#CCFFCC"|double canons<br />
| <br />
|-<br />
| Doble fuga (es)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Doppelfuge (de)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Doppelkanon (de)<br />
| bgcolor="#CCFFCC"|double canons<br />
| <br />
|-<br />
| '''Double concerto/Double concertos''' (en)<br />
| bgcolor="#CCFFCC"|double concertos<br />
| a concerto for two solo instruments with orchestral accompaniment<br />
|-<br />
| '''Double canon/Double canons''' (en, fr)<br />
| bgcolor="#CCFFCC"|double canons<br />
| a variant of the canon with two independent solo lines<br />
|-<br />
| '''Double fugue/Double fugues''' (en, fr)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| a variant of the fugue with two independent solo lines<br />
|-<br />
| '''Dramma giocoso''' (it)<br />
| bgcolor="#CCFFCC"|dramma giocoso<br />
| a subset of opera-->comic opera-->opera buffa<br />
|-<br />
| '''Duet/Duets''' (en)<br />
| bgcolor="#CCFFCC"|duets<br />
| <br />
|-<br />
| Dueto (es)<br />
| bgcolor="#CCFFCC"|duets<br />
| <br />
|-<br />
| Duett (de, ju)<br />
| bgcolor="#CCFFCC"|duets<br />
| <br />
|-<br />
| '''Duettino/Duettinos''' (it)<br />
| bgcolor="#CCFFCC"|duettinos<br />
| a short vocal or instrumental duet; use only where this is the composer&#39;s title<br />
|-<br />
| Duetto (it)<br />
| bgcolor="#CCFFCC"|duets<br />
| <br />
|-<br />
| '''Dumka/Dumkas''' (en, fr, de, it, es, ru)<br />
| bgcolor="#CCFFCC"|dumkas<br />
| a Slavonic folk ballad; can be vocal or instrumental<br />
|-<br />
| Dumky (en)<br />
| bgcolor="#CCFFCC"|dumkas<br />
| <br />
|-<br />
| Duo (it)<br />
| bgcolor="#CCFFCC"|duets<br />
| <br />
|-<br />
| Dupla fúga (hu)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Dvoinaia fuga (ru)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Dvoinaia kanon (ru)<br />
| bgcolor="#CCFFCC"|double canons<br />
| <br />
|-<br />
| '''Eclogue/Eclogues '''(en)<br />
| bgcolor="#CCFFCC"|eclogues<br />
| a short instrumental piece of a pastoral nature<br />
|-<br />
| '''Ecossaise/Ecossaises''' (en, hu)<br />
| bgcolor="#CCFFCC"|ecossaises<br />
| a Scottish folk dance<br />
|-<br />
| Écossaise (fr)<br />
| bgcolor="#CCFFCC"|ecossaises<br />
| <br />
|-<br />
| Ejercicio/Ejercicios''' '''(es)<br />
| bgcolor="#CCFFCC"|exercises<br />
| <br />
|-<br />
| Eklog (de)<br />
| bgcolor="#CCFFCC"|eclogues<br />
| <br />
|-<br />
| Eksprompt (ru)<br />
| bgcolor="#CCFFCC"|impromptus<br />
| <br />
|-<br />
| Elegia (it)<br />
| bgcolor="#CCFFCC"|elegies<br />
| <br />
|-<br />
| Élégie (fr)<br />
| bgcolor="#CCFFCC"|elegies<br />
| <br />
|-<br />
| Elegie (de)<br />
| bgcolor="#CCFFCC"|elegies<br />
| <br />
|-<br />
| Elegiia (ru) <br />
| bgcolor="#CCFFCC"|elegies<br />
| <br />
|-<br />
| '''Elegy/Elegies''' (en)<br />
| bgcolor="#CCFFCC"|elegies<br />
| use for instrumental works only<br />
|-<br />
| Entr&#39;acte'''/'''Entr&#39;actes (fr)<br />
| bgcolor="#CCFFCC"|interludes<br />
| <br />
|-<br />
| Entreè (fr)<br />
| bgcolor="#CCFFCC"|intrada<br />
| <br />
|-<br />
| Entrada (es)<br />
| bgcolor="#CCFFCC"|intrada<br />
| <br />
|-<br />
| '''Epithalamium/Epithalamia''' (la)<br />
| bgcolor="#CCFFCC"|epithalamia <br />
| wedding song or instrumental piece<br />
|-<br />
| Equale/Equali (it)<br />
| bgcolor="#CCFFCC"|equali<br />
|<br />
|-<br />
| Escocesa (es)<br />
| bgcolor="#CCFFCC"|ecossaises<br />
| <br />
|-<br />
| Esercizio/Esercizi (it)<br />
| bgcolor="#CCFFCC"|exercises<br />
| <br />
|-<br />
| Esquisse/Esquisses (fr)<br />
| bgcolor="#CCFFCC"|sketches<br />
|<br />
|-<br />
| Estampida/Estampidas (fr)<br />
| bgcolor="#CCFFCC"|estampies<br />
| <br />
|-<br />
| 'Estampie/Estampies''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|estampies<br />
| instrumental dance form originating in the 13th and 14th centuries<br />
|-<br />
| Estampita/Estampitas (es)<br />
| bgcolor="#CCFFCC"|estampies<br />
| <br />
|-<br />
| Estudio/Estudios (es)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Ethnomusicology (en)<br />
| bgcolor="#CCFFCC"|ethnomusicology<br />
| <br />
|-<br />
| Etiud/Etiudy (ru)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Etude'''/'''Etudes (en)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Étude/Études (fr)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Etüde/Etüden (de)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| '''Exercise/Exercises''' (en)<br />
| bgcolor="#CCFFCC"|exercises<br />
| see also Studies<br />
|-<br />
| Fairy operas (en)<br />
| bgcolor="#CCFFCC"|fairy operas<br />
| <br />
|-<br />
| Fancie (en)<br />
| bgcolor="#CCFFCC"|fancies<br />
| <br />
|-<br />
| '''Fancy/Fancies''' (en)<br />
| bgcolor="#CCFFCC"|fancies<br />
| <br />
|-<br />
| '''Fandango/Fandangos''' (en, fr, de, it, es, ru)<br />
| bgcolor="#CCFFCC"|fandangos<br />
| a traditional Spanish dance<br />
|-<br />
| Fanfara (it, ru)<br />
| bgcolor="#CCFFCC"|fanfares<br />
| <br />
|-<br />
| '''Fanfare/Fanfares''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|fanfares<br />
| a flourish of trumpets or other brass instruments, often with percussion, for ceremonial purposes<br />
|-<br />
| Fanfarra (es)<br />
| bgcolor="#CCFFCC"|fanfares<br />
| <br />
|-<br />
| Fanfarria (es)<br />
| bgcolor="#CCFFCC"|fanfares<br />
| <br />
|-<br />
| Fantaisie/Fantaisies (fr)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| '''Fantasia/Fantasias''' (en)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| Fantasia/Fantasie (it)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| Fantasie/Fantasien (de)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| Fantasy/Fantasies (en)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| Farce/Farces (en)<br />
| bgcolor="#CCFFCC"|farces<br />
| a sub-category of operas<br />
|-<br />
| Film Score/Film Scores (de)<br />
| bgcolor="#CCFFCC"|film scores<br />
| music specifically written to accompany cinematic works<br />
|-<br />
| '''Finale/Finales''' (it)<br />
| bgcolor="#CCFFCC"|finales<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| Florish/Florishes (en)<br />
| bgcolor="#CCFFCC"|flourishes<br />
| <br />
|-<br />
| '''Flourish/Flourishes''' (en)<br />
| bgcolor="#CCFFCC"|flourishes<br />
| <br />
|-<br />
| Fokstrot (ru)<br />
| bgcolor="#CCFFCC"|foxtrots<br />
| <br />
|-<br />
| '''Folk song/Folksong/Folk songs/Folksongs''' (en)<br />
| bgcolor="#CCFFCC"|folksongs<br />
| use for works specifically identified as such, or general songs of a national or regional character that are not otherwise designated<br />
|-<br />
| Forlana (de, it, es, ru)<br />
| bgcolor="#CCFFCC"|forlanes<br />
| <br />
|-<br />
| '''Forlane/Forlanes''' (en, fr)<br />
| bgcolor="#CCFFCC"|forlanes<br />
| an Italian folkdance popular in the early 18th century<br />
|-<br />
| Fox trot (en)<br />
| bgcolor="#CCFFCC"|foxtrots<br />
| <br />
|-<br />
| Fox-trot (en, fr, es)<br />
| bgcolor="#CCFFCC"|foxtrots<br />
| <br />
|-<br />
| Fox-trott (it)<br />
| bgcolor="#CCFFCC"|foxtrots<br />
| <br />
|-<br />
| '''Foxtrot/Foxtrots''' (en)<br />
| bgcolor="#CCFFCC"|foxtrots<br />
| 20th-century American social dance in 4/4 time<br />
|-<br />
| Foxtrott (de)<br />
| bgcolor="#CCFFCC"|foxtrots<br />
| <br />
|-<br />
| '''Frottola/Frottolas''' (it)<br />
| bgcolor="#CCFFCC"|frottolas<br />
| Italian secular song of the 15th/16th centuries; forerunner of the ''madrigal''; use only when it is the composer's title<br />
|-<br />
| Fuga (it, es, ru)<br />
| bgcolor="#CCFFCC"|fugues<br />
| <br />
|-<br />
| Fuga doble (es)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Fuga doppia (it)<br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Fugado (es)<br />
| bgcolor="#CCFFCC"|fugatos<br />
| <br />
|-<br />
| '''Fugato/Fugatos''' (en, fr, de, hu, it, ru)<br />
| bgcolor="#CCFFCC"|fugatos<br />
| a fugue-like piece which falls short of a proper fugue; use only when it is the composer&#39;s original title<br />
|-<br />
| Fuge (de)<br />
| bgcolor="#CCFFCC"|fugues<br />
| <br />
|-<br />
| Fugetta (hu, ru)<br />
| bgcolor="#CCFFCC"|fughettas<br />
| <br />
|-<br />
| '''Fughetta/Fughettas''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|fughettas<br />
| a short or light fugue; use only when it is the composer&#39;s original title<br />
|-<br />
| '''Fugue/Fugues''' (en, fr)<br />
| bgcolor="#CCFFCC"|fugues<br />
| treat &quot;Prelude and Fugue&quot; separately, i.e. first as a Prelude and then also as a Fugue (etc.) <br />
|-<br />
| '''Funeral march/Funeral marches''' (en)<br />
| bgcolor="#CCFFCC"|funeral marches<br />
| use only when styled as such by the composer; otherwise use ''Marches''<br />
|-<br />
| '''Furiant/Furiants'''(en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|furiants<br />
| an exuberant Bohemian folkdance<br />
|-<br />
| Furianty (ru)<br />
| bgcolor="#CCFFCC"|furiants<br />
| <br />
|-<br />
| Furlana (es, it)<br />
| bgcolor="#CCFFCC"|forlanes<br />
| <br />
|-<br />
| Gagliarda (it)<br />
| bgcolor="#CCFFCC"|galliards<br />
| <br />
|-<br />
| Gaillarde (fr, de)<br />
| bgcolor="#CCFFCC"|galliards<br />
| <br />
|-<br />
| Gal&#39;iarda (ru)<br />
| bgcolor="#CCFFCC"|galliards<br />
| <br />
|-<br />
| Gallarda (es)<br />
| bgcolor="#CCFFCC"|galliards<br />
| <br />
|-<br />
| '''Galliard/Galliards''' (en)<br />
| bgcolor="#CCFFCC"|galliards<br />
| a lively, triple-metre courtly dance of the 16th and early 17th centuries<br />
|-<br />
| '''Galop/Galops''' (en)<br />
| bgcolor="#CCFFCC"|galops<br />
| a fast and lively ballroom dance in 2/4 time<br />
|-<br />
| Galopp (de)<br />
| bgcolor="#CCFFCC"|galops<br />
| <br />
|-<br />
| Gavot (ru)<br />
| bgcolor="#CCFFCC"|gavottes<br />
| <br />
|-<br />
| Gavota (es)<br />
| bgcolor="#CCFFCC"|gavottes<br />
| <br />
|-<br />
| Gavotta (it)<br />
| bgcolor="#CCFFCC"|gavottes<br />
| <br />
|-<br />
| '''Gavotte/Gavottes''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|gavottes<br />
| an old French dance in common time beginning on the 3rd beat of the bar<br />
|-<br />
| Geistliche konzert (de)<br />
| bgcolor="#CCFFCC"|sacred concertos<br />
| <br />
|-<br />
| Gesang/Gesänge (de)<br />
| bgcolor="#CCFFCC"|songs<br />
| <br />
|-<br />
| Giga (it, es)<br />
| bgcolor="#CCFFCC"|gigues<br />
| <br />
|-<br />
| '''Gigue/Gigues''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|gigues<br />
| a French dance of English origin<br />
|-<br />
| Gimn (ru)<br />
| bgcolor="#CCFFCC"|hymns<br />
| <br />
|-<br />
| '''Glee/Glees''' (en)<br />
| bgcolor="#CCFFCC"|glees<br />
| an English part-song for three or more voices<br />
|-<br />
| '''Gloria''' (la)<br />
| bgcolor="#CCFFCC"|gloria <br />
| part of the traditional Latin mass; use only for independent pieces (note singular form)<br />
|-<br />
| '''Gradual/Graduals''' (nl, en, de, es)<br />
| bgcolor="#CCFFCC"|graduals<br />
| use only for independent pieces so titled by the composer<br />
|-<br />
| Graduale (it, la)<br />
| bgcolor="#CCFFCC"|graduals<br />
| <br />
|-<br />
| Graduále (cz, hu)<br />
| bgcolor="#CCFFCC"|graduals<br />
| <br />
|-<br />
| Graduel (fr)<br />
| bgcolor="#CCFFCC"|graduals<br />
| <br />
|-<br />
| Grand opera/s (en)<br />
| bgcolor="#CCFFCC"|grand operas<br />
| generally used for 19th-century operas in 4 or 5 acts with large-scale casts and orchestras<br />
|-<br />
| '''Ground/Grounds''' (en)<br />
| bgcolor="#CCFFCC"|grounds<br />
| piece with a short melody, usually in the bass, repeated continually with changing upper parts, popular in the 16th and early 17th centuries<br />
|-<br />
| '''Guajira/Guajiras''' (es)<br />
| bgcolor="#CCFFCC"|guajiras<br />
| a Cuban narrative song form, usually in 6/8 alternating with 3/4; use only when it is the composer&#39;s original title<br />
|-<br />
| '''Habanera/Habaneras''' (es, fr, de, es)<br />
| bgcolor="#CCFFCC"|habaneras<br />
| a Cuban dance in slow 2/4 time, possibly of African origin, that became popular in Spain<br />
|-<br />
| Harmonia (en, it)<br />
| bgcolor="#CCFFCC"|harmonies<br />
| <br />
|-<br />
| Harmonie (fr, de)<br />
| bgcolor="#CCFFCC"|harmonies<br />
| <br />
|-<br />
| '''Harmony/Harmonies''' (en)<br />
| bgcolor="#CCFFCC"|harmonies<br />
| use only for works for wind instruments or a small wind band (oboes, horns, bassoons, etc.) when this is the composer&#39;s title <br />
|-<br />
| Havanaise (fr)<br />
| bgcolor="#CCFFCC"|habaneras<br />
| <br />
|-<br />
| Himno (es)<br />
| bgcolor="#CCFFCC"|hymns<br />
| <br />
|-<br />
| '''Hornpipe/Hornpipes''' (en)<br />
| bgcolor="#CCFFCC"|hornpipes<br />
| a dance in triple or duple time popular with British sailors in the 18th century<br />
|-<br />
| Humoresca (es)<br />
| bgcolor="#CCFFCC"|humoresques<br />
| <br />
|-<br />
| Humoreske (de)<br />
| bgcolor="#CCFFCC"|humoresques<br />
| <br />
|-<br />
| '''Humoresque/Humoresques''' (en, fr)<br />
| bgcolor="#CCFFCC"|humoresques<br />
| <br />
|-<br />
| Humoreszk (hu)<br />
| bgcolor="#CCFFCC"|humoresques<br />
| <br />
|-<br />
| '''Hymn/Hymns''' (en)<br />
| bgcolor="#CCFFCC"|hymns<br />
| a song of praise to a deity or saint<br />
|-<br />
| Hymne (de)<br />
| bgcolor="#CCFFCC"|hymns<br />
| use for religious works only; otherwise see "secular hymns"<br />
|-<br />
| '''Impromptu/Impromptus''' (en, fr, de, hu, es)<br />
| bgcolor="#CCFFCC"|impromptus<br />
| <br />
|-<br />
| '''Improperia''' (la)<br />
| bgcolor="#CCFFCC"|improperia<br />
| use only for independent works so styled by the composer<br />
|-<br />
| '''Improvisation/Improvisations''' (en)<br />
| bgcolor="#CCFFCC"|improvisations<br />
| <br />
|-<br />
| '''In nomine/In nomines''' (la)<br />
| bgcolor="#CCFFCC"|in nomines<br />
| use only for instrumental works<br />
|-<br />
| Incidental music (en)<br />
| bgcolor="#CCFFCC"|incidental music<br />
| see also ''film scores''<br />
|-<br />
| Induló (hu)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Inglesa (es)<br />
| bgcolor="#CCFFCC"|anglaises<br />
| <br />
|-<br />
| Inglese (it)<br />
| bgcolor="#CCFFCC"|anglaises<br />
| <br />
|-<br />
| Inno (it)<br />
| bgcolor="#CCFFCC"|hymns<br />
| <br />
|-<br />
| Instrumentation (en)<br />
| bgcolor="#CCFFCC"|orchestration<br />
| <br />
|-<br />
| '''Interlude/Interludes''' (en, fr)<br />
| bgcolor="#CCFFCC"|interludes<br />
| <br />
|-<br />
| Interludio (it, es)<br />
| bgcolor="#CCFFCC"|interludes<br />
| <br />
|-<br />
| Interludium (de)<br />
| bgcolor="#CCFFCC"|interludes<br />
| <br />
|-<br />
| '''Intermède/Intermèdes''' (fr)<br />
| bgcolor="#CCFFCC"|intermedes<br />
| use only when this is the composer&#39;s title of a character piece <br />
|-<br />
| Intermedio (it, es)<br />
| bgcolor="#CCFFCC"|intermedes<br />
| <br />
|-<br />
| Intermedium (it)<br />
| bgcolor="#CCFFCC"|intermedes<br />
| <br />
|-<br />
| Intermetstso (ru)<br />
| bgcolor="#CCFFCC"|intermezzos<br />
| <br />
|-<br />
| '''Intermezzo/Intermezzi''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|intermezzos<br />
| <br />
|-<br />
| '''Intonation/Intonations''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|intonations<br />
| originally an introductory toccata-like piece for keyboard that sets the pitch for a following sacred vocal composition; may also exist independently; use for intonazione/intonazioni.<br />
|-<br />
| Intonazione/Intonazioni (it)<br />
| bgcolor="#CCFFCC"|intonations<br />
| see definition of intonations<br />
|-<br />
| '''Intrada/Intradas''' (it)<br />
| bgcolor="#CCFFCC"|intradas<br />
| <br />
|-<br />
| Introducción (es)<br />
| bgcolor="#CCFFCC"|introductions<br />
| <br />
|-<br />
| '''Introduction/Introductions''' (en, fr)<br />
| bgcolor="#CCFFCC"|introductions<br />
| use only when this is the composer&#39;s original title<br />
|-<br />
| Introduktion (de)<br />
| bgcolor="#CCFFCC"|introductions<br />
| <br />
|-<br />
| Introduktsiia (ru)<br />
| bgcolor="#CCFFCC"|introductions<br />
| <br />
|-<br />
| Introduzione (it)<br />
| bgcolor="#CCFFCC"|introductions<br />
| <br />
|-<br />
| '''Introit/Introits''' (en)<br />
| bgcolor="#CCFFCC"|introits<br />
| use only for organ pieces when this is the composer&#39;s original title; for the extract from the Latin mass, use ''Hymns''<br />
|-<br />
| Introitus (la)<br />
| bgcolor="#CCFFCC"|introits<br />
| <br />
|-<br />
| Invención (es)<br />
| bgcolor="#CCFFCC"|inventions<br />
| <br />
|-<br />
| '''Invention/Inventions''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|inventions<br />
| use only where this is the composer&#39;s original title<br />
|-<br />
| Invento (es)<br />
| bgcolor="#CCFFCC"|inventions<br />
| <br />
|-<br />
| Inventsiia (ru)<br />
| bgcolor="#CCFFCC"|inventions<br />
| <br />
|-<br />
| Invenzione (it)<br />
| bgcolor="#CCFFCC"|inventions<br />
| <br />
|-<br />
| Istampita (it)<br />
| bgcolor="#CCFFCC"|estampies<br />
| <br />
|-<br />
| Istanpitta (it)<br />
| bgcolor="#CCFFCC"|estampies<br />
| <br />
|-<br />
| Iumoreska (ru) <br />
| bgcolor="#CCFFCC"|inventions<br />
| <br />
|-<br />
| '''Jácara/Jácaras''' (pt, es)<br />
| bgcolor="#CCFFCC"|jacaras<br />
| a 17th/18th-century Spanish dance form<br />
|-<br />
| '''Jazz''' (en)<br />
| bgcolor="#CCFFCC"|jazz<br />
| use for improvisational pieces without prescribed instrumentation<br />
|-<br />
| Jig (en)<br />
| bgcolor="#CCFFCC"|gigues<br />
| <br />
|-<br />
| Jiga (es)<br />
| bgcolor="#CCFFCC"|gigues<br />
| <br />
|-<br />
| Jigge (en)<br />
| bgcolor="#CCFFCC"|gigues<br />
| <br />
|-<br />
| '''Jota/Jotas''' (es)<br />
| bgcolor="#CCFFCC"|jotas<br />
| a lively Spanish dance in triple time<br />
|-<br />
| Kadenz (de)<br />
| bgcolor="#CCFFCC"|cadenzas<br />
| <br />
|-<br />
| Kadril&#39 (ru)<br />
| bgcolor="#CCFFCC"|quadrilles<br />
| <br />
|-<br />
| Kanon (de)<br />
| bgcolor="#CCFFCC"|canons<br />
| <br />
|-<br />
| Kánon (hu)<br />
| bgcolor="#CCFFCC"|canons<br />
| <br />
|-<br />
| Kantabile (ru)<br />
| bgcolor="#CCFFCC"|cantabiles<br />
| <br />
|-<br />
| Kantate (de)<br />
| bgcolor="#CCFFCC"|cantatas<br />
| <br />
|-<br />
| Kantiga (ru)<br />
| bgcolor="#CCFFCC"|cantigas<br />
| <br />
|-<br />
| Kantikum (ru)<br />
| bgcolor="#CCFFCC"|canticles<br />
| <br />
|-<br />
| Kantsonetta (ru)<br />
| bgcolor="#CCFFCC"|canzonettas<br />
| <br />
|-<br />
| Kanzonette (de)<br />
| bgcolor="#CCFFCC"|canzonettas<br />
| <br />
|-<br />
| Kaprice (de)<br />
| bgcolor="#CCFFCC"|caprices<br />
| <br />
|-<br />
| Kaprichch (ru)<br />
| bgcolor="#CCFFCC"|caprices<br />
| <br />
|-<br />
| Kaprichchio (ru)<br />
| bgcolor="#CCFFCC"|capriccios<br />
| <br />
|-<br />
| Kaprisa (ru)<br />
| bgcolor="#CCFFCC"|caprices<br />
| <br />
|-<br />
| Kaprize (de)<br />
| bgcolor="#CCFFCC"|caprices<br />
| <br />
|-<br />
| Kassation (de)<br />
| bgcolor="#CCFFCC"|cassations<br />
| <br />
|-<br />
| Kassatsiia (ru)<br />
| bgcolor="#CCFFCC"|cassations<br />
| <br />
|-<br />
| Kavatina (ru)<br />
| bgcolor="#CCFFCC"|cavatinas<br />
| <br />
|-<br />
| Kavatine (de)<br />
| bgcolor="#CCFFCC"|cavatinas<br />
| <br />
|-<br />
| Kettõs (hu)<br />
| bgcolor="#CCFFCC"|duets<br />
| <br />
|-<br />
| Kettõs fúga (hu) <br />
| bgcolor="#CCFFCC"|double fugues<br />
| <br />
|-<br />
| Khabanera (ru)<br />
| bgcolor="#CCFFCC"|habaneras<br />
| <br />
|-<br />
| Khavanez (ru)<br />
| bgcolor="#CCFFCC"|habaneras<br />
| <br />
|-<br />
| Khor (ru)<br />
| bgcolor="#CCFFCC"|choruses<br />
| <br />
|-<br />
| Khoral (ru)<br />
| bgcolor="#CCFFCC"|chorales<br />
| <br />
|-<br />
| Konchertone (de)<br />
| bgcolor="#CCFFCC"|concertones<br />
| <br />
|-<br />
| Kontrans (ru)<br />
| bgcolor="#CCFFCC"|country dances<br />
| <br />
|-<br />
| Kontratánc (hu)<br />
| bgcolor="#CCFFCC"|country dances<br />
| <br />
|-<br />
| Kontretänze (de)<br />
| bgcolor="#CCFFCC"|country dances<br />
| <br />
|-<br />
| Kontsert (ru) <br />
| bgcolor="#CCFFCC"|concertos<br />
| <br />
|-<br />
| Kontsertshtiuk (ru)<br />
| bgcolor="#CCFFCC"|concertinos<br />
| <br />
|-<br />
| Konzert (de)<br />
| bgcolor="#CCFFCC"|concertos<br />
| <br />
|-<br />
| Konzertant (de)<br />
| bgcolor="#CCFFCC"|concertantes<br />
| <br />
|-<br />
| Konzertone (de)<br />
| bgcolor="#CCFFCC"|concertones<br />
| <br />
|-<br />
| '''Konzertstück/Konzertstücke''' (de)<br />
| bgcolor="#CCFFCC"|concertinos<br />
| <br />
|-<br />
| Krakoviák/Krakoviák (hu, ru)<br />
| bgcolor="#CCFFCC"|krakowiaks<br />
| <br />
|-<br />
| '''Krakowiak/Krakowiaks''' (en, de, pl)<br />
| bgcolor="#CCFFCC"|krakowiaks<br />
| Polish folk dance characterized by syncopated rhythms in fast duple time <br />
|-<br />
| Kujaviak/Kujaviaks (en)<br />
| bgcolor="#CCFFCC"|kujawiaks<br />
| <br />
|-<br />
| '''Kujawiak/Kujawiaks''' (en, pl)<br />
| bgcolor="#CCFFCC"|kujawiaks<br />
| Polish folk dance, similar to but slower than the mazurka<br />
|-<br />
| Kvadril&#39; (ru)<br />
| bgcolor="#CCFFCC"|quadrilles<br />
| <br />
|-<br />
| Kvartet (ru)<br />
| bgcolor="#CCFFCC"|quartets<br />
| <br />
|-<br />
| Kvintet (ru)<br />
| bgcolor="#CCFFCC"|quintets<br />
| <br />
|-<br />
| Kvodlibet (ru) <br />
| bgcolor="#CCFFCC"|quodlibets<br />
| <br />
|-<br />
| '''Kyrie''' (el, la)<br />
| bgcolor="#CCFFCC"|kyrie<br />
| part of the traditional Latin mass; use only for independent pieces (note singular form)<br />
|-<br />
| Ladainha (pt)<br />
| bgcolor="#CCFFCC"|litanies<br />
| <br />
|-<br />
| Laendler (fr)<br />
| bgcolor="#CCFFCC"|landler<br />
| <br />
|-<br />
| '''Lamentation''' (de)<br />
| bgcolor="#CCFFCC"|lamentations<br />
| Should specifically contain text from the Lamentations of Jeremiah in the Bible<br />
|-<br />
| Lancers (en)<br />
| bgcolor="#CCFFCC"|quadrilles<br />
| A "Lancers" is a type of quadrille dance<br />
|-<br />
| '''Ländler''' (de)<br />
| bgcolor="#CCFFCC"|landler<br />
| an Alpine folkdance in 3/4 time <br />
|-<br />
| Largetto (ru)<br />
| bgcolor="#CCFFCC"|larghettos<br />
| <br />
|-<br />
| '''Larghetto/Larghettos''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|larghettos<br />
| use only when it is the composer&#39;s title<br />
|-<br />
| '''Largo/Largos''' (it)<br />
| bgcolor="#CCFFCC"|largos<br />
| use only when it is the composer&#39;s title<br />
|-<br />
| Lavolta (en, fr)<br />
| bgcolor="#CCFFCC"|volta<br />
| <br />
|-<br />
| Lendler (it)<br />
| bgcolor="#CCFFCC"|landler<br />
| <br />
|-<br />
| Lendler/Лэндлер (ru)<br />
| bgcolor="#CCFFCC"|landler<br />
| <br />
|-<br />
| '''Lento''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|lentos<br />
| use only when it is the composer&#39;s title<br />
|-<br />
| '''Lesson/Lessons''' (en)<br />
| bgcolor="#CCFFCC"|lessons<br />
| use only for short instrumental or vocal exercises, where this is the composer&#39;s title; a "lectio", which technically means lesson, is usually not an exercise, but a sacred song on a text from a Biblical lesson, in which case it is tagged as a sacred song or motet<br />
|-<br />
| Lesung/Lesungen (de)<br />
| bgcolor="#CCFFCC"|lessons<br />
| <br />
|-<br />
| Letter/Letters (en)<br />
| bgcolor="#CCFFCC"|correspondence<br />
| <br />
|-<br />
| Lezion/Lezioni (it)<br />
| bgcolor="#CCFFCC"|lessons<br />
| <br />
|-<br />
| '''Libretto/Librettos''' (en)<br />
| bgcolor="#CCFFCC"|librettos<br />
| use for publications of the text of operatic and vocal works that omit the music <br />
|-<br />
| '''Lied/Lieder''' (de)<br />
| bgcolor="#CCFFCC"|lieder<br />
| use only when styled as such by the composer<br />
|-<br />
| Litanei (de)<br />
| bgcolor="#CCFFCC"|litanies<br />
| <br />
|-<br />
| Litania (it)<br />
| bgcolor="#CCFFCC"|litanies<br />
| <br />
|-<br />
| Litanie (fr)<br />
| bgcolor="#CCFFCC"|litanies<br />
| <br />
|-<br />
| '''Litany/Litanies''' (en)<br />
| bgcolor="#CCFFCC"|litanies<br />
| <br />
|-<br />
| Liturgia (es, it, pl)<br />
| bgcolor="#CCFFCC"|liturgies<br />
| <br />
|-<br />
| Liturgie (de, fr)<br />
| bgcolor="#CCFFCC"|liturgies<br />
| <br />
|-<br />
| '''Liturgy/Liturgies''' (en)<br />
| bgcolor="#CCFFCC"|liturgies<br />
| use only when styled as such by the composer<br />
|-<br />
| '''Lullaby/Lullabies''' (en)<br />
| bgcolor="#CCFFCC"|lullabies<br />
| for vocal works only; otherwise use ''berceuses''<br />
|-<br />
| Lullabye/Lullabyes (en)<br />
| bgcolor="#CCFFCC"|lullabies<br />
| <br />
|-<br />
| Lyric drama/Lyric dramas (en)<br />
| bgcolor="#CCFFCC"|lyric dramas<br />
| <br />
|-<br />
| Lyric opera/Lyric operas (en)<br />
| bgcolor="#CCFFCC"|lyric operas<br />
| a subcategory of opera<br />
|-<br />
| Lyric tragedy/Lyric tragedies (en)<br />
| bgcolor="#CCFFCC"|lyric tragedies<br />
| a subcategory of opera<br />
|-<br />
| Madrigaal (nl)<br />
| bgcolor="#CCFFCC"|madrigals<br />
| <br />
|-<br />
| '''Madrigal/Madrigals''' (en, fr, de, hu, es)<br />
| bgcolor="#CCFFCC"|madrigals<br />
| Use for "madrigali spirituali" as well<br />
|-<br />
| Madrigale (it)<br />
| bgcolor="#CCFFCC"|madrigals<br />
| <br />
|-<br />
| Madryga'''l''' (pl)<br />
| bgcolor="#CCFFCC"|madrigals<br />
| <br />
|-<br />
| '''Magnificat/Magnificats''' (la)<br />
| bgcolor="#CCFFCC"|magnificats<br />
| use only for independent works so title by the composer<br />
|-<br />
| Magníficat (es)<br />
| bgcolor="#CCFFCC"|magnificats<br />
| <br />
|-<br />
| Magnifikat (ru) <br />
| bgcolor="#CCFFCC"|magnificats<br />
| <br />
|-<br />
| '''Malagueña/Malagueñas''' (es)<br />
| bgcolor="#CCFFCC"|malaguenas<br />
| a type of instrumental piece, song, or dance in the flamenco style<br />
|-<br />
| '''Mambo/Mambos''' (en, fr, de, it ,es)<br />
| bgcolor="#CCFFCC"|mambos<br />
| a 20th-century Cuban ballroom dance<br />
|-<br />
| '''March/Marches''' (en)<br />
| bgcolor="#CCFFCC"|marches<br />
| see also ''Funeral marches'', ''Wedding marches''<br />
|-<br />
| Marcha (pt, es)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Marche (fr)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Marche funèbre/Marches funèbres (fr)<br />
| bgcolor="#CCFFCC"|funeral marches<br />
| <br />
|-<br />
| Märchenoper (de)<br />
| bgcolor="#CCFFCC"|fairy operas<br />
| <br />
|-<br />
| Marcia (it)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| '''Marcietta/Marciettas''' (en/it)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Mars (nl)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Marsch (de)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Marsh (ru) <br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| Marsz (pl)<br />
| bgcolor="#CCFFCC"|marches<br />
| <br />
|-<br />
| '''Masque/Masques''' (en, fr)<br />
| bgcolor="#CCFFCC"|masques<br />
| <br />
|-<br />
| '''Mass/Masses''' (en)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| Mazur (pl)<br />
| bgcolor="#CCFFCC"|mazurkas<br />
| <br />
|-<br />
| Mazurca (it, es)<br />
| bgcolor="#CCFFCC"|mazurkas<br />
| <br />
|-<br />
| Mazurek (it, pl)<br />
| bgcolor="#CCFFCC"|mazurkas<br />
| <br />
|-<br />
| '''Mazurka/Mazurkas''' (cz, en, fr, de, hu, ru)<br />
| bgcolor="#CCFFCC"|mazurkas<br />
| a Polish folk dance in triple time<br />
|-<br />
| '''Meditation/Meditations''' (en)<br />
| bgcolor="#CCFFCC"|meditations<br />
| use only when this is the composer&#39;s title<br />
|-<br />
| Méditation/Méditations (fr)<br />
| bgcolor="#CCFFCC"|meditations<br />
| <br />
|-<br />
| '''Medley/Medleys''' (en)<br />
| bgcolor="#CCFFCC"|medleys<br />
| <br />
|-<br />
| Mélange/Mélanges (fr)<br />
| bgcolor="#CCFFCC"|medleys<br />
| <br />
|-<br />
| '''Mélodie/Mélodies''' (fr)<br />
| bgcolor="#CCFFCC"|melodies<br />
| use only for French vocal works when this is the composer&#39;s title<br />
|-<br />
| '''Melodrama/Melodramas''' (en, ru)<br />
| bgcolor="#CCFFCC"|melodramas<br />
| usually music accompanying spoken text; use only for independent works described as such by the composer<br />
|-<br />
| Mélodrame (fr)<br />
| bgcolor="#CCFFCC"|melodramas<br />
| <br />
|-<br />
| Melologo (it)<br />
| bgcolor="#CCFFCC"|melodramas<br />
| <br />
|-<br />
| Menuet (ru)<br />
| bgcolor="#CCFFCC"|minuets<br />
| <br />
|-<br />
| Menuett (de, hu)<br />
| bgcolor="#CCFFCC"|minuets<br />
| <br />
|-<br />
| Menuetto (it)<br />
| bgcolor="#CCFFCC"|minuets<br />
| <br />
|-<br />
| Messa (it)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| Messe (fr, de)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| '''Method/Methods''' (en)<br />
| bgcolor="#CCFFCC"|methods<br />
| <br />
|-<br />
| Méthode/Méthodes (fr)<br />
| bgcolor="#CCFFCC"|methods<br />
| <br />
|-<br />
| Metodo (it)<br />
| bgcolor="#CCFFCC"|methods<br />
| <br />
|-<br />
| '''Milonga/Milongas''' (es)<br />
| bgcolor="#CCFFCC"|milongas<br />
| a traditional song or dance genre from Argentina and Uruguay <br />
|-<br />
| Minué (es)<br />
| bgcolor="#CCFFCC"|minuets<br />
| <br />
|-<br />
| '''Minuet/Minuets''' (en)<br />
| bgcolor="#CCFFCC"|minuets<br />
| a stately dance in triple time<br />
|-<br />
| Minuete (pt, es)<br />
| bgcolor="#CCFFCC"|minuets<br />
| <br />
|-<br />
| Minuetto (it)<br />
| bgcolor="#CCFFCC"|minuets<br />
| <br />
|-<br />
| Misa (es)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| Mise (hu)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| '''Miserere''' (la)<br />
| bgcolor="#CCFFCC"|miserere<br />
| <br />
|-<br />
| Missa (la)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| Miuzet (ru)<br />
| bgcolor="#CCFFCC"|musettes<br />
| <br />
|-<br />
| '''Moderato/Moderatos''' (it)<br />
| bgcolor="#CCFFCC"|moderatos<br />
| use only when it is the composer&#39;s title<br />
|-<br />
| '''Modinha/Modinhas''' (en, pt)<br />
| bgcolor="#CCFFCC"|modinhas<br />
| a song usually for solo voice and guitar popular in 19th-century Brazil and Portugal; also a Brazilian dance form derived from the vocal form<br />
|-<br />
| '''Monodrama/Monodramas''' (en)<br />
| bgcolor="#CCFFCC"|monodramas<br />
| form of ''melodrama'' featuring one character using speech in alternation with short passages of music<br />
|-<br />
| Morceau/Morceaux (fr)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Morceaux caractéristiques (fr)<br />
| bgcolor="#CCFFCC"|character pieces<br />
| <br />
|-<br />
| '''Motet/Motets''' (cz, nl, en, fr, pl, ru)<br />
| bgcolor="#CCFFCC"|motets<br />
| use only when styled as such by the composer<br />
|-<br />
| Motete (es)<br />
| bgcolor="#CCFFCC"|motets<br />
| <br />
|-<br />
| Motetta (hu)<br />
| bgcolor="#CCFFCC"|motets<br />
| <br />
|-<br />
| Motette (de)<br />
| bgcolor="#CCFFCC"|motets<br />
| <br />
|-<br />
| Motetto (it)<br />
| bgcolor="#CCFFCC"|motets<br />
| <br />
|-<br />
| Motteto (it)<br />
| bgcolor="#CCFFCC"|motets<br />
| <br />
|-<br />
| Mottetto (it)<br />
| bgcolor="#CCFFCC"|motets<br />
| <br />
|-<br />
| Mouvement/Mouvements (fr)<br />
| bgcolor="#CCFFCC"|movements<br />
| <br />
|-<br />
| '''Movement/Movements''' (en)<br />
| bgcolor="#CCFFCC"|movements<br />
| use for an independent work titled as such, not for individual movements of a larger work<br />
|-<br />
| Movimento/Movimenti (it)<br />
| bgcolor="#CCFFCC"|movements<br />
| <br />
|-<br />
| Movimiento/Movimienti (it)<br />
| bgcolor="#CCFFCC"|movements<br />
| <br />
|-<br />
| Mša (cz)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| Msza (pl)<br />
| bgcolor="#CCFFCC"|masses<br />
| <br />
|-<br />
| Muséte (fr)<br />
| bgcolor="#CCFFCC"|musettes<br />
| <br />
|-<br />
| '''Musette/Musettes''' (fr, en, de, it, es)<br />
| bgcolor="#CCFFCC"|musettes<br />
| a dance-like piece of pastoral character whose style is suggestive of the sound of the musette or bagpipe<br />
|-<br />
| '''Music aesthetics''' (en)<br />
| bgcolor="#CCFFCC"|music aesthetics<br />
| writings only<br />
|-<br />
| '''Music criticism''' (en)<br />
| bgcolor="#CCFFCC"|music criticism<br />
| use for reviews and analysis of specific works by one or more composers<br />
|-<br />
| '''Music, economic aspects''' (en)<br />
| bgcolor="#CCFFCC"|music economic aspects<br />
| use for writings about music business practices<br />
|-<br />
| '''Music education''' (en)<br />
| bgcolor="#CCFFCC"|music education<br />
| use for writings about general music education that are not tied to a specific instrument<br />
|-<br />
| '''Music history''' (en)<br />
| bgcolor="#CCFFCC"|music history<br />
| use for writings about historical music practices<br />
|-<br />
| '''Music notation''' (en)<br />
| bgcolor="#CCFFCC"|music notation<br />
| use for writings about music notation, e.g. sol-fa or mensural notation<br />
|-<br />
| '''Music theory''' (en)<br />
| bgcolor="#CCFFCC"|music theory<br />
| use for writings about the general composition, harmony, rhythm and structure of music<br />
|-<br />
| '''Music therapy''' (en)<br />
| bgcolor="#CCFFCC"|music therapy<br />
| use for writings about music therapy<br />
|-<br />
| '''Musicals''' (en)<br />
| bgcolor="#CCFFCC"|musicals<br />
| 20th-century genre of dramatic works interspersed with musical numbers<br />
|-<br />
| Nachspiel/Nachspiele (de)<br />
| bgcolor="#CCFFCC"|postludes<br />
| <br />
|-<br />
| '''National Anthem/National Anthems''' (en)<br />
| bgcolor="#CCFFCC"|national anthems<br />
| use only for pieces of music that are national anthems of countries (past or present), or works based on their themes (do not confuse with ''anthems'')<br />
|-<br />
| '''Nocturne/Nocturnes''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|nocturnes<br />
| <br />
|-<br />
| Nocturno (es)<br />
| bgcolor="#CCFFCC"|nocturnes<br />
| <br />
|-<br />
| Noël/Noëls (fr)<br />
| bgcolor="#CCFFCC"|carols<br />
| <br />
|-<br />
| Noktiurn (ru)<br />
| bgcolor="#CCFFCC"|nocturnes<br />
| <br />
|-<br />
| '''Nonet/Nonets''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|nonets<br />
| <br />
|-<br />
| Noneto (es)<br />
| bgcolor="#CCFFCC"|nonets<br />
| a composition for nine performers<br />
|-<br />
| Nonett (de)<br />
| bgcolor="#CCFFCC"|nonets<br />
| <br />
|-<br />
| Nonetto (it, es)<br />
| bgcolor="#CCFFCC"|nonets<br />
| <br />
|-<br />
| Notturno (de, it)<br />
| bgcolor="#CCFFCC"|nocturnes<br />
| <br />
|-<br />
| Obertura (es)<br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| '''Octet/Octets''' (en)<br />
| bgcolor="#CCFFCC"|octets<br />
| a composition for eight performers<br />
|-<br />
| Octeto (es)<br />
| bgcolor="#CCFFCC"|octets<br />
| <br />
|-<br />
| Octuor (fr)<br />
| bgcolor="#CCFFCC"|octets<br />
| <br />
|-<br />
| Oda (pl, es, ru)<br />
| bgcolor="#CCFFCC"|odes<br />
| <br />
|-<br />
| Óda (cz, hu)<br />
| bgcolor="#CCFFCC"|odes<br />
| <br />
|-<br />
| '''Ode/Odes''' (en, fr, de, it)<br />
| bgcolor="#CCFFCC"|odes<br />
| a ancient poem intended to be sung, usually in honour of some special occasion or as part of a play; also a cantata-like form of the 17th and 18th centuries<br />
|-<br />
| Ofertorio (es)<br />
| bgcolor="#CCFFCC"|offertories<br />
| <br />
|-<br />
| Offertoire (fr)<br />
| bgcolor="#CCFFCC"|offertories<br />
| <br />
|-<br />
| Offertorii (ru)<br />
| bgcolor="#CCFFCC"|offertories<br />
| <br />
|-<br />
| Offertorio (it) <br />
| bgcolor="#CCFFCC"|offertories<br />
| <br />
|-<br />
| '''Offertorium/Offertoria''' (en, de, la)<br />
| bgcolor="#CCFFCC"|offertorium<br />
| chant, item of the Proper of the Mass; from the 17th century frequently performed independently of the liturgy<br />
|-<br />
|'''Offertory/Offertories''' (en)<br />
| bgcolor="#CCFFCC"|offertories<br />
| use only for independent settings that do not form part of larger works<br />
|-<br />
| Oktet (ru) <br />
| bgcolor="#CCFFCC"|octets<br />
| <br />
|-<br />
| Oktett (de)<br />
| bgcolor="#CCFFCC"|octets<br />
| <br />
|-<br />
| Oper/Opern (de)<br />
| bgcolor="#CCFFCC"|operas<br />
| <br />
|-<br />
| '''Opera/Operas''' (en, fr, it)<br />
| bgcolor="#CCFFCC"|operas<br />
| the "genres" allocated in [[wikipedia:Category:Operas|Wikipedia]], such as "opera buffa" and "singspiele", may also be used instead, and will be treated here as sub-categories of "opera"<br />
|-<br />
| '''Opera-ballet/Opera-ballets''' (en)<br />
| bgcolor="#CCFFCC"|opera-ballets<br />
| a popular genre of French Baroque opera<br />
|-<br />
| Opéra-ballet/Opéras-ballets (fr)<br />
| bgcolor="#CCFFCC"|opera-ballets<br />
| <br />
|-<br />
| Opéra bouffe/Opéras bouffes (fr)<br />
| bgcolor="#CCFFCC"|operas bouffes<br />
| a sub-category of opera, this was a type of late 19th-century French operetta<br />
|-<br />
| Opéra comique/Opéras comiques (fr)<br />
| bgcolor="#CCFFCC"|operas comiques<br />
| a sub-category of opera, this is not to be confused with comic opera; opéra comique combines spoken dialogue (instead of recitative) with singing<br />
|-<br />
| Opéra féerie (fr)<br />
| bgcolor="#CCFFCC"|fairy operas<br />
| <br />
|-<br />
| Opera seria (it)<br />
| bgcolor="#CCFFCC"|opera seria<br />
| a sub-category of opera<br />
|-<br />
| '''Operetta/Operettas''' (en) <br />
| bgcolor="#CCFFCC"|operettas<br />
| a form of light opera, popular from the late 19th century<br />
|-<br />
| '''Oratorio/Oratorios''' (en/fr/it)<br />
| bgcolor="#CCFFCC"|oratorios<br />
| divide into "sacred oratorios" and "secular oratorios" if possible<br />
|-<br />
| Oratorium (de)<br />
| bgcolor="#CCFFCC"|oratorios<br />
| <br />
|-<br />
| '''Orchestration''' (en)<br />
| bgcolor="#CCFFCC"|orchestration<br />
| <br />
|-<br />
| '''Organology''' (en)<br />
| bgcolor="#CCFFCC"|organology<br />
| use for writings about musical instruments<br />
|-<br />
| '''Ostinato/Ostinatos''' (it)<br />
| bgcolor="#CCFFCC"|ostinatos<br />
| use only where this is the composer's original title<br />
|-<br />
| Ottetto (it)<br />
| bgcolor="#CCFFCC"|octets<br />
| <br />
|-<br />
| Ouvertüre (de) <br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| Ouverture (fr, it)<br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| Overtura (hu)<br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| '''Overture/Overtures''' (en)<br />
| bgcolor="#CCFFCC"|overtures<br />
| use only for independent works styled as such by the composer<br />
|-<br />
| Padovana (it)<br />
| bgcolor="#CCFFCC"|pavans<br />
| <br />
|-<br />
| Paduana (de) <br />
| bgcolor="#CCFFCC"|pavans<br />
| <br />
|-<br />
| '''Pantomime/Pantomimes''' (en, fr) <br />
| bgcolor="#CCFFCC"|pantomimes<br />
| late 18th/early 19th century form of ballet popular in France<br />
|-<br />
| Paráfrasi (it)<br />
| bgcolor="#CCFFCC"|paraphrases<br />
| <br />
|-<br />
| Paráfrasis (es)<br />
| bgcolor="#CCFFCC"|paraphrases<br />
| <br />
|-<br />
| '''Paraphrase/Paraphrases''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|paraphrases<br />
| use for 19th century virtuoso works based on well-known tunes, usually taken from popular operas<br />
|-<br />
| Parte (it)<br />
| bgcolor="#CCFFCC"|partitas<br />
| <br />
|-<br />
| Parthia (de)<br />
| bgcolor="#CCFFCC"|partitas<br />
| <br />
|-<br />
| Parthie (de)<br />
| bgcolor="#CCFFCC"|partitas<br />
| <br />
|-<br />
| Partia (de)<br />
| bgcolor="#CCFFCC"|partitas<br />
| <br />
|-<br />
| Partie (de)<br />
| bgcolor="#CCFFCC"|partitas<br />
| <br />
|-<br />
| '''Partita/Partitas''' (en, fr, de, it, ru, es)<br />
| bgcolor="#CCFFCC"|partitas<br />
| <br />
|-<br />
| '''Pas de/Pas de''' (fr)<br />
| bgcolor="#CCFFCC"|dances<br />
| This will always be followed by a number (in French), i.e. ''Pas de deux'', ''Pas de trois'', etc.<br />
|-<br />
| Pasacalle (es)<br />
| bgcolor="#CCFFCC"|passacaglias<br />
| <br />
|- <br />
| '''Paseo/Paseos''' (es)<br />
| bgcolor="#CCFFCC"|paseos<br />
| a type of ripresa or ritornello similar to the Spanish passacaglia, or for compositions similar to a chaconne<br />
|-<br />
| '''Paso/Pasos''' (es)<br />
| bgcolor="#CCFFCC"|pasos<br />
| usually a 17th or 18th-century organ piece derived from a Spanish dance<br />
|-<br />
| Paso doble (es, ru)<br />
| bgcolor="#CCFFCC"|pasodobles<br />
| <br />
|-<br />
| '''Pasodoble/Pasodobles''' (en, fr, de, it, ru, es)<br />
| bgcolor="#CCFFCC"|pasodobles<br />
| a 20th-century Spanish dance in quick duple time<br />
|-<br />
| Pasp&#39;e (ru)<br />
| bgcolor="#CCFFCC"|passepieds<br />
| <br />
|-<br />
| Paspié (fr)<br />
| bgcolor="#CCFFCC"|passepieds<br />
| <br />
|-<br />
| '''Passacaglia/Passacaglias''' (en, de, hu, it, es)<br />
| bgcolor="#CCFFCC"|passacaglias<br />
| a Baroque form of variations, derived from a Spanish dance<br />
|-<br />
| Passacaille (fr)<br />
| bgcolor="#CCFFCC"|passacaglias<br />
| <br />
|-<br />
| Passacalle (fr)<br />
| bgcolor="#CCFFCC"|passacaglias<br />
| <br />
|-<br />
| Passakal&#39;ia/ (ru)<br />
| bgcolor="#CCFFCC"|passacaglias<br />
| <br />
|-<br />
| Passakaliia (ru) <br />
| bgcolor="#CCFFCC"|passacaglias<br />
| <br />
|-<br />
| '''Passamezzo/Passamezzos''' (en)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| an Italian dance of the 16th and early 17th centuries<br />
|-<br />
| Pass&#39;e mezo (it)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| <br />
|-<br />
| Pass&#39;e mezzo (it)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| <br />
|-<br />
| Passecaille (fr)<br />
| bgcolor="#CCFFCC"|passacaglias<br />
| <br />
|-<br />
| '''Passepied/Passepieds''' (fr)<br />
| bgcolor="#CCFFCC"|passepieds<br />
| a French courtly dance of the 17th/18th centuries, in triple time<br />
|-<br />
| Passe-pied (fr)<br />
| bgcolor="#CCFFCC"|passepieds<br />
| <br />
|-<br />
| Passing measures (en)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| <br />
|-<br />
| '''Passion/Passions''' (en)<br />
| bgcolor="#CCFFCC"|passions<br />
| use only where this is the composer's designation<br />
|-<br />
| Passo e mezo (it)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| <br />
|-<br />
| Passomezo (it)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| <br />
|-<br />
| Pass-pié (fr)<br />
| bgcolor="#CCFFCC"|passepieds<br />
| <br />
|-<br />
| Passymeasures (en)<br />
| bgcolor="#CCFFCC"|passamezzos<br />
| <br />
|-<br />
| Pastiche/Pastiches (en)<br />
| bgcolor="#CCFFCC"|pasticcios<br />
| use only for operas made up of pieces from different composers or sources; for instrumental works with this title, use "piece"<br />
|-<br />
| Pasticcio/Pasticcios (it)<br />
| bgcolor="#CCFFCC"|pasticcios<br />
| use only for operas made up of pieces from different composers or sources; for instrumental works with this title, use "piece"<br />
|-<br />
| Pastoral/Pastorals (en/fr/de/it/es)<br />
| bgcolor="#CCFFCC"|pastorales<br />
| <br />
|-<br />
| '''Pastorale/Pastorales''' (en/fr/de/it/es)<br />
| bgcolor="#CCFFCC"|pastorales<br />
| can be vocal or instrumental composition suggestive of a rustic subject, or an early French form of opera-ballet<br />
|-<br />
| Pastoral&#39; (ru)<br />
| bgcolor="#CCFFCC"|pastorales<br />
| <br />
|-<br />
| Pasztorál (hu)<br />
| bgcolor="#CCFFCC"|pastorales<br />
| <br />
|-<br />
| '''Pavan/Pavans''' (en, de)<br />
| bgcolor="#CCFFCC"|pavans<br />
| a stately Italian dance in duple time<br />
|-<br />
| Pavana (cz, it, pl, ru, es)<br />
| bgcolor="#CCFFCC"|pavans<br />
| <br />
|-<br />
| Pavanne/Pavannes (fr)<br />
| bgcolor="#CCFFCC"|pavans<br />
| <br />
|-<br />
| Pavin (en)<br />
| bgcolor="#CCFFCC"|pavans<br />
| <br />
|-<br />
| '''Performance practice'''<br />
| bgcolor="#CCFFCC"|performance practice<br />
| use for writings about musical techniques of performance, such as ornamentation, interpretation, etc.<br />
|-<br />
| P&#39;es/P&#39;esa/P&#39;esy (ru)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Pesn&#39;/Pesen/Pesnia (ru)<br />
| bgcolor="#CCFFCC"|songs<br />
| <br />
|-<br />
| Pezzo/Pezzi (it)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Phancy (en)<br />
| bgcolor="#CCFFCC"|fancies<br />
| <br />
|-<br />
| Phansie (en)<br />
| bgcolor="#CCFFCC"|fancies<br />
| <br />
|-<br />
| Phantasie/Phantasien (de)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| Phantasy/Phantasies (en)<br />
| bgcolor="#CCFFCC"|fantasias<br />
| <br />
|-<br />
| '''Piece/Pieces''' (en)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Pièce/Pièces (en)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Pieza/Piezas (es)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Pisen/Pisne (cz)<br />
| bgcolor="#CCFFCC"|songs<br />
| <br />
|-<br />
| '''Piva/Pive''' (it)<br />
| bgcolor="#CCFFCC"|pive<br />
| a 15th/16th-century Italian dance<br />
|-<br />
| Plainsong (en)<br />
| bgcolor="#CCFFCC"|plainchant<br />
| <br />
|-<br />
| '''Plainchant''' (en)<br />
| bgcolor="#CCFFCC"|plainchant<br />
| use for medieval unaccompanied monophonic church music (including Gregorian chant)<br />
|-<br />
| '''Poème symphonique/Poèmes symphoniques''' (en)<br />
| bgcolor="#CCFFCC"|symphonic poems<br />
| <br />
|-<br />
| '''Polacca/Polaccas''' (it)<br />
| bgcolor="#CCFFCC"|polonaises<br />
| <br />
|-<br />
| Polca (it, pt, es)<br />
| bgcolor="#CCFFCC"|polkas<br />
| <br />
|-<br />
| '''Polka/Polkas''' (nl, en, fr, de, hu, pl)<br />
| bgcolor="#CCFFCC"|polkas<br />
| a lively Bohemian dance in 2/4 time<br />
|-<br />
| Pol&#39;ka (ru)<br />
| bgcolor="#CCFFCC"|polkas<br />
| <br />
|-<br />
| '''Polonaise/Polonaises''' (en, fr)<br />
| bgcolor="#CCFFCC"|polonaises<br />
| a stately Polish dance in triple time<br />
|-<br />
| Polonäse (de)<br />
| bgcolor="#CCFFCC"|polonaises<br />
| <br />
|-<br />
| Polonesa (es)<br />
| bgcolor="#CCFFCC"|polonaises<br />
| <br />
|-<br />
| Polonese (it)<br />
| bgcolor="#CCFFCC"|polonaises<br />
| <br />
|-<br />
| Polonez (ru)<br />
| bgcolor="#CCFFCC"|polonaises<br />
| <br />
|-<br />
| Popurri (ru)<br />
| bgcolor="#CCFFCC"|potpourris<br />
| <br />
|-<br />
| Popurrí (es)<br />
| bgcolor="#CCFFCC"|potpourris<br />
| <br />
|-<br />
| Posludio (it)<br />
| bgcolor="#CCFFCC"|postludes<br />
| <br />
|-<br />
| Postliudiia (ru)<br />
| bgcolor="#CCFFCC"|postludes<br />
| <br />
|-<br />
| '''Postlude/Postludes''' (en, fr)<br />
| bgcolor="#CCFFCC"|postludes<br />
| use only for independent works titled as such by the composer<br />
|-<br />
| Postludio (it, es)<br />
| bgcolor="#CCFFCC"|postludes<br />
| <br />
|-<br />
| Postludium (de, hu)<br />
| bgcolor="#CCFFCC"|postludes<br />
| <br />
|-<br />
| '''Potpourri/Potpourris''' (en, de, hu, es)<br />
| bgcolor="#CCFFCC"|potpourris<br />
| a piece consisting of pre-existing tunes, often from operas<br />
|-<br />
| Pot-pourri/Pot-pourris (fr, it)<br />
| bgcolor="#CCFFCC"|potpourris<br />
| <br />
|-<br />
| '''Praeambulum/Praeambula''' (la)<br />
| bgcolor="#CCFFCC"|praeambula<br />
| <br />
|-<br />
| Praeludium (de)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| Präludium (de)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| Preliud/Preliudiia (ru)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| '''Prelude/Preludes''' (en)<br />
| bgcolor="#CCFFCC"|preludes<br />
| use only for independent works titled as such by the composer; but see also ''Chorale preludes''<br />
|-<br />
| Prélude (fr)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| Prélude de choral/Préludes de chorals (fr)<br />
| bgcolor="#CCFFCC"|chorale preludes<br />
| <br />
|-<br />
| Preludio (it, es)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| Preludium (cz, hu)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| Preludjum (pl)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| '''Presto/Prestos''' (it)<br />
| bgcolor="#CCFFCC"|prestos<br />
| use only when it is the composer&#39;s title for an independent piece<br />
|-<br />
| '''Processional/Processionals''' (en)<br />
| bgcolor="#CCFFCC"|processionals<br />
| use only for pieces for organ styled as such by the composer<br />
|-<br />
| '''Psalm/Psalms''' (en/de/ru)<br />
| bgcolor="#CCFFCC"|psalms<br />
| use only for settings of Biblical psalms, and then only if the entire text comes from the psalms; if it is mixed with other texts, use something else<br />
|-<br />
| Psalmo (es)<br />
| bgcolor="#CCFFCC"|psalms<br />
| <br />
|-<br />
| Psalmus (la)<br />
| bgcolor="#CCFFCC"|psalms<br />
| <br />
|-<br />
| Psaume (fr)<br />
| bgcolor="#CCFFCC"|psalms<br />
| <br />
|-<br />
| '''Publishers' catalog/Publishers' catalogues''' (en)<br />
| bgcolor="#CCFFCC"|publishers catalogs<br />
|<br />
|-<br />
| Quadriglia (it)<br />
| bgcolor="#CCFFCC"|quadrilles<br />
| <br />
|-<br />
| '''Quadrille/Quadrilles''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|quadrilles<br />
| popular 19th-century ballroom dance <br />
|-<br />
| '''Quartet/Quartets''' (en)<br />
| bgcolor="#CCFFCC"|quartets<br />
| a work for four performers<br />
|-<br />
| Quartett (de)<br />
| bgcolor="#CCFFCC"|quartets<br />
| <br />
|-<br />
| '''Quartettino/Quartettinos''' (it)<br />
| bgcolor="#CCFFCC"|quartettinos<br />
| <br />
|-<br />
| Quartetto (it)<br />
| bgcolor="#CCFFCC"|quartets<br />
| <br />
|-<br />
| Quatuor (fr)<br />
| bgcolor="#CCFFCC"|quartets<br />
| <br />
|-<br />
| '''Quickstep/Quicksteps''' (en)<br />
| bgcolor="#CCFFCC"|quicksteps<br />
| <br />
|-<br />
| '''Quintet/Quintets''' (en)<br />
| bgcolor="#CCFFCC"|quintets<br />
| a work for five performers<br />
|-<br />
| Quinteto (es)<br />
| bgcolor="#CCFFCC"|quintets<br />
| <br />
|-<br />
| Quintett (de)<br />
| bgcolor="#CCFFCC"|quintets<br />
| <br />
|-<br />
| Quintette (fr)<br />
| bgcolor="#CCFFCC"|quintets<br />
| <br />
|-<br />
| '''Quintettino/Quintettinos''' (it)<br />
| bgcolor="#CCFFCC"|quintettinos<br />
| <br />
|-<br />
| Quintetto (it)<br />
| bgcolor="#CCFFCC"|quintets<br />
| <br />
|-<br />
| '''Quodlibet/Quodlibets''' (en, fr, de, hu, it, es)<br />
| bgcolor="#CCFFCC"|quodlibets<br />
| a composition in which well-known melodies and texts appear in successive or simultaneous combinations<br />
|-<br />
| '''Rag/Rags''' (en)<br />
| bgcolor="#CCFFCC"|rags<br />
| a syncopated piece, often for keyboard, from the early 20th-century<br />
|-<br />
| Rapsodia (it, es)<br />
| bgcolor="#CCFFCC"|rhapsodies<br />
| <br />
|-<br />
| Rapsodie (fr)<br />
| bgcolor="#CCFFCC"|rhapsodies<br />
| <br />
|-<br />
| Rapsodiia (ru)<br />
| bgcolor="#CCFFCC"|rhapsodies<br />
| <br />
|-<br />
| Recercada (es)<br />
| bgcolor="#CCFFCC"|ricercars<br />
| <br />
|-<br />
| '''Recessional/Recessionals''' (en)<br />
| bgcolor="#CCFFCC"|recessionals<br />
| <br />
|-<br />
| Rechitativ (ru)<br />
| bgcolor="#CCFFCC"|recitatives<br />
| <br />
|-<br />
| '''Récit/Récits''' (fr)<br />
| bgcolor="#CCFFCC"|recits<br />
| generic term used in France during the 17th and 18th centuries for fragments or entire compositions for solo voices or instruments<br />
|-<br />
| Récitatif (fr)<br />
| bgcolor="#CCFFCC"|recitatives<br />
| <br />
|-<br />
| '''Recitative/Recitatives''' (en, fr)<br />
| bgcolor="#CCFFCC"|recitatives<br />
| use only for works titled as such by the composer<br />
|-<br />
| Recitativo (it)<br />
| bgcolor="#CCFFCC"|recitatives<br />
| <br />
|-<br />
| Rekviem (ru)<br />
| bgcolor="#CCFFCC"|requiems<br />
| <br />
|-<br />
| Répons/Répons<br />
| bgcolor="#CCFFCC"|responsories<br />
| <br />
|-<br />
| '''Reproaches''' (en)<br />
| bgcolor="#CCFFCC"|improperia<br />
| <br />
|-<br />
| '''Requiem/Requiems''' (la)<br />
| bgcolor="#CCFFCC"|requiems<br />
| <br />
|-<br />
| Respond/Responds (en)<br />
| bgcolor="#CCFFCC"|responsories<br />
| <br />
|-<br />
| Response/Responses (en)<br />
| bgcolor="#CCFFCC"|responsories<br />
| <br />
|-<br />
| '''Responsory/Responsories''' (en)<br />
| bgcolor="#CCFFCC"|responsories<br />
| use only for independent works so titled by the composer<br />
|-<br />
| Responsorium (de, la)<br />
| bgcolor="#CCFFCC"|responsories<br />
| but note also ''Responsorium graduale''<br />
|-<br />
| Responsorium graduale (la)<br />
| bgcolor="#CCFFCC"|graduals<br />
| <br />
|-<br />
| '''Responsorio''' (es)<br />
| bgcolor="#CCFFCC"|responsories<br />
| <br />
|-<br />
| Rezitativ (de)<br />
| bgcolor="#CCFFCC"|recitatives<br />
| <br />
|-<br />
| Rhapsodie (fr, de)<br />
| bgcolor="#CCFFCC"|rhapsodies<br />
| <br />
|-<br />
| '''Rhapsody/Rhapsodies''' (en)<br />
| bgcolor="#CCFFCC"|rhapsodies<br />
| <br />
|-<br />
| Ricercar (fr, de)<br />
| bgcolor="#CCFFCC"|ricercars<br />
| <br />
|-<br />
| '''Ricercare/Ricercars/Ricercari''' (en, it)<br />
| bgcolor="#CCFFCC"|ricercars<br />
| use only where this is the composer&#39;s title<br />
|-<br />
| Richerkar (ru) <br />
| bgcolor="#CCFFCC"|ricercars<br />
| <br />
|-<br />
| Rigadoon (en)<br />
| bgcolor="#CCFFCC"|rigaudons<br />
| <br />
|-<br />
| '''Rigaudon/Rigaudons''' (en, de, hu)<br />
| bgcolor="#CCFFCC"|rigaudons<br />
| a French folk dance popular during the 17th/18th centuries<br />
|-<br />
| Rigodon (it, ru)<br />
| bgcolor="#CCFFCC"|rigaudons<br />
| <br />
|-<br />
| Rigodón (es)<br />
| bgcolor="#CCFFCC"|rigaudons<br />
| <br />
|-<br />
| '''Ritournelle/Ritournelles''' (fr)<br />
| bgcolor="#CCFFCC"|ritournelles<br />
| a 17th-century dance in quick triple time (do not confuse with ''ritornello'') <br />
|-<br />
| '''Romance/Romances''' (en, fr, es)<br />
| bgcolor="#CCFFCC"|romances<br />
| a vocal or instrumental ballad; use only where this is the composer&#39;s own title<br />
|-<br />
| Romans/Romansov/Romansy (ru)<br />
| bgcolor="#CCFFCC"|romances<br />
| <br />
|-<br />
| Romanza/Romanze (it)<br />
| bgcolor="#CCFFCC"|romances<br />
| <br />
|-<br />
| Romanza/Romanzas (es)<br />
| bgcolor="#CCFFCC"|romances<br />
| <br />
|-<br />
| Romanze/Romanzen (de)<br />
| bgcolor="#CCFFCC"|romances<br />
| <br />
|-<br />
| '''Rondeau/Rondeaux''' (fr)<br />
| bgcolor="#CCFFCC"|rondeaux<br />
| use only for the vocal work of the 13th to 15th centuries; for the repeat form of the late 18th and 19th centuries, use'' Rondos'' <br />
|-<br />
| '''Rondino/Rondinos''' (en)<br />
| bgcolor="#CCFFCC"|rondinos<br />
| use only where this is the composer&#39;s title<br />
|-<br />
| '''Rondo/Rondos''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|rondos<br />
| use only where this is the composer&#39;s title for an independent piece<br />
|-<br />
| Rondó (es)<br />
| bgcolor="#CCFFCC"|rondos<br />
| <br />
|-<br />
| Rondò (it)<br />
| bgcolor="#CCFFCC"|rondos<br />
| <br />
|-<br />
| '''Rondoletto/Rondolettos''' (it)<br />
| bgcolor="#CCFFCC"|rondolettos<br />
| use only where this is the composer&#39;s title<br />
|-<br />
| '''Rumba/Rumbas''' (en, fr, de, it, ru, es)<br />
| bgcolor="#CCFFCC"|rumbas<br />
| a popular recreational dance of Afro-Cuban origin.<br />
|-<br />
| Rundgesang (de)<br />
| bgcolor="#CCFFCC"|rondos<br />
| <br />
|-<br />
| '''Sacred cantata/Sacred cantatas''' (en)<br />
| bgcolor="#CCFFCC"|sacred cantatas<br />
| for cantatas based on a religious subject; see also ''Secular cantatas ''and'' Cantatas''<br />
|-<br />
| '''Sacred chorus/Sacred choruses''' (en)<br />
| bgcolor="#CCFFCC"|sacred choruses<br />
| for choral compositions based on a religious subject; see also ''Secular choruses'' and ''Choruses''<br />
|-<br />
| '''Sacred concerto/Sacred concertos''' (en)<br />
| bgcolor="#CCFFCC"|sacred concertos<br />
| <br />
|-<br />
| '''Sacred oratorio/Sacred oratorios''' (en)<br />
| bgcolor="#CCFFCC"|sacred oratorios<br />
| for oratorios based on religious subjects; see also ''Secular oratorios'' and ''Oratorios''<br />
|-<br />
| '''Sacred song/Sacred songs''' (en)<br />
| bgcolor="#CCFFCC"|sacred songs<br />
| for songs based on a religious subject; see also ''Songs''<br />
|-<br />
| Salmo (it)<br />
| bgcolor="#CCFFCC"|psalms<br />
| <br />
|-<br />
| Saltarelle (fr)<br />
| bgcolor="#CCFFCC"|saltarellos<br />
| <br />
|-<br />
| '''Saltarello/Saltarellos''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|saltarellos<br />
| a rapid Italian dance in triple metre<br />
|-<br />
| Sal&#39;tarello (ru)<br />
| bgcolor="#CCFFCC"|saltarellos<br />
| <br />
|-<br />
| Saltarelo (es)<br />
| bgcolor="#CCFFCC"|saltarellos<br />
| <br />
|-<br />
| '''Salve Regina''' (la)<br />
| bgcolor="#CCFFCC"|salve regina<br />
| use only for an independent work, so styled by the composer<br />
|-<br />
| '''Samba/Sambas''' (en, fr, de, it, ru, es)<br />
| bgcolor="#CCFFCC"|sambas<br />
| an Afro-Brazilian couple-dance and popular musical form<br />
|-<br />
| '''Sanctus''' (la)<br />
| bgcolor="#CCFFCC"|sanctus<br />
| part of the traditional Latin mass; use only for independent pieces (note singular form)<br />
|-<br />
| Saraband/Sarabands (en)<br />
| bgcolor="#CCFFCC"|sarabandes<br />
| <br />
|-<br />
| Sarabanda (it, ru)<br />
| bgcolor="#CCFFCC"|sarabandes<br />
| <br />
|-<br />
| '''Sarabande/Sarabandes''' (fr, de)<br />
| bgcolor="#CCFFCC"|sarabandes<br />
| a popular Baroque dance<br />
|-<br />
| '''Sardana/Sardanas/Sardanes''' (ca, es)<br />
| bgcolor="#CCFFCC"|sardana<br />
| a Catalonian dance<br />
|-<br />
| Satz/Sätze (de)<br />
| bgcolor="#CCFFCC"|movements<br />
| <br />
|-<br />
| '''Scale/Scales''' (en)<br />
| bgcolor="#CCFFCC"|scales<br />
| use for works designated as scale or pattern (e.g. arpeggio) studies by their composers; displays as "Scales and patterns"<br />
|-<br />
| Scherzetto/Scherzetti (en)<br />
| bgcolor="#CCFFCC"|scherzos<br />
| <br />
|-<br />
| '''Scherzino/Scherzinos''' (en, it)<br />
| bgcolor="#CCFFCC"|scherzos<br />
| <br />
|-<br />
| '''Scherzo/Scherzos''' (en, fr, de, it, es) <br />
| bgcolor="#CCFFCC"|scherzos<br />
| use only for independent compositons styled as such by the composer<br />
|-<br />
| School/Schools (en)<br />
| bgcolor="#CCFFCC"|methods<br />
| <br />
|-<br />
| Schottische (de)<br />
| bgcolor="#CCFFCC"|ecossaises<br />
| <br />
|-<br />
| Schule/Schulen (de)<br />
| bgcolor="#CCFFCC"|methods<br />
| <br />
|-<br />
| Scozzese (it)<br />
| bgcolor="#CCFFCC"|ecossaises<br />
| <br />
|-<br />
| '''Secular cantata/Secular cantatas''' (en)<br />
| bgcolor="#CCFFCC"|secular cantatas<br />
| for cantatas not based on religious subjects; see also ''Sacred cantatas'' and ''Cantatas''<br />
|-<br />
| '''Secular chorus/Secular choruses''' (en)<br />
| bgcolor="#CCFFCC"|secular choruses<br />
| for choral compositions not based on religious subjects; see also ''Sacred choruses'' and ''Choruses''<br />
|-<br />
| '''Secular hymn/Secular hymnss''' (en)<br />
| bgcolor="#CCFFCC"|secular hymns<br />
| for works styled as hymns by the composer, but which don't have a religious subject<br />
|-<br />
| '''Secular oratorio/Secular oratorios''' (en)<br />
| bgcolor="#CCFFCC"|secular oratorios<br />
| for oratorios not based on religious subjects; see also ''Sacred oratorios'' and ''Oratorios''<br />
|-<br />
| '''Seguidilla/Seguidillas''' (es)<br />
| bgcolor="#CCFFCC"|seguidillas<br />
| Spanish dance and song<br />
|-<br />
| Sekstet (ru) <br />
| bgcolor="#CCFFCC"|sextets<br />
| <br />
|-<br />
| '''Septet/Septets''' (en, ru)<br />
| bgcolor="#CCFFCC"|septets<br />
| a composition for seven performers<br />
|-<br />
| Septett (de)<br />
| bgcolor="#CCFFCC"|septets<br />
| <br />
|-<br />
| Septimino (es)<br />
| bgcolor="#CCFFCC"|septets<br />
| <br />
|-<br />
| Septuor (fr)<br />
| bgcolor="#CCFFCC"|septets<br />
| <br />
|-<br />
| '''Sequences''' (en)<br />
| bgcolor="#CCFFCC"|sequences<br />
| part of the traditional Latin mass; use only for independent pieces<br />
|-<br />
| Serenada (ru) <br />
| bgcolor="#CCFFCC"|serenades<br />
| <br />
|-<br />
| '''Serenade/Serenades''' (en, fr)<br />
| bgcolor="#CCFFCC"|serenades<br />
| <br />
|-<br />
| '''Serenata/Serenatas''' (it)<br />
| bgcolor="#CCFFCC"|serenatas<br />
| use only for 17th/18th-century dramatic vocal works for two or more singers and orchestra; for instrumental works entitled serenata, use "serenades".<br />
|-<br />
| '''Service/Services''' (en)<br />
| bgcolor="#CCFFCC"|services<br />
| music to accompany religious services not covered by any other category<br />
|-<br />
| Sestetto (it)<br />
| bgcolor="#CCFFCC"|sexets<br />
| <br />
|-<br />
| Settimino (it)<br />
| bgcolor="#CCFFCC"|septets<br />
| <br />
|-<br />
| '''Sevillana/Sevillanas''' (es)<br />
| bgcolor="#CCFFCC"|sevillanas<br />
| a flamenco-style song and dance of Andalusian origin<br />
|-<br />
| '''Sextet/Sextets''' (en)<br />
| bgcolor="#CCFFCC"|sextets<br />
| a composition for six performers<br />
|-<br />
| Sexteto (es)<br />
| bgcolor="#CCFFCC"|sextets<br />
| <br />
|-<br />
| Sextett (de)<br />
| bgcolor="#CCFFCC"|sextets<br />
| <br />
|-<br />
| Sextuor (fr)<br />
| bgcolor="#CCFFCC"|sextets<br />
| <br />
|-<br />
| '''Siciliana/Sicilianas''' (en)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| a 17th- and 18th-century dance and aria form, probably of Sicilian origin<br />
|-<br />
| Siciliano (it)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| Sicilien (fr)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| Siciliene (fr)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| Sicilienne (fr)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| Simfoniia (ru)<br />
| bgcolor="#CCFFCC"|symphonies<br />
| <br />
|-<br />
| Simfonietta (ru)<br />
| bgcolor="#CCFFCC"|sinfoniettas<br />
| <br />
|-<br />
| Simphonie (fr)<br />
| bgcolor="#CCFFCC"|symphonies<br />
| <br />
|-<br />
| Simphonie concertante/Simphonies concertantes (fr)<br />
| bgcolor="#CCFFCC"|symphonies concertantes<br />
| <br />
|-<br />
| Simphonietta (fr)<br />
| bgcolor="#CCFFCC"|sinfoniettas<br />
| <br />
|-<br />
| Simphony (en)<br />
| bgcolor="#CCFFCC"|symphonies<br />
| <br />
|-<br />
| '''Sinfonia/Sinfonie/Sinfonias''' (it, en)<br />
| bgcolor="#CCFFCC"|sinfonias<br />
| use only for Baroque works titled as such by the composer; otherwise use ''Symphonies ''<br />
|-<br />
| Sinfonia concertante/Sinfonie concertanti (it) <br />
| bgcolor="#CCFFCC"|symphonies concertantes<br />
| <br />
|-<br />
| Sinfonie (de)<br />
| bgcolor="#CCFFCC"|symphonies<br />
| do not confuse with Italian plural of ''Sinfonias''<br />
|-<br />
| Sinfonie concertante/Sinfonies concertantes (fr)<br />
| bgcolor="#CCFFCC"|symphonies concertantes<br />
|<br />
|-<br />
| '''Sinfonietta/Sinfoniettas''' (en, de, it)<br />
| bgcolor="#CCFFCC"|sinfoniettas<br />
| <br />
|-<br />
| '''Singspiel/Singspiele''' (de)<br />
| bgcolor="#CCFFCC"|singspiele<br />
| a form of German opera characterized by spoken dialogue<br />
|-<br />
| Sitsiliana (ru)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| Siuita/Siuity (ru)<br />
| bgcolor="#CCFFCC"|suites<br />
| <br />
|-<br />
| Siziliano (de)<br />
| bgcolor="#CCFFCC"|sicilianas<br />
| <br />
|-<br />
| Skertso (ru)<br />
| bgcolor="#CCFFCC"|scherzos<br />
| <br />
|-<br />
| '''Sketch/Sketches''' (en)<br />
| bgcolor="#CCFFCC"|sketches<br />
| use only when designated as such by the composer<br />
|-<br />
| Skizzen (de)<br />
| bgcolor="#CCFFCC"|sketches<br />
| <br />
|-<br />
| Skladba/Skladby (cz)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| '''Solfeggio/Solfeggios''' (it)<br />
| bgcolor="#CCFFCC"|solfeggios<br />
| use only for vocal exercises styled as such by the composer<br />
|-<br />
| '''Son/Sones''' (es)<br />
| bgcolor="#CCFFCC"|sones<br />
| generic term for Latin American rural or peasant music, both vocal and instrumental<br />
|-<br />
| '''Sonata/Sonatas''' (en, it, ru, es)<br />
| bgcolor="#CCFFCC"|sonatas<br />
| usually a work in several movements for solo instruments or small ensemble<br />
|-<br />
| Sonate (fr, de)<br />
| bgcolor="#CCFFCC"|sonatas<br />
| <br />
|-<br />
| '''Sonatina/Sonatinas''' (en) <br />
| bgcolor="#CCFFCC"|sonatinas<br />
| use only when it is the composer&#39;s original title<br />
|-<br />
| Sonatine (fr, de)<br />
| bgcolor="#CCFFCC"|sonatinas<br />
| <br />
|-<br />
| '''Sonatinetta/Sonatinettas''' (?)<br />
| bgcolor="#CCFFCC"|sonatinettas<br />
| Very rare, use only when it is the composer's original title<br />
|-<br />
| '''Song/Songs''' (en)<br />
| bgcolor="#CCFFCC"|songs<br />
| use only for works styled as such by the composer, or for any piece for solo voice (with or without accompaniment) whose form is not designated; note also ''Folksongs'', ''Sacred songs''<br />
|-<br />
| '''Sortie/Sorties''' (fr)<br />
| bgcolor="#CCFFCC"|postludes<br />
| Usually used in a church setting, frequently for organ, and used during the exit of the congregation<br />
|-<br />
| Sortsiko/Sortsiky (ru)<br />
| bgcolor="#CCFFCC"|zortzicos<br />
| <br />
|-<br />
| '''Sousedská/Sousedsky''' (cz)<br />
| bgcolor="#CCFFCC"|sousedsky<br />
| a slow Czech couple-dance in triple time<br />
|-<br />
| '''Spiritual/Spirituals''' (en)<br />
| bgcolor="#CCFFCC"|spirituals<br />
| religious American folksong [variant: ''spirichuėl'']<br />
|-<br />
| '''Stabat Mater''' (la)<br />
| bgcolor="#CCFFCC"|stabat mater <br />
| a sequence from the traditional Latin mass; use only for independent works titled as such by the composer<br />
|-<br />
| Stampita (it)<br />
| bgcolor="#CCFFCC"|estampies<br />
| <br />
|-<br />
| Ständchen (de)<br />
| bgcolor="#CCFFCC"|serenades<br />
| <br />
|-<br />
| Stück/Stücke (de)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Studie/Studien (de)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Studio/Studi (it)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Study/Studies (en)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Stuk/Stukken (nl)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| '''Suite/Suites''' (en, fr, de, it, es)<br />
| bgcolor="#CCFFCC"|suites<br />
| <br />
|-<br />
| '''Symphonic poem/Symphonic poem''' (en)<br />
| bgcolor="#CCFFCC"|symphonic poems<br />
| use for compositions styled as such by the composer, or for otherwise undesignated orchestral works based on historical or fictional events<br />
|-<br />
| Symphonie (fr, de)<br />
| bgcolor="#CCFFCC"|<br />
| <br />
|-<br />
| '''Symphonie concertante/Symphonies concertantes''' (fr) <br />
| bgcolor="#CCFFCC"|symphonies concertantes<br />
| a work for multiple solo instruments and orchestra; use only when it is the composer&#39;s title<br />
|-<br />
| Symphonietta (fr)<br />
| bgcolor="#CCFFCC"|sinfoniettas<br />
| <br />
|-<br />
| Symphoniette (en, fr)<br />
| bgcolor="#CCFFCC"|sinfoniettas<br />
| <br />
|-<br />
| '''Symphonische Dichtung''' (de)<br />
| bgcolor="#CCFFCC"|symphonic poems<br />
| <br />
|-<br />
| '''Symphony/Symphonies''' (en)<br />
| bgcolor="#CCFFCC"|symphonies<br />
| use for the multi-movement work of the 18th to 20th centuries; but for the Italian Baroque sinfonia use'' Sinfonias''<br />
|-<br />
| '''Tambourin/Tambourins''' (en, fr)<br />
| bgcolor="#CCFFCC"|tambourins<br />
| an 18th-century French dance with a lively melody and regular, static bass simulating a drum, usually in duple meter<br />
|-<br />
| Tánc (hu)<br />
| bgcolor="#CCFFCC"|dances<br />
| <br />
|-<br />
| Taniec (pl)<br />
| bgcolor="#CCFFCC"|dances<br />
| <br />
|-<br />
| Tanets/Tantsy (ru)<br />
| bgcolor="#CCFFCC"|dances<br />
| <br />
|-<br />
| '''Tango/Tangos''' (en, fr, de, it, ru, es)<br />
| bgcolor="#CCFFCC"|tangos<br />
| a Latin-American song and dance<br />
|-<br />
| Tanz (de)<br />
| bgcolor="#CCFFCC"|dances<br />
| <br />
|-<br />
| Tarantela (es)<br />
| bgcolor="#CCFFCC"|tarantellas<br />
| <br />
|-<br />
| '''Tarantella/Tarantellas''' (de, it, en, ru)<br />
| bgcolor="#CCFFCC"|tarantellas<br />
| a folkdance of southern Italy in triple time<br />
|-<br />
| Tarentelle (fr)<br />
| bgcolor="#CCFFCC"|tarantellas<br />
| <br />
|-<br />
| '''Te Deum''' (en/fr/de/it/la/es)<br />
| bgcolor="#CCFFCC"|te deum<br />
| use only for independent works styled as such by the composer<br />
|-<br />
| Terzett (de)<br />
| bgcolor="#CCFFCC"|trios<br />
| <br />
|-<br />
| '''Terzettino/Terzettinos''' (it)<br />
| bgcolor="#CCFFCC"|terzettinos<br />
|<br />
|-<br />
| Terzetto (it)<br />
| bgcolor="#CCFFCC"|trios<br />
| <br />
|-<br />
| Tétel/Tételek (hu)<br />
| bgcolor="#CCFFCC"|movements<br />
| <br />
|-<br />
| '''Thematic catalog/Thematic catalogues''' (en)<br />
| bgcolor="#CCFFCC"|thematic catalogs<br />
| use for catalogues of works by a composer that include musical incipits<br />
|-<br />
| Theme and Variations/Theme with Variations (en)<br />
| bgcolor="#CCFFCC"|variations<br />
| <br />
|-<br />
| '''Threnody/Threnodies''' (en, fr)<br />
| bgcolor="#CCFFCC"|threnodies<br />
| <br />
|-<br />
| '''Tiento/Tientos''' (es)<br />
| bgcolor="#CCFFCC"|tientos<br />
| a form of Spanish/Latin American instrumental music<br />
|-<br />
| Tocata (es)<br />
| bgcolor="#CCFFCC"|toccatas<br />
| <br />
|-<br />
| '''Toccata/Toccatas''' (en, fr, de, it)<br />
| bgcolor="#CCFFCC"|toccatas<br />
| <br />
|-<br />
| '''Toccatina/Toccatinas''' (it)<br />
| bgcolor="#CCFFCC"|toccatas<br />
| <br />
|-<br />
| '''Tombeau/Tombeaux''' (fr)<br />
| bgcolor="#CCFFCC"|tombeaux<br />
| <br />
|-<br />
| Tokkata (ru)<br />
| bgcolor="#CCFFCC"|toccatas<br />
| <br />
|-<br />
| '''Tonadilla/Tonadillas''' (es)<br />
| bgcolor="#CCFFCC"|tonadillas<br />
| a Spanish form of cantata<br />
|-<br />
| Tondichtung (de)<br />
| bgcolor="#CCFFCC"|symphonic poems<br />
| <br />
|-<br />
| Tone poem/Tone poems (en)<br />
| bgcolor="#CCFFCC"|symphonic poems<br />
| <br />
|-<br />
| Tragédie en musique<br />
| bgcolor="#CCFFCC"|tragedies en musique<br />
| Use only for the late 17th-18th C. French form of opera so named<br />
|-<br />
| '''Trio/Trios''' (en, fr, de, it, ru, es)<br />
| bgcolor="#CCFFCC"|trios<br />
| a composition for three performers<br />
|-<br />
| Tsapateado/Tsapateady (ru)<br />
| bgcolor="#CCFFCC"|zapateados<br />
| <br />
|-<br />
| Tyrolean/Tyroleans (en)<br />
| bgcolor="#CCFFCC"|tyroliennes<br />
| <br />
|-<br />
| Tyrolien (de)<br />
| bgcolor="#CCFFCC"|tyroliennes<br />
| <br />
|-<br />
| '''Tyrolienne/Tyroliennes''' (fr)<br />
| bgcolor="#CCFFCC"|tyroliennes<br />
| a Tyrolean folk dance<br />
|-<br />
| Übung/Übungen (de)<br />
| bgcolor="#CCFFCC"|studies<br />
| <br />
|-<br />
| Umoresca (it)<br />
| bgcolor="#CCFFCC"|humoresques<br />
| <br />
|-<br />
| Utwór/Utwóry (pl)<br />
| bgcolor="#CCFFCC"|pieces<br />
| <br />
|-<br />
| Uvertiura/Uvertiury (ru)<br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| Uwertura <br />
| bgcolor="#CCFFCC"|overtures<br />
| <br />
|-<br />
| Val&#39;s (ru)<br />
| bgcolor="#CCFFCC"|waltzes<br />
| <br />
|-<br />
| Vals (es)<br />
| bgcolor="#CCFFCC"|waltzes<br />
| <br />
|-<br />
| Valse (fr)<br />
| bgcolor="#CCFFCC"|waltzes<br />
| <br />
|-<br />
| Valzer (it)<br />
| bgcolor="#CCFFCC"|waltzes<br />
| <br />
|-<br />
| Variación (es) <br />
| bgcolor="#CCFFCC"|variations<br />
| <br />
|-<br />
| '''Variation/Variations''' (en, fr, de)<br />
| bgcolor="#CCFFCC"|variations<br />
| use for &quot;Theme and Variations&quot;, etc., and all works consisting of a sequence of variations on one or more themes whose form is not otherwise designated<br />
|-<br />
| Variatsiia/(ru)<br />
| bgcolor="#CCFFCC"|variations<br />
| <br />
|-<br />
| Variazione (it)<br />
| bgcolor="#CCFFCC"|variations<br />
| <br />
|-<br />
| '''Vaudevilles''' (en, fr)<br />
| bgcolor="#CCFFCC"|vaudevilles<br />
| <br />
|-<br />
| Verismo operas (en)<br />
| bgcolor="#CCFFCC"|verismo operas<br />
| a late 19th-century (lingering into c.1920) subset of operas<br />
|-<br />
| Vers (hu)<br />
| bgcolor="#CCFFCC"|versets<br />
| <br />
|-<br />
| '''Verset/Versets''' (en, fr)<br />
| bgcolor="#CCFFCC"|versets<br />
| use only for independent keyboard works styled as such by the composer<br />
|-<br />
| Versett (de)<br />
| bgcolor="#CCFFCC"|versets<br />
| <br />
|-<br />
| Versetto (it)<br />
| bgcolor="#CCFFCC"|versets<br />
| <br />
|-<br />
| Versettus (hu)<br />
| bgcolor="#CCFFCC"|versets<br />
| <br />
|-<br />
| Versiculo (es)<br />
| bgcolor="#CCFFCC"|versets<br />
| <br />
|-<br />
| Verso (es)<br />
| bgcolor="#CCFFCC"|versets<br />
| <br />
|-<br />
| '''Vesper/Vespers''' (en)<br />
| bgcolor="#CCFFCC"|vespers<br />
| <br />
|-<br />
| Vil&#39;iansiko (ru)<br />
| bgcolor="#CCFFCC"|villancicos <br />
| <br />
|-<br />
| '''Villancico/Villancicos''' (es)<br />
| bgcolor="#CCFFCC"|villancicos <br />
| a Spanish vocal work for one or more voices with refrain <br />
|-<br />
| '''Villanella/Villanelle''' (en, it, ru, es)<br />
| bgcolor="#CCFFCC"|villanelle<br />
| a form of light vocal music popular in Italy and elsewhere from the 1530s to the early 17th century (do not confuse with ''Vilannelles'')<br />
|-<br />
| '''Villanelle/Villanelles''' (fr)<br />
| bgcolor="#CCFFCC"|villanelles<br />
| a 16th- to 17th-century French country dance or song, and an 18th- to 20th-century instrumental piece (do not confuse with ''Villanelle'')<br />
|-<br />
| '''Vivace/Vivaces''' (en, fr, de, it, es, ru)<br />
| bgcolor="#CCFFCC"|vivaces<br />
| use only when this is the composer&#39;s title<br />
|-<br />
| '''Vocalise/Vocalises''' (en, fr)<br />
| bgcolor="#CCFFCC"|vocalises<br />
| a textless vocal exercise or concert piece to be sung to one or more vowels; use only for vocal works<br />
|-<br />
| Vocalización (es)<br />
| bgcolor="#CCFFCC"|vocalises<br />
| <br />
|-<br />
| Vocalizzo (it)<br />
| bgcolor="#CCFFCC"|vocalises<br />
| <br />
|-<br />
| Vokalise (de)<br />
| bgcolor="#CCFFCC"|vocalises<br />
| <br />
|-<br />
| Vokaliz (ru)<br />
| bgcolor="#CCFFCC"|vocalises<br />
| <br />
|-<br />
| Volkslied/Volkslieder (de)<br />
| bgcolor="#CCFFCC"|folksongs<br />
| <br />
|-<br />
| '''Volta/Volte''' (en, de, it, es)<br />
| bgcolor="#CCFFCC"|volte<br />
| an early 17th-century dance <br />
|-<br />
| Volte (fr)<br />
| bgcolor="#CCFFCC"|volte<br />
| <br />
|-<br />
| '''Voluntary/Voluntaries''' (en)<br />
| bgcolor="#CCFFCC"|voluntaries<br />
| a piece for solo organ used at the beginning and end of church services, or an extemporised musical compositon<br />
|-<br />
| Vorspiel/Vorspiele (de)<br />
| bgcolor="#CCFFCC"|preludes<br />
| <br />
|-<br />
| '''Waltz/Waltzes''' (en)<br />
| bgcolor="#CCFFCC"|waltzes<br />
| <br />
|-<br />
| Walzer (de)<br />
| bgcolor="#CCFFCC"|waltzes<br />
| <br />
|-<br />
| '''Wedding march/Wedding marches''' (en)<br />
| bgcolor="#CCFFCC"|wedding marches<br />
| use only when styled as such by the composer; otherwise use ''Marches''<br />
|-<br />
| Wedding procession/Wedding processions (en)<br />
| bgcolor="#CCFFCC"|wedding marches<br />
| <br />
|-<br />
| Wiegenlied/Wiegenlieder (de)<br />
| bgcolor="#CCFFCC"|lullabies<br />
| for vocal works only; otherwise use ''berceuses''<br />
|-<br />
| Writings (en)<br />
| bgcolor="#CCFFCC"|writings<br />
| use only for writings that are so generic they do not fit into a more specific category, e.g. music theory<br />
|-<br />
| '''Xácara/Xácaras''' (es)<br />
| bgcolor="#CCFFCC"|jacaras<br />
| <br />
|-<br />
| Zalm (cz)<br />
| bgcolor="#CCFFCC"|psalms<br />
| <br />
|-<br />
| '''Zapateado/Zapateados''' (es)<br />
| bgcolor="#CCFFCC"|zapateados<br />
| Spanish dance in triple time in which rhythm is marked by stamping of the heels<br />
|-<br />
| Zapateao/Zapateaos (es)<br />
| bgcolor="#CCFFCC"|zapateados<br />
| <br />
|-<br />
| Zarabanda (es)<br />
| bgcolor="#CCFFCC"|sarabandes<br />
| <br />
|-<br />
| Zarzuela/Zarzuelas (es)<br />
| bgcolor="#CCFFCC"|zarzuelas<br />
| a distinct Spanish form of musical theatre<br />
|-<br />
| Zhiga/Жига (ru)<br />
| bgcolor="#CCFFCC"|gigues<br />
| <br />
|-<br />
| Zorcico/Zorcicos (es)<br />
| bgcolor="#CCFFCC"|zortzicos<br />
| <br />
|-<br />
| Zortzico/Zortzicos (es)<br />
| bgcolor="#CCFFCC"|zortzicos<br />
| <br />
|-<br />
| '''Zortzico/Zortzicos''' (es)<br />
| bgcolor="#CCFFCC"|zortzicos<br />
| Basque folksong or dance in 5/4 time with dotted rhythms<br />
|-<br />
| '''Zwiefacher/Zwiefache''' (de)<br />
| bgcolor="#CCFFCC"|zwiefache<br />
| German folk dance with regular alternation between duple and triple meter<br />
|-<br />
| Zwischenakt (de)<br />
| bgcolor="#CCFFCC"|intermezzos<br />
| <br />
|-<br />
| Zwischenspiel/Zwischenspiele (de)<br />
| bgcolor="#CCFFCC"|interludes<br />
| <br />
|}<br />
<br />
====Special cases====<br />
If a work's title includes more than one of the above terms (e.g. "Prelude and Fugue", "Romances and Songs" or "Valse-Scherzo") then a separate tag should be given for each term ("preludes ; fugues", "romances ; songs", "waltzes ; scherzos". The only exceptions are those in the form of "Theme and Variations" or "Air and Variations", etc. which are all tagged just as ''variations''). <br />
<br />
The tag should always describe the whole composition, and not the individual movements or sections within a work. <br />
<br />
With the exception of the ''double canons'' and ''double fugues'', numbers or adjectives should be ignored when deciding on the work type, so that "Psalm XLIX" just comes under ''psalms'', and a "Große Fugue" comes under ''fugues''. <br />
<br />
''Always use the work type designated by the composer'', even if you think it must be wrong. Watch out for inaccurate translations or work page titles though!<br />
<br />
====Summary====<br />
When deciding on the "work type" of any composition, consider the following questions, in this order:<br />
# Is the type indicated in the title?<br />
# Is the type indicated in the subtitle?<br />
# Is the type indicated anywhere else in the score?<br />
# Is the type indicated in any authoritative sources?<br />
<br />
If the answer to all these is "no", then you're very unlucky. But in these rare cases you should use "pieces" as the work type for the time being, and post a note in the forums or project discussion page to see if anyone can provide a more definitive answer. The same applies if you think you have the correct term but it doesn't appear in the table above, which doesn't claim to be completely comprehensive.<br />
<br />
Once you've found your standard work type, you can move on to the instrumentation ...<br />
<br />
==Instrumentation==<br />
Apart from the "work type", the other element of the work tag is the instrumentation. It's important to be clear that the work tag is ''not'' intended to duplicate the detailed data that is (or should be) already displayed in the general information box of the work page. Instead, the tag should summarise this information as concisely as possible, using a system of abbreviations for instrument names and families. These have to be standardized and used in a particular way so that they can be understood by IMSLP's software. But they have been designed to be straightforward to use, with a little practice.<br />
<br />
Again, ''do not give separate tags to individual movements or sections within a work''. The tag should always describe the instrumentation of the whole work, in its original form, without considering any arrangements or transcriptions (but see also "special cases", below).<br />
<br />
===Ensembles===<br />
Larger works will have multiple performers playing the same instruments and sometimes performing identical parts. The largest of these ensembles is of course the ''orchestra'', which includes instruments from the four main families of: ''woodwinds, brass, percussion'' and ''strings''. So:<br />
<br />
{| class="wikitable" style="border:1px #AAA solid; valign=top; width:98%"<br />
!width=35%|Family<br />
!width=20%|Abbreviation<br />
!width=45%|Description<br />
|-<br />
| Orchestra<br />
|bgcolor="#CCFFCC"| orch<br />
| a work scored for standard complements of woodwinds, brass, percussion and strings<br />
|-<br />
| Woodwinds<br />
|bgcolor="#CCFFCC"| ww<br />
| a work using woodwind instruments only<br />
|-<br />
| Brass<br />
|bgcolor="#CCFFCC"| br<br />
| a work using brass instruments only<br />
|-<br />
| Percussion<br />
|bgcolor="#CCFFCC"| perc<br />
| a work using percussion instruments only (unusual, but possible)<br />
|-<br />
| Strings<br />
|bgcolor="#CCFFCC"| str<br />
| a work using stringed instruments only<br />
|}<br />
<br />
Where two or three families of instruments come together to make a larger ensemble we can also combine some of these abbreviations using only a space (but note the reduced terms that are used for display):<br />
* ww br (= woodwinds and brass instruments); this displays as "wind ensemble"<br />
* ww br perc (= woodwinds, brass and percussion); this displays as "wind band"<br />
* br perc (= brass and percussion); this displays as "brass band" (as does "br timp")<br />
* br perc str (= brass, percussion and strings); this displays as "For brass, percussion, strings" because it has not developed a standard name as the others have.<br />
* jzens (= woodwind, brass, rhythm section); this displays as "jazz ensemble", but use it where a specific instrumentation cannot be used. For example, if there is a lot of doubling (saxes moving to clarinets, trumpeters moving to flugelhorns), then the specific instrumentation will give more players than are actually playing, so this tag would be used. However, use specific instrumentation where possible.<br />
<br />
The families are always named in the same order (woodwinds; brass; percussion; strings), and do not have any capital letters in their codes. The reduced terms like "wind band", "military band", "brass band" and "chamber orchestra" are only display terms. What we code as the tag is the constituent families or instruments, e.g. a piece for wind ensemble could also be:<br />
<br />
* ww perc (= woodwinds and percussion)<br />
<br />
Medieval and Renaissance ensembles: these are most often not written with specific instruments in mind, and different performers use different instruments when playing the same pieces. Sometimes we know that they were "probably" for a particular set of instruments, for example, where a composer was himself a viol player, a 4-part ensemble was probably meant for 4 viols. If it is more or less known what the instrumentation is, use specific instruments otherwise use:<br />
<br />
* cnsrt; this displays as "consort ensemble" (this is only to be used for Medieval or Renaissance ensembles where the instrumentation is to be chosen by the performers)<br />
<br />
===Solo instruments===<br />
The names of individual instruments should be given if they are not playing as part of an ensemble. This can be in a chamber piece, playing with other soloists, or as a soloist in a concerto. Where a solo part involves "doubling" (e.g. a flute player who also has to play piccolo), then only the abbreviation for the main instrument is used, because adding both tags increases the number of players, which would then be inaccurate. For example, in an ensemble that uses flute (doubling piccolo), violin, viola, cello, the "fl vn va vc" tag will accurately give "4 players", whereas "fl picc vn va vc" will give 5 players, which will be inaccurate.<br />
<br />
<br />
===Abbreviations for instruments===<br />
For the purpose of tagging we need the instruments to be listed consistently in the same order, and with the same spellings (regardless of how they might appear in a particular score). The list below shows the most frequently-used solo instruments in the order they should be named in the tags, and the standard singular and plural forms of their names.<br />
<br />
'''This is not intended to be a comprehensive list of orchestral instruments''' — just the ones most likely to be used in the work tags. If you need to use any instruments that are not on the list, then if possible tag them with the appropriate instrument family name (woodwinds, brass, percussion, strings or keyboard) and bring this to the attention of the project co-ordinator.<br />
<br />
{| class="wikitable" style="border:1px #AAA solid; valign=top; width:98%"<br />
!width=30%|Instrument or family<br />
!width=15%|Abbreviation<br />
!width=40%|Notes<br />
!width=15%|Wikipedia<br />
|-<br />
| '''Woodwinds (modern)'''<br />
|bgcolor="#CCFFCC"| ww<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[:wikipedia:Woodwind instrument|Woodwind instrument]]<br />
|-<br />
| Piccolo/Piccolos<br />
|bgcolor="#CCFFCC"| picc<br />
|<br />
| [[wikipedia:Piccolo|Piccolo]]<br />
|-<br />
| Flute/Flutes<br />
|bgcolor="#CCFFCC"| fl<br />
| <br />
| [[wikipedia:Flute|Flute]]<br />
|-<br />
| Alto flute/Alto flutes<br />
|bgcolor="#CCFFCC"| afl<br />
| use for the instrument pitched in G (sometimes confused with the bass flute)<br />
| [[wikipedia:Alto flute|Alto flute]]<br />
|-<br />
| Flute d'amore/Flutes d'amore<br />
|bgcolor="#CCFFCC"| fda<br />
| will display as "Flute damore" (due to apostrophes not being valid characters in category names)<br />
| [[wikipedia:Flûte d'amour|Flûte d'amour]]<br />
|-<br />
| Bass flute/Bass flutes<br />
|bgcolor="#CCFFCC"| bfl<br />
| use for the instrument pitched in C, an octave below the standard flute, as well as the contrabass flute<br />
| [[wikipedia:Bass flute|Bass flute]]<br />
|-<br />
| Recorder/Recorders<br />
|bgcolor="#CCFFCC"| rec<br />
|<br />
| [[wikipedia:Recorder|Recorder]]<br />
|-<br />
| Oboe/Oboes<br />
|bgcolor="#CCFFCC"| ob<br />
| see also oboe d'amore, oboe da caccia<br />
| [[wikipedia:Oboe|Oboe]]<br />
|-<br />
| Oboe d'amore/Oboes d'amore<br />
|bgcolor="#CCFFCC"| oda<br />
| will display as "oboe damore" (due to apostrophes not being valid characters in category names)<br />
| [[wikipedia:Oboe d'amore|Oboe d'amore]]<br />
|-<br />
| English horn/English horns<br />
|bgcolor="#CCFFCC"| eh<br />
| also known as 'cor anglais'<br />
| [[wikipedia:Cor anglais|Cor anglais]]<br />
|-<br />
| Bass oboe/Bass oboes<br />
|bgcolor="#CCFFCC"| bob<br />
| <br />
| [[wikipedia:Bass oboe|Bass oboe]]<br />
|-<br />
| Heckelphone/Heckelphones<br />
|bgcolor="#CCFFCC"| heck<br />
| <br />
| [[wikipedia:Heckelphone|Heckelphone]]<br />
|-<br />
| Piccolo Clarinet/Piccolo Clarinets<br />
|bgcolor="#CCFFCC"| pcl<br />
| use for E{{flat}}, D, or A{{flat}} sopranino clarinets, or any clarinet higher than (but not including) C clarinet.<br />
| [[wikipedia:Clarinet|Clarinet]]<br />
|-<br />
| Clarinet/Clarinets<br />
|bgcolor="#CCFFCC"| cl<br />
| use for B{{flat}}, A, or C soprano clarinets<br />
| [[wikipedia:Clarinet|Clarinet]]<br />
|-<br />
| Alto Clarinet/Alto Clarinets<br />
|bgcolor="#CCFFCC"| acl<br />
| usually in E{{flat}} a sixth below concert pitch, but there are other obsolete keys in the vicinity that might also be called an alto clarinet.<br />
| [[wikipedia:Clarinet|Clarinet]]<br />
|-<br />
| Basset clarinet/Basset clarinets<br />
|bgcolor="#CCFFCC"| bstcl<br />
| An A clarinet with a low C extension, not to be confused with bass clarinet or basset horn<br />
| [[wikipedia:Basset clarinet|Basset clarinet]]<br />
|-<br />
| Basset horn/Basset horns<br />
|bgcolor="#CCFFCC"| bsthn<br />
| not to be confused with the bass clarinet or bass horn<br />
| [[wikipedia:Basset horn|Basset horn]]<br />
|-<br />
| Bass clarinet/Bass clarinets<br />
|bgcolor="#CCFFCC"| bcl<br />
| use for B{{flat}} or A bass clarinet<br />
| [[wikipedia:Bass clarinet|Bass clarinet]]<br />
|-<br />
| Contrabass clarinet/Contrabass clarinets<br />
|bgcolor="#CCFFCC"| cbcl<br />
| use for any clarinet lower than A bass clarinet, including contralto clarinet<br />
| [[wikipedia:Contrabass clarinet|Contrabass clarinet]]<br />
|-<br />
| Saxophone/Saxophones<br />
|bgcolor="#CCFFCC"| sax<br />
| Use where multiple saxophones are played, otherwise use the specific saxophone (see below).<br />
| [[wikipedia:Saxophone|Saxophone]]<br />
|-<br />
| Soprano Saxophone/Soprano Saxophones<br />
|bgcolor="#CCFFCC"| ssax<br />
| <br />
| [[wikipedia:Saxophone|Saxophone]]<br />
|-<br />
| Alto Saxophone/Alto Saxophones<br />
|bgcolor="#CCFFCC"| asax<br />
| <br />
| [[wikipedia:Saxophone|Saxophone]]<br />
|-<br />
| Tenor Saxophone/Tenor Saxophones<br />
|bgcolor="#CCFFCC"| tsax<br />
| <br />
| [[wikipedia:Saxophone|Saxophone]]<br />
|-<br />
| Baritone Saxophone/Baritone Saxophones<br />
|bgcolor="#CCFFCC"| brsax<br />
| <br />
| [[wikipedia:Saxophone|Saxophone]]<br />
|-<br />
| Bass Saxophone/Bass Saxophones<br />
|bgcolor="#CCFFCC"| bssax<br />
| <br />
| [[wikipedia:Saxophone|Saxophone]]<br />
|-<br />
| Sarrusophone/Sarrusophones<br />
|bgcolor="#CCFFCC"| sar<br />
|<br />
| [[wikipedia:Sarrusophone|Sarrusophone]]<br />
|-<br />
| Bassoon/Bassoons<br />
|bgcolor="#CCFFCC"| bn<br />
| see also contrabassoon<br />
| [[wikipedia:Bassoon|Bassoon]]<br />
|-<br />
| Contrabassoon/Contrabassoons<br />
|bgcolor="#CCFFCC"| cbn<br />
|<br />
| [[wikipedia:Contrabassoon|Contrabassoon]]<br />
|-<br />
| Harmonica/Harmonicas<br />
|bgcolor="#CCFFCC"| hca<br />
| Mouth organ (not to be confused with harmonium, or glass harmonica)<br />
| [[wikipedia:Harmonica|Harmonica]]<br />
|-<br />
| '''Woodwinds (traditional)'''<br />
|bgcolor="#CCFFCC"| ww<br />
| <br />
| [[wikipedia:Woodwind instrument|Woodwind instrument]]<br />
|-<br />
| Fife/Fifes<br />
|bgcolor="#CCFFCC"| fife<br />
|<br />
| [[wikipedia:Fife (instrument)|Fife]]<br />
|-<br />
| Ocarina/Ocarinas<br />
|bgcolor="#CCFFCC"| oca<br />
|<br />
| [[wikipedia:Ocarina|Ocarina]]<br />
|-<br />
| Xiao/Xiaos<br />
|bgcolor="#CCFFCC"| xiao<br />
| ancient Chinese flute<br />
| [[wikipedia:Xiao (flute)|Xiao]]<br />
|-<br />
| Shakuhachi/Shakuhachi<br />
|bgcolor="#CCFFCC"| shak<br />
| a Japanese and ancient Chinese longitudinal, end-blown bamboo-flute, descended from the xiao<br />
| [[wikipedia:Shakuhachi|Shakuhachi]]<br />
|-<br />
| Flageolet/Flageolet<br />
|bgcolor="#CCFFCC"| flag<br />
| use also for tin whistle<br />
| [[wikipedia:Flageolet|Flageolet]]<br />
|-<br />
| Pan flute<br />
|bgcolor="#CCFFCC"| pan<br />
| use for pan pipes, quenas and similar Andean flutes<br />
| [[wikipedia:Pan flute|Pan flute]]<br />
|-<br />
| Mirliton/Mirlitons<br />
|bgcolor="#CCFFCC"| mir<br />
|A type of flute where the player vocalizes into it, and the vibration is produced by a thin skin (e.g. onion skin or paper). Use also for kazoo<br />
| [[wikipedia:Eunuch flute|Mirliton]]<br />
|-<br />
| Duduk/Duduks<br />
|bgcolor="#CCFFCC"| dud<br />
|<br />
| [[wikipedia:Duduk|Duduk]]<br />
|-<br />
| Oboe da caccia/Oboes da caccia<br />
|bgcolor="#CCFFCC"| odc<br />
| use for oboe di silva; Fr. hautbois de chasse, hautbois de forêt; Ger. Jagd[h]oboe, Jagdhautbois, Wald[h]oboe,Waldhautbois<br />
| [[wikipedia:Oboe da caccia|Oboe da caccia]]<br />
|-<br />
| Shawm/Shawms<br />
|bgcolor="#CCFFCC"| shw<br />
|<br />
| [[wikipedia:Shawm|Shawm]]<br />
|-<br />
| Chalumeau/Chalumeaux<br />
|bgcolor="#CCFFCC"| cm<br />
| <br />
| [[wikipedia:Chalumeau|Chalumeau]]<br />
|-<br />
| Cornett/Cornetts<br />
|bgcolor="#CCFFCC"| crtt<br />
| also known as a Zink; not to be confused with the brass cornet. A "cornettino" is the descant instrument of this family.<br />
| [[wikipedia:Cornett|Cornett]]<br />
|-<br />
| Serpent/Serpents<br />
|bgcolor="#CCFFCC"| srp<br />
| <br />
| [[wikipedia:Serpent (instrument)|Serpent]]<br />
|-<br />
| Dulcian/Dulcians<br />
|bgcolor="#CCFFCC"| dlcn<br />
| use also for Dulciaan, Dulzian, Dulciana, Douçaine, Curtal, and Bajón<br />
| [[wikipedia:Dulcian|Dulcian]]<br />
|-<br />
| Crumhorn/Crumhorns<br />
|bgcolor="#CCFFCC"| crh<br />
|<br />
| [[wikipedia:Crumhorn|Crumhorn]]<br />
|-<br />
| Bagpipe/Bagpipes<br />
|bgcolor="#CCFFCC"| bag<br />
|<br />
| [[wikipedia:Bagpipes|Bagpipes]]<br />
|-<br />
| Musette/Musettes<br />
|bgcolor="#CCFFCC"| mus<br />
|<br />
| [[wikipedia:Musette de cour|Musette de cour]]<br />
|-<br />
| Vuvuzela/Vuvuzelas<br />
|bgcolor="#CCFFCC"| vuv<br />
|<br />
| [[wikipedia:Vuvuzela|Vuvuzela]]<br />
|-<br />
| Accordion/Accordions<br />
|bgcolor="#CCFFCC"| acc<br />
|Use also for concertinas and bandoneóns<br />
| [[wikipedia:Accordion|Accordion]]<br />
|-<br />
| Concertina/Concertinas<br />
|bgcolor="#CCFFCC"| conc<br />
|<br />
| [[wikipedia:Concertina|Concertina]]<br />
|-<br />
| '''Brass (modern)'''<br />
|bgcolor="#CCFFCC"| br<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[wikipedia:Brass instrument|Brass instrument]]<br />
|-<br />
| Horn/Horns<br />
|bgcolor="#CCFFCC"| hn<br />
| use for most types of horn, except basset horn (see above)<br />
| [[wikipedia:Horn (instrument)|Horn]]<br />
|-<br />
| Wagner tuba/Wagner tubas<br />
|bgcolor="#CCFFCC"| wag<br />
|<br />
| [[wikipedia:Wagner tuba|Wagner tuba]]<br />
|-<br />
| Ophicleide/Ophicleides<br />
|bgcolor="#CCFFCC"| oph<br />
|<br />
| [[wikipedia:Ophicleide|Ophicleide]]<br />
|-<br />
| Bugle/Bugles<br />
|bgcolor="#CCFFCC"| bug<br />
|<br />
| [[wikipedia:Bugle|Bugle]]<br />
|-<br />
| Flugelhorn/Flugelhorns<br />
|bgcolor="#CCFFCC"| fgh<br />
|<br />
| [[wikipedia:Flugelhorn|Flugelhorn]]<br />
|-<br />
| Saxhorn/Saxhorns<br />
|bgcolor="#CCFFCC"| sxh<br />
|<br />
| [[wikipedia:Saxhorn|Saxhorn]]<br />
|-<br />
| Trumpet/Trumpets<br />
|bgcolor="#CCFFCC"| tpt<br />
|<br />
| [[wikipedia:Trumpet|Trumpet]]<br />
|-<br />
| Piccolo trumpet/Piccolo trumpets<br />
|bgcolor="#CCFFCC"| ptpt<br />
|<br />
| [[wikipedia:Piccolo trumpet|Piccolo trumpet]]<br />
|-<br />
| Cornet/Cornets<br />
|bgcolor="#CCFFCC"| crt<br />
| do not confuse with the woodwind cornett<br />
| [[wikipedia:Cornet|Cornet]]<br />
|-<br />
| Alto Trombone/Alto Trombones<br />
|bgcolor="#CCFFCC"| atbn<br />
| <br />
| [[wikipedia:Trombone|Trombone]]<br />
|-<br />
| Trombone/Trombones<br />
|bgcolor="#CCFFCC"| tbn<br />
| use for tenor trombones, or for a generic<br />
| [[wikipedia:Trombone|Trombone]]<br />
|-<br />
| Bass Trombone/Bass Trombones<br />
|bgcolor="#CCFFCC"| btbn<br />
| <br />
| [[wikipedia:Trombone|Trombone]]<br />
|-<br />
| Tenor horn/Tenor horns<br />
|bgcolor="#CCFFCC"| tenhn<br />
| also known in American English as 'Alto horn'; occasionally also referred as 'E{{flat}} horn' (do not confuse with the ''French horn'')<br />
| [[wikipedia:Tenor horn|Tenor horn]]<br />
|-<br />
| Euphonium/Euphoniums<br />
|bgcolor="#CCFFCC"| euph<br />
| use also for the baritone horn<br />
| [[wikipedia:Euphonium|Euphonium]]<br />
|-<br />
| Sousaphone/Sousaphones<br />
|bgcolor="#CCFFCC"| sou<br />
|<br />
| [[wikipedia:Sousaphone|Sousaphone]]<br />
|-<br />
| Tuba/Tubas<br />
|bgcolor="#CCFFCC"| tba<br />
|<br />
| [[wikipedia:Tuba|Tuba]]<br />
|-<br />
| Contrabass tuba/Contrabass tubas<br />
|bgcolor="#CCFFCC"| ctba<br />
|<br />
| [[wikipedia:Contrabass tuba|Contrabass tuba]]<br />
|-<br />
| '''Brass (traditional)'''<br />
|bgcolor="#CCFFCC"| br<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[wikipedia:Brass instrument|Brass instrument]]<br />
|-<br />
| Horn/Horns<br />
|bgcolor="#CCFFCC"| hn<br />
| use for natural horn, posthorn, hunting horn, alphorn, cow horn<br />
| [[wikipedia:Horn (instrument)|Horn]]<br />
|-<br />
| Slide trumpet/Slide trumpets<br />
|bgcolor="#CCFFCC"| stpt<br />
| Also known as ''Tromba di tirarsi'' or ''Zugtrompete''<br />
| [[wikipedia:Slide trumpet|Slide trumpet]]<br />
|-<br />
| Sackbut/Sackbuts<br />
|bgcolor="#CCFFCC"| skbt<br />
| <br />
| [[wikipedia:Sackbut|Sackbut]]<br />
|-<br />
| '''Percussion (unpitched)'''<br />
|bgcolor="#CCFFCC"| perc<br />
| use this tag for ''all'' unpitched percussion instruments<br />
| [[wikipedia:Unpitched percussion instrument|Unpitched percussion instrument]]<br />
|-<br />
| '''Percussion (pitched)'''<br />
|bgcolor="#CCFFCC"| perc<br />
| use this tag for any percussion instrument not appearing in the list below<br />
| [[wikipedia:Pitched percussion instrument|Pitched percussion instrument]]<br />
|-<br />
| Timpano/Timpani<br />
|bgcolor="#CCFFCC"| timp<br />
| use only when not playing as part of a standard orchestra<br />
| [[wikipedia:Timpani|Timpani]]<br />
|-<br />
| Toy Instruments<br />
|bgcolor="#CCFFCC"| toys<br />
| e.g. as used in Reinecke's ''Kinder-sinfonie'' (do not use for toy piano, which has its own tag (see below))<br />
| <br />
|-<br />
| Glass harmonica/Glass harmonicas<br />
|bgcolor="#CCFFCC"| ghca<br />
| Not to be confused with the ordinary harmonica<br />
| [[wikipedia:Glass harmonica|Glass harmonica]]<br />
|-<br />
| Sheng/Shengs<br />
|bgcolor="#CCFFCC"| sheng<br />
| Tibetan crystal singing bowls (including sheng, lusheng)<br />
| [[wikipedia:Sheng (instrument)|Sheng]]<br />
|-<br />
| Bell/Bells<br />
|bgcolor="#CCFFCC"| bell<br />
| use for tubular bells and carillon<br />
| [[wikipedia:Bell (instrument)|Bell]]<br />
|-<br />
| Celesta/Celestas<br />
|bgcolor="#CCFFCC"| cel<br />
| also known as "Celeste"<br />
| [[wikipedia:Celesta|Celesta]]<br />
|-<br />
| Glockenspiel/Glockenspiels<br />
|bgcolor="#CCFFCC"| gl<br />
| use only when playing as solo instrument<br />
| [[wikipedia:Glockenspiel|Glockenspiel]]<br />
|-<br />
| Xylophone/Xylophones<br />
|bgcolor="#CCFFCC"| xyl<br />
|<br />
| [[wikipedia:Xylophone|Xylophone]]<br />
|-<br />
| Marimba/Marimbas<br />
|bgcolor="#CCFFCC"| mar<br />
|<br />
| [[wikipedia:Marimba|Marimba]]<br />
|-<br />
| Vibraphone/Vibraphones<br />
|bgcolor="#CCFFCC"| vib<br />
|<br />
| [[wikipedia:Vibraphone|Vibraphone]]<br />
|-<br />
| Zither/Zithers<br />
|bgcolor="#CCFFCC"| zith<br />
|<br />
| [[wikipedia:Zither|Zither]]<br />
|-<br />
| Kantele/Kanteles<br />
|bgcolor="#CCFFCC"| kan<br />
|<br />
| [[wikipedia:Kantele|Kantele]]<br />
|-<br />
| Dulcimer/Dulcimers<br />
|bgcolor="#CCFFCC"| dulc<br />
| use for hammered dulcimer<br />
| [[wikipedia:Hammered dulcimer|Hammered dulcimer]]<br />
|-<br />
| Cimbalom/Cimbaloms<br />
|bgcolor="#CCFFCC"| cimb<br />
| <br />
| [[wikipedia:Cimbalom|Cimbalom]]<br />
|-<br />
| Kalimba/Kalimbas<br />
|bgcolor="#CCFFCC"| kal<br />
| Use also for thumb piano or mbira<br />
| [[wikipedia:Kalimba|Kalimba]]<br />
|-<br />
| '''Plucked strings (modern)'''<br />
|bgcolor="#CCFFCC"| str<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[wikipedia:Plucked string instrument|Plucked string instrument]]<br />
|-<br />
| Guitar/Guitars<br />
|bgcolor="#CCFFCC"| gtr<br />
|<br />
| [[wikipedia:Guitar|Guitar]]<br />
|-<br />
| Electric guitar/Electric guitars<br />
|bgcolor="#CCFFCC"| egtr<br />
|<br />
| [[wikipedia:Electric guitar|Electric guitar]]<br />
|-<br />
| Bass guitar/Bass guitars<br />
|bgcolor="#CCFFCC"| bgtr<br />
|<br />
| [[wikipedia:Bass guitar|Bass guitar]]<br />
|-<br />
| Guitalele/Guitaleles<br />
|bgcolor="#CCFFCC"| gtl<br />
|<br />
| [[wikipedia:Guitalele|Guitalele]]<br />
|-<br />
| Ukulele/Ukuleles<br />
|bgcolor="#CCFFCC"| uke<br />
|<br />
| [[wikipedia:Ukulele|Ukulele]]<br />
|-<br />
| Cavaquinho/Cavaquinhos<br />
|bgcolor="#CCFFCC"| cav<br />
| primarily used in Portuguese and Brazilian folk music<br />
| [[wikipedia:Cavaquinho|Cavaquinho]]<br />
|-<br />
| Banjo/Banjos<br />
|bgcolor="#CCFFCC"| bjo<br />
|<br />
| [[wikipedia:Banjo|Banjo]]<br />
|-<br />
| Mandolin/Mandolins<br />
|bgcolor="#CCFFCC"| mand<br />
|<br />
| [[wikipedia:Mandolin|Mandolin]]<br />
|-<br />
| Mandola/Mandolas<br />
|bgcolor="#CCFFCC"| mdla<br />
|<br />
| [[wikipedia:Mandola|Mandola]]<br />
|-<br />
| Mandocello/Mandocellos<br />
|bgcolor="#CCFFCC"| mdcl<br />
|<br />
| [[wikipedia:Mandocello|Mandocello]]<br />
|-<br />
| Harp/Harps<br />
|bgcolor="#CCFFCC"| hp<br />
|<br />
| [[wikipedia:Harp|Harp]]<br />
|-<br />
| '''Plucked strings (traditional)'''<br />
|bgcolor="#CCFFCC"| str<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[wikipedia:Plucked string instrument|Plucked string instrument]]<br />
|-<br />
| Shamisen/Shamisens<br />
|bgcolor="#CCFFCC"| smn<br />
| 3-stringed Japanese instrument, also known as Samisen/Samisens<br />
| [[wikipedia:Shamisen|Shamisen]]<br />
|-<br />
| Lyre/Lyres<br />
|bgcolor="#CCFFCC"| lyre<br />
| <br />
| [[wikipedia:Lyre|Lyre]]<br />
|-<br />
| Lautenwerck/Lautenwerk<br />
|bgcolor="#CCFFCC"| laut<br />
| also known as lute-harpsichord, lautenclavicymbel or theorbenflugel<br />
| [[wikipedia:Lautenwerck|Lautenwerk]] [http://www.baroquemusic.org/barluthp.html baroquemusic.org]<br />
|-<br />
| Lute/Lutes<br />
|bgcolor="#CCFFCC"| lute<br />
| Use for theorbo as well<br />
| [[wikipedia:Lute|Lute]]<br />
|-<br />
| Tamburica/Tamburicas<br />
|bgcolor="#CCFFCC"| tbc<br />
| east European string instrument, not to be confused with the Tanpura<br />
| [[wikipedia:Tamburica|Tamburica]]<br />
|-<br />
| Tanpura/Tanpuras<br />
|bgcolor="#CCFFCC"| tanp<br />
| Indian string instrument, use also for the similar Asian plucked string instruments Tanbur, Tanbūr, Tanbura, Tambur, Tambura or Tanboor. Not to be confused with the Tamburica.<br />
| [[wikipedia:Tanpura|Tanpura]]<br />
|-<br />
| Oud/Ouds<br />
|bgcolor="#CCFFCC"| oud<br />
| early Arabic form of lute<br />
| [[wikipedia:Oud|Oud]]<br />
|-<br />
| Pipa/Pipas<br />
|bgcolor="#CCFFCC"| pipa<br />
| 4-stringed Chinese lute<br />
| [[wikipedia:Pipa|Pipa]]<br />
|-<br />
| Domra/Domras<br />
|bgcolor="#CCFFCC"| dom<br />
| 3 or 4-stringed Russian lute<br />
| [[wikipedia:Domra|Domra]]<br />
|-<br />
| Cittern/Citterns<br />
|bgcolor="#CCFFCC"| cit<br />
| also known as the "Cithern"; 18th century "English Guittar"<br />
| [[wikipedia:Cittern|Cittern]]<br />
|-<br />
| Vihuela/Vihuelas<br />
|bgcolor="#CCFFCC"| vih<br />
| 6-stringed guitar-like instrument<br />
| [[wikipedia:Vihuela|Vihuela]]<br />
|-<br />
| Bandurria/Bandurrias<br />
|bgcolor="#CCFFCC"| bdr<br />
| primarily used in Spanish folk music<br />
| [[wikipedia:Bandurria|Bandurria]]<br />
|-<br />
| Sitar/Sitars<br />
|bgcolor="#CCFFCC"| sit<br />
| use also for the Azerbaijani tar<br />
| [[wikipedia:Sitar|Sitar]]<br />
|-<br />
| Koto<br />
|bgcolor="#CCFFCC"| koto<br />
| Japanese musical instrument<br />
| [[wikipedia:Koto (instrument)|Koto]]<br />
|-<br />
| Zheng/Zhengs<br />
|bgcolor="#CCFFCC"| zhng<br />
| also known as "Chinese zither"; use also for the Guzheng, which literally means "ancient Zheng"<br />
| [[wikipedia:Guzheng|Guzheng]]<br />
|-<br />
| '''Bowed strings (modern)'''<br />
|bgcolor="#CCFFCC"| str<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[wikipedia:Bowed string instrument|Bowed string instrument]]<br />
|-<br />
| Violin/Violins<br />
|bgcolor="#CCFFCC"| vn<br />
|<br />
| [[wikipedia:Violin|Violin]]<br />
|-<br />
| Electric violin<br />
|bgcolor="#CCFFCC"| evn<br />
|<br />
| [[wikipedia:Electric violin|Electric violin]]<br />
|-<br />
| Viola/Violas<br />
|bgcolor="#CCFFCC"| va<br />
| <br />
| [[wikipedia:Viola|Viola]]<br />
|-<br />
| Viola alta/Violas alta <br />
|bgcolor="#CCFFCC"| vaa<br />
| a 5-stringed viola; not to be confused with the earlier viola pomposa<br />
|<br />
|-<br />
| Violotta/Violottas<br />
|bgcolor="#CCFFCC"| tva<br />
| also known as the tenor viola<br />
| [[wikipedia:Violotta|Violotta]]<br />
|-<br />
| Viola pomposa/Violas pomposi<br />
|bgcolor="#CCFFCC"| vap<br />
| a 5-stringed viola; not to be confused with the later viola alta<br />
| [[wikipedia:Viola pomposa|Viola pomposa]]<br />
|-<br />
| Viola profonda/Violas profonda<br />
|bgcolor="#CCFFCC"| vpr<br />
| a larger viola with extended range<br />
| [[wikipedia:Viola Profonda|Viola profonda]]<br />
|-<br />
| Viola d'amore/Violas d'amore<br />
|bgcolor="#CCFFCC"| vda<br />
| will display as "Viola damore" (due to apostrophes not being valid characters in category names)<br />
| [[wikipedia:Viola d'amore|Viola d'amore]]<br />
|-<br />
| Arpeggione<br />
|bgcolor="#CCFFCC"| arpg<br />
| do not confuse with Italian ''arpa'' (for harp), also this tag used to be "arp" but had to be changed due to "arp" being an official language tag.<br />
| [[wikipedia:Arpeggione|Arpeggione]]<br />
|-<br />
| Cello/Cellos<br />
|bgcolor="#CCFFCC"| vc<br />
| also known as Violoncello(s)<br />
| [[wikipedia:Cello|Cello]]<br />
|-<br />
| Violoncello piccolo/Violoncelli piccoli<br />
|bgcolor="#CCFFCC"| vcp<br />
| also known as 5-stringed cello<br />
| [[wikipedia:Violoncello_piccolo#History|Violoncello piccolo]]<br />
|-<br />
| Cellone/Cellones<br />
|bgcolor="#CCFFCC"| clne<br />
| <br />
| [[wikipedia:Alfred Stelzner|Alfred Stelzner]]<br />
|-<br />
| Double Bass/Double Basses<br />
|bgcolor="#CCFFCC"| db<br />
| also known as Basses<br />
| [[wikipedia:Double bass|Double bass]]<br />
|-<br />
| '''Bowed strings (traditional)'''<br />
|bgcolor="#CCFFCC"| str<br />
| for large ensembles only (do not use for chamber or instrumental works)<br />
| [[wikipedia:Bowed string instrument|Bowed string instrument]]<br />
|-<br />
| Vielle/Vielles<br />
|bgcolor="#CCFFCC"| vie<br />
| use also for hurdy-gurdy and lire organizzate<br />
| [[wikipedia:Vielle|Vielle]]<br />
|-<br />
| Viol/Viols<br />
|bgcolor="#CCFFCC"| viol<br />
| also known as viola da gamba<br />
| [[wikipedia:Viol|Viol]]<br />
|-<br />
| Baryton/Barytons<br />
|bgcolor="#CCFFCC"| bryt<br />
| a hybrid stringed instrument between a lute and viol, often used by Haydn<br />
| [[wikipedia:Baryton|Baryton]]<br />
|-<br />
| Violone/Violones<br />
|bgcolor="#CCFFCC"| vlne<br />
| do not confuse with ''Violine'' (which is Italian for "violins")<br />
| [[wikipedia:Violone|Violone]]<br />
|-<br />
| Rebec/Rebecs<br />
|bgcolor="#CCFFCC"| reb<br />
| <br />
| [[wikipedia:Rebec|Rebec]]<br />
|-<br />
| Tromba marina/Trombe marina<br />
|bgcolor="#CCFFCC"| trm<br />
| a 1-stringed instrument used in medieval and Renaissance Europe, and as late as Vivaldi<br />
| [[wikipedia:Tromba marina|Tromba marina]]<br />
|-<br />
| Erhu/Erhus<br />
|bgcolor="#CCFFCC"| erhu<br />
| 2-stringed Chinese instrument<br />
| [[wikipedia:Erhu|Erhu]]<br />
|-<br />
| Kemenche/Kemenches<br />
|bgcolor="#CCFFCC"| kem<br />
| 3-stringed Middle Eastern instrument; also known as Kemençe, Kamancheh, Pontic lyra<br />
| [[wikipedia:Kemenche|Kemenche]]<br />
|-<br />
| '''Keyboard'''<br />
|bgcolor="#CCFFCC"| kbd<br />
| use where no particular keyboard instrument is specified, or the generic term "Klavier" is used<br />
| [[wikipedia:Keyboard instrument|Keyboard instrument]]<br />
|-<br />
| Clavichord/Clavichords<br />
|bgcolor="#CCFFCC"| clvd<br />
|<br />
| [[wikipedia:Clavichord|Clavichord]]<br />
|-<br />
| Harpsichord/Harpsichord<br />
|bgcolor="#CCFFCC"| hpd<br />
|<br />
| [[wikipedia:Harpsichord|Harpsichord]]<br />
|-<br />
| Harpsichord 4 hands<br />
|bgcolor="#CCFFCC"| hpd4h<br />
|<br />
| <br />
|-<br />
| Piano/Pianos<br />
|bgcolor="#CCFFCC"| pf<br />
| but see also below<br />
| [[wikipedia:Piano|Piano]]<br />
|-<br />
| Piano left hand<br />
|bgcolor="#CCFFCC"| pflh<br />
| <br />
| <br />
|-<br />
| Piano right hand<br />
|bgcolor="#CCFFCC"| pfrh<br />
| <br />
| <br />
|-<br />
| Piano 3 hands<br />
|bgcolor="#CCFFCC"| pf3h<br />
| use for 2 players at one piano<br />
| <br />
|-<br />
| Piano 4 hands<br />
|bgcolor="#CCFFCC"| pf4h<br />
| use for 2 players at one piano<br />
| <br />
|-<br />
| Piano 5 hands<br />
|bgcolor="#CCFFCC"| pf5h<br />
| use for 3 players at one or two pianos<br />
| <br />
|-<br />
| Piano 6 hands<br />
|bgcolor="#CCFFCC"| pf6h<br />
| use for 3 players at one or two pianos<br />
| <br />
|-<br />
| 2 Pianos 5 hands<br />
|bgcolor="#CCFFCC"| 2pf5h<br />
| use for 3 players at two pianos<br />
| <br />
|-<br />
| 2 Pianos 8 hands<br />
|bgcolor="#CCFFCC"| 2pf8h<br />
| use for 4 players at two pianos<br />
| <br />
|-<br />
| Pedal piano/Pedal pianos<br />
|bgcolor="#CCFFCC"| pfped<br />
|<br />
| [[wikipedia:Pedal piano|Pedal piano]]<br />
|-<br />
| Toy piano/Toy pianos<br />
|bgcolor="#CCFFCC"| pftoy<br />
|<br />
|<br />
|-<br />
| Organ/Organs<br />
|bgcolor="#CCFFCC"| org<br />
|<br />
| [[wikipedia:Organ (music)|Organ]]<br />
|-<br />
| Mechanical instrument/Mechanical instruments<br />
|bgcolor="#CCFFCC"| mech<br />
| use for mechanical organs, mechanical keyboards, music boxes, musical clocks, etc.<br />
| [[wikipedia:Mechanical organ|Mechanical organ]]<br />
|-<br />
| Harmonium/Harmoniums<br />
|bgcolor="#CCFFCC"| harm<br />
|<br />
| [[wikipedia:Harmonium|Harmonium]]<br />
|-<br />
| Physharmonica/Physharmonicas<br />
|bgcolor="#CCFFCC"| phys<br />
|<br />
| [[wikipedia:Physharmonica|Physharmonica]]<br />
|-<br />
| Melodica/Melodicas<br />
|bgcolor="#CCFFCC"| mel<br />
|use also for eolina<br />
| [[wikipedia:Melodica|Melodica]]<br />
|-<br />
| Mélodion/Mélodions<br />
|bgcolor="#CCFFCC"| mld<br />
|<br />
| [[wikipedia:Melodion_(friction_instrument)#The_Melodion_off_Dietz|Melodion]]<br />
|-<br />
| Harmonichord/Harmonichords<br />
|bgcolor="#CCFFCC"| hmcd<br />
|<br />
| [[wikipedia:Harmonichord|Harmonichord]]<br />
|-<br />
| Electric piano<br />
|bgcolor="#CCFFCC"| epf<br />
|<br />
| [[wikipedia:Electric piano|Electric piano]]<br />
|-<br />
| '''Electronic Instruments'''<br />
|bgcolor="#CCFFCC"|<br />
|<br />
| [[wikipedia:Electronic musical instrument|Electronic musical instrument]]<br />
|-<br />
| Synthesizer/Synthesizers<br />
|bgcolor="#CCFFCC"| syn<br />
| use for any other electronic keyboard or organ<br />
| [[wikipedia:Synthesizer|Synthesizer]]<br />
|-<br />
| Ondes Martenot<br />
|bgcolor="#CCFFCC"| om<br />
|<br />
| [[wikipedia:Ondes Martenot|Ondes Martenot]]<br />
|-<br />
| Theremin/Theremins<br />
|bgcolor="#CCFFCC"| thrm<br />
|<br />
| [[wikipedia:Theremin|Theremin]]<br />
|-<br />
| Electronic Sounds<br />
|bgcolor="#CCFFCC"| elec<br />
| use for 'live' computer-generated sounds (use "Tape" for all pre-recorded sounds)<br />
| <br />
|-<br />
| Tape<br />
|bgcolor="#CCFFCC"| tape<br />
| use for performances requiring pre-recorded sounds of any kind<br />
| <br />
|-<br />
| '''Continuo'''<br />
|bgcolor="#CCFFCC"| bc<br />
| also known as "Basso Continuo" (do not confuse with ''cont'' for "contralto").<br />
| [[wikipedia:Figured bass|Figured bass]]<br />
|}<br />
<br />
===Usage===<br />
Spaces should only be used to separate instrument names, and the tag should not contain any additional spaces, semi-colons, dashes or any other punctuation. For example:<br />
<br />
* "2vn" = 2 violins (''not'' "2 vn")<br />
* "hn 2pf" = horn and 2 pianos<br />
* "vn pf str" = violin and piano playing as solo instruments, accompanied by with a string ensemble<br />
<br />
Different forms of the same instrument should be grouped together, e.g. "2hn" (''not'' "bass hn and alto hn"), except where the is an existing tag for both instruments (e.g. "picc fl", not "2fl"). Any instruments that are marked ''ad lib.'' or 'optional' should be omitted, and a second tag created with the optional instruments included. <br />
<br />
<font color="red">'''The sequence of instruments within each tag ''must'' follow the sequence in the table above'''</font>.<br />
<br />
====Orchestral ensembles====<br />
Use "orch" for a mixed ensemble of winds and strings (with more than one string player per part), with or without percussion; only include individual instruments in the tag if they are designated as soloists throughout (see Concertos below). So a small classical orchestra with one oboe, 2 horns and strings would still be "orch".<br />
<br />
The term "band" has a different meaning in different countries, so we avoid it here, and instead use these tags:<br />
* "ww br" = wind ensemble (consisting of woodwind and brass instruments only)<br />
* "ww br perc" = wind band (woodwind, brass and percussion instruments)<br />
* "ww" = woodwind ensemble (no percussion or brass)<br />
* "br" = brass ensemble (no woodwinds or percussion)<br />
* "br perc" = brass band (no woodwinds)<br />
<br />
For an orchestra made up entirely of traditional Chinese instruments, use "cho".<br />
<br />
====Concertos====<br />
Normally the name of the solo instrument(s) comes before the ensemble. For example<br />
* "pf orch" = solo piano with orchestra<br />
* "vn orch" = solo violin with orchestra<br />
* "vc str" = solo cello and string ensemble<br />
* "hn orch" = solo horn with orchestra<br />
* "vn vc pf orch" = solo violin, cello and piano with orchestra<br />
* "2hp, perc" = 2 harps with percussion<br />
* "2ob str" = 2 solo oboes with strings<br />
<br />
Note that for a concerto grosso, where individual instruments in an orchestra take their turns as soloists, the tag would still be "orch".<br />
<br />
====Chamber/Instrumental works====<br />
For small-scale works, where solo instruments are performing together as individuals instead of part of a group, all the instruments should be listed individually:<br />
* "2vn va vc" = 2 violins, viola and cello (the standard string quartet combination)<br />
* "fl vn va vc" = flute, violin, viola and cello<br />
* "vn vc pf" = violin, cello and piano<br />
* "hn 2crt tba" = horn, 2 cornets, tuba<br />
* "ob 2hn 2vn va pf" = oboe, 2 horns, 2 violins, viola and piano<br />
* "cl bn 2vn va vc db" = clarinet, bassoon, 2 violins, viola, cello and double bass<br />
* "fl 2vn va vc 2hpd" = flute, 2 violins, viola, cello and 2 harpsichords<br />
<br />
Many baroque pieces include a part for "basso continuo" or "continuo" which can be played by unspecified combinations of instruments. This should be treated as a single instrument abbreviated to "bc" and placed at the end of the tag (e.g. "2vn va bc").<br />
<br />
<font color="red">'''If it is unclear whether a work is intended for solo string instruments or for string ensemble, then both possibilities should be tagged'''</font>.<br />
<br />
====Choral Works====<br />
Use the abbreviation "ch" for any chorus consisting of both male and female performers. Otherwise you should choose the appropriate term from the list below:<br />
<br />
{| class="wikitable" style="border:1px #AAA solid; valign=top; width:98%"<br />
!width=35%|Instrument or family<br />
!width=15%|Abbreviation<br />
!width=50%|Notes<br />
|-<br />
| Male chorus (men only)<br />
|bgcolor="#CCFFCC"| mch<br />
| <br />
|-<br />
| Female chorus (women only)<br />
|bgcolor="#CCFFCC"| fch<br />
| <br />
|-<br />
| Children's chorus (boys and/or girls only)<br />
|bgcolor="#CCFFCC"| cch<br />
| <br />
|-<br />
| Unison chorus<br />
|bgcolor="#CCFFCC"| uch<br />
| <br />
|-<br />
| Mixed chorus (male and female)<br />
|bgcolor="#CCFFCC"| ch<br />
| <br />
|}<br />
<br />
The chorus should always be listed before any accompaniment, like this:<br />
* "fch 2hn pf" = female chorus, 2 horns and piano <br />
* "cch orch" = "children's chorus with orchestra"<br />
However, if a piano accompaniment is intended for rehearsal only, the piano part should not be included in the tag. Instead, mention in the "Misc. note" ''for that specific edition'' that there is a piano part ''for rehearsal only''.<br />
<br />
<font color="red">'''If it is unclear whether a work is intended for solo voices or for a chorus, then both possibilities should be tagged'''</font>.<br />
<br />
====Vocal Works====<br />
Choose from the following terms for works involving solo voices (singular / plural):<br />
<br />
{| class="wikitable" style="border:1px #AAA solid; valign=top; width:98%"<br />
!width=35%|Instrument or family<br />
!width=15%|Abbreviation<br />
!width=50%|Notes<br />
|-<br />
| Voice<br />
|bgcolor="#CCFFCC"| v<br />
| use when the range of a single voice is not known or not specified<br />
|-<br />
| Voices<br />
|bgcolor="#CCFFCC"| vv (double '''v''')<br />
| use when the ranges of multiple solo voices are not known or not specified<br />
|-<br />
| Equal voices<br />
|bgcolor="#CCFFCC"| eq<br />
| (e.g. "2eq") use when the range of two or more solo voices are equal but unspecified<br />
|-<br />
| Child's Voice/Children's Voices<br />
|bgcolor="#CCFFCC"| cv<br />
| <br />
|-<br />
| Soprano/Sopranos<br />
|bgcolor="#CCFFCC"| sop<br />
| <br />
|-<br />
| Mezzo-Soprano/Mezzo-Sopranos<br />
|bgcolor="#CCFFCC"| mez<br />
| <br />
|-<br />
| Alto/Altos<br />
|bgcolor="#CCFFCC"| alt<br />
| <br />
|-<br />
| Haute-contre<br />
|bgcolor="#CCFFCC"| alt<br />
|<br />
|-<br />
| Countertenor<br />
|bgcolor="#CCFFCC"| alt<br />
|<br />
|-<br />
| Tenor/Tenors<br />
|bgcolor="#CCFFCC"| ten<br />
| <br />
|-<br />
| Baritone/Baritones<br />
|bgcolor="#CCFFCC"| bar<br />
| <br />
|-<br />
| Bass Baritone/Bass Baritones<br />
|bgcolor="#CCFFCC"| bbar<br />
| <br />
|-<br />
| Bass/Basses<br />
|bgcolor="#CCFFCC"| bass<br />
| do not confuse with the instrumental double bass (db)<br />
|-<br />
| Narrator<br />
|bgcolor="#CCFFCC"| nar<br />
| for spoken dialogue parts only (e.g. Prokofiev's ''Peter and the Wolf'')<br />
|}<br />
<br />
If the range of a solo voice part is not specified then use either ''v'' (singular voice) or ''vv'' (2 or more voices) as required. Examples include:<br />
* "2sop mez bar" = 2 sopranos, mezzo-soprano and baritone<br />
* "2mez 2bbar" = 2 mezzo-sopranos and 2 bass-baritones<br />
* "sop alt ten bass" = solo soprano, alto, tenor and bass voices<br />
* "4vv" = 4 unspecified solo voices<br />
List the solo voices before any choruses or accompaniment<br />
* "4vv ch orch" = 4 voices, chorus, orchestra<br />
* "2sop fch pf" = 2 sopranos, female chorus, piano<br />
* "mez bar orch" = mezzo-soprano and baritone soloists with orchestra<br />
<br />
In the case of operas and operettas with many characters and solo parts it is not necessary to count the number of solo vocal parts. Just use "vv" for voices<br />
* operas ; vv ch orch<br />
Although most operas and operettas are written for the above combination, there are significant exceptions, so make no assumptions!<br />
<br />
Language tags are usually required for vocal works (see below)<br />
<br />
===Special Cases===<br />
====Alternative Instrumentation====<br />
Some works include alternative parts for solo instruments approved by the composer, like the ''Viola or Violin Concerto No.2'' by Anton Stamitz, where the solo instrument can be a violin, viola, or viola d'amore. In such cases more than one tag should be used, e.g.:<br />
* concertos ; vn str ; va str ; vda str<br />
Occasionally a work can exist in two different forms, particularly where a piece for piano was later orchestrated by the composer, like Holst's suite ''The Planets'' (originally written for piano duet, but better known in the composer's orchestral version). This would be tagged as both:<br />
* suites ; pf4h ; orch<br />
<br />
====Open Scores/Unspecified Instruments====<br />
<br />
In Renaissance (and some later) works, each individual voice of a polyphonic composition may be assigned a separate staff, which may only be labelled "soprano" or "canto" (if labelled at all), even though they are intended to be played on instruments rather than sung. This is known as "open scoring", and we have special tags to deal with this situation. For example:<br />
<br />
* open 2sop bass (= for 2 treble parts and 1 bass part)<br />
* open alt 2ten (= for alto and 2 tenor parts)<br />
<br />
... which would respectively appear in the categories:<br />
* For open instrumentation (2 treble, bass)<br />
* For open instrumentation (alto, 2 tenor)<br />
<br />
For ease of use we retain the "sop alt ten bass" ranges in the tags, but the tag for "sop" would be converted to "treble" in the category description. <br />
<br />
Where we only have clefs, without any indications of ranges, the following guide should be used:<br />
<br />
{|class="wikitable"<br />
|-<br />
!Clef!!Usual part name, or applicable voice range!!Preferred<br>voice<br />
|-<br />
|G2||Treble, also Triplum: these days usually sung by female Sopranos<br />
|bgcolor="#CCFFCC"|sop<br />
|-<br />
|C1||Canto/Cantus, or Discantus, Superius: Soprano<br />
|bgcolor="#CCFFCC"|sop<br />
|-<br />
|C2||Medius/Mean (also Cantus, Altus occasionally): might be more of a Mezzo-Soprano (Mez)<br />
|bgcolor="#CCFFCC"|sop (or alt)<br />
|-<br />
|C3||Alto/Altus/Contratenor [altus] (also Tenor occasionally): usually sung by female Contraltos<br />
|bgcolor="#CCFFCC"|alt<br />
|-<br />
|C4||Tenor/Tenore: usually sung by male Tenors<br />
|bgcolor="#CCFFCC"|ten<br />
|-<br />
|C5 = F3||"low" Tenor or "high" Bassus: would be more of a Baritone (bar)<br />
|bgcolor="#CCFFCC"|ten (or bass)<br />
|-<br />
|F4||Basso/Bassus [= ''Contratenor bassus'']: Bass<br />
|bgcolor="#CCFFCC"|bass<br />
|-<br />
|F5||Bassus, usually a basso profundo: Bass<br />
|bgcolor="#CCFFCC"|bass<br />
|-<br />
|}<br />
<br />
If some instruments are specified, but not others, then everything in the tag preceding the "open" would be treated as a normal instrument<br />
<br />
* "sop open 2sop alt bass" = soprano voice with 4 unspecified instruments (2 of which are treble, 1 alto and 1 bass)<br />
<br />
If all else fails, and if it's not possible to identify the instrumentation at all, then use:<br />
* open (= for 1 unspecified instrument)<br />
* 2open (= for 2 unspecified instruments)<br />
* 3open (= for 3 unspecified instruments), etc.<br />
<br><br />
====Jazz or popular works====<br />
* Where a jazz or popular work has a specific instrumentation that can be tagged in the normal way, use the normal tagging system.<br />
* Jazz or popular works that only contain a leadsheet, which is a form of open instrumentation, can be tagged "ldsht". The important thing for a leadsheet is that it contains the chord symbols so that any instrument can improvise on the chord sequence.<br />
* You can also use "ldsht" if the instrument is only partially specific - e.g. oboe, violin, harmony 1, harmony 2 (where chords are provided).<br />
<br><br />
====Works that do not necessarily involve musicians====<br />
Finally, we have some contemporary works, perhaps more "performance art" than music, but the "players" are not using musical instruments. The normal tags cannot be used because they are displayed as, for example, "For 3 instruments". In a case where no musical instruments are used, the tag is "open non-music". The number of players is not tagged. This will display as "For performers not using musical instruments".<br />
<br />
====Undetermined instrumentation====<br />
If the instrumentation of the original work cannot be determined (because IMSLP has only arrangements, and not the original score), then the tag '''und''' may be used. This will place the work into the special category [[:Category:Works with undetermined instrumentation|Works with undetermined instrumentation]], from which they can be removed when the original instrumentation is ascertained.<br />
<br />
==Languages==<br />
An extra tag is used to indicate the language of a vocal or literary work. This should consist of the standard 2-letter codes, some of the most common of which are shown below:<br />
<br />
{| class="wikitable" style="border:1px #AAA solid; valign=top; width:98%"<br />
!width=35%|Language<br />
!width=15%|Abbreviation<br />
!width=50%|Notes<br />
|-<br />
| Afrikaans<br />
|bgcolor="#CCFFCC"| af<br />
| <br />
|-<br />
| Albanian<br />
|bgcolor="#CCFFCC"| sq<br />
| <br />
|-<br />
| Anglo-Saxon<br />
|bgcolor="#CCFFCC"| ang<br />
|<br />
|-<br />
| Apache<br />
|bgcolor="#CCFFCC"| apa<br />
| <br />
|-<br />
| Arabic<br />
|bgcolor="#CCFFCC"| ar<br />
| <br />
|-<br />
| Arabic (South Levantine)<br />
|bgcolor="#CCFFCC"| sjp<br />
| Use for Palestinian Arabic and Jordanian Arabic<br />
|-<br />
| Aragonese<br />
|bgcolor="#CCFFCC"| an<br />
| <br />
|-<br />
| Aramaic<br />
|bgcolor="#CCFFCC"| arc<br />
|<br />
|-<br />
| Arapaho<br />
|bgcolor="#CCFFCC"| arp<br />
| <br />
|-<br />
| Armenian<br />
|bgcolor="#CCFFCC"| hy<br />
| <br />
|-<br />
| Australian (aboriginal)<br />
|bgcolor="#CCFFCC"| aus<br />
| <br />
|-<br />
| Azerbaijani<br />
|bgcolor="#CCFFCC"| az<br />
| <br />
|-<br />
| Basque<br />
|bgcolor="#CCFFCC"| eu<br />
| <br />
|-<br />
| Bengali<br />
|bgcolor="#CCFFCC"| ben<br />
| Also known as "Bangla", but not to be confused with "Bangala"; see [[Wikipedia:Bengali language|Wikipedia article]]<br />
|-<br />
| Bulgarian<br />
|bgcolor="#CCFFCC"| bg<br />
| <br />
|-<br />
| Cantonese<br />
|bgcolor="#CCFFCC"| yue<br />
| Also known as yue language. Used in Guangdong, Guangxi provinces, Hong Kong, Macau, and many Cantonese people around the world.<br />
|-<br />
| Catalan<br />
|bgcolor="#CCFFCC"| ca<br />
| <br />
|-<br />
| Cherokee<br />
|bgcolor="#CCFFCC"| chr<br />
| <br />
|-<br />
| Cheyenne<br />
|bgcolor="#CCFFCC"| chy<br />
| <br />
|-<br />
| Chinese<br />
|bgcolor="#CCFFCC"| zh<br />
| <br />
|-<br />
| Chippewa<br />
|bgcolor="#CCFFCC"| ciw<br />
| Also known as Southwestern Ojibwa, Ojibwe, Ojibway, or Ojibwemowin. See [[wikipedia:Chippewa language|Wikipedia]]; not to be confused with the "Chipewyan" language; Chippewa language is part of the Algonquin group of Native American languages.<br />
|-<br />
| Church Slavonic<br />
|bgcolor="#CCFFCC"| cu<br />
| <br />
|-<br />
| Croatian<br />
|bgcolor="#CCFFCC"| hr<br />
| <br />
|-<br />
| Czech<br />
|bgcolor="#CCFFCC"| cz<br />
|<br />
<br />
|-<br />
| Dakota<br />
|bgcolor="#CCFFCC"| dak<br />
| <br />
|-<br />
| Danish<br />
|bgcolor="#CCFFCC"| da<br />
| <br />
|-<br />
| Dutch<br />
|bgcolor="#CCFFCC"| nl<br />
|Use also for Flemish, which is considered a dialect, and not a separate language.<br />
|-<br />
| Efik<br />
|bgcolor="#CCFFCC"| efi<br />
|<br />
|-<br />
| English<br />
|bgcolor="#CCFFCC"| en<br />
| <br />
|-<br />
| Esan<br />
|bgcolor="#CCFFCC"| ish<br />
|<br />
|-<br />
| Esperanto<br />
|bgcolor="#CCFFCC"| eo<br />
| <br />
|-<br />
| Estonian<br />
|bgcolor="#CCFFCC"| et<br />
| <br />
|-<br />
| Farsi (Persian)<br />
|bgcolor="#CCFFCC"| fa<br />
| <br />
|-<br />
| Finnish<br />
|bgcolor="#CCFFCC"| fi<br />
| <br />
|-<br />
| French<br />
|bgcolor="#CCFFCC"| fr<br />
| <br />
|-<br />
| Friulian<br />
|bgcolor="#CCFFCC"| fur<br />
| A Romance language spoken in the Friuli region of Italy<br />
|-<br />
| Frysian<br />
|bgcolor="#CCFFCC"| fry<br />
| A group of Germanic languages spoken by the Frisian people on the southern fringes of the North Sea<br />
|-<br />
| Gaelic (Irish)<br />
|bgcolor="#CCFFCC"| ge<br />
|<br />
|-<br />
| Gaelic (Scottish)<br />
|bgcolor="#CCFFCC"| gd<br />
|<br />
|-<br />
| Galician<br />
|bgcolor="#CCFFCC"| glg<br />
|<br />
|-<br />
| Georgian<br />
|bgcolor="#CCFFCC"| ka<br />
| <br />
|-<br />
| German<br />
|bgcolor="#CCFFCC"| de<br />
| <br />
|-<br />
| Greek (Ancient)<br />
|bgcolor="#CCFFCC"| grc<br />
| <br />
|-<br />
| Greek (Modern)<br />
|bgcolor="#CCFFCC"| el<br />
| <br />
|-<br />
| Haitian Creole<br />
|bgcolor="#CCFFCC"| ht<br />
| <br />
|-<br />
| Hawaiian<br />
|bgcolor="#CCFFCC"| haw<br />
| <br />
|-<br />
| Hebrew<br />
|bgcolor="#CCFFCC"| he<br />
| <br />
|-<br />
| Hindi<br />
|bgcolor="#CCFFCC"| hi<br />
| <br />
|-<br />
| Hungarian<br />
|bgcolor="#CCFFCC"| hu<br />
| <br />
|-<br />
| Icelandic<br />
|bgcolor="#CCFFCC"| is<br />
| <br />
|-<br />
| Indonesian<br />
|bgcolor="#CCFFCC"| id<br />
| <br />
|-<br />
| Irish (Gaelic)<br />
|bgcolor="#CCFFCC"| ge<br />
|<br />
|-<br />
| Italian<br />
|bgcolor="#CCFFCC"| it<br />
| <br />
|-<br />
| Korean<br />
|bgcolor="#CCFFCC"| ko<br />
| <br />
|-<br />
| Japanese<br />
|bgcolor="#CCFFCC"| ja<br />
| <br />
|-<br />
| Ladino<br />
|bgcolor="#CCFFCC"| lad<br />
| Also known as "Judaeo-Spanish", see [[wikipedia:Judaeo-Spanish|Wikipedia]]<br />
|-<br />
| Latin<br />
|bgcolor="#CCFFCC"| la<br />
| <br />
|-<br />
| Latvian<br />
|bgcolor="#CCFFCC"| lv<br />
|<br />
|-<br />
| Lithuanian<br />
|bgcolor="#CCFFCC"| lt<br />
|<br />
|-<br />
| Luxembourgish (Lëtzeburgesch)<br />
|bgcolor="#CCFFCC"| lb<br />
|[[Wikipedia:Luxembourgish|Wikipedia page for Luxembourgish]]<br />
|-<br />
| Macedonian<br />
|bgcolor="#CCFFCC"| mk<br />
| <br />
|-<br />
| Malayalam<br />
|bgcolor="#CCFFCC"| ml<br />
|Different from "Malay" (the Austronesian language of the Malays, closely related to Indonesian), Malayalam is a Dravidian language spoken mainly in the southern Indian state of Kerala, closely related to Tamil. <br />
|-<br />
| Maltese<br />
|bgcolor="#CCFFCC"| mt<br />
| <br />
|-<br />
| Maori<br />
|bgcolor="#CCFFCC"| mi<br />
|<br />
|-<br />
| Navajo / Navaho<br />
|bgcolor="#CCFFCC"| nv<br />
| <br />
|-<br />
| Neapolitan<br />
|bgcolor="#CCFFCC"| nap<br />
| <br />
|-<br />
| Norwegian<br />
|bgcolor="#CCFFCC"| no<br />
| <br />
|-<br />
| Occitan <br />
|bgcolor="#CCFFCC"| oc<br />
|<br />
|-<br />
| Persian (Farsi)<br />
|bgcolor="#CCFFCC"| fa<br />
| <br />
|-<br />
| Polish<br />
|bgcolor="#CCFFCC"| pl<br />
| <br />
|-<br />
| Portuguese<br />
|bgcolor="#CCFFCC"| pt<br />
| <br />
|-<br />
| Quechua<br />
|bgcolor="#CCFFCC"| qu<br />
| <br />
|-<br />
| Romanian<br />
|bgcolor="CCFFCC"| ro<br />
|<br />
|-<br />
| Russian<br />
|bgcolor="#CCFFCC"| ru<br />
|<br />
|-<br />
| Samoan<br />
|bgcolor="#CCFFCC"| sm<br />
| <br />
|-<br />
| Sanskrit<br />
|bgcolor="#CCFFCC"| sa<br />
| <br />
|-<br />
| Scots<br />
|bgcolor="#CCFFCC"| sc<br />
| use for the Germanic language spoken in the lowlands of Scotland<br />
|-<br />
| Scottish (Gaelic)<br />
|bgcolor="#CCFFCC"| gd<br />
| use for the Celtic language spoken in the Scottish highlands and islands<br />
|-<br />
| Serbian<br />
|bgcolor="#CCFFCC"| sr<br />
|<br />
|-<br />
| Sicilian<br />
|bgcolor="#CCFFCC"| scn<br />
| use for the Romance language of Sicily and its satellite islands; see [[Wikipedia:Sicilian language| Sicilian language]]<br />
|-<br />
| Siouan<br />
|bgcolor="#CCFFCC"| sio<br />
| use for any of the languages in the Siouan group; see [[Wikipedia:Siouan languages|Siouan languages]], including [[Wikipedia:Western Siouan languages|Western Siouan languages]] and [[Wikipedia:Catawban languages|Catawban, or Eastern Siouan, languages]].<br />
|-<br />
| Slovak<br />
|bgcolor="#CCFFCC"| sk<br />
| <br />
|-<br />
| Slovene<br />
|bgcolor="#CCFFCC"| sl<br />
| <br />
|-<br />
| Spanish<br />
|bgcolor="#CCFFCC"| es<br />
| <br />
|-<br />
| Swahili<br />
|bgcolor="#CCFFCC"| sw<br />
| <br />
|-<br />
| Swedish<br />
|bgcolor="#CCFFCC"| sv<br />
| <br />
|-<br />
| Syriac<br />
|bgcolor="#CCFFCC"| syc<br />
| Also known as Syriac Aramaic (N.B. the language of Syria is Arabic). See [[wikipedia:Syriac language|Wikipedia article]]<br />
|-<br />
| Tagalog<br />
|bgcolor="#CCFFCC"| tl<br />
| <br />
|-<br />
| Telugu<br />
|bgcolor="#CCFFCC"| te<br />
| <br />
|-<br />
| Tsonga<br />
|bgcolor="#CCFFCC"| ts<br />
|An African language native to Mozambique, Zimbabwe, South Africa, and Eswatini<br />
|-<br />
| Turkish<br />
|bgcolor="#CCFFCC"| tr<br />
| <br />
|-<br />
| Turkmen<br />
|bgcolor="#CCFFCC"| tk<br />
| Do not confuse with Turkish (from Turkey); Turkmen is the language of Turkmenistan. See [[Wikipedia:Languages of Turkmenistan|Wikipedia]].<br />
|-<br />
| Ukrainian<br />
|bgcolor="#CCFFCC"| uk<br />
| <br />
|-<br />
| Venetian<br />
|bgcolor="#CCFFCC"| vec<br />
| Includes the Trieste dialect<br />
|-<br />
| Vietnamese<br />
|bgcolor="#CCFFCC"| vi<br />
| <br />
|-<br />
| Welsh<br />
|bgcolor="#CCFFCC"| cy<br />
| <br />
|-<br />
| Yiddish<br />
|bgcolor="#CCFFCC"| yi<br />
| <br />
|-<br />
| Yoruba<br />
|bgcolor="#CCFFCC"| yo<br />
| [[Wikipedia:Yoruba language|Wikipedia]]; a language used in West Africa (mostly Southwestern Nigeria) as well as in a few areas of South America (e.g. Brazil) and the Caribbean.<br />
|-<br />
| Zulu<br />
|bgcolor="#CCFFCC"| zu<br />
|<br />
|-<br />
| Zuni / Zuñi<br />
|bgcolor="#CCFFCC"| zun<br />
|<br />
|}<br />
-----<br />
[[IMSLP:Categorization|< Return to the Categorization Project homepage]]</div>
P.davydov
//imslp.org/wiki/Category:Lishin,_Grigory
Category:Lishin, Grigory
2025-09-24T14:14:19Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Born Year=1854|Born Month=4|Born Day=23<br />
|Died Year=1888|Died Month=6|Died Day=15<br />
|Time Period=Romantic<br />
|Nationality=Russian<br />
|Picture=lishin.jpg<br />
|Alternate Names=Григорий Андреевич Лишин ; Grigorij Andrejevič Lišin ; Grigorii Andreevich Lishin ; Grigory Andreyevich Lishin ; Г. Нивлянский<br />
|Biography Link=[[wikipedia:Grigory_Lishin|Wikipedia (stub)]]; [[wikipedia:ru:Лишин, Григорий Андреевич|Wikipedia (in Russian)]]<br />
|List Pages=*{{viaf|180335032}}<br />
*{{ms|100007837}}<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Lischin,_Grigory
Category:Lischin, Grigory
2025-09-24T14:14:14Z
<p>P.davydov: Redirected page to Category:Lishin, Grigory</p>
<hr />
<div>#REDIRECT [[:Category:Lishin, Grigory]]</div>
P.davydov
//imslp.org/wiki/Oh,_Could_I_But_Express_in_Song_(Malashkin,_Leonid)
Oh, Could I But Express in Song (Malashkin, Leonid)
2025-09-24T14:13:05Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
===Synthesized/MIDI===<br />
====For Voice and Orchestra (Harris)====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP1544452-express.mp3<br />
|File Description 1=Synthesized Performance<br />
|Performers=Computer<br />
|Performer Categories=<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/11<br />
|Publisher Information={{LinkName|Christian|Mondrup}}<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
<br />
| *****FILES***** =<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.7698.afc4-39087012055366.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Translator={{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Language=English<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/7698}}<br />
|Uploader=[[User:Yoder|Yoder]]<br />
|Date Submitted=2013/6/9<br />
|Publisher Information={{P|J. & W. Chester||London|1922|||J. W. C. 3883}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
=====For Voice and Orchestra (Harris)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-score-ed.pdf<br />
|File Name 2=PMLP1544452-fl-ed.pdf<br />
|File Name 3=PMLP1544452-cl1-ed.pdf<br />
|File Name 4=PMLP1544452-cl2-ed.pdf<br />
|File Name 5=PMLP1544452-bn1-ed.pdf<br />
|File Name 6=PMLP1544452-bn2-ed.pdf<br />
|File Name 7=PMLP1544452-hn1-ed.pdf<br />
|File Name 8=PMLP1544452-hn2-ed.pdf<br />
|File Name 9=PMLP1544452-hn3-ed.pdf<br />
|File Name 10=PMLP1544452-hn4-ed.pdf<br />
|File Name 11=PMLP1544452-prc-ed.pdf<br />
|File Name 12=PMLP1544452-hrp-ed.pdf<br />
|File Name 13=PMLP1544452-vl1-ed.pdf<br />
|File Name 14=PMLP1544452-vl2-ed.pdf<br />
|File Name 15=PMLP1544452-va-ed.pdf<br />
|File Name 16=PMLP1544452-vc-ed.pdf<br />
|File Name 17=PMLP1544452-cb-ed.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Flute<br />
|File Description 3=Clarinet 1 (B{{flat}})<br />
|File Description 4=Clarinet 2 (B{{flat}})<br />
|File Description 5=Bassoon 1<br />
|File Description 6=Bassoon 2<br />
|File Description 7=Horn 1 (F)<br />
|File Description 8=Horn 2 (F)<br />
|File Description 9=Horn 3 (F)<br />
|File Description 10=Horn 4 (F)<br />
|File Description 11=Cymbals/Bass Drum<br />
|File Description 12=Harp<br />
|File Description 13=Violins I<br />
|File Description 14=Violins II<br />
|File Description 15=Violas<br />
|File Description 16=Cellos<br />
|File Description 17=Basses<br />
|Editor=<br />
|Language=English<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Translator={{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Image Type=Manuscript Scan<br />
|Scanner=New Zealand National Library<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/6<br />
|Publisher Information=[[2 Orchestrated Songs (Various)|''2 Orchestrated Songs'']] (No.2)<br>{{MssD|19|74}}<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=Vl1-ed-TN.jpg<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br>English text by Rosa Newmarch<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-two-songs-sc.pdf<br />
|File Name 2=PMLP1544452-two-songs-voc.pdf<br />
|File Name 3=PMLP1544452-0027-Two-Songs.zip<br />
|File Description 1=Complete Score<br />
|File Description 2=Vocal Score<br />
|File Description 3=Engraving files (MUP, LaTeX, shell script)<br />
|Editor={{LinkEd|Christian|Mondrup|1947|}}<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/5<br />
|Date Submitted 2=2025/9/11<br />
|Publisher Information=[[2 Orchestrated Songs (Various)|''2 Orchestrated Songs'']] (No.2)<br>Christian Mondrup<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Thumb Filename=TN-PMLP1544452-two-songs-sc-4746.jpg<br />
|Misc. Notes=For orchestral parts see {{LinkName|Ian Keith|Harris}}: [[Two_Orchestrated_Songs_(Various)|Two Orchestrated Songs]]<br><br />
{{WIMAProject}}<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Oh, Could I But Express in Song<br />
|Alternative Title=О, если б мог выразить в звуке<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Number of Movements/Sections=<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=<br />
|Year of First Publication=<br />
|Librettist={{LinkLib|Grigory|Lishin|1854|1888}}<br />
|Language=Russian<br />
|Piece Style=Romantic<br />
|External Links={{MusBrnzW|94a7e57b-7c68-46aa-bac2-20071440a1dc}}<br />
|Instrumentation=voice, piano<br />
|Tags=songs ; v pf ; ru<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/2_Orchestrated_Songs_(Various)
2 Orchestrated Songs (Various)
2025-09-24T14:12:34Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP1544452-grenadiers.mp3<br />
|File Name 2=PMLP1544452-express.mp3<br />
|File Description 1=1. Robert Schumann: The Two Grenadiers<br />
|File Description 2=2. Leonid Malashkin: Oh, Could I But Express in Song<br />
|Performers=Computer<br />
|Performer Categories=<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/11<br />
|Publisher Information={{LinkName|Christian|Mondrup}}<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-two-songs-sc.pdf<br />
|File Name 2=PMLP1544452-0027-Two-Songs.zip<br />
|File Description 1=Complete Score<br />
|File Description 2=Engraving files (MUP, LaTeX, shell script)<br />
|Editor={{LinkEd|Christian|Mondrup|1947|}}<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Translator={{LinkTr|William Henry|Furness|1802|1896}}, English text<br>{{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Language=English<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/5<br />
|Date Submitted 2=2025/9/11<br />
|Publisher Information=Christian Mondrup<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Thumb Filename=TN-PMLP1544452-two-songs-sc-4746.jpg<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br><br />
{{WIMAProject}}<br />
}}<br />
====Robert Schumann: The Two Grenadiers (No.1)==== <br />
{{#fte:imslpfile<br />
|File Name 1=PMLP12746-Gren-ed.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Editor=<br />
|Translator={{LinkTr|William Henry|Furness|1802|1896}}, English text<br />
|Language=English<br />
|Image Type=Manuscript Scan<br />
|Scanner=New Zealand National Library<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/8/12<br />
|Publisher Information={{MssD|19|74}}<br />
|Copyright=Creative Commons Zero 1.0<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br>English text based on William Henry Furness's translation.<br />
}}<br />
====Leonid Malashkin: Oh, Could I But Express in Song (No.2)==== <br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-score-ed.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Language=English<br />
|Translator={{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Image Type=Manuscript Scan<br />
|Scanner=New Zealand National Library<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/6<br />
|Publisher Information={{MssD|19|74}}<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP1544452-score-ed-7935.jpg<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br />
}}<br />
<br />
===Parts===<br />
====Complete====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-two-songs-fl1.pdf<br />
|File Name 2=PMLP1544452-two-songs-fl2.pdf<br />
|File Name 3=PMLP1544452-two-songs-ob1.pdf<br />
|File Name 4=PMLP1544452-two-songs-ob2.pdf<br />
|File Name 5=PMLP1544452-two-songs-cl1.pdf<br />
|File Name 6=PMLP1544452-two-songs-cl2.pdf<br />
|File Name 7=PMLP1544452-two-songs-bn1.pdf<br />
|File Name 8=PMLP1544452-two-songs-bn2.pdf<br />
|File Name 9=PMLP1544452-two-songs-cr1.pdf<br />
|File Name 10=PMLP1544452-two-songs-cr2.pdf<br />
|File Name 11=PMLP1544452-two-songs-cr3.pdf<br />
|File Name 12=PMLP1544452-two-songs-cr4.pdf<br />
|File Name 13=PMLP1544452-two-songs-tr1.pdf<br />
|File Name 14=PMLP1544452-two-songs-tr2.pdf<br />
|File Name 15=PMLP1544452-two-songs-tim.pdf<br />
|File Name 16=PMLP1544452-two-songs-prc.pdf<br />
|File Name 17=PMLP1544452-two-songs-hrp.pdf<br />
|File Name 18=PMLP1544452-two-songs-vl1.pdf<br />
|File Name 19=PMLP1544452-two-songs-vl2.pdf<br />
|File Name 20=PMLP1544452-two-songs-va.pdf<br />
|File Name 21=PMLP1544452-two-songs-vc.pdf<br />
|File Name 22=PMLP1544452-two-songs-cb.pdf<br />
|File Name 23=PMLP1544452-0027-Two-Songs.zip<br />
|File Description 1=Flute 1<br />
|File Description 2=Flute 2/Piccolo<br />
|File Description 3=Oboe 1<br />
|File Description 4=Oboe 2<br />
|File Description 5=Clarinet 1 (B{{flat}})<br />
|File Description 6=Clarinet 2 (B{{flat}})<br />
|File Description 7=Bassoon 1<br />
|File Description 8=Bassoon 2<br />
|File Description 9=Horn 1 (F)<br />
|File Description 10=Horn 2 (F)<br />
|File Description 11=Horn 3 (F)<br />
|File Description 12=Horn 4 (F)<br />
|File Description 13=Trumpet 1 (B{{flat}})<br />
|File Description 14=Trumpet 2 (B{{flat}})<br />
|File Description 15=Timpani<br />
|File Description 16=Cymbals/Bass Drum/Tenor Drum (ad lib.)<br />
|File Description 17=Harp<br />
|File Description 18=Violins I<br />
|File Description 19=Violins II<br />
|File Description 20=Violas<br />
|File Description 21=Cellos<br />
|File Description 22=Basses<br />
|File Description 23=Engraving files (MUP, LaTeX, shell script)<br />
|Editor={{LinkEd|Christian|Mondrup|1947|}}<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Translator={{LinkTr|William Henry|Furness|1802|1896}}, {{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Language=English<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/5<br />
|Publisher Information=Christian Mondrup<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Thumb Filename=TN-PMLP1544452-two-songs-fl1-7756.jpg<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br><br />
{{WIMAProject}}<br />
}}<br />
====Robert Schumann: The Two Grenadiers (No.1)==== <br />
{{#fte:imslpfile<br />
|File Name 1=PMLP12746-Gren-fl1-ed.pdf<br />
|File Name 2=PMLP12746-Gren-fl2-ed.pdf<br />
|File Name 3=PMLP12746-Gren-ob1-ed.pdf<br />
|File Name 4=PMLP12746-Gren-ob2-ed.pdf<br />
|File Name 5=PMLP12746-Gren-cl1-ed.pdf<br />
|File Name 6=PMLP12746-Gren-cl2-ed.pdf<br />
|File Name 7=PMLP12746-Gren-bn1-ed.pdf<br />
|File Name 8=PMLP12746-Gren-bn2-ed.pdf<br />
|File Name 9=PMLP12746-Gren-hn1-ed.pdf<br />
|File Name 10=PMLP12746-Gren-hn2-ed.pdf<br />
|File Name 11=PMLP12746-Gren-hn3-ed.pdf<br />
|File Name 12=PMLP12746-Gren-hn4-ed.pdf<br />
|File Name 13=PMLP12746-Gren-tp1-ed.pdf<br />
|File Name 14=PMLP12746-Gren-tp2-ed.pdf<br />
|File Name 15=PMLP12746-Gren-tim-ed.pdf<br />
|File Name 16=PMLP12746-Gren-prc-ed.pdf<br />
|File Name 17=PMLP12746-Gren-tn-drm-ed.pdf<br />
|File Name 18=PMLP12746-Gren-vl1-ed.pdf<br />
|File Name 19=PMLP12746-Gren-vl2-ed.pdf<br />
|File Name 20=PMLP12746-Gren-va-ed.pdf<br />
|File Name 21=PMLP12746-Gren-vc-ed.pdf<br />
|File Name 22=PMLP12746-Gren-cb-ed.pdf<br />
|File Description 1=Flute 1<br />
|File Description 2=Flute 2<br />
|File Description 3=Oboe 1<br />
|File Description 4=Oboe 2<br />
|File Description 5=Clarinet 1 (B{{flat}})<br />
|File Description 6=Clarinet 2 (B{{flat}})<br />
|File Description 7=Bassoon 1<br />
|File Description 8=Bassoon 2<br />
|File Description 9=Horn 1 (F)<br />
|File Description 10=Horn 2 (F)<br />
|File Description 11=Horn 3 (F)<br />
|File Description 12=Horn 4 (F)<br />
|File Description 13=Trumpet 1 (B{{flat}})<br />
|File Description 14=Trumpet 2 (B{{flat}})<br />
|File Description 15=Timpani<br />
|File Description 16=Cymbal/Bass Drum<br />
|File Description 17=Tenor Drum (ad lib.)<br />
|File Description 18=Violins I<br />
|File Description 19=Violins II<br />
|File Description 20=Violas<br />
|File Description 21=Cellos<br />
|File Description 22=Basses<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Editor=<br />
|Translator={{LinkTr|William Henry|Furness|1802|1896}}, English text<br />
|Language=English<br />
|Image Type=Manuscript Scan<br />
|Scanner=New Zealand National Library<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/8/12<br />
|Publisher Information={{MssD|19|74}}<br />
|Copyright=Creative Commons Zero 1.0<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br>English text based on William Henry Furness's translation.<br />
}}<br />
====Leonid Malashkin: Oh, Could I But Express in Song (No.2)==== <br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-fl-ed.pdf<br />
|File Name 2=PMLP1544452-cl1-ed.pdf<br />
|File Name 3=PMLP1544452-cl2-ed.pdf<br />
|File Name 4=PMLP1544452-bn1-ed.pdf<br />
|File Name 5=PMLP1544452-bn2-ed.pdf<br />
|File Name 6=PMLP1544452-hn1-ed.pdf<br />
|File Name 7=PMLP1544452-hn2-ed.pdf<br />
|File Name 8=PMLP1544452-hn3-ed.pdf<br />
|File Name 9=PMLP1544452-hn4-ed.pdf<br />
|File Name 10=PMLP1544452-prc-ed.pdf<br />
|File Name 11=PMLP1544452-hrp-ed.pdf<br />
|File Name 12=PMLP1544452-vl1-ed.pdf<br />
|File Name 13=PMLP1544452-vl2-ed.pdf<br />
|File Name 14=PMLP1544452-va-ed.pdf<br />
|File Name 15=PMLP1544452-vc-ed.pdf<br />
|File Name 16=PMLP1544452-cb-ed.pdf<br />
|File Description 1=Flute<br />
|File Description 2=Clarinet 1 (B{{flat}})<br />
|File Description 3=Clarinet 2 (B{{flat}})<br />
|File Description 4=Bassoon 1<br />
|File Description 5=Bassoon 2<br />
|File Description 6=Horn 1 (F)<br />
|File Description 7=Horn 2 (F)<br />
|File Description 8=Horn 3 (F)<br />
|File Description 9=Horn 4 (F)<br />
|File Description 10=Cymbals/Bass Drum<br />
|File Description 11=Harp<br />
|File Description 12=Violins I<br />
|File Description 13=Violins II<br />
|File Description 14=Violas<br />
|File Description 15=Cellos<br />
|File Description 16=Basses<br />
|Editor=<br />
|Language=English<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Translator={{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Image Type=Manuscript Scan<br />
|Scanner=New Zealand National Library<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/6<br />
|Publisher Information={{MssD|19|74}}<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=Vl1-ed-TN.jpg<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br />
}}<br />
<br />
===Vocal Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1544452-two-songs-voc.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Christian|Mondrup|1947|}}<br />
|Arranger={{LinkArr|Ian Keith|Harris|1935|2024}}<br />
|Translator={{LinkTr|William Henry|Furness|1802|1896}}, {{LinkTr|Rosa|Newmarch|1857|1940}}, English text<br />
|Language=English<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2025/9/11<br />
|Publisher Information=Christian Mondrup<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Thumb Filename=Two-songs-voc-6-TN.jpg<br />
|Misc. Notes=Orchestration written for the [https://en.wikipedia.org/wiki/Lexus_Song_Quest Lexus Song Quest 1974]<br><br />
{{WIMAProject}}<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Two Orchestrated Songs<br />
|Alternative Title=<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=2 songs<br />
|Number of Movements/Sections=2 songs:<br />
#{{LinkCompS|Robert|Schumann}}: [[Romanzen_und_Balladen,_Vol.II,_Op.49_(Schumann,_Robert)|The Two Grenadiers]]<br />
#{{LinkCompS|Leonid|Malashkin}}: [[Oh%2C_Could_I_But_Express_in_Song_(Malashkin%2C_Leonid)|Oh, Could I But Express in Song]]<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=<br />
|Year of First Publication=<br />
|Librettist={{LinkLib|Heinrich|Heine|1797|1856}} (No.1)<br>{{LinkLib|Grigory|Lishin|1854|1888}} (No.2)<br />
|Language=English<br />
|Page Type=Collection<br />
|Piece Style=Romantic<br />
|Instrumentation=baritone, orchestra<br />
|Tags=songs ; bar orch ; en<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}<br />
{{ColCat|Robert|Schumann}}<br />
{{ColCat|Leonid|Malashkin}}<br />
{{ColCat|Ian Keith|Harris}}</div>
P.davydov
//imslp.org/wiki/Os_quantro_ventos_(Tavares,_Luciano)
Os quantro ventos (Tavares, Luciano)
2025-05-10T17:37:42Z
<p>P.davydov: moved Os quantro ventos (Tavares, Luciano) to Os quatro ventos (Tavares, Luciano): author request/typo</p>
<hr />
<div>#REDIRECT [[Os quatro ventos (Tavares, Luciano)]]</div>
P.davydov
//imslp.org/wiki/Os_quatro_ventos_(Tavares,_Luciano)
Os quatro ventos (Tavares, Luciano)
2025-05-10T17:37:42Z
<p>P.davydov: moved Os quantro ventos (Tavares, Luciano) to Os quatro ventos (Tavares, Luciano): author request/typo</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP1518217-Os_quatro_ventos.mid<br />
|File Description 1=midi<br />
|Performers=midi<br />
|Performer Categories=<br />
|Uploader=[[User:Lucliti|Lucliti]]<br />
|Date Submitted=2025/5/10<br />
|Publisher Information=Luciano Tavares, 2025.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=Work for trumpet in Bb, clarinet in Bb, bassoon, tuba<br />
}}<br />
<br />
| *****FILES***** =<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1518217-Os_quatro_ventos.pdf<br />
|File Description 1=Partitura completa<br />
|Editor=<br />
|Image Type=New Composition<br />
|Scanner=composer<br />
|Uploader=[[User:Lucliti|Lucliti]]<br />
|Date Submitted=2025/5/10<br />
|Publisher Information=Luciano Tavares, 2025.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=Work for trumpet in Bb, clarinet in Bb, bassoon, tuba<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1518217-Os_quatro_ventos_-_Bassoon.pdf<br />
|File Name 2=PMLP1518217-Os_quatro_ventos_-_Clarinet_in_Bb.pdf<br />
|File Name 3=PMLP1518217-Os_quatro_ventos_-_Trumpet_in_Bb.pdf<br />
|File Name 4=PMLP1518217-Os_quatro_ventos_-_Tuba.pdf<br />
|File Description 1=bassoon<br />
|File Description 2=clarinet in Bb<br />
|File Description 3=Trumpet in Bb<br />
|File Description 4=Tuba<br />
|Editor=<br />
|Image Type=New Composition<br />
|Scanner=composer<br />
|Uploader=[[User:Lucliti|Lucliti]]<br />
|Date Submitted=2025/5/10<br />
|Publisher Information=Luciano Tavares, 2025.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=Work for trumpet in Bb, clarinet in Bb, bassoon, tuba<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Os quatro ventos<br />
|Alternative Title="O incorruptível"<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=1 movement<br />
|Number of Movements/Sections=1 movement<br />
|Average Duration=10 minutes<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=2025<br />
|Year of First Publication=2025<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Modern<br />
|Instrumentation=trumpet in Bb, clarinet in Bb, bassoon, tuba<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/6_Romances,_Op.6_(Tchaikovsky,_Pyotr)
6 Romances, Op.6 (Tchaikovsky, Pyotr)
2025-05-07T16:15:46Z
<p>P.davydov: duplicated entry</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
=====For Violin and Orchestra=====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP9793-None_but_the_lonely_-_Stern.mp3<br />
|File Description 1=6. None But the Lonely Heart<br />
|Performers=<br />
|Performer Categories=Stern, Isaac=violin;Columbia Symphony Orchestra=orchestra;Katims, Milton=conductor<br />
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]<br />
|Date Submitted=2021/7/14<br />
|Publisher Information={{plain|https://www.discogs.com/pt_BR/Isaac-Stern-None-But-The-Lonely-Heart-Isaac-Stern-Plays-Great-Violin-Favorites/release/4639339|''None but the lonely heart: Isaac Stern plays great violin favorites''}}<br>{{RC||Columbia|New York||1963||MS 6496}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP100782-Hungarian_Dance_-_Stern-4832.jpg<br />
|Misc. Notes=Source: {{plain|https://archive.org/details/nonebutlonelyhea00ster|Internet Archive}}<br />
}}<br />
<br />
===Videos===<br />
=====For Flute and Piano (Tokumei)=====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP9793------------.mp4<br />
|File Description 1=Synthesized Performance<br />
|Performers=midi<br />
|Performer Categories=<br />
|Uploader=[[User:Tama2018|Tama2018]]<br />
|Date Submitted=2020/7/1<br />
|Publisher Information=Taro Tokumei, 2020.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
====Complete====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793-TH093-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Ivan|Shishov}} (1888–1947)<br>{{LinkEd|Nikolay|Shemanin|}} (1903–?) <br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/9/4<br />
|Publisher Information={{TchaikovskyComplete1|44|1940|16971}}{{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
====Why? (No.5)====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793-Tchaikovsky_-_Otchego.pdf<br />
|File Description 1=Complete Score (Otčego?; A major, for contralto)<br />
|Editor=<br />
|Language=Russian / German<br />
|Image Type=Normal Scan<br />
|Scanner={{UWarsaw}}<br />
|Uploader=[[User:PMac|PMac]]<br />
|Date Submitted=2021/6/25<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1892)|||6416}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
====None But the Lonely Heart (No.6)====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-PTchaikovsky_Nur_wer_die_Sehnsucht_kennt,_Op.6_No.6_NMZ_1899_18.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Language=German<br />
|Uploader=[[User:Cypressdome|Cypressdome]]<br />
|Date Submitted=2015/10/11<br />
|Publisher Information={{NMZ|G|1899|18|C.G. 99}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{Cypsub|ca.300dpi, color jpg|3340 by 4240}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky_-_'None_but_the_Lonely_Know,'_Op._6,_No._6.pdf<br />
|File Description 1=Complete Score<br />
|Translator={{LinkTr|George|Cooper|1840|1927}}, English text<br />
|Language=English / German<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Chopin 1810 1849|Chopin_1810_1849]]<br />
|Date Submitted=2007/2/21<br />
|Publisher Information={{P|The University Society||New York||1916||678-CB}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.8975.c272-39087012078533score.pdf<br />
|File Name 2=SIBLEY1802.8975.5f8a-39087012078533color_cover.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Color Cover<br />
|Editor= <br />
|Translator={{LinkTran|Arthur|Westbrook|1878|1952}}, English text<br />
|Language=English / German<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/8975}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2010/10/30<br />
|Publisher Information={{P|Schirmer||New York||||22553}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
====None But the Lonely Heart (No.6)====<br />
=====For Voice and Orchestra (Luck)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-PMLUS03665-00_Tchaik-Luck-Lonely-Heart_-_Conductor_Score.pdf<br />
|File Name 2=PMLP09793-PMLUS03666-01_Tchaik-Luck-Lonely-Heart_-_Flute_1-2.pdf<br />
|File Name 3=PMLP09793-PMLUS03667-02_Tchaik-Luck-Lonely-Heart_-_Oboe,_EH.pdf<br />
|File Name 4=PMLP09793-PMLUS03668-03_Tchaik-Luck-Lonely-Heart_-_Clarinet_1-2.pdf<br />
|File Name 5=PMLP09793-PMLUS03669-04_Tchaik-Luck-Lonely-Heart_-_Bassoon_1-2.pdf<br />
|File Name 6=PMLP09793-PMLUS03670-05_Tchaik-Luck-Lonely-Heart_-_Horn_1-4.pdf<br />
|File Name 7=PMLP09793-PMLUS03671-06_Tchaik-Luck-Lonely-Heart_-_Trumpet_1-3.pdf<br />
|File Name 8=PMLP09793-PMLUS03672-07_Tchaik-Luck-Lonely-Heart_-_Trombone_1-3,_Tuba.pdf<br />
|File Name 9=PMLP09793-PMLUS03673-08_Tchaik-Luck-Lonely-Heart_-_Timpani.pdf<br />
|File Name 10=PMLP09793-PMLUS03674-09_Tchaik-Luck-Lonely-Heart_-_Violins_I.pdf<br />
|File Name 11=PMLP09793-PMLUS03675-10_Tchaik-Luck-Lonely-Heart_-_Violins_II.pdf<br />
|File Name 12=PMLP09793-PMLUS03676-11_Tchaik-Luck-Lonely-Heart_-_Violas.pdf<br />
|File Name 13=PMLP09793-PMLUS03677-12_Tchaik-Luck-Lonely-Heart_-_Cellos.pdf<br />
|File Name 14=PMLP09793-PMLUS03678-13_Tchaik-Luck-Lonely-Heart_-_Basses.pdf<br />
|File Description 1=Complete Score ({{K|Db}})<br />
|File Description 2=Flute 1/2<br />
|File Description 3=Oboe, English Horn<br />
|File Description 4=Clarinet 1/2 (B{{flat}})<br />
|File Description 5=Bassoon 1/2<br />
|File Description 6=Horn 1, 2, 3/4 (F)<br />
|File Description 7=Trumpet 1, 2/3 (B{{flat}})<br />
|File Description 8=Trombone 1/2, 3/Tuba<br />
|File Description 9=Timpani<br />
|File Description 10=Violins I<br />
|File Description 11=Violins II<br />
|File Description 12=Violas<br />
|File Description 13=Cellos<br />
|File Description 14=Basses<br />
|Editor=<br />
|Arranger={{LinkArr|Arthur|Luck|1892|1976}}<br />
|Image Type=Manuscript Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/23<br />
|Publisher Information={{Mss}}<br />
|Reprint={{RpEFKbr}} Catalog A3117.<br />
|Copyright=Public Domain<br />
|Misc. Notes=Version in D{{flat}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-PMLUS03679-01_Tchaik-Luck-Lonely-Heart-Eflat_-_Flute_1-2.pdf<br />
|File Name 2=PMLP09793-PMLUS03680-02_Tchaik-Luck-Lonely-Heart-Eflat_-_Oboe,_English_Horn.pdf<br />
|File Name 3=PMLP09793-PMLUS03681-03_Tchaik-Luck-Lonely-Heart-Eflat_-_Clarinet_1-2.pdf<br />
|File Name 4=PMLP09793-PMLUS03682-04_Tchaik-Luck-Lonely-Heart-Eflat_-_Bassoon_1-2.pdf<br />
|File Name 5=PMLP09793-PMLUS03683-05_Tchaik-Luck-Lonely-Heart-Eflat_-_Horn_1-4.pdf<br />
|File Name 6=PMLP09793-PMLUS03684-06_Tchaik-Luck-Lonely-Heart-Eflat_-_Trumpet_1-3.pdf<br />
|File Name 7=PMLP09793-PMLUS03685-07_Tchaik-Luck-Lonely-Heart-Eflat_-_Trombone_1-3,_Tuba.pdf<br />
|File Name 8=PMLP09793-PMLUS03686-08_Tchaik-Luck-Lonely-Heart-Eflat_-_Timpani.pdf<br />
|File Name 9=PMLP09793-PMLUS03687-09_Tchaik-Luck-Lonely-Heart-Eflat_-_Violins_I.pdf<br />
|File Name 10=PMLP09793-PMLUS03688-10_Tchaik-Luck-Lonely-Heart-Eflat_-_Violins_II.pdf<br />
|File Name 11=PMLP09793-PMLUS03689-11_Tchaik-Luck-Lonely-Heart-Eflat_-_Violas.pdf<br />
|File Name 12=PMLP09793-PMLUS03690-12_Tchaik-Luck-Lonely-Heart-Eflat_-_Cellos.pdf<br />
|File Name 13=PMLP09793-PMLUS03691-13_Tchaik-Luck-Lonely-Heart-Eflat_-_Basses.pdf<br />
|File Description 1=Flute 1/2<br />
|File Description 2=Oboe, English Horn<br />
|File Description 3=Clarinet 1/2 (B{{flat}})<br />
|File Description 4=Bassoon 1/2<br />
|File Description 5=Horn 1, 2, 3/4 (F)<br />
|File Description 6=Trumpet 1, 2/3 (B{{flat}})<br />
|File Description 7=Trombone 1/2, 3/Tuba<br />
|File Description 8=Timpani<br />
|File Description 9=Violins I<br />
|File Description 10=Violins II<br />
|File Description 11=Violas<br />
|File Description 12=Cellos<br />
|File Description 13=Basses<br />
|Editor=<br />
|Arranger={{LinkArr|Arthur|Luck|1892|1976}}<br />
|Image Type=Manuscript Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/23<br />
|Publisher Information={{Mss}}<br />
|Reprint={{RpEFKbr}} Catalog A9076.<br />
|Copyright=Public Domain<br />
|Misc. Notes=Version in E{{flat}}<br />
}}<br />
=====For Theatre Orchestra (Savino)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-PMLUS01775-TRI_ANB_41_12-3.pdf<br />
|File Description 1=Condensed Score and Parts<br />
|Arranger={{LinkArr|Domenico|Savino|1882|1973}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner={{OSU|75082}}<br />
|Uploader=[[User:Feduol|Feduol]]<br />
|Date Submitted=2020/10/13<br />
|Publisher Information=''Schirmer's Galaxy'', No.71/3<br>{{P|Schirmer|G. Schirmer|New York||1915||25307}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SubmissionProject}}<br />
}}<br />
=====For Male Chorus and Piano (Wilson)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793-Only_the_Sad_of_Heart_-_Tchaikovsky_arr_Wilson_P_LR.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Ira B.|Wilson|1880|1950}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner={{IArchS|indiana-maennerchor-sheet-music-archive}}<br />
|Uploader=[[User:Feduol|Feduol]]<br />
|Date Submitted=2023/11/14<br />
|Publisher Information=''Secular Quartets and Choruses for Men's Voices'', No.2624<br>{{P||Lorenz Publishing Co.|Dayton|1939|||2624}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{IMC}}<br />
}}<br />
=====For Violin, Cello and Piano (Felton)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-PT_TRIO_CLUB_Tch_only_a.pdf<br />
|File Name 2=PMLP9793-tchai6romcom.pdf<br />
|File Name 3=PMLP9793-tchai6romvio.pdf<br />
|File Name 4=PMLP9793-tchai6romcel.pdf<br />
|File Description 1=Complete Score and Parts<br />
|File Description 2=Complete Score<br />
|File Description 3=Violin Part<br />
|File Description 4=Cello Part<br />
|Arranger={{LinkArr|William M.|Felton|1887|1942}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=Schalltrichter<br />
|Uploader 1=[[User:Schalltrichter|Schalltrichter]]<br />
|Uploader=[[User:Music Addict|Music Addict]]<br />
|Date Submitted 1=2015/4/1<br />
|Date Submitted=2018/9/25<br />
|Publisher Information={{LinkWork|The Trio Club||Felton|William M.|0}}, ''No.8''<br>{{P|Theodore Presser||Philadelphia||1929}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Flute and Piano (Tokumei)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793---------_----------------_or_--------------.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Taro|Tokumei|1960|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Tama2018|Tama2018]]<br />
|Date Submitted=2020/6/28<br />
|Publisher Information=Taro Tokumei<br />
|Copyright=Public Domain (dedicated)<br />
|Misc. Notes=<br />
}}<br />
=====For Violin and Piano (Elman)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793-SIBLEY1802.3528.554f-39087009594989Sehnsucht.pdf<br />
|File Name 2=PMLP9793-SIBLEY1802.3528.554f-39087009594989Sehnsucht1.pdf<br />
|File Name 3=PMLP9793-SIBLEY1802.3528.554f-39087009594989Sehnsucht2.pdf<br />
|File Description 1=Complete Score and Violin Part<br />
|File Description 2=Complete Score<br />
|File Description 3=Violin Part<br />
|Arranger={{LinkArr|Mischa|Elman|1891|1967}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/3528}}<br />
|Uploader 1=[[User:Isozvaillancourt|Isozvaillancourt]]<br />
|Uploader=[[User:Music Addict|Music Addict]]<br />
|Date Submitted 1=2018/9/11<br />
|Date Submitted=2018/9/14<br />
|Publisher Information={{P|Schirmer|G. Schirmer|New York||1910||21995c}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=#540987: {{SibleyProject}}<br />
}}<br />
=====For Violin and Piano (Seybold)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793-Sey_Tch_ed.pdf<br />
|File Description 1=Complete Score and Violin Part<br />
|Arranger={{LinkArr|Arthur|Seybold|1868|1948}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=Hamburg<br />
|Uploader=[[User:Schalltrichter|Schalltrichter]]<br />
|Date Submitted=2019/10/28<br />
|Publisher Information={{MusikUniv|1944||n.d.|A.J.B. 4526}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP9793-Sey_Tch_ed-3906.jpg<br />
|Misc. Notes=<br />
}}<br />
=====For Cello and Piano (Anonymous)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP9793-Tchaikovsky-Op6.No6-Score.pdf<br />
|File Name 2=PMLP9793-Tchaikovsky-Op6.No6-Cello.pdf<br />
|File Description 1=Complete Score ({{K|C}})<br />
|File Description 2=Cello Part<br />
|Arranger=Anonymous<br />
|Editor=<br />
|Image Type=Manuscript Scan<br />
|Scanner={{Nb|URN:NBN:no-nb_digimanus_167092}}<br />
|Uploader=[[User:Schalltrichter-aufgehoben|Schalltrichter-aufgehoben]]<br />
|Date Submitted=2025/5/5<br />
|Publisher Information={{Mss}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=<br />
|Misc. Notes={{SubmissionProject}}<br />
}}<br />
=====For Violin or Cello and Piano (Sandby)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-2024-03-10-10-46-34-01.PDF<br />
|File Description 1=Complete Score and Cello Part<br />
|Arranger={{LinkArr|Herman|Sandby|1881|1965}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Mark.churchill|Mark.churchill]]<br />
|Date Submitted=2024/8/1<br />
|Publisher Information={{P|The Boston Music Co.||Boston|1917|||B.M.Co. 5351}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=No Violin Part.<br />
}}<br />
=====For Organ (Pollitt)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP09793-87_PieceTchaikovsky.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Arthur Wormald|Pollitt|1878|1933}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/4379}}<br />
|Uploader=[[User:BKhon|BKhon]]<br />
|Date Submitted=2010/8/21<br />
|Publisher Information={{P|Lengnick|Alfred Lengnick & Co.|London||1910||A. L. & Co. 935}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=6 Romances<br />
|Alternative Title=6 романсов<br />
|Opus/Catalogue Number=Op.6 ; TH 93 ; ČW 211-216<br />
|Key={{sb}}<br />
|Movements Header=6 romances<br />
|Number of Movements/Sections=6 romances:<br />
#{{Lied|15838|Do Not Believe, My Friend.}} Moderato assai ({{K|c#}}, 63 bars)<br />
#{{Lied|19227|Not a Word, O My Friend.}} Andante ma non troppo ({{K|e}}, 41 bars)<br />
#{{Lied|13978|Bitterly and Sweetly.}} Allegro vivo ({{K|A}}, 81 bars)<br />
#{{Lied|15863|A Tear Trembles.}} Moderato assai ({{K|Gb}}, 80 bars)<br />
#{{Lied|18474|Why?}} Moderato ({{K|D}}, 41 bars)<br />
#{{Lied|18476|None but the Lonely Heart.}} Andante non tanto ({{K|Db}}, 54 bars)<br />
|Average Duration=18 minutes<br />
|Dedication={{Sb}}<br />
#Aleksandra Menshikova<br />
#{{LinkDed|Nikolay|Kashkin}}<br />
#Aleksandra Kochetova<br />
#Pyotr Jurgenson<br />
#Ivan Klimenko<br />
#Anna Khvostova<br />
|Year/Date of Composition=1869<br />
|Year of First Publication=1869 — Moscow: [[P. Jurgenson]]. 23 pages. Plates 644-649.<br />
|Librettist={{Sb}}<br />
#{{LinkLib|Aleksey|Tolstoy|1817|1875}}<br />
#{{LinkLib|Aleksey|Pleshcheyev|1825|1893}}, after {{LinkLib|Moritz|Hartmann|1821|1872}}<br />
#{{LinkLib|Yevdokiya|Rostopchina|1811|1858}}<br />
#{{LinkLib|Aleksey|Tolstoy|1817|1875}}<br />
#{{LinkLib|Lev|Mey|1822|1862}}, after {{LinkLib|Heinrich|Heine|1797|1856}}<br />
#{{LinkLib|Lev|Mey|1822|1862}}, after {{LinkLib|Johann Wolfgang von|Goethe|1748|1832}}<br />
|Language=Russian<br />
|Piece Style=Romantic<br />
|External Links={{THcat|Six_Romances,_Op._6}}<br>[[wikipedia:None but the Lonely Heart (Tchaikovsky)|Wikipedia article (No.6)]]<br />
|Instrumentation=voice, piano<br />
|Tags=romances ; v pf ; ru<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Ave_Maria_after_Bach%27s_Saraband_(Yokoyama,_Shin-Itchiro)
Ave Maria after Bach's Saraband (Yokoyama, Shin-Itchiro)
2025-01-04T11:59:24Z
<p>P.davydov: moved Ave Maria after Bach's Saraband (Yokoyama, Shin-Itchiro) to Ave Maria after Bach's Sarabande (Yokoyama, Shin-Itchiro): author request</p>
<hr />
<div>#REDIRECT [[Ave Maria after Bach's Sarabande (Yokoyama, Shin-Itchiro)]]</div>
P.davydov
//imslp.org/wiki/Ave_Maria_after_Bach%27s_Sarabande_(Yokoyama,_Shin-Itchiro)
Ave Maria after Bach's Sarabande (Yokoyama, Shin-Itchiro)
2025-01-04T11:59:24Z
<p>P.davydov: moved Ave Maria after Bach's Saraband (Yokoyama, Shin-Itchiro) to Ave Maria after Bach's Sarabande (Yokoyama, Shin-Itchiro): author request</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1484805-Ave_Maria_Bach_Sarabande.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=New Composition<br />
|Scanner=composer<br />
|Uploader=[[User:Shin-Itchiro|Shin-Itchiro]]<br />
|Date Submitted=2024/12/29<br />
|Publisher Information=Shin-Itchiro Yokoyama<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Ave Maria after Bach's Saraband<br />
|Alternative Title=Ave Maria d'après la Sarabande de Bach<br />
|Opus/Catalogue Number=<br />
|Key={{key|G}}<br />
|Movements Header=1<br />
|Number of Movements/Sections=1<br />
|Average Duration=4 minutes<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=2024<br />
|Year of First Publication=2024<br />
|Librettist=<br />
|Language=Latin<br />
|Piece Style=Classical<br />
|Extra Information=Ave Maria for mixed chorus after Bach's Saraband of the 6th Cello Suite<br />
|Instrumentation=mixed chorus (SATB)<br />
|Tags=ave maria ; ch ; la<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Symphony_No.6,_Op.74_(Tchaikovsky,_Pyotr)
Symphony No.6, Op.74 (Tchaikovsky, Pyotr)
2024-08-24T06:48:45Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
====Complete====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP02511-uso20100130-001-tchai-symph6-mvtI_vbr.mp3<br />
|File Name 2=PMLP02511-uso20100130-002-tchai-symph6-mvtII_vbr.mp3<br />
|File Name 3=PMLP02511-uso20100130-003-tchai-symph6-mvtIII_vbr.mp3<br />
|File Name 4=PMLP02511-uso20100130-004-tchai-symph6-mvtIV_vbr.mp3<br />
|File Description 1=1. Adagio - Allegro non troppo<br />
|File Description 2=2. Allegro con grazia<br />
|File Description 3=3. Allegro molto vivace<br />
|File Description 4=4. Finale. Adagio lamentoso<br />
|Performers=<br />
|Performer Categories=University of Chicago Orchestra=orchestra; Schubert, Barbara=conductor<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2011/2/2<br />
|Publisher Information=Chicago: University of Chicago Orchestra<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes=Performed 30 January 2010, Mandel Hall. From {{IArch|uso20100130}}. <br />
}}<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP2511-Tschaikowski_Symph6_ONRDF_Markevitch_25_09_1958.mp3<br />
|File Description 1=Complete Performance<br />
|Performers=<br />
|Performer Categories=Orchestre national de France=orchestra; Markevitch, Igor=conductor<br />
|Uploader=[[User:Rgagnaux|Rgagnaux]]<br />
|Date Submitted=2017/5/8<br />
|Publisher Information=[[wikipedia:Radio_Suisse_Romande|Radio Suisse Romande]], 1958<br />
|Reissue={{Gagnaux|markevitch_igor/tschaikowski_symph6_1958.}}<br />
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0<br />
|Thumb Filename=TN-PMLP2511-Tschaikowski_Symph6_ONRDF_Markevitch_25_09_1958-6398.jpg<br />
|Misc. Notes=Recorded September 25, 1958 {{Plain|http://www.notrehistoire.ch/group/928-septembre-musical-de-montreux|Septembre Musical de Montreux}}{{LicUSOnly}}<br />
}}<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP2511-Symphony_No._6_In_B_Minor,_Op._74,_TH.30_(Piotr_Ilyich_Tchaikovsky).mp3<br />
|File Description 1=Complete Recording<br />
|Performers=<br />
|Performer Categories=Saint Petersburg Philharmonic Orchestra=orchestra;Mravinsky, Yevgeny=conductor<br />
|Uploader=[[User:Vangi|Vangi]]<br />
|Date Submitted=2018/3/27<br />
|Publisher Information={{RC|Deutsche Grammophon||Berlin||1956||LPM 18334}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP2511-Symphony_No._6_In_B_Minor,_Op._74,_TH.30_(Piotr_Ilyich_Tchaikovsky)-8069.jpg<br />
|Misc. Notes=Recorded June 25, 1956 in Vienna, Konzerthaus, Großer Saal.<br />
}}<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP02511-Tschaikowski_Symph6_ONRTF_Kletzki_23_10_1952.mp3<br />
|File Description 1=Complete Recording<br />
|Performers=<br />
|Performer Categories=Orchestre national de France=orchestra; Kletzki, Paul=conductor<br />
|Uploader=[[User:Rgagnaux|Rgagnaux]]<br />
|Date Submitted=2016/4/19<br />
|Publisher Information=[[wikipedia:Radio_France|Radiodiffusion-télévision française]], 1952<br />
|Reissue={{Gagnaux|kletzki_paul/tschaikowski_symph6_1952.html}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=Recorded October 23, 1952 [[wikipedia:Th%C3%A9%C3%A2tre_des_Champs-%C3%89lys%C3%A9es|Théâtre des Champs-Elysées]], Paris.<br />
}}<br />
====Selections: Abridged====<br />
=====For Recorders (Papalin)=====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP02511-S700-61-hbr.mp3<br />
|File Name 2=PMLP02511-S700-62-hbr.mp3<br />
|File Name 3=PMLP02511-S700-63-hbr.mp3<br />
|File Name 4=PMLP02511-S700-64-hbr.mp3<br />
|File Description 1=1. Adagio - Allegro non troppo<br />
|File Description 2=2. Allegro con grazia<br />
|File Description 3=3. Allegro molto vivace<br />
|File Description 4=4. Finale. Adagio lamentoso<br />
|Performers=<br />
|Performer Categories=Papalin=recorder ensemble<br />
|Uploader=[[User:Papalin|Papalin]]<br />
|Date Submitted=2014/11/7<br />
|Publisher Information=Papalin<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP02511-01_Symphony_No._6,_Op._74_1._Adagio_–_Allegro_non_troppo.mp3<br />
|File Name 2=PMLP02511-02_Symphony_No._6,_Op._74_2._Allegro_con_grazia.mp3<br />
|File Name 3=PMLP02511-03_Symphony_No._6,_Op._74_3._Allegro_molto_vivace.mp3<br />
|File Name 4=PMLP02511-04_Symphony_No._6,_Op._74_4._Finale_Adagio_lamentoso_–_Andante.mp3<br />
|File Description 1=1. Adagio - Allegro non troppo<br />
|File Description 2=2. Allegro con grazia<br />
|File Description 3=3. Allegro molto vivace<br />
|File Description 4=4. Finale. Adagio lamentoso<br />
|Performers=Quinn Mason<br />
|Performer Categories=<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2014/11/8<br />
|Publisher Information=What I Make of It Publications, 2014<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Ciaikovskij_-_74_-_Symphony_n.6_b_fs_(Jurgenson).pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner={{RSL}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/6/15<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(ca.1901)|||26600}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-Tchaikovsky_Symphony_6_Score.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/26<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(1945)|||Part.B. 4959}}<br />
|Reprint={{RpEFK}} Catalog A2192.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-Tchaikovsky_-_Symphony_No.6_in_B_minor,_Op.74;_TH_30;_CW_27,_'Pathetic'.pdf<br />
|File Name 2=Tchaikovsky - Symphony No 6 Op 74 - First movement.pdf<br />
|File Name 3=Tchaikovsky - Symphony No 6 Op 74 - Second movement.pdf<br />
|File Name 4=Tchaikovsky - Symphony No 6 Op 74 - Third movement.pdf<br />
|File Name 5=Tchaikovsky - Symphony No 6 Op 74 - Fourth movement.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=1. Adagio — Allegro non troppo<br />
|File Description 3=2. Allegro con grazia<br />
|File Description 4=3. Allegro molto vivace<br />
|File Description 5=4. Finale. Adagio lamentoso<br />
|Editor=<br />
|Scanner=<br />
|Uploader 1=[[User:Music Addict|Music Addict]]<br />
|Uploader=[[User:Feldmahler|Feldmahler]] <br />
|Date Submitted 1=2017/12/12<br />
|Date Submitted=2006/2/28<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(1945)|||Part.B. 4959}}<br />
|Reprint={{P|Dover Publications||New York||1979}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TchaikSym4-6dov.jpg<br />
|Misc. Notes=<br />
|Amazon={{AmazonLinks|0486299546|Dover study score (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-Tchaikovsky_Symph_6_Muzyka_Schott.pdf<br />
|File Name 2=PMLP2511-Tchaikovsky_Symphony_6_Muzyka_(Small_File).pdf<br />
|File Name 3=PMLP2511-Tchaikovsky_Symph6_Mvt1.pdf<br />
|File Name 4=PMLP2511-Tchaikovsky_Symph_6_Mvt2.pdf<br />
|File Name 5=PMLP2511-Tchaikovsky_Symph_6_Mvt3.pdf<br />
|File Name 6=PMLP2511-Tchaikovsky_Symph_6_Mvt4.pdf<br />
|File Description 1=Complete Score (Hi Res)<br />
|File Description 2=Complete Score (Small File)<br />
|File Description 3=1. Adagio — Allegro non troppo<br />
|File Description 4=2. Allegro con grazia<br />
|File Description 5=3. Allegro molto vivace<br />
|File Description 6=4. Adagio lamentoso<br />
|Editor={{LinkEd|Thomas|Kohlhase|1941|}}<br>{{LinkEd|Polina|Vaidman|1947|2016}}<br />
|Image Type=Normal Scan<br />
|Scanner=Zhengjc<br />
|Uploader=[[User:Zhengjc|Zhengjc]]<br />
|Date Submitted=2023/11/6<br />
|Date Submitted 2=2023/11/17<br />
|Date Submitted 3=2023/11/4<br />
|Publisher Information=''New Edition of the Complete Works'' (Band 39b)<br>{{P|Muzgiz||Moscow|1993|||NCE 1039-20}}<br>{{P|Schott|B. Schott's Söhne|Mainz|1993|||B.S.S. 47855}} {{Urtext}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP2511-Tchaikovsky_Symph6_Mvt1-4370.jpg<br />
|Misc. Notes=Critical edition. Vol.39a is facsimile. Vol.39b is this book (Page IX to XIII is the preface in English and Russian). Vol.39c is critical report.<br /> Hi Res file and the 4 movements have resolution 6750x9000. Small File has resolution 4500x6000. <br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-symphonieno60000unse.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Max|Unger|1883|1959}} (Preface)<br />
|Image Type=Normal Scan<br />
|Scanner={{IArch|symphonieno60000unse}}<br />
|Uploader=[[User:Bhm|Bhm]]<br />
|Date Submitted=2024/7/13<br />
|Publisher Information={{P|Eulenburg||Leipzig|n.d.|||3892}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Tchaikovsky-Op74.Flute.pdf<br />
|File Name 2=PMLP02511-Tchaikovsky-Op74.Oboe.pdf<br />
|File Name 3=PMLP02511-Tchaikovsky-Op74.Clarinet.pdf<br />
|File Name 4=PMLP02511-Tchaikovsky-Op74.Bassoon.pdf<br />
|File Name 5=PMLP02511-Tchaikovsky-Op74.Horn.pdf<br />
|File Name 6=PMLP02511-Tchaikovsky-Op74.Trumpet.pdf<br />
|File Name 7=PMLP02511-Tchaikovsky-Op74.LowBrass.pdf<br />
|File Name 8=PMLP02511-Tchaikovsky-Op74.TimpPerc.pdf<br />
|File Name 9=PMLP02511-Tchaikovsky-Op74.Violin1.pdf<br />
|File Name 10=PMLP02511-Tchaikovsky-Op74.Violin2.pdf<br />
|File Name 11=PMLP02511-Tchaikovsky-Op74.Viola.pdf<br />
|File Name 12=PMLP02511-Tchaikovsky_-_Symphony_No6_Op74_Pathetique_(cello-part)a.pdf<br />
|File Name 13=PMLP02511-Tchaikovsky-Op74.Bass.pdf<br />
|File Description 1=Flute 1, 2, 3/Piccolo<br />
|File Description 2=Oboe 1, 2<br />
|File Description 3=Clarinet 1, 2 (A)<br />
|File Description 4=Bassoon 1, 2<br />
|File Description 5=Horn 1, 2, 3, 4 (F)<br />
|File Description 6=Trumpet 1, 2 (B{{flat}}, A)<br />
|File Description 7=Trombone 1, 2, 3, Tuba<br />
|File Description 8=Timpani, Bass Drum/Cymbals/Tam-Tam, Bell<br />
|File Description 9=Violins I<br />
|File Description 10=Violins II<br />
|File Description 11=Violas<br />
|File Description 12=Cellos<br />
|File Description 13=Basses<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Ottaviano|Ottaviano]]<br />
|Uploader 12=[[User:Generoso|Generoso]]<br />
|Date Submitted=2009/9/5<br />
|Date Submitted 12=2009/1/19<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(1945)|||Orch.B. 2576}}<br />
|Reprint={{RpEFK|1960}} Catalog A2192.<br />
|Copyright=Public Domain<br />
|Misc. Notes=See {{ForumTh|35660|discussion}} for errata/misprints.<br />{{OrchPartsProj}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-tschaik6-vla-a4-bearbeitet-300dpi.pdf<br />
|File Name 2=PMLP2511-tschaik6-vla-a4-bearbeitet-300dpi-ohne-ausklappseiten.pdf<br />
|File Name 3=PMLP2511-tschaik6-vla-a4-bearbeitet-300dpi-ausklappseiten.pdf<br />
|File Description 1=Viola (all pages in one file)<br />
|File Description 2=Viola (all pages except for open out pages)<br />
|File Description 3=Viola (open out pages 25a and 27a)<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Hsebasti|Hsebasti]]<br />
|Date Submitted=2017/9/13<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(1945)|||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=Optimized for maximal printing size (use "fit to printable area") and better page turning. Front page included, so duplex or brochure printing can be done without worries. Due to a lack of pauses, pp. 25a and 27a are "open out pages" and thus have to be printed separately and glued on next to pp. 25 and 27 respectively. Some bowings and fingerings included.<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Tchaikovsky_6_Symph_cello_expts_Mandozzi.pdf.pdf<br />
|File Description 1=Cello Part (for auditions)<br />
|Editor={{LinkEd|Orfeo|Mandozzi}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Cellofan|Cellofan]]<br />
|Date Submitted=2015/5/18<br />
|Publisher Information=Vienna: Orfeo Mandozzi 2015<br />
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-Tchaikovsky-Symphony_no_6_-_Bass_Clarinet_from_Bassoon_1_and_2.pdf<br />
|File Description 1=Bass Clarinet (for Bassoons 1 & 2)<br />
|Editor=Jane Thomas<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Madjanev|Madjanev]]<br />
|Date Submitted=2018/1/15<br />
|Publisher Information=Jane Thomas, 2018.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=Bassoons 1 & 2 transposed for Bass Clarinet (B{{Flat}})<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-tch_sym6_viola.pdf<br />
|File Description 1=Viola Part<br />
|Editor={{LinkEd|Edward|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Gigue|Gigue]]<br />
|Date Submitted=2022/9/6<br />
|Publisher Information=Eills, 2022.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=Smaller size with optimized page turning<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
====Complete====<br />
=====For Theatre Orchestra (Edmund)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-PIano_COnductor.pdf<br />
|File Name 2=PMLP2511-Flute_I.pdf<br />
|File Name 3=PMLP2511-Flute_II.pdf<br />
|File Name 4=PMLP2511-Oboe_I_.pdf<br />
|File Name 5=PMLP2511-Oboe_II.pdf<br />
|File Name 6=PMLP2511-Clarinet_I.pdf<br />
|File Name 7=PMLP2511-Clarinet_II.pdf<br />
|File Name 8=PMLP2511-Bassoon.pdf<br />
|File Name 9=PMLP2511-Horns_I_&_II.pdf<br />
|File Name 10=PMLP2511-Horns_III_&_IV.pdf<br />
|File Name 11=PMLP2511-Trumpet_I.pdf<br />
|File Name 12=PMLP2511-Trumpet_II.pdf<br />
|File Name 13=PMLP2511-Trombone_I_&_II.pdf<br />
|File Name 14=PMLP2511-Bass_Trombone.pdf<br />
|File Name 15=PMLP2511-Percussion_.pdf<br />
|File Name 16=PMLP2511-Violin_1.pdf<br />
|File Name 17=PMLP2511-Violin_II_.pdf<br />
|File Name 18=PMLP2511-Viola.pdf<br />
|File Name 19=PMLP2511-cello.pdf<br />
|File Name 20=PMLP2511-bass.pdf<br />
|File Description 1=Piano-Conductor Score<br />
|File Description 2=Flute 1<br />
|File Description 3=Flute 2<br />
|File Description 4=Oboe 1<br />
|File Description 5=Oboe 2<br />
|File Description 6=Clarinet 1<br />
|File Description 7=Clarinet 2<br />
|File Description 8=Bassoon<br />
|File Description 9=Horn 1/2<br />
|File Description 10=Horn 3/4<br />
|File Description 11=Trumpet 1<br />
|File Description 12=Trumpet 2<br />
|File Description 13=Trombone 1/2<br />
|File Description 14=Bass Trombone<br />
|File Description 15=Timpani/Bass Drum/Cymbals/Tam-Tam<br />
|File Description 16=Violins I<br />
|File Description 17=Violins II<br />
|File Description 18=Violas<br />
|File Description 19=Cellos<br />
|File Description 20=Basses<br />
|Arranger={{LinkArr|Edmund|Haensch||1929}}<br />
|Editor=<br />
|Image Type=Manuscript Scan<br />
|Scanner=<br />
|Uploader=[[User:Davidlhardie|Davidlhardie]]<br />
|Date Submitted=2022/11/13<br />
|Publisher Information={{P|Anton J. Benjamin||Leipzig||1925||A.J.B. 7913a}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For 2 Pianos 8 hands (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.17826.aa68-39087012933547piano1.pdf<br />
|File Name 2=SIBLEY1802.17826.db52-39087012933547piano2.pdf<br />
|File Name 3=SIBLEY1802.17826.5dce-39087012933547color_cover.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 2<br />
|File Description 3=Color Cover<br />
|Arranger={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/17826}}<br />
|Uploader=[[User:Morel|Morel]]<br />
|Date Submitted=2011/12/21<br />
|Publisher Information={{P|P. Jurgenson||Moscow||1897||}}<br />
|Reprint={{P|Robert Forberg||Leipzig||||5048}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For 2 Pianos (Schaefer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.16983.7985-39087011954353piano1.pdf<br />
|File Name 2=SIBLEY1802.16983.63ce-39087011954353piano2.pdf<br />
|File Name 3=SIBLEY1802.16983.e14b-39087011954353color_cover.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 2<br />
|File Description 3=Color cover<br />
|Arranger={{LinkArr|Aleksandr|Schaefer|1866|1914}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/16983}}<br />
|Uploader=[[User:Morel|Morel]]<br />
|Date Submitted=2011/10/24<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.[1897]|||20676}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Tchaikovsky-Schaefer_op74_Symphony_-6_(two_pianos)_piano_1.pdf<br />
|File Name 2=SIBLEY1802.10362.80ad-39087012822211piano_1.pdf<br />
|File Name 3=PMLP02511-Tchaikovsky-Schaefer_op74_Symphony_-6_(two_pianos)_piano_2.pdf<br />
|File Name 4=SIBLEY1802.10362.2b49-39087012822211piano_2.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 1<br />
|File Description 3=Piano 2<br />
|File Description 4=Piano 2<br />
|Editor=<br />
|Arranger={{LinkArr|Aleksandr|Schaefer|1866|1914}}<br />
|Image Type=Normal Scan<br />
|Scanner 2,4={{SibleyScan|1802/10362}}<br />
|Uploader 1,3=[[User:Peter|Peter]]<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted 1,3=2009/1/11<br />
|Date Submitted=2010/10/29<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.[1897]|||20676}}<br />
|Reprint={{P|Robert Forberg||Leipzig||||5123}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For Piano 4 hands (Tchaikovsky)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.17627.4612-39087018861940score.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/17627}}<br />
|Uploader=[[User:Morel|Morel]]<br />
|Date Submitted=2011/12/5<br />
|Publisher Information={{P|Schirmer|G. Schirmer|New York||1903||16694}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Op74pf4hKlengel.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Editor={{LinkEd|Paul|Klengel|1854|1935}}<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Alaric|Alaric]]<br />
|Date Submitted=2009/1/22<br />
|Publisher Information={{P|Robert Forberg||Leipzig||1906||4664}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Tchaik_TH030A.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Editor={{LinkEd|Irina|Iordan|1910|1976}}<br />
|Image Type=Normal Scan<br />
|Scanner=P.davydov<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2008/8/16<br />
|Publisher Information={{TchaikovskyComplete2|48|1964|950}}{{Urtext}}<br />
|Reprint={{RpEFK|1965}} Piano Series No.4053<br />
|Copyright=Public Domain<br />
|Misc. Notes=Includes footnotes in Russian (Cyrillic).<br>Original title page and plate numbers omitted in reprint.<br />
}}<br />
=====For Piano (Clutsam)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-TchaikovskyClutsam_SymphonyNo6.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|George Howard|Clutsam|1866|1951}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=afp0815<br />
|Uploader=[[User:Afp0815|Afp0815]]<br />
|Date Submitted=2023/2/23<br />
|Publisher Information={{P|Schott||Mainz|||113|09326/30}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Piano (Klengel)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.8783.b7d1-39087013556792.pdf<br />
|File Name 2=SIBLEY1802.8783.cb37-39087013556792color.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Color Cover<br />
|Arranger={{LinkArr|Paul|Klengel|1854|1935}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/8783}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2010/10/30<br />
|Publisher Information={{P|Robert Forberg||Leipzig||1905||5701}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For Piano (Niemann)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky_symphony6_pno_2h_niemann.pdf<br />
|File Name 2=PMLP02511-Tchaikovsky-Niemann_Symphony-6-1-.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Complete Score<br />
|Editor=<br />
|Arranger={{LinkArr|Walter|Niemann|1876|1953}}<br />
|Image Type=Normal Scan<br />
|Uploader 1=[[User:Goldberg988|Goldberg988]]<br />
|Uploader 2=[[User:Stanishevsky|Stanishevsky]]<br />
|Date Submitted 1=2007/6/15<br />
|Date Submitted 2=2010/4/16<br />
|Publisher Information={{P|Edition Peters|C.F. Peters|Leipzig||1927|3835|10506}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Piano (Pachulski)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Ciaikovskij_-_74_-_Symphony_n.6_b_(2H_Pachulski).pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkArr|Henryk|Pachulski|1859|1921}}<br />
|Image Type=Normal Scan<br />
|Scanner={{RSL}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/6/14<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.[1897]|||20677}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
====Adagio - Allegro non troppo (No.1)====<br />
=====For Piano 4 hands=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Tchaikov-PathTheme.pdf<br />
|File Description 1=Excerpt<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=Olmsted<br />
|Uploader=[[User:Olmsted|Olmsted]]<br />
|Date Submitted=2012/12/21<br />
|Publisher Information=''The Etude Magazine'', April 1918.<br>{{P|Theodore Presser|Theodore Presser Co.|Philadelphia||||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes="Theme" from the 1st movement <br />
}}<br />
====Allegro con grazia (No.2)====<br />
=====For Theater Orchestra (Roberts)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-TRI_ANB_55_7.pdf<br />
|File Description 1=Condensed Score and Parts<br />
|Arranger={{LinkArr|Charles J.|Roberts|1868|1957}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner={{OSU|74095}}<br />
|Uploader=[[User:Feduol|Feduol]]<br />
|Date Submitted=2020/10/7<br />
|Publisher Information=''Carl Fischer's Theatre Orchestra Edition'', No.1608<br>{{P|Carl Fischer||New York||1912||15519-68}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SubmissionProject}}<br />
}}<br />
=====For Cello and Piano (Lier)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Ciaikovskij_-_74_-_Symphony_n.6_b_-_Allegretto_(vc.pf.Van_Lier).pdf<br />
|File Description 1=Complete Score and Cello Part<br />
|Arranger={{LinkArr|Jacques van|Lier|1875|1951}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner={{IArch}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/2/28<br />
|Publisher Information={{P|Robert Forberg||Leipzig||1897||5464}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Tchaikovsky_-_2nd_Mov_of_Symphony_No6_(Pathetique)_Op74_(Lier)_for_Cello_and_Piano_score.pdf<br />
|File Name 2=PMLP02511-Tchaikovsky_-_2nd_Mov_of_Symphony_No6_(Pathetique)_Op74_(Lier)_for_Cello_and_Piano_cello.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Cello Part<br />
|Arranger={{LinkArr|Jacques van|Lier|1875|1951}}<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Generoso|Generoso]]<br />
|Date Submitted=2011/4/23<br />
|Publisher Information={{P|Robert Forberg|Rob. Forberg|Leipzig||1901||5464}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
====Allegro molto vivace (No.3)====<br />
=====*For Brass Ensemble (Beardwood)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP02511-Pathetique_(3rd_Movement).pdf<br />
|File Name 2=PMLP02511-Pathetique_(3rd_Movement)_Trumpet_1.pdf<br />
|File Name 3=PMLP02511-Pathetique_(3rd_Movement)_Trumpet_2.pdf<br />
|File Name 4=PMLP02511-Pathetique_(3rd_Movement)_Trumpet_3.pdf<br />
|File Name 5=PMLP02511-Pathetique_(3rd_Movement)_Trumpet_4.pdf<br />
|File Name 6=PMLP02511-Pathetique_(3rd_Movement)_Horn_1.pdf<br />
|File Name 7=PMLP02511-Pathetique_(3rd_Movement)_Horn_2.pdf<br />
|File Name 8=PMLP02511-Pathetique_(3rd_Movement)_Trombone_1.pdf<br />
|File Name 9=PMLP02511-Pathetique_(3rd_Movement)_Trombone_2.pdf<br />
|File Name 10=PMLP02511-Pathetique_(3rd_Movement)_Tuba_1.pdf<br />
|File Name 11=PMLP02511-Pathetique_(3rd_Movement)_Tuba_2.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Trumpet 1<br />
|File Description 3=Trumpet 2<br />
|File Description 4=Trumpet 3<br />
|File Description 5=Trumpet 4<br />
|File Description 6=Horn 1<br />
|File Description 7=Horn 2<br />
|File Description 8=Trombone 1<br />
|File Description 9=Trombone 2<br />
|File Description 10=Tuba 1<br />
|File Description 11=Tuba 2<br />
|Arranger={{LinkArr|Wayne|Beardwood}}<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Wbeardwood|W.Beardwood]]<br />
|Date Submitted=2014/1/13<br />
|Publisher Information=Wayne Beardwood<br />
|Copyright=Creative Commons Attribution-NonCommercial 3.0<br />
|Misc. Notes=<br />
}}<br />
=====*For Piano (Feinberg)=====<br />
{{crossref|{{LinkWork|Transcriptions of Russian Composers||Feinberg|Samuil|0}} (No.6)}}<br />
====Adagio lamentoso (No.4)====<br />
=====For 2 Violins, 2 Violas and 2 Cellos (Fine)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-Finale_from_Tchaikovsky_6_for_String_Sextet_Score_and_Parts.pdf<br />
|File Description 1=Complete Score and Parts<br />
|Arranger={{LinkArr|Elaine|Fine|1959|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Elainefine|Elainefine]]<br />
|Date Submitted=2020/3/29<br />
|Publisher Information=Elaine Fine, 2020.<br />
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0<br />
|Misc. Notes=Dedicated to the memory of Giorgio Campanini<br />
}}<br />
=====For 5 Double Basses (Terré Garcia)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP2511-tchaikovsky_general.pdf<br />
|File Name 2=PMLP2511-tchaikovsky_1.pdf<br />
|File Name 3=PMLP2511-tchaikovsky_2.pdf<br />
|File Name 4=PMLP2511-tchaikovsky_3.pdf<br />
|File Name 5=PMLP2511-tchaikovsky_4.pdf<br />
|File Name 6=PMLP2511-tchaikovsky_5.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Double Bass 1<br />
|File Description 3=Double Bass 2<br />
|File Description 4=Double Bass 3<br />
|File Description 5=Double Bass 4<br />
|File Description 6=Double Bass 5<br />
|Arranger={{LinkArr|Marc|Terré Garcia|1999|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Marcterre|Marcterre]]<br />
|Date Submitted=2021/7/3<br />
|Publisher Information=Marc Terré Garcia, 2021.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Symphony No.6<br />
|Alternative Title=Pathétique / Патетическая (''Pateticheskaya'')<br />
|Opus/Catalogue Number=Op.74 ; TH 30 ; ČW 27<br />
|Key={{Key|b}}<br />
|Movements Header=4 movements<br />
|Number of Movements/Sections=4 movements:<br />
#Adagio—Allegro non troppo ({{K|b}}, 354 bars)<br />
#Allegro con grazia ({{K|D}}, 179 bars)<br />
#Allegro molto vivace ({{K|G}}, 347 bars)<br />
#Adagio lamentoso ({{K|b}}, 171 bars)<br />
|Average Duration=46 minutes<br />
|Dedication=Vladimir Davydov (1871–1906)<br />
|Year/Date of Composition=1893<br />
|Year of First Publication=1893-94 - Moscow: [[P. Jurgenson]]<br />
:Piano 4 hands arr. (1893)<br>Full score, 227 pages. Plate 19097. (1894)<br />
|First Performance=1893-10-28 in St. Petersburg, Russian Musical Society<br />
:Pyotr Tchaikovsky (conductor)<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Romantic<br />
|Discography={{THcat|Symphony_No._6:_Recordings}}<br />
|External Links={{THcat|Symphony_No._6}}<br>[[wikipedia:Symphony No. 6 (Tchaikovsky)|Wikipedia article]]<br />
|Extra Information=Also arranged for piano 4 hands by Tchaikovsky, 1893<br>It has become tradition in this Symphony for the 2nd clarinet to double on bass clarinet and play 4 notes for the bassoon, at a point where the bassoon takes over a descending line from the clarinet. Apart from the fact that the "hand over" is smoother when the timbres match, the passage goes to pppppp, which is easier on bass clarinet than on bassoon.<br />
|Instrumentation=orchestra<br />
|InstrDetail={{More}} 3 flutes (3rd also piccolo), 2 oboes, 2 clarinets, 2 bassoons<br>4 horns, 2 trumpets, 3 trombones, tuba<br>timpani, cymbals, bass drum, tam-tam ''(ad lib.)'', strings {{MoreEnd}}<br />
|Tags=symphonies ; orch<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
{{Symphonies (Tchaikovsky, Pyotr)}}<br />
<br />
| *****END OF TEMPLATE***** }}<br />
[[Category:Quintuple time]]</div>
P.davydov
//imslp.org/wiki/Italian_Capriccio,_Op.45_(Tchaikovsky,_Pyotr)
Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)
2024-03-23T09:17:11Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP3588-01_Tchaikovsky_Capriccio_italien_op._45.mp3<br />
|File Description 1=Complete Performance<br />
|Performers=<br />
|Performer Categories=New York Philharmonic=orchestra;Bernstein, Leonard=conductor<br />
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]<br />
|Date Submitted=2021/6/16<br />
|Publisher Information={{RC||Columbia|||1963||MS 6477}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Bernsteinconduct00tcha_itemimage.jpg<br />
|Misc. Notes=Source: {{plain|https://archive.org/details/bernsteinconduct00tcha|Internet Archive}}<br />
}}<br />
<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP03588-Tchaikovskycappricio.mp3<br />
|File Description 1=Complete Performance <br />
|Performers=Quinn Mason<br />
|Performer Categories=<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2014/3/8<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Tchaik_Capriccio_Italien_Score.PDF<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/22<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(ca.1910)|||29732/Part.B. 3108}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2024/3/23<br />
|Publisher Information={{TchaikovskyComplete1|25|1961|28816}}{{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45fs.pdf<br />
|File Name 2=Tchaikovsky_-_Cappriccio_Italien_I.pdf<br />
|File Name 3=Tchaikovsky_-_Capriccio_Italien_II.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Segment 1<br />
|File Description 3=Segment 2<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner 1={{Bh2000}}<br />
|Uploader 1=[[User:Carolus|Carolus]]<br />
|Uploader=[[User:Horndude77|Horndude77]] <br />
|Date Submitted 1=2007/1/12<br />
|Date Submitted=2006/7/5<br />
|Publisher Information={{TchaikovskyComplete1|25|1961|28816}}{{Urtext}}<br />
|Reprint={{AmazonDtl|0486252175|''Romeo and Juliet Overture and Capriccio Italien in Full Score''}}<br>{{P|Dover Publications||Mineola||1986}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaik-RJandCIdov.jpg<br />
|Misc. Notes=Original title page and plate numbers omitted in reprint.<br />
|Amazon={{AmazonLinks|0486252175|Dover vol. (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_(1880)_-_Full_Score.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Quinn|Mason}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2015/12/20<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Capriccio_Italien_Pyotr_Ilyich_Tchaikovsky.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Brandon|Amaro}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Omega13a|Omega13a]]<br />
|Date Submitted=2022/8/30<br />
|Publisher Information=Brandon Amaro, 2022.<br />
|Copyright=Public Domain (dedicated)<br />
|Misc. Notes=<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Tchaikovsky-Op45.Flute.pdf<br />
|File Name 2=PMLP03588-Tchaikovsky-Op45.Oboe.pdf<br />
|File Name 3=PMLP03588-Tchaikovsky-Op45.Clarinet.pdf<br />
|File Name 4=PMLP03588-Tchaikovsky-Op45.Bassoon.pdf<br />
|File Name 5=PMLP03588-Tchaikovsky-Op45.Horn.pdf<br />
|File Name 6=PMLP03588-Tchaikovsky-Op45.Trumpet.pdf<br />
|File Name 7=PMLP03588-Tchaikovsky-Op45.Cornet.pdf<br />
|File Name 8=PMLP03588-Tchaikovsky-Op45.LowBrass.pdf<br />
|File Name 9=PMLP03588-Tchaikovsky-Op45.TimpPerc.pdf<br />
|File Name 10=PMLP03588-Tchaikovsky-Op45.Harp.pdf<br />
|File Name 11=PMLP03588-Tchaikovsky-Op45.Violin1.pdf<br />
|File Name 12=PMLP03588-Tchaikovsky-Op45.Violin2.pdf<br />
|File Name 13=PMLP03588-Tchaikovsky-Op45.Viola.pdf<br />
|File Name 14=PMLP03588-Tchaikovsky_-_Capriccio_Italienne_Op45_(cello-part)a.pdf<br />
|File Name 15=PMLP03588-Tchaikovsky-Op45.Bass.pdf<br />
|File Description 1=Flute 1, 2, 3/Piccolo<br />
|File Description 2=Oboe 1, 2, English Horn<br />
|File Description 3=Clarinet 1, 2 (A)<br />
|File Description 4=Bassoon 1, 2<br />
|File Description 5=Horn 1, 2, 3, 4 (F)<br />
|File Description 6=Trumpet 1, 2 (E)<br />
|File Description 7=Cornet 1, 2 (A)<br />
|File Description 8=Trombone 1, 2, 3, Tuba<br />
|File Description 9=Timpani, Percussion<br>(Glockenspiel, Trambourine, Triangle, Bass Drum, Cymbal)<br />
|File Description 10=Harp<br />
|File Description 11=Violins I<br />
|File Description 12=Violins II<br />
|File Description 13=Violas<br />
|File Description 14=Cellos<br />
|File Description 15=Basses<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Ottaviano|Ottaviano]]<br />
|Uploader 14=[[User:Generoso|Generoso]]<br />
|Date Submitted=2009/10/12<br />
|Date Submitted 14=2009/1/18<br />
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig|n.d.(ca.1910)|||Orch.B. 4894}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes={{OrchPartsProj}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-CapItal_Tpt1_(etc).pdf<br />
|File Name 2=PMLP3588-Capriccio_Italien_Clarinet-Bb_Clarinet_1_(etc).pdf<br />
|File Description 1=Cornet/Trumpet 1, 2 (B{{flat}})<br />
|File Description 2=Clarinet 1, 2 (B{{flat}})<br />
|Editor={{LinkEd|Ronan|Goeke|2008|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:MyCatIsAChonk|MyCatIsAChonk]]<br />
|Date Submitted=2022/10/21<br />
|Publisher Information=Ronan Goeke, 2022.<br />
|Copyright=Creative Commons Zero 1.0<br />
|Misc. Notes=Cornet combined with trumpet; in clarinet, some parts were taken up an octave due to range issues<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
=====For Theater Orchestra (Weninger)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-PIano_Conductor.pdf<br />
|File Name 2=PMLP3588-Flute_&_Picc.pdf<br />
|File Name 3=PMLP3588-Oboe.pdf<br />
|File Name 4=PMLP3588-Clar_I.pdf<br />
|File Name 5=PMLP3588-Clar_II.pdf<br />
|File Name 6=PMLP3588-Bassoon.pdf<br />
|File Name 7=PMLP3588-Horns_.pdf<br />
|File Name 8=PMLP3588-Tru_I.pdf<br />
|File Name 9=PMLP3588-Tru_II.pdf<br />
|File Name 10=PMLP3588-trombone.pdf<br />
|File Name 11=PMLP3588-Perc.pdf<br />
|File Name 12=PMLP3588-Harp.pdf<br />
|File Name 13=PMLP3588-Violin_Director.pdf<br />
|File Name 14=PMLP3588-Violin_Obbligato.pdf<br />
|File Name 15=PMLP3588-Viuolin_II.pdf<br />
|File Name 16=PMLP3588-Viola.pdf<br />
|File Name 17=PMLP3588-cello.pdf<br />
|File Name 18=PMLP3588-Bass.pdf<br />
|File Description 1=Piano-Conductor Score<br />
|File Description 2=Flute/Piccolo<br />
|File Description 3=Oboe<br />
|File Description 4=Clarinet 1<br />
|File Description 5=Clarinet 2<br />
|File Description 6=Bassoon<br />
|File Description 7=Horn 1/2<br />
|File Description 8=Trumpet 1<br />
|File Description 9=Trumpet 2<br />
|File Description 10=Trombone<br />
|File Description 11=Percussion<br />
|File Description 12=Harp<br />
|File Description 13=Violin Director<br />
|File Description 14=Violins Obbligato<br />
|File Description 15=Violins II<br />
|File Description 16=Violas<br />
|File Description 17=Cellos<br />
|File Description 18=Basses<br />
|Arranger={{LinkArr|Leopold|Weninger|1879|1940}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Davidlhardie|Davidlhardie]]<br />
|Date Submitted=2022/11/12<br />
|Publisher Information={{P|Anton J. Benjamin||Leipzig|1920|||A.J.B.6655}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Wind Band (Winterbottom)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_Final.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Frank|Winterbottom|1861|1930}}<br />
|Editor=Varnis<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Varnis|Varnis]]<br />
|Date Submitted=2013/11/29<br />
|Publisher Information=Varnis<br />
|Copyright=Creative Commons Attribution-NonCommercial 3.0<br />
|Misc. Notes=Source - London: Hawkes and Son, 1930. Plate H. & S. 6817<br>(Hawkes Journal No.503)<br>in B-flat major<br />
}}<br />
=====For 2 Violins, Viola, Cello and Piano (Webber)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-200214_02Score_(etc).pdf<br />
|File Description 1=Complete Score and Parts (12x18 booklets)<br />
|Arranger={{LinkArr|John|Webber|1949|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Jcwebber|Jcwebber]]<br />
|Date Submitted=2020/12/26<br />
|Publisher Information=John Webber<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP3588-200214_02Score_(etc)-2557.jpg<br />
|Misc. Notes=<br />
}}<br />
=====For 2 Pianos 8 hands (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.15899.6a68-39087012933331piano1.pdf<br />
|File Name 2=SIBLEY1802.15899.ddc2-39087012933331piano2.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 2<br />
|Editor={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/15899}}<br />
|Uploader=[[User:Aldona|Aldona Jones]]<br />
|Date Submitted=2012/5/19<br />
|Publisher Information={{P|P. Jurgenson||Moscow||||21309}}<br />
|Reprint={{P|D. Rahter||Hamburg||||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For 2 Pianos (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45-2pf.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/3028}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2007/1/12<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1884)|||5868}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For Piano 4 hands (Tchaikovsky)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky_-_CapriccioItalien_-_Rahter.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/4105}}<br />
|Uploader=[[User:Peter|Peter]]<br />
|Date Submitted=2007/6/23<br />
|Publisher Information={{P|D. Rahter||Hamburg|n.d.(1881)|||2936}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaikovsky - CapriccioItalien - Rahter - Preview.png<br />
|Sample Filename=Tchaikovsky - CapriccioItalien - Rahter - Sample.png<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047P-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Editor={{LinkEd|Irina|Iordan|1910|1976}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/6/9<br />
|Publisher Information={{TchaikovskyComplete2|50A|1965|1050}} {{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Piano (Pachulski)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Ciaikovskij_-_45_-_Capriccio_Italiano_(2H_Pachulski).pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Henryk|Pachulski|1859|1921}}<br />
|Image Type=Normal Scan<br />
|Scanner={{RSL}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/6/14<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1900)|||25033}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Italian Capriccio<br />
|Alternative Title=Итальяанское каприччио (''Italyanskoe kaprichchio''), Capriccio italien<br />
|Opus/Catalogue Number=Op.45 ; TH 47<br />
|Key={{Key|A}}<br />
|Movements Header=Andante un poco rubato — Pochissimo più mosso — Allegro moderato<br />
|Number of Movements/Sections=Andante un poco rubato—Pochissimo più mosso—Allegro moderato (633 bars)<br />
|Dedication={{LinkDed|Karl|Davydov|1838|1889}}<br />
|Year/Date of Composition=1880<br />
|Year of First Publication=1880 - Moscow: [[P. Jurgenson]]<br />
*Full score, 97 pages. Plate 4056.<br />
*Piano 4 hands<br />
|First Performance=1880/12/18 in Moscow, Russian Musical Society<br />
:RMS orchestra, {{LinkName|Nikolay|Rubinstein}} (conductor)<br />
|Average Duration=16 minutes<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Romantic<br />
|Extra Information=Also arranged for piano 4 hands by Tchaikovsky, 1880<br />
|External Links={{THcat|Italian_Capriccio}}<br>[[wikipedia:Capriccio_Italien|Wikipedia article]]<br />
|Instrumentation=orchestra<br />
|InstrDetail={{More}} piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons,<br>4 horns, 2 cornets, 2 trumpets, 3 trombones, tuba<br>timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp, strings {{MoreEnd}}<br />
|Tags=capriccios ; orch<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Italian_Capriccio,_Op.45_(Tchaikovsky,_Pyotr)
Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)
2024-03-23T09:16:22Z
<p>P.davydov: Added 0 files and 1 duplicates to Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP3588-01_Tchaikovsky_Capriccio_italien_op._45.mp3<br />
|File Description 1=Complete Performance<br />
|Performers=<br />
|Performer Categories=New York Philharmonic=orchestra;Bernstein, Leonard=conductor<br />
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]<br />
|Date Submitted=2021/6/16<br />
|Publisher Information={{RC||Columbia|||1963||MS 6477}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Bernsteinconduct00tcha_itemimage.jpg<br />
|Misc. Notes=Source: {{plain|https://archive.org/details/bernsteinconduct00tcha|Internet Archive}}<br />
}}<br />
<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP03588-Tchaikovskycappricio.mp3<br />
|File Description 1=Complete Performance <br />
|Performers=Quinn Mason<br />
|Performer Categories=<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2014/3/8<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Tchaik_Capriccio_Italien_Score.PDF<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/22<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(ca.1910)|||29732/Part.B. 3108}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45fs.pdf<br />
|File Name 2=Tchaikovsky_-_Cappriccio_Italien_I.pdf<br />
|File Name 3=Tchaikovsky_-_Capriccio_Italien_II.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Segment 1<br />
|File Description 3=Segment 2<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner 1={{Bh2000}}<br />
|Uploader 1=[[User:Carolus|Carolus]]<br />
|Uploader=[[User:Horndude77|Horndude77]] <br />
|Date Submitted 1=2007/1/12<br />
|Date Submitted=2006/7/5<br />
|Publisher Information={{TchaikovskyComplete1|25|1961|28816}}{{Urtext}}<br />
|Reprint={{AmazonDtl|0486252175|''Romeo and Juliet Overture and Capriccio Italien in Full Score''}}<br>{{P|Dover Publications||Mineola||1986}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaik-RJandCIdov.jpg<br />
|Misc. Notes=Original title page and plate numbers omitted in reprint.<br />
|Amazon={{AmazonLinks|0486252175|Dover vol. (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_(1880)_-_Full_Score.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Quinn|Mason}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2015/12/20<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Capriccio_Italien_Pyotr_Ilyich_Tchaikovsky.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Brandon|Amaro}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Omega13a|Omega13a]]<br />
|Date Submitted=2022/8/30<br />
|Publisher Information=Brandon Amaro, 2022.<br />
|Copyright=Public Domain (dedicated)<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2024/3/23<br />
|Publisher Information={{P|Muzgiz||Moscow|1961|||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Tchaikovsky-Op45.Flute.pdf<br />
|File Name 2=PMLP03588-Tchaikovsky-Op45.Oboe.pdf<br />
|File Name 3=PMLP03588-Tchaikovsky-Op45.Clarinet.pdf<br />
|File Name 4=PMLP03588-Tchaikovsky-Op45.Bassoon.pdf<br />
|File Name 5=PMLP03588-Tchaikovsky-Op45.Horn.pdf<br />
|File Name 6=PMLP03588-Tchaikovsky-Op45.Trumpet.pdf<br />
|File Name 7=PMLP03588-Tchaikovsky-Op45.Cornet.pdf<br />
|File Name 8=PMLP03588-Tchaikovsky-Op45.LowBrass.pdf<br />
|File Name 9=PMLP03588-Tchaikovsky-Op45.TimpPerc.pdf<br />
|File Name 10=PMLP03588-Tchaikovsky-Op45.Harp.pdf<br />
|File Name 11=PMLP03588-Tchaikovsky-Op45.Violin1.pdf<br />
|File Name 12=PMLP03588-Tchaikovsky-Op45.Violin2.pdf<br />
|File Name 13=PMLP03588-Tchaikovsky-Op45.Viola.pdf<br />
|File Name 14=PMLP03588-Tchaikovsky_-_Capriccio_Italienne_Op45_(cello-part)a.pdf<br />
|File Name 15=PMLP03588-Tchaikovsky-Op45.Bass.pdf<br />
|File Description 1=Flute 1, 2, 3/Piccolo<br />
|File Description 2=Oboe 1, 2, English Horn<br />
|File Description 3=Clarinet 1, 2 (A)<br />
|File Description 4=Bassoon 1, 2<br />
|File Description 5=Horn 1, 2, 3, 4 (F)<br />
|File Description 6=Trumpet 1, 2 (E)<br />
|File Description 7=Cornet 1, 2 (A)<br />
|File Description 8=Trombone 1, 2, 3, Tuba<br />
|File Description 9=Timpani, Percussion<br>(Glockenspiel, Trambourine, Triangle, Bass Drum, Cymbal)<br />
|File Description 10=Harp<br />
|File Description 11=Violins I<br />
|File Description 12=Violins II<br />
|File Description 13=Violas<br />
|File Description 14=Cellos<br />
|File Description 15=Basses<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Ottaviano|Ottaviano]]<br />
|Uploader 14=[[User:Generoso|Generoso]]<br />
|Date Submitted=2009/10/12<br />
|Date Submitted 14=2009/1/18<br />
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig|n.d.(ca.1910)|||Orch.B. 4894}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes={{OrchPartsProj}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-CapItal_Tpt1_(etc).pdf<br />
|File Name 2=PMLP3588-Capriccio_Italien_Clarinet-Bb_Clarinet_1_(etc).pdf<br />
|File Description 1=Cornet/Trumpet 1, 2 (B{{flat}})<br />
|File Description 2=Clarinet 1, 2 (B{{flat}})<br />
|Editor={{LinkEd|Ronan|Goeke|2008|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:MyCatIsAChonk|MyCatIsAChonk]]<br />
|Date Submitted=2022/10/21<br />
|Publisher Information=Ronan Goeke, 2022.<br />
|Copyright=Creative Commons Zero 1.0<br />
|Misc. Notes=Cornet combined with trumpet; in clarinet, some parts were taken up an octave due to range issues<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
=====For Theater Orchestra (Weninger)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-PIano_Conductor.pdf<br />
|File Name 2=PMLP3588-Flute_&_Picc.pdf<br />
|File Name 3=PMLP3588-Oboe.pdf<br />
|File Name 4=PMLP3588-Clar_I.pdf<br />
|File Name 5=PMLP3588-Clar_II.pdf<br />
|File Name 6=PMLP3588-Bassoon.pdf<br />
|File Name 7=PMLP3588-Horns_.pdf<br />
|File Name 8=PMLP3588-Tru_I.pdf<br />
|File Name 9=PMLP3588-Tru_II.pdf<br />
|File Name 10=PMLP3588-trombone.pdf<br />
|File Name 11=PMLP3588-Perc.pdf<br />
|File Name 12=PMLP3588-Harp.pdf<br />
|File Name 13=PMLP3588-Violin_Director.pdf<br />
|File Name 14=PMLP3588-Violin_Obbligato.pdf<br />
|File Name 15=PMLP3588-Viuolin_II.pdf<br />
|File Name 16=PMLP3588-Viola.pdf<br />
|File Name 17=PMLP3588-cello.pdf<br />
|File Name 18=PMLP3588-Bass.pdf<br />
|File Description 1=Piano-Conductor Score<br />
|File Description 2=Flute/Piccolo<br />
|File Description 3=Oboe<br />
|File Description 4=Clarinet 1<br />
|File Description 5=Clarinet 2<br />
|File Description 6=Bassoon<br />
|File Description 7=Horn 1/2<br />
|File Description 8=Trumpet 1<br />
|File Description 9=Trumpet 2<br />
|File Description 10=Trombone<br />
|File Description 11=Percussion<br />
|File Description 12=Harp<br />
|File Description 13=Violin Director<br />
|File Description 14=Violins Obbligato<br />
|File Description 15=Violins II<br />
|File Description 16=Violas<br />
|File Description 17=Cellos<br />
|File Description 18=Basses<br />
|Arranger={{LinkArr|Leopold|Weninger|1879|1940}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Davidlhardie|Davidlhardie]]<br />
|Date Submitted=2022/11/12<br />
|Publisher Information={{P|Anton J. Benjamin||Leipzig|1920|||A.J.B.6655}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Wind Band (Winterbottom)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_Final.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Frank|Winterbottom|1861|1930}}<br />
|Editor=Varnis<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Varnis|Varnis]]<br />
|Date Submitted=2013/11/29<br />
|Publisher Information=Varnis<br />
|Copyright=Creative Commons Attribution-NonCommercial 3.0<br />
|Misc. Notes=Source - London: Hawkes and Son, 1930. Plate H. & S. 6817<br>(Hawkes Journal No.503)<br>in B-flat major<br />
}}<br />
=====For 2 Violins, Viola, Cello and Piano (Webber)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-200214_02Score_(etc).pdf<br />
|File Description 1=Complete Score and Parts (12x18 booklets)<br />
|Arranger={{LinkArr|John|Webber|1949|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Jcwebber|Jcwebber]]<br />
|Date Submitted=2020/12/26<br />
|Publisher Information=John Webber<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP3588-200214_02Score_(etc)-2557.jpg<br />
|Misc. Notes=<br />
}}<br />
=====For 2 Pianos 8 hands (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.15899.6a68-39087012933331piano1.pdf<br />
|File Name 2=SIBLEY1802.15899.ddc2-39087012933331piano2.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 2<br />
|Editor={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/15899}}<br />
|Uploader=[[User:Aldona|Aldona Jones]]<br />
|Date Submitted=2012/5/19<br />
|Publisher Information={{P|P. Jurgenson||Moscow||||21309}}<br />
|Reprint={{P|D. Rahter||Hamburg||||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For 2 Pianos (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45-2pf.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/3028}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2007/1/12<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1884)|||5868}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For Piano 4 hands (Tchaikovsky)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky_-_CapriccioItalien_-_Rahter.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/4105}}<br />
|Uploader=[[User:Peter|Peter]]<br />
|Date Submitted=2007/6/23<br />
|Publisher Information={{P|D. Rahter||Hamburg|n.d.(1881)|||2936}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaikovsky - CapriccioItalien - Rahter - Preview.png<br />
|Sample Filename=Tchaikovsky - CapriccioItalien - Rahter - Sample.png<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047P-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Editor={{LinkEd|Irina|Iordan|1910|1976}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/6/9<br />
|Publisher Information={{TchaikovskyComplete2|50A|1965|1050}} {{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Piano (Pachulski)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Ciaikovskij_-_45_-_Capriccio_Italiano_(2H_Pachulski).pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Henryk|Pachulski|1859|1921}}<br />
|Image Type=Normal Scan<br />
|Scanner={{RSL}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/6/14<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1900)|||25033}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Italian Capriccio<br />
|Alternative Title=Итальяанское каприччио (''Italyanskoe kaprichchio''), Capriccio italien<br />
|Opus/Catalogue Number=Op.45 ; TH 47<br />
|Key={{Key|A}}<br />
|Movements Header=Andante un poco rubato — Pochissimo più mosso — Allegro moderato<br />
|Number of Movements/Sections=Andante un poco rubato—Pochissimo più mosso—Allegro moderato (633 bars)<br />
|Dedication={{LinkDed|Karl|Davydov|1838|1889}}<br />
|Year/Date of Composition=1880<br />
|Year of First Publication=1880 - Moscow: [[P. Jurgenson]]<br />
*Full score, 97 pages. Plate 4056.<br />
*Piano 4 hands<br />
|First Performance=1880/12/18 in Moscow, Russian Musical Society<br />
:RMS orchestra, {{LinkName|Nikolay|Rubinstein}} (conductor)<br />
|Average Duration=16 minutes<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Romantic<br />
|Extra Information=Also arranged for piano 4 hands by Tchaikovsky, 1880<br />
|External Links={{THcat|Italian_Capriccio}}<br>[[wikipedia:Capriccio_Italien|Wikipedia article]]<br />
|Instrumentation=orchestra<br />
|InstrDetail={{More}} piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons,<br>4 horns, 2 cornets, 2 trumpets, 3 trombones, tuba<br>timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp, strings {{MoreEnd}}<br />
|Tags=capriccios ; orch<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/File:PMLP3588-TH047-PSSM.pdf
File:PMLP3588-TH047-PSSM.pdf
2024-03-23T09:16:20Z
<p>P.davydov: </p>
<hr />
<div></div>
P.davydov
//imslp.org/wiki/Italian_Capriccio,_Op.45_(Tchaikovsky,_Pyotr)
Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)
2024-03-23T09:14:53Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP3588-01_Tchaikovsky_Capriccio_italien_op._45.mp3<br />
|File Description 1=Complete Performance<br />
|Performers=<br />
|Performer Categories=New York Philharmonic=orchestra;Bernstein, Leonard=conductor<br />
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]<br />
|Date Submitted=2021/6/16<br />
|Publisher Information={{RC||Columbia|||1963||MS 6477}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Bernsteinconduct00tcha_itemimage.jpg<br />
|Misc. Notes=Source: {{plain|https://archive.org/details/bernsteinconduct00tcha|Internet Archive}}<br />
}}<br />
<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP03588-Tchaikovskycappricio.mp3<br />
|File Description 1=Complete Performance <br />
|Performers=Quinn Mason<br />
|Performer Categories=<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2014/3/8<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Tchaik_Capriccio_Italien_Score.PDF<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/22<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(ca.1910)|||29732/Part.B. 3108}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45fs.pdf<br />
|File Name 2=Tchaikovsky_-_Cappriccio_Italien_I.pdf<br />
|File Name 3=Tchaikovsky_-_Capriccio_Italien_II.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Segment 1<br />
|File Description 3=Segment 2<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner 1={{Bh2000}}<br />
|Uploader 1=[[User:Carolus|Carolus]]<br />
|Uploader=[[User:Horndude77|Horndude77]] <br />
|Date Submitted 1=2007/1/12<br />
|Date Submitted=2006/7/5<br />
|Publisher Information={{TchaikovskyComplete1|25|1961|28816}}{{Urtext}}<br />
|Reprint={{AmazonDtl|0486252175|''Romeo and Juliet Overture and Capriccio Italien in Full Score''}}<br>{{P|Dover Publications||Mineola||1986}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaik-RJandCIdov.jpg<br />
|Misc. Notes=Original title page and plate numbers omitted in reprint.<br />
|Amazon={{AmazonLinks|0486252175|Dover vol. (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_(1880)_-_Full_Score.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Quinn|Mason}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2015/12/20<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Capriccio_Italien_Pyotr_Ilyich_Tchaikovsky.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Brandon|Amaro}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Omega13a|Omega13a]]<br />
|Date Submitted=2022/8/30<br />
|Publisher Information=Brandon Amaro, 2022.<br />
|Copyright=Public Domain (dedicated)<br />
|Misc. Notes=<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Tchaikovsky-Op45.Flute.pdf<br />
|File Name 2=PMLP03588-Tchaikovsky-Op45.Oboe.pdf<br />
|File Name 3=PMLP03588-Tchaikovsky-Op45.Clarinet.pdf<br />
|File Name 4=PMLP03588-Tchaikovsky-Op45.Bassoon.pdf<br />
|File Name 5=PMLP03588-Tchaikovsky-Op45.Horn.pdf<br />
|File Name 6=PMLP03588-Tchaikovsky-Op45.Trumpet.pdf<br />
|File Name 7=PMLP03588-Tchaikovsky-Op45.Cornet.pdf<br />
|File Name 8=PMLP03588-Tchaikovsky-Op45.LowBrass.pdf<br />
|File Name 9=PMLP03588-Tchaikovsky-Op45.TimpPerc.pdf<br />
|File Name 10=PMLP03588-Tchaikovsky-Op45.Harp.pdf<br />
|File Name 11=PMLP03588-Tchaikovsky-Op45.Violin1.pdf<br />
|File Name 12=PMLP03588-Tchaikovsky-Op45.Violin2.pdf<br />
|File Name 13=PMLP03588-Tchaikovsky-Op45.Viola.pdf<br />
|File Name 14=PMLP03588-Tchaikovsky_-_Capriccio_Italienne_Op45_(cello-part)a.pdf<br />
|File Name 15=PMLP03588-Tchaikovsky-Op45.Bass.pdf<br />
|File Description 1=Flute 1, 2, 3/Piccolo<br />
|File Description 2=Oboe 1, 2, English Horn<br />
|File Description 3=Clarinet 1, 2 (A)<br />
|File Description 4=Bassoon 1, 2<br />
|File Description 5=Horn 1, 2, 3, 4 (F)<br />
|File Description 6=Trumpet 1, 2 (E)<br />
|File Description 7=Cornet 1, 2 (A)<br />
|File Description 8=Trombone 1, 2, 3, Tuba<br />
|File Description 9=Timpani, Percussion<br>(Glockenspiel, Trambourine, Triangle, Bass Drum, Cymbal)<br />
|File Description 10=Harp<br />
|File Description 11=Violins I<br />
|File Description 12=Violins II<br />
|File Description 13=Violas<br />
|File Description 14=Cellos<br />
|File Description 15=Basses<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Ottaviano|Ottaviano]]<br />
|Uploader 14=[[User:Generoso|Generoso]]<br />
|Date Submitted=2009/10/12<br />
|Date Submitted 14=2009/1/18<br />
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig|n.d.(ca.1910)|||Orch.B. 4894}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes={{OrchPartsProj}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-CapItal_Tpt1_(etc).pdf<br />
|File Name 2=PMLP3588-Capriccio_Italien_Clarinet-Bb_Clarinet_1_(etc).pdf<br />
|File Description 1=Cornet/Trumpet 1, 2 (B{{flat}})<br />
|File Description 2=Clarinet 1, 2 (B{{flat}})<br />
|Editor={{LinkEd|Ronan|Goeke|2008|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:MyCatIsAChonk|MyCatIsAChonk]]<br />
|Date Submitted=2022/10/21<br />
|Publisher Information=Ronan Goeke, 2022.<br />
|Copyright=Creative Commons Zero 1.0<br />
|Misc. Notes=Cornet combined with trumpet; in clarinet, some parts were taken up an octave due to range issues<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
=====For Theater Orchestra (Weninger)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-PIano_Conductor.pdf<br />
|File Name 2=PMLP3588-Flute_&_Picc.pdf<br />
|File Name 3=PMLP3588-Oboe.pdf<br />
|File Name 4=PMLP3588-Clar_I.pdf<br />
|File Name 5=PMLP3588-Clar_II.pdf<br />
|File Name 6=PMLP3588-Bassoon.pdf<br />
|File Name 7=PMLP3588-Horns_.pdf<br />
|File Name 8=PMLP3588-Tru_I.pdf<br />
|File Name 9=PMLP3588-Tru_II.pdf<br />
|File Name 10=PMLP3588-trombone.pdf<br />
|File Name 11=PMLP3588-Perc.pdf<br />
|File Name 12=PMLP3588-Harp.pdf<br />
|File Name 13=PMLP3588-Violin_Director.pdf<br />
|File Name 14=PMLP3588-Violin_Obbligato.pdf<br />
|File Name 15=PMLP3588-Viuolin_II.pdf<br />
|File Name 16=PMLP3588-Viola.pdf<br />
|File Name 17=PMLP3588-cello.pdf<br />
|File Name 18=PMLP3588-Bass.pdf<br />
|File Description 1=Piano-Conductor Score<br />
|File Description 2=Flute/Piccolo<br />
|File Description 3=Oboe<br />
|File Description 4=Clarinet 1<br />
|File Description 5=Clarinet 2<br />
|File Description 6=Bassoon<br />
|File Description 7=Horn 1/2<br />
|File Description 8=Trumpet 1<br />
|File Description 9=Trumpet 2<br />
|File Description 10=Trombone<br />
|File Description 11=Percussion<br />
|File Description 12=Harp<br />
|File Description 13=Violin Director<br />
|File Description 14=Violins Obbligato<br />
|File Description 15=Violins II<br />
|File Description 16=Violas<br />
|File Description 17=Cellos<br />
|File Description 18=Basses<br />
|Arranger={{LinkArr|Leopold|Weninger|1879|1940}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Davidlhardie|Davidlhardie]]<br />
|Date Submitted=2022/11/12<br />
|Publisher Information={{P|Anton J. Benjamin||Leipzig|1920|||A.J.B.6655}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Wind Band (Winterbottom)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_Final.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Frank|Winterbottom|1861|1930}}<br />
|Editor=Varnis<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Varnis|Varnis]]<br />
|Date Submitted=2013/11/29<br />
|Publisher Information=Varnis<br />
|Copyright=Creative Commons Attribution-NonCommercial 3.0<br />
|Misc. Notes=Source - London: Hawkes and Son, 1930. Plate H. & S. 6817<br>(Hawkes Journal No.503)<br>in B-flat major<br />
}}<br />
=====For 2 Violins, Viola, Cello and Piano (Webber)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-200214_02Score_(etc).pdf<br />
|File Description 1=Complete Score and Parts (12x18 booklets)<br />
|Arranger={{LinkArr|John|Webber|1949|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Jcwebber|Jcwebber]]<br />
|Date Submitted=2020/12/26<br />
|Publisher Information=John Webber<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP3588-200214_02Score_(etc)-2557.jpg<br />
|Misc. Notes=<br />
}}<br />
=====For 2 Pianos 8 hands (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.15899.6a68-39087012933331piano1.pdf<br />
|File Name 2=SIBLEY1802.15899.ddc2-39087012933331piano2.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 2<br />
|Editor={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/15899}}<br />
|Uploader=[[User:Aldona|Aldona Jones]]<br />
|Date Submitted=2012/5/19<br />
|Publisher Information={{P|P. Jurgenson||Moscow||||21309}}<br />
|Reprint={{P|D. Rahter||Hamburg||||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For 2 Pianos (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45-2pf.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/3028}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2007/1/12<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1884)|||5868}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For Piano 4 hands (Tchaikovsky)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky_-_CapriccioItalien_-_Rahter.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/4105}}<br />
|Uploader=[[User:Peter|Peter]]<br />
|Date Submitted=2007/6/23<br />
|Publisher Information={{P|D. Rahter||Hamburg|n.d.(1881)|||2936}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaikovsky - CapriccioItalien - Rahter - Preview.png<br />
|Sample Filename=Tchaikovsky - CapriccioItalien - Rahter - Sample.png<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047P-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Editor={{LinkEd|Irina|Iordan|1910|1976}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/6/9<br />
|Publisher Information={{TchaikovskyComplete2|50A|1965|1050}} {{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Piano (Pachulski)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Ciaikovskij_-_45_-_Capriccio_Italiano_(2H_Pachulski).pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Henryk|Pachulski|1859|1921}}<br />
|Image Type=Normal Scan<br />
|Scanner={{RSL}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/6/14<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1900)|||25033}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Italian Capriccio<br />
|Alternative Title=Итальяанское каприччио (''Italyanskoe kaprichchio''), Capriccio italien<br />
|Opus/Catalogue Number=Op.45 ; TH 47<br />
|Key={{Key|A}}<br />
|Movements Header=Andante un poco rubato — Pochissimo più mosso — Allegro moderato<br />
|Number of Movements/Sections=Andante un poco rubato—Pochissimo più mosso—Allegro moderato (633 bars)<br />
|Dedication={{LinkDed|Karl|Davydov|1838|1889}}<br />
|Year/Date of Composition=1880<br />
|Year of First Publication=1880 - Moscow: [[P. Jurgenson]]<br />
*Full score, 97 pages. Plate 4056.<br />
*Piano 4 hands<br />
|First Performance=1880/12/18 in Moscow, Russian Musical Society<br />
:RMS orchestra, {{LinkName|Nikolay|Rubinstein}} (conductor)<br />
|Average Duration=16 minutes<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Romantic<br />
|Extra Information=Also arranged for piano 4 hands by Tchaikovsky, 1880<br />
|External Links={{THcat|Italian_Capriccio}}<br>[[wikipedia:Capriccio_Italien|Wikipedia article]]<br />
|Instrumentation=orchestra<br />
|InstrDetail={{More}} piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons,<br>4 horns, 2 cornets, 2 trumpets, 3 trombones, tuba<br>timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp, strings {{MoreEnd}}<br />
|Tags=capriccios ; orch<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Italian_Capriccio,_Op.45_(Tchaikovsky,_Pyotr)
Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)
2024-03-23T09:10:07Z
<p>P.davydov: Added 0 files and 1 duplicates to Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP3588-01_Tchaikovsky_Capriccio_italien_op._45.mp3<br />
|File Description 1=Complete Performance<br />
|Performers=<br />
|Performer Categories=New York Philharmonic=orchestra;Bernstein, Leonard=conductor<br />
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]<br />
|Date Submitted=2021/6/16<br />
|Publisher Information={{RC||Columbia|||1963||MS 6477}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Bernsteinconduct00tcha_itemimage.jpg<br />
|Misc. Notes=Source: {{plain|https://archive.org/details/bernsteinconduct00tcha|Internet Archive}}<br />
}}<br />
<br />
===Synthesized/MIDI===<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP03588-Tchaikovskycappricio.mp3<br />
|File Description 1=Complete Performance <br />
|Performers=Quinn Mason<br />
|Performer Categories=<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2014/3/8<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
===Full Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Tchaik_Capriccio_Italien_Score.PDF<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Geniusboy98|Geniusboy98]]<br />
|Date Submitted=2022/6/22<br />
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|n.d.(ca.1910)|||29732/Part.B. 3108}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/6/9<br />
|Publisher Information={{TchaikovskyComplete1|25|1961|28816}}{{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=Missing pages 38-39.{{Missing}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45fs.pdf<br />
|File Name 2=Tchaikovsky_-_Cappriccio_Italien_I.pdf<br />
|File Name 3=Tchaikovsky_-_Capriccio_Italien_II.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Segment 1<br />
|File Description 3=Segment 2<br />
|Editor={{LinkEd|Aleksandr|Nikolayev|1903|1980}}<br />
|Image Type=Normal Scan<br />
|Scanner 1={{Bh2000}}<br />
|Uploader 1=[[User:Carolus|Carolus]]<br />
|Uploader=[[User:Horndude77|Horndude77]] <br />
|Date Submitted 1=2007/1/12<br />
|Date Submitted=2006/7/5<br />
|Publisher Information={{TchaikovskyComplete1|25|1961|28816}}{{Urtext}}<br />
|Reprint={{AmazonDtl|0486252175|''Romeo and Juliet Overture and Capriccio Italien in Full Score''}}<br>{{P|Dover Publications||Mineola||1986}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaik-RJandCIdov.jpg<br />
|Misc. Notes=Original title page and plate numbers omitted in reprint.<br />
|Amazon={{AmazonLinks|0486252175|Dover vol. (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_(1880)_-_Full_Score.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Quinn|Mason}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:QuinnMasonComposer|QuinnMason]]<br />
|Date Submitted=2015/12/20<br />
|Publisher Information=Quinn Mason<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-Capriccio_Italien_Pyotr_Ilyich_Tchaikovsky.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Brandon|Amaro}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Omega13a|Omega13a]]<br />
|Date Submitted=2022/8/30<br />
|Publisher Information=Brandon Amaro, 2022.<br />
|Copyright=Public Domain (dedicated)<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=P.davydov<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2024/3/23<br />
|Publisher Information={{P|Muzgiz||Moscow|1960|||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
===Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Tchaikovsky-Op45.Flute.pdf<br />
|File Name 2=PMLP03588-Tchaikovsky-Op45.Oboe.pdf<br />
|File Name 3=PMLP03588-Tchaikovsky-Op45.Clarinet.pdf<br />
|File Name 4=PMLP03588-Tchaikovsky-Op45.Bassoon.pdf<br />
|File Name 5=PMLP03588-Tchaikovsky-Op45.Horn.pdf<br />
|File Name 6=PMLP03588-Tchaikovsky-Op45.Trumpet.pdf<br />
|File Name 7=PMLP03588-Tchaikovsky-Op45.Cornet.pdf<br />
|File Name 8=PMLP03588-Tchaikovsky-Op45.LowBrass.pdf<br />
|File Name 9=PMLP03588-Tchaikovsky-Op45.TimpPerc.pdf<br />
|File Name 10=PMLP03588-Tchaikovsky-Op45.Harp.pdf<br />
|File Name 11=PMLP03588-Tchaikovsky-Op45.Violin1.pdf<br />
|File Name 12=PMLP03588-Tchaikovsky-Op45.Violin2.pdf<br />
|File Name 13=PMLP03588-Tchaikovsky-Op45.Viola.pdf<br />
|File Name 14=PMLP03588-Tchaikovsky_-_Capriccio_Italienne_Op45_(cello-part)a.pdf<br />
|File Name 15=PMLP03588-Tchaikovsky-Op45.Bass.pdf<br />
|File Description 1=Flute 1, 2, 3/Piccolo<br />
|File Description 2=Oboe 1, 2, English Horn<br />
|File Description 3=Clarinet 1, 2 (A)<br />
|File Description 4=Bassoon 1, 2<br />
|File Description 5=Horn 1, 2, 3, 4 (F)<br />
|File Description 6=Trumpet 1, 2 (E)<br />
|File Description 7=Cornet 1, 2 (A)<br />
|File Description 8=Trombone 1, 2, 3, Tuba<br />
|File Description 9=Timpani, Percussion<br>(Glockenspiel, Trambourine, Triangle, Bass Drum, Cymbal)<br />
|File Description 10=Harp<br />
|File Description 11=Violins I<br />
|File Description 12=Violins II<br />
|File Description 13=Violas<br />
|File Description 14=Cellos<br />
|File Description 15=Basses<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Ottaviano|Ottaviano]]<br />
|Uploader 14=[[User:Generoso|Generoso]]<br />
|Date Submitted=2009/10/12<br />
|Date Submitted 14=2009/1/18<br />
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig|n.d.(ca.1910)|||Orch.B. 4894}}<br />
|Reprint={{RpEFK}} Catalog A2164.<br />
|Copyright=Public Domain<br />
|Misc. Notes={{OrchPartsProj}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-CapItal_Tpt1_(etc).pdf<br />
|File Name 2=PMLP3588-Capriccio_Italien_Clarinet-Bb_Clarinet_1_(etc).pdf<br />
|File Description 1=Cornet/Trumpet 1, 2 (B{{flat}})<br />
|File Description 2=Clarinet 1, 2 (B{{flat}})<br />
|Editor={{LinkEd|Ronan|Goeke|2008|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:MyCatIsAChonk|MyCatIsAChonk]]<br />
|Date Submitted=2022/10/21<br />
|Publisher Information=Ronan Goeke, 2022.<br />
|Copyright=Creative Commons Zero 1.0<br />
|Misc. Notes=Cornet combined with trumpet; in clarinet, some parts were taken up an octave due to range issues<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
=====For Theater Orchestra (Weninger)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-PIano_Conductor.pdf<br />
|File Name 2=PMLP3588-Flute_&_Picc.pdf<br />
|File Name 3=PMLP3588-Oboe.pdf<br />
|File Name 4=PMLP3588-Clar_I.pdf<br />
|File Name 5=PMLP3588-Clar_II.pdf<br />
|File Name 6=PMLP3588-Bassoon.pdf<br />
|File Name 7=PMLP3588-Horns_.pdf<br />
|File Name 8=PMLP3588-Tru_I.pdf<br />
|File Name 9=PMLP3588-Tru_II.pdf<br />
|File Name 10=PMLP3588-trombone.pdf<br />
|File Name 11=PMLP3588-Perc.pdf<br />
|File Name 12=PMLP3588-Harp.pdf<br />
|File Name 13=PMLP3588-Violin_Director.pdf<br />
|File Name 14=PMLP3588-Violin_Obbligato.pdf<br />
|File Name 15=PMLP3588-Viuolin_II.pdf<br />
|File Name 16=PMLP3588-Viola.pdf<br />
|File Name 17=PMLP3588-cello.pdf<br />
|File Name 18=PMLP3588-Bass.pdf<br />
|File Description 1=Piano-Conductor Score<br />
|File Description 2=Flute/Piccolo<br />
|File Description 3=Oboe<br />
|File Description 4=Clarinet 1<br />
|File Description 5=Clarinet 2<br />
|File Description 6=Bassoon<br />
|File Description 7=Horn 1/2<br />
|File Description 8=Trumpet 1<br />
|File Description 9=Trumpet 2<br />
|File Description 10=Trombone<br />
|File Description 11=Percussion<br />
|File Description 12=Harp<br />
|File Description 13=Violin Director<br />
|File Description 14=Violins Obbligato<br />
|File Description 15=Violins II<br />
|File Description 16=Violas<br />
|File Description 17=Cellos<br />
|File Description 18=Basses<br />
|Arranger={{LinkArr|Leopold|Weninger|1879|1940}}<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Davidlhardie|Davidlhardie]]<br />
|Date Submitted=2022/11/12<br />
|Publisher Information={{P|Anton J. Benjamin||Leipzig|1920|||A.J.B.6655}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Wind Band (Winterbottom)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Capriccio_Italien_Final.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Frank|Winterbottom|1861|1930}}<br />
|Editor=Varnis<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Varnis|Varnis]]<br />
|Date Submitted=2013/11/29<br />
|Publisher Information=Varnis<br />
|Copyright=Creative Commons Attribution-NonCommercial 3.0<br />
|Misc. Notes=Source - London: Hawkes and Son, 1930. Plate H. & S. 6817<br>(Hawkes Journal No.503)<br>in B-flat major<br />
}}<br />
=====For 2 Violins, Viola, Cello and Piano (Webber)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-200214_02Score_(etc).pdf<br />
|File Description 1=Complete Score and Parts (12x18 booklets)<br />
|Arranger={{LinkArr|John|Webber|1949|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Jcwebber|Jcwebber]]<br />
|Date Submitted=2020/12/26<br />
|Publisher Information=John Webber<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP3588-200214_02Score_(etc)-2557.jpg<br />
|Misc. Notes=<br />
}}<br />
=====For 2 Pianos 8 hands (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.15899.6a68-39087012933331piano1.pdf<br />
|File Name 2=SIBLEY1802.15899.ddc2-39087012933331piano2.pdf<br />
|File Description 1=Piano 1<br />
|File Description 2=Piano 2<br />
|Editor={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/15899}}<br />
|Uploader=[[User:Aldona|Aldona Jones]]<br />
|Date Submitted=2012/5/19<br />
|Publisher Information={{P|P. Jurgenson||Moscow||||21309}}<br />
|Reprint={{P|D. Rahter||Hamburg||||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For 2 Pianos (Langer)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky-Op45-2pf.pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Eduard|Langer|1835|1905}}<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/3028}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2007/1/12<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1884)|||5868}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
=====For Piano 4 hands (Tchaikovsky)=====<br />
{{#fte:imslpfile<br />
|File Name 1=Tchaikovsky_-_CapriccioItalien_-_Rahter.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/4105}}<br />
|Uploader=[[User:Peter|Peter]]<br />
|Date Submitted=2007/6/23<br />
|Publisher Information={{P|D. Rahter||Hamburg|n.d.(1881)|||2936}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=Tchaikovsky - CapriccioItalien - Rahter - Preview.png<br />
|Sample Filename=Tchaikovsky - CapriccioItalien - Rahter - Sample.png<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP3588-TH047P-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer<br />
|Editor={{LinkEd|Irina|Iordan|1910|1976}}<br />
|Image Type=Normal Scan<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/6/9<br />
|Publisher Information={{TchaikovskyComplete2|50A|1965|1050}} {{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
=====For Piano (Pachulski)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP03588-Ciaikovskij_-_45_-_Capriccio_Italiano_(2H_Pachulski).pdf<br />
|File Description 1=Complete Score<br />
|Arranger={{LinkArr|Henryk|Pachulski|1859|1921}}<br />
|Image Type=Normal Scan<br />
|Scanner={{RSL}}<br />
|Uploader=[[User:Caprotti|Caprotti]]<br />
|Date Submitted=2011/6/14<br />
|Publisher Information={{P|P. Jurgenson||Moscow|n.d.(1900)|||25033}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Italian Capriccio<br />
|Alternative Title=Итальяанское каприччио (''Italyanskoe kaprichchio''), Capriccio italien<br />
|Opus/Catalogue Number=Op.45 ; TH 47<br />
|Key={{Key|A}}<br />
|Movements Header=Andante un poco rubato — Pochissimo più mosso — Allegro moderato<br />
|Number of Movements/Sections=Andante un poco rubato—Pochissimo più mosso—Allegro moderato (633 bars)<br />
|Dedication={{LinkDed|Karl|Davydov|1838|1889}}<br />
|Year/Date of Composition=1880<br />
|Year of First Publication=1880 - Moscow: [[P. Jurgenson]]<br />
*Full score, 97 pages. Plate 4056.<br />
*Piano 4 hands<br />
|First Performance=1880/12/18 in Moscow, Russian Musical Society<br />
:RMS orchestra, {{LinkName|Nikolay|Rubinstein}} (conductor)<br />
|Average Duration=16 minutes<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Romantic<br />
|Extra Information=Also arranged for piano 4 hands by Tchaikovsky, 1880<br />
|External Links={{THcat|Italian_Capriccio}}<br>[[wikipedia:Capriccio_Italien|Wikipedia article]]<br />
|Instrumentation=orchestra<br />
|InstrDetail={{More}} piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons,<br>4 horns, 2 cornets, 2 trumpets, 3 trombones, tuba<br>timpani, triangle, tambourine, cymbals, bass drum, glockenspiel, harp, strings {{MoreEnd}}<br />
|Tags=capriccios ; orch<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Dramatic_Andante_(Howgill,_Richard)
Dramatic Andante (Howgill, Richard)
2024-02-23T13:53:19Z
<p>P.davydov: Tags</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
<br />
===Scores and Parts===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1414783-PMLUS05453-FNoyes_Dramatic_Andante_HPPS49_large-orch-parts.pdf<br />
|File Description 1=Piano-Conductor Score and Complete Parts (large orchestra)<br />
|Editor={{FE}}<br />
|Image Type=Normal Scan<br />
|Scanner={{LOCitem|2020563709}}<br />
|Uploader=[[User:Cypressdome|Cypressdome]]<br />
|Date Submitted=2024/2/10<br />
|Publisher Information={{HPPS|49|1925|H. & S. 6331}} <br />
|Copyright=Public Domain<br />
|Misc. Notes={{Cypsub|ca.400dpi, color tif|3000 by 4460}}<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Dramatic Andante<br />
|Alternative Title=For scenes of grief and deep emotion<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=1 piece (Andante con espressione)<br />
|Number of Movements/Sections=1 piece (Andante con espressione)<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=<br />
|Year of First Publication=1925 {{EN}} London: [[Boosey & Hawkes|Hawkes & Son]]<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Early 20th century<br />
|Extra Information=Intended for use as accompaniment for silent movies. Published under the pseudonym Frederic Noyes.<br />
|Instrumentation=Theater Orchestra<br />
|Tags=andantes ; orch ; film scores<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/List_of_works_by_Anton%C3%ADn_Dvo%C5%99%C3%A1k
List of works by Antonín Dvořák
2024-01-27T22:26:07Z
<p>P.davydov: </p>
<hr />
<div>{{worklist|Dvořák, Antonín}}<br />
<div class="plainlinks"><br />
The two tables below give the following informaton for works by [[:Category:Dvo&#345;ák, Antonín|Antonín Dvo&#345;ák]] (where applicable):<br />
* '''B.''' — numbering as given in J. Burghauser, ''Antonín Dvo&#345;ák: Thematicky Katalog'', 2nd edition. Prague: [[Supraphon]], 1996. ISBN 8070584106.<br />
* '''Op.''' — opus numbers; note that Dvo&#345;ák sometimes assigned the same opus numbers to different works, but those shown below are now in common usage.<br />
* '''Title''' — as used on IMSLP; these are usually translated into English, with the original Czech following in parentheses.<br />
* '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br />
* '''Key''' — the principal key of the work<br />
* '''Date''' — the year(s) of composition or arrangement, where known<br />
* '''Genre''' — works are grouped in the following broad categories: Stage, Vocal, Orchestral, Chamber and Keyboard<br />
</div><br />
<br />
{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA"<br />
! width="6%"|B.<br />
! width="6%"|Op.<br />
! width="30%"|Title<br />
! width="10%"|Forces<br />
! width="6%"|Key<br />
! width="6%"|Date<br />
! width="6%"|Genre<br />
! width="30%"|Notes<br />
|-<br />
| {{hs|00}}1<br />
| —<br />
| '''Forget-me-not Polka''' (Polka pomn&#283;nka)<br />
| pf<br />
| C major<br />
| 1854–65?<br />
| Keyboard<br />
| trio composed by A. Liehmann<br />
|-<br />
| {{hs|00}}2<br />
| —<br />
| '''Mass'''<br />
| <br />
| B{{flat}} major<br />
| 1857–59?<br />
| Vocal<br />
| lost<br />
|-<br />
| {{hs|00}}3<br />
| —<br />
| '''[[Polka, B.3 (Dvořák, Antonín)|Polka]]'''<br />
| pf<br />
| E major<br />
| 1860<br />
| Keyboard<br />
| doubtful<br />
|-<br />
| {{hs|00}}4<br />
| —<br />
| '''The Woman Harpist''' (Harfenice)<br />
| orch<br />
| <br />
| 1862–64?<br />
| Orchestral<br />
| polka; lost<br />
|-<br />
| {{hs|00}}5<br />
| —<br />
| '''Polka'''<br />
| orch<br />
| <br />
| 1861–62?<br />
| Orchestral<br />
| lost<br />
|-<br />
| {{hs|00}}6<br />
| —<br />
| '''Galop'''<br />
| orch<br />
| <br />
| 1861–62?<br />
| Orchestral<br />
| lost<br />
|-<br />
| {{hs|00}}7<br />
| {{hs|00}}1<br />
| '''[[String Quintet No.1, Op.1 (Dvořák, Antonín)|String Quintet No.1]]'''<br />
| 2vn 2va vc<br />
| A minor<br />
| 1861<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|00}}8<br />
| {{hs|00}}2<br />
| '''[[String Quartet No.1, Op.2 (Dvořák, Antonín)|String Quartet No.1]]'''<br />
| 2vn va vc<br />
| A major<br />
| 1862<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|00}}9<br />
| —<br />
| '''[[Symphony No.1, B.9 (Dvořák, Antonín)|Symphony No.1]]''' (&quot;The Bells of Zlonice&quot; <br />
; &quot;Zlonické zvony&quot;)<br />
| orch<br />
| C minor<br />
| 1865<br />
| Orchestral<br />
|<br />
|-<br />
| {{hs|0}}10<br />
| —<br />
| '''[[Cello Concerto in A major, B.10 (Dvořák, Antonín)|Cello Concerto]]'''<br />
| vc pf<br />
| A major<br />
| 1865<br />
| Chamber<br />
| unfinished; left in version for cello with piano only; completed by Jarmil Burghauser (1973)<br />
|-<br />
| {{hs|0}}11<br />
| —<br />
| '''[[Cypresses, B.11 (Dvo&#345;ák, Antonín)|Cypresses]]''' (Cyp&#345;iše) (18):<br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}11/{{hs|0}}1<br />
| —<br />
| <ul>''Sing Fervent Songs At Nightfall'' (Vy vroucí písn&#283; spejte)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.123/1, B.124/1<br />
|-<br />
| {{hs|0}}11/{{hs|0}}2<br />
| —<br />
| <ul>''When Thy Sweet Glances Fall On Me'' (V té sladké moci ocí tvých)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/3, B.160/7<br />
|-<br />
| {{hs|0}}11/{{hs|0}}3<br />
| —<br />
| <ul>''Death Reigns in Many a Human Breast'' (V tak mnohém srdci mrtvo jest)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/2, B.160/2<br />
|-<br />
| {{hs|0}}11/{{hs|0}}4<br />
| —<br />
| <ul>''Thou Only, Dear One'' (Ó duše drahá jedinká)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/9, B.160/8<br />
|-<br />
| {{hs|0}}11/{{hs|0}}5<br />
| —<br />
| <ul>''Oh What a Perfect Golden Dream'' (Ó byl to krásný zlatý sen)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.123/2, B.124/2<br />
|-<br />
| {{hs|0}}11/{{hs|0}}6<br />
| —<br />
| <ul>''I Know that My Love to Thee'' (Já vím, že v sladké nad&#283;ji)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/1, B.160/4<br />
|-<br />
| {{hs|0}}11/{{hs|0}}7<br />
| —<br />
| <ul>''O, Lovely Golden Rose'' (Ó zlatá ruže, spanilá)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/6<br />
|-<br />
| {{hs|0}}11/{{hs|0}}8<br />
| —<br />
| <ul>''Love Will Never Lead Us to that Happy End'' (O naši lásce nekvete to vytouzené stestí)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.123/4, B.152/4, B.160/1<br />
|-<br />
| {{hs|0}}11/{{hs|0}}9<br />
| —<br />
| <ul>''I Wander Often Past Yonder House'' (Kol domu se ted potácím)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.123/3, B.152/7, B.160/3<br />
|-<br />
| {{hs|0}}11/10<br />
| —<br />
| <ul>''I Am Often Tormented By Doubt'' (Mne &#269;asto týrá pochyba)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}11/11<br />
| —<br />
| <ul>''My Heart is Plunged Into Sadness'' (Mé srdce &#269;asto v bolesti)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.123/6, B.124/3<br />
|-<br />
| {{hs|0}}11/12<br />
| —<br />
| <ul>''The Old Letter in My Book'' (Zde hledím na ten drahý list)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/5<br />
|-<br />
| {{hs|0}}11/13<br />
| —<br />
| <ul>''Everything is Still'' (Na horách ticho a v údolí ticho)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.123/5, B.124/4<br />
|-<br />
| {{hs|0}}11/14<br />
| —<br />
| <ul>''In the Deepest Forest Glade I Stand'' (Zde v lese u potoka)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/8, B.160/6<br />
|-<br />
| {{hs|0}}11/15<br />
| —<br />
| <ul>''Painful Emotions Pierce My Soul'' (Mou celou duší zádumn&#283;)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}11/16<br />
| —<br />
| <ul>''There Stands an Ancient Rock'' (Tam stojí stará skála)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/10<br />
|-<br />
| {{hs|0}}11/17<br />
| —<br />
| <ul>''Nature Lies Peaceful in Slumber and Dreaming'' (Nad krajem vévodi lehký spánek)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/11, B.160/5<br />
|-<br />
| {{hs|0}}11/18<br />
| —<br />
| <ul>''You Ask Why My Songs'' (Ty se ptás, proc moje zpevy)</ul> <br />
| v pf<br />
| <br />
| 1865<br />
| Vocal<br />
| 1st version of B.152/12<br />
|-<br />
| {{hs|0}}12<br />
| {{hs|00}}4<br />
| '''[[Symphony No.2, Op.4 (Dvořák, Antonín)|Symphony No.2]]'''<br />
| orch<br />
| B{{flat}} major<br />
| 1865, rev.1887<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}13<br />
| —<br />
| '''Songs for Baritone''' (2):<br />
| bar pf<br />
| <br />
| 1865<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}13/1<br />
| —<br />
| <ul>''If, Dear Maiden'' (Kdybys, milé d&#283;v&#269;e)</ul> <br />
| bar pf<br />
| <br />
| 1865<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}13/2<br />
| —<br />
| <ul>''If Only There were a Song'' (A kdybys písní stvo&#345;ená)</ul> <br />
| bar pf<br />
| <br />
| 1865<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}14<br />
| —<br />
| '''Clarinet Quintet'''<br />
| cl 2vn va vc<br />
| B{{flat}} minor<br />
| 1865–69?<br />
| Chamber<br />
| lost<br />
|-<br />
| {{hs|0}}15<br />
| —<br />
| '''Interludes''' (Meziaktní skladby) (6):<br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15/1<br />
| —<br />
| <ul>''Capriccio'' (Capriccio)</ul> <br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15/2<br />
| —<br />
| <ul>''Legni'' (Legni)</ul> <br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15/3<br />
| —<br />
| <ul>''Interlude''</ul><br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15/4<br />
| —<br />
| <ul>''Interlude''</ul><br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15/5<br />
| —<br />
| <ul>''Serenade''</ul><br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15/6<br />
| —<br />
| <ul>''Interlude''</ul> <br />
| orch<br />
| <br />
| 1867<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}15bis<br />
| —<br />
| '''Serenade''' (Serenáda)<br />
| fl perc vn vc<br />
| <br />
| 1867<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}16<br />
| —<br />
| '''[[Alfred, B.16 (Dvořák, Antonín)|Alfred]]''' (Alfred)<br />
| vv ch orch<br />
| <br />
| 1870<br />
| Stage<br />
| heroic opera in 3 acts<br />
|-<br />
| {{hs|0}}16a<br />
| —<br />
| '''Tragic Overture''' (Tragická ouvertura; Dramatická ouvertura) (Dramatic Overture)<br />
| orch<br />
| <br />
| 1870<br />
| Orchestral<br />
| original overture to B.16<br />
|-<br />
| {{hs|0}}17<br />
| —<br />
| '''[[String Quartet No.2, B.17 (Dvořák, Antonín)|String Quartet No.2]]'''<br />
| 2vn va vc<br />
| B{{flat}} major<br />
| 1868–70?<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}18<br />
| —<br />
| '''[[String Quartet No.3, B.18 (Dvořák, Antonín)|String Quartet No.3]]'''<br />
| 2vn va vc<br />
| D major<br />
| 1869–70?<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}19<br />
| —<br />
| '''[[String Quartet No.4 (Dvořák, Antonín)|String Quartet No.4]]'''<br />
| 2vn va vc<br />
| E minor<br />
| 1870?<br />
| Chamber<br />
| Andante religioso (movt.II) later adapted as B.47<br />
|-<br />
| {{hs|0}}20<br />
| —<br />
| '''Cello Sonata'''<br />
| vc pf<br />
| F minor<br />
| 1870–71<br />
| Chamber<br />
| lost; only fragment of cello part survives<br />
|-<br />
| {{hs|0}}21<br />
| —<br />
| '''The King and the Charcoal Burner''' (Král a uhlí&#345;)<br />
| vv ch orch<br />
| <br />
| 1871<br />
| Stage<br />
| opera in 3 acts; 1st version of B.42, B.151<br />
|-<br />
| {{hs|0}}21a<br />
| —<br />
| '''Concert Overture'''<br />
| orch<br />
| F major<br />
| 1871<br />
| Orchestral<br />
| overture to B.21<br />
|-<br />
| {{hs|0}}22<br />
| —<br />
| '''Motives from the opera &quot;The King and the Charcoal Burner&quot;''' (Motivy z opery &quot;Král a uhlí&#345;&quot;)<br />
| pf<br />
| <br />
| 1871–73?<br />
| Keyboard<br />
| 1st version of B.43<br />
|-<br />
| {{hs|0}}23<br />
| —<br />
| '''Songs''' (Písn&#283;) (5):<br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}23/1<br />
| —<br />
| <ul>''Lime Trees'' (Lipy)</ul> <br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}23/2<br />
| —<br />
| <ul>''The Reason'' (Proto)</ul> <br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}23/3<br />
| —<br />
| <ul>''Obstacles'' (P&#345;ekážky)</ul> <br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}23/4<br />
| —<br />
| <ul>''Meditation'' (P&#345;emítání)</ul> <br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}23/5<br />
| —<br />
| <ul>''Remembrance'' (Vzpomínání)</ul> <br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| incomplete<br />
|-<br />
| {{hs|0}}24<br />
| {{hs|00}}5<br />
| '''[[The Orphan, Op.5 (Dvořák, Antonín)|The Orphan]]''' (Sirotek)<br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}24a<br />
| —<br />
| '''Rosmarine''' (Rozmarýna)<br />
| v pf<br />
| <br />
| 1871<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}25<br />
| {{hs|0}}13/1<br />
| '''Piano Trio''' (Klavírní trio)<br />
| vn vc pf<br />
| <br />
| 1871–72<br />
| Chamber<br />
| lost<br />
|-<br />
| {{hs|0}}26<br />
| {{hs|0}}13/2<br />
| '''Piano Trio''' (Klavírní trio)<br />
| vn vc pf<br />
| <br />
| 1871–72<br />
| Chamber<br />
| lost<br />
|-<br />
| {{hs|0}}27<br />
| 30<br />
| '''[[The Heirs of the White Mountain, Op.30 (Dvořák, Antonín)|The Heirs of the White Mountain]]''' (D&#283;dicové bilé hory)<br />
| ch orch<br />
| <br />
| 1872<br />
| Vocal<br />
| 1st version of B.102, B.134; vocal score arr. as B.501<br />
|-<br />
| 501<br />
| —<br />
| '''The Heirs of the White Mountain''' (D&#283;dicové bilé hory)<br />
| ch pf<br />
| <br />
| 1872<br />
| Vocal<br />
| vocal score of B.27<br />
|-<br />
| {{hs|0}}28<br />
| {{hs|00}}5<br />
| '''[[Piano Quintet No.1, Op.5 (Dvořák, Antonín)|Piano Quintet]]'''<br />
| 2vn va vc pf<br />
| A major<br />
| 1872<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}29<br />
| {{hs|00}}6<br />
| '''[[4 Songs on Serbian Folk Poems, Op.6 (Dvořák, Antonín)|Songs on Serbian Folk Poems]]''' (Písn&#283; na slova srbské lidové poezie) (4):<br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}29/1<br />
| {{hs|00}}6/1<br />
| <ul>''The Maiden and the Grass'' (Panenka a tráva)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}29/2<br />
| {{hs|00}}6/2<br />
| <ul>''Warning'' (P&#345;ipamatování)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}29/3<br />
| {{hs|00}}6/3<br />
| <ul>''Flowery Omens'' (Výklad znamení)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}29/4<br />
| {{hs|00}}6/4<br />
| <ul>''No Escape'' (Lásce neujdeš)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30<br />
| {{hs|00}}7<br />
| '''[[Songs from the Dv&#367;r Králové Manuscript, Op.7 (Dvořák, Antonín)|Songs from the Dv&#367;r Králové Manuscript]]''' (Písn&#283; z Rukopisu Královédvorského) (6):<br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30/1<br />
| {{hs|00}}7/1<br />
| <ul>''The Cuckoo'' (Žežhulice)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30/2<br />
| {{hs|00}}7/2<br />
| <ul>''The Forsaken'' (Opuš&#269;ená)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30/3<br />
| {{hs|00}}7/3<br />
| <ul>''The Lark'' (Sk&#345;ivánek)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30/4<br />
| {{hs|00}}7/4<br />
| <ul>''The Rose'' (Róže)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30/5<br />
| {{hs|00}}7/5<br />
| <ul>''Kytice'' (Kytice)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}30/6<br />
| {{hs|00}}7/6<br />
| <ul>''Strawberries'' (Jahody)</ul> <br />
| v pf<br />
| <br />
| 1872<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}31<br />
| —<br />
| '''Nocturnes''' (Nokturna) (3):<br />
| orch<br />
| <br />
| 1872<br />
| Orchestral<br />
| partly destroyed by the composer<br />
|-<br />
| {{hs|0}}31/2<br />
| —<br />
| <ul>''May night'' (Májová noc)</ul> <br />
| orch<br />
| <br />
| 1872<br />
| Orchestral<br />
| fragment only; 1st version of B.98/5<br />
|-<br />
| {{hs|0}}32<br />
| {{hs|00}}8<br />
| '''[[Silhouettes, Op.8 (Dvořák, Antonín)|Silhouettes]]''' (Silhouetty)<br />
| pf<br />
| <br />
| 1870–72?<br />
| Keyboard<br />
| 1st version of B.98 (incomplete)<br />
|-<br />
| {{hs|0}}33<br />
| —<br />
| '''Violin Sonata '''<br />
| vn pf<br />
| A minor<br />
| 1873<br />
| Chamber<br />
| lost<br />
|-<br />
| {{hs|0}}34<br />
| {{hs|0}}10<br />
| '''[[Symphony No.3, Op.10 (Dvořák, Antonín)|Symphony No.3]]'''<br />
| orch<br />
| E{{flat}} major<br />
| 1873, rev.1887–89<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}35<br />
| —<br />
| '''Romeo and Juliet''' (Romeo a Julia)<br />
| orch<br />
| <br />
| 1873<br />
| Orchestral<br />
| overture; lost<br />
|-<br />
| {{hs|0}}36<br />
| —<br />
| '''Octet (Serenade) '''<br />
| cl bn hn 2vn va db pf<br />
| <br />
| 1873<br />
| Chamber<br />
| lost<br />
|-<br />
| {{hs|0}}37<br />
| {{hs|00}}9<br />
| '''[[String Quartet No.5, Op.9 (Dvořák, Antonín)|String Quartet No.5]]'''<br />
| 2vn va vc<br />
| F minor<br />
| 1873<br />
| Chamber<br />
| Andante con moto quasi allegretto reworked as B.38<br />
|-<br />
| {{hs|0}}39<br />
| {{hs|0}}11<br />
| '''[[Romance, Op.11 (Dvořák, Antonín)|Romance]]'''<br />
| vn orch<br />
| F minor<br />
| 1873–77?<br />
| Orchestral<br />
| reworking of part of B.37; arr. for vn pf as B.38<br />
|-<br />
| {{hs|0}}38<br />
| {{hs|0}}11<br />
| '''[[Romance, Op.11 (Dvořák, Antonín)|Romance]]'''<br />
| vn pf<br />
| F minor<br />
| 1873–77?<br />
| Chamber<br />
| <br />
arr. of B.39<br />
|-<br />
| {{hs|0}}40<br />
| {{hs|0}}12<br />
| '''String Quartet No.6'''<br />
| 2vn va vc<br />
| A minor<br />
| 1873<br />
| Chamber<br />
| revised later, omitting Andante appassionato (B.40a)<br />
|-<br />
| {{hs|0}}40a<br />
| —<br />
| '''Andante appassionato'''<br />
| 2vn va vc<br />
| F major<br />
| 1873<br />
| Chamber<br />
| originally part of B.40<br />
|-<br />
| {{hs|0}}41<br />
| {{hs|0}}13<br />
| '''[[Symphony No.4, Op.13 (Dvořák, Antonín)|Symphony No.4]]'''<br />
| orch<br />
| D minor<br />
| 1874, rev.1887–88<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}42<br />
| {{hs|0}}14<br />
| '''The King and the Charcoal Burner''' (Král a uhlí&#345;)<br />
| vv ch orch<br />
| <br />
| 1874<br />
| Stage<br />
| Opera in 3 acts; 2nd version of B.21, B.151; &quot;Ballad of King Matthias&quot; (B.115) added later<br />
|-<br />
| {{hs|0}}43<br />
| —<br />
| '''Potpourri from the opera &quot;The King and the Charcoal Burner&quot;''' (Sm&#283;s z opery &quot;Král a uhlí&#345;&quot;)<br />
| pf<br />
| <br />
| 1874–75?<br />
| Keyboard<br />
| 2nd version of B.22<br />
|-<br />
| {{hs|0}}44<br />
| {{hs|0}}14<br />
| '''[[Symphonic Poem, Op.14 (Dvořák, Antonín)|Symphonic Poem]]''' (Symfonická báse&#328;)<br />
| orch<br />
| A minor<br />
| 1874<br />
| Orchestral<br />
| first published as''Rhapsody'' (Rhapsodie)<br />
|-<br />
| {{hs|0}}45<br />
| {{hs|0}}16<br />
| '''[[String Quartet No.7, Op.16 (Dvořák, Antonín)|String Quartet No.7]]'''<br />
| 2vn va vc<br />
| A minor<br />
| 1874<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}46<br />
| {{hs|0}}17<br />
| '''[[The Stubborn Lovers, Op.17 (Dvořák, Antonín)|The Stubborn Lovers]]''' (Tvrdé palice)<br />
| vv ch orch<br />
| <br />
| 1874<br />
| Stage<br />
| comic opera in 1 act; vocal score arr. as B.502<br />
|-<br />
| 502<br />
| {{hs|0}}17<br />
| '''[[The Stubborn Lovers, Op.17 (Dvořák, Antonín)|The Stubborn Lovers]] <br />
'''(Tvrdé palice)<br />
| vv ch pf<br />
| <br />
| 1874<br />
| Stage<br />
| vocal score of B.46<br />
|-<br />
| {{hs|0}}47<br />
| {{hs|0}}40<br />
| '''[[Nocturne in B major, Op.40 (Dvořák, Antonín)|Nocturne]]''' (Nokturno)<br />
| str<br />
| B major<br />
| 1875, rev.1882–83<br />
| Orchestral<br />
| reworking of part of B.19; 1st version of B.48a and B.48b<br />
|-<br />
| {{hs|0}}48a<br />
| {{hs|0}}40<br />
| '''[[Nocturne in B major, Op.40 (Dvořák, Antonín)|Nocturne]]''' (Nokturno)<br />
| vn pf<br />
| B major<br />
| 1875–83?<br />
| Chamber<br />
| 2nd version of B.47 and B.48b<br />
|-<br />
| {{hs|0}}48b<br />
| {{hs|0}}40<br />
| '''[[Nocturne in B major, Op.40 (Dvořák, Antonín)|Nocturne]]''' (Nokturno)<br />
| pf4h<br />
| B major<br />
| 1882?<br />
| Keyboard<br />
| 3rd version of B.47 and B.48a; formerly listed as B.509<br />
|-<br />
| {{hs|0}}49<br />
| {{hs|0}}77<br />
| '''[[String Quintet No.2, Op.77 (Dvořák, Antonín)|String Quintet No.2]]'''<br />
| 2vn va vc db<br />
| G major<br />
| 1875, rev.1888<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}50<br />
| {{hs|0}}20<br />
| '''Moravian Duets''' (Moravské dvojzp&#283;vy) (4):<br />
| sop/alt ten pf<br />
| <br />
| 1875–76<br />
| Vocal<br />
| 1st series<br />
|-<br />
| {{hs|0}}50/1<br />
| {{hs|0}}20/1<br />
| <ul>''Destined'' (Prom&#283;ny)</ul> <br />
| sop/alt ten pf<br />
| <br />
| 1875–76<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}50/2<br />
| {{hs|0}}20/2<br />
| <ul>''The Parting'' (Rozlou&#269;ení)</ul> <br />
| sop/alt ten pf<br />
| <br />
| 1875–76<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}50/3<br />
| {{hs|0}}20/3<br />
| <ul>''The Silken Band'' (Chudoba)</ul> <br />
| sop/alt ten pf<br />
| <br />
| 1875–76<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}50/4<br />
| {{hs|0}}20/4<br />
| <ul>''The Last Wish'' (Vu&#345;e šuhaj, vu&#345;e)</ul> <br />
| sop/alt ten pf<br />
| <br />
| 1875–76<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}51<br />
| {{hs|0}}21<br />
| '''[[Piano Trio No.1, Op.21 (Dvořák, Antonín)|Piano Trio No.1]]'''<br />
| vn vc pf<br />
| B{{flat}} major<br />
| 1875, rev.1880?<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}52<br />
| {{hs|0}}22<br />
| '''[[Serenade for Strings, Op.22 (Dvořák, Antonín)|Serenade for Strings]]''' (Smy&#269;cová serenáda)<br />
| str<br />
| E major<br />
| 1875<br />
| Orchestral<br />
| arr. for pf4h as B.504<br />
|-<br />
| 504<br />
| {{hs|0}}22<br />
| '''[[Serenade for Strings, Op.22 (Dvořák, Antonín)|Serenade for Strings]]''' (Smy&#269;cová serenáda)<br />
| pf4h<br />
| E major<br />
| 1876?<br />
| Keyboard<br />
| arr. of B.52<br />
|-<br />
| {{hs|0}}53<br />
| {{hs|0}}23<br />
| '''[[Piano Quartet No.1, Op.23 (Dvořák, Antonín)|Piano Quartet No.1]]'''<br />
| 2vn va vc pf<br />
| D major<br />
| 1875<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}54<br />
| {{hs|0}}76<br />
| '''[[Symphony No.5, Op.76 (Dvořák, Antonín)|Symphony No.5]]'''<br />
| orch<br />
| F major<br />
| 1875, rev.1887<br />
| Orchestral<br />
| first published as Symphony No.3, Op.24<br />
|-<br />
| {{hs|0}}55<br />
| {{hs|0}}25<br />
| '''[[Vanda (opera), B.55 (Dvořák, Antonín)|Vanda]]''' (Wanda)<br />
| vv ch orch<br />
| <br />
| 1875, rev.1879–80, 1883, 1900–01<br />
| Stage<br />
| tragic opera in 5 acts; for overture see B.97<br />
|-<br />
| {{hs|0}}56<br />
| {{hs|0}}26<br />
| '''[[Piano Trio No.2, Op.26 (Dvořák, Antonín)|Piano Trio No.2]]'''<br />
| vn vc pf<br />
| G minor<br />
| 1876<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}57<br />
| {{hs|0}}80<br />
| '''[[String Quartet No.8, Op.80 (Dvořák, Antonín)|String Quartet No.8]]'''<br />
| 2vn va vc<br />
| E major<br />
| 1876, rev.1888<br />
| Chamber<br />
| <br />
arr. for pf4h as B.515<br />
|-<br />
| 515<br />
| {{hs|0}}80<br />
| '''String Quartet No.8'''<br />
| pf4h<br />
| E major<br />
| 1888?<br />
| Keyboard<br />
| <br />
arr. of B.57<br />
|-<br />
| {{hs|0}}58<br />
| {{hs|0}}28<br />
| '''[[2 Minuets, Op.28 (Dvořák, Antonín)|Minuets]]''' (Menuety) (2):<br />
| pf<br />
| <br />
| 1876<br />
| Keyboard<br />
| possible version for orch believed lost<br />
|-<br />
| {{hs|0}}58/1<br />
| {{hs|0}}28/1<br />
| <ul>''Minuet ''</ul> <br />
| pf<br />
| A{{flat}} major<br />
| 1876<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}58/2<br />
| {{hs|0}}28/2<br />
| <ul>''Minuet ''</ul> <br />
| pf<br />
| F major<br />
| 1876<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}59<br />
| {{hs|0}}29<br />
| '''Choruses''' (Sbory) (4):<br />
| ch<br />
| <br />
| 1876–78?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}59/1<br />
| {{hs|0}}29/1<br />
| <ul>''Evening&#39;s Blessing'' (Misto klekání)</ul> <br />
| ch<br />
| <br />
| 1876–78?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}59/2<br />
| {{hs|0}}29/2<br />
| <ul>''Lullaby'' (Ukolébavka)</ul> <br />
| ch<br />
| <br />
| 1876–78?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}59/3<br />
| {{hs|0}}29/3<br />
| <ul>''I Do Not Say It'' (Nepovím)</ul> <br />
| ch<br />
| <br />
| 1876–78?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}59/4<br />
| {{hs|0}}29/4<br />
| <ul>''The Forsaken'' (Opušt&#283;ný)</ul> <br />
| ch<br />
| <br />
| 1876–78?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}60<br />
| {{hs|0}}32<br />
| '''[[Moravian Duets, Op.32 (Dvo&#345;ák, Antonín)|Moravian Duets]]''' (Moravské dvojzp&#283;vy) (5):<br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 2nd series<br />
|-<br />
| {{hs|0}}60/1<br />
| {{hs|0}}32/1<br />
| <ul>''The Fugitive'' (A já ti uplynu)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}60/2<br />
| {{hs|0}}32/2<br />
| <ul>''Fly Sweet Songster'' (Velet', vtá&#269;ku)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 1st version of B.107/4<br />
|-<br />
| {{hs|0}}60/3<br />
| {{hs|0}}32/3<br />
| <ul>''The Slighted Heart'' (Dyby byla kosa nabróšená)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 1st version of B.107/5<br />
|-<br />
| {{hs|0}}60/4<br />
| {{hs|0}}32/4<br />
| <ul>''Parting Without Sorrow'' (V dobrým sme se sešli)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}60/5<br />
| {{hs|0}}32/5<br />
| <ul>''The Pledge of Love'' (Slavíkovský pole&#269;ko malý)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61<br />
| —<br />
| '''[[Evening Songs, B.61 (Dvo&#345;ák, Antonín)|Evening Songs]]''' (Vecerní písn&#283;) (12):<br />
| v pf<br />
| <br />
| 1876, rev.1880–83?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}1<br />
| {{hs|0}}3/1<br />
| <ul>''The Stars that Twinkle in the Sky'' (Ty hv&#283;zdi&#269;ky tam na nebi)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1881?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}2<br />
| {{hs|0}}3/2<br />
| <ul>''I Dreamed that You were Dead'' (Mn&#283; zdálo se žes um&#345;ela)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1881?<br />
| Vocal<br />
| <br />
arr. for v ww br as B.128/1<br />
|-<br />
| 128/1<br />
| {{hs|00}}3/2<br />
| <ul>''I Dreamed that You were Dead'' (Mn&#283; zdálo se žes um&#345;ela)</ul><br />
| v ww br<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
arr. of B.61/2<br />
|-<br />
| {{hs|0}}61/{{hs|0}}3<br />
| {{hs|0}}3/3<br />
| <ul>''I Am that Fairy-Tale Knight'' (Já jsem ten rytí&#345; z pohádky)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1881?<br />
| Vocal<br />
| <br />
arr. for v ww br as B.128/2<br />
|-<br />
| 128/2<br />
| {{hs|00}}3/3<br />
| <ul>''I Am that Fairy-Tale Knight'' (Já jsem ten rytí&#345; z pohádky)</ul><br />
| v ww br<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
arr. of B.61/3<br />
|-<br />
| {{hs|0}}61/{{hs|0}}4<br />
| {{hs|0}}3/4<br />
| <ul>''When God Was in a Happy Mood'' (Když B&#367;h byl nejvíc rozkochán)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1881?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}5<br />
| {{hs|0}}9/3<br />
| <ul>''The Soughing of the Trees'' (Umlklo strom&#367; šum&#283;ní)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1880?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}6<br />
| {{hs|0}}9/4<br />
| <ul>''The Spring Came Flying'' (Prilítlo jaro zdaleka)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1880?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}7<br />
| {{hs|0}}31/1<br />
| <ul>''Visions of Heaven'' (Když jsem se díval do nebe)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1883?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}8<br />
| {{hs|0}}31/2<br />
| <ul>''You Little Tiny Singing Birds'' (Vy malí, drobní ptá&#269;kové)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1883?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/{{hs|0}}9<br />
| {{hs|0}}31/3<br />
| <ul>''Just Like a Lime Tree'' (Jsem jako lípa košatá)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1883?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/10<br />
| {{hs|0}}31/4<br />
| <ul>''All You Who are Oppressed'' (Vy všichni, kdo jste stísn&#283;ni)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1883?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/11<br />
| {{hs|0}}31/5<br />
| <ul>''That Little Bird Sings'' (Ten ptá&#269;ek, ten se nazpívá)</ul> <br />
| v pf<br />
| <br />
| 1876, rev.1883?<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}61/12<br />
| {{hs|0}}31/5<br />
| <ul>''And so as the Moon'' (Tak jak ten m&#283;síc v nebes bá&#328;)</ul> <br />
| v pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62<br />
| {{hs|0}}32<br />
| '''Moravian Duets''' (Moravské dvojzp&#283;vy) (8):<br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 3rd series; numbering sometimes continues from B.60<br />
|-<br />
| {{hs|0}}62/1<br />
| {{hs|0}}32/6<br />
| <ul>''Forsaken'' (Holub na javo&#345;e)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 1st version of B.107/1<br />
|-<br />
| {{hs|0}}62/2<br />
| {{hs|0}}32/7<br />
| <ul>''Sad of Heart'' (Voda a plá&#269;)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62/3<br />
| {{hs|0}}32/8<br />
| <ul>''The Modest Maid'' (Skromná)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62/4<br />
| {{hs|0}}32/9<br />
| <ul>''The Ring'' (Prsten)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62/5<br />
| {{hs|0}}32/10<br />
| <ul>''Omens'' (Zelenaj se, zelenaj)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 1st version of B.107/2<br />
|-<br />
| {{hs|0}}62/6<br />
| {{hs|0}}32/11<br />
| <ul>''The Imprisoned Maid'' (Zajatá)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62/7<br />
| {{hs|0}}32/12<br />
| <ul>''Comfort'' (Neveta)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62/8<br />
| {{hs|0}}32/13<br />
| <ul>''The Wild Rose'' (Šípek)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}62/9<br />
| {{hs|0}}32/14<br />
| <ul>''The Soldier&#39;s Farwell'' (Život vojenský)</ul> <br />
| sop alt pf<br />
| <br />
| 1876<br />
| Vocal<br />
| 1st version of B.107/3<br />
|-<br />
| {{hs|0}}63<br />
| {{hs|0}}33<br />
| '''[[Piano Concerto, Op.33 (Dvořák, Antonín)|Piano Concerto]]'''<br />
| pf orch<br />
| G minor<br />
| 1876<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}64<br />
| {{hs|0}}35<br />
| '''[[Dumka, Op.35 (Dvořák, Antonín)|Dumka]]'''<br />
| pf<br />
| D minor<br />
| 1876–78?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}65<br />
| {{hs|0}}36<br />
| '''[[Theme and Variations, Op.36 (Dvořák, Antonín)|Theme with Variations]]''' (Tema con variazioni)<br />
| pf<br />
| A{{flat}} major<br />
| 1876–78?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}66<br />
| —<br />
| '''Choral Songs''' (Sborové písn&#283;) (3):<br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}66/1<br />
| —<br />
| <ul>''The Ferryman'' (P&#345;evozní&#269;ek)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}66/2<br />
| —<br />
| <ul>''The Beloved as Poisoner'' (Milenka travi&#269;ka)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}66/3<br />
| —<br />
| <ul>''The Fiddler'' (Husla&#345;)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| see also B.70<br />
|-<br />
| {{hs|0}}67<br />
| {{hs|0}}37<br />
| '''[[The Cunning Peasant, Op.37 (Dvořák, Antonín)|The Cunning Peasant]]''' (Šelma sedlák)<br />
| vv ch orch<br />
| <br />
| 1877<br />
| Stage<br />
| comic opera in 2 acts<br />
|-<br />
| {{hs|0}}68<br />
| —<br />
| '''Ave Maria'''<br />
| alt/bar org<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}69<br />
| {{hs|0}}38<br />
| '''Moravian Duets''' (Moravské dvojzp&#283;vy) (4):<br />
| sop alt pf<br />
| <br />
| 1877<br />
| Vocal<br />
| 4th series<br />
|-<br />
| {{hs|0}}69/1<br />
| {{hs|0}}38/1<br />
| <ul>''Vain Hope'' (Možnost)</ul> <br />
| sop alt pf<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}69/2<br />
| {{hs|0}}38/2<br />
| <ul>''Greeting from Afar'' (Jablko)</ul> <br />
| sop alt pf<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}69/3<br />
| {{hs|0}}38/3<br />
| <ul>''The Crown'' (V&#283;ne&#269;ek)</ul> <br />
| sop alt pf<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}69/4<br />
| {{hs|0}}38/4<br />
| <ul>''The Smart'' (Ho&#345;e)</ul> <br />
| sop alt pf<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}70<br />
| {{hs|0}}78<br />
| '''[[Symphonic Variations, Op.78 (Dvořák, Antonín)|Symphonic Variations]]''' (Symfonické variace)<br />
| orch<br />
| <br />
| 1877<br />
| Orchestral<br />
| based on B. 66/3; arr. for pf4h as B.514<br />
|-<br />
| 514<br />
| {{hs|0}}78<br />
| '''[[Symphonic Variations, Op.78 (Dvořák, Antonín)|Symphonic <br />
Variations]]''' (Symfonické variace)<br />
| pf4h<br />
| <br />
| 1888?<br />
| Keyboard<br />
| <br />
arr. of B.70<br />
|-<br />
| {{hs|0}}71<br />
| {{hs|0}}58<br />
| '''[[Stabat Mater, Op.58 (Dvořák, Antonín)|Stabat Mater]]'''<br />
| sop alt ten bass ch orch<br />
| <br />
| 1876–77<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}72<br />
| —<br />
| '''Bouquet of Czech Folksongs''' (Kytice z &#269;eských národních písní) (4):<br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}72/1<br />
| —<br />
| <ul>''The Betrayed Shepherd'' (Zavedený ov&#269;ák)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}72/2<br />
| —<br />
| <ul>''The Sweetheart&#39;s Resolve'' (Úmysl milen&#269;in)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}72/3<br />
| —<br />
| <ul>''The Guelder Rose'' (Kalina)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}72/4<br />
| —<br />
| <ul>''The Czech Diogenes'' (&#268;eský Diogenes)</ul> <br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}73<br />
| —<br />
| '''Song of a Czech''' (Píse&#328; &#268;echa)<br />
| mch<br />
| <br />
| 1877<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}74<br />
| {{hs|0}}41<br />
| '''[[Scottish Dances, Op.41 (Dvořák, Antonín)|Scottish Dances]]''' (Skotské tance)<br />
| pf<br />
| D minor<br />
| 1877<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}75<br />
| {{hs|0}}34<br />
| '''[[String Quartet No.9, Op.34 (Dvořák, Antonín)|String Quartet No.9]]'''<br />
| 2vn va vc<br />
| D minor<br />
| 1877, rev.1879<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}76<br />
| {{hs|0}}43<br />
| '''[[From a Bouquet of Slavonic Folksongs, Op.43 (Dvořák, Antonín)|From a Bouquet of Slavonic Folksongs]]''' (Z kytice národních písní slovanských) (3):<br />
| mch pf<br />
| <br />
| 1877–78<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}76/1<br />
| {{hs|0}}43/1<br />
| <ul>''Sorrow'' (Žal)</ul> <br />
| mch pf<br />
| <br />
| 1877–78<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}76/2<br />
| {{hs|0}}43/2<br />
| <ul>''Miraculous Water'' (Divná voda)</ul> <br />
| mch pf<br />
| <br />
| 1877–78<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}76/3<br />
| {{hs|0}}43/3<br />
| <ul>''The Girl in the Woods'' (D&#283;v&#269;e v háji)</ul> <br />
| mch pf<br />
| <br />
| 1877–78<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}77<br />
| {{hs|0}}44<br />
| '''[[Serenade for Wind Instruments, Op.44 (Dvořák, Antonín)|Serenade for Wind Instruments]]''' (Serenáda pro dechové nástroje)<br />
| 2ob 2cl 2bn cbn 3hn vc db<br />
| D minor<br />
| 1878<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}78<br />
| {{hs|0}}46<br />
| '''[[Slavonic Dances, Op.46 (Dvořák, Antonín)|Slavonic Dances]]''' (Slovanské tance) (8):<br />
| pf4h<br />
| <br />
| 1878<br />
| Keyboard<br />
| 1st version of B.83<br />
|-<br />
| {{hs|0}}78/1<br />
| {{hs|0}}46/1<br />
| <ul>''Furiant''</ul> <br />
| pf4h<br />
| C major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}78/2<br />
| {{hs|0}}46/2<br />
| <ul>''Dumka''</ul> <br />
| pf4h<br />
| E minor<br />
| 1878<br />
| Keyboard<br />
| <br />
arr. for vn pf as B.170<br />
|-<br />
| 170<br />
| {{hs|0}}46/2<br />
| <ul>''Dumka''</ul> <br />
| vn pf<br />
| E minor<br />
| 1891?<br />
| Chamber<br />
| <br />
arr. of B.78/2<br />
|-<br />
| {{hs|0}}78/3<br />
| {{hs|0}}46/3<br />
| <ul>''Polka''</ul> <br />
| pf4h<br />
| A{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| <br />
arr. for vc pf as B.172/1<br />
|-<br />
| 172/1<br />
| {{hs|0}}46/3<br />
| <ul>''Polka''</ul> <br />
| vc pf<br />
| A major<br />
| 1891<br />
| Chamber<br />
| <br />
arr. of B.78/3<br />
|-<br />
| {{hs|0}}78/4<br />
| {{hs|0}}46/4<br />
| <ul>''Sousedská''</ul> <br />
| pf4h<br />
| F major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}78/5<br />
| {{hs|0}}46/5<br />
| <ul>''Skocná''</ul> <br />
| pf4h<br />
| A major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}78/6<br />
| {{hs|0}}46/6<br />
| <ul>''Sousedská''</ul> <br />
| pf4h<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}78/7<br />
| {{hs|0}}46/7<br />
| <ul>''Skocná''</ul> <br />
| pf4h<br />
| C minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}78/8<br />
| {{hs|0}}46/8<br />
| <ul>''Furiant''</ul> <br />
| pf4h<br />
| G major<br />
| 1878<br />
| Keyboard<br />
| <br />
arr. for vc pf as B.172/2<br />
|-<br />
| 172/2<br />
| {{hs|0}}46/2<br />
| <ul>''Furiant''</ul> <br />
| vc pf<br />
| G minor<br />
| 1891<br />
| Chamber<br />
| <br />
arr. of B.78/8<br />
|-<br />
| {{hs|0}}79<br />
| {{hs|0}}47<br />
| '''[[Bagatelles, Op.47 (Dvořák, Antonín)|Bagatelles]]''' (Mali&#269;kosti)<br />
| 2vn vc harm<br />
| <br />
| 1878<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}80<br />
| {{hs|0}}48<br />
| '''[[String Sextet, Op.48 (Dvořák, Antonín)|String Sextet]]'''<br />
| 2vn 2va 2vc<br />
| A major<br />
| 1878<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}81<br />
| {{hs|0}}24<br />
| '''[[Capriccio, B.81 (Dvořák, Antonín)|Capriccio]]''' (Koncertní rondo) (Concert Rondo)<br />
| vn pf<br />
| <br />
| 1878, rev.1892<br />
| Chamber<br />
| 'completed' and edited by Günter Raphael; published posthumously</sup><br />
|-<br />
| {{hs|0}}82<br />
| —<br />
| '''Hymn to the Most Holy Trinity''' (Hymnus k Nejsv&#283;t&#283;jší Trojici)<br />
| v org<br />
| <br />
| 1878<br />
| Vocal<br />
| revised by Josef Suk as ''Hymnus ad Laudus in festo Sanctae Trinitatis''<br />
|-<br />
| {{hs|0}}83<br />
| {{hs|0}}46<br />
| '''[[Slavonic Dances, Op.46 (Dvořák, Antonín)|Slavonic Dances]]''' (Slovanské tance) (8):<br />
| orch<br />
| <br />
| 1878<br />
| Orchestral<br />
| 2nd version of B.78<br />
|-<br />
| {{hs|0}}83/1<br />
| {{hs|0}}46/1<br />
| <ul>''Furiant''</ul> <br />
| orch<br />
| C major<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/2<br />
| {{hs|0}}46/2<br />
| <ul>''Dumka''</ul> <br />
| orch<br />
| E minor<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/3<br />
| {{hs|0}}46/3<br />
| <ul>''Polka''</ul> <br />
| orch<br />
| A{{flat}} major<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/4<br />
| {{hs|0}}46/4<br />
| <ul>''Sousedská''</ul> <br />
| orch<br />
| F major<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/5<br />
| {{hs|0}}46/5<br />
| <ul>''Skocná''</ul> <br />
| orch<br />
| A major<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/6<br />
| {{hs|0}}46/6<br />
| <ul>''Sousedská''</ul> <br />
| orch<br />
| D major<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/7<br />
| {{hs|0}}46/7<br />
| <ul>''Skocná''</ul> <br />
| orch<br />
| C minor<br />
| 1878<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}83/8<br />
| {{hs|0}}46/8<br />
| <ul>''Furiant''</ul> <br />
| orch<br />
| G minor<br />
| 1878<br />
| Orchestral<br />
| 2nd version of B.172<br />
|-<br />
| {{hs|0}}84<br />
| {{hs|0}}50<br />
| '''[[3 Modern Greek Poems, Op.50 (Dvo&#345;ák, Antonín)|Modern Greek Poems]]''' (Novo&#345;ecké básn&#283;) (3):<br />
| v pf<br />
| <br />
| 1878<br />
| Vocal<br />
| once existed in version for v orch as B.84a<br />
|-<br />
| {{hs|0}}84/1<br />
| {{hs|0}}50/1<br />
| <ul>''Kolijas: Klepht Song'' (Kolijas: Píse&#328; kleftská)</ul> <br />
| v pf<br />
| <br />
| 1878<br />
| Vocal<br />
| once existed in version for v orch as B.84a/1<br />
|-<br />
| {{hs|0}}84/2<br />
| {{hs|0}}50/2<br />
| <ul>''Nereids'' (Nereidy)</ul> <br />
| v pf<br />
| <br />
| 1878<br />
| Vocal<br />
| once existed in version for v orch as B.84a/2<br />
|-<br />
| {{hs|0}}84/3<br />
| {{hs|0}}50/3<br />
| <ul>''Parga&#39;s Lament'' (Žalozp&#283;v Pargy)</ul> <br />
| v pf<br />
| <br />
| 1878<br />
| Vocal<br />
| once existed in version for v orch as B.84a/3<br />
|-<br />
| {{hs|0}}84a<br />
| {{hs|0}}50<br />
| '''[[3 Modern Greek Poems, Op.50 (Dvo&#345;ák, Antonín)|Modern Greek Poems]] '''(Novo&#345;ecké básn&#283;) (3):<br />
| v orch<br />
| <br />
| 1878?<br />
| Vocal<br />
| arr. of B.84; lost<br />
|-<br />
| {{hs|0}}84a/1<br />
| {{hs|0}}50/1<br />
| <ul>''Kolijas: Klepht Song)'' (Kolijas: Píse&#328; kleftská)</ul><br />
| v orch<br />
| <br />
| 1878?<br />
| Vocal<br />
| alternate version of B.84/1; lost<br />
|-<br />
| {{hs|0}}84a/2<br />
| {{hs|0}}50/2<br />
| <ul>''Nereids'' (Nereidy) </ul> <br />
| v orch<br />
| <br />
| 1878?<br />
| Vocal<br />
| alternate version of B.84/2; lost<br />
|-<br />
| {{hs|0}}84a/3<br />
| {{hs|0}}50/3<br />
| <ul>''Parga's Lament'' (Žalozp&#283;v Pargy)</ul> <br />
| v orch<br />
| <br />
| 1878?<br />
| Vocal<br />
| alternate version of B.84/3; lost<br />
|-<br />
| {{hs|0}}85<br />
| {{hs|0}}42<br />
| '''[[Furiants, Op.42 (Dvo&#345;ák, Antonín)|Furiants]]''' (Furianty) (2):<br />
| pf<br />
| <br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}85/1<br />
| {{hs|0}}42/1<br />
| <ul>''Furiant''</ul><br />
| pf<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}85/2<br />
| {{hs|0}}42/2<br />
| <ul>''Furiant''</ul><br />
| pf<br />
| F major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}86<br />
| {{hs|0}}45<br />
| '''[[Slavonic Rhapsodies, Op.45 (Dvo&#345;ák, Antonín)|Slavonic Rhapsodies]]''' (Slovanské rapsodie) (3):<br />
| orch<br />
| <br />
| 1878<br />
| Orchestral<br />
| arr. for pf4h as B.506<br />
|-<br />
| {{hs|0}}86/1<br />
| {{hs|0}}45/1<br />
| <ul>''Slavonic Rhapsody''</ul><br />
| orch<br />
| D major<br />
| 1878<br />
| Orchestral<br />
| arr. for pf4h as B.506/1<br />
|-<br />
| {{hs|0}}86/2<br />
| {{hs|0}}45/2<br />
| <ul>''Slavonic Rhapsody''</ul> <br />
| orch<br />
| G minor<br />
| 1878<br />
| Orchestral<br />
| arr. for pf4h as B.506/2<br />
|-<br />
| {{hs|0}}86/3<br />
| {{hs|0}}45/3<br />
| <ul>''Slavonic Rhapsody''</ul> <br />
| orch<br />
| A{{flat}} major<br />
| 1878<br />
| Orchestral<br />
| arr. for pf4h as B.506/3<br />
|-<br />
| 506<br />
| {{hs|0}}45<br />
| '''[[Slavonic Rhapsodies, Op.45 (Dvo&#345;ák, Antonín)|Slavonic Rhapsodies]] <br />
'''(Slovanské rapsodie) (3):<br />
| pf4h<br />
| <br />
| 1878<br />
| Keyboard<br />
| arr. of B.86<br />
|-<br />
| 506/1<br />
| {{hs|0}}45/1<br />
| <ul>''Slavonic Rhapsody''</ul><br />
| pf4h<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| arr. of B.86/1<br />
|-<br />
| 506/2<br />
| {{hs|0}}45/2<br />
| <ul>''Slavonic Rhapsody''</ul> <br />
| pf4h<br />
| G minor<br />
| 1878<br />
| Keyboard<br />
| arr. of B.86/2<br />
|-<br />
| 506/3<br />
| {{hs|0}}45/3<br />
| <ul>''Slavonic Rhapsody''</ul> <br />
| pf4h<br />
| A{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| arr. of B.86/3<br />
|-<br />
| {{hs|0}}87<br />
| {{hs|0}}27<br />
| '''Partsongs''' (Sbory) (5):<br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/1<br />
| {{hs|0}}27/1<br />
| <ul>''Village Gossip'' (Pomluva)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/2<br />
| {{hs|0}}27/2<br />
| <ul>''Dwellers By the Sea'' (Pomo&#345;ané)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/3<br />
| {{hs|0}}27/3<br />
| <ul>''The Pledge'' (P&#345;ípov&#283;&#271; lásky)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/4<br />
| {{hs|0}}27/4<br />
| <ul>''The Lost Lamb'' (Ztracená ove&#269;ka)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/5<br />
| {{hs|0}}27/5<br />
| <ul>''The Sparrow&#39;s Party'' (Hostina)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}88<br />
| —<br />
| '''[[Festival March, B.88 (Dvo&#345;ák, Antonín)|Festival March]]''' (Slavnostní pochod)<br />
| orch<br />
| <br />
| 1879<br />
| Orchestral<br />
| arr. for pf as B.507<br />
|-<br />
| 507<br />
| —<br />
| '''Festival March''' (Slavnostní pochod)<br />
| pf<br />
| <br />
| 1879<br />
| Keyboard<br />
| arr.of B.88<br />
|-<br />
| {{hs|0}}90<br />
| {{hs|0}}49<br />
| '''[[Mazurek, Op.49 (Dvo&#345;ák, Antonín)|Mazurek]]''' (Mazurek) <br />
| vn orch<br />
| <br />
| 1879<br />
| Orchestral<br />
| arr. for vn pf as B.89<br />
|-<br />
| {{hs|0}}89<br />
| {{hs|0}}49<br />
| '''[[Mazurek, Op.49 (Dvo&#345;ák, Antonín)|Mazurek]]''' (Mazurek)<br />
| vn pf<br />
| <br />
| 1879<br />
| Chamber<br />
| arr. of B.90<br />
|-<br />
| {{hs|0}}91<br />
| {{hs|0}}79<br />
| '''Psalm 149''' (Žalm &#269;.149)<br />
| mch orch<br />
| <br />
| 1879<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}92<br />
| {{hs|0}}51<br />
| '''[[String Quartet No.10, Op.51 (Dvo&#345;ák, Antonín)|String Quartet No.10]]'''<br />
| 2vn va vc<br />
| E{{flat}} major<br />
| 1878–79<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}93<br />
| {{hs|0}}39<br />
| '''[[Czech Suite, Op.39 (Dvo&#345;ák, Antonín)|Czech Suite]]''' (&#268;eská suita)<br />
| orch<br />
| D major<br />
| 1879<br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}94<br />
| —<br />
| '''Polonaise''' (Polonéza)<br />
| vc pf<br />
| A major<br />
| 1879<br />
| Chamber<br />
| <br />
|-<br />
| {{hs|0}}95a<br />
| {{hs|0}}19b<br />
| '''[[Ave maris stella, Op.19b (Dvořák, Antonín)|Ave maris stella]]'''<br />
| v org<br />
| <br />
| 1879<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}95b<br />
| {{hs|0}}19a<br />
| '''O sanctissima dulcis virgo Maria'''<br />
| alt bar org<br />
| <br />
| 1879<br />
| Vocal<br />
| arr. for sop bar org as B.95-bis<br />
|-<br />
| {{hs|0}}95-bis<br />
| {{hs|0}}19a<br />
| '''O sanctissima dulcis virgo Maria'''<br />
| sop bar org<br />
| <br />
| 1879<br />
| Vocal<br />
| arr. of B.95b<br />
|-<br />
| {{hs|0}}96<br />
| {{hs|0}}53<br />
| '''[[Violin Concerto, Op.53 (Dvo&#345;ák, Antonín)|Violin Concerto]]'''<br />
| vn orch<br />
| A minor<br />
| 1879<br />
| Orchestral<br />
| 1st version of B.108<br />
|-<br />
| {{hs|0}}97<br />
| {{hs|0}}25<br />
| '''[[Vanda (overture), B.97 (Dvo&#345;ák, Antonín)|Vanda]]''' (Wanda)<br />
| orch<br />
| <br />
| 1879<br />
| Orchestral<br />
| concert overture to B.55<br />
|-<br />
| {{hs|0}}98<br />
| {{hs|00}}8<br />
| '''[[Silhouettes, Op.8 (Dvo&#345;ák, Antonín)|Silhouettes]]''' (Silhouetty) (12):<br />
| pf<br />
| <br />
| 1875–79?<br />
| Keyboard<br />
| 2nd version of B.32<br />
|-<br />
| {{hs|0}}98/{{hs|0}}1<br />
| {{hs|00}}8/{{hs|0}}1<br />
| <ul>''Silhouette''</ul> <br />
| pf<br />
| C{{sharp}} minor<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}2<br />
| {{hs|00}}8/{{hs|0}}2<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| D{{flat}} major<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}3<br />
| {{hs|00}}8/{{hs|0}}3<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| D{{flat}} major<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}4<br />
| {{hs|00}}8/{{hs|0}}4<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| F{{sharp}} minor<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}5<br />
| {{hs|00}}8/{{hs|0}}5<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| F{{sharp}} minor<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}6<br />
| {{hs|00}}8/{{hs|0}}6<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| B{{flat}} major<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}7<br />
| {{hs|00}}8/{{hs|0}}7<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| D major<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}8<br />
| {{hs|00}}8/{{hs|0}}8<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| B minor<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/{{hs|0}}9<br />
| {{hs|00}}8/{{hs|0}}9<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| B major<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/10<br />
| {{hs|00}}8/10<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| G major–E minor<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/11<br />
| {{hs|00}}8/11<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| A major<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}98/12<br />
| {{hs|00}}8/12<br />
| <ul>''Silhouette'' </ul> <br />
| pf<br />
| C{{sharp}} minor<br />
| 1875–79?<br />
| Keyboard<br />
| <br />
|-<br />
| {{hs|0}}99<br />
| —<br />
| '''[[Prague Waltzes, B.99 (Dvo&#345;ák, Antonín)|Prague Waltzes]]''' (Pražské val&#269;íky)<br />
| orch<br />
| <br />
| 1879<br />
| Orchestral<br />
| arr. for pf as B.508<br />
|-<br />
| 508<br />
| —<br />
| '''Prague Waltzes''' (Pražské val&#269;íky)<br />
| pf<br />
| <br />
| 1879<br />
| Keyboard<br />
| arr. of B.99<br />
|-<br />
| 100<br />
| —<br />
| '''[[Polonaise in E-flat major, B.100 (Dvo&#345;ák, Antonín)|Polonaise]]''' (Polonéza)<br />
| orch<br />
| E{{flat}} major<br />
| 1879<br />
| Orchestral<br />
| <br />
|-<br />
| 101<br />
| {{hs|0}}54<br />
| '''[[Waltzes, Op.54 (Dvo&#345;ák, Antonín)|Waltzes]]''' (Val&#269;íky) (8):<br />
| pf<br />
| <br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 101/1<br />
| {{hs|0}}54/1<br />
| <ul>''Waltz''</ul> <br />
| pf<br />
| A major<br />
| 1879–80<br />
| Keyboard<br />
| arr. for str/(2vn va vc (+db)) as B.105/1<br />
|-<br />
| 105/1<br />
| {{hs|0}}54/9<br />
| <ul>''Waltz'' </ul><br />
| str/(2vn va vc (+db))<br />
| A major<br />
| 1880<br />
| Orchestral<br />
| arr. of B.101/1<br />
|-<br />
| 101/2<br />
| {{hs|0}}54/2<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| A minor<br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 101/3<br />
| {{hs|0}}54/3<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| E major<br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 101/4<br />
| {{hs|0}}54/4<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| D{{flat}} minor<br />
| 1879–80<br />
| Keyboard<br />
| arr. for str/(2vn va vc (+db)) as B.105/2<br />
|-<br />
| 105/2<br />
| {{hs|0}}54/10<br />
| <ul>''Waltz''</ul><br />
| str/(2vn va vc (+db))<br />
| D{{flat}} major<br />
| 1880<br />
| Orchestral<br />
| arr. of B.101/4<br />
|-<br />
| 101/5<br />
| {{hs|0}}54/5<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| G minor<br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 101/6<br />
| {{hs|0}}54/6<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| F major<br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 101/7<br />
| {{hs|0}}54/7<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| D minor<br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 101/8<br />
| {{hs|0}}54/8<br />
| <ul>''Waltz'' </ul> <br />
| pf<br />
| E{{flat}} major<br />
| 1879–80<br />
| Keyboard<br />
| <br />
|-<br />
| 102<br />
| {{hs|0}}30<br />
| '''The Heirs of the White Mountain''' (D&#283;dicové bílé hory)<br />
| ch orch<br />
| <br />
| 1880<br />
| Vocal<br />
| 2nd version of B.27, B.134<br />
|-<br />
| 103<br />
| —<br />
| '''[[Eclogues, B.103 (Dvo&#345;ák, Antonín)|Eclogues]]''' (Eklogy) (4):<br />
| pf<br />
| <br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 103/1<br />
| —<br />
| <ul>''Eclogue''</ul> <br />
| pf<br />
| F major<br />
| 1880<br />
| Keyboard<br />
| incomplete version published as Op.56/4 with the Mazurkas (B.111)<br />
|-<br />
| 103/2<br />
| —<br />
| <ul>''Eclogue''</ul> <br />
| pf<br />
| D major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 103/3<br />
| —<br />
| <ul>''Eclogue'' </ul> <br />
| pf<br />
| G major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 103/4<br />
| —<br />
| <ul>''Eclogue'' </ul> <br />
| pf<br />
| E major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 104<br />
| {{hs|0}}55<br />
| '''[[Gypsy Songs, Op.55 (Dvo&#345;ák, Antonín)|Gypsy Songs]]''' (Cigánské melodie <br />
; Zigeunermelodien) (7):<br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/1<br />
| {{hs|0}}55/1<br />
| <ul>''My Song of Love Rings Through the Dusk'' (Má píse&#328; zas mi láskou zní; Mein Lied ertönt, ein Liebespsalm)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/2<br />
| {{hs|0}}55/2<br />
| <ul>''Hey, Ring Out, My Triangle'' (Aj! Kterak trojhranec m&#367;j p&#345;erozkošn&#283; zvoní; Ei, wie mein Triangel wunderherrlich läutet)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/3<br />
| {{hs|0}}55/3<br />
| <ul>''All Round About the Woods are Still'' (A les je tichý kolem kol; Rings ist der Wald so stumm und still)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/4<br />
| {{hs|0}}55/4<br />
| <ul>''Songs My Mother Taught Me'' (Když mne stará matka zpívat, zpívat u&#269;ívala; Als die alte Mutter)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/5<br />
| {{hs|0}}55/5<br />
| <ul>''Come and Join the Dancing'' (Struna nalad&#283;na, hochu, to&#269; se v kole) (Reingestimmt die Saiten)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/6<br />
| {{hs|0}}55/6<br />
| <ul>''The Gypsy Songman'' (Široké rukávy a široké gat&#283; In dem weiten, breiten, luft'gen Leinenkleide)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 104/7<br />
| {{hs|0}}55/7<br />
| <ul>''Give a Hawk a Fine Cage'' (Dejte klec jest&#345;ábu ze zlata ryzého; Horstet hoch der Habicht auf den Felsenhöhen)</ul> <br />
| v pf<br />
| <br />
| 1880<br />
| Vocal<br />
|<br />
|-<br />
| 106<br />
| {{hs|0}}57<br />
| '''[[Violin Sonata, Op.57 (Dvo&#345;ák, Antonín)|Violin Sonata]]'''<br />
| vn pf<br />
| F major<br />
| 1880<br />
| Chamber<br />
| <br />
|-<br />
| 107<br />
| —<br />
| '''Moravian Duets''' (Moravské dvojzp&#283;vy) (3):<br />
| fch<br />
| <br />
| 1880<br />
| Vocal<br />
| <br />
|-<br />
| 107/1<br />
| —<br />
| <ul>''Forsaken'' (Holub na javo&#345;e)</ul> <br />
| fch<br />
| <br />
| 1880<br />
| Vocal<br />
| 2nd version of B.62/1<br />
|-<br />
| 107/2<br />
| —<br />
| <ul>''Omens'' (Zelenaj se, zelenaj)</ul> <br />
| fch<br />
| <br />
| 1880<br />
| Vocal<br />
| 2nd version of B.62/5<br />
|-<br />
| 107/3<br />
| —<br />
| <ul>''The Wild Rose'' (Šípek)</ul> <br />
| fch<br />
| <br />
| 1880<br />
| Vocal<br />
| 2nd version of B.62/8<br />
|-<br />
| 107/4<br />
| —<br />
| <ul>''Fly Sweet Songster'' (Velet', vtá&#269;ku)</ul> <br />
| fch<br />
| <br />
| 1880<br />
| Vocal<br />
| 2nd version of B.60/2<br />
|-<br />
| 107/5<br />
| —<br />
| <ul>''The Slighted Heart'' (Dyby byla kosa nabróšená)</ul> <br />
| fch<br />
| <br />
| 1880<br />
| Vocal<br />
| 2nd version of B.60/3<br />
|-<br />
| 108<br />
| {{hs|0}}53<br />
| '''[[Violin Concerto, Op.53 (Dvo&#345;ák, Antonín)|Violin Concerto]]'''<br />
| vn orch<br />
| A minor<br />
| 1880, rev.1882<br />
| Orchestral<br />
| 2nd version of B.96<br />
|-<br />
| 109<br />
| —<br />
| '''[[Album Leaves, B.109 (Dvo&#345;ák, Antonín)|Album Leaves]]''' (Lístky do památníku) (3):<br />
| pf<br />
| <br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 109/1<br />
| —<br />
| <ul>''Album Leaf''</ul> <br />
| pf<br />
| F{{sharp}} minor<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 109/2<br />
| —<br />
| <ul>''Album Leaf''</ul> <br />
| pf<br />
| G minor<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 109/3<br />
| —<br />
| <ul>''Album Leaf''</ul> <br />
| pf<br />
| E{{flat}} major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 110<br />
| {{hs|0}}52<br />
| '''[[6 Piano Pieces, Op.52 (Dvo&#345;ák, Antonín)|Piano Pieces]]''' (Klavírní skladby) (6):<br />
| pf<br />
| <br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513<br />
|-<br />
| 110/1<br />
| {{hs|0}}52/1<br />
| <ul>''Impromptu''</ul><br />
| pf<br />
| G minor<br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513/1<br />
|-<br />
| 110/2<br />
| {{hs|0}}52/2<br />
| <ul>''Intermezzo''</ul><br />
| pf<br />
| E{{flat}} major<br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513/2<br />
|-<br />
| 110/3<br />
| {{hs|0}}52/3<br />
| <ul>''Gigue''</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513/3<br />
|-<br />
| 110/4<br />
| {{hs|0}}52/4<br />
| <ul>''Eclogue''</ul><br />
| pf<br />
| G minor<br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513/4<br />
|-<br />
| 110/5<br />
| {{hs|0}}52/5<br />
| <ul>''Piano Piece''</ul><br />
| pf<br />
| G minor<br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513/5<br />
|-<br />
| 110/6<br />
| {{hs|0}}52/6<br />
| <ul>''Piano Piece''</ul><br />
| pf<br />
| E{{flat}} major<br />
| 1880<br />
| Keyboard<br />
| arr. for pf4h as B.513/6<br />
|-<br />
| 513<br />
| {{hs|0}}52<br />
| '''Piano Pieces''' (Klavírní skladby) (6):<br />
| pf4h<br />
| <br />
| 1887<br />
| Keyboard<br />
| arr. of B.110<br />
|-<br />
| 513/1<br />
| {{hs|0}}52/1<br />
| <ul>''Impromptu''</ul><br />
| pf4h<br />
| G minor<br />
| 1887<br />
| Keyboard<br />
| arr. of B.110/1<br />
|-<br />
| 513/2<br />
| {{hs|0}}52/2<br />
| <ul>''Intermezzo''</ul><br />
| pf4h<br />
| E{{flat}} major<br />
| 1887<br />
| Keyboard<br />
| arr. of B.110/2<br />
|-<br />
| 513/3<br />
| {{hs|0}}52/3<br />
| <ul>''Gigue''</ul><br />
| pf4h<br />
| B{{flat}} major<br />
| 1887<br />
| Keyboard<br />
| arr. of B.110/3<br />
|-<br />
| 513/4<br />
| {{hs|0}}52/4<br />
| <ul>''Eclogue''</ul><br />
| pf4h<br />
| G minor<br />
| 1887<br />
| Keyboard<br />
| arr. of B.110/4<br />
|-<br />
| 513/5<br />
| {{hs|0}}52/5<br />
| <ul>''Piano Piece''</ul><br />
| pf4h<br />
| G minor<br />
| 1887<br />
| Keyboard<br />
| arr. of B.110/5<br />
|-<br />
| 513/6<br />
| {{hs|0}}52/6<br />
| <ul>''Piano Piece''</ul><br />
| pf4h<br />
| E{{flat}} major<br />
| 1887<br />
| Keyboard<br />
| arr. of B.110/6<br />
|-<br />
| 111<br />
| {{hs|0}}56<br />
| '''[[6 Mazurkas, Op.56 (Dvo&#345;ák, Antonín)|Mazurkas]]''' (Mazurky) (6):<br />
| pf<br />
| <br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 111/1<br />
| {{hs|0}}56/1<br />
| <ul>''Mazurka''</ul><br />
| pf<br />
| A{{flat}} major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 111/2<br />
| {{hs|0}}56/2<br />
| <ul>''Mazurka''</ul> <br />
| pf<br />
| C major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 111/3<br />
| {{hs|0}}56/3<br />
| <ul>''Mazurka''</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 111/4<br />
| —<br />
| <ul>''Mazurka''</ul><br />
| pf<br />
| D minor<br />
| 1880<br />
| Keyboard<br />
| omitted from publication in Op.56 and replaced by one of the Ecologues (B.103/1)<br />
|-<br />
| 111/5<br />
| {{hs|0}}56/5<br />
| <ul>''Mazurka''</ul><br />
| pf<br />
| F major<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 111/6<br />
| {{hs|0}}56/6<br />
| <ul>''Mazurka''</ul><br />
| pf<br />
| B minor<br />
| 1880<br />
| Keyboard<br />
| <br />
|-<br />
| 112<br />
| {{hs|0}}60<br />
| '''[[Symphony No.6, Op.60 (Dvo&#345;ák, Antonín)|Symphony No.6]]'''<br />
| orch<br />
| D major<br />
| 1880<br />
| Orchestral<br />
| first published as Symphony No.1, Op. 58<br />
|-<br />
| 113<br />
| —<br />
| '''Child&#39;s Song''' (D&#283;tská píse&#328;)<br />
| 2vv<br />
| <br />
| 1880<br />
| Vocal<br />
| <br />
|-<br />
| 114<br />
| {{hs|0}}53a/1<br />
| '''[[Polka for Prague Students, B.114 (Dvo&#345;ák, Antonín)|Polka for Prague Students]]''' (Polka Pražským akademik&#367;m)<br />
| orch<br />
| B{{flat}} major<br />
| 1880<br />
| Orchestral<br />
| <br />
|-<br />
| 115<br />
| {{hs|0}}14<br />
| '''Ballad of King Matthias''' (Balada K&#345;ále Matyáše)<br />
| v orch<br />
| <br />
| 1880–81<br />
| Stage<br />
| supplement to B.42<br />
|-<br />
| 116<br />
| —<br />
| '''[[Moderato in A major, B.116 (Dvo&#345;ák, Antonín)|Moderato]]'''<br />
| pf<br />
| A major<br />
| 1881<br />
| Keyboard<br />
| <br />
|-<br />
| 117<br />
| {{hs|0}}59<br />
| '''[[Legends, Op.59 (Dvo&#345;ák, Antonín)|Legends]]''' (Legendy) (10):<br />
| pf4h<br />
| <br />
| 1880–81<br />
| Keyboard<br />
| 1st version of B.122<br />
|-<br />
| 117/{{hs|0}}1<br />
| {{hs|0}}59/{{hs|0}}1<br />
| <ul>''Legend''</ul> <br />
| pf4h<br />
| D minor<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}2<br />
| {{hs|0}}59/{{hs|0}}2<br />
| <ul>''Legend''</ul> <br />
| pf4h<br />
| G major<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}3<br />
| {{hs|0}}59/{{hs|0}}3<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| G minor<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}4<br />
| {{hs|0}}59/{{hs|0}}4<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| C major<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}5<br />
| {{hs|0}}59/{{hs|0}}5<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| A{{flat}} major<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}6<br />
| {{hs|0}}59/{{hs|0}}6<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| C{{sharp}} minor<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}7<br />
| {{hs|0}}59/{{hs|0}}7<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| A major<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}8<br />
| {{hs|0}}59/{{hs|0}}8<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| F major<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/{{hs|0}}9<br />
| {{hs|0}}59/{{hs|0}}9<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| D major<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 117/10<br />
| {{hs|0}}59/10<br />
| <ul>''Legend'' </ul> <br />
| pf4h<br />
| B{{flat}} minor<br />
| 1880–81<br />
| Keyboard<br />
| <br />
|-<br />
| 118<br />
| —<br />
| '''There on our roof''' (Na tej našej st&#345;eše)<br />
| sop alt pf<br />
| <br />
| 1881<br />
| Vocal<br />
| <br />
|-<br />
| 119<br />
| {{hs|0}}53a/2<br />
| '''Galop''' (Kvapík)<br />
| orch<br />
| E major<br />
| 1881<br />
| Orchestral<br />
| lost<br />
|-<br />
| 120<br />
| —<br />
| '''Quartet movement'''<br />
| 2vn va vc<br />
| F major<br />
| 1881<br />
| Chamber<br />
| <br />
|-<br />
| 121<br />
| {{hs|0}}61<br />
| '''[[String Quartet No.11, Op.61 (Dvo&#345;ák, Antonín)|String Quartet No.11]]'''<br />
| 2vn va vc<br />
| C major<br />
| 1881<br />
| Chamber<br />
| <br />
|-<br />
| 122<br />
| {{hs|0}}59<br />
| '''[[Legends, Op.59 (Dvo&#345;ák, Antonín)|Legends]]''' (Legendy) (10):<br />
| orch<br />
| <br />
| 1881<br />
| Orchestral<br />
| 2nd version of B.117<br />
|-<br />
| 122/1<br />
| {{hs|0}}59/11<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| D minor<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/2<br />
| {{hs|0}}59/12<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| G major<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/3<br />
| {{hs|0}}59/13<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| G minor<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/4<br />
| {{hs|0}}59/14<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| C major<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/5<br />
| {{hs|0}}59/15<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| A{{flat}} major<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/6<br />
| {{hs|0}}59/16<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| C{{sharp}} minor<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/7<br />
| {{hs|0}}59/17<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| A major<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/8<br />
| {{hs|0}}59/18<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| F major<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/9<br />
| {{hs|0}}59/19<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| D major<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 122/10<br />
| {{hs|0}}59/20<br />
| <ul>''Legend''</ul> <br />
| orch<br />
| B{{flat}} minor<br />
| 1881<br />
| Orchestral<br />
| <br />
|-<br />
| 123<br />
| —<br />
| '''Songs''' (Písn&#283;) (6):<br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| <br />
|-<br />
| 123/1<br />
| —<br />
| <ul>''Sing Fervent Songs At Nightfall'' (Vy vroucí písn&#283; spejte)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 2nd version of B.11/1, B.124/1<br />
|-<br />
| 123/2<br />
| —<br />
| <ul>''Oh What a Perfect Golden Dream'' (Ó byl to krásný zlatý sen)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 2nd version of B.11/5, B.124/2<br />
|-<br />
| 123/3<br />
| —<br />
| <ul>''I Wander Often Past Yonder House'' (Kol domu se ted potácím)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 2nd version of B.11/9, B.152/7, B.160/3<br />
|-<br />
| 123/4<br />
| —<br />
| <ul>''Love Will Never Lead Us to that Happy End'' (O naši lásce nekvete to vytouzené stestí)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 2nd version of B.11/8, B.152/4, B.160/1<br />
|-<br />
| 123/5<br />
| —<br />
| <ul>''Everything is Still'' (Na horách ticho a v údolí ticho)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 2nd version of B.11/13, B124/4<br />
|-<br />
| 123/6<br />
| —<br />
| <ul>''My Heart is Plunged Into Sadness'' (Mé srdce &#269;asto v bolesti)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 2nd version of B.11/11, B.124/3<br />
|-<br />
| 124<br />
| —<br />
| '''Songs''' (Písn&#283;): (4):<br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| <br />
|-<br />
| 124/1<br />
| —<br />
| <ul>''Sing Fervent Songs At Nightfall'' (Vy vroucí písn&#283; spejte)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 3rd version of B.11/1, B.123/1<br />
|-<br />
| 124/2<br />
| —<br />
| <ul>''Oh What a Perfect Golden Dream'' (Ó byl to krásný zlatý sen)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 3rd version of B.11/5, B.123/2<br />
|-<br />
| 124/3<br />
| —<br />
| <ul>''My Heart is Plunged Into Sadness'' (Mé srdce &#269;asto v bolesti)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 3rd version of B.11/11, B.123/6<br />
|-<br />
| 124/4<br />
| —<br />
| <ul>''Everything is Still'' (Na horách ticho a v údolí ticho)</ul> <br />
| v pf<br />
| <br />
| 1881–82<br />
| Vocal<br />
| 3rd version of B.11/13, B.124/5<br />
|-<br />
| 125<br />
| {{hs|0}}62<br />
| '''Josef Kajetán Tyl''' (Josef Kajetán Tyl)<br />
| orch<br />
| <br />
| 1881–82<br />
| Stage<br />
| incidental music to S&#780;amberk&#39;s play; overture published separately as B.125a<br />
|-<br />
| 125a<br />
| {{hs|0}}62<br />
| '''[[My Homeland, Op.62 (Dvo&#345;ák, Antonín)|My Homeland]]''' (Domov m&#367;j)<br />
| orch<br />
| <br />
| 1881<br />
| Orchestral<br />
| overture to B.125<br />
|-<br />
| 126<br />
| {{hs|0}}63<br />
| '''[[In Nature's Realm (chorus), Op.63 (Dvo&#345;ák, Antonín)|In Nature&#39;s Realm]]''' (V p&#345;írod&#283;):<br />
| ch<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
|-<br />
| 126/1<br />
| {{hs|0}}63/1<br />
| <ul>''Music Descended to My Soul'' (Napadly písn&#283; v duši mou)</ul> <br />
| ch<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
|-<br />
| 126/2<br />
| {{hs|0}}63/2<br />
| <ul>''Bells Ring At Dusk'' (Ve&#269;erní les rozvázal zvonky)</ul> <br />
| ch<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
|-<br />
| 126/3<br />
| {{hs|0}}63/3<br />
| <ul>''The Rye Field'' (Žitné pole, žitné pole)</ul> <br />
| ch<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
|-<br />
| 126/4<br />
| {{hs|0}}63/4<br />
| <ul>''The Silver Birch'' (Vyb&#283;hla b&#345;íza b&#283;li&#269;ká)</ul> <br />
| ch<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
|-<br />
| 126/5<br />
| {{hs|0}}63/5<br />
| <ul>''With Dance and Song!'' (Dnes do skoku a do písni&#269;ky!)</ul> <br />
| ch<br />
| <br />
| 1882<br />
| Vocal<br />
| <br />
|-<br />
| 127<br />
| {{hs|0}}64<br />
| '''[[Dimitrij, Op.64 (Dvo&#345;ák, Antonín)|Dmitrij]]'''(Dmitrij)<br />
| vv ch orch<br />
| <br />
| 1881–82, rev.1882, 1883, 1885<br />
| Stage<br />
| historical opera in 4 acts; 1st version of B.186; vocal score arr. as B.528<br />
|-<br />
| 528<br />
| {{hs|0}}64<br />
| '''Dmitrij''' (Dmitrij)<br />
| vv ch pf<br />
| <br />
| 1882<br />
| Stage<br />
| vocal score of B.127<br />
|-<br />
| 128a<br />
| {{hs|00}}3<br />
| '''[[Question, B.128a (Dvo&#345;ák, Antonín)|Question]]''' (Otázka)<br />
| pf<br />
| <br />
| 1882<br />
| Keyboard<br />
| <br />
|-<br />
| 129<br />
| —<br />
| '''[[Impromptu, B.129 (Dvo&#345;ák, Antonín)|Impromptu]]'''<br />
| pf<br />
| D minor<br />
| 1883<br />
| Keyboard<br />
| <br />
|-<br />
| 130<br />
| {{hs|0}}65<br />
| '''[[Piano Trio No.3, Op.65 (Dvo&#345;ák, Antonín)|Piano Trio No.3]]'''<br />
| vn vc pf<br />
| F minor<br />
| 1883<br />
| Chamber<br />
| <br />
|-<br />
| 131<br />
| {{hs|0}}66<br />
| '''[[Scherzo capriccioso, Op.66 (Dvo&#345;ák, Antonín)|Scherzo capriccioso]]'''<br />
| orch<br />
| D{{flat}} major<br />
| 1883<br />
| Orchestral<br />
| arr. for pf4h as B.510<br />
|-<br />
| 510<br />
| {{hs|0}}66<br />
| '''[[Scherzo capriccioso, Op.66 (Dvo&#345;ák, Antonín)|Scherzo capriccioso]]'''<br />
| pf4h<br />
| <br />
| 1883?<br />
| Keyboard<br />
| arr. of B.131<br />
|-<br />
| 132<br />
| {{hs|0}}67<br />
| '''[[Hussite Overture, Op.67 (Dvo&#345;ák, Antonín)|Hussite Overture]]''' (Husitská)<br />
| orch<br />
| <br />
| 1883<br />
| Orchestral<br />
| arr. for pf4h as B.511<br />
|-<br />
| 511<br />
| {{hs|0}}67<br />
| '''[[Hussite Overture, Op.67 (Dvo&#345;ák, Antonín)|Hussite Overture]]''' (Husitská)<br />
| pf4h<br />
| <br />
| 1883<br />
| Keyboard<br />
| arr. of B.132<br />
|-<br />
| 133<br />
| {{hs|0}}68<br />
| '''[[From the Bohemian Forest, Op.68 (Dvo&#345;ák, Antonín)|From the Bohemian Forest]]''' (Ze Šumavy)<br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| <br />
|-<br />
| 133/1<br />
| {{hs|0}}68/1<br />
| <ul>''In the Spinning-Room'' (Na p&#345;ástkách)</ul> <br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| <br />
|-<br />
| 133/2<br />
| {{hs|0}}68/2<br />
| <ul>''By the Black Lake'' (U &#269;erného jezera)</ul> <br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| <br />
|-<br />
| 133/3<br />
| {{hs|0}}68/3<br />
| <ul>''Witches&#39; Sabbath'' (Noc filipojakubská)</ul> <br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| <br />
|-<br />
| 133/4<br />
| {{hs|0}}68/4<br />
| <ul>''On the Watch'' (Na &#269;ekání)</ul> <br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| <br />
|-<br />
| 133/5<br />
| {{hs|0}}68/5<br />
| <ul>''Silent Woods'' (Klid)</ul> <br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| arr. for vc pf as B.173, and for vc orch as B.182<br />
|-<br />
| 173<br />
| {{hs|0}}68/5<br />
| <ul>''Silent Woods'' (Klid)</ul> <br />
| vc pf<br />
| <br />
| 1891<br />
| Chamber<br />
| arr. of B.133/5<br />
|-<br />
| 182<br />
| {{hs|0}}68/5<br />
| <ul>''Silent Woods'' (Klid)</ul> <br />
| vc orch<br />
| <br />
| 1893<br />
| Orchestral<br />
| arr. of B.133/5<br />
|-<br />
| 133/6<br />
| {{hs|0}}68/6<br />
| <ul>''In Troubled Times'' (Z bou&#345;livých dob)</ul> <br />
| pf4h<br />
| <br />
| 1883–84<br />
| Keyboard<br />
| <br />
|-<br />
| 134<br />
| {{hs|0}}30<br />
| '''The Heirs of the White Mountain''' (D&#283;dicové bílé hory)<br />
| ch orch<br />
| <br />
| 1883<br />
| Vocal<br />
| 3rd version of B.27, B.134<br />
|-<br />
| 135<br />
| {{hs|0}}69<br />
| '''[[The Spectre's Bride, Op.69 (Dvořák, Antonín)|The Spectre&#39;s Bride]]''' (Svatební košile)<br />
| sop ten bass ch orch<br />
| <br />
| 1884<br />
| Vocal<br />
| <br />
|-<br />
| 136<br />
| {{hs|0}}12/1<br />
| '''[[Dumka and Furiant, Op.12 (Dvo&#345;ák, Antonín)|Dumka]]'''<br />
| pf<br />
| C minor<br />
| 1884<br />
| Keyboard<br />
| <br />
|-<br />
| 137<br />
| {{hs|0}}12/2<br />
| '''[[Dumka and Furiant, Op.12 (Dvo&#345;ák, Antonín)|Furiant]]'''<br />
| pf<br />
| G minor<br />
| 1879<br />
| Keyboard<br />
| <br />
|-<br />
| 138<br />
| —<br />
| '''[[Humoresque, B.138 (Dvo&#345;ák, Antonín)|Humoresque]]''' (Humoreska)<br />
| pf<br />
| F{{sharp}} major<br />
| 1884?<br />
| Keyboard<br />
| <br />
|-<br />
| 139<br />
| {{hs|0}}15/1<br />
| '''[[Ballade, Op.15 (Dvo&#345;ák, Antonín)|Ballad]]''' (Balada)<br />
| vn pf<br />
| D minor<br />
| 1884<br />
| Chamber<br />
| <br />
|-<br />
| 140<br />
| —<br />
| '''The Wild Duck''' (Ka&#269;ena divoká)<br />
| v pf<br />
| <br />
| 1884<br />
| Vocal<br />
| arrangement of a Czech folk song; lost<br />
|-<br />
| 141<br />
| {{hs|0}}70<br />
| '''[[Symphony No.7, Op.70 (Dvo&#345;ák, Antonín)|Symphony No.7]]'''<br />
| orch<br />
| D minor<br />
| 1884–85<br />
| Orchestral<br />
| first published as Symphony No.2; movts. II and III arr. for pf4h as B.512<br />
|-<br />
| 512<br />
| {{hs|0}}70<br />
| '''[[Symphony No.7, Op.70 (Dvo&#345;ák, Antonín)|Symphony No.7]]'''<br />
| pf4h<br />
| D minor<br />
| 1885<br />
| Keyboard<br />
| arr. of movts. II and III only from B.141<br />
|-<br />
| 142<br />
| —<br />
| '''Songs''' (Písn&#283;) (2):<br />
| v pf<br />
| <br />
| 1885<br />
| Vocal<br />
|<br />
|-<br />
| 142/1<br />
| —<br />
| <ul>''Lullaby'' (Ukolébavka) (Schlaf, mein Kind, in Ruh)</ul> <br />
| v pf<br />
| <br />
| 1885<br />
| Vocal<br />
|<br />
|-<br />
| 142/2<br />
| —<br />
| <ul>''Hindrance to Piety'' (Prekázka v poboznosti) (Seh' ich dich, mein liebes Mädchen)</ul> <br />
| v pf<br />
| <br />
| 1885<br />
| Vocal<br />
|<br />
|-<br />
| 143<br />
| —<br />
| '''Hymn of the Czech Peasants''' (Hymna &#269;eského rolnictva)<br />
| ch orch<br />
| <br />
| 1885<br />
| Vocal<br />
| <br />
|-<br />
| 144<br />
| {{hs|0}}71<br />
| '''[[Saint Ludmila, Op.71 (Dvo&#345;ák, Antonín)|Saint Ludmila]]''' (Svatá Ludmila)<br />
| sop alt 2ten bass ch orch<br />
| <br />
| 1885–86<br />
| Vocal<br />
| oratorio;1st version of B.205<br />
|-<br />
| 145<br />
| {{hs|0}}72<br />
| '''[[Slavonic Dances, Op.72 (Dvo&#345;ák, Antonín)|Slavonic Dances]]''' (Slovanské tance) (8):<br />
| pf4h<br />
| <br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/1<br />
| {{hs|0}}72/{{hs|0}}1<br />
| <ul>''Odzemek'' (Odzemek)</ul> <br />
| pf4h<br />
| B major<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/2<br />
| {{hs|0}}72/{{hs|0}}2<br />
| <ul>''Dumka''</ul> <br />
| pf4h<br />
| E minor<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/3<br />
| {{hs|0}}72/{{hs|0}}3<br />
| <ul>''Skocná''</ul> <br />
| pf4h<br />
| F major<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/4<br />
| {{hs|0}}72/{{hs|0}}4<br />
| <ul>''Dumka''</ul> <br />
| pf4h<br />
| D{{flat}} major<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/5<br />
| {{hs|0}}72/{{hs|0}}5<br />
| <ul>''Spacírka''</ul> <br />
| pf4h<br />
| B{{flat}} minor<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/6<br />
| {{hs|0}}72/{{hs|0}}6<br />
| <ul>''Polonaise'' (Polonéza)</ul> <br />
| pf4h<br />
| B{{flat}} major<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/7<br />
| {{hs|0}}72/{{hs|0}}7<br />
| <ul>''Kolo''</ul> <br />
| pf4h<br />
| A major<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 145/8<br />
| {{hs|0}}72/{{hs|0}}8<br />
| <ul>''Sousedská''</ul> <br />
| pf4h<br />
| A{{flat}} major<br />
| 1886<br />
| Keyboard<br />
| 1st version of B.147<br />
|-<br />
| 146<br />
| {{hs|0}}73<br />
| '''[[In Folk Tone, Op.73 (Dvo&#345;ák, Antonín)|In Folk Tone]]''' (V národním tónu):<br />
| v pf<br />
| <br />
| 1886<br />
| Vocal<br />
| <br />
|-<br />
| 146/1<br />
| {{hs|0}}73/1<br />
| <ul>''Goodnight, My Darling'' (Dobrú noc, má mila)</ul> <br />
| v pf<br />
| <br />
| 1886<br />
| Vocal<br />
| <br />
|-<br />
| 146/2<br />
| {{hs|0}}73/2<br />
| <ul>''When a Maiden Was a-Mowing'' (Žalo diev&#269;a, žalo trávu)</ul> <br />
| v pf<br />
| <br />
| 1886<br />
| Vocal<br />
| <br />
|-<br />
| 146/3<br />
| {{hs|0}}73/3<br />
| <ul>''There is no Consolation for Me'' (Ach, není, není tu, co by m&#283; t&#283;šilo)</ul> <br />
| v pf<br />
| <br />
| 1886<br />
| Vocal<br />
| <br />
|-<br />
| 146/4<br />
| {{hs|0}}73/4<br />
| <ul>''I Have a Faithful Mare'' (Ej, mám já ko&#328;a faku)</ul> <br />
| v pf<br />
| <br />
| 1886<br />
| Vocal<br />
| <br />
|-<br />
| 147<br />
| {{hs|0}}72<br />
| '''[[Slavonic Dances, Op.72 (Dvo&#345;ák, Antonín)|Slavonic Dances]]''' (Slovanské tance) (8):<br />
| orch<br />
| <br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/1<br />
| {{hs|0}}72/{{hs|0}}9<br />
| <ul>''Odzemek''</ul> <br />
| orch<br />
| B major<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/2<br />
| {{hs|0}}72/10<br />
| <ul>''Dumka''</ul> <br />
| orch<br />
| E minor<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/3<br />
| {{hs|0}}72/11<br />
| <ul>''Skocná''</ul> <br />
| orch<br />
| F major<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/4<br />
| {{hs|0}}72/12<br />
| <ul>''Dumka''</ul> <br />
| orch<br />
| D{{flat}} major<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/5<br />
| {{hs|0}}72/13<br />
| <ul>''Spacírka''</ul> <br />
| orch<br />
| B{{flat}} minor<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/6<br />
| {{hs|0}}72/14<br />
| <ul>''Polonaise'' (Polonéza)</ul> <br />
| orch<br />
| B{{flat}} major<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/7<br />
| {{hs|0}}72/15<br />
| <ul>''Kolo''</ul> <br />
| orch<br />
| A major<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 147/8<br />
| {{hs|0}}72/16<br />
| <ul>''Sousedská''</ul> <br />
| orch<br />
| A{{flat}} major<br />
| 1886–87<br />
| Orchestral<br />
| <br />
|-<br />
| 148<br />
| {{hs|0}}74<br />
| '''[[Terzetto, Op.74 (Dvo&#345;ák, Antonín)|Terzetto]]''' (Terceto)<br />
| 2vn va<br />
| C major<br />
| 1887<br />
| Chamber<br />
| <br />
|-<br />
| 149<br />
| {{hs|0}}75a<br />
| '''[[Miniatures, Op.75a (Dvo&#345;ák, Antonín)|Miniatures]]''' (Drobnosti) (4):<br />
| 2vn va<br />
| <br />
| 1887<br />
| Chamber<br />
| 1st version of B.150<br />
|-<br />
| 149/1<br />
| {{hs|0}}75a/1<br />
| <ul>''Cavatina''</ul><br />
| 2vn va<br />
| B{{flat}} major<br />
| 1887<br />
| Chamber<br />
| 1st version of B.150/1<br />
|-<br />
| 149/2<br />
| {{hs|0}}75a/2<br />
| <ul>''Capriccio''</ul><br />
| 2vn va<br />
| D minor<br />
| 1887<br />
| Chamber<br />
| 1st version of B.150/2<br />
|-<br />
| 149/3<br />
| {{hs|0}}75a/3<br />
| <ul>''Romance'' (Romanza)</ul> <br />
| 2vn va<br />
| B{{flat}} major<br />
| 1887<br />
| Chamber<br />
| 1st version of B.150/3<br />
|-<br />
| 149/4<br />
| {{hs|0}}75a/4<br />
| <ul>''Elegia'' (Elegia)</ul> <br />
| 2vn va<br />
| G minor<br />
| 1887<br />
| Chamber<br />
| 1st version of B.150/4<br />
|-<br />
| 150<br />
| {{hs|0}}75<br />
| '''[[4 Romantic Pieces, Op.75 (Dvo&#345;ák, Antonín)|Romantic Pieces]]''' (Romantické kusy) (4):<br />
| vn pf<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.149<br />
|-<br />
| 150/1<br />
| {{hs|0}}75/1<br />
| <ul>''Romantic Piece ''</ul> <br />
| vn pf<br />
| B{{flat}} major<br />
| 1887<br />
| Chamber<br />
| 2nd version of B.149/1<br />
|-<br />
| 150/2<br />
| {{hs|0}}75/2<br />
| <ul>''Romantic Piece ''</ul> <br />
| vn pf<br />
| D minor<br />
| 1887<br />
| Chamber<br />
| 2nd version of B.149/2<br />
|-<br />
| 150/3<br />
| {{hs|0}}75/3<br />
| <ul>''Romantic Piece ''</ul> <br />
| vn pf<br />
| B{{flat}} major<br />
| 1887<br />
| Chamber<br />
| 2nd version of B.149/3<br />
|-<br />
| 150/4<br />
| {{hs|0}}75/4<br />
| <ul>''Romantic Piece ''</ul> <br />
| vn pf<br />
| G minor<br />
| 1887<br />
| Chamber<br />
| 2nd version of B.149/4<br />
|-<br />
| 151<br />
| {{hs|0}}14<br />
| '''The King and the Charcoal Burner''' (Král a uhlí&#345;)<br />
| vv ch orch<br />
| <br />
| 1887<br />
| Stage<br />
| 3rd version of B.21, B.42; vocal score arr. as B.531<br />
|-<br />
| 531<br />
| {{hs|0}}14<br />
| '''The King and the Charcoal Burner''' (Král a uhlí&#345;)<br />
| vv ch pf<br />
| <br />
| 1887<br />
| Stage<br />
| vocal score of B.151<br />
|-<br />
| 152<br />
| —<br />
| '''[[Echo of Songs, B.152 (Dvořák, Antonín)|Echo of Songs]]''' (Ohlas písní) (12):<br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| <br />
|-<br />
| 152/{{hs|0}}1<br />
| —<br />
| <ul>''I Know that My Love to Thee'' (Já vím, že v sladké nad&#283;ji)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/6, B.160/4<br />
|-<br />
| 152/{{hs|0}}2<br />
| —<br />
| <ul>''Death Reigns in Many a Human Breast'' (V tak mnohém srdci mrtvo jest)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/1, B.160/2<br />
|-<br />
| 152/{{hs|0}}3<br />
| —<br />
| <ul>''When Thy Sweet Glances Fall on Me'' (V té sladké moci ocí tvých)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/2, B.160/7<br />
|-<br />
| 152/{{hs|0}}4<br />
| —<br />
| <ul>''Love Will Never Lead Us to that Happy End'' (O naši lásce nekvete to vytouzené stestí)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 3rd version of B.11/8, B.23/4, B.160/1<br />
|-<br />
| 152/{{hs|0}}5<br />
| —<br />
| <ul>''The Old Letter in My Book'' (Zde hledím na ten drahý list)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/12<br />
|-<br />
| 152/{{hs|0}}6<br />
| —<br />
| <ul>''O, Lovely Golden Rose'' (Ó zlatá ruže, spanilá)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/7<br />
|-<br />
| 152/{{hs|0}}7<br />
| —<br />
| <ul>''I Wander Often Past Yonder House'' (Kol domu se ted potácím)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 3rd version of B.11/9, B.123/3, B.160/3<br />
|-<br />
| 152/{{hs|0}}8<br />
| —<br />
| <ul>''In The Deepest Forest Glade I Stand'' (Zde v lese u potoka)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/14, B.160/6<br />
|-<br />
| 152/{{hs|0}}9<br />
| —<br />
| <ul>''Thou Only, Dear One'' (Ó duše drahá jedinká)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/4, B.160/8<br />
|-<br />
| 152/10<br />
| —<br />
| <ul>''There Stands an Ancient Rock'' (Tam stojí stará skála)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/16<br />
|-<br />
| 152/11<br />
| —<br />
| <ul>''Nature Lies Peaceful in Slumber and Dreaming'' (Nad krajem vévodi lehký spánek)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/17, B.160/5<br />
|-<br />
| 152/12<br />
| —<br />
| <ul>''You Ask Why My Songs'' (Ty se ptás, proc moje zpevy)</ul> <br />
| 2vn va vc<br />
| <br />
| 1887<br />
| Chamber<br />
| 2nd version of B.11/18<br />
|-<br />
| 153<br />
| {{hs|0}}86<br />
| '''[[Mass in D major, Op.86 (Dvo&#345;ák, Antonín)|Mass]]''' (Mše)<br />
| sop alt ten bass ch org<br />
| D major<br />
| 1887<br />
| Vocal<br />
| 1st version of B.175<br />
|-<br />
| 154<br />
| {{hs|0}}79<br />
| {{LinkWorkN|Psalm 149|Op.79|Dvořák|Antonín|0}} (Žalm &#269;.149)<br />
| ch orch<br />
| <br />
| 1887<br />
| Vocal<br />
| 2nd version of B.91<br />
|-<br />
| 155<br />
| {{hs|0}}81<br />
| '''[[Piano Quintet No.2, Op.81 (Dvo&#345;ák, Antonín)|Piano Quintet]]'''<br />
| 2vn va vc pf<br />
| A major<br />
| 1887<br />
| Chamber<br />
| <br />
|-<br />
| 156<br />
| —<br />
| '''[[2 Little Pearls, B.156 (Dvo&#345;ák, Antonín)|Little Pearls]]''' (Perli&#269;ky) (2):<br />
| pf<br />
| <br />
| 1887<br />
| Keyboard<br />
| <br />
|-<br />
| 156/1<br />
| —<br />
| <ul>''In a Ring'' (Do kola)</ul> <br />
| pf<br />
| F major<br />
| 1887<br />
| Keyboard<br />
| <br />
|-<br />
| 156/2<br />
| —<br />
| <ul>''Grandpa Dances with Grandma'' (D&#283;de&#269;ek tan&#269;i s babi&#269;kou)</ul> <br />
| pf<br />
| G minor<br />
| 1887<br />
| Keyboard<br />
| <br />
|-<br />
| 157<br />
| {{hs|0}}82<br />
| '''[[4 Lieder, Op.82 (Dvo&#345;ák, Antonín)|Lieder]]''' (4):<br />
| v pf<br />
| <br />
| 1887–88<br />
| Vocal<br />
| <br />
|-<br />
| 157/1<br />
| {{hs|0}}82/1<br />
| <ul>''Leave Me Alone'' (Lasst mich allein)</ul> <br />
| v pf<br />
| <br />
| 1887–88<br />
| Vocal<br />
| <br />
|-<br />
| 157/2<br />
| {{hs|0}}82/2<br />
| <ul>''The Embroidery'' (Die Stickerin)</ul> <br />
| v pf<br />
| <br />
| 1887–88<br />
| Vocal<br />
| <br />
|-<br />
| 157/3<br />
| {{hs|0}}82/3<br />
| <ul>''Spring'' (Frühling)</ul> <br />
| v pf<br />
| <br />
| 1887–88<br />
| Vocal<br />
| <br />
|-<br />
| 157/4<br />
| {{hs|0}}82/4<br />
| <ul>''At the Brook'' (Am Bache)</ul> <br />
| v pf<br />
| <br />
| 1887–88<br />
| Vocal<br />
| <br />
|-<br />
| 158<br />
| —<br />
| '''[[Album Leaf, B.158 (Dvo&#345;ák, Antonín)|Album Leaf]]''' (Lístek do památníku)<br />
| pf<br />
| E major<br />
| 1888<br />
| Keyboard<br />
| <br />
|-<br />
| 159<br />
| {{hs|0}}84<br />
| The Jacobin (Jakobín)<br />
| vv ch orch<br />
| <br />
| 1887–88<br />
| Stage<br />
| opera in 3 acts; 1st version of B.200<br />
|-<br />
| 160<br />
| {{hs|0}}83<br />
| '{{LinkWorkN|Love Songs|Op.83|Dvo&#345;ák|Antonín|0}}' (Písn&#283; milostné) (8):<br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 160/1<br />
| {{hs|0}}83/1<br />
| <ul>''Love Will Never Lead Us to that Happy End'' (O naši lásce nekvete to vytouzené stestí)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 4th version of B.11/8, B.123/4, B.152/4<br />
|-<br />
| 160/2<br />
| {{hs|0}}83/2<br />
| <ul>''Death Reigns in Many a Human Breast'' (V tak mnohém srdci mrtvo jest)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 3rd version of B.11/3, B.152/2<br />
|-<br />
| 160/3<br />
| {{hs|0}}83/3<br />
| <ul>''I Wander Often Past Yonder House'' (Kol domu se ted potácím)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 4th version of B.11/9, B.123/3, B.152/7<br />
|-<br />
| 160/4<br />
| {{hs|0}}83/4<br />
| <ul>''I Know that My Love to Thee'' (Já vím, že v sladké nad&#283;ji)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 3rd version of B.11/6, B.152/1<br />
|-<br />
| 160/5<br />
| {{hs|0}}83/5<br />
| <ul>''Nature Lies Peaceful in Slumber and Dreaming'' (Nad krajem vévodi lehký spánek)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 3rd version of B.11/17, B.152/11<br />
|-<br />
| 160/6<br />
| {{hs|0}}83/6<br />
| <ul>''In the Deepest Forest Glade I Stand'' (Zde v lese u potoka)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 3rd version of B.11/14, B.152/8<br />
|-<br />
| 160/7<br />
| {{hs|0}}83/7<br />
| <ul>''When Thy Sweet Glances Fall On Me'' (V té sladké moci ocí tvých)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 3rd version of B.11/2, B.152/3<br />
|-<br />
| 160/8<br />
| {{hs|0}}83/8<br />
| <ul>''Thou Only, Dear One'' (Ó duše drahá jedinká)</ul> <br />
| v pf<br />
| <br />
| 1888<br />
| Vocal<br />
| 3rd version of B.11/4, B.152/9<br />
|-<br />
| 161<br />
| {{hs|0}}85<br />
| '''[[Poetic Tone Pictures, Op.85 (Dvo&#345;ák, Antonín)|Poetic Tone Pictures]]''' (Poetické nálady) (13):<br />
| pf<br />
| <br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}1<br />
| {{hs|0}}85/{{hs|0}}1<br />
| <ul>''Twilight Way'' (No&#269;ní cestou)</ul> <br />
| pf<br />
| D major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}2<br />
| {{hs|0}}85/{{hs|0}}2<br />
| <ul>''Toying'' (Žertem)</ul> <br />
| pf<br />
| G major–G minor<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}3<br />
| {{hs|0}}85/{{hs|0}}3<br />
| <ul>''In the Old Castle'' (Na starém hrad&#283;)</ul> <br />
| pf<br />
| E{{flat}} major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}4<br />
| {{hs|0}}85/{{hs|0}}4<br />
| <ul>''Spring Song'' (Jarní)</ul> <br />
| pf<br />
| A major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}5<br />
| {{hs|0}}85/{{hs|0}}5<br />
| <ul>''Peasant Ballad'' (Selská balada)</ul> <br />
| pf<br />
| B{{flat}} major–B{{flat}} minor<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}6<br />
| {{hs|0}}85/{{hs|0}}6<br />
| <ul>''Reverie'' (Vzpomínání)</ul> <br />
| pf<br />
| B major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}7<br />
| {{hs|0}}85/{{hs|0}}7<br />
| <ul>''Furiant''</ul> <br />
| pf<br />
| A{{flat}} minor<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}8<br />
| {{hs|0}}85/{{hs|0}}8<br />
| <ul>''Goblins&#39; Dance'' (Rej sk&#345;ítk&#367;)</ul> <br />
| pf<br />
| A{{flat}} major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/{{hs|0}}9<br />
| {{hs|0}}85/{{hs|0}}9<br />
| <ul>''Serenade'' (Serenada)</ul> <br />
| pf<br />
| C major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/10<br />
| {{hs|0}}85/10<br />
| <ul>''Bacchanalia'' (Bacchanalia)</ul> <br />
| pf<br />
| C minor<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/11<br />
| {{hs|0}}85/11<br />
| <ul>''Tittle-Tattle'' (Na tá&#269;kách)</ul> <br />
| pf<br />
| F major<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/12<br />
| {{hs|0}}85/12<br />
| <ul>''At a Hero&#39;s Grave'' (U mohyly)</ul> <br />
| pf<br />
| A minor<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 161/13<br />
| {{hs|0}}85/13<br />
| <ul>''On the Holy Mountain'' (Na svaté ho&#345;e)</ul> <br />
| pf<br />
| F minor<br />
| 1889<br />
| Keyboard<br />
| <br />
|-<br />
| 162<br />
| {{hs|0}}87<br />
| '''[[Piano Quartet No.2, Op.87 (Dvo&#345;ák, Antonín)|Piano Quartet]]'''<br />
| vn va vc pf<br />
| E{{flat}} major<br />
| 1889<br />
| Chamber<br />
| <br />
|-<br />
| 163<br />
| {{hs|0}}88<br />
| '''[[Symphony No.8, Op.88 (Dvo&#345;ák, Antonín)|Symphony No.8]]'''<br />
| orch<br />
| G major<br />
| 1889<br />
| Orchestral<br />
| first published as Symphony No.4; arr. for pf4h as B.518<br />
|-<br />
| 518<br />
| {{hs|0}}88<br />
| '''[[Symphony No.8, Op.88 (Dvo&#345;ák, Antonín)|Symphony No.8]]'''<br />
| pf4h<br />
| G major<br />
| 1890<br />
| Keyboard<br />
| arr. of B.163<br />
|-<br />
| 164<br />
| —<br />
| '''Gavotte'''<br />
| 3vn<br />
| <br />
| 1890<br />
| Chamber<br />
| <br />
|-<br />
| 165<br />
| {{hs|0}}89<br />
| '''[[Requiem, Op.89 (Dvo&#345;ák, Antonín)|Requiem]]'''<br />
| sop alt ten bass ch orch<br />
| <br />
| 1890<br />
| Vocal<br />
| vocal score arr. as B.517<br />
|-<br />
| 517<br />
| {{hs|0}}89<br />
| '''Requiem'''<br />
| sop alt ten bass ch pf<br />
| <br />
| 1890<br />
| Vocal<br />
| vocal score of B.517<br />
|-<br />
| 166<br />
| {{hs|0}}90<br />
| '''[[Piano Trio No.4, Op.90 (Dvo&#345;ák, Antonín)|Piano Trio No.4]]''' (&quot;Dumky&quot;)<br />
| vn vc pf<br />
| E minor<br />
| 1890–91<br />
| Chamber<br />
| arr. for pf4h as B.520<br />
|-<br />
| 520<br />
| {{hs|0}}90<br />
| '''[[Piano Trio No.4, Op.90 (Dvo&#345;ák, Antonín)|Piano Trio No.4]]''' (&quot;Dumky&quot;)<br />
| pf4h<br />
| E minor<br />
| 1893<br />
| Keyboard<br />
| arr. of B.166<br />
|-<br />
| 167<br />
| —<br />
| '''Fanfares''' (Fanfary)<br />
| 4tpt timp<br />
| <br />
| 1891<br />
| Chamber<br />
| <br />
|-<br />
| 168<br />
| {{hs|0}}91<br />
| '''[[In Nature's Realm (overture), Op.91 (Dvo&#345;ák, Antonín)|In Nature&#39;s Realm]]''' (V p&#345;írod&#283;)<br />
| orch<br />
| <br />
| 1891<br />
| Orchestral<br />
| concert overture<br />
|-<br />
| 169<br />
| {{hs|0}}92<br />
| '''[[Carnival Overture, Op.92 (Dvo&#345;ák, Antonín)|Carnival Overture]]''' (Karneval)<br />
| orch<br />
| <br />
| 1891<br />
| Orchestral<br />
| concert overture<br />
|-<br />
| 171<br />
| {{hs|0}}94<br />
| '''[[Rondo, Op.94 (Dvo&#345;ák, Antonín)|Rondo]]'''<br />
| vc pf<br />
| G minor<br />
| 1891<br />
| Chamber<br />
| arr. for vc orch as B.181<br />
|-<br />
| 181<br />
| {{hs|0}}94<br />
| '''Rondo'''<br />
| vc orch<br />
| G minor<br />
| 1893<br />
| Orchestral<br />
| arr. of B.171<br />
|-<br />
| 174<br />
| {{hs|0}}93<br />
| '''[[Othello, Op.93 (Dvo&#345;ák, Antonín)|Othello]]''' (Othello)<br />
| orch<br />
| <br />
| 1892<br />
| Orchestral<br />
| concert overture<br />
|-<br />
| 175<br />
| {{hs|0}}86<br />
| '''Mass'''<br />
| sop alt ten bass ch orch<br />
| D major<br />
| 1892<br />
| Vocal<br />
| 2nd version of B.153<br />
|-<br />
| 176<br />
| 103<br />
| '{{LinkWorkN|Te Deum|Op.103|Dvořák|Antonín|0}}'<br />
| sop bass ch orch<br />
| <br />
| 1892<br />
| Vocal<br />
| <br />
|-<br />
| 177<br />
| 102<br />
| '''{{LinkWorkN|The American Flag|Op.102|Dvořák|Antonín|0}}''' (Americký prapor)<br />
| alt ten bass ch orch<br />
| <br />
| 1892–93<br />
| Vocal<br />
| vocal score arr. as B.519<br />
|-<br />
| 519<br />
| 102<br />
| '''The American Flag''' (Americký prapor)<br />
| alt ten bass ch pf<br />
| <br />
| 1892–93<br />
| Vocal<br />
| vocal score of B.177<br />
|-<br />
| 178<br />
| {{hs|0}}95<br />
| '''[[Symphony No.9, Op.95 (Dvo&#345;ák, Antonín)|Symphony No.9]]''' (&quot;Z nového sv&#283;ta&quot;) (&quot;From the New World&quot;) <br />
| orch<br />
| E minor<br />
| 1893<br />
| Orchestral<br />
| first published as &quot;Symphony 5&quot;; arr. for pf4h as B.521<br />
|-<br />
| 521<br />
| {{hs|0}}95<br />
| '''[[Symphony No.9, Op.95 (Dvo&#345;ák, Antonín)|Symphony No.9]]''' (&quot;Z nového sv&#283;ta&quot;) (&quot;From the New World&quot;) <br />
| pf4h<br />
| E minor<br />
| 1893<br />
| Keyboard<br />
| arr. of B.178<br />
|-<br />
| 179<br />
| {{hs|0}}96<br />
| '''[[String Quartet No.12, Op.96 (Dvo&#345;ák, Antonín)|String Quartet No.12]]''' (&quot;Americký&quot;) (&quot;American&quot;) <br />
| 2vn va vc<br />
| F major<br />
| 1893<br />
| Chamber<br />
|<br />
|-<br />
| 180<br />
| {{hs|0}}97<br />
| '''[[String Quintet No.3, Op.97 (Dvo&#345;ák, Antonín)|String Quintet No.3]]''' (&quot;Americký&quot;) (&quot;American&quot;) <br />
| 2vn 2va vc<br />
| E{{flat}} major<br />
| 1893<br />
| Chamber<br />
|<br />
|-<br />
| 183<br />
| 100<br />
| '''[[Sonatina, Op.100 (Dvo&#345;ák, Antonín)|Sonatina]]'''<br />
| vn pf<br />
| G major<br />
| 1893<br />
| Chamber<br />
| <br />
|-<br />
| 184<br />
| {{hs|0}}98<br />
| '''[[Suite, Op.98 (Dvo&#345;ák, Antonín)|Suite]]'''<br />
| pf<br />
| A major<br />
| 1894<br />
| Keyboard<br />
| 1st version of B.190<br />
|-<br />
| 185<br />
| {{hs|0}}99<br />
| '''[[Biblical Songs, Op.99 (Dvo&#345;ák, Antonín)|Biblical Songs]]''' (Biblické písn&#283;) (10):<br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| <br />
|-<br />
| 185/{{hs|0}}1<br />
| {{hs|0}}99/{{hs|0}}1<br />
| <ul>''Clouds and Darkness'' (Oblak a mrákota jest v&#367;kol N&#283;ho)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| arr. for sop orch as B.189/1<br />
|-<br />
| 189/1<br />
| {{hs|0}}99/1<br />
| <ul>''Clouds and Darkness'' (Oblak a mrákota jest v&#367;kol N&#283;ho)</ul> <br />
| sop orch<br />
| <br />
| 1895<br />
| Vocal<br />
| arr. of B.185/1<br />
|-<br />
| 185/{{hs|0}}2<br />
| {{hs|0}}99/{{hs|0}}2<br />
| <ul>''Thou Art My Refuge'' (Skrýše má a paveza má Ty jsí)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| arr. for sop orch as B.189/2<br />
|-<br />
| 189/2<br />
| {{hs|0}}99/2<br />
| <ul>''Thou Art My Refuge'' (Skrýše má a paveza má Ty jsí)</ul> <br />
| sop orch<br />
| <br />
| 1895<br />
| Vocal<br />
| arr. of B.185/2<br />
|-<br />
| 185/{{hs|0}}3<br />
| {{hs|0}}99/{{hs|0}}3<br />
| <ul>''Hear My Prayer, O Lord'' (Slyš, ó Bože, slyš modlitbu mou)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| arr. for sop orch as B.189/3<br />
|-<br />
| 189/3<br />
| {{hs|0}}99/3<br />
| <ul>''Hear My Prayer, O Lord'' (Slyš, ó Bože, slyš modlitbu mou)</ul> <br />
| sop orch<br />
| <br />
| 1895<br />
| Vocal<br />
| arr. of B.185/3<br />
|-<br />
| 185/{{hs|0}}4<br />
| {{hs|0}}99/{{hs|0}}4<br />
| <ul>''The Lord is My Shepherd'' (Hospodin jest m&#367;j pastý&#345;)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| arr. for sop orch as B.189/4<br />
|-<br />
| 189/4<br />
| {{hs|0}}99/4<br />
| <ul>''The Lord is My Shepherd'' (Hospodin jest m&#367;j pastý&#345;)</ul> <br />
| sop orch<br />
| <br />
| 1895<br />
| Vocal<br />
| arr. of B.185/4<br />
|-<br />
| 185/{{hs|0}}5<br />
| {{hs|0}}99/{{hs|0}}5<br />
| <ul>''I Will Sing a New Song'' (Bože! Bože! Píse&#328; novou)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| arr. for sop orch as B.189/5<br />
|-<br />
| 189/5<br />
| {{hs|0}}99/5<br />
| <ul>''I Will Sing a New Song'' (Bože! Bože! Píse&#328; novou)</ul> <br />
| sop orch<br />
| <br />
| 1895<br />
| Vocal<br />
| arr. of B.185/5<br />
|-<br />
| 185/{{hs|0}}6<br />
| {{hs|0}}99/{{hs|0}}6<br />
| <ul>''Hear My Cry'' (Slyš, ó Bože, volání mé)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| <br />
|-<br />
| 185/{{hs|0}}7<br />
| {{hs|0}}99/{{hs|0}}7<br />
| <ul>''By the Rivers of Babylon'' (P&#345;i &#345;ekách babylonských)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| <br />
|-<br />
| 185/{{hs|0}}8<br />
| {{hs|0}}99/{{hs|0}}8<br />
| <ul>''Turn Thee Unto Me'' (Popat&#345;iž na mne a smiluj se nade mnou)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| <br />
|-<br />
| 185/{{hs|0}}9<br />
| {{hs|0}}99/{{hs|0}}9<br />
| <ul>''I Will Lift Up Mine Eyes'' (Pozdvihuji o&#269;í svých k horám)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| <br />
|-<br />
| 185/10<br />
| {{hs|0}}99/10<br />
| <ul>''O Sing a New Song Unto the Lord'' (Zpívejte Hospodinu píse&#328; novou)</ul> <br />
| 2vv pf<br />
| <br />
| 1894<br />
| Vocal<br />
| <br />
|-<br />
| 186<br />
| {{hs|0}}64<br />
| '''Dmitrij''' (Dmitrij)<br />
| vv ch orch<br />
| <br />
| 1894<br />
| Stage<br />
| historical opera in 4 acts; 2nd version of B.127; vocal score arr. as B.529<br />
|-<br />
| 529<br />
| {{hs|0}}64<br />
| '''Dmitrij''' (Dmitrij)<br />
| vv ch pf<br />
| <br />
| 1894<br />
| Stage<br />
| vocal score of B.186<br />
|-<br />
| 187<br />
| 101<br />
| '''[[8 Humoresques, Op.101 (Dvo&#345;ák, Antonín)|Humoresques]]''' (Humoresky) (8)<br />
| pf<br />
| <br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/1<br />
| 101/1<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| E{{flat}} minor<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/2<br />
| 101/2<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| B major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/3<br />
| 101/3<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| A{{flat}} major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/4<br />
| 101/4<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| F major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/5<br />
| 101/5<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| A minor<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/6<br />
| 101/6<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| B major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/7<br />
| 101/7<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| G{{flat}} major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 187/8<br />
| 101/8<br />
| <ul>''Humoresque'' (Humoreska)</ul><br />
| pf<br />
| B minor<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 188<br />
| —<br />
| '''[[2 Pieces, B.188 (Dvo&#345;ák, Antonín)|Pieces]]''' (Skladby) (2):<br />
| pf<br />
| <br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 188/1<br />
| —<br />
| <ul>''Lullaby'' (Ukolébavka)</ul> <br />
| pf<br />
| G major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 188/2<br />
| —<br />
| <ul>''Capriccio'' (Capriccio)</ul> <br />
| pf<br />
| G major<br />
| 1894<br />
| Keyboard<br />
| <br />
|-<br />
| 190<br />
| {{hs|0}}98b<br />
| '''[[Suite, Op.98 (Dvo&#345;ák, Antonín)|Suite]]'''<br />
| orch<br />
| A major<br />
| 1895<br />
| Orchestral<br />
| 2nd version of B.184<br />
|-<br />
| 191<br />
| 104<br />
| '''[[Cello Concerto, Op.104 (Dvo&#345;ák, Antonín)|Cello Concerto]] '''<br />
| vc orch<br />
| B minor<br />
| 1894–95<br />
| Orchestral<br />
| arr. for vc pf as B.522<br />
|-<br />
| 522<br />
| 104<br />
| '''[[Cello Concerto, Op.104 (Dvo&#345;ák, Antonín)|Cello Concerto]]'''<br />
| vc pf<br />
| B minor<br />
| 1894–95<br />
| Chamber<br />
| arr. of B.191<br />
|-<br />
| 192<br />
| 106<br />
| '''[[String Quartet No.13, Op.106 (Dvo&#345;ák, Antonín)|String Quartet No.13]]'''<br />
| 2vn va vc<br />
| G major<br />
| 1895<br />
| Chamber<br />
| <br />
|-<br />
| 193<br />
| 105<br />
| '''[[String Quartet No.14, Op.105 (Dvo&#345;ák, Antonín)|String Quartet No.14]]'''<br />
| 2vn va vc<br />
| A{{flat}} major<br />
| 1895<br />
| Chamber<br />
| <br />
|-<br />
| 194<br />
| —<br />
| '''Lullaby''' (Ukolébavka)<br />
| v pf<br />
| <br />
| 1895<br />
| Vocal<br />
| <br />
|-<br />
| 195<br />
| 107<br />
| '''[[The Water Goblin, Op.107 (Dvo&#345;ák, Antonín)|The Water Goblin]]''' (Vodník)<br />
| orch<br />
| <br />
| 1896<br />
| Orchestral<br />
| symphonic poem<br />
|-<br />
| 196<br />
| 108<br />
| '''[[The Noon Witch, Op.108 (Dvo&#345;ák, Antonín)|The Noon Witch]]''' (Polednice)<br />
| orch<br />
| <br />
| 1896<br />
| Orchestral<br />
| symphonic poem<br />
|-<br />
| 197<br />
| 109<br />
| '''[[The Golden Spinning Wheel, Op.109 (Dvo&#345;ák, Antonín)|The Golden Spinning Wheel]]''' (Zlatý kolovrat)<br />
| orch<br />
| <br />
| 1896<br />
| Orchestral<br />
| symphonic poem<br />
|-<br />
| 198<br />
| 110<br />
| '''[[The Wood Dove, Op.110 (Dvo&#345;ák, Antonín)|The Wild Dove]]''' (Holoubek)<br />
| orch<br />
| <br />
| 1896<br />
| Orchestral<br />
| symphonic poem; arr. for pf4h as B.524<br />
|-<br />
| 524<br />
| 110<br />
| '''[[The Wood Dove, Op.110 (Dvo&#345;ák, Antonín)|The Wild Dove]]''' (Holoubek)<br />
| pf4h<br />
| <br />
| 1898<br />
| Keyboard<br />
| arr. of B.198<br />
|-<br />
| 199<br />
| 111<br />
| '''[[A Hero's Song, Op.111 (Dvo&#345;ák, Antonín)|A Hero&#39;s Song]]''' (Píse&#328; bohatýrská)<br />
| orch<br />
| <br />
| 1897<br />
| Orchestral<br />
| symphonic poem; arr. for pf4h as B.527<br />
|-<br />
| 527<br />
| 111<br />
| '''A Hero's Song''' (Píse&#328; bohatýrská)<br />
| pf4h<br />
| <br />
| 1897<br />
| Keyboard<br />
| arr. of B.199<br />
|-<br />
| 200<br />
| {{hs|0}}84<br />
| '{{LinkWorkN|The Jacobin|Op.84|Dvořák|Antonín|0}}' (Jakobín)<br />
| vv ch orch<br />
| <br />
| 1897<br />
| Stage<br />
| opera in 3 acts; 2nd version of B.159; vocal score arr. as B.525<br />
|-<br />
| 525<br />
| {{hs|0}}84<br />
| '''The Jacobin''' (Jakobín)<br />
| vv ch pf<br />
| <br />
| 1897<br />
| Stage<br />
| vocal score of B.200<br />
|-<br />
| 201<br />
| 112<br />
| '''The Devil and Kate''' (&#268;ert a Ká&#269;a)<br />
| vv ch orch<br />
| <br />
| 1898–99<br />
| Stage<br />
| comic opera in 3 acts; vocal score arr. as B.530<br />
|-<br />
| 530<br />
| 112<br />
| '''[[The Devil and Kate, Op.112 (Dvořák, Antonín)|The Devil and Kate]]''' (&#268;ert a Ká&#269;a)<br />
| vv ch pf<br />
| <br />
| 1898–99<br />
| Stage<br />
| vocal score of B.201<br />
|-<br />
| 202<br />
| 113<br />
| '''Festival Song''' (Slavnostní zp&#283;v)<br />
| ch orch<br />
| <br />
| 1900<br />
| Vocal<br />
| <br />
|-<br />
| 203<br />
| 114<br />
| '''[[Rusalka, Op.114 (Dvo&#345;ák, Antonín)|Rusalka]]''' (Rusalka)<br />
| vv ch orch<br />
| <br />
| 1900<br />
| Stage<br />
| lyric fairy tale in 3 acts<br />
|-<br />
| 204<br />
| —<br />
| '''Song of the Smith of Lešetín''' (Zp&#283;v z Lešetínského ková&#345;e)<br />
| bar pf<br />
| <br />
| 1901<br />
| Vocal<br />
| <br />
|-<br />
| 205<br />
| {{hs|0}}71<br />
| '''[[Saint Ludmila, Op.71 (Dvo&#345;ák, Antonín)|Saint Ludmila]]''' (Svatá Ludmila)<br />
| vv ch orch<br />
| <br />
| 1901<br />
| Stage<br />
| sacred opera in 3 acts; 2nd version of B.144<br />
|-<br />
| 206<br />
| 115<br />
| '''Armida''' (Armida)<br />
| vv ch orch<br />
| <br />
| 1902–03<br />
| Stage<br />
| opera in 4 acts<br />
|-<br />
| 302<br />
| —<br />
| '''[[8 Preludes and Fugues, B.302 (Dvo&#345;ák, Antonín)|Preludes and Fugues]]''' (8):<br />
| org<br />
| <br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/1<br />
| —<br />
| <ul>''Prelude'' (P&#345;edcházet)</ul> <br />
| org<br />
| D major<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/2<br />
| —<br />
| <ul>''Prelude'' (P&#345;edcházet)</ul> <br />
| org<br />
| G major<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/3<br />
| —<br />
| <ul>''Prelude'' (P&#345;edcházet)</ul> <br />
| org<br />
| A minor<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/4<br />
| —<br />
| <ul>''Prelude'' (P&#345;edcházet)</ul> <br />
| org<br />
| B{{flat}} major<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/5<br />
| —<br />
| <ul>''Prelude on a Given Theme'' (P&#345;edcházet na dané téma)</ul> <br />
| org<br />
| D major<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/6<br />
| —<br />
| <ul>''Fughetta''</ul> <br />
| org<br />
| D major<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/7<br />
| —<br />
| <ul>''Fugue''</ul> <br />
| org<br />
| D major<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 302/8<br />
| —<br />
| <ul>''Fugue''</ul> <br />
| org<br />
| G minor<br />
| 1859<br />
| Keyboard<br />
| <br />
|-<br />
| 303<br />
| —<br />
| '''Theme for Variations''' (Thema für Variationen)<br />
| pf<br />
| <br />
| 1891?<br />
| Keyboard<br />
| <br />
|-<br />
| 601<br />
| —<br />
| '''Irish Songs''' (Irské písn&#283;) (2):<br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| 601/1<br />
| —<br />
| <ul>''Oh, My Connor'' (M&#367;j Konnor má tvá&#345;e jak &#269;ervená r&#367;že)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| 601/2<br />
| —<br />
| <ul>''Ho! Adorn Yourself With Flowers'' (Nuž zdobte se kvítím, at'y zaplane zá&#345;)</ul> <br />
| mch<br />
| <br />
| 1878<br />
| Vocal<br />
| <br />
|-<br />
| 602<br />
| —<br />
| '''Hungarian Dances''' (Ungarische Tänze)<br />
| orch<br />
| <br />
| 1880<br />
| Orchestral<br />
| arr. of Nos.17 to 21 from the {{LinkWork|[[21 Hungarian Dances|WoO 1|Brahms|Johannes}}<br />
|-<br />
| 603<br />
| —<br />
| '''Russian Songs''' (Ruské písn&#283;) (16):<br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}1<br />
| —<br />
| <ul>''A Dove Flew Away Over the Hillside'' (Povylétla holubice pode strání) (&#1042;&#1080;&#1083;&#1077;&#1090;&#1072;&#1083;&#1072; &#1075;&#1086;&#1083;&#1091;&#1073;&#1080;&#1085;&#1072; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}2<br />
| —<br />
| <ul>''How Have I Angered You?'' (&#268;ím jsem já t&#283; rozhn&#283;vala?) (&#1063;&#1077;&#1084; &#1090;&#1077;&#1073;&#1103; &#1103; &#1075;&#1086;&#1088;&#1095;&#1080;&#1083;&#1072;? )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}3<br />
| —<br />
| <ul>''A Young, Pretty Beauty'' (Mladá, p&#283;kná krasavice) (&#1041;&#1077;&#1083;&#1086;&#1083;&#1080;&#1094;&#1072;, &#1082;&#1088;&#1091;&#1075;&#1086;&#1083;&#1080;&#1094;&#1072; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}4<br />
| —<br />
| <ul>''Ah, My Little Dove'' (Cožpak, m&#367;j holoubku) (&#1040;&#1093;, &#1095;&#1090;&#1086; &#1078; &#1090;&#1099;, &#1075;&#1086;&#1083;&#1091;&#1073;&#1095;&#1080;&#1082; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}5<br />
| —<br />
| <ul>''The Flower Was Blooming'' (Zkvétal, zkvétal v máji kv&#283;t) (&#1062;&#1074;&#1077;&#1083;&#1080;, &#1094;&#1074;&#1077;&#1083;&#1080;, &#1094;&#1074;&#1077;&#1090;&#1080;&#1082;&#1080; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}6<br />
| —<br />
| <ul>''It Grows Dark'' (Jako mhou se tmí) (&#1040;&#1093;, &#1082;&#1072;&#1082; &#1087;&#1072;&#1083; &#1090;&#1091;&#1084;&#1072;&#1085; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}7<br />
| —<br />
| <ul>''Ah, You Bubbling Brooks'' (Ach, vy &#345;í&#269;ky šumivé) (&#1040;&#1093;, &#1088;&#1077;&#1095;&#1077;&#1085;&#1082;&#1080;, &#1088;&#1077;&#1095;&#1077;&#1085;&#1082;&#1080; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}8<br />
| —<br />
| <ul>''You Beautiful Young Lady'' (Mladice ty krásná) (&#1052;&#1086;&#1083;&#1086;&#1076;&#1082;&#1072;, &#1084;&#1086;&#1083;&#1086;&#1076;&#1072;&#1103;)</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/{{hs|0}}9<br />
| —<br />
| <ul>''Down By Mother Volga'' (Po mátušce, mocné) (&#1042;&#1085;&#1080;&#1079; &#1087;&#1086; &#1084;&#1072;&#1090;&#1091;&#1096;&#1082;&#1077; &#1087;&#1086; &#1042;&#1086;&#1083;&#1075;&#1077; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/10<br />
| —<br />
| <ul>''A Birch Tree Stood in the Field'' (Na polí&#269;ku b&#345;íza tam stála) (&#1042;&#1086; &#1087;&#1086;&#1083;&#1077; &#1073;&#1077;&#1088;&#1077;&#1079;&#1072; &#1089;&#1090;&#1086;&#1103;&#1083;&#1072;)</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/11<br />
| —<br />
| <ul>''I&#39;ll Set Out Along the Brook'' (Vyjdu já si podle &#345;í&#269;ky) (&#1042;&#1099;&#1081;&#1076;&#1091; &#1103; &#1085;&#1072; &#1088;&#1077;&#1095;&#1077;&#1085;&#1082;&#1091;)</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/12<br />
| —<br />
| <ul>''In that Square of Ours'' (Na tom našem nám&#283;stí) (&#1050;&#1072;&#1082; &#1091; &#1085;&#1072;&#1089; &#1085;&#1072; &#1091;&#1083;&#1080;&#1094;&#1077;)</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/13<br />
| —<br />
| <ul>''I Sowed Without Ploughing'' (Já si zasil bez orání) (&#1071; &#1085;&#1086;&#1089;&#1077;&#1103;&#1083; &#1082;&#1086;&#1085;&#1086;&#1087;&#1077;&#1083;&#1082;&#1091; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/14<br />
| —<br />
| <ul>''Oh You Little Duckling in the Meadow'' (Oj, ty lu&#269;ní ka&#269;ko malá) (&#1040;&#1093;, &#1091;&#1090;&#1091;&#1096;&#1082;&#1072; &#1083;&#1091;&#1075;&#1086;&#1074;&#1072;&#1103;)</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/15<br />
| —<br />
| <ul>''The Cherries Grow Ripe in the Field'' (V poli zrají višn&#283;) (&#1043;&#1077;&#1081;, &#1091; &#1087;&#1086;&#1083;&#1080; &#1074;&#1080;&#1096;&#1085;&#1103; )</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 603/16<br />
| —<br />
| <ul>''O, the Black Raven is Walking'' (Oj, krá&#269;e havran &#269;erný) (&#1054;&#1081;, &#1082;&#1088;&#1103;&#1095;&#1077;, &#1095;&#1077;&#1084;&#1077;&#1085;&#1082;&#1080;&#1081; &#1074;&#1086;&#1088;&#1086;&#1085;)</ul> <br />
| fch<br />
| <br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 604<br />
| —<br />
| '''Ah, Such Love''' (Ha, ta láska)<br />
| ten orch<br />
| <br />
| 1884?<br />
| Vocal<br />
| arr. of the song by {{LinkComp|Josef|Lev}}<br />
|-<br />
| 605<br />
| —<br />
| '''The Old Folks at Home''' (Staré budou doma)<br />
| sop bbar ch orch<br />
| <br />
| 1893–94?<br />
| Vocal<br />
| arr. of the {{LinkWork|Variations on 'Old Folks at Home'||Foster|Stephen}}<br />
|-<br />
| 606<br />
| —<br />
| '''Forthwith Polka''' (Vysoká polka)<br />
| v pf<br />
| <br />
| 1902<br />
| Keyboard<br />
| arrangement of a traditional Czech song<br />
|}</div>
P.davydov
//imslp.org/wiki/List_of_works_by_Maurice_Ravel
List of works by Maurice Ravel
2024-01-27T22:22:41Z
<p>P.davydov: /* Original Works */</p>
<hr />
<div>{{worklist|Ravel, Maurice}}<br />
__TOC__<br />
<br />
The two tables below give the following informaton for works by [[:Category:Ravel, Maurice|Maurice Ravel]] (where applicable):<br />
* '''M.''' — numbers allocated in: Maurice Marnat, ''Maurice Ravel'' (Paris: Fayard, 1986). ISBN 2-213-01685-2.<br />
* '''Original Author''' — only given in cases where Ravel arranged or edited a work by another composer.<br />
* '''Title''' — as used on IMSLP; these are usually given in French.<br />
* '''Forces''' — the instrumentation used.<br />
* '''Key''' — the principal key of the work.<br />
* '''Date''' — the year(s) of composition or arrangement, where known.<br />
* '''Genre''' — works are grouped in the following broad categories: Stage, Orchestral, Vocal, Chamber, and Keyboard.<br />
* '''Notes''' — concerning versions of works, texts, etc.<br />
<br />
The note "[arr.]" indicates the composer's own arrangement of a work shown elsewhere in the table.<br />
----<br />
<br />
===Original Works===<br />
Click on the column headings to sort alphabetically or by year/catalogue number. <br />
<br />
{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; bovrder: 1px solid #AAA"<br />
!width="6%"|M<br />
!width="23%"|Title<br />
!width="10%"|Forces<br />
!width="6%"|Key<br />
!width="6%"|Date<br />
!width="6%"|Genre<br />
!width="25%"|Notes<br />
|-<br />
| '''M.{{hs|0}}1 '''<br />
| '''Piano Sonata '''<br />
|<br />
|<br />
| 1888<br />
| Keyboard<br />
| 1 movement only; lost<br />
|-<br />
| '''M.{{hs|0}}2 '''<br />
| '''Variations on a Theme by Grieg '''<br />
| pf<br />
|<br />
| 1888<br />
| Keyboard<br />
| On the theme of &quot;The Death of Ase&quot; from ''[[Peer Gynt, Op.23 (Grieg, Edvard)|Peer Gynt]]'' (Op.23) by [[:Category:Grieg, Edvard|Edvard Grieg]]<br />
|-<br />
| '''M.{{hs|0}}3 '''<br />
| '''Variations on a Theme by Schumann '''<br />
| pf<br />
|<br />
| 1888<br />
| Keyboard<br />
| On the theme of the chorale &quot;Freu dich, o meine Seele&quot; from the ''[[Album für die Jugend, Op.68 (Schumann, Robert)|Album für die Jugend]]'' (Op.68) by [[:Category:Schumann, Robert|Robert Schumann]]<br />
|-<br />
| '''M.{{hs|0}}4 '''<br />
| '''[[Ballade de la reine morte d'aimer, M.4 (Ravel, Maurice)|Ballade de la reine morte d&#39;aimer]]''' (&quot;En Bohème était une reine&quot;)<br />
| v pf<br />
| D minor<br />
| 1893<br />
| Vocal<br />
| Words by Roland de Marès<br />
|-<br />
| '''M.{{hs|0}}5 '''<br />
| '''[[Sérénade grotesque, M.5 (Ravel, Maurice)|Sérénade grotesque]] '''<br />
| pf<br />
| F{{sharp}} minor<br />
| 1892–93<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.{{hs|0}}6 '''<br />
| '''[[Un grand sommeil noir, M.6 (Ravel, Maurice)|Un grand sommeil noir]] '''<br />
| v pf<br />
| C{{sharp}} minor<br />
| 1895<br />
| Vocal<br />
| Words by Paul Verlaine<br />
|-<br />
| '''M.{{hs|0}}7 '''<br />
| '''[[Menuet antique, M.7 (Ravel, Maurice)|Menuet antique]] '''<br />
| pf<br />
| F{{sharp}} minor<br />
| 1895<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.{{hs|0}}7 '''<br />
| '''[[Menuet antique, M.7 (Ravel, Maurice)|Menuet antique]]''' [arr.]<br />
| orch<br />
| F{{sharp}} minor<br />
| 1929<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.{{hs|0}}9 '''<br />
| '''[[Sainte, M.9 (Ravel, Maurice)|Sainte]]''' (&quot;À la fenêtre recélant&quot;)<br />
| v pf<br />
| G minor<br />
| 1896<br />
| Vocal<br />
| Words by Stéphane Mallarmé<br />
|-<br />
| '''M.11 '''<br />
| '''[[La parade, M.11 (Ravel, Maurice)|La parade]]'''<br />
| <br />
|<br />
| 1896<br />
| Stage<br />
| Sketches for an unrealized ballet to a scenario by Antonine Meunier<br />
|-<br />
| '''M.12 '''<br />
| '''[[Violin Sonata No.1, M.12 (Ravel, Maurice)|Violin Sonata No.1]] '''<br />
| vn pf<br />
| A minor<br />
| 1897<br />
| Chamber<br />
| Sometimes known as &quot;Posthumous Sonata&quot;<br />
|-<br />
|<br />
| '''[[Sites auriculaires, M.8/13 (Ravel, Maurice)|Sites auriculaires]] '''<br />
| 2pf<br />
|<br />
| 1895–1897<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.{{hs|0}}8 '''<br />
| <ul>''Habanera''</ul><br />
| 2pf<br />
| F{{sharp}} minor<br />
| 1895<br />
| Keyboard<br />
| 1st version of Habanera (M.54/3)<br />
|-<br />
| '''M.13 '''<br />
| <ul>''Entre cloches''</ul><br />
| 2pf<br />
| F minor<br />
| 1897<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.14 '''<br />
| '''Valse'''<br />
| pf<br />
| D major<br />
| 1898<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.15 '''<br />
| '''[[Chanson du rouet, M.15 (Ravel, Maurice)|Chanson du rouet]]''' (&quot;O mon cher rouet&quot;)<br />
| v pf<br />
| E major<br />
| 1898<br />
| Vocal<br />
| Words by Leconte de Lisle<br />
|-<br />
| '''M.16 '''<br />
| '''[[Si morne!, M.16 (Ravel, Maurice)|Si morne!]] '''(&quot;Se replier toujours, sur soi-même&quot;)<br />
| v pf<br />
| F{{sharp}} minor<br />
| 1898<br />
| Vocal<br />
| Words by Émile Verhaeren<br />
|-<br />
| '''M.17 '''<br />
| '''[[Shéhérazade, ouverture de féerie, M.17 (Ravel, Maurice)|Shéhérazade]]'''<br />
| orch<br />
|<br />
| 1898<br />
| Orchestral<br />
| &#39;Ouverture de féerie&#39;<br />
|-<br />
| '''M.17 '''<br />
| '''[[Shéhérazade, ouverture de féerie, M.17 (Ravel, Maurice)|Shéhérazade]]''' [arr.]<br />
| 2pf<br />
|<br />
| 1898<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.18 '''<br />
| '''Olympia'''<br />
|<br />
|<br />
| 1898–99<br />
| Stage<br />
| Sketches for an unrealized opera based on a story by E.T.A. Hoffman<br />
|-<br />
| '''M.19 '''<br />
| '''[[Pavane pour une infante défunte, M.19 (Ravel, Maurice)|Pavane pour une infante défunte]] '''<br />
| pf<br />
| G major<br />
| 1899<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.19 '''<br />
| '''[[Pavane pour une infante défunte, M.19 (Ravel, Maurice)|Pavane pour une infante défunte]]''' [arr.]<br />
| orch<br />
| G major<br />
| 1910<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.20 '''<br />
| Fugue<br />
|<br />
|<br />
| 1899<br />
| Keyboard<br />
| Lost<br />
|-<br />
|<br />
| '''[[Epigrammes de Clément Marot, M.21/10 (Ravel, Maurice)|Epigrammes de Clément Marot]]''' (2)<br />
| v hpd/pf<br />
|<br />
| 1896–99<br />
| Vocal<br />
|<br />
|-<br />
| '''M.21 '''<br />
| <ul>''D&#39;Anne qui me jecta de la neige'' (&quot;Anne par jeu me jecta de la neige&quot;)</ul><br />
| v hpd/pf<br />
| G{{sharp}} minor<br />
| 1899<br />
| Vocal<br />
| Words by Clément Marot<br />
|-<br />
| '''M.10 '''<br />
| <ul>''D&#39;Anne jouant de l&#39;espinette (''&quot;Lorsque je voy en ordre la brunette&quot;)</ul><br />
| v hpd/pf<br />
| C{{sharp}} minor<br />
| 1896<br />
| Vocal<br />
| Words by Clément Marot<br />
|-<br />
| '''M.22 '''<br />
| '''[[Callerhoé, M.22 (Ravel, Maurice)|Callerhoe]] '''<br />
|<br />
|<br />
| 1900<br />
| Vocal<br />
| Lost<br />
|-<br />
| '''M.23 '''<br />
| '''[[Fugue in D major, M.23 (Ravel, Maurice)|Fugue]] '''<br />
| pf<br />
| D major<br />
| 1900<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.24 '''<br />
| '''Fugue à quatre voix '''<br />
| pf<br />
| F major<br />
| 1900<br />
| Keyboard<br />
| On a theme by Reber<br />
|-<br />
| '''M.25 '''<br />
| '''[[Les bayadères, M.25 (Ravel, Maurice)|Les Bayadères]]'''<br />
| sop ch orch<br />
|<br />
| 1900<br />
| Vocal<br />
| <br />
|-<br />
| '''M.26 '''<br />
| '''Prelude and Fugue '''<br />
|<br />
|<br />
| 1900<br />
| Keyboard<br />
| For piano. Lost<br />
|-<br />
| '''M.27 '''<br />
| '''Fugue '''<br />
| pf<br />
| F major<br />
| 1900<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.28 '''<br />
| '''Tout est lumière '''<br />
| sop ch orch<br />
|<br />
| 1901<br />
| Vocal<br />
| <br />
|-<br />
| '''M.29 '''<br />
| '''[[Myrrha, M.29 (Ravel, Maurice)|Myrrha]]'''<br />
| sop ten bar orch<br />
|<br />
| 1901<br />
| Vocal<br />
| Cantata to words by Fernand Beissier, after George Byron<br />
|-<br />
| '''M.30 '''<br />
| '''[[Jeux d'eau, M.30 (Ravel, Maurice)|Jeux d&#39;eau]]'''<br />
| pf<br />
| E major<br />
| 1901<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.31 '''<br />
| '''[[Sémiramis, M.31 (Ravel, Maurice)|Sémiramis]]'''<br />
|<br />
|<br />
| 1902<br />
| Vocal<br />
| Cantata. Prelude only.<br />
|-<br />
| '''M.32 '''<br />
| '''[[Fugue in E-flat major, M.32 (Ravel, Maurice)|Fugue]]'''<br />
| pf<br />
| E{{flat}} major<br />
| 1902<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.33 '''<br />
| '''La nuit '''<br />
| sop ch orch<br />
| E{{flat}} major<br />
| 1902<br />
| Vocal<br />
| <br />
|-<br />
| '''M.34 '''<br />
| '''[[Alcyone, M.34 (Ravel, Maurice)|Alcyone]]'''<br />
| 3vv orch<br />
|<br />
| 1902<br />
| Vocal<br />
| Cantata to words by Eugène Adenis and Edouard Adenis, after Ovid<br />
|-<br />
| '''M.35 '''<br />
| '''[[String Quartet in F major, M.35 (Ravel, Maurice)|String Quartet]]'''<br />
| 2vn va vc<br />
| F major<br />
| 1902–03<br />
| Chamber<br />
|<br />
|-<br />
| '''M.36 '''<br />
| '''Fugue'''<br />
| pf<br />
| E minor<br />
| 1903<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.37 '''<br />
| '''Matinée de Provence '''<br />
| sop ch orch<br />
| A major<br />
| 1903<br />
| Vocal<br />
| <br />
|-<br />
| '''M.38 '''<br />
| '''[[Alyssa, M.38 (Ravel, Maurice)|Alyssa]]'''<br />
| sop ten bar orch<br />
|<br />
| 1903<br />
| Vocal<br />
| Cantata to words by Marguerite Coiffier<br />
|-<br />
| '''M.39 '''<br />
| '''[[Manteau de fleurs, M.39 (Ravel, Maurice)|Manteau de fleurs]] '''<br />
| v pf<br />
| D{{sharp}} minor<br />
| 1903<br />
| Vocal<br />
| Words by Paul Gravollet<br />
|-<br />
| '''M.39 '''<br />
| '''[[Manteau de fleurs, M.39 (Ravel, Maurice)|Manteau de fleurs]]''' [arr.]<br />
| v orch<br />
| D{{sharp}} minor<br />
| ?<br />
| Vocal<br />
| Words by Paul Gravollet<br />
|-<br />
| '''M.40 '''<br />
| '''[[Sonatine, M.40 (Ravel, Maurice)|Sonatine]]'''<br />
| pf<br />
| F{{sharp}} minor<br />
| 1903–05<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.41 '''<br />
| '''[[Shéhérazade, M.41 (Ravel, Maurice)|Shéhérazade]]'''<br />
| v orch<br />
|<br />
| 1903<br />
| Vocal<br />
| Unconnected with the overture of the same name (1898)<br />
|-<br />
| '''M.41/1 '''<br />
| <ul>''Asie''</ul><br />
| v orch<br />
| E{{flat}} minor<br />
| 1903<br />
| Vocal<br />
| Words by Tristan Klingsor<br />
|-<br />
| '''M.41/2 '''<br />
| <ul>''La flûte enchantée'' (&quot;L&#39;ombre est douce et ton maître dort&quot;)</ul><br />
| v orch<br />
| B{{flat}} major<br />
| 1903<br />
| Vocal<br />
| Words by Tristan Klingsor<br />
|-<br />
| '''M.41/3 '''<br />
| <ul>''L&#39;indifférent'' (&quot;Tes yeux sont doux comme ceux d&#39;une fille&quot;)</ul><br />
| v orch<br />
| C{{sharp}} minor<br />
| 1903<br />
| Vocal<br />
| Words by Tristan Klingsor<br />
|-<br />
| '''M.41 '''<br />
| '''[[Shéhérazade, M.41 (Ravel, Maurice)|Shéhérazade]]''' [arr.]<br />
| v pf<br />
|<br />
| 1903<br />
| Vocal<br />
| Unconnected with the overture of the same name (1898)<br />
|-<br />
| '''M.41/1 '''<br />
| <ul>''Asie'' [arr.]</ul><br />
| v pf<br />
| E{{flat}} minor<br />
| 1903<br />
| Vocal<br />
| Words by Tristan Klingsor<br />
|-<br />
| '''M.41/2 '''<br />
| <ul>''La flûte enchantée'' (&quot;L&#39;ombre est douce et ton maître dort&quot;) [arr.]</ul><br />
| v pf<br />
| B{{flat}} major<br />
| 1903<br />
| Vocal<br />
| Words by Tristan Klingsor<br />
|-<br />
| '''M.41/3 '''<br />
| <ul>''L&#39;indifférent'' (&quot;Tes yeux sont doux comme ceux d&#39;une fille&quot;) [arr.]</ul><br />
| v pf<br />
| C{{sharp}} minor<br />
| 1903<br />
| Vocal<br />
| Words by Tristan Klingsor<br />
|-<br />
| '''M.42 '''<br />
| '''[[Minuet in C-sharp minor, M.42 (Ravel, Maurice)|Minuet]]'''<br />
| pf<br />
| C{{sharp}} minor<br />
| 1904<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.43 '''<br />
| '''[[Miroirs, M.43 (Ravel, Maurice)|Miroirs]]''' (5):<br />
| pf<br />
|<br />
| 1904–05<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.43/1 '''<br />
| <ul>''Noctuelles''</ul><br />
| pf<br />
| D{{flat}} major<br />
| 1904–05<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.43/2 '''<br />
| <ul>''Oiseaux tristes''</ul><br />
| pf<br />
| E{{flat}} minor<br />
| 1904–05<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.43/3 '''<br />
| <ul>''Une barque sur l&#39;océan''</ul><br />
| pf<br />
| F{{sharp}} minor<br />
| 1904–05<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.43/3 '''<br />
| <ul>''Une barque sur l&#39;océan'' [arr.]</ul><br />
| orch<br />
| F{{sharp}} minor<br />
| 1906, rev.1926<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.43/4 '''<br />
| <ul>''Alborada del gracioso''</ul><br />
| pf<br />
| D minor<br />
| 1904–05<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.43/4 '''<br />
| <ul>''Alborada del gracioso'' [arr.]</ul><br />
| orch<br />
| D minor<br />
| 1918<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.43/5 '''<br />
| <ul>''La vallée des cloches''</ul><br />
| pf<br />
| C{{sharp}} minor<br />
| 1904–05<br />
| Keyboard<br />
|<br />
|-<br />
| <br />
| '''[[5 Mélodies populaires grecques, M.A 4-5, 9-11 (Ravel, Maurice)|Mélodies populaires grecques]]''' (5)<br />
| v pf<br />
| <br />
| 1904–06<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A {{hs|0}}9'''<br />
| <ul>''Chanson de la mariée'' (&quot;Réveille-toi, perdrix mignonne&quot;)</ul><br />
| v pf<br />
| G minor<br />
| 1905–06<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A {{hs|0}}9'''<br />
| <ul>''Le réveil de la mariée'' (&quot;Réveille-toi, perdrix mignonne&quot;) [arr. of ''Chanson de la mariée''] </ul><br />
| v orch<br />
| G minor<br />
| ?<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A 10'''<br />
| <ul>''Là-bas, vers l&#39;église''</ul><br />
| v pf<br />
| G{{sharp}} minor<br />
| 1905–06<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A {{hs|0}}4'''<br />
| <ul>''Quel galant m&#39;est comparable''</ul><br />
| v pf<br />
| G major<br />
| 1904<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A {{hs|0}}5'''<br />
| <ul>''Chanson des cueilleuses de lentisques'' (&quot;O joie de mon âme&quot;)</ul><br />
| v pf<br />
| A major<br />
| 1904<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A 11'''<br />
| <ul>''Tout gai!''</ul><br />
| v pf<br />
| B{{flat}} major<br />
| 1905–06<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A 11'''<br />
| <ul>''Tout gai!'' [arr.]</ul><br />
| v orch<br />
| B{{flat}} major<br />
| ?<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.A {{hs|0}}6'''<br />
| <ul>''A vous, oiseaux des plaines''</ul><br />
| <br />
| <br />
| 1904<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song. Lost.<br />
|-<br />
| '''M.A {{hs|0}}7'''<br />
| <ul>''Chanson de pâtre épirote''</ul><br />
| <br />
| <br />
| 1904<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song. Lost.<br />
|-<br />
| '''M.A {{hs|0}}8'''<br />
| <ul>''Mon mouchoir, hélas, est perdu''</ul><br />
| <br />
| <br />
| 1904<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song. Lost.<br />
|-<br />
| '''M.44 '''<br />
| '''[[Fugue in C major, M.44 (Ravel, Maurice)|Fugue]]'''<br />
| pf<br />
| C major<br />
| 1905<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.45 '''<br />
| '''[[L'aurore, M.45 (Ravel, Maurice)|L'aurore]]'''<br />
| ten ch orch<br />
| E{{flat}} major<br />
| 1905<br />
| Vocal<br />
| <br />
|-<br />
| '''M.46 '''<br />
| '''[[Introduction et allegro, M.46 (Ravel, Maurice)|Introduction et Allegro]] '''<br />
| fl cl hp 2vn va vc<br />
| G{{flat}} major<br />
| 1905<br />
| Chamber<br />
|<br />
|-<br />
| '''M.46 '''<br />
| '''[[Introduction et allegro, M.46 (Ravel, Maurice)|Introduction et Allegro]] ''' [arr.]<br />
| 2pf<br />
| G{{flat}} major<br />
| 1905<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.47 '''<br />
| '''[[Noël des jouets, M.47 (Ravel, Maurice)|Noël des jouets]]''' (&quot;Le troupeau verni des moutons&quot;)<br />
| v pf<br />
| E minor–E major<br />
| 1905<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.47 '''<br />
| '''[[Noël des jouets, M.47 (Ravel, Maurice)|Noël des jouets]]''' (&quot;Le troupeau verni des moutons&quot;) [arr.]<br />
| v orch<br />
| E minor–E major<br />
| 1906, rev.1913<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.48 '''<br />
| '''[[Les grands vents venus d'outre-mer, M.48 (Ravel, Maurice)|Les grands vents venus d&#39;outre-mer]] '''<br />
| v pf<br />
| E{{flat}} major<br />
| 1906<br />
| Vocal<br />
| Words by Henri de Régnier<br />
|-<br />
| '''M.49 '''<br />
| '''La cloche engloutie '''<br />
|<br />
|<br />
| 1906–12<br />
| Stage<br />
| Libretto by Ferdinand Hérold, after Gehrardt Hauptmann. Score destroyed by the composer<br />
|-<br />
| '''M.50 '''<br />
| '''[[Histoires naturelles, M.50 (Ravel, Maurice)|Histoires naturelles]]''' (5):<br />
| v pf<br />
|<br />
| 1906<br />
| Vocal<br />
|<br />
|-<br />
| '''M.50/1 '''<br />
| <ul>''Le paon'' ("Il va surement se marier aujourd'hui")</ul><br />
| v pf<br />
| F major<br />
| 1906<br />
| Vocal<br />
| Words by Jules Renard<br />
|-<br />
| '''M.50/2 '''<br />
| <ul>''Le grillon'' ("C'est l'heure où, las d'errer")</ul><br />
| v pf<br />
| A minor<br />
| 1906<br />
| Vocal<br />
| Words by Jules Renard<br />
|-<br />
| '''M.50/3 '''<br />
| <ul>''Le cygne'' ("Il glisse sur le bassin")</ul><br />
| v pf<br />
| B major<br />
| 1906<br />
| Vocal<br />
| Words by Jules Renard<br />
|-<br />
| '''M.50/4 '''<br />
| <ul>''Le martin-pêcheur'' ("Ça n'a pas mordu, ce soir")</ul><br />
| v pf<br />
| F{{sharp}} major<br />
| 1906<br />
| Vocal<br />
| Words by Jules Renard<br />
|-<br />
| '''M.50/5 '''<br />
| <ul>''La pintade'' ("C'est la bossue de ma cour")</ul><br />
| v pf<br />
| E major<br />
| 1906<br />
| Vocal<br />
| Words by Jules Renard<br />
|-<br />
| '''M.51 '''<br />
| '''[[Vocalise-étude en forme de habanera, M.51 (Ravel, Maurice)|Vocalise-étude en forme de Habanera]]'''<br />
| v pf<br />
| G minor<br />
| 1907<br />
| Vocal<br />
|<br />
|-<br />
| '''M.52 '''<br />
| '''[[L'heure espagnole, M.52 (Ravel, Maurice)|L&#39;heure espagnole]]'''<br />
| 5vv orch<br />
|<br />
| 1907<br />
| Stage<br />
| Musical comedy in 1 act to a libretto by Franc-Nohain.<br />
|-<br />
| '''M.52 '''<br />
| '''[[L'heure espagnole, M.52 (Ravel, Maurice)|L&#39;heure espagnole]]''' [arr.]<br />
| 5vv pf<br />
|<br />
| 1907<br />
| Stage<br />
| Vocal score<br />
|-<br />
| '''M.53 '''<br />
| '''[[Sur l'herbe, M.53 (Ravel, Maurice)|Sur l&#39;herbe]]''' (&quot;L&#39;abbé divague&quot;)<br />
| v pf<br />
| C{{sharp}} minor<br />
| 1907<br />
| Vocal<br />
| Words by Paul Verlaine<br />
|-<br />
| '''M.54 '''<br />
| '''[[Rapsodie espagnole, M.54 (Ravel, Maurice)|Rapsodie espagnole]]'''<br />
| orch<br />
|<br />
| 1907<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.54/1 '''<br />
| <ul>''Prélude à la nuit''</ul><br />
| orch<br />
| A minor<br />
| 1907<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.54/2 '''<br />
| <ul>''Malaguena''</ul><br />
| orch<br />
| A minor<br />
| 1907<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.54/3 '''<br />
| <ul>''Habanera''</ul><br />
| orch<br />
| F{{sharp}} minor<br />
| 1907<br />
| Orchestral<br />
| 2nd version of ''Habanera'' (M.8)<br />
|-<br />
| '''M.54/4 '''<br />
| <ul>''Feria''</ul><br />
| orch<br />
| C major<br />
| 1907<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.54 '''<br />
| '''[[Rapsodie espagnole, M.54 (Ravel, Maurice)|Rapsodie espagnole]]''' [arr.]<br />
| 2pf<br />
|<br />
| 1907<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.54/1 '''<br />
| <ul>''Prélude à la nuit'' [arr.]</ul><br />
| 2pf<br />
| A minor<br />
| 1907<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.54/2 '''<br />
| <ul>''Malaguena'' [arr.]</ul><br />
| 2pf<br />
| A minor<br />
| 1907<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.54/3 '''<br />
| <ul>''Habanera'' [arr.]</ul><br />
| 2pf<br />
| F{{sharp}} minor<br />
| 1907<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.54/4 '''<br />
| <ul>''Feria'' [arr.]</ul><br />
| 2pf<br />
| C major<br />
| 1907<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.55 '''<br />
| '''[[Gaspard de la nuit, M.55 (Ravel, Maurice)|Gaspard de la nuit]]'''<br />
| pf<br />
|<br />
| 1908<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.55/1 '''<br />
| <ul>''Ondine''</ul><br />
| pf<br />
| C{{sharp}} major<br />
| 1908<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.55/2 '''<br />
| <ul>''Le gibet''</ul><br />
| pf<br />
| E{{flat}} minor<br />
| 1908<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.55/3 '''<br />
| <ul>''Scarbo''</ul><br />
| pf<br />
| B major<br />
| 1908<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.57 '''<br />
| '''[[Daphnis et Chloé, M.57 (Ravel, Maurice)|Daphnis et Chloé]]'''<br />
| orch (+ch)<br />
| A major<br />
| 1909–12<br />
| Stage<br />
| &#39;Symphonie chorégraphique&#39; in 3 parts to a libretto by Michel Fokine and the composer, after Longus. See also M.57a, M.57b, M.57c<br />
|-<br />
| '''M.57 '''<br />
| '''[[Daphnis et Chloé, M.57 (Ravel, Maurice)|Daphnis et Chloé]]''' [arr.]<br />
| pf (+ch)<br />
| A major<br />
| 1910<br />
| Stage<br />
|<br />
|-<br />
| '''M.57a '''<br />
| '''[[Daphnis et Chloé Suite No.1, M.57a (Ravel, Maurice)|Daphnis et Chloé Suite No.1]]'''<br />
| orch (+ch)<br />
|<br />
| 1911<br />
| Orchestral<br />
| &#39;Fragments symphoniques&#39;. Extracted from the ballet (1909–12)<br />
|-<br />
| '''M.57a/1 '''<br />
| <ul>''Nocturne''</ul><br />
| orch (+ch)<br />
|<br />
| 1911<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.57a/2 '''<br />
| <ul>''Interlude''</ul><br />
| orch<br />
|<br />
| 1911<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.57a/3 '''<br />
| <ul>''Danse guerrière''</ul><br />
| orch<br />
|<br />
| 1911<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.57b '''<br />
| '''[[Daphnis et Chloé Suite No.2, M.57b (Ravel, Maurice)|Daphnis et Chloé Suite No.2]]'''<br />
| orch<br />
|<br />
| 1913<br />
| Orchestral<br />
| &#39;Fragments symphoniques II&#39; Extracted from the ballet (1909–12)<br />
|-<br />
| '''M.57b/1 '''<br />
| <ul>''Lever de jour''</ul><br />
| orch<br />
|<br />
| 1913<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.57b/2 '''<br />
| <ul>''Pantomime''</ul><br />
| orch<br />
|<br />
| 1913<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.57b/3 '''<br />
| <ul>''Danse générale''</ul><br />
| orch<br />
|<br />
| 1913<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.57c '''<br />
| '''[[Daphnis et Chloé, M.57 (Ravel, Maurice)#For_Piano_solo_.28Ravel.29|Danse gracieuse de Daphnis]] '''<br />
| pf<br />
|<br />
| 1913<br />
| Keyboard<br />
| Extracted from the ballet (1909–12)<br />
|-<br />
| '''M.57c/1 '''<br />
| <ul>''Nocturne''</ul><br />
| pf<br />
|<br />
| 1913<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.57c/2 '''<br />
| <ul>''Interlude et Danse guerrière''</ul><br />
| pf<br />
|<br />
| 1913<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.57c/3 '''<br />
| <ul>''Scène de Daphnis et Chloé''</ul><br />
| pf<br />
|<br />
| 1913<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.A 12'''<br />
| '''[[Chanson écossaise, M.A 12 (Ravel, Maurice)|Chanson écossaise]]''' (&quot;Vallons, côtaux du fleuve ami&quot;)<br />
| v pf<br />
| A major<br />
| 1909<br />
| Vocal<br />
| Words by Robert Burns<br />
|-<br />
| '''M.A 13'''<br />
| '''Tripatos '''(&quot;Mains qui n&#39;ont pas pu le soleil&quot;)<br />
| v pf<br />
| B{{flat}} major<br />
| 1909<br />
| Vocal<br />
| Words by Michel D. Calvocoressi, after a traditional Greek song<br />
|-<br />
| '''M.58 '''<br />
| '''[[Menuet sur le nom d'Haydn, M.58 (Ravel, Maurice)|Menuet sur le nom d&#39;Haydn]]'''<br />
| pf<br />
| G major<br />
| 1909<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.59 '''<br />
| '''Saint François d&#39;Assise '''<br />
|<br />
|<br />
| 1909–10<br />
| Vocal<br />
| Cantata to words by Fioretti de saint François d&#39;Assise. Lost<br />
|-<br />
| '''M.60 '''<br />
| '''[[Ma mère l'Oye, M.60 (Ravel, Maurice)|Ma mère l&#39;oye]]''' [&quot;Mother Goose&quot;], pièces enfantines (5)<br />
| pf4h<br />
|<br />
| 1908–10<br />
| Keyboard<br />
| See also M.62. Popularly known as the "Mother Goose Suite".<br />
|-<br />
| '''M.56'''<br />
| <ul>''Pavane de la belle au bois dormant''</ul><br />
| pf4h<br />
| A minor<br />
| 1908<br />
| Keyboard<br />
| <br />
|-<br />
| '''M.60/2 '''<br />
| <ul>''Petit poucet''</ul><br />
| pf4h<br />
| C minor<br />
| 1910<br />
| Keyboard<br />
| <br />
|-<br />
| '''M.60/3 '''<br />
| <ul>''Laideronnette, impératrice des pagodes''</ul><br />
| pf4h<br />
| F{{sharp}} major<br />
| 1910<br />
| Keyboard<br />
| <br />
|-<br />
| '''M.60/4 '''<br />
| <ul>''Les entretiens de la belle et de la bête''</ul><br />
| pf4h<br />
| F major<br />
| 1910<br />
| Keyboard<br />
| <br />
|-<br />
| '''M.60/5 '''<br />
| <ul>''Le jardin féerique''</ul><br />
| pf4h<br />
| C major<br />
| 1910<br />
| Keyboard<br />
| <br />
|-<br />
| '''M.60 '''<br />
| '''[[Ma mère l'oye (suite) (Ravel, Maurice)|Ma mère l&#39;oye]]''' [&quot;Mother Goose&quot;], pièces enfantines (5) [arr.]<br />
| orch<br />
|<br />
| 1911<br />
| Orchestral<br />
| 1st version of M.62. Popularly known as the "Mother Goose Suite".<br />
|-<br />
| '''M.60/1'''<br />
| <ul>''Pavane de la belle au bois dormant'' [arr.]</ul><br />
| orch<br />
| A minor<br />
| 1911<br />
| Orchestral<br />
| <br />
|-<br />
| '''M.60/2 '''<br />
| <ul>''Petit poucet'' [arr.]</ul><br />
| orch<br />
| C minor<br />
| 1911<br />
| Orchestral<br />
| <br />
|-<br />
| '''M.60/3 '''<br />
| <ul>''Laideronnette, impératrice des pagodes'' [arr.]</ul><br />
| orch<br />
| F{{sharp}} major<br />
| 1911<br />
| Orchestral<br />
| <br />
|-<br />
| '''M.60/4 '''<br />
| <ul>''Les entretiens de la belle et de la bête'' [arr.]</ul><br />
| orch<br />
| F major<br />
| 1911<br />
| Orchestral<br />
| <br />
|-<br />
| '''M.60/5 '''<br />
| <ul>''Le jardin féerique'' [arr.]</ul><br />
| orch<br />
| C major<br />
| 1911<br />
| Orchestral<br />
| <br />
|-<br />
| '''M.A 17'''<br />
| '''[[Chants populaires, M.A 17 (Ravel, Maurice)|Chants populaires]]'''<br />
| v pf<br />
| <br />
| 1910<br />
| Vocal<br />
| <br />
|-<br />
| '''M.A 17/1'''<br />
| <ul>''Chanson espagnole'' (&quot;Adieu, va mon hommme&quot;)</ul><br />
| v pf<br />
| B{{flat}} major<br />
| 1910<br />
| Vocal<br />
| Words from a traditional Galician song<br />
|-<br />
| '''M.A 17/2'''<br />
| <ul>''Chanson française'' (&quot;Jeanneton où irons-nous garder&quot;)</ul><br />
| v pf<br />
| C major<br />
| 1910<br />
| Vocal<br />
| Words from a traditional French song<br />
|-<br />
| '''M.A 17/3'''<br />
| <ul>''Chanson italienne'' (&quot;Penchée à ma fenêtre&quot;)</ul><br />
| v pf<br />
| E{{flat}} major<br />
| 1910<br />
| Vocal<br />
| Words from a traditional Italian song<br />
|-<br />
| '''M.A 17/4'''<br />
| <ul>''Chanson hébraïque'' (&quot;Mayerke, mon fils&quot;)</ul><br />
| v pf<br />
| E minor<br />
| 1910<br />
| Vocal<br />
| Words from a traditional Yiddish/Hebrew song<br />
|-<br />
| '''M.A 17/4'''<br />
| <ul>''Chanson hébraïque'' (&quot;Mayerke, mon fils&quot;) [arr.]</ul><br />
| v orch<br />
| E minor<br />
| 1923–24<br />
| Vocal<br />
| Words from a traditional Yiddish/Hebrew song<br />
|-<br />
| '''M.61 '''<br />
| '''[[Valses nobles et sentimentales, M.61 (Ravel, Maurice)|Valses nobles et sentimentales]]''' (8)<br />
| pf<br />
|<br />
| 1911<br />
| Keyboard<br />
| <br />
|-<br />
| '''M.61/1 '''<br />
| <ul>Modéré, très franc</ul><br />
| pf<br />
| C major<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/2 '''<br />
| <ul>Assez lent, avec une expression intense</ul><br />
| pf<br />
| C minor<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/3 '''<br />
| <ul>Modéré</ul><br />
| pf<br />
| E inor<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/4 '''<br />
| <ul>Assez animé</ul><br />
| pf<br />
| A{{flat}} major<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/5 '''<br />
| <ul>Presque lent, dans un sentiment intime</ul><br />
| pf<br />
| E major<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/6 '''<br />
| <ul>Vif</ul><br />
| pf<br />
| C major<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/7 '''<br />
| <ul>Moins vif</ul><br />
| pf<br />
| C major/A major<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61/8 '''<br />
| <ul>''Épilogue''. Lent</ul><br />
| pf<br />
| G major<br />
| 1911<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.61 '''<br />
| '''[[Valses nobles et sentimentales, M.61 (Ravel, Maurice)|Valses nobles et sentimentales]]''' (8) [arr.]<br />
| orch<br />
|<br />
| 1912<br />
| Orchestral<br />
| Also performed as a ballet, under the title ''Adelaïde, ou Le langage des fleurs''<br />
|-<br />
| '''M.61/1 '''<br />
| <ul>Modéré, très franc [arr.]</ul><br />
| orch<br />
| C major<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/2 '''<br />
| <ul>Assez lent, avec une expression intense [arr.]</ul><br />
| orch<br />
| C minor<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/3 '''<br />
| <ul>Modéré [arr.]</ul><br />
| orch<br />
| E inor<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/4 '''<br />
| <ul>Assez animé [arr.]</ul><br />
| orch<br />
| A{{flat}} major<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/5 '''<br />
| <ul>Presque lent, dans un sentiment intime [arr.]</ul><br />
| orch<br />
| E major<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/6 '''<br />
| <ul>Vif [arr.]</ul><br />
| orch<br />
| C major<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/7 '''<br />
| <ul>Moins vif [arr.]</ul><br />
| orch<br />
| C major/A major<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.61/8 '''<br />
| <ul>''Épilogue''. Lent [arr.]</ul><br />
| orch<br />
| G major<br />
| 1912<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.62 '''<br />
| '''[[Ma mère l'Oye, M.62 (Ravel, Maurice)|Ma mère l&#39;oye]]''' [&quot;Mother Goose&quot;], ballet<br />
| orch<br />
|<br />
| 1911–12<br />
| Stage<br />
| 2nd version of M.60, with additional ''Prélude'', ''Danse du rouet et scène'' and interludes<br />
|-<br />
| '''M.63/1 '''<br />
| '''[[À la manière de Borodine, M.63/1 (Ravel, Maurice)|À la manière de Borodine]]'''<br />
| pf<br />
| D{{flat}} major<br />
| 1912–13<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.63/2 '''<br />
| '''[[À la manière de Chabrier, M.63/2 (Ravel, Maurice)|À la manière de Chabrier]]'''<br />
| pf<br />
| C major<br />
| 1912–13<br />
| Keyboard<br />
| Paraphrase on an air from Act II of the opera [[Faust (Gounod, Charles)|Faust]] by [[:Category:Gounod, Charles|Charles Gounod]]<br />
|-<br />
| '''M.64 '''<br />
| '''[[3 Poèmes de Stéphane Mallarmé, M.64 (Ravel, Maurice)|Poèmes de Stéphane Mallarmé]]''' (3):<br />
| v picc 2fl cl bcl 2vn va vc pf<br />
|<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64/1 '''<br />
| <ul>''Soupir'' (&quot;Mon âme vers ton front où rêve&quot;)</ul><br />
| v picc 2fl cl bcl 2vn va vc pf<br />
| G major<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64/2 '''<br />
| <ul>''Placet futile ''(&quot;Princesse! à jalouser le destin&quot;)</ul><br />
| v picc 2fl cl bcl 2vn va vc pf<br />
| F major<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64/3 '''<br />
| <ul>''Surgi de la croupe et du bond''</ul><br />
| v picc 2fl cl bcl 2vn va vc pf<br />
| C major<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64 '''<br />
| '''[[3 Poèmes de Stéphane Mallarmé, M.64 (Ravel, Maurice)|Poèmes de Stéphane Mallarmé]]''' (3) [arr.]<br />
| v pf<br />
|<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64/1 '''<br />
| <ul>Soupir (&quot;Mon âme vers ton front où rêve&quot;) [arr.]</ul><br />
| v pf<br />
| G major<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64/2 '''<br />
| <ul>Placet futile (&quot;Princesse! à jalouser le destin&quot;) [arr.]</ul><br />
| v pf<br />
| F major<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.64/3 '''<br />
| <ul>Surgi de la croupe et du bond [arr.]</ul><br />
| v pf<br />
| C major<br />
| 1913<br />
| Vocal<br />
|<br />
|-<br />
| '''M.65 '''<br />
| '''[[Prélude, M.65 (Ravel, Maurice)|Prélude]]'''<br />
| pf<br />
|<br />
| 1913<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.66 '''<br />
| '''Zaspiak-Bat '''<br />
|<br />
|<br />
| 1913–14<br />
| Orchestral<br />
| Sketches on Basque themes for an unrealized work for piano and orchestra<br />
|-<br />
| '''M.67 '''<br />
| '''[[Piano Trio, M.67 (Ravel, Maurice)|Piano Trio]]'''<br />
| vn vc pf<br />
| A minor<br />
| 1914<br />
| Chamber<br />
|<br />
|-<br />
| '''M.A 22'''<br />
| '''[[2 Mélodies hébraïques, M.A 22 (Ravel, Maurice)|Mélodies hébraïques]]''' (2)<br />
| v pf<br />
|<br />
| 1914<br />
| Vocal<br />
| <br />
|-<br />
| '''M.A 22/1'''<br />
| <ul>''Kaddisch'' (&quot;Que ta gloire, ô Roi des rois&quot;)</ul><br />
| v pf<br />
| C minor<br />
| 1914<br />
| Vocal<br />
| Words from a traditional Hebrew song<br />
|-<br />
| '''M.A 22/2'''<br />
| <ul>''L&#39;énigme éternelle'' (&quot;Monde tu nous interroges&quot;)</ul><br />
| v pf<br />
| E minor<br />
| 1914<br />
| Vocal<br />
| Words from a traditional Hebrew song<br />
|-<br />
| '''M.A 22'''<br />
| '''[[2 Mélodies hébraïques, M.A 22 (Ravel, Maurice)|Mélodies hébraïques]]''' (2) [arr.]<br />
| v orch<br />
|<br />
| 1919<br />
| Vocal<br />
| <br />
|-<br />
| '''M.A 22/1'''<br />
| <ul>''Kaddisch'' (&quot;Que ta gloire, ô Roi des rois&quot;) [arr]</ul><br />
| v orch<br />
| C minor<br />
| 1919<br />
| Vocal<br />
| Words from a traditional Hebrew song<br />
|-<br />
| '''M.A 22/2'''<br />
| <ul>''L&#39;énigme éternelle'' (&quot;Monde tu nous interroges&quot;) [arr.]</ul><br />
| v orch<br />
| E minor<br />
| 1919<br />
| Vocal<br />
| Words from a traditional Hebrew song<br />
|-<br />
| '''M.68 '''<br />
| '''[[Le tombeau de Couperin, M.68 (Ravel, Maurice)|Le tombeau de Couperin]]'''<br />
| pf<br />
|<br />
| 1914–17<br />
| Keyboard<br />
| Suite. Revised as M.68a.<br />
|-<br />
| '''M.68/1 '''<br />
| <ul>''Prélude''</ul><br />
| pf<br />
| E minor<br />
| 1914–17<br />
| Keyboard<br />
| 1st version of M.68a/1<br />
|-<br />
| '''M.68/2 '''<br />
| <ul>''Fugue''</ul><br />
| pf<br />
| E minor<br />
| 1914–17<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.68/3 '''<br />
| <ul>''Forlane''</ul><br />
| pf<br />
| E minor<br />
| 1914–17<br />
| Keyboard<br />
| 1st version of M.68a/2<br />
|-<br />
| '''M.68/4 '''<br />
| <ul>''Rigaudon''</ul><br />
| pf<br />
| C major<br />
| 1914–17<br />
| Keyboard<br />
| 1st version of M.68a/4<br />
|-<br />
| '''M.68/5 '''<br />
| <ul>''Menuet''</ul><br />
| pf<br />
| E minor<br />
| 1914–17<br />
| Keyboard<br />
| 1st version of M.68a/3<br />
|-<br />
| '''M.68/6 '''<br />
| <ul>''Toccata''</ul><br />
| pf<br />
| E minor<br />
| 1914–17<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.68a '''<br />
| '''[[Le tombeau de Couperin, M.68a (Ravel, Maurice)|Le tombeau de Couperin]]''' [arr.]<br />
| orch<br />
|<br />
| 1919<br />
| Stage<br />
| Shortened orchestral version of M.68, with different sequence of movements.<br />
|-<br />
| '''M.68a/1 '''<br />
| <ul>''Prélude'' [arr.]</ul><br />
| orch<br />
| E minor<br />
| 1919<br />
| Stage<br />
| 2nd version of M.68/1<br />
|-<br />
| '''M.68a/2 '''<br />
| <ul>''Forlane'' [arr.]</ul><br />
| orch<br />
| E minor<br />
| 1919<br />
| Stage<br />
| 2nd version of M.68/3<br />
|-<br />
| '''M.68a/3 '''<br />
| <ul>''Menuet'' [arr.]</ul><br />
| orch<br />
| E minor<br />
| 1919<br />
| Stage<br />
| 2nd version of M.68/5<br />
|-<br />
| '''M.68a/4 '''<br />
| <ul>''Rigaudon'' [arr.]</ul><br />
| orch<br />
| C major<br />
| 1919<br />
| Stage<br />
| 2nd version of M.68/4<br />
|-<br />
| '''M.69 '''<br />
| '''[[3 Chansons, M.69 (Ravel, Maurice)|Chansons]]''' (3):<br />
| ch<br />
|<br />
| 1914–15<br />
| Vocal<br />
|<br />
|-<br />
| '''M.69/1 '''<br />
| <ul>''Nicolette''</ul><br />
| ch<br />
|<br />
| 1914–15<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.69/2 '''<br />
| <ul>''Trois beaux oiseaux du paradis''</ul><br />
| ch<br />
|<br />
| 1914–15<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.69/3 '''<br />
| <ul>''Ronde''</ul><br />
| ch<br />
|<br />
| 1914–15<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.69 '''<br />
| '''[[3 Chansons, M.69 (Ravel, Maurice)|Chansons]]''' (3) [arr.]:<br />
| v pf<br />
|<br />
| 1915<br />
| Vocal<br />
|<br />
|-<br />
| '''M.69/1 '''<br />
| <ul>''Nicolette'' [arr.]</ul><br />
| v pf<br />
|<br />
| 1915<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.69/2 '''<br />
| <ul>''Trois beaux oiseaux du paradis ''[arr.]</ul><br />
| v pf<br />
|<br />
| 1915<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.69/3 '''<br />
| <ul>''Ronde'' [arr.]</ul><br />
| v pf<br />
|<br />
| 1915<br />
| Vocal<br />
| Words by the composer<br />
|-<br />
| '''M.70 '''<br />
| '''[[Frontispice, M.70 (Ravel, Maurice)|Frontispiece]]'''<br />
| 2pf5h<br />
|<br />
| 1918<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.71 '''<br />
| '''[[L'enfant et les sortilèges, M.71 (Ravel, Maurice)|L&#39;enfant et les sortilèges]]'''<br />
| vv cch ch orch<br />
|<br />
| 1919–25<br />
| Stage<br />
| &#39;Fantaisie lyrique&#39; (opera-ballet) in 2 parts, to words by Colette<br />
|-<br />
| '''M.72 '''<br />
| '''[[La valse, M.72 (Ravel, Maurice)|La valse]]'''<br />
| orch<br />
| D major<br />
| 1919–20<br />
| Orchestral<br />
| &#39;Poème choréographique&#39;. Also performed as a ballet<br />
|-<br />
| '''M.72 '''<br />
| '''[[La valse, M.72 (Ravel, Maurice)|La valse]] '''[arr.]<br />
| pf<br />
| D major<br />
| 1920<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.72 '''<br />
| '''[[La valse, M.72 (Ravel, Maurice)|La valse]]''' [arr.]<br />
| 2pf<br />
| D major<br />
| 1920<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.73 '''<br />
| '''[[Sonata for Violin and Cello, M.73 (Ravel, Maurice)|Sonata for Violin and Cello]]'''<br />
| vn vc<br />
| A minor–C major<br />
| 1920–22<br />
| Chamber<br />
|<br />
|-<br />
| '''M.74 '''<br />
| '''[[Berceuse sur le nom de Gabriel Fauré, M.74 (Ravel, Maurice)|Berceuse sur le nom de Gabriel Fauré]]'''<br />
| vn pf<br />
| G major<br />
| 1922<br />
| Chamber<br />
|<br />
|-<br />
| '''M.75 '''<br />
| '''[[Ronsard à son âme, M.75 (Ravel, Maurice)|Ronsard à son âme]]''' (&quot;Amelette Ronsardelette&quot;)<br />
| v pf<br />
|<br />
| 1923–24<br />
| Vocal<br />
| Words by Douzain de Ronsard<br />
|-<br />
| '''M.75 '''<br />
| '''[[Ronsard à son âme, M.75 (Ravel, Maurice)|Ronsard à son âme]]'''(&quot;Amelette Ronsardelette&quot;) [arr.]<br />
| v orch<br />
|<br />
| 1935<br />
| Vocal<br />
| Words by Douzain de Ronsard<br />
|-<br />
| '''M.76 '''<br />
| '''[[Tzigane, M.76 (Ravel, Maurice)|Tzigane]]'''<br />
| vn pf<br />
| D major<br />
| 1922–24<br />
| Chamber<br />
| &#39;Rhapsodie de concert&#39;&#39;<br />
|-<br />
| '''M.76 '''<br />
| '''[[Tzigane, M.76 (Ravel, Maurice)|Tzigane]]''' [arr.]<br />
| vn orch<br />
| D major<br />
| 1924<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.77 '''<br />
| '''[[Violin Sonata No.2, M.77 (Ravel, Maurice)|Violin Sonata No.2]]'''<br />
| vn pf<br />
| G major<br />
| 1923–27<br />
| Chamber<br />
|<br />
|-<br />
| '''M.78 '''<br />
| '''[[Chansons madécasses, M.78 (Ravel, Maurice)|Chansons madécasses]]''' (3)<br />
| sop fl vc pf<br />
|<br />
| 1925–26<br />
| Vocal<br />
| <br />
|-<br />
| '''M.78/1 '''<br />
| <ul>''Nahandove'' (&quot;Nahandove, ô belle Nahandove&quot;)</ul><br />
| sop fl vc pf<br />
|<br />
| 1925–26<br />
| Vocal<br />
| Words by Evariste-Désiré Parny de Forges<br />
|-<br />
| '''M.78/2 '''<br />
| <ul>''Aoua'' (&quot;Méfiez-vous des Blancs&quot;)</ul><br />
| sop fl vc pf<br />
|<br />
| 1925–26<br />
| Vocal<br />
| Words by Evariste-Désiré Parny de Forges<br />
|-<br />
| '''M.78/3 '''<br />
| <ul>''Il est doux de se coucher''</ul><br />
| sop fl vc pf<br />
|<br />
| 1925–26<br />
| Vocal<br />
| Words by Evariste-Désiré Parny de Forges<br />
|-<br />
| '''M.78 '''<br />
| '''[[Chansons madécasses, M.78 (Ravel, Maurice)|Chansons madécasses]]''' (3) [arr.]<br />
| v pf<br />
|<br />
| 1926<br />
| Vocal<br />
| <br />
|-<br />
| '''M.78/1 '''<br />
| <ul>''Nahandove'' (&quot;Nahandove, ô belle Nahandove&quot;) [arr.]</ul><br />
| v pf<br />
|<br />
| 1926<br />
| Vocal<br />
| Words by Evariste-Désiré Parny de Forges<br />
|-<br />
| '''M.78/2 '''<br />
| <ul>''Aoua'' (&quot;Méfiez-vous des Blancs&quot;) [arr.]</ul><br />
| v pf<br />
|<br />
| 1926<br />
| Vocal<br />
| Words by Evariste-Désiré Parny de Forges<br />
|-<br />
| '''M.78/3 '''<br />
| <ul>''Il est doux de se coucher'' [arr.]</ul><br />
| v pf<br />
|<br />
| 1926<br />
| Vocal<br />
| Words by Evariste-Désiré Parny de Forges<br />
|-<br />
| '''M.79 '''<br />
| '''[[Rêves, M.79 (Ravel, Maurice)|Rêves]]''' (&quot;Un enfant court&quot;)<br />
| v pf<br />
|<br />
| 1927<br />
| Vocal<br />
| Words by Léon-Paul Fargue<br />
|-<br />
| '''M.80 '''<br />
| '''[[Fanfare for the ballet 'L'éventail de Jeanne', M.80 (Ravel, Maurice)|Fanfare]]'''<br />
| orch<br />
|<br />
| 1927<br />
| Stage<br />
| Prelude to the ballet ''L&#39;eventail de Jeanne'' (collaborative work with 10 other composers)<br />
|-<br />
| '''M.80 '''<br />
| '''[[Fanfare for the ballet 'L'éventail de Jeanne', M.80 (Ravel, Maurice)|Fanfare]]''' [arr.]<br />
| pf4h<br />
|<br />
| 1927<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.81 '''<br />
| '''[[Boléro, M.81 (Ravel, Maurice)|Boléro]]'''<br />
| orch<br />
| C major<br />
| 1928<br />
| Stage<br />
|<br />
|-<br />
| '''M.81 '''<br />
| '''[[Boléro, M.81 (Ravel, Maurice)|Boléro]]''' [arr.]<br />
| pf4h<br />
| C major<br />
| 1929<br />
| Keyboard<br />
|<br />
|-<br />
| '''M.82 '''<br />
| '''[[Piano Concerto for the Left Hand, M.82 (Ravel, Maurice)|Piano Concerto for the Left Hand]]'''<br />
| pflh orch<br />
| D major<br />
| 1929–30<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.82 '''<br />
| '''[[Piano Concerto for the Left Hand, M.82 (Ravel, Maurice)|Piano Concerto for the Left Hand]] '''[arr.]<br />
| 2pf<br />
| D major<br />
| 1930<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.83 '''<br />
| '''[[Piano Concerto in G major, M.83 (Ravel, Maurice)|Piano Concerto]] '''<br />
| pf orch<br />
| G major<br />
| 1929–31<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.83 '''<br />
| '''[[Piano Concerto in G major, M.83 (Ravel, Maurice)|Piano Concerto]]''' [arr.]<br />
| 2pf<br />
| G major<br />
| 1932<br />
| Orchestral<br />
|<br />
|-<br />
| '''M.84 '''<br />
| '''[[Don Quichotte à Dulcinée, M.84 (Ravel, Maurice)|Don Quichotte à Dulcinée]]'''<br />
| bar orch<br />
|<br />
| 1932–33<br />
| Vocal<br />
|<br />
|-<br />
| '''M.84/1 '''<br />
| <ul>''Chanson romanesque'' (&quot;Si vous me disiez que la terre&quot;)</ul><br />
| bar orch<br />
| B{{flat}} minor/B{{flat}} major<br />
| 1932–33<br />
| Vocal<br />
| Words by Paul Morand<br />
|-<br />
| '''M.84/2 '''<br />
| <ul>''Chanson épique'' (&quot;Bon Saint Michel qui me donnez loisir&quot;)</ul><br />
| bar orch<br />
| F major<br />
| 1932–33<br />
| Vocal<br />
| Words by Paul Morand<br />
|-<br />
| '''M.84/3 '''<br />
| <ul>''Chanson à boire'' (&quot;Foin du bâtard, illustre Dame&quot;)</ul><br />
| bar orch<br />
| C major<br />
| 1932–33<br />
| Vocal<br />
| Words by Paul Morand<br />
|-<br />
| '''M.84 '''<br />
| '''[[Don Quichotte à Dulcinée, M.84 (Ravel, Maurice)|Don Quichotte à Dulcinée]]''' [arr.]<br />
| bar pf<br />
|<br />
| 1932–33<br />
| Vocal<br />
|<br />
|-<br />
| '''M.84/1 '''<br />
| <ul>''Chanson romanesque'' (&quot;Si vous me disiez que la terre&quot;) [arr.]</ul><br />
| bar pf<br />
| B{{flat}} minor/B{{flat}} major<br />
| 1932–33<br />
| Vocal<br />
| Words by Paul Morand<br />
|-<br />
| '''M.84/2 '''<br />
| <ul>''Chanson épique ''(&quot;Bon Saint Michel qui me donnez loisir&quot;) [arr.]</ul><br />
| bar pf<br />
| F major<br />
| 1932–33<br />
| Vocal<br />
| Words by Paul Morand<br />
|-<br />
| '''M.84/3 '''<br />
| <ul>''Chanson à boire'' (&quot;Foin du bâtard, illustre Dame&quot;) [arr.]</ul><br />
| bar pf<br />
| C major<br />
| 1932–33<br />
| Vocal<br />
| Words by Paul Morand<br />
|-<br />
| '''M.85 '''<br />
| '''Morgaine'''<br />
|<br />
|<br />
| 1932<br />
| Vocal<br />
| Sketches for an unrealized oratorio-ballet for soloists, chorus and orchestra<br />
|}<br />
<br />
===Versions of Works by Others===<br />
Click on the column headings to sort alphabetically or by year/catalogue number. <br />
<br />
{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA"<br />
!width="6%"|M<br />
!width="15%"|Original Author<br />
!width="25%"|Title<br />
!width="8%"|Forces<br />
!width="8%"|Date<br />
!width="8%"|Genre<br />
!width="25%"|Notes<br />
|-<br />
| '''M.A {{hs|0}}1'''<br />
| [[:Category:Saint-Saëns, Camille|Saint-Saëns, Camille]]<br />
| '''[[La Jeunesse d'Hercule, Op.50 (Saint-Saëns, Camille)|La jeunesse d&#39;Hercule]]'''<br />
| pf4h<br />
| 1887<br />
| Keyboard<br />
| Complete transcription<br />
|-<br />
| '''M.A {{hs|0}}2'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| '''Sirènes'''<br />
| 2pf<br />
| 1902<br />
| Keyboard<br />
| Transcription No.3 of Debussy&#39;s ''[[Nocturnes (Debussy, Claude)|Nocturnes]]''. See also M.A14/3 (below)<br />
|-<br />
| '''M.A {{hs|0}}3'''<br />
| [[:Category:Delius, Frederick|Delius, Frederick]]<br />
| '''Margot la Rouge'''<br />
| vv ch pf<br />
| 1902<br />
| Stage<br />
| Arr. of vocal score<br />
|-<br />
| '''M.A 14'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| '''[[Nocturnes (Debussy, Claude)|Nocturnes]]''' (3)<br />
| 2pf4h<br />
| 1909<br />
| Keyboard<br />
| Complete transcription<br />
|-<br />
| '''M.A 14/1'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| <ul>''Nuages'' </ul><br />
| 2pf4h<br />
| 1909<br />
| Keyboard<br />
| Complete transcription<br />
|-<br />
| '''M.A 14/2'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| <ul>''Fêtes'' </ul><br />
| 2pf4h<br />
| 1909<br />
| Keyboard<br />
| Complete transcription<br />
|-<br />
| '''M.A 14/3'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| <ul>Sirènes</ul><br />
| 2pf4h<br />
| 1909<br />
| Keyboard<br />
| See also M.A2 (above)<br />
|-<br />
| '''M.A 15'''<br />
| [[:Category:Rimsky-Korsakov, Nikolay|Rimsky-Korsakov, Nikolay]]<br />
| '''[[Symphony No.2, Op.9 (Rimsky-Korsakov, Nikolay)|Antar]]'''<br />
| orch<br />
| 1909<br />
| Orchestral<br />
| Re-orchestration of extracts, including some music from ''[[Mlada (opera-ballet) (Rimsky-Korsakov, Nikolay)|Mlada]]'' and romances from [[4 Romances, Op.4 (Rimsky-Korsakov, Nikolay)|Op.4]] and [[4 Romances, Op.7 (Rimsky-Korsakov, Nikolay)|Op.7]]<br />
|-<br />
| '''M.A 16'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| '''[[Prélude à l'après-midi d'un faune (Debussy, Claude)|Prélude à l&#39;après-midi d&#39;un faune]]'''<br />
| pf4h<br />
| 1910<br />
| Keyboard<br />
| Complete transcription<br />
|-<br />
| '''M.A 18'''<br />
| [[:Category:Satie, Erik|Satie Erik]]<br />
| '''Prélude'''<br />
| orch<br />
| 1910–11<br />
| Orchestral<br />
| For ''[[Le Fils des Étoiles (Satie, Erik)|le fils des étoiles]]''. Orchestration. Lost.<br />
|-<br />
| '''M.A 19'''<br />
| [[:Category:Mussorgsky, Modest|Mussorgsky, Modest]]<br />
| '''[[Khovanshchina (Mussorgsky, Modest)|Khovanshchina]]'''<br />
| vv ch pf<br />
| 1913<br />
| Stage<br />
| Edited and re-orchestrated (in collaboration with Igor Stravinsky)<br />
|-<br />
| '''M.A 20'''<br />
| [[:Category:Chopin, Frederic|Chopin, Frederic]]<br />
| '''Les Sylphides'''<br />
| orch<br />
| 1914<br />
| Stage<br />
| Orchestration of the following piano pieces: ''[[Preludes, Op.28 (Chopin, Frederic)|Prélude]]'' (Op.28/7); ''[[Nocturnes, Op.32 (Chopin, Frederic)|Nocturne]]'' (Op.32/2); ''[[Waltzes, Op.70 (Chopin, Frederic)|Valse]]'' (Op.70/1); ''[[Mazurkas, Op.33 (Chopin, Frederic)|Mazurka]]'' (Op.33/2); ''[[Mazurkas, Op.67 (Chopin, Frederic)|Mazurka]]'' (Op.67/3); ''[[Preludes, Op.28 (Chopin, Frederic)|Prélude]]'' (Op.28/7); ''[[Waltzes, Op.64 (Chopin, Frederic)|Valse]]'' (Op.64/2); ''[[Grande Valse Brillante, Op.18 (Chopin, Frederic)|Grande valse brillante]]'' (Op.18)<br />
|-<br />
| '''M.A 21'''<br />
| [[:Category:Schumann, Robert|Schumann, Robert]]<br />
| '''[[Carnaval, Op.9 (Schumann, Robert)|Carnaval]]''' (Op.9)<br />
| orch<br />
| 1914<br />
| Orchestral<br />
| Orchestration of pf piece<br />
|-<br />
| '''M.A 23'''<br />
| [[:Category:Chabrier, Emmanuel|Chabrier, Emmanuel]]<br />
| '''[[10 Pièces pittoresques (Chabrier, Emmanuel)|Menuet pompeux]]'''<br />
| orch<br />
| 1917–18<br />
| Orchestral<br />
| Orchestration of No.9 from the ''[[Pièces Pittoresques (Chabrier, Emmanuel)|Pièces pittoresques]]'' for piano<br />
|-<br />
| '''M.A 24'''<br />
| [[:Category:Mussorgsky, Modest|Mussorgsky, Modest]]<br />
| '''[[Pictures at an Exhibition (Mussorgsky, Modest)|Pictures at an Exhibition]]'''(''Tableaux d&#39;une exposition'')<br />
| orch<br />
| 1922<br />
| Orchestral<br />
| Orchestration of 10 pieces and 5 interludes<br />
|-<br />
| '''M.A 25'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| '''[[Pour le piano (Debussy, Claude)|Sarabande]]'''<br />
| orch<br />
| 1922<br />
| Orchestral<br />
| Orchestration of No.2 from ''[[Pour le Piano (Debussy, Claude)|Pour le piano]]''<br />
|-<br />
| '''M.A 26'''<br />
| [[:Category:Debussy, Claude|Debussy, Claude]]<br />
| '''[[Danse (Debussy, Claude)|Danse]]'''<br />
| orch<br />
| 1922<br />
| Orchestral<br />
| Orchestration of ''[[Danse (Debussy, Claude)|Tarantelle styrienne]]'' for piano<br />
|}</div>
P.davydov
//imslp.org/wiki/%C3%80_la_mani%C3%A8re_de_Borodine,_M.63_No.1_(Ravel,_Maurice)
À la manière de Borodine, M.63 No.1 (Ravel, Maurice)
2024-01-27T22:14:14Z
<p>P.davydov: moved À la manière de Borodine, M.63 No.1 (Ravel, Maurice) to À la manière de Borodine, M.63/1 (Ravel, Maurice)</p>
<hr />
<div>#REDIRECT [[À la manière de Borodine, M.63/1 (Ravel, Maurice)]]</div>
P.davydov
//imslp.org/wiki/%C3%80_la_mani%C3%A8re_de_Borodine,_M.63/1_(Ravel,_Maurice)
À la manière de Borodine, M.63/1 (Ravel, Maurice)
2024-01-27T22:14:14Z
<p>P.davydov: moved À la manière de Borodine, M.63 No.1 (Ravel, Maurice) to À la manière de Borodine, M.63/1 (Ravel, Maurice)</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
===Synthesized/MIDI===<br />
=====For 11 Recorders (Kemp)=====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP7950-A'_la_maniere_de_Borodine.mp3<br />
|File Description 1=Synthesized Performance<br />
|Performers=Synthesized MIDI<br />
|Performer Categories=<br />
|Uploader=[[User:Dadvid|Dadvid]]<br />
|Date Submitted=2021/11/28<br />
|Publisher Information=David Kemp, 2021.<br />
|Copyright=Creative Commons Attribution-NonCommercial 4.0<br />
|Misc. Notes=Transcribed for Recorders - 2 Soprano 2 Alto 2 Tenor 2 Bass 2 Greatbass 1 Contrabass<br />
}}<br />
=====For 3 Flutes and Alto Flute (Johnson)=====<br />
{{#fte:imslpaudio<br />
|File Name 1=PMLP7950-maniere_de_Borodine.mid<br />
|File Description 1=Synthesized Performance<br />
|Performers=Synthesizer<br />
|Performer Categories=<br />
|Uploader=[[User:Clsmaestro|Clsmaestro]]<br />
|Date Submitted=2023/8/17<br />
|Publisher Information=Charles A Johnson, 2023.<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
| *****FILES***** =<br />
{{#fte:imslpfile<br />
|File Name 1=Ravel-ManieredeBorodine.pdf<br />
|File Name 2=PMLP07950-Ravel_-_Casella_-_A_La_Manière_de_Borodin,_Chabrier,_d'Indy,_Ravel.PDF<br />
|File Description 1=Complete Score<br />
|File Description 2=Complete Score<br />
|Editor={{FE}}<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Uploader 2=[[User:Douweziel|Douwe Ziel]]<br />
|Date Submitted=2007/1/10<br />
|Date Submitted 2=2010/9/6<br />
|Publisher Information={{P|A.Z. Mathot||Paris||1914||Z. 730 M}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=Probably scanned from the Dover reprint.<br />
|Amazon={{AmazonLinks|048629806X|Dover vol. (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP7950-a_la_maniere_de_borodine_muzyka.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=Zheng Xinhao<br />
|Uploader=[[User:Zhengxinhao|Zhengxinhao]]<br />
|Date Submitted=2020/1/7<br />
|Publisher Information={{P|Muzgiz||Moskow||1962||28767}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP7950-a_la_maniere_de_borodine_edition_peters.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Roger|Nichols|1939|}}<br />
|Image Type=Normal Scan<br />
|Scanner=Zheng Xinhao<br />
|Uploader=[[User:Zhengxinhao|Zhengxinhao]]<br />
|Date Submitted=2020/1/7<br />
|Publisher Information={{P|Edition Peters||London||1994|7372|}}{{Urtext}}<br />
|Reprint={{P||Shanghai Music Publishing House|Shanghai||2010||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP7950-A-_la_manie-re_de...._.pdf<br />
|File Description 1=Complete Score (including "à la manière de Chabrier")<br />
|Editor={{LinkEd|Ray|Alston||}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Raybird|Raybird]]<br />
|Date Submitted=2019/4/12<br />
|Publisher Information=Ray Alston<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP7950-A-_la_manie-re_de...._-7065.jpg<br />
|Misc. Notes=A creative and critical new edition with practical performance suggestions<br />
}}<br />
<br />
===Arrangements and Transcriptions===<br />
=====For 11 Recorders (Kemp)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP7950-A'_la_manere_de_..Borodine._Score_&_Parts.pdf<br />
|File Description 1=Complete Score & Parts<br />
|Arranger={{LinkArr|David Edward|Kemp|1948|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Dadvid|Dadvid]]<br />
|Date Submitted=2021/11/28<br />
|Publisher Information=David Edward Kemp, 2021.<br />
|Copyright=Creative Commons Attribution-NonCommercial 4.0<br />
|Misc. Notes=Transcribed for 2 Soprano 2 Alto 2 Tenor 2 Bass 2 Greatbass 1 Contrabass<br />
}}<br />
=====For 3 Flutes and Alto Flute (Johnson)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP7950-1maniere_de_Borodine_-_Full_Score.pdf<br />
|File Name 2=PMLP7950-2maniere_de_Borodine_-_Flute_1.pdf<br />
|File Name 3=PMLP7950-3maniere_de_Borodine_-_Flute_2.pdf<br />
|File Name 4=PMLP7950-4maniere_de_Borodine_-_Flute_3.pdf<br />
|File Name 5=PMLP7950-5maniere_de_Borodine_-_Alto_Flute.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Flute 1<br />
|File Description 3=Flute 2<br />
|File Description 4=Flute 3<br />
|File Description 5=Alto Flute<br />
|Arranger={{LinkArr|Charles Anthony|Johnson|1939|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Clsmaestro|Clsmaestro]]<br />
|Date Submitted=2023/8/17<br />
|Publisher Information=Charles Anthony Johnson, 2023.<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=<br />
}}<br />
<br />
===Braille Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP7950-Ravel_-_À_la_maniêre_de..._Alexander_Borodine.brf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Hu|Haipeng|1984|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Feduol|Feduol]]<br />
|Date Submitted=2024/1/5<br />
|Publisher Information=Hu Haipeng, 2019.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes={{BrailleScore|bar-over-bar|40|||}}<br />
}}<br />
<br />
|NCRecordings=<br />
*{{YT|PaqedihsaiU|Alexandre Tharaud, piano}}<br />
*{{Psdl|ravel-ala-maniere-borodin-april|David April|2051}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=À la manière de Borodine<br />
|Alternative Title=<br />
|Opus/Catalogue Number=M.63 No.1<br />
|Key={{Key|Db}}<br />
|Number of Movements/Sections=Valse (93 bars)<br />
|Dedication=Ida &amp; Cipa Godebski<br />
|Year/Date of Composition=1912–13<br />
|Year of First Publication=1914 - Paris: [[A.Z. Mathot]], Plate Z.730 M., 4 pages<br />
|First Performance=1913-12-10 in Paris, Salle Pleyel<br />
:{{LinkName|Alfredo|Casella}}, piano<br />
|Average Duration=2-3 minutes<br />
|Librettist=<br />
|Language=<br />
|Piece Style=Early 20th century<br />
|External Links=[[wikipedia:fr:À la manière de Borodine|Wikipedia article (French)]]<br />{{Ravel|alamaniere}}<br />
|Instrumentation=piano<br />
|Tags=pieces ; pf<br />
<br />
| *****COMMENTS***** =<br />
<br />
| *****END OF TEMPLATE***** }}<br />
<br />
{{DEFAULTSORT:A la maniere de Borodine (Ravel, Maurice)}}</div>
P.davydov
//imslp.org/wiki/%C3%80_la_mani%C3%A8re_de_Chabrier,_M.63_No.2_(Ravel,_Maurice)
À la manière de Chabrier, M.63 No.2 (Ravel, Maurice)
2024-01-27T22:13:36Z
<p>P.davydov: moved À la manière de Chabrier, M.63 No.2 (Ravel, Maurice) to À la manière de Chabrier, M.63/2 (Ravel, Maurice)</p>
<hr />
<div>#REDIRECT [[À la manière de Chabrier, M.63/2 (Ravel, Maurice)]]</div>
P.davydov
//imslp.org/wiki/%C3%80_la_mani%C3%A8re_de_Chabrier,_M.63/2_(Ravel,_Maurice)
À la manière de Chabrier, M.63/2 (Ravel, Maurice)
2024-01-27T22:13:36Z
<p>P.davydov: moved À la manière de Chabrier, M.63 No.2 (Ravel, Maurice) to À la manière de Chabrier, M.63/2 (Ravel, Maurice)</p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
{{#fte:imslpfile<br />
|File Name 1=Ravel_-_À_La_Manière_de_Chabrier_(Piano).PDF<br />
|File Name 2=PMLP14923-Ravel-Chabrier.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Complete Score<br />
|Editor={{FE}} (reissue)<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader 1=[[User:Daphnis|Daphnis]]<br />
|Uploader 2=[[User:Douweziel|Douweziel]]<br />
|Date Submitted 1=2007/5/21<br />
|Date Submitted 2=2010/9/6<br />
|Publisher Information={{P|A.Z. Mathot||Paris||1914||Z. 731 M}}<br />
|Reprint={{P|Salabert||Paris|n.d.(after 1941)|||SECA 265}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
|Amazon={{AmazonLinks|048629806X|Dover vol. (reprint)}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP14923-a_la_maniere_d'emmanuel_chabrier_muzyka.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=Zheng Xinhao<br />
|Uploader=[[User:Zhengxinhao|Zhengxinhao]]<br />
|Date Submitted=2020/1/7<br />
|Publisher Information={{P|Muzgiz||Moskow||1962||28767}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP14923-a_la_maniere_d'emmanuel_chabrier_edition_peters.pdf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Roger|Nichols|1939|}}<br />
|Image Type=Normal Scan<br />
|Scanner=Zheng Xinhao<br />
|Uploader=[[User:Zhengxinhao|Zhengxinhao]]<br />
|Date Submitted=2020/1/7<br />
|Publisher Information={{P|Edition Peters||London||1994|7372|}}{{Urtext}}<br />
|Reprint={{P||Shanghai Music Publishing House|Shanghai||2010||}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP14923-A-_la_manie-re_de...._.pdf<br />
|File Description 1=Complete Score (À la manière de Borodine)<br />
|Editor={{LinkEd|Ray|Alston||}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Raybird|Raybird]]<br />
|Date Submitted=2019/4/12<br />
|Publisher Information=Ray Alston, 2019.<br />
|Copyright=Creative Commons Zero 1.0<br />
|Thumb Filename=TN-PMLP14923-A-_la_manie-re_de...._-436.jpg<br />
|Misc. Notes=A creative and critical new edition with performance suggestions<br />
}}<br />
<br />
===Braille Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP14923-Ravel_-_À_la_maniêre_de..._Emmanuel_Chabrier.brf<br />
|File Description 1=Complete Score<br />
|Editor={{LinkEd|Hu|Haipeng|1984|}}<br />
|Image Type=Typeset<br />
|Scanner=editor<br />
|Uploader=[[User:Feduol|Feduol]]<br />
|Date Submitted=2024/1/5<br />
|Publisher Information=Hu Haipeng, 2019.<br />
|Copyright=Creative Commons Attribution-ShareAlike 4.0<br />
|Misc. Notes={{BrailleScore|bar-over-bar|40|||}}<br />
}}<br />
<br />
|NCRecordings=<br />
*{{YT|EsPzaZhNPV8|Dominique Merlet, piano}}<br />
*{{Psdl|ravel-ala-maniere-chabrier-april|David April|2051}}<br />
<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=À la manière de Chabrier<br />
|Alternative Title=Paraphrase sur un air de Gounod: ''Faust'', Acte II<br />
|Opus/Catalogue Number=M.63 No.2<br />
|Key={{key|C}}<br />
|Number of Movements/Sections=Allegretto (45 bars)<br />
|Dedication=Ida and Cipa Godebski<br />
|Year/Date of Composition=1912–13<br />
|Year of First Publication=1914 - Paris: [[A.Z. Mathot]], Plate Z. 731 M., 2 pages<br />
|First Performance=1913-12-10 in Paris, Salle Pleyel<br />
:{{LinkName|Alfredo|Casella}}, piano<br />
|Average Duration=2 minutes<br />
|Librettist=<br />
|Language=<br />
|Related Works={{OpDerivs|Faust|Based on "Faîtes-lui mes aveux" from Act II of}}<br />
|Piece Style=Early 20th century<br />
|External Links=[[wikipedia:fr:À la manière d'Emmanuel Chabrier|Wikipedia article (French)]]<br />{{Ravel|alamaniere}}<br />
|Instrumentation=piano<br />
|Tags=pieces ; pf<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}<br />
<br />
{{DEFAULTSORT:A la maniere de Chabrier (Ravel, Maurice)}}</div>
P.davydov
//imslp.org/wiki/O_Blessed_and_Ever_Gracious_Lord_(Tchaikovsky,_Pyotr)
O Blessed and Ever Gracious Lord (Tchaikovsky, Pyotr)
2024-01-26T10:22:27Z
<p>P.davydov: Redirected page to Liturgy of St. John Chrysostom, Op.41 (Tchaikovsky, Pyotr)</p>
<hr />
<div>#REDIRECT [[Liturgy of St. John Chrysostom, Op.41 (Tchaikovsky, Pyotr)]]</div>
P.davydov
//imslp.org/wiki/Liturgy_of_St._John_Chrysostom,_Op.41_(Tchaikovsky,_Pyotr)
Liturgy of St. John Chrysostom, Op.41 (Tchaikovsky, Pyotr)
2024-01-26T10:21:56Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
===Synthesized/MIDI===<br />
====Selections====<br />
{{#fte:imslpaudio<br />
|File Name 1=WIMA.5d98-Veruju.mid<br />
|File Name 2=WIMA.c6b1-CrysLitur10-11-13-14.mid<br />
|File Description 1=Nos.8 and 9<br />
|File Description 2=Nos.10, 11, 13 and 14<br />
|Performers=Klaus Bjerre<br />
|Performer Categories=<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/5<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
<br />
| *****FILES***** =<br />
====Complete====<br />
{{#fte:imslpfile<br />
|File Name 1=TchLiturgy_Nos01-06_p03-23.pdf<br />
|File Name 2=TchLiturgy_Nos07-10_p24-39.pdf<br />
|File Name 3=TchLiturgy_Nos11-15_p40-63.pdf<br />
|File Description 1=Nos.1–6<br />
|File Description 2=Nos.7–10<br />
|File Description 3=Nos.11–15<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=Lyle Neff<br />
|Uploader=[[User:Lyle Neff|Lyle Neff]]<br />
|Date Submitted=2008/7/7<br />
|Publisher Information={{P|P. Jurgenson||Moscow||1896||3360-3374}}<br />
|Reprint={{RpEFK|1965}} Vocal Series No.6773<br />
|Copyright=Public Domain<br />
|Misc. Notes=Soprano, alto, and tenor parts in C-clefs; includes piano reduction. Original t.p. and plate nos. omitted in reprint.<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=SIBLEY1802.19580.57ce-39087011262369score.pdf<br />
|File Description 1=Complete Score<br />
|Editor=<br />
|Translator={{LinkTr|G. Frederick|Wright}} (1838-1921), English text<br />
|Language=English<br />
|Image Type=Normal Scan<br />
|Scanner={{SibleyScan|1802/19580}}<br />
|Uploader=[[User:Carolus|Carolus]]<br />
|Date Submitted=2012/3/20<br />
|Publisher Information={{P|P. Jurgenson||Moscow||1905||30613}}<br />
|Copyright=Public Domain<br />
|Misc. Notes={{SibleyProject}}<br />
}}<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP43457-TH075-PSSM.pdf<br />
|File Description 1=Complete Score<br />
|Editor=Lyudmila Korabelnikova (1930-) and Marina Rakhmanova (1930–)<br />
|Image Type=Normal Scan<br />
|Language=Russian (Church Slavonic)<br />
|Scanner=tchaikovsky.pro<br />
|Uploader=[[User:P.davydov|P.davydov]]<br />
|Date Submitted=2022/6/2<br />
|Publisher Information={{TchaikovskyComplete2|63|1990|14447}} {{Urtext}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=<br />
}}<br />
====Selections====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP43457-czajkowski_-_liturgia.pdf<br />
|File Description 1=Choral Score<br />
|Editor={{LinkEd|Jakub|Kowalewski}}<br />
|Language=Polish<br />
|Image Type=Typeset<br />
|Scanner=dwakretki<br />
|Uploader=[[User:Dwakretki|dwakretki]]<br />
|Date Submitted=2011/1/22<br />
|Publisher Information=Jakub Kowalewski<br />
|Copyright=Creative Commons Attribution 3.0<br />
|Misc. Notes=<br />
}}<br />
====It is Truly Fitting (No. 11)====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1411046-AR_135_(Tchaikovsky_-_O_Blessed_and_Ever_Gracious_Lord_).pdf<br />
|File Description 1=Complete Score<br />
|Arranger=<br />
|Editor={{LinkEd|Archibald Martin|Henderson|1879|1957}}<br />
|Translator={{LinkTran|Archibald Martin|Henderson|1879|1957}}, English text<br />
|Language=English<br />
|Image Type=Normal Scan<br />
|Scanner=Toni<br />
|Uploader=[[User:Koppli1|Koppli1]]<br />
|Date Submitted=2024/1/25<br />
|Publisher Information={{P|J. Fischer & Brother||New York|1916|||4364}}<br />
|Copyright=Public Domain<br />
|Misc. Notes=English Translation as "O Blessed and Ever Gracious Lord".<br />
}}<br />
===Arrangements and Transcriptions===<br />
====Cherubic Hymn (No.6)====<br />
=====For 4 Horns (Yaskawa)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP43457-Tchaikovsky-CherbimSong.pdf<br />
|File Name 2=PMLP43457-Tchaikovsky-CherbimSongx_-_Horn_in_F_I.pdf<br />
|File Name 3=PMLP43457-Tchaikovsky-CherbimSongx_-_Horn_in_F_II.pdf<br />
|File Name 4=PMLP43457-Tchaikovsky-CherbimSongx_-_Horn_in_F_III.pdf<br />
|File Name 5=PMLP43457-Tchaikovsky-CherbimSongx_-_Horn_in_F_IV.pdf<br />
|File Description 1=Complete Score (A minor)<br />
|File Description 2=Horn I<br />
|File Description 3=Horn II<br />
|File Description 4=Horn II<br />
|File Description 5=Horn IV<br />
|Arranger={{LinkArr|Toru|Yaskawa|1960|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Moclin|Moclin]]<br />
|Date Submitted=2020/10/26<br />
|Publisher Information=Toru Yaskawa<br />
|Copyright=Creative Commons Attribution 4.0<br />
|Misc. Notes=No.4 - Hymn of the Cherbim<br />
}}<br />
====Nos.8 and 9====<br />
=====For 4 Recorders (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.4c04-Veruju-Recorder-4tet.pdf<br />
|File Name 2=WIMA.d7e5-Veruju-S-Recorder.pdf<br />
|File Name 3=WIMA.1bd8-Veruju-A-Recorder.pdf<br />
|File Name 4=WIMA.37c7-Veruju-A-Oct-Recorder.pdf<br />
|File Name 5=WIMA.f764-Veruju-T-Recorder.pdf<br />
|File Name 6=WIMA.a746-Veruju-B-Recorder.pdf<br />
|File Name 7=WIMA.b213-Veruju-preface.pdf<br />
|File Description 1=Complete Score (SATB)<br />
|File Description 2=Descant Recorder<br />
|File Description 3=Treble Recorder <br />
|File Description 4=Treble Recorder (low notation)<br />
|File Description 5=Tenor Recorder <br />
|File Description 6=Bass Recorder<br />
|File Description 7=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject||Mondrup Recorder Collection}}<br />
}}<br />
=====For 4 Clarinets (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.40c3-Veruju-Clarinet-4tet.pdf<br />
|File Name 2=WIMA.59ec-Veruju-Bb-Clarinet1.pdf<br />
|File Name 3=WIMA.1144-Veruju-Bb-Clarinet2.pdf<br />
|File Name 4=WIMA.4329-Veruju-Eb-Alto-Clarinet.pdf<br />
|File Name 5=WIMA.423b-Veruju-Bb-Clarinet3.pdf<br />
|File Name 6=WIMA.488d-Veruju-Bb-Bass-Clarinet.pdf<br />
|File Name 7=WIMA.b213-Veruju-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=B{{flat}} Clarinet 1<br />
|File Description 3=B{{flat}} Clarinet 2<br />
|File Description 4=E{{flat}} Alto Clarinet<br />
|File Description 5=B{{flat}} Clarinet 3 (alternate)<br />
|File Description 6=B{{flat}} Bass Clarinet<br />
|File Description 7=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 4 Horns (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.78c8-Veruju-F-horns.pdf<br />
|File Name 2=WIMA.3ceb-Veruju-F-horn1.pdf<br />
|File Name 3=WIMA.ddcc-Veruju-F-horn2.pdf<br />
|File Name 4=WIMA.e8a3-Veruju-F-horn3.pdf<br />
|File Name 5=WIMA.2446-Veruju-F-horn4.pdf<br />
|File Name 6=WIMA.b213-Veruju-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Horn 1 (F)<br />
|File Description 3=Horn 2 (F)<br />
|File Description 4=Horn 3 (F)<br />
|File Description 5=Horn 4 (F)<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 2 Trumpets and 2 Trombones (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.8eb8-Veruju-Trps+Trbs-C.pdf<br />
|File Name 2=WIMA.c339-Veruju-C-Trp1.pdf<br />
|File Name 3=WIMA.8b13-Veruju-C-Trp2.pdf<br />
|File Name 4=WIMA.1d45-Veruju-C-Trb1.pdf<br />
|File Name 5=WIMA.9507-Veruju-C-Trb2.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Trumpet 1<br />
|File Description 3=Trumpet 2<br />
|File Description 4=Trombone 1<br />
|File Description 5=Trombone 2<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/5<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 2 Cornets and 2 Euphoniums (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.a7c5-Veruju-Bb-Brass-4tet.pdf<br />
|File Name 2=WIMA.2138-Veruju-Bb-Cornet1.pdf<br />
|File Name 3=WIMA.7cd9-Veruju-Bb-Cornet2.pdf<br />
|File Name 4=WIMA.6a33-Veruju-Bb-Euph1.pdf<br />
|File Name 5=WIMA.8197-Veruju-Bb-Euph2.pdf<br />
|File Description 1=Complete score (B{{flat}} instruments)<br />
|File Description 2=Cornet 1 (B{{flat}})<br />
|File Description 3=Cornet 2 (B{{flat}})<br />
|File Description 4=Euphonium 1 (B{{flat}})<br />
|File Description 5=Euphonium 2 (B{{flat}})<br />
|File Name 6=WIMA.b213-Veruju-preface.pdf<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For Cornet, 2 Horns and Tuba (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.3358-Veruju-Eb-Brass-4tet.pdf<br />
|File Name 2=WIMA.275a-Veruju-Eb-Cornet.pdf<br />
|File Name 3=WIMA.06e7-Veruju-Eb-Horn1.pdf<br />
|File Name 4=WIMA.cf5a-Veruju-Eb-Horn2.pdf<br />
|File Name 5=WIMA.0cb6-Veruju-Eb-Tuba.pdf<br />
|File Name 6=WIMA.b213-Veruju-preface.pdf<br />
|File Description 1=Complete Score (E{{flat}} instruments)<br />
|File Description 2=Cornet (E{{flat}})<br />
|File Description 3=Horn 1 (E{{flat}})<br />
|File Description 4=Horn 2 (E{{flat}})<br />
|File Description 5=Tuba (E{{flat}})<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For String Quartet (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.2e6f-Veruju-String-4tet.pdf<br />
|File Name 2=WIMA.db5e-Veruju-String-Violin1.pdf<br />
|File Name 3=WIMA.cf89-Veruju-String-Violin2.pdf<br />
|File Name 4=WIMA.bdd9-Veruju-String-Viola.pdf<br />
|File Name 5=WIMA.f8d9-Veruju-String-Cello.pdf<br />
|File Name 6=WIMA.b213-Veruju-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Violin 1<br />
|File Description 3=Violin 2<br />
|File Description 4=Viola<br />
|File Description 5=Cello<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
====Nos.10, 11, 13 and 14====<br />
=====For 4 Recorders (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.37f6-CrysLitur10-11-13-14Recorder-4tet.pdf<br />
|File Name 2=WIMA.016b-CrysLitur10-11-13-14-S-Recorder.pdf<br />
|File Name 3=WIMA.2f2e-CrysLitur10-11-13-14-A-Recorder.pdf<br />
|File Name 4=WIMA.1817-CrysLitur10-11-13-14-A-Oct-Recorder.pdf<br />
|File Name 5=WIMA.f764-Veruju-T-Recorder.pdf<br />
|File Name 6=WIMA.a746-Veruju-B-Recorder.pdf<br />
|File Name 7=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score (SATB)<br />
|File Description 2=Descant Recorder<br />
|File Description 3=Treble Recorder<br />
|File Description 4=Treble Recorder (low notation)<br />
|File Description 5=Tenor Recorder <br />
|File Description 6=Bass Recorder<br />
|File Description 7=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 3 Flutes and Alto Flute (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.f770-CrysLitur10-11-13-14Flute-4tet.pdf<br />
|File Name 2=WIMA.cc40-CrysLitur10-11-13-14-Flute1.pdf<br />
|File Name 3=WIMA.485f-CrysLitur10-11-13-14-Flute2.pdf<br />
|File Name 4=WIMA.fa75-CrysLitur10-11-13-14-Flute3.pdf<br />
|File Name 5=WIMA.1ff4-CrysLitur10-11-13-14-Alto-Flute.pdf<br />
|File Name 6=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Flute 1<br />
|File Description 3=Flute 2<br />
|File Description 4=Flute 3<br />
|File Description 5=Alto Flute<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 3 Clarinets and Bass Clarinet (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.ee0e-CrysLitur10-11-13-14ClariBb.pdf<br />
|File Name 2=WIMA.9bf4-CrysLitur10-11-13-14-Bb-Clarinet1.pdf<br />
|File Name 3=WIMA.83f3-CrysLitur10-11-13-14-Bb-Clarinet2.pdf<br />
|File Name 4=WIMA.a30c-CrysLitur10-11-13-14-Bb-Clarinet3.pdf<br />
|File Name 5=WIMA.f13c-CrysLitur10-11-13-14-Bb-Bass-Clarinet.pdf<br />
|File Name 6=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=B{{flat}} Clarinet 1<br />
|File Description 3=B{{flat}} Clarinet 2<br />
|File Description 4=B{{flat}} Clarinet 3<br />
|File Description 5=B{{flat}} Bass Clarinet<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 4 Horns (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.3d27-CrysLitur10-11-13-14Horn4-F.pdf<br />
|File Name 2=WIMA.fbe4-CrysLitur10-11-13-14-F-horn1.pdf<br />
|File Name 3=WIMA.16b3-CrysLitur10-11-13-14-F-horn2.pdf<br />
|File Name 4=WIMA.6672-CrysLitur10-11-13-14-F-horn3.pdf<br />
|File Name 5=WIMA.56a7-CrysLitur10-11-13-14-F-horn4.pdf<br />
|File Name 6=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Horn 1 (F)<br />
|File Description 3=Horn 2 (F)<br />
|File Description 4=Horn 3 (F)<br />
|File Description 5=Horn 4 (F)<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 2 Trumpets and 2 Trombones (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.a435-CrysLitur10-11-13-14BrassC-4tet.pdf<br />
|File Name 2=WIMA.adbf-CrysLitur10-11-13-14-C-trp1.pdf<br />
|File Name 3=WIMA.4980-CrysLitur10-11-13-14-C-trp2.pdf<br />
|File Name 4=WIMA.464b-CrysLitur10-11-13-14-C-trb1.pdf<br />
|File Name 5=WIMA.c49d-CrysLitur10-11-13-14-C-trb2.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Trumpet 1<br />
|File Description 3=Trumpet 2<br />
|File Description 4=Trombone 1<br />
|File Description 5=Trombone 2<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/5<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 2 Cornets and 2 Euphoniums (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.0892-CrysLitur10-11-13-14BrassBb.pdf<br />
|File Name 2=WIMA.b3c5-CrysLitur10-11-13-14-Bb-Cornet1.pdf<br />
|File Name 3=WIMA.eb74-CrysLitur10-11-13-14-Bb-Cornet2.pdf<br />
|File Name 4=WIMA.259f-CrysLitur10-11-13-14-Bb-Euph1.pdf<br />
|File Name 5=WIMA.08d5-CrysLitur10-11-13-14-Bb-Euph2.pdf<br />
|File Name 6=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score (B{{flat}} instruments)<br />
|File Description 2=Cornet 1 (B{{flat}})<br />
|File Description 3=Cornet 2 (B{{flat}})<br />
|File Description 4=Euphonium 1 (B{{flat}})<br />
|File Description 5=Euphonium 2 (B{{flat}})<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For Cornet, 2 Horns and Tuba (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.3ae8-CrysLitur10-11-13-14BrassEb.pdf<br />
|File Name 2=WIMA.94cc-CrysLitur10-11-13-14-Eb-Cornet.pdf<br />
|File Name 3=WIMA.1ffb-CrysLitur10-11-13-14-Eb-Horn1.pdf<br />
|File Name 4=WIMA.243d-CrysLitur10-11-13-14-Eb-Horn2.pdf<br />
|File Name 5=WIMA.450a-CrysLitur10-11-13-14-Eb-Tuba.pdf<br />
|File Name 6=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score (E{{flat}} instruments)<br />
|File Description 2=Cornet (E{{flat}})<br />
|File Description 3=Horn 1 (E{{flat}})<br />
|File Description 4=Horn 2 (E{{flat}})<br />
|File Description 5=Tuba (E{{flat}})<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 2 Violins, Viola and Cello (Bjerre)=====<br />
{{#fte:imslpfile<br />
|File Name 1=WIMA.b1fb-CrysLitur10-11-13-14String-4tet.pdf<br />
|File Name 2=WIMA.e85f-CrysLitur10-11-13-14-Violin1.pdf<br />
|File Name 3=WIMA.3eae-CrysLitur10-11-13-14-Violin2.pdf<br />
|File Name 4=WIMA.8c43-CrysLitur10-11-13-14-Viola.pdf<br />
|File Name 5=WIMA.f4b0-CrysLitur10-11-13-14-Cello.pdf<br />
|File Name 6=WIMA.f6dd-CrysLitur10-11-13-14-preface.pdf<br />
|File Description 1=Complete Score<br />
|File Description 2=Violin 1<br />
|File Description 3=Violin 2<br />
|File Description 4=Viola<br />
|File Description 5=Cello<br />
|File Description 6=Preface<br />
|Arranger={{LinkArr|Klaus|Bjerre}}<br />
|Image Type=Typeset<br />
|Scanner=Klaus Bjerre<br />
|Uploader=[[User:Reccmo|Reccmo]]<br />
|Date Submitted=2011/11/4<br />
|Publisher Information=Klaus Bjerre<br />
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0<br />
|Misc. Notes={{WIMAProject}}<br />
}}<br />
=====For 4 Cellos (Lima)=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP43457-Hymn_of_the_Cherubim-Score_and_Parts.pdf<br />
|File Name 2=PMLP43457-Hymn_of_the_Cherubim-Cello_I.pdf<br />
|File Name 3=PMLP43457-Hymn_of_the_Cherubim-Cello_II.pdf<br />
|File Name 4=PMLP43457-Hymn_of_the_Cherubim-Cello_III.pdf<br />
|File Name 5=PMLP43457-Hymn_of_the_Cherubim-Cello_IV.pdf<br />
|File Description 1=Complete Score and Parts<br />
|File Description 2=Cello 1<br />
|File Description 3=Cello 2<br />
|File Description 4=Cello 3<br />
|File Description 5=Cello 4<br />
|Arranger={{LinkArr|Bruno|Lima|1996|}}<br />
|Editor=<br />
|Image Type=Typeset<br />
|Scanner=arranger<br />
|Uploader=[[User:Bruno David|Bruno David]]<br />
|Date Submitted=2019/7/7<br />
|Publisher Information=Bruno Lima, 2019.<br />
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0<br />
|Misc. Notes=Hymn of the Cherubim. Number 6.<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Liturgy of St. John Chrysostom,<br />
|Alternative Title=Литургия святого Иоанна Златоуста<br />
|Opus/Catalogue Number=Op.41 ; TH 75<br />
|Key={{Key|C}}<br />
|Movements Header=15 pieces<br />
|Number of Movements/Sections=15 pieces:<br />
#Amen. Lord Have Mercy (Амин. Господи помилуй) ({{K|C}}, 50 bars)<br />
#Glory to the Father, and to the Son, and to the Holy Spirit (Слава Отцу и Сыну и Святому Духу) ({{K|C}}, 63 bars)<br />
#Come, Let Us Worship (Приидите, поклонимся) ({{K|d}}, 56 bars)<br />
#Alleleuia (Аллилуйя) ({{K|C}}, 15 bars)<br />
#Glory to Thee, O Lord (Слава тебе Господи) ({{K|F}}, 26 bars)<br />
#Cherubic Hymn (Херувимская песнь) ({{K|b}}, 98 bars)<br />
#Lord Have Mercy (Господи помилуй) ({{K|E}}, 16 bars)<br />
#I Believe in One God, The Father, The Almighty (Верую во Единаго Бога Отца)<br>({{K|C}}, 92 bars)<br />
#Merciful Peace (Милость мира) ({{K|G}}, 42 bars)<br />
#We Hymn Thee (Тебе поем) ({{K|G}}, 39 bars)<br />
#It is Truly Fitting (Достойно есть) ({{K|G}}, 55 bars)<br />
#Amen. And With Your Spirit, Lord Have Mercy (Амин. И со духом твоим, Господи, помилуй)<br>({{K|C}}, 13 bars)<br />
#Our Father (Отче наш) ({{K|F}}, 44 bars)<br />
#Praise the Lord from the Heavens (Хвалите, хвалите, Господа с небес)<br>({{K|A}}, 86 bars)<br />
#Blessed is He Who Comes in the Name of the Lord (Благословен грядый во имя Господне)<br>({{K|C}}, 92 bars)<br />
|Dedication=<br />
|Year/Date of Composition=1878<br />
|Year of First Publication=1879 — Moscow: [[P. Jurgenson]]. 63 pages. Plates 3360-3374.<br />
|First Performance=1879-06 — Kiev, University Church.<br />
|Average Duration=48 minutes<br />
|Librettist=Russian Orthodox liturgy<br />
|Language=Church Slavonic<br />
|Piece Style=Romantic<br />
|Extra Information=The published score includes a piano part intended as an aid to rehearsal only.<br />
|External Links={{THcat|Liturgy_of_Saint_John_Chrysostom}}<br>[[wikipedia:Liturgy_of_St._John_Chrysostom_(Tchaikovsky)|Wikipedia article]]<br />
|Instrumentation=mixed chorus (SATB)<br />
|Tags=liturgies ; ch ; cu<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/File:PMLP44988-TH103-7A-PSSM.pdf
File:PMLP44988-TH103-7A-PSSM.pdf
2024-01-22T19:21:54Z
<p>P.davydov: uploaded a new version of &quot;File:PMLP44988-TH103-7A-PSSM.pdf&quot;: added missing page 499</p>
<hr />
<div></div>
P.davydov
//imslp.org/wiki/IMSLP:Red_Links_Project/1/List15
IMSLP:Red Links Project/1/List15
2023-12-27T15:58:55Z
<p>P.davydov: </p>
<hr />
<div>==List pages==<br />
{{RLP1}}<br />
{|<br />
| [[:Category:Tinaty, J. A.]] || ([[Special:WhatLinksHere/Category:Tinaty, J. A.|links]])<br />
|-<br />
| [[:Category:Ponce, Manuel Maria]] || ([[Special:WhatLinksHere/Category:Ponce, Manuel Maria|links]])<br />
|-<br />
| [[:Category:Whitfield, Frederick]] || ([[Special:WhatLinksHere/Category:Whitfield, Frederick|links]])<br />
|-<br />
| [[:Category:Svoboda, František Xaver]] || ([[Special:WhatLinksHere/Category:Svoboda, František Xaver|links]])<br />
|-<br />
| [[:Category:Jesenskà, Růžena]] || ([[Special:WhatLinksHere/Category:Jesenskà, Růžena|links]])<br />
|-<br />
| [[:Category:Watanabe, Hisaharu]] || ([[Special:WhatLinksHere/Category:Watanabe, Hisaharu|links]])<br />
|-<br />
| [[:Category:Waltzman, Daniel]] || ([[Special:WhatLinksHere/Category:Waltzman, Daniel|links]])<br />
|-<br />
| [[:Category:Gesner, Johann Matthias]] || ([[Special:WhatLinksHere/Category:Gesner, Johann Matthias|links]])<br />
|-<br />
| [[:Category:Bilibin, Viktor]] || ([[Special:WhatLinksHere/Category:Bilibin, Viktor|links]])<br />
|-<br />
| [[:Category:Ferry, Gabriel]] || ([[Special:WhatLinksHere/Category:Ferry, Gabriel|links]])<br />
|-<br />
| [[:Category:Schults, Adolf]] || ([[Special:WhatLinksHere/Category:Schults, Adolf|links]])<br />
|-<br />
| [[:Category:Modrzejewski, Teofil]] || ([[Special:WhatLinksHere/Category:Modrzejewski, Teofil|links]])<br />
|-<br />
| [[:Category:Pine, John B.]] || ([[Special:WhatLinksHere/Category:Pine, John B.|links]])<br />
|-<br />
| [[:Category:Szuman, Jan Nepomucen]] || ([[Special:WhatLinksHere/Category:Szuman, Jan Nepomucen|links]])<br />
|-<br />
| [[:Category:Milow, Stephan]] || ([[Special:WhatLinksHere/Category:Milow, Stephan|links]])<br />
|-<br />
| [[:Category:Senchenko, T.]] || ([[Special:WhatLinksHere/Category:Senchenko, T.|links]])<br />
|-<br />
| [[:Category:Wade, Louis]] || ([[Special:WhatLinksHere/Category:Wade, Louis|links]])<br />
|-<br />
| [[:Category:Morando, Bernardo]] || ([[Special:WhatLinksHere/Category:Morando, Bernardo|links]])<br />
|-<br />
| [[:Category:Graham, Peter]] || ([[Special:WhatLinksHere/Category:Graham, Peter|links]])<br />
|-<br />
| [[:Category:Nüdling, Ludwig]] || ([[Special:WhatLinksHere/Category:Nüdling, Ludwig|links]])<br />
|-<br />
| [[:Category:Maesaka, Jūtarō]] || ([[Special:WhatLinksHere/Category:Maesaka, Jūtarō|links]])<br />
|-<br />
| [[:Category:Sydney, Harry]] || ([[Special:WhatLinksHere/Category:Sydney, Harry|links]])<br />
|-<br />
| [[:Category:Goldfaden, Abraham]] || ([[Special:WhatLinksHere/Category:Goldfaden, Abraham|links]])<br />
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| [[:Category:Boyd, Charles Newell]] || ([[Special:WhatLinksHere/Category:Boyd, Charles Newell|links]])<br />
|-<br />
| [[:Category:Rimsky-Korsakov, Mikhail]] || ([[Special:WhatLinksHere/Category:Rimsky-Korsakov, Mikhail|links]])<br />
|-<br />
| [[:Category:Breck, John Leslie]] || ([[Special:WhatLinksHere/Category:Breck, John Leslie|links]])<br />
|-<br />
| [[:Category:Mácha, Karel Hynek]] || ([[Special:WhatLinksHere/Category:Mácha, Karel Hynek|links]])<br />
|-<br />
| [[:Category:Devlin, J.]] || ([[Special:WhatLinksHere/Category:Devlin, J.|links]])<br />
|-<br />
| [[:Category:Cho, Yongwoo]] || ([[Special:WhatLinksHere/Category:Cho, Yongwoo|links]])<br />
|-<br />
| [[:Category:Chiampell, Durich]] || ([[Special:WhatLinksHere/Category:Chiampell, Durich|links]])<br />
|-<br />
| [[:Category:Greipel, Joseph]] || ([[Special:WhatLinksHere/Category:Greipel, Joseph|links]])<br />
|-<br />
| [[:Category:Soares, António José]] || ([[Special:WhatLinksHere/Category:Soares, António José|links]])<br />
|-<br />
| [[:Category:Deethardt, John]] || ([[Special:WhatLinksHere/Category:Deethardt, John|links]])<br />
|-<br />
| [[:Category:MacCaig, Norman]] || ([[Special:WhatLinksHere/Category:MacCaig, Norman|links]])<br />
|-<br />
| [[:Category:Vasilyev, G.]] || ([[Special:WhatLinksHere/Category:Vasilyev, G.|links]])<br />
|-<br />
| [[:Category:Gould, Herbert]] || ([[Special:WhatLinksHere/Category:Gould, Herbert|links]])<br />
|-<br />
| [[:Category:Rubino, Antonio]] || ([[Special:WhatLinksHere/Category:Rubino, Antonio|links]])<br />
|-<br />
| [[:Category:Annensky, Innokenty]] || ([[Special:WhatLinksHere/Category:Annensky, Innokenty|links]])<br />
|-<br />
| [[:Category:Freeman, Elizabeth K. F.]] || ([[Special:WhatLinksHere/Category:Freeman, Elizabeth K. F.|links]])<br />
|-<br />
| [[:Category:Weiss, Antonia]] || ([[Special:WhatLinksHere/Category:Weiss, Antonia|links]])<br />
|-<br />
| [[:Category:Tagliavini, Luigi Ferdinando]] || ([[Special:WhatLinksHere/Category:Tagliavini, Luigi Ferdinando|links]])<br />
|-<br />
| [[:Category:Sczublewski, Mark]] || ([[Special:WhatLinksHere/Category:Sczublewski, Mark|links]])<br />
|-<br />
| [[:Category:Stüssi, Fritz]] || ([[Special:WhatLinksHere/Category:Stüssi, Fritz|links]])<br />
|-<br />
| [[:Category:Filodor, Nicolai]] || ([[Special:WhatLinksHere/Category:Filodor, Nicolai|links]])<br />
|-<br />
| [[:Category:Whittlesey, Sarah J. C.]] || ([[Special:WhatLinksHere/Category:Whittlesey, Sarah J. C.|links]])<br />
|-<br />
| [[:Category:Amélia, Dona]] || ([[Special:WhatLinksHere/Category:Amélia, Dona|links]])<br />
|-<br />
| [[:Category:Romitelli, Fausto]] || ([[Special:WhatLinksHere/Category:Romitelli, Fausto|links]])<br />
|-<br />
| [[:Category:Crofts, Jamie]] || ([[Special:WhatLinksHere/Category:Crofts, Jamie|links]])<br />
|-<br />
| [[:Category:Ōba, Yūnosuke]] || ([[Special:WhatLinksHere/Category:Ōba, Yūnosuke|links]])<br />
|-<br />
| [[:Category:Augustinus, Aurelius]] || ([[Special:WhatLinksHere/Category:Augustinus, Aurelius|links]])<br />
|-<br />
| [[:Category:Pellier, Adolphe]] || ([[Special:WhatLinksHere/Category:Pellier, Adolphe|links]])<br />
|-<br />
| [[:Category:Ehmig, Johann Peter]] || ([[Special:WhatLinksHere/Category:Ehmig, Johann Peter|links]])<br />
|-<br />
| [[:Category:Santos, G. dos]] || ([[Special:WhatLinksHere/Category:Santos, G. dos|links]])<br />
|-<br />
| [[:Category:Åsen, Ivar Andreas]] || ([[Special:WhatLinksHere/Category:Åsen, Ivar Andreas|links]])<br />
|-<br />
| [[:Category:Bright, John]] || ([[Special:WhatLinksHere/Category:Bright, John|links]])<br />
|-<br />
| [[:Category:Sothern, Edward Hugh]] || ([[Special:WhatLinksHere/Category:Sothern, Edward Hugh|links]])<br />
|-<br />
| [[:Category:Glines, Ellen Barbour]] || ([[Special:WhatLinksHere/Category:Glines, Ellen Barbour|links]])<br />
|-<br />
| [[:Category:Merton, Thomas]] || ([[Special:WhatLinksHere/Category:Merton, Thomas|links]])<br />
|-<br />
| [[:Category:Michel, Rose]] || ([[Special:WhatLinksHere/Category:Michel, Rose|links]])<br />
|-<br />
| [[:Category:Nesbit, W. D.]] || ([[Special:WhatLinksHere/Category:Nesbit, W. D.|links]])<br />
|-<br />
| [[:Category:Stankovych, Yevhen]] || ([[Special:WhatLinksHere/Category:Stankovych, Yevhen|links]])<br />
|-<br />
| [[:Category:Hottetèrre, Jacques]] || ([[Special:WhatLinksHere/Category:Hottetèrre, Jacques|links]])<br />
|-<br />
| [[:Category:Leliwa, Tadeusz]] || ([[Special:WhatLinksHere/Category:Leliwa, Tadeusz|links]])<br />
|-<br />
| [[:Category:Coates, William]] || ([[Special:WhatLinksHere/Category:Coates, William|links]])<br />
|-<br />
| [[:Category:Miyara, Chōhō]] || ([[Special:WhatLinksHere/Category:Miyara, Chōhō|links]])<br />
|-<br />
| [[:Category:Giannini, Nello]] || ([[Special:WhatLinksHere/Category:Giannini, Nello|links]])<br />
|-<br />
| [[:Category:Teutschmann, Karl]] || ([[Special:WhatLinksHere/Category:Teutschmann, Karl|links]])<br />
|-<br />
| [[:Category:Sporon, Benjamin Georg]] || ([[Special:WhatLinksHere/Category:Sporon, Benjamin Georg|links]])<br />
|-<br />
| [[:Category:Beggs, Emma]] || ([[Special:WhatLinksHere/Category:Beggs, Emma|links]])<br />
|-<br />
| [[:Category:Radziwiłł, Józef Mikołaj]] || ([[Special:WhatLinksHere/Category:Radziwiłł, Józef Mikołaj|links]])<br />
|-<br />
| [[:Category:Santelmann, William H.]] || ([[Special:WhatLinksHere/Category:Santelmann, William H.|links]])<br />
|-<br />
| [[:Category:Joyner, Bud]] || ([[Special:WhatLinksHere/Category:Joyner, Bud|links]])<br />
|-<br />
| [[:Category:Duttenhofer, Louis]] || ([[Special:WhatLinksHere/Category:Duttenhofer, Louis|links]])<br />
|-<br />
| [[:Category:Aho, Kalevi]] || ([[Special:WhatLinksHere/Category:Aho, Kalevi|links]])<br />
|-<br />
| [[:Category:Blumauer, Pauline]] || ([[Special:WhatLinksHere/Category:Blumauer, Pauline|links]])<br />
|-<br />
| [[:Category:Bellère, Johann]] || ([[Special:WhatLinksHere/Category:Bellère, Johann|links]])<br />
|-<br />
| [[:Category:Polk, Leonidas]] || ([[Special:WhatLinksHere/Category:Polk, Leonidas|links]])<br />
|-<br />
| [[:Category:Domergue, Joseph]] || ([[Special:WhatLinksHere/Category:Domergue, Joseph|links]])<br />
|-<br />
| [[:Category:Dantas, Severo]] || ([[Special:WhatLinksHere/Category:Dantas, Severo|links]])<br />
|-<br />
| [[:Category:Korsh, Fyodor]] || ([[Special:WhatLinksHere/Category:Korsh, Fyodor|links]])<br />
|-<br />
| [[:Category:Berglund, Gösta]] || ([[Special:WhatLinksHere/Category:Berglund, Gösta|links]])<br />
|-<br />
| [[:Category:Münnich, Richard]] || ([[Special:WhatLinksHere/Category:Münnich, Richard|links]])<br />
|-<br />
| [[:Category:Mota, Lúcius]] || ([[Special:WhatLinksHere/Category:Mota, Lúcius|links]])<br />
|-<br />
| [[:Category:Hoskier, Émile]] || ([[Special:WhatLinksHere/Category:Hoskier, Émile|links]])<br />
|-<br />
| [[:Category:Berger, Arthur]] || ([[Special:WhatLinksHere/Category:Berger, Arthur|links]])<br />
|-<br />
| [[:Category:Maury, Matthew Fontaine]] || ([[Special:WhatLinksHere/Category:Maury, Matthew Fontaine|links]])<br />
|-<br />
| [[:Category:Meissner, Marie]] || ([[Special:WhatLinksHere/Category:Meissner, Marie|links]])<br />
|-<br />
| [[:Category:Aitken, Annabel]] || ([[Special:WhatLinksHere/Category:Aitken, Annabel|links]])<br />
|-<br />
| [[:Category:Zöllner, Richard]] || ([[Special:WhatLinksHere/Category:Zöllner, Richard|links]])<br />
|-<br />
| [[:Category:Schenck, Maximilian Rudolph]] || ([[Special:WhatLinksHere/Category:Schenck, Maximilian Rudolph|links]])<br />
|-<br />
| [[:Category:Scharwenka, Franz Xaver]] || ([[Special:WhatLinksHere/Category:Scharwenka, Franz Xaver|links]])<br />
|-<br />
| [[:Category:Kertbeny, Karl Maria]] || ([[Special:WhatLinksHere/Category:Kertbeny, Karl Maria|links]])<br />
|-<br />
| [[:Category:Sorrentino, Raffaele]] || ([[Special:WhatLinksHere/Category:Sorrentino, Raffaele|links]])<br />
|-<br />
| [[:Category:Goff, Joseph M.]] || ([[Special:WhatLinksHere/Category:Goff, Joseph M.|links]])<br />
|-<br />
| [[:Category:Nikolowska, Caroline]] || ([[Special:WhatLinksHere/Category:Nikolowska, Caroline|links]])<br />
|-<br />
| [[:Category:Mont du Taigny, Lucien]] || ([[Special:WhatLinksHere/Category:Mont du Taigny, Lucien|links]])<br />
|-<br />
| [[:Category:King III, James L.]] || ([[Special:WhatLinksHere/Category:King III, James L.|links]])<br />
|-<br />
| [[:Category:Collin, Joseph]] || ([[Special:WhatLinksHere/Category:Collin, Joseph|links]])<br />
|-<br />
| [[:Category:Tauber, Joseph Samuel]] || ([[Special:WhatLinksHere/Category:Tauber, Joseph Samuel|links]])<br />
|-<br />
| [[:Category:See, David]] || ([[Special:WhatLinksHere/Category:See, David|links]])<br />
|-<br />
| [[:Category:Błotnicki, Franciszek]] || ([[Special:WhatLinksHere/Category:Błotnicki, Franciszek|links]])<br />
|-<br />
| [[:Category:Goldberg, Edna]] || ([[Special:WhatLinksHere/Category:Goldberg, Edna|links]])<br />
|-<br />
| [[:Category:Neil, Lucy]] || ([[Special:WhatLinksHere/Category:Neil, Lucy|links]])<br />
|-<br />
| [[:Category:Maltz, M.]] || ([[Special:WhatLinksHere/Category:Maltz, M.|links]])<br />
|-<br />
| [[:Category:Cairanne, Marius]] || ([[Special:WhatLinksHere/Category:Cairanne, Marius|links]])<br />
|-<br />
| [[:Category:Parnell, Thomas]] || ([[Special:WhatLinksHere/Category:Parnell, Thomas|links]])<br />
|-<br />
| [[:Category:Kennan, Kent]] || ([[Special:WhatLinksHere/Category:Kennan, Kent|links]])<br />
|-<br />
| [[:Category:Pacory, Henry]] || ([[Special:WhatLinksHere/Category:Pacory, Henry|links]])<br />
|-<br />
| [[:Category:Nakano, Yoshimi]] || ([[Special:WhatLinksHere/Category:Nakano, Yoshimi|links]])<br />
|-<br />
| [[:Category:Nádasdy, Kálmán]] || ([[Special:WhatLinksHere/Category:Nádasdy, Kálmán|links]])<br />
|-<br />
| [[:Category:Bilovius, Regina]] || ([[Special:WhatLinksHere/Category:Bilovius, Regina|links]])<br />
|-<br />
| [[:Category:Hess, Henri]] || ([[Special:WhatLinksHere/Category:Hess, Henri|links]])<br />
|-<br />
| [[:Category:Carse, Roland]] || ([[Special:WhatLinksHere/Category:Carse, Roland|links]])<br />
|-<br />
| [[:Category:Rawson, George]] || ([[Special:WhatLinksHere/Category:Rawson, George|links]])<br />
|-<br />
| [[:Category:Roth, Otto]] || ([[Special:WhatLinksHere/Category:Roth, Otto|links]])<br />
|-<br />
| [[:Category:Klebelsberg, Josephine]] || ([[Special:WhatLinksHere/Category:Klebelsberg, Josephine|links]])<br />
|-<br />
| [[:Category:Maquet, Philippe]] || ([[Special:WhatLinksHere/Category:Maquet, Philippe|links]])<br />
|-<br />
| [[:Category:Gentry, John R.]] || ([[Special:WhatLinksHere/Category:Gentry, John R.|links]])<br />
|-<br />
| [[:Category:Claudius, Otto]] || ([[Special:WhatLinksHere/Category:Claudius, Otto|links]])<br />
|-<br />
| [[:Category:Brown, Joseph E.]] || ([[Special:WhatLinksHere/Category:Brown, Joseph E.|links]])<br />
|-<br />
| [[:Category:Dottin, George]] || ([[Special:WhatLinksHere/Category:Dottin, George|links]])<br />
|-<br />
| [[:Category:Hudson, Mary]] || ([[Special:WhatLinksHere/Category:Hudson, Mary|links]])<br />
|-<br />
| [[:Category:Fochesato, Giuseppe]] || ([[Special:WhatLinksHere/Category:Fochesato, Giuseppe|links]])<br />
|-<br />
| [[:Category:Sander, Jngemann von]] || ([[Special:WhatLinksHere/Category:Sander, Jngemann von|links]])<br />
|-<br />
| [[:Category:Bainton, Edgar]] || ([[Special:WhatLinksHere/Category:Bainton, Edgar|links]])<br />
|-<br />
| [[:Category:Jouvet, Jules]] || ([[Special:WhatLinksHere/Category:Jouvet, Jules|links]])<br />
|-<br />
| [[:Category:Sulzberger, Nathan]] || ([[Special:WhatLinksHere/Category:Sulzberger, Nathan|links]])<br />
|-<br />
| [[:Category:Akemoto, Kyōsei]] || ([[Special:WhatLinksHere/Category:Akemoto, Kyōsei|links]])<br />
|-<br />
| [[:Category:Kučerová, Růžena]] || ([[Special:WhatLinksHere/Category:Kučerová, Růžena|links]])<br />
|-<br />
| [[:Category:Clark, Leonard]] || ([[Special:WhatLinksHere/Category:Clark, Leonard|links]])<br />
|-<br />
| [[:Category:De Brisis, Joseph d'Ailhaud]] || ([[Special:WhatLinksHere/Category:De Brisis, Joseph d'Ailhaud|links]])<br />
|-<br />
| [[:Category:Eugenie, Elisabeth Amalie]] || ([[Special:WhatLinksHere/Category:Eugenie, Elisabeth Amalie|links]])<br />
|-<br />
| [[:Category:Semmes, Raphael]] || ([[Special:WhatLinksHere/Category:Semmes, Raphael|links]])<br />
|-<br />
| [[:Category:Rasul, Rza]] || ([[Special:WhatLinksHere/Category:Rasul, Rza|links]])<br />
|-<br />
| [[:Category:Campo, Diego de]] || ([[Special:WhatLinksHere/Category:Campo, Diego de|links]])<br />
|-<br />
| [[:Category:Simmon, Edgar P.]] || ([[Special:WhatLinksHere/Category:Simmon, Edgar P.|links]])<br />
|-<br />
| [[:Category:Manifold, Emma]] || ([[Special:WhatLinksHere/Category:Manifold, Emma|links]])<br />
|-<br />
| [[:Category:Phillipeaux, Harold de]] || ([[Special:WhatLinksHere/Category:Phillipeaux, Harold de|links]])<br />
|-<br />
| [[:Category:Breiting, Herrmann]] || ([[Special:WhatLinksHere/Category:Breiting, Herrmann|links]])<br />
|-<br />
| [[:Category:Davis, Richard]] || ([[Special:WhatLinksHere/Category:Davis, Richard|links]])<br />
|-<br />
| [[:Category:Amoroso, Oreste]] || ([[Special:WhatLinksHere/Category:Amoroso, Oreste|links]])<br />
|-<br />
| [[:Category:Madison, Mandaline]] || ([[Special:WhatLinksHere/Category:Madison, Mandaline|links]])<br />
|-<br />
| [[:Category:Stevens, Bernard]] || ([[Special:WhatLinksHere/Category:Stevens, Bernard|links]])<br />
|-<br />
| [[:Category:Quételard, A.]] || ([[Special:WhatLinksHere/Category:Quételard, A.|links]])<br />
|-<br />
| [[:Category:Sarnecki, Zygmunt]] || ([[Special:WhatLinksHere/Category:Sarnecki, Zygmunt|links]])<br />
|-<br />
| [[:Category:Kolpensky, Ioann]] || ([[Special:WhatLinksHere/Category:Kolpensky, Ioann|links]])<br />
|-<br />
| [[:Category:Blomhert, Bastiaan]] || ([[Special:WhatLinksHere/Category:Blomhert, Bastiaan|links]])<br />
|-<br />
| [[:Category:Messer, E.]] || ([[Special:WhatLinksHere/Category:Messer, E.|links]])<br />
|-<br />
| [[:Category:Kübler, Theodor]] || ([[Special:WhatLinksHere/Category:Kübler, Theodor|links]])<br />
|-<br />
| [[:Category:Aggházy, Gyula]] || ([[Special:WhatLinksHere/Category:Aggházy, Gyula|links]])<br />
|-<br />
| [[:Category:Robinson, Brian]] || ([[Special:WhatLinksHere/Category:Robinson, Brian|links]])<br />
|-<br />
| [[:Category:Fabian, Alfred]] || ([[Special:WhatLinksHere/Category:Fabian, Alfred|links]])<br />
|-<br />
| [[:Category:Ellerton, George]] || ([[Special:WhatLinksHere/Category:Ellerton, George|links]])<br />
|-<br />
| [[:Category:Vallent, M.]] || ([[Special:WhatLinksHere/Category:Vallent, M.|links]])<br />
|-<br />
| [[:Category:Farrenc, Léonce]] || ([[Special:WhatLinksHere/Category:Farrenc, Léonce|links]])<br />
|-<br />
| [[:Category:Kioko, Priscilla]] || ([[Special:WhatLinksHere/Category:Kioko, Priscilla|links]])<br />
|-<br />
| [[:Category:Leeuw, Ton de]] || ([[Special:WhatLinksHere/Category:Leeuw, Ton de|links]])<br />
|-<br />
| [[:Category:Raffaelini, Francesco Maria]] || ([[Special:WhatLinksHere/Category:Raffaelini, Francesco Maria|links]])<br />
|-<br />
| [[:Category:Ivánov, Georgy]] || ([[Special:WhatLinksHere/Category:Ivánov, Georgy|links]])<br />
|-<br />
| [[:Category:Schmitner, Ahasverus]] || ([[Special:WhatLinksHere/Category:Schmitner, Ahasverus|links]])<br />
|-<br />
| [[:Category:Oida, Kōkichi]] || ([[Special:WhatLinksHere/Category:Oida, Kōkichi|links]])<br />
|-<br />
| [[:Category:Potocka, Anna]] || ([[Special:WhatLinksHere/Category:Potocka, Anna|links]])<br />
|-<br />
| [[:Category:Richenau, Ermanno di]] || ([[Special:WhatLinksHere/Category:Richenau, Ermanno di|links]])<br />
|-<br />
| [[:Category:Grajal, Tomás Fernández]] || ([[Special:WhatLinksHere/Category:Grajal, Tomás Fernández|links]])<br />
|-<br />
| [[:Category:Schubin, Ossip]] || ([[Special:WhatLinksHere/Category:Schubin, Ossip|links]])<br />
|-<br />
| [[:Category:Krug, D.]] || ([[Special:WhatLinksHere/Category:Krug, D.|links]])<br />
|-<br />
| [[:Category:Platti, Giovanni]] || ([[Special:WhatLinksHere/Category:Platti, Giovanni|links]])<br />
|-<br />
| [[:Category:Gross, Karl]] || ([[Special:WhatLinksHere/Category:Gross, Karl|links]])<br />
|-<br />
| [[:Category:Lux, Georg Heinrich]] || ([[Special:WhatLinksHere/Category:Lux, Georg Heinrich|links]])<br />
|-<br />
| [[:Category:Abbasov, Jalal]] || ([[Special:WhatLinksHere/Category:Abbasov, Jalal|links]])<br />
|-<br />
| [[:Category:Sundečić, Jovan]] || ([[Special:WhatLinksHere/Category:Sundečić, Jovan|links]])<br />
|-<br />
| [[:Category:Borgo, Eliot Del]] || ([[Special:WhatLinksHere/Category:Borgo, Eliot Del|links]])<br />
|-<br />
| [[:Category:Fukuda, Randō]] || ([[Special:WhatLinksHere/Category:Fukuda, Randō|links]])<br />
|-<br />
| [[:Category:Rea, J.]] || ([[Special:WhatLinksHere/Category:Rea, J.|links]])<br />
|-<br />
| [[:Category:Van Eeden, Frederik]] || ([[Special:WhatLinksHere/Category:Van Eeden, Frederik|links]])<br />
|-<br />
| [[:Category:Williams, Fred]] || ([[Special:WhatLinksHere/Category:Williams, Fred|links]])<br />
|-<br />
| [[:Category:Meier, Judith]] || ([[Special:WhatLinksHere/Category:Meier, Judith|links]])<br />
|-<br />
| [[:Category:Wolff, Max]] || ([[Special:WhatLinksHere/Category:Wolff, Max|links]])<br />
|-<br />
| [[:Category:Mohr, Bertel]] || ([[Special:WhatLinksHere/Category:Mohr, Bertel|links]])<br />
|-<br />
| [[:Category:Gold, G.]] || ([[Special:WhatLinksHere/Category:Gold, G.|links]])<br />
|-<br />
| [[:Category:Ropes, Arthur Reed]] || ([[Special:WhatLinksHere/Category:Ropes, Arthur Reed|links]])<br />
|-<br />
| [[:Category:Lipsky, Sergey]] || ([[Special:WhatLinksHere/Category:Lipsky, Sergey|links]])<br />
|-<br />
| [[:Category:Heinroth, Charles]] || ([[Special:WhatLinksHere/Category:Heinroth, Charles|links]])<br />
|-<br />
| [[:Category:Vejvoda, Jaromír]] || ([[Special:WhatLinksHere/Category:Vejvoda, Jaromír|links]])<br />
|-<br />
| [[:Category:Sulegmanov, Ahliyat]] || ([[Special:WhatLinksHere/Category:Sulegmanov, Ahliyat|links]])<br />
|-<br />
| [[:Category:Lychenheim, Marion]] || ([[Special:WhatLinksHere/Category:Lychenheim, Marion|links]])<br />
|-<br />
| [[:Category:Emsmann, Hugo]] || ([[Special:WhatLinksHere/Category:Emsmann, Hugo|links]])<br />
|-<br />
| [[:Category:Bächi, Julius]] || ([[Special:WhatLinksHere/Category:Bächi, Julius|links]])<br />
|-<br />
| [[:Category:Whyte, Henry]] || ([[Special:WhatLinksHere/Category:Whyte, Henry|links]])<br />
|-<br />
| [[:Category:Nilsson, Christine]] || ([[Special:WhatLinksHere/Category:Nilsson, Christine|links]])<br />
|-<br />
| [[:Category:Vogot, Edouard]] || ([[Special:WhatLinksHere/Category:Vogot, Edouard|links]])<br />
|-<br />
| [[:Category:Franko, Ivan]] || ([[Special:WhatLinksHere/Category:Franko, Ivan|links]])<br />
|-<br />
| [[:Category:Tiedemann, Karl М.]] || ([[Special:WhatLinksHere/Category:Tiedemann, Karl М.|links]])<br />
|-<br />
| [[:Category:Praschil, Józef]] || ([[Special:WhatLinksHere/Category:Praschil, Józef|links]])<br />
|-<br />
| [[:Category:Aigner, Gottfried]] || ([[Special:WhatLinksHere/Category:Aigner, Gottfried|links]])<br />
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| [[:Category:Montgomery, Lourdes]] || ([[Special:WhatLinksHere/Category:Montgomery, Lourdes|links]])<br />
|-<br />
| [[:Category:Hasse, Nikolaus]] || ([[Special:WhatLinksHere/Category:Hasse, Nikolaus|links]])<br />
|-<br />
| [[:Category:Lulejian, Donabed]] || ([[Special:WhatLinksHere/Category:Lulejian, Donabed|links]])<br />
|-<br />
| [[:Category:Sasse, Christoph]] || ([[Special:WhatLinksHere/Category:Sasse, Christoph|links]])<br />
|-<br />
| [[:Category:Lôbo, Duarte]] || ([[Special:WhatLinksHere/Category:Lôbo, Duarte|links]])<br />
|-<br />
| [[:Category:Werner, Fritz]] || ([[Special:WhatLinksHere/Category:Werner, Fritz|links]])<br />
|-<br />
| [[:Category:Shearer, Josephine]] || ([[Special:WhatLinksHere/Category:Shearer, Josephine|links]])<br />
|-<br />
| [[:Category:Satō, Mosuke]] || ([[Special:WhatLinksHere/Category:Satō, Mosuke|links]])<br />
|-<br />
| [[:Category:Aagard, Maja]] || ([[Special:WhatLinksHere/Category:Aagard, Maja|links]])<br />
|-<br />
| [[:Category:Brodjl, Julie Anders de]] || ([[Special:WhatLinksHere/Category:Brodjl, Julie Anders de|links]])<br />
|-<br />
| [[:Category:Heymann, Mabel]] || ([[Special:WhatLinksHere/Category:Heymann, Mabel|links]])<br />
|-<br />
| [[:Category:Akalin, Deniz]] || ([[Special:WhatLinksHere/Category:Akalin, Deniz|links]])<br />
|-<br />
| [[:Category:Morgan, Yvonne]] || ([[Special:WhatLinksHere/Category:Morgan, Yvonne|links]])<br />
|-<br />
| [[:Category:Bunsen, Christian Carl Josias]] || ([[Special:WhatLinksHere/Category:Bunsen, Christian Carl Josias|links]])<br />
|-<br />
| [[:Category:Shipovnikova, A.]] || ([[Special:WhatLinksHere/Category:Shipovnikova, A.|links]])<br />
|-<br />
| [[:Category:Bequer, Gustavo]] || ([[Special:WhatLinksHere/Category:Bequer, Gustavo|links]])<br />
|-<br />
| [[:Category:Alexander, George]] || ([[Special:WhatLinksHere/Category:Alexander, George|links]])<br />
|-<br />
| [[:Category:Trommler, H.]] || ([[Special:WhatLinksHere/Category:Trommler, H.|links]])<br />
|-<br />
| [[:Category:Hermann von Hermannsthal, Franz]] || ([[Special:WhatLinksHere/Category:Hermann von Hermannsthal, Franz|links]])<br />
|-<br />
| [[:Category:Sabiron, Georges]] || ([[Special:WhatLinksHere/Category:Sabiron, Georges|links]])<br />
|-<br />
| [[:Category:Cererols, Joan]] || ([[Special:WhatLinksHere/Category:Cererols, Joan|links]])<br />
|-<br />
| [[:Category:Boutmy, Léonard]] || ([[Special:WhatLinksHere/Category:Boutmy, Léonard|links]])<br />
|-<br />
| [[:Category:Doebler, Will]] || ([[Special:WhatLinksHere/Category:Doebler, Will|links]])<br />
|-<br />
| [[:Category:Neto, Antônio Carlos Monteiro]] || ([[Special:WhatLinksHere/Category:Neto, Antônio Carlos Monteiro|links]])<br />
|-<br />
| [[:Category:Hirosaki, Tōichi]] || ([[Special:WhatLinksHere/Category:Hirosaki, Tōichi|links]])<br />
|-<br />
| [[:Category:Lusakowski, Jan]] || ([[Special:WhatLinksHere/Category:Lusakowski, Jan|links]])<br />
|-<br />
| [[:Category:Maslov, Fedor]] || ([[Special:WhatLinksHere/Category:Maslov, Fedor|links]])<br />
|-<br />
| [[:Category:Visès, Georges]] || ([[Special:WhatLinksHere/Category:Visès, Georges|links]])<br />
|-<br />
| [[:Category:Ritter, Heinrich Ludwig]] || ([[Special:WhatLinksHere/Category:Ritter, Heinrich Ludwig|links]])<br />
|-<br />
| [[:Category:Xander, Henry]] || ([[Special:WhatLinksHere/Category:Xander, Henry|links]])<br />
|-<br />
| [[:Category:Sörensen, Johannes]] || ([[Special:WhatLinksHere/Category:Sörensen, Johannes|links]])<br />
|-<br />
| [[:Category:Komachi, Ono no]] || ([[Special:WhatLinksHere/Category:Komachi, Ono no|links]])<br />
|-<br />
| [[:Category:Darby, Elde]] || ([[Special:WhatLinksHere/Category:Darby, Elde|links]])<br />
|-<br />
| [[:Category:Halkader, M.]] || ([[Special:WhatLinksHere/Category:Halkader, M.|links]])<br />
|-<br />
| [[:Category:Müller Sr., Adolf]] || ([[Special:WhatLinksHere/Category:Müller Sr., Adolf|links]])<br />
|-<br />
| [[:Category:Busch, Johann Georg]] || ([[Special:WhatLinksHere/Category:Busch, Johann Georg|links]])<br />
|-<br />
| [[:Category:Zhiganov, Nazib]] || ([[Special:WhatLinksHere/Category:Zhiganov, Nazib|links]])<br />
|-<br />
| [[:Category:Del Preite, Rosina]] || ([[Special:WhatLinksHere/Category:Del Preite, Rosina|links]])<br />
|-<br />
| [[:Category:Staub, Gottfried]] || ([[Special:WhatLinksHere/Category:Staub, Gottfried|links]])<br />
|-<br />
| [[:Category:Verhaeren, Émile]] || ([[Special:WhatLinksHere/Category:Verhaeren, Émile|links]])<br />
|-<br />
| [[:Category:Szymanowska, Hélèna]] || ([[Special:WhatLinksHere/Category:Szymanowska, Hélèna|links]])<br />
|-<br />
| [[:Category:Kreshev, Ivan]] || ([[Special:WhatLinksHere/Category:Kreshev, Ivan|links]])<br />
|-<br />
| [[:Category:Anderson, Mary Bruce]] || ([[Special:WhatLinksHere/Category:Anderson, Mary Bruce|links]])<br />
|-<br />
| [[:Category:Goodrich, Frederick William]] || ([[Special:WhatLinksHere/Category:Goodrich, Frederick William|links]])<br />
|-<br />
| [[:Category:Van Beers, Jan]] || ([[Special:WhatLinksHere/Category:Van Beers, Jan|links]])<br />
|-<br />
| [[:Category:Lederer, Richard]] || ([[Special:WhatLinksHere/Category:Lederer, Richard|links]])<br />
|-<br />
| [[:Category:Watanabe, Tetsuya]] || ([[Special:WhatLinksHere/Category:Watanabe, Tetsuya|links]])<br />
|-<br />
| [[:Category:Kegel, Hugo]] || ([[Special:WhatLinksHere/Category:Kegel, Hugo|links]])<br />
|-<br />
| [[:Category:Cherrier, Frank]] || ([[Special:WhatLinksHere/Category:Cherrier, Frank|links]])<br />
|-<br />
| [[:Category:Mikl&oacute,]] || ([[Special:WhatLinksHere/Category:Mikl&oacute,|links]])<br />
|-<br />
| [[:Category:Fawcett, Reverend John]] || ([[Special:WhatLinksHere/Category:Fawcett, Reverend John|links]])<br />
|-<br />
| [[:Category:Fijałkowska, Theophile]] || ([[Special:WhatLinksHere/Category:Fijałkowska, Theophile|links]])<br />
|-<br />
| [[:Category:Wiberg, Johannes]] || ([[Special:WhatLinksHere/Category:Wiberg, Johannes|links]])<br />
|-<br />
| [[:Category:Susumago, Royden Tatsuo]] || ([[Special:WhatLinksHere/Category:Susumago, Royden Tatsuo|links]])<br />
|-<br />
| [[:Category:Griffin, Florence M.]] || ([[Special:WhatLinksHere/Category:Griffin, Florence M.|links]])<br />
|-<br />
| [[:Category:Badou, Alexis]] || ([[Special:WhatLinksHere/Category:Badou, Alexis|links]])<br />
|-<br />
| [[:Category:Bostroem, Annemarie]] || ([[Special:WhatLinksHere/Category:Bostroem, Annemarie|links]])<br />
|-<br />
| [[:Category:Duchêne, Suzanne]] || ([[Special:WhatLinksHere/Category:Duchêne, Suzanne|links]])<br />
|-<br />
| [[:Category:Enke, Henri]] || ([[Special:WhatLinksHere/Category:Enke, Henri|links]])<br />
|-<br />
| [[:Category:Paris, Lionel]] || ([[Special:WhatLinksHere/Category:Paris, Lionel|links]])<br />
|-<br />
| [[:Category:Blagov, Alexander]] || ([[Special:WhatLinksHere/Category:Blagov, Alexander|links]])<br />
|-<br />
| [[:Category:Drdla, Frantisek]] || ([[Special:WhatLinksHere/Category:Drdla, Frantisek|links]])<br />
|-<br />
| [[:Category:Elias, Rosalind]] || ([[Special:WhatLinksHere/Category:Elias, Rosalind|links]])<br />
|-<br />
| [[:Category:Hubay, Jenő]] || ([[Special:WhatLinksHere/Category:Hubay, Jenő|links]])<br />
|-<br />
| [[:Category:Itō, Yūji]] || ([[Special:WhatLinksHere/Category:Itō, Yūji|links]])<br />
|-<br />
| [[:Category:Voeykov, Alexander]] || ([[Special:WhatLinksHere/Category:Voeykov, Alexander|links]])<br />
|-<br />
| [[:Category:Auerbach, Cornelia]] || ([[Special:WhatLinksHere/Category:Auerbach, Cornelia|links]])<br />
|-<br />
| [[:Category:Tileston, Fanny]] || ([[Special:WhatLinksHere/Category:Tileston, Fanny|links]])<br />
|-<br />
| [[:Category:Langsted, Adolf]] || ([[Special:WhatLinksHere/Category:Langsted, Adolf|links]])<br />
|-<br />
| [[:Category:Bröger, Karl]] || ([[Special:WhatLinksHere/Category:Bröger, Karl|links]])<br />
|-<br />
| [[:Category:Owen, J. Arthur]] || ([[Special:WhatLinksHere/Category:Owen, J. Arthur|links]])<br />
|-<br />
| [[:Category:Widmann, Elisabeth]] || ([[Special:WhatLinksHere/Category:Widmann, Elisabeth|links]])<br />
|-<br />
| [[:Category:Überfeldt, Ludwig]] || ([[Special:WhatLinksHere/Category:Überfeldt, Ludwig|links]])<br />
|-<br />
| [[:Category:Olmo, Alberto del]] || ([[Special:WhatLinksHere/Category:Olmo, Alberto del|links]])<br />
|-<br />
| [[:Category:Rosario, Deogracias]] || ([[Special:WhatLinksHere/Category:Rosario, Deogracias|links]])<br />
|-<br />
| [[:Category:Demuth, Fritz]] || ([[Special:WhatLinksHere/Category:Demuth, Fritz|links]])<br />
|-<br />
| [[:Category:Senler, Onur]] || ([[Special:WhatLinksHere/Category:Senler, Onur|links]])<br />
|-<br />
| [[:Category:Nicholson-Ward, Alexander]] || ([[Special:WhatLinksHere/Category:Nicholson-Ward, Alexander|links]])<br />
|-<br />
| [[:Category:Urbánek, Mojmir]] || ([[Special:WhatLinksHere/Category:Urbánek, Mojmir|links]])<br />
|-<br />
| [[:Category:Barentzen, Aline van]] || ([[Special:WhatLinksHere/Category:Barentzen, Aline van|links]])<br />
|-<br />
| [[:Category:Farrugia, Mauro]] || ([[Special:WhatLinksHere/Category:Farrugia, Mauro|links]])<br />
|-<br />
| [[:Category:Evreinov, Nikolai]] || ([[Special:WhatLinksHere/Category:Evreinov, Nikolai|links]])<br />
|-<br />
| [[:Category:Sumerling, M.M.]] || ([[Special:WhatLinksHere/Category:Sumerling, M.M.|links]])<br />
|-<br />
| [[:Category:Niemeyer, Johann Carl Wilhelm]] || ([[Special:WhatLinksHere/Category:Niemeyer, Johann Carl Wilhelm|links]])<br />
|-<br />
| [[:Category:Lee, Muna]] || ([[Special:WhatLinksHere/Category:Lee, Muna|links]])<br />
|-<br />
| [[:Category:Teller, Steve]] || ([[Special:WhatLinksHere/Category:Teller, Steve|links]])<br />
|-<br />
| [[:Category:Schevenhals, Frans]] || ([[Special:WhatLinksHere/Category:Schevenhals, Frans|links]])<br />
|-<br />
| [[:Category:Méreaux, Jean-Nicolas]] || ([[Special:WhatLinksHere/Category:Méreaux, Jean-Nicolas|links]])<br />
|-<br />
| [[:Category:Michael, Friedrich]] || ([[Special:WhatLinksHere/Category:Michael, Friedrich|links]])<br />
|-<br />
| [[:Category:Page, Villa Faulkner]] || ([[Special:WhatLinksHere/Category:Page, Villa Faulkner|links]])<br />
|-<br />
| [[:Category:Newman, Jonathan]] || ([[Special:WhatLinksHere/Category:Newman, Jonathan|links]])<br />
|-<br />
| [[:Category:Nicholson, James]] || ([[Special:WhatLinksHere/Category:Nicholson, James|links]])<br />
|-<br />
| [[:Category:Galvadá, Miguel Querol]] || ([[Special:WhatLinksHere/Category:Galvadá, Miguel Querol|links]])<br />
|-<br />
| [[:Category:Tanaka, Toranosuke]] || ([[Special:WhatLinksHere/Category:Tanaka, Toranosuke|links]])<br />
|-<br />
| [[:Category:Alter, Robert]] || ([[Special:WhatLinksHere/Category:Alter, Robert|links]])<br />
|-<br />
| [[:Category:Leuhusen, Carl]] || ([[Special:WhatLinksHere/Category:Leuhusen, Carl|links]])<br />
|-<br />
| [[:Category:Doré, Léon]] || ([[Special:WhatLinksHere/Category:Doré, Léon|links]])<br />
|-<br />
| [[:Category:Tedesco, Emile]] || ([[Special:WhatLinksHere/Category:Tedesco, Emile|links]])<br />
|-<br />
| [[:Category:Bovet, Félix]] || ([[Special:WhatLinksHere/Category:Bovet, Félix|links]])<br />
|-<br />
| [[:Category:Davenport, Arthur]] || ([[Special:WhatLinksHere/Category:Davenport, Arthur|links]])<br />
|-<br />
| [[:Category:Brown, Sam]] || ([[Special:WhatLinksHere/Category:Brown, Sam|links]])<br />
|-<br />
| [[:Category:Norcross, George S.]] || ([[Special:WhatLinksHere/Category:Norcross, George S.|links]])<br />
|-<br />
| [[:Category:Doceo, María]] || ([[Special:WhatLinksHere/Category:Doceo, María|links]])<br />
|-<br />
| [[:Category:Sokolov, N.]] || ([[Special:WhatLinksHere/Category:Sokolov, N.|links]])<br />
|-<br />
| [[:Category:Fielitz, Maria von]] || ([[Special:WhatLinksHere/Category:Fielitz, Maria von|links]])<br />
|-<br />
| [[:Category:Niggli, Friedrich]] || ([[Special:WhatLinksHere/Category:Niggli, Friedrich|links]])<br />
|-<br />
| [[:Category:Jalaee, Sohrab]] || ([[Special:WhatLinksHere/Category:Jalaee, Sohrab|links]])<br />
|-<br />
| [[:Category:Länger, Friedrich]] || ([[Special:WhatLinksHere/Category:Länger, Friedrich|links]])<br />
|-<br />
| [[:Category:Paisible, Jacques]] || ([[Special:WhatLinksHere/Category:Paisible, Jacques|links]])<br />
|-<br />
| [[:Category:Seagrave, Robert]] || ([[Special:WhatLinksHere/Category:Seagrave, Robert|links]])<br />
|-<br />
| [[:Category:Machado, Manuel]] || ([[Special:WhatLinksHere/Category:Machado, Manuel|links]])<br />
|-<br />
| [[:Category:Validžić, Mirko]] || ([[Special:WhatLinksHere/Category:Validžić, Mirko|links]])<br />
|-<br />
| [[:Category:Toyoda, Giichi]] || ([[Special:WhatLinksHere/Category:Toyoda, Giichi|links]])<br />
|-<br />
| [[:Category:Mayr, A.]] || ([[Special:WhatLinksHere/Category:Mayr, A.|links]])<br />
|-<br />
| [[:Category:Hartenfeller, Andrea]] || ([[Special:WhatLinksHere/Category:Hartenfeller, Andrea|links]])<br />
|-<br />
| [[:Category:Boyle, George]] || ([[Special:WhatLinksHere/Category:Boyle, George|links]])<br />
|-<br />
| [[:Category:Gatty, Reginald A.]] || ([[Special:WhatLinksHere/Category:Gatty, Reginald A.|links]])<br />
|-<br />
| [[:Category:Abaza, Nikolay]] || ([[Special:WhatLinksHere/Category:Abaza, Nikolay|links]])<br />
|-<br />
| [[:Category:Brauer, Wilhelm]] || ([[Special:WhatLinksHere/Category:Brauer, Wilhelm|links]])<br />
|-<br />
| [[:Category:Parker, Matthew]] || ([[Special:WhatLinksHere/Category:Parker, Matthew|links]])<br />
|-<br />
| [[:Category:Renaud, Theodor]] || ([[Special:WhatLinksHere/Category:Renaud, Theodor|links]])<br />
|-<br />
| [[:Category:Zedlitz, Sigmund von]] || ([[Special:WhatLinksHere/Category:Zedlitz, Sigmund von|links]])<br />
|-<br />
| [[:Category:Chubb, Morley]] || ([[Special:WhatLinksHere/Category:Chubb, Morley|links]])<br />
|-<br />
| [[:Category:Gabgieli, Giovanni]] || ([[Special:WhatLinksHere/Category:Gabgieli, Giovanni|links]])<br />
|-<br />
| [[:Category:Thibeault, Matthew D.]] || ([[Special:WhatLinksHere/Category:Thibeault, Matthew D.|links]])<br />
|-<br />
| [[:Category:Konoe, Hidemaro]] || ([[Special:WhatLinksHere/Category:Konoe, Hidemaro|links]])<br />
|-<br />
| [[:Category:Louis Ferdinand, Prince of Prussia,]] || ([[Special:WhatLinksHere/Category:Louis Ferdinand, Prince of Prussia,|links]])<br />
|-<br />
| [[:Category:Franci, A.]] || ([[Special:WhatLinksHere/Category:Franci, A.|links]])<br />
|-<br />
| [[:Category:Schreinicke, Willy]] || ([[Special:WhatLinksHere/Category:Schreinicke, Willy|links]])<br />
|-<br />
| [[:Category:Cieślewski, Franciszek]] || ([[Special:WhatLinksHere/Category:Cieślewski, Franciszek|links]])<br />
|-<br />
| [[:Category:Lüdemann, Otto]] || ([[Special:WhatLinksHere/Category:Lüdemann, Otto|links]])<br />
|-<br />
| [[:Category:Fürstenberg, Aniela]] || ([[Special:WhatLinksHere/Category:Fürstenberg, Aniela|links]])<br />
|-<br />
| [[:Category:Moré, Justo]] || ([[Special:WhatLinksHere/Category:Moré, Justo|links]])<br />
|-<br />
| [[:Category:Rivas, Angel de Saavedra, Duque de]] || ([[Special:WhatLinksHere/Category:Rivas, Angel de Saavedra, Duque de|links]])<br />
|-<br />
| [[:Category:Halperine-Kaminsky, Ely]] || ([[Special:WhatLinksHere/Category:Halperine-Kaminsky, Ely|links]])<br />
|-<br />
| [[:Category:Calt, Gabriel van]] || ([[Special:WhatLinksHere/Category:Calt, Gabriel van|links]])<br />
|-<br />
| [[:Category:Fritze, Franz]] || ([[Special:WhatLinksHere/Category:Fritze, Franz|links]])<br />
|-<br />
| [[:Category:Muazzo, Francesco]] || ([[Special:WhatLinksHere/Category:Muazzo, Francesco|links]])<br />
|-<br />
| [[:Category:Barbetti, Raffaella]] || ([[Special:WhatLinksHere/Category:Barbetti, Raffaella|links]])<br />
|-<br />
| [[:Category:Tachezi, Herbert]] || ([[Special:WhatLinksHere/Category:Tachezi, Herbert|links]])<br />
|-<br />
| [[:Category:Jukes, Carl Friedrich]] || ([[Special:WhatLinksHere/Category:Jukes, Carl Friedrich|links]])<br />
|-<br />
| [[:Category:Lichte, Lode]] || ([[Special:WhatLinksHere/Category:Lichte, Lode|links]])<br />
|-<br />
| [[:Category:Sachsen, Sophie von]] || ([[Special:WhatLinksHere/Category:Sachsen, Sophie von|links]])<br />
|-<br />
| [[:Category:Jelínek, Hanuš]] || ([[Special:WhatLinksHere/Category:Jelínek, Hanuš|links]])<br />
|-<br />
| [[:Category:Morris, Owen]] || ([[Special:WhatLinksHere/Category:Morris, Owen|links]])<br />
|-<br />
| [[:Category:Pujol, Eugène]] || ([[Special:WhatLinksHere/Category:Pujol, Eugène|links]])<br />
|-<br />
| [[:Category:Falcsik, Mari]] || ([[Special:WhatLinksHere/Category:Falcsik, Mari|links]])<br />
|-<br />
| [[:Category:Sachs, Hans]] || ([[Special:WhatLinksHere/Category:Sachs, Hans|links]])<br />
|-<br />
| [[:Category:Wagner, Friedrich Wilhelm]] || ([[Special:WhatLinksHere/Category:Wagner, Friedrich Wilhelm|links]])<br />
|-<br />
| [[:Category:Paans, W. J.]] || ([[Special:WhatLinksHere/Category:Paans, W. J.|links]])<br />
|-<br />
| [[:Category:Rathgeber, Johann Valentin]] || ([[Special:WhatLinksHere/Category:Rathgeber, Johann Valentin|links]])<br />
|-<br />
| [[:Category:Clarke, Aidan]] || ([[Special:WhatLinksHere/Category:Clarke, Aidan|links]])<br />
|-<br />
| [[:Category:Wackernagel, Bettina]] || ([[Special:WhatLinksHere/Category:Wackernagel, Bettina|links]])<br />
|-<br />
| [[:Category:Yamamoto, Masayuki]] || ([[Special:WhatLinksHere/Category:Yamamoto, Masayuki|links]])<br />
|-<br />
| [[:Category:Baillie, Grizel]] || ([[Special:WhatLinksHere/Category:Baillie, Grizel|links]])<br />
|-<br />
| [[:Category:Rey Colaço, Alexandre]] || ([[Special:WhatLinksHere/Category:Rey Colaço, Alexandre|links]])<br />
|-<br />
| [[:Category:Darwin, Erasmus]] || ([[Special:WhatLinksHere/Category:Darwin, Erasmus|links]])<br />
|-<br />
| [[:Category:Ledeganck, Karel Lodewijk]] || ([[Special:WhatLinksHere/Category:Ledeganck, Karel Lodewijk|links]])<br />
|-<br />
| [[:Category:Dietzel, Helga]] || ([[Special:WhatLinksHere/Category:Dietzel, Helga|links]])<br />
|-<br />
| [[:Category:Murray, John]] || ([[Special:WhatLinksHere/Category:Murray, John|links]])<br />
|-<br />
| [[:Category:Nivard, Suzanne]] || ([[Special:WhatLinksHere/Category:Nivard, Suzanne|links]])<br />
|-<br />
| [[:Category:Kouba, Josef]] || ([[Special:WhatLinksHere/Category:Kouba, Josef|links]])<br />
|-<br />
| [[:Category:Swan, William H.]] || ([[Special:WhatLinksHere/Category:Swan, William H.|links]])<br />
|-<br />
| [[:Category:Uffenbach, Johann Friedrich Armand von]] || ([[Special:WhatLinksHere/Category:Uffenbach, Johann Friedrich Armand von|links]])<br />
|-<br />
| [[:Category:Skronsky, Marie de]] || ([[Special:WhatLinksHere/Category:Skronsky, Marie de|links]])<br />
|-<br />
| [[:Category:Butrymowicz, Bogusław]] || ([[Special:WhatLinksHere/Category:Butrymowicz, Bogusław|links]])<br />
|-<br />
| [[:Category:Guerre, Elisabeth-Claude Jacquet de la]] || ([[Special:WhatLinksHere/Category:Guerre, Elisabeth-Claude Jacquet de la|links]])<br />
|-<br />
| [[:Category:Matsui, Sōkichi]] || ([[Special:WhatLinksHere/Category:Matsui, Sōkichi|links]])<br />
|-<br />
| [[:Category:Lindner, Johann Gottlieb]] || ([[Special:WhatLinksHere/Category:Lindner, Johann Gottlieb|links]])<br />
|-<br />
| [[:Category:Belletti, Natale]] || ([[Special:WhatLinksHere/Category:Belletti, Natale|links]])<br />
|-<br />
| [[:Category:Scandrett, Robert Leland]] || ([[Special:WhatLinksHere/Category:Scandrett, Robert Leland|links]])<br />
|-<br />
| [[:Category:Greinz, Rudolf]] || ([[Special:WhatLinksHere/Category:Greinz, Rudolf|links]])<br />
|-<br />
| [[:Category:Gerken, Evgeny]] || ([[Special:WhatLinksHere/Category:Gerken, Evgeny|links]])<br />
|-<br />
| [[:Category:Hüttig, Marie]] || ([[Special:WhatLinksHere/Category:Hüttig, Marie|links]])<br />
|-<br />
| [[:Category:Johnston, Mark]] || ([[Special:WhatLinksHere/Category:Johnston, Mark|links]])<br />
|-<br />
| [[:Category:Greene, Henry Copley]] || ([[Special:WhatLinksHere/Category:Greene, Henry Copley|links]])<br />
|-<br />
| [[:Category:Hardinge, William]] || ([[Special:WhatLinksHere/Category:Hardinge, William|links]])<br />
|-<br />
| [[:Category:Choi, Nam Sun]] || ([[Special:WhatLinksHere/Category:Choi, Nam Sun|links]])<br />
|-<br />
| [[:Category:Granger, Palmyra]] || ([[Special:WhatLinksHere/Category:Granger, Palmyra|links]])<br />
|-<br />
| [[:Category:Chalupsky, Gebhard]] || ([[Special:WhatLinksHere/Category:Chalupsky, Gebhard|links]])<br />
|-<br />
| [[:Category:Engel, Willem]] || ([[Special:WhatLinksHere/Category:Engel, Willem|links]])<br />
|-<br />
| [[:Category:Potter, Frank Hunter]] || ([[Special:WhatLinksHere/Category:Potter, Frank Hunter|links]])<br />
|-<br />
| [[:Category:Luciano, Salvatore]] || ([[Special:WhatLinksHere/Category:Luciano, Salvatore|links]])<br />
|-<br />
| [[:Category:Ruf, G. von]] || ([[Special:WhatLinksHere/Category:Ruf, G. von|links]])<br />
|-<br />
| [[:Category:Mcdonald, Mary]] || ([[Special:WhatLinksHere/Category:Mcdonald, Mary|links]])<br />
|-<br />
| [[:Category:Emerson, Irving]] || ([[Special:WhatLinksHere/Category:Emerson, Irving|links]])<br />
|-<br />
| [[:Category:Kjerulf, Alfred]] || ([[Special:WhatLinksHere/Category:Kjerulf, Alfred|links]])<br />
|-<br />
| [[:Category:Fernow, R.L.]] || ([[Special:WhatLinksHere/Category:Fernow, R.L.|links]])<br />
|-<br />
| [[:Category:Huntley, Mary Louise]] || ([[Special:WhatLinksHere/Category:Huntley, Mary Louise|links]])<br />
|-<br />
| [[:Category:Schibler, Armin]] || ([[Special:WhatLinksHere/Category:Schibler, Armin|links]])<br />
|-<br />
| [[:Category:Bethe, Andreas Christoph]] || ([[Special:WhatLinksHere/Category:Bethe, Andreas Christoph|links]])<br />
|-<br />
| [[:Category:Schilter, Zacharias]] || ([[Special:WhatLinksHere/Category:Schilter, Zacharias|links]])<br />
|-<br />
| [[:Category:Tuczek, Felicia]] || ([[Special:WhatLinksHere/Category:Tuczek, Felicia|links]])<br />
|-<br />
| [[:Category:Zenha, Emilia Chaim]] || ([[Special:WhatLinksHere/Category:Zenha, Emilia Chaim|links]])<br />
|-<br />
| [[:Category:Rossini, Gioachino Antonio]] || ([[Special:WhatLinksHere/Category:Rossini, Gioachino Antonio|links]])<br />
|-<br />
| [[:Category:May, Edna]] || ([[Special:WhatLinksHere/Category:May, Edna|links]])<br />
|-<br />
| [[:Category:Prohaska, Bruno]] || ([[Special:WhatLinksHere/Category:Prohaska, Bruno|links]])<br />
|-<br />
| [[:Category:Ōno, Umewaka]] || ([[Special:WhatLinksHere/Category:Ōno, Umewaka|links]])<br />
|-<br />
| [[:Category:Pe, Anon.]] || ([[Special:WhatLinksHere/Category:Pe, Anon.|links]])<br />
|-<br />
| [[:Category:Le Roux, Hugues]] || ([[Special:WhatLinksHere/Category:Le Roux, Hugues|links]])<br />
|-<br />
| [[:Category:Ockham, William]] || ([[Special:WhatLinksHere/Category:Ockham, William|links]])<br />
|-<br />
| [[:Category:Cummins, James John]] || ([[Special:WhatLinksHere/Category:Cummins, James John|links]])<br />
|-<br />
| [[:Category:Fuchs, Gabriele]] || ([[Special:WhatLinksHere/Category:Fuchs, Gabriele|links]])<br />
|-<br />
| [[:Category:Schrade, Leo]] || ([[Special:WhatLinksHere/Category:Schrade, Leo|links]])<br />
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| [[:Category:Arroyo C., Emiliano]] || ([[Special:WhatLinksHere/Category:Arroyo C., Emiliano|links]])<br />
|-<br />
| [[:Category:Becquié, Jean-Marie]] || ([[Special:WhatLinksHere/Category:Becquié, Jean-Marie|links]])<br />
|-<br />
| [[:Category:Mayzner, Nelly]] || ([[Special:WhatLinksHere/Category:Mayzner, Nelly|links]])<br />
|-<br />
| [[:Category:Buchholtz, Georg]] || ([[Special:WhatLinksHere/Category:Buchholtz, Georg|links]])<br />
|-<br />
| [[:Category:Jenner, Gustav Uwe]] || ([[Special:WhatLinksHere/Category:Jenner, Gustav Uwe|links]])<br />
|-<br />
| [[:Category:Kleczyńska, Kazimierz]] || ([[Special:WhatLinksHere/Category:Kleczyńska, Kazimierz|links]])<br />
|-<br />
| [[:Category:Murai, Kiyoshi]] || ([[Special:WhatLinksHere/Category:Murai, Kiyoshi|links]])<br />
|-<br />
| [[:Category:During, C.A.A.]] || ([[Special:WhatLinksHere/Category:During, C.A.A.|links]])<br />
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| [[:Category:Biasion, Alfred]] || ([[Special:WhatLinksHere/Category:Biasion, Alfred|links]])<br />
|-<br />
| [[:Category:Jourdan, Pierre-Marius-Victor-Simon]] || ([[Special:WhatLinksHere/Category:Jourdan, Pierre-Marius-Victor-Simon|links]])<br />
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| [[:Category:Thoiry, Jeanne]] || ([[Special:WhatLinksHere/Category:Thoiry, Jeanne|links]])<br />
|-<br />
| [[:Category:Paradowska, Marcella]] || ([[Special:WhatLinksHere/Category:Paradowska, Marcella|links]])<br />
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| [[:Category:Monterosso, Raffaello]] || ([[Special:WhatLinksHere/Category:Monterosso, Raffaello|links]])<br />
|-<br />
| [[:Category:Preger, Léo]] || ([[Special:WhatLinksHere/Category:Preger, Léo|links]])<br />
|-<br />
| [[:Category:Roderich, Albert]] || ([[Special:WhatLinksHere/Category:Roderich, Albert|links]])<br />
|-<br />
| [[:Category:Hartranft, John F.]] || ([[Special:WhatLinksHere/Category:Hartranft, John F.|links]])<br />
|-<br />
| [[:Category:Dudley, Helen]] || ([[Special:WhatLinksHere/Category:Dudley, Helen|links]])<br />
|-<br />
| [[:Category:Leovy, Henry J.]] || ([[Special:WhatLinksHere/Category:Leovy, Henry J.|links]])<br />
|-<br />
| [[:Category:Harper, Thomas]] || ([[Special:WhatLinksHere/Category:Harper, Thomas|links]])<br />
|-<br />
| [[:Category:Wander von Grünwald, Karoline]] || ([[Special:WhatLinksHere/Category:Wander von Grünwald, Karoline|links]])<br />
|-<br />
| [[:Category:Barberiis, Lya de]] || ([[Special:WhatLinksHere/Category:Barberiis, Lya de|links]])<br />
|-<br />
| [[:Category:Tomasson, Thordur]] || ([[Special:WhatLinksHere/Category:Tomasson, Thordur|links]])<br />
|-<br />
| [[:Category:Andr&eacute,]] || ([[Special:WhatLinksHere/Category:Andr&eacute,|links]])<br />
|-<br />
| [[:Category:Saint-Pol, Féraud de]] || ([[Special:WhatLinksHere/Category:Saint-Pol, Féraud de|links]])<br />
|-<br />
| [[:Category:Maryland, Fred]] || ([[Special:WhatLinksHere/Category:Maryland, Fred|links]])<br />
|-<br />
| [[:Category:Divitis, Anthonius]] || ([[Special:WhatLinksHere/Category:Divitis, Anthonius|links]])<br />
|-<br />
| [[:Category:Petrov, Evgenij]] || ([[Special:WhatLinksHere/Category:Petrov, Evgenij|links]])<br />
|-<br />
| [[:Category:Markus, Johann Kajetan]] || ([[Special:WhatLinksHere/Category:Markus, Johann Kajetan|links]])<br />
|-<br />
| [[:Category:Obert, Franz]] || ([[Special:WhatLinksHere/Category:Obert, Franz|links]])<br />
|-<br />
| [[:Category:Evans, Mark]] || ([[Special:WhatLinksHere/Category:Evans, Mark|links]])<br />
|-<br />
| [[:Category:Caballero, Gonzalo]] || ([[Special:WhatLinksHere/Category:Caballero, Gonzalo|links]])<br />
|-<br />
| [[:Category:Schanz, Pauline]] || ([[Special:WhatLinksHere/Category:Schanz, Pauline|links]])<br />
|-<br />
| [[:Category:Cameroni, Agostino]] || ([[Special:WhatLinksHere/Category:Cameroni, Agostino|links]])<br />
|-<br />
| [[:Category:Meer, Ralf van]] || ([[Special:WhatLinksHere/Category:Meer, Ralf van|links]])<br />
|-<br />
| [[:Category:Sawyer, Ruth]] || ([[Special:WhatLinksHere/Category:Sawyer, Ruth|links]])<br />
|-<br />
| [[:Category:Camasio, Sandro]] || ([[Special:WhatLinksHere/Category:Camasio, Sandro|links]])<br />
|-<br />
| [[:Category:Goett, George]] || ([[Special:WhatLinksHere/Category:Goett, George|links]])<br />
|-<br />
| [[:Category:Löb, Ambrosius]] || ([[Special:WhatLinksHere/Category:Löb, Ambrosius|links]])<br />
|-<br />
| [[:Category:Paige, Emile]] || ([[Special:WhatLinksHere/Category:Paige, Emile|links]])<br />
|-<br />
| [[:Category:Rücker, Elizabeth]] || ([[Special:WhatLinksHere/Category:Rücker, Elizabeth|links]])<br />
|-<br />
| [[:Category:Cornut, Romain]] || ([[Special:WhatLinksHere/Category:Cornut, Romain|links]])<br />
|-<br />
| [[:Category:Meier, Heinz]] || ([[Special:WhatLinksHere/Category:Meier, Heinz|links]])<br />
|-<br />
| [[:Category:Ahlborn, Andreas]] || ([[Special:WhatLinksHere/Category:Ahlborn, Andreas|links]])<br />
|-<br />
| [[:Category:Varga, Pál]] || ([[Special:WhatLinksHere/Category:Varga, Pál|links]])<br />
|-<br />
| [[:Category:Guyon, Prosper]] || ([[Special:WhatLinksHere/Category:Guyon, Prosper|links]])<br />
|-<br />
| [[:Category:Bely, Andrey]] || ([[Special:WhatLinksHere/Category:Bely, Andrey|links]])<br />
|-<br />
| [[:Category:Judson, Julia Isabella]] || ([[Special:WhatLinksHere/Category:Judson, Julia Isabella|links]])<br />
|-<br />
| [[:Category:Baldwin, Adele Laeïs]] || ([[Special:WhatLinksHere/Category:Baldwin, Adele Laeïs|links]])<br />
|-<br />
| [[:Category:Dalberg, Nancy]] || ([[Special:WhatLinksHere/Category:Dalberg, Nancy|links]])<br />
|-<br />
| [[:Category:Koželuh, Leopold Antonín]] || ([[Special:WhatLinksHere/Category:Koželuh, Leopold Antonín|links]])<br />
|-<br />
| [[:Category:Lacomblez, Paul]] || ([[Special:WhatLinksHere/Category:Lacomblez, Paul|links]])<br />
|-<br />
| [[:Category:Roberti, Frigimelica]] || ([[Special:WhatLinksHere/Category:Roberti, Frigimelica|links]])<br />
|-<br />
| [[:Category:Nishide, Jirō]] || ([[Special:WhatLinksHere/Category:Nishide, Jirō|links]])<br />
|-<br />
| [[:Category:Shelkovich, N. V.]] || ([[Special:WhatLinksHere/Category:Shelkovich, N. V.|links]])<br />
|-<br />
| [[:Category:Pearson, George O.]] || ([[Special:WhatLinksHere/Category:Pearson, George O.|links]])<br />
|-<br />
| [[:Category:Muellenbach, Ernst]] || ([[Special:WhatLinksHere/Category:Muellenbach, Ernst|links]])<br />
|-<br />
| [[:Category:Regel, Heinrich Hermann]] || ([[Special:WhatLinksHere/Category:Regel, Heinrich Hermann|links]])<br />
|-<br />
| [[:Category:Greer, Richard W.]] || ([[Special:WhatLinksHere/Category:Greer, Richard W.|links]])<br />
|-<br />
| [[:Category:Bianchi, Bianca]] || ([[Special:WhatLinksHere/Category:Bianchi, Bianca|links]])<br />
|-<br />
| [[:Category:Ottaviano, Petrus]] || ([[Special:WhatLinksHere/Category:Ottaviano, Petrus|links]])<br />
|-<br />
| [[:Category:Letterier, Eugène]] || ([[Special:WhatLinksHere/Category:Letterier, Eugène|links]])<br />
|-<br />
| [[:Category:Emil, Wilhelm]] || ([[Special:WhatLinksHere/Category:Emil, Wilhelm|links]])<br />
|-<br />
| [[:Category:Franke, Emil]] || ([[Special:WhatLinksHere/Category:Franke, Emil|links]])<br />
|-<br />
| [[:Category:Kross, Siegfried]] || ([[Special:WhatLinksHere/Category:Kross, Siegfried|links]])<br />
|-<br />
| [[:Category:Benda, Felix]] || ([[Special:WhatLinksHere/Category:Benda, Felix|links]])<br />
|-<br />
| [[:Category:Berger, Alfons]] || ([[Special:WhatLinksHere/Category:Berger, Alfons|links]])<br />
|-<br />
| [[:Category:Le Massena, Clarence Edward]] || ([[Special:WhatLinksHere/Category:Le Massena, Clarence Edward|links]])<br />
|-<br />
| [[:Category:Atarashi, Seijirō]] || ([[Special:WhatLinksHere/Category:Atarashi, Seijirō|links]])<br />
|-<br />
| [[:Category:Rössler, B.]] || ([[Special:WhatLinksHere/Category:Rössler, B.|links]])<br />
|-<br />
| [[:Category:Brosch, Alois]] || ([[Special:WhatLinksHere/Category:Brosch, Alois|links]])<br />
|-<br />
| [[:Category:Dobranicka, Bronislasse]] || ([[Special:WhatLinksHere/Category:Dobranicka, Bronislasse|links]])<br />
|-<br />
| [[:Category:Ortlepp, Ernst]] || ([[Special:WhatLinksHere/Category:Ortlepp, Ernst|links]])<br />
|-<br />
| [[:Category:Schulz, Wilhelm]] || ([[Special:WhatLinksHere/Category:Schulz, Wilhelm|links]])<br />
|-<br />
| [[:Category:Zeller, Ernst Albert]] || ([[Special:WhatLinksHere/Category:Zeller, Ernst Albert|links]])<br />
|-<br />
| [[:Category:List, Erich]] || ([[Special:WhatLinksHere/Category:List, Erich|links]])<br />
|-<br />
| [[:Category:Lefèvre, Hippolyte]] || ([[Special:WhatLinksHere/Category:Lefèvre, Hippolyte|links]])<br />
|-<br />
| [[:Category:Rzewuski, Paweł]] || ([[Special:WhatLinksHere/Category:Rzewuski, Paweł|links]])<br />
|-<br />
| [[:Category:Wendell, Clarence T.]] || ([[Special:WhatLinksHere/Category:Wendell, Clarence T.|links]])<br />
|-<br />
| [[:Category:Law, Sarah]] || ([[Special:WhatLinksHere/Category:Law, Sarah|links]])<br />
|-<br />
| [[:Category:Hubl, Otto]] || ([[Special:WhatLinksHere/Category:Hubl, Otto|links]])<br />
|-<br />
| [[:Category:Thornley, John H.]] || ([[Special:WhatLinksHere/Category:Thornley, John H.|links]])<br />
|-<br />
| [[:Category:Terterian, Avet]] || ([[Special:WhatLinksHere/Category:Terterian, Avet|links]])<br />
|-<br />
| [[:Category:Paul, Th.]] || ([[Special:WhatLinksHere/Category:Paul, Th.|links]])<br />
|-<br />
| [[:Category:Hartel, Wilhelm von]] || ([[Special:WhatLinksHere/Category:Hartel, Wilhelm von|links]])<br />
|-<br />
| [[:Category:Rzechowski, Zofia]] || ([[Special:WhatLinksHere/Category:Rzechowski, Zofia|links]])<br />
|-<br />
| [[:Category:Delaplanche, Eugène]] || ([[Special:WhatLinksHere/Category:Delaplanche, Eugène|links]])<br />
|-<br />
| [[:Category:Perry, George Frederick]] || ([[Special:WhatLinksHere/Category:Perry, George Frederick|links]])<br />
|-<br />
| [[:Category:Hahn, Arthur]] || ([[Special:WhatLinksHere/Category:Hahn, Arthur|links]])<br />
|-<br />
| [[:Category:Del Mar, Jonathan]] || ([[Special:WhatLinksHere/Category:Del Mar, Jonathan|links]])<br />
|-<br />
| [[:Category:Stecki, Sławomir]] || ([[Special:WhatLinksHere/Category:Stecki, Sławomir|links]])<br />
|-<br />
| [[:Category:Shortman, Julian]] || ([[Special:WhatLinksHere/Category:Shortman, Julian|links]])<br />
|-<br />
| [[:Category:Samet, E.]] || ([[Special:WhatLinksHere/Category:Samet, E.|links]])<br />
|-<br />
| [[:Category:Lewy, Julius]] || ([[Special:WhatLinksHere/Category:Lewy, Julius|links]])<br />
|-<br />
| [[:Category:Nikisch, Artur]] || ([[Special:WhatLinksHere/Category:Nikisch, Artur|links]])<br />
|-<br />
| [[:Category:Fornerod, Aloÿs]] || ([[Special:WhatLinksHere/Category:Fornerod, Aloÿs|links]])<br />
|-<br />
| [[:Category:Msomi, Welcome]] || ([[Special:WhatLinksHere/Category:Msomi, Welcome|links]])<br />
|-<br />
| [[:Category:Ivanoff, Nicolai]] || ([[Special:WhatLinksHere/Category:Ivanoff, Nicolai|links]])<br />
|-<br />
| [[:Category:Lincke, Carl Emile Paul]] || ([[Special:WhatLinksHere/Category:Lincke, Carl Emile Paul|links]])<br />
|-<br />
| [[:Category:Sung, Gabriel]] || ([[Special:WhatLinksHere/Category:Sung, Gabriel|links]])<br />
|-<br />
| [[:Category:Gardiner, John Hays]] || ([[Special:WhatLinksHere/Category:Gardiner, John Hays|links]])<br />
|-<br />
| [[:Category:Otogawa, Senzō]] || ([[Special:WhatLinksHere/Category:Otogawa, Senzō|links]])<br />
|-<br />
| [[:Category:Berry, Wallace]] || ([[Special:WhatLinksHere/Category:Berry, Wallace|links]])<br />
|-<br />
| [[:Category:Huldt-Nystrøm, Hampus]] || ([[Special:WhatLinksHere/Category:Huldt-Nystrøm, Hampus|links]])<br />
|-<br />
| [[:Category:Richomme, Charles-Nicholas]] || ([[Special:WhatLinksHere/Category:Richomme, Charles-Nicholas|links]])<br />
|-<br />
| [[:Category:Sorge, Reinhard]] || ([[Special:WhatLinksHere/Category:Sorge, Reinhard|links]])<br />
|-<br />
| [[:Category:Clementi-Smith, Herbert]] || ([[Special:WhatLinksHere/Category:Clementi-Smith, Herbert|links]])<br />
|-<br />
| [[:Category:MacCunn, James]] || ([[Special:WhatLinksHere/Category:MacCunn, James|links]])<br />
|-<br />
| [[:Category:Palma, Georg]] || ([[Special:WhatLinksHere/Category:Palma, Georg|links]])<br />
|-<br />
| [[:Category:Zathureczky, Ede]] || ([[Special:WhatLinksHere/Category:Zathureczky, Ede|links]])<br />
|-<br />
| [[:Category:Obermeieri, Pauli]] || ([[Special:WhatLinksHere/Category:Obermeieri, Pauli|links]])<br />
|-<br />
| [[:Category:Zimmermann, J.]] || ([[Special:WhatLinksHere/Category:Zimmermann, J.|links]])<br />
|-<br />
| [[:Category:Cabezon, Antonio de]] || ([[Special:WhatLinksHere/Category:Cabezon, Antonio de|links]])<br />
|-<br />
| [[:Category:Kraus, P. Ludwig]] || ([[Special:WhatLinksHere/Category:Kraus, P. Ludwig|links]])<br />
|-<br />
| [[:Category:Haubenstock-Ramati, Roman]] || ([[Special:WhatLinksHere/Category:Haubenstock-Ramati, Roman|links]])<br />
|-<br />
| [[:Category:Go, Taijirō]] || ([[Special:WhatLinksHere/Category:Go, Taijirō|links]])<br />
|-<br />
| [[:Category:Broodhead, B.]] || ([[Special:WhatLinksHere/Category:Broodhead, B.|links]])<br />
|-<br />
| [[:Category:Gervasi, Luigi]] || ([[Special:WhatLinksHere/Category:Gervasi, Luigi|links]])<br />
|-<br />
| [[:Category:L'Estoille, Jean de]] || ([[Special:WhatLinksHere/Category:L'Estoille, Jean de|links]])<br />
|-<br />
| [[:Category:Lucy, Arthur]] || ([[Special:WhatLinksHere/Category:Lucy, Arthur|links]])<br />
|-<br />
| [[:Category:Shebalina, Alisa]] || ([[Special:WhatLinksHere/Category:Shebalina, Alisa|links]])<br />
|-<br />
| [[:Category:Zwoliński, Wincenty]] || ([[Special:WhatLinksHere/Category:Zwoliński, Wincenty|links]])<br />
|-<br />
| [[:Category:Woodrow, Fred]] || ([[Special:WhatLinksHere/Category:Woodrow, Fred|links]])<br />
|-<br />
| [[:Category:Oesterlein, Nikolaus]] || ([[Special:WhatLinksHere/Category:Oesterlein, Nikolaus|links]])<br />
|-<br />
| [[:Category:Kunz, Vilèm]] || ([[Special:WhatLinksHere/Category:Kunz, Vilèm|links]])<br />
|-<br />
| [[:Category:Stravinsky, Soulima]] || ([[Special:WhatLinksHere/Category:Stravinsky, Soulima|links]])<br />
|-<br />
| [[:Category:Léon, J.]] || ([[Special:WhatLinksHere/Category:Léon, J.|links]])<br />
|-<br />
| [[:Category:Kościelski, August]] || ([[Special:WhatLinksHere/Category:Kościelski, August|links]])<br />
|-<br />
| [[:Category:Mazanek, Adam]] || ([[Special:WhatLinksHere/Category:Mazanek, Adam|links]])<br />
|-<br />
| [[:Category:Rüdiger, Wilhelm]] || ([[Special:WhatLinksHere/Category:Rüdiger, Wilhelm|links]])<br />
|-<br />
| [[:Category:Sieron, Dominik Jan]] || ([[Special:WhatLinksHere/Category:Sieron, Dominik Jan|links]])<br />
|-<br />
| [[:Category:Houška, Vincenc]] || ([[Special:WhatLinksHere/Category:Houška, Vincenc|links]])<br />
|-<br />
| [[:Category:Walther;1684-1748, Johann Gottfried]] || ([[Special:WhatLinksHere/Category:Walther;1684-1748, Johann Gottfried|links]])<br />
|-<br />
| [[:Category:Pratt, Charles Stuart]] || ([[Special:WhatLinksHere/Category:Pratt, Charles Stuart|links]])<br />
|-<br />
| [[:Category:Sloane, Marcia]] || ([[Special:WhatLinksHere/Category:Sloane, Marcia|links]])<br />
|-<br />
| [[:Category:Strachwitz, Graf]] || ([[Special:WhatLinksHere/Category:Strachwitz, Graf|links]])<br />
|-<br />
| [[:Category:Dal-Trozzo, Jean Casimir]] || ([[Special:WhatLinksHere/Category:Dal-Trozzo, Jean Casimir|links]])<br />
|-<br />
| [[:Category:Schmidt, Johannes]] || ([[Special:WhatLinksHere/Category:Schmidt, Johannes|links]])<br />
|-<br />
| [[:Category:Csanády, György]] || ([[Special:WhatLinksHere/Category:Csanády, György|links]])<br />
|-<br />
| [[:Category:De Magny, Olivier]] || ([[Special:WhatLinksHere/Category:De Magny, Olivier|links]])<br />
|-<br />
| [[:Category:Lürman, Ludwig]] || ([[Special:WhatLinksHere/Category:Lürman, Ludwig|links]])<br />
|-<br />
| [[:Category:Brandon, J.]] || ([[Special:WhatLinksHere/Category:Brandon, J.|links]])<br />
|-<br />
| [[:Category:Brey, Henriette]] || ([[Special:WhatLinksHere/Category:Brey, Henriette|links]])<br />
|-<br />
| [[:Category:Hummel, Josef Friedrich]] || ([[Special:WhatLinksHere/Category:Hummel, Josef Friedrich|links]])<br />
|-<br />
| [[:Category:Watkins, David]] || ([[Special:WhatLinksHere/Category:Watkins, David|links]])<br />
|-<br />
| [[:Category:Malats, Joaquin]] || ([[Special:WhatLinksHere/Category:Malats, Joaquin|links]])<br />
|-<br />
| [[:Category:Bode, John Ernest]] || ([[Special:WhatLinksHere/Category:Bode, John Ernest|links]])<br />
|-<br />
| [[:Category:Forde, W.]] || ([[Special:WhatLinksHere/Category:Forde, W.|links]])<br />
|-<br />
| [[:Category:Goedel, Martha]] || ([[Special:WhatLinksHere/Category:Goedel, Martha|links]])<br />
|-<br />
| [[:Category:Shibuya, Shū]] || ([[Special:WhatLinksHere/Category:Shibuya, Shū|links]])<br />
|-<br />
| [[:Category:Atherton, Alice]] || ([[Special:WhatLinksHere/Category:Atherton, Alice|links]])<br />
|-<br />
| [[:Category:Kuhn, Karl]] || ([[Special:WhatLinksHere/Category:Kuhn, Karl|links]])<br />
|-<br />
| [[:Category:Kay, R.H.]] || ([[Special:WhatLinksHere/Category:Kay, R.H.|links]])<br />
|-<br />
| [[:Category:Wilbrandt, Adolf von]] || ([[Special:WhatLinksHere/Category:Wilbrandt, Adolf von|links]])<br />
|-<br />
| [[:Category:Tołłoczko, Edward]] || ([[Special:WhatLinksHere/Category:Tołłoczko, Edward|links]])<br />
|-<br />
| [[:Category:Lomova, Ekaterina]] || ([[Special:WhatLinksHere/Category:Lomova, Ekaterina|links]])<br />
|-<br />
| [[:Category:Weston, J. Alden]] || ([[Special:WhatLinksHere/Category:Weston, J. Alden|links]])<br />
|-<br />
| [[:Category:Curtis, George H.]] || ([[Special:WhatLinksHere/Category:Curtis, George H.|links]])<br />
|-<br />
| [[:Category:Cooke, Arnold]] || ([[Special:WhatLinksHere/Category:Cooke, Arnold|links]])<br />
|-<br />
| [[:Category:Harker, F. Flaxington]] || ([[Special:WhatLinksHere/Category:Harker, F. Flaxington|links]])<br />
|-<br />
| [[:Category:Ichikawa, Hajime]] || ([[Special:WhatLinksHere/Category:Ichikawa, Hajime|links]])<br />
|-<br />
| [[:Category:Towne, Arthur P.]] || ([[Special:WhatLinksHere/Category:Towne, Arthur P.|links]])<br />
|-<br />
| [[:Category:Prunetti, Michelangelo]] || ([[Special:WhatLinksHere/Category:Prunetti, Michelangelo|links]])<br />
|-<br />
| [[:Category:Fürste, Ernst]] || ([[Special:WhatLinksHere/Category:Fürste, Ernst|links]])<br />
|-<br />
| [[:Category:Bunel, Gabriel]] || ([[Special:WhatLinksHere/Category:Bunel, Gabriel|links]])<br />
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| [[:Category:Václav, Hanka]] || ([[Special:WhatLinksHere/Category:Václav, Hanka|links]])<br />
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| [[:Category:Eames, Philip]] || ([[Special:WhatLinksHere/Category:Eames, Philip|links]])<br />
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| [[:Category:Löwenthal, Abraham]] || ([[Special:WhatLinksHere/Category:Löwenthal, Abraham|links]])<br />
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| [[:Category:Levin, Lev Davydovich]] || ([[Special:WhatLinksHere/Category:Levin, Lev Davydovich|links]])<br />
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| [[:Category:Stratford, Michael]] || ([[Special:WhatLinksHere/Category:Stratford, Michael|links]])<br />
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| [[:Category:Twichell, Joseph]] || ([[Special:WhatLinksHere/Category:Twichell, Joseph|links]])<br />
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| [[:Category:Schmidt-Köthen, E.]] || ([[Special:WhatLinksHere/Category:Schmidt-Köthen, E.|links]])<br />
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| [[:Category:Davis, Charles E.]] || ([[Special:WhatLinksHere/Category:Davis, Charles E.|links]])<br />
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| [[:Category:Zaldivar, J.]] || ([[Special:WhatLinksHere/Category:Zaldivar, J.|links]])<br />
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| [[:Category:Leonardi, Nicolò]] || ([[Special:WhatLinksHere/Category:Leonardi, Nicolò|links]])<br />
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| [[:Category:Kartsev, Aleksandr Aleksejevič]] || ([[Special:WhatLinksHere/Category:Kartsev, Aleksandr Aleksejevič|links]])<br />
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| [[:Category:Markgraf von Brandenburg-Ansbach, Joachim Ernst]] || ([[Special:WhatLinksHere/Category:Markgraf von Brandenburg-Ansbach, Joachim Ernst|links]])<br />
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| [[:Category:Malloch, Nicholas]] || ([[Special:WhatLinksHere/Category:Malloch, Nicholas|links]])<br />
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| [[:Category:Maisonneuve, Thomas]] || ([[Special:WhatLinksHere/Category:Maisonneuve, Thomas|links]])<br />
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| [[:Category:Junch, Marie]] || ([[Special:WhatLinksHere/Category:Junch, Marie|links]])<br />
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| [[:Category:Matthews, Colin]] || ([[Special:WhatLinksHere/Category:Matthews, Colin|links]])<br />
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| [[:Category:Mosolov, Aleksandr Vasil'evich]] || ([[Special:WhatLinksHere/Category:Mosolov, Aleksandr Vasil'evich|links]])<br />
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| [[:Category:Hatton, John Warrington]] || ([[Special:WhatLinksHere/Category:Hatton, John Warrington|links]])<br />
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| [[:Category:Golden, John L.]] || ([[Special:WhatLinksHere/Category:Golden, John L.|links]])<br />
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| [[:Category:Takagi, Kazuo]] || ([[Special:WhatLinksHere/Category:Takagi, Kazuo|links]])<br />
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| [[:Category:Speth, Andreas]] || ([[Special:WhatLinksHere/Category:Speth, Andreas|links]])<br />
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| [[:Category:Bowden, Eric J.]] || ([[Special:WhatLinksHere/Category:Bowden, Eric J.|links]])<br />
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| [[:Category:Tchernichovsky, Shaul]] || ([[Special:WhatLinksHere/Category:Tchernichovsky, Shaul|links]])<br />
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| [[:Category:Monesi, Giovanni Pietro]] || ([[Special:WhatLinksHere/Category:Monesi, Giovanni Pietro|links]])<br />
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| [[:Category:Pozzi, Carlo]] || ([[Special:WhatLinksHere/Category:Pozzi, Carlo|links]])<br />
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| [[:Category:Strelitz, Georg von Meklenburg]] || ([[Special:WhatLinksHere/Category:Strelitz, Georg von Meklenburg|links]])<br />
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| [[:Category:Pagels, Louis]] || ([[Special:WhatLinksHere/Category:Pagels, Louis|links]])<br />
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| [[:Category:Katō, Mitsuo]] || ([[Special:WhatLinksHere/Category:Katō, Mitsuo|links]])<br />
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| [[:Category:Fuchs, Paul]] || ([[Special:WhatLinksHere/Category:Fuchs, Paul|links]])<br />
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| [[:Category:Laubreaux, Alin]] || ([[Special:WhatLinksHere/Category:Laubreaux, Alin|links]])<br />
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| [[:Category:Cuza, Alexandru Ioan]] || ([[Special:WhatLinksHere/Category:Cuza, Alexandru Ioan|links]])<br />
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| [[:Category:Trede, Hjalmar]] || ([[Special:WhatLinksHere/Category:Trede, Hjalmar|links]])<br />
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| [[:Category:Favara, Alberto]] || ([[Special:WhatLinksHere/Category:Favara, Alberto|links]])<br />
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| [[:Category:Pierce, T. L.]] || ([[Special:WhatLinksHere/Category:Pierce, T. L.|links]])<br />
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| [[:Category:Napolitano, Alfonso]] || ([[Special:WhatLinksHere/Category:Napolitano, Alfonso|links]])<br />
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| [[:Category:Bonnefoy, Gaston]] || ([[Special:WhatLinksHere/Category:Bonnefoy, Gaston|links]])<br />
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| [[:Category:Vacaresco, Hélène]] || ([[Special:WhatLinksHere/Category:Vacaresco, Hélène|links]])<br />
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| [[:Category:Ritter, Margaret]] || ([[Special:WhatLinksHere/Category:Ritter, Margaret|links]])<br />
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| [[:Category:Thomas, Charles Edward]] || ([[Special:WhatLinksHere/Category:Thomas, Charles Edward|links]])<br />
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| [[:Category:Abrahamowicz, Adolf]] || ([[Special:WhatLinksHere/Category:Abrahamowicz, Adolf|links]])<br />
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| [[:Category:Clay, Mel]] || ([[Special:WhatLinksHere/Category:Clay, Mel|links]])<br />
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| [[:Category:Weston, Justus P.]] || ([[Special:WhatLinksHere/Category:Weston, Justus P.|links]])<br />
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| [[:Category:Croxton, Frank]] || ([[Special:WhatLinksHere/Category:Croxton, Frank|links]])<br />
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| [[:Category:Jung, Frieda]] || ([[Special:WhatLinksHere/Category:Jung, Frieda|links]])<br />
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| [[:Category:Suffern, J. M.]] || ([[Special:WhatLinksHere/Category:Suffern, J. M.|links]])<br />
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| [[:Category:Martin, J.]] || ([[Special:WhatLinksHere/Category:Martin, J.|links]])<br />
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| [[:Category:Glase, Agnes E.]] || ([[Special:WhatLinksHere/Category:Glase, Agnes E.|links]])<br />
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| [[:Category:Langton, Stephen]] || ([[Special:WhatLinksHere/Category:Langton, Stephen|links]])<br />
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| [[:Category:Freidheim, Arthur]] || ([[Special:WhatLinksHere/Category:Freidheim, Arthur|links]])<br />
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| [[:Category:Mojej, Żonie]] || ([[Special:WhatLinksHere/Category:Mojej, Żonie|links]])<br />
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| [[:Category:Hammond, Charles F.]] || ([[Special:WhatLinksHere/Category:Hammond, Charles F.|links]])<br />
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| [[:Category:Hoppe, Karl]] || ([[Special:WhatLinksHere/Category:Hoppe, Karl|links]])<br />
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| [[:Category:Miltenberger, Fanny]] || ([[Special:WhatLinksHere/Category:Miltenberger, Fanny|links]])<br />
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| [[:Category:Czumikow, Wladimir]] || ([[Special:WhatLinksHere/Category:Czumikow, Wladimir|links]])<br />
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| [[:Category:Mittermayr, Andreas]] || ([[Special:WhatLinksHere/Category:Mittermayr, Andreas|links]])<br />
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| [[:Category:Porter, Anna Maria]] || ([[Special:WhatLinksHere/Category:Porter, Anna Maria|links]])<br />
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| [[:Category:Uhlmann, Johanna]] || ([[Special:WhatLinksHere/Category:Uhlmann, Johanna|links]])<br />
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| [[:Category:Chrunyk, Ray]] || ([[Special:WhatLinksHere/Category:Chrunyk, Ray|links]])<br />
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| [[:Category:Bykov, V.]] || ([[Special:WhatLinksHere/Category:Bykov, V.|links]])<br />
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| [[:Category:McSpoon, James]] || ([[Special:WhatLinksHere/Category:McSpoon, James|links]])<br />
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| [[:Category:Reid, J. D.]] || ([[Special:WhatLinksHere/Category:Reid, J. D.|links]])<br />
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| [[:Category:Hanson-Dyer, Louise]] || ([[Special:WhatLinksHere/Category:Hanson-Dyer, Louise|links]])<br />
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| [[:Category:Goff, Scott]] || ([[Special:WhatLinksHere/Category:Goff, Scott|links]])<br />
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| [[:Category:Kalinensky, H.]] || ([[Special:WhatLinksHere/Category:Kalinensky, H.|links]])<br />
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| [[:Category:Cothran, George W.]] || ([[Special:WhatLinksHere/Category:Cothran, George W.|links]])<br />
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| [[:Category:Saxe, Maurice, comte de]] || ([[Special:WhatLinksHere/Category:Saxe, Maurice, comte de|links]])<br />
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| [[:Category:Burnet, Alfred]] || ([[Special:WhatLinksHere/Category:Burnet, Alfred|links]])<br />
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| [[:Category:Koch, Samuel]] || ([[Special:WhatLinksHere/Category:Koch, Samuel|links]])<br />
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| [[:Category:Barnes, Ethel]] || ([[Special:WhatLinksHere/Category:Barnes, Ethel|links]])<br />
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| [[:Category:Flamm, Christoph]] || ([[Special:WhatLinksHere/Category:Flamm, Christoph|links]])<br />
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| [[:Category:Hartwig, Dora]] || ([[Special:WhatLinksHere/Category:Hartwig, Dora|links]])<br />
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| [[:Category:Falk, Henri]] || ([[Special:WhatLinksHere/Category:Falk, Henri|links]])<br />
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| [[:Category:Czaki, Jadwiga]] || ([[Special:WhatLinksHere/Category:Czaki, Jadwiga|links]])<br />
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| [[:Category:Alfonsi, Théodore]] || ([[Special:WhatLinksHere/Category:Alfonsi, Théodore|links]])<br />
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| [[:Category:Schliebner, August Karl Friedrich Gotthold]] || ([[Special:WhatLinksHere/Category:Schliebner, August Karl Friedrich Gotthold|links]])<br />
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| [[:Category:Kirk, Eleanor]] || ([[Special:WhatLinksHere/Category:Kirk, Eleanor|links]])<br />
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| [[:Category:Reutter, Hermann]] || ([[Special:WhatLinksHere/Category:Reutter, Hermann|links]])<br />
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| [[:Category:Shuronskago, P. A.]] || ([[Special:WhatLinksHere/Category:Shuronskago, P. A.|links]])<br />
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| [[:Category:Gardavsky, Cenek]] || ([[Special:WhatLinksHere/Category:Gardavsky, Cenek|links]])<br />
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| [[:Category:Starmer, William Wooding]] || ([[Special:WhatLinksHere/Category:Starmer, William Wooding|links]])<br />
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| [[:Category:Yoda, Jinjirō]] || ([[Special:WhatLinksHere/Category:Yoda, Jinjirō|links]])<br />
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| [[:Category:Mullane, J.F.]] || ([[Special:WhatLinksHere/Category:Mullane, J.F.|links]])<br />
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| [[:Category:Strom, Kira]] || ([[Special:WhatLinksHere/Category:Strom, Kira|links]])<br />
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| [[:Category:Tozzi, Federigo]] || ([[Special:WhatLinksHere/Category:Tozzi, Federigo|links]])<br />
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| [[:Category:Gamba, Cesare]] || ([[Special:WhatLinksHere/Category:Gamba, Cesare|links]])<br />
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| [[:Category:Hars, Bernice]] || ([[Special:WhatLinksHere/Category:Hars, Bernice|links]])<br />
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| [[:Category:Kasprzycki, Aleksandre]] || ([[Special:WhatLinksHere/Category:Kasprzycki, Aleksandre|links]])<br />
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| [[:Category:Luna, Frank]] || ([[Special:WhatLinksHere/Category:Luna, Frank|links]])<br />
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| [[:Category:Sobolew, Pauline de]] || ([[Special:WhatLinksHere/Category:Sobolew, Pauline de|links]])<br />
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| [[:Category:Catillon, Léonce de]] || ([[Special:WhatLinksHere/Category:Catillon, Léonce de|links]])<br />
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| [[:Category:Tanner, Karl Rudolf]] || ([[Special:WhatLinksHere/Category:Tanner, Karl Rudolf|links]])<br />
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| [[:Category:Graf, Anton]] || ([[Special:WhatLinksHere/Category:Graf, Anton|links]])<br />
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| [[:Category:Herbert, Victor August]] || ([[Special:WhatLinksHere/Category:Herbert, Victor August|links]])<br />
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| [[:Category:Mortier, Jane]] || ([[Special:WhatLinksHere/Category:Mortier, Jane|links]])<br />
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| [[:Category:Mitsukuri, Shūkichi]] || ([[Special:WhatLinksHere/Category:Mitsukuri, Shūkichi|links]])<br />
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| [[:Category:Shonin, Rennyo]] || ([[Special:WhatLinksHere/Category:Shonin, Rennyo|links]])<br />
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| [[:Category:Jailly, Pierre]] || ([[Special:WhatLinksHere/Category:Jailly, Pierre|links]])<br />
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| [[:Category:Wayt, Baldwin]] || ([[Special:WhatLinksHere/Category:Wayt, Baldwin|links]])<br />
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| [[:Category:Grevillius, Johan August]] || ([[Special:WhatLinksHere/Category:Grevillius, Johan August|links]])<br />
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| [[:Category:Krasicki, Ignacy]] || ([[Special:WhatLinksHere/Category:Krasicki, Ignacy|links]])<br />
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| [[:Category:Dilly, Joseph J.]] || ([[Special:WhatLinksHere/Category:Dilly, Joseph J.|links]])<br />
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| [[:Category:Sánchez de Fuentes, Fernando]] || ([[Special:WhatLinksHere/Category:Sánchez de Fuentes, Fernando|links]])<br />
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| [[:Category:Giles, Laurie]] || ([[Special:WhatLinksHere/Category:Giles, Laurie|links]])<br />
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| [[:Category:Davies, John]] || ([[Special:WhatLinksHere/Category:Davies, John|links]])<br />
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| [[:Category:Cabanis, George Paul Sylvester]] || ([[Special:WhatLinksHere/Category:Cabanis, George Paul Sylvester|links]])<br />
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| [[:Category:(Pieter, Pierre]] || ([[Special:WhatLinksHere/Category:(Pieter, Pierre|links]])<br />
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| [[:Category:Čelakovský, František Ladislav]] || ([[Special:WhatLinksHere/Category:Čelakovský, František Ladislav|links]])<br />
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| [[:Category:Moore, Alice Ruth]] || ([[Special:WhatLinksHere/Category:Moore, Alice Ruth|links]])<br />
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| [[:Category:Díaz, Ana Isabel Blanco]] || ([[Special:WhatLinksHere/Category:Díaz, Ana Isabel Blanco|links]])<br />
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| [[:Category:Vaillant, Pierre]] || ([[Special:WhatLinksHere/Category:Vaillant, Pierre|links]])<br />
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| [[:Category:Karbus, Jutta]] || ([[Special:WhatLinksHere/Category:Karbus, Jutta|links]])<br />
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| [[:Category:Remesiana, Nicetas de]] || ([[Special:WhatLinksHere/Category:Remesiana, Nicetas de|links]])<br />
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| [[:Category:Ahsbahs, Mathilde]] || ([[Special:WhatLinksHere/Category:Ahsbahs, Mathilde|links]])<br />
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| [[:Category:Zádor, Eugen]] || ([[Special:WhatLinksHere/Category:Zádor, Eugen|links]])<br />
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| [[:Category:Munholland, Josephine]] || ([[Special:WhatLinksHere/Category:Munholland, Josephine|links]])<br />
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| [[:Category:Enke, Erich]] || ([[Special:WhatLinksHere/Category:Enke, Erich|links]])<br />
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| [[:Category:Kochetkov, Aleksandr]] || ([[Special:WhatLinksHere/Category:Kochetkov, Aleksandr|links]])<br />
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| [[:Category:Marutti, Luca]] || ([[Special:WhatLinksHere/Category:Marutti, Luca|links]])<br />
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| [[:Category:Wittmann, Gustave-Xavier]] || ([[Special:WhatLinksHere/Category:Wittmann, Gustave-Xavier|links]])<br />
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| [[:Category:Jungwirth, Josef]] || ([[Special:WhatLinksHere/Category:Jungwirth, Josef|links]])<br />
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| [[:Category:Brunhoff, Jean de]] || ([[Special:WhatLinksHere/Category:Brunhoff, Jean de|links]])<br />
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| [[:Category:Rovnett, J. D.]] || ([[Special:WhatLinksHere/Category:Rovnett, J. D.|links]])<br />
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| [[:Category:Salvator(e,]] || ([[Special:WhatLinksHere/Category:Salvator(e,|links]])<br />
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| [[:Category:Romanelli, Gianfrancesco]] || ([[Special:WhatLinksHere/Category:Romanelli, Gianfrancesco|links]])<br />
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| [[:Category:Mihály, András]] || ([[Special:WhatLinksHere/Category:Mihály, András|links]])<br />
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| [[:Category:Ferdinand I, Emperor of Austria]] || ([[Special:WhatLinksHere/Category:Ferdinand I, Emperor of Austria|links]])<br />
|}</div>
P.davydov
//imslp.org/wiki/List_of_works_by_Pyotr_Tchaikovsky
List of works by Pyotr Tchaikovsky
2023-12-27T15:58:41Z
<p>P.davydov: </p>
<hr />
<div>{{worklist|Tchaikovsky, Pyotr}}<br />
[[Image:Tschaikowsky_sign.JPG|180px|right]]<br />
__NOTOC__<br />
===Original Works===<br />
The table below gives the following informaton for works by [[:Category:Tchaikovsky, Pyotr|Pyotr Tchaikovsky]] (where applicable):<br />
* '''TH.''' — numbering as given in A. Poznansky & B. Langston, ''The Tchaikovsky Handbook'', vol.1. Indiana University Press, 2002. ISBN 0253339219<br />
* '''Op.''' — opus numbers<br />
* '''Title''' — as used on IMSLP; these are usually translated into English, followed by Russian (Cyrillic), but some are given in French and Italian where there are widely used in preference to their English equivalents (e.g. ''Souvenir de Florence'')<br />
* '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])<br />
* '''Key''' — the principal key of the work<br />
* '''Date''' — the year(s) of composition or arrangement, where known<br />
* '''Genre''' — works are grouped in the following broad categories: Stage, Vocal, Orchestral, Chamber, Keyboard and Writings<br />
* '''Notes''' — including references to related works<br />
<br />
{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA"<br />
|-<br />
! width="5%"|TH<br />
! width="5%"|Opus <br />
! width="30%"|Title<br />
! width="10%"|Forces <br />
! width="6%"|Key <br />
! width="6%"|Date <br />
! width="6%"|Genre <br />
! width="30%|Notes <br />
|-<br />
| {{hs|00}}1 <br />
| {{hs|0}}3 <br />
| '''[[The Voyevoda (opera), Op.3 (Tchaikovsky, Pyotr)|The Voyevoda]]''' (Воевода)<br />
| vv ch orch <br />
| <br />
| 1867–68 <br />
| Stage <br />
| opera in 3 acts and 4 scene; destroyed by Tchaikovsky but reconstructed posthumously from surviving parts; vocal score arr. by Tchaikovsky; selections arr. for pf as TH 128 <br />
|-<br />
| {{hs|00}}1 <br />
| —<br />
| <ul>''Entr&#39;acte and Dances of the Chambermaids'' (Антракт и пляска сенных девушек)</ul><br />
| pf<br />
| <br />
| 1867<br />
| Keyboard<br />
| arr. from Act II No.4 of TH 1; based on TH 37<br />
|-<br />
| {{hs|00}}1 <br />
| —<br />
| <ul>''Entr&#39;acte and Dances of the Chambermaids'' (Антракт и пляска сенных девушек)</ul><br />
| pf4h<br />
| <br />
| 1868<br />
| Keyboard<br />
| arr. from Act II No.4 of TH 1; based on TH 37<br />
|-<br />
| {{hs|00}}2 <br />
| — <br />
| '''[[Undina (Tchaikovsky, Pyotr)|Undina]]''' (Ундина)<br />
| vv ch orch <br />
| <br />
| 1869 <br />
| Stage <br />
| opera in 3 acts; mostly destroyed by Tchaikovsky, except for three fragments; vocal score arr. by Tchaikovsky <br />
|-<br />
| {{hs|00}}3 <br />
| — <br />
| '''[[The Oprichnik (Tchaikovsky, Pyotr)|The Oprichnik]]''' (Опричник)<br />
| vv ch orch <br />
| <br />
| 1870–72, rev.1874–78 <br />
| Stage <br />
| opera in 4 acts and 5 scenes; vocal score arr. by Tchaikovsky; themes re-used in TH 137 <br />
|-<br />
| {{hs|00}}4 <br />
| 14 <br />
| '''[[Vakula the Smith, Op.14 (Tchaikovsky, Pyotr)|Vakula the Smith]]''' (Кузнец Вакула)<br />
| vv ch orch <br />
| <br />
| 1874 <br />
| Stage <br />
| comic opera in 3 acts and 8 scenes; 1st version of TH 8; vocal score arr. by Tchaikovsky, including pf4h arrs. of . Overture, Russian Dance (Act III, No.16) and Cossack Dance (Act III, No.17) <br />
|-<br />
| {{hs|00}}5 <br />
| 24 <br />
| '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Eugene Onegin]]''' (Yevgeny Onegin) (Евгений Онегин)<br />
| vv ch orch <br />
| <br />
| 1877–78, rev.1880, 1885 <br />
| Stage <br />
| lyrical scenes in 3 acts and 7 tableaux; vocal score arr. by Tchaikovsky.<br />
|-<br />
| {{hs|00}}6 <br />
| — <br />
| '''[[The Maid of Orleans (Tchaikovsky, Pyotr)|The Maid of Orleans]]''' (Орлеанская дева)<br />
| vv ch orch <br />
| <br />
| 1878–79, rev.1880, 1882 <br />
| Stage <br />
| opera in 4 acts and 6 scenes; vocal score arr. by Tchaikovsky with {{LinkName|Yosif|Kotek}}, Yury Messer and {{LinkName|Sergey|Taneyev}}. <br />
|-<br />
| {{hs|00}}7 <br />
| — <br />
| '''[[Mazeppa (Tchaikovsky, Pyotr)|Mazeppa]]''' (Мазепа)<br />
| vv ch orch <br />
| <br />
| 1881–83, rev.1883–85 <br />
| Stage <br />
| opera in 3 acts and 6 scenes; vocal score arr. by Tchaikovsky. <br />
|-<br />
| {{hs|00}}8 <br />
| — <br />
| '''[[Cherevichki (Tchaikovsky, Pyotr)|Cherevichki]]''' (Черевички)<br />
| vv ch orch <br />
| <br />
| 1885 <br />
| Stage <br />
| comic-fantastic opera in 4 acts and 8 scenes; 2nd version of TH 4; vocal score arr. by Tchaikovsky with {{LinkName|Aleksandra|Hubert}}. <br />
|-<br />
| {{hs|00}}9 <br />
| — <br />
| '''[[The Enchantress (Tchaikovsky, Pyotr)|The Enchantress]]''' (Чародейка)<br />
| vv ch orch <br />
| <br />
| 1885–87 <br />
| Stage <br />
| opera in 4 acts; vocal score arr. by Tchaikovsky. <br />
|-<br />
| {{hs|0}}10 <br />
| 68 <br />
| '''[[The Queen of Spades, Op.68 (Tchaikovsky, Pyotr)|The Queen of Spades]]''' (Пиковая дама)<br />
| vv ch orch <br />
| <br />
| 1890 <br />
| Stage <br />
| opera in 3 acts and 7 scenes; vocal score arr. by Tchaikovsky. <br />
|-<br />
| {{hs|0}}11 <br />
| 69 <br />
| '''[[Iolanta, Op.69 (Tchaikovsky, Pyotr)|Iolanta]]''' (Иоланта)<br />
| vv ch orch <br />
| <br />
| 1891 <br />
| Stage <br />
| lyrical opera in 1 act. <br />
|-<br />
| {{hs|0}}12 <br />
| 20 <br />
| '''[[Swan Lake (ballet), Op.20 (Tchaikovsky, Pyotr)|Swan Lake]]''' (Лебединое озеро)<br />
| orch <br />
| <br />
| 1875–77 <br />
| Stage <br />
| grand ballet in 4 acts; rev. posthumously (1895) by {{LinkName|Riccardo|Drigo}}; extracts used in TH 219 <br />
|-<br />
| {{hs|0}}13 <br />
| 66 <br />
| '''[[The Sleeping Beauty (ballet), Op.66 (Tchaikovsky, Pyotr)|The Sleeping Beauty]]''' (Спящая красавица)<br />
| orch <br />
| <br />
| 1888–89 <br />
| Stage <br />
| ballet in a 3 acts and 4 scenes with prologue; extracts used in TH 234<br />
|-<br />
| {{hs|0}}14 <br />
| 71 <br />
| '''[[The Nutcracker (ballet), Op.71 (Tchaikovsky, Pyotr)|The Nutcracker]]''' (Щелкунчик)<br />
| cch orch <br />
| <br />
| 1891–92 <br />
| Stage <br />
| fairy ballet in 2 acts and 3 scenes; extracts used in TH 35 <br />
|-<br />
| {{hs|0}}14 <br />
| 71 <br />
| '''[[The Nutcracker (ballet), Op.71 (Tchaikovsky, Pyotr)|The Nutcracker]]''' (Щелкунчик)<br />
| pf<br />
| <br />
| 1892<br />
| Keyboard<br />
| {{LinkName|Sergey|Taneyev}}&#39;s arr. for solo piano, simplified by Tchaikovsky<br />
|-<br />
| {{hs|0}}15 <br />
| — <br />
| '''Boris Godunov''' (Борис Годунов)<br />
| orch <br />
| <br />
| 1863–65? <br />
| Stage <br />
| music for the &quot;Fountain Scene&quot; in {{LinkName|Aleksandr|Pushkin}}&#39;s tragedy; lost. <br />
|-<br />
| {{hs|0}}16 <br />
| — <br />
| '''[[Dmitry the Pretender and Vasily Shuysky (Tchaikovsky, Pyotr)|Dmitry the Pretender and Vasily Shuysky]]''' (Дмитрий Самозванец и Василий Шуйский)<br />
| orch <br />
| <br />
| 1866–67 <br />
| Stage <br />
| 2 pieces for {{LinkName|Aleksandr|Ostrovsky}}&#39;s play. <br />
|-<br />
| {{hs|0}}16/1 <br />
| — <br />
| <ul>''Introduction to Act I''</ul><br />
| orch<br />
| <br />
| 1866–67 <br />
| Stage <br />
| based on TH 121<br />
|-<br />
| {{hs|0}}16/2 <br />
| — <br />
| <ul>''Mazurka''</ul><br />
| orch<br />
| <br />
| 1866–67 <br />
| Stage <br />
| rev. as TH 131/3; also arr. for pf<br />
|-<br />
| {{hs|0}}16/2 <br />
| — <br />
| <ul>''Mazurka''</ul><br />
| pf<br />
| <br />
| 1867<br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}17 <br />
| — <br />
| '''The Tangle''' (Путаница)<br />
| <br />
| <br />
| 1867 <br />
| Stage <br />
| recitatives and music to a couplet for Pavel Fyodorov&#39;s vaudeville; lost.<br />
|-<br />
| {{hs|0}}18 <br />
| — <br />
| '''[[The Barber of Seville (Tchaikovsky, Pyotr)|The Barber of Seville]]''' (Севильский циргюльник)<br />
| ten 2vn <br />
| <br />
| 1872 <br />
| Stage <br />
| music for Count Almaviva&#39;s couplets in {{LinkName|Pierre Augustin Caron de|Beaumarchais}}&#39; comedy. <br />
|-<br />
| {{hs|0}}19 <br />
| 12 <br />
| '''[[The Snow Maiden, Op.12 (Tchaikovsky, Pyotr)|The Snow Maiden]]''' (Снегурочка)<br />
| mez 2ten ch orch <br />
| <br />
| 1873 <br />
| Stage <br />
| incidental music to {{LinkName|Aleksandr|Ostrovsky}}&#39;s spring legend; vocal score arr. by Tchaikovsky. <br />
|-<br />
| {{hs|0}}20 <br />
| — <br />
| '''The Fairy''' (Фея)<br />
| <br />
| <br />
| 1879 <br />
| Stage <br />
| cradle song and waltz for Octave Feuillet&#39;s comedy; theme only survives.<br />
|-<br />
| {{hs|0}}21 <br />
| — <br />
| '''Montenegro''' (Черногория)<br />
| orch <br />
| <br />
| 1880 <br />
| Stage <br />
| incidental music for a tableau vivant; lost. <br />
|-<br />
| {{hs|0}}22 <br />
| — <br />
| '''[[The Voyevoda (melodrama) (Tchaikovsky, Pyotr)|The Voyevoda]]''' (Воевода)<br />
| orch <br />
| <br />
| 1886 <br />
| Stage <br />
| melodrama for the Domovoy&#39;s monologue in {{LinkName|Aleksandr|Ostrovsky}}&#39;s play. <br />
|-<br />
| {{hs|0}}23 <br />
| 67a <br />
| '''[[Hamlet (incidental music), Op.67a (Tchaikovsky, Pyotr)|Hamlet]]''' (Гамлет)<br />
| sop bar orch <br />
| <br />
| 1891 <br />
| Stage <br />
| incidental music to {{LinkName|William|Shakespeare}}&#39;s tragedy; overture is abridged version of TH 53<br />
|-<br />
| {{hs|0}}24 <br />
| 13 <br />
| '''[[Symphony No.1, Op.13 (Tchaikovsky, Pyotr)|Symphony No.1]]''' («Зимние грезы») (&quot;Winter Daydreams&quot;)<br />
| orch <br />
| G minor <br />
| 1866–68, rev. 1874 <br />
| Orchestral <br />
| <br />
|-<br />
| {{hs|0}}25 <br />
| 17 <br />
| '''[[Symphony No.2, Op.17 (Tchaikovsky, Pyotr)|Symphony No.2]]''' («Малороссийская») (&quot;Little Russian&quot;)<br />
| orch <br />
| C minor <br />
| 1872, rev. 1879–80 <br />
| Orchestral<br />
| also arr. for pf4h<br />
|-<br />
| {{hs|0}}25 <br />
| 17 <br />
| '''[[Symphony No.2, Op.17 (Tchaikovsky, Pyotr)|Symphony No.2]]''' («Малороссийская») (&quot;Little Russian&quot;)<br />
| pf4h <br />
| C minor <br />
| 1873, rev. 1880<br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}26 <br />
| 29 <br />
| '''[[Symphony No.3, Op.29 (Tchaikovsky, Pyotr)|Symphony No.3]]''' («Польский») (&quot;Polish&quot;)<br />
| orch <br />
| D major <br />
| 1875 <br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}27 <br />
| 36 <br />
| '''[[Symphony No.4, Op.36 (Tchaikovsky, Pyotr)|Symphony No.4]]'''<br />
| orch <br />
| F minor <br />
| 1877 <br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}28 <br />
| 58 <br />
| '''[[Manfred Symphony, Op.58 (Tchaikovsky, Pyotr)|Manfred]]''' (Манфред)<br />
| orch <br />
| B minor <br />
| 1885 <br />
| Orchestral<br />
| symphony in 4 scenes based on the dramatic poem by {{LinkName|George Gordon|Byron}}; also arr. for pf4h<br />
|-<br />
| {{hs|0}}28 <br />
| 58 <br />
| '''[[Manfred Symphony, Op.58 (Tchaikovsky, Pyotr)|Manfred]]''' (Манфред)<br />
| pf4h<br />
| B minor <br />
| 1885 <br />
| Keyboard<br />
| arr. of version for orch by Tchaikovsky and {{LinkName|Aleksandra|Hubert}}.<br />
|-<br />
| {{hs|0}}29 <br />
| 64 <br />
| '''[[Symphony No.5, Op.64 (Tchaikovsky, Pyotr)|Symphony No.5]]''' <br />
| orch <br />
| E minor <br />
| 1888 <br />
| Orchestral <br />
| <br />
|-<br />
| {{hs|0}}30 <br />
| 74 <br />
| '''[[Symphony No.6, Op.74 (Tchaikovsky, Pyotr)|Symphony No.6]]''' («Патетическая») (&quot;Pathétique&quot;)<br />
| orch <br />
| B minor <br />
| 1893 <br />
| Orchestral<br />
| also arr. for pf4h<br />
|-<br />
| {{hs|0}}30 <br />
| 74 <br />
| '''[[Symphony No.6, Op.74 (Tchaikovsky, Pyotr)|Symphony No.6]]''' («Патетическая») (&quot;Pathétique&quot;)<br />
| pf4h <br />
| B minor <br />
| 1893 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}31 <br />
| 43 <br />
| '''[[Suite No.1, Op.43 (Tchaikovsky, Pyotr)|Suite No.1]]'''<br />
| orch <br />
| D minor <br />
| 1878–79 <br />
| Orchestral<br />
| also arr. for pf4h<br />
|-<br />
| {{hs|0}}31 <br />
| 43 <br />
| '''[[Suite No.1, Op.43 (Tchaikovsky, Pyotr)|Suite No.1]]'''<br />
| pf4h <br />
| D minor <br />
| 1878–79 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}32 <br />
| 53 <br />
| '''[[Suite No.2, Op.53 (Tchaikovsky, Pyotr)|Suite No.2]]''' (&quot;Suite caractéristique&quot;)<br />
| orch <br />
| C major <br />
| 1883 <br />
| Orchestral<br />
| also arr. for pf4h<br />
|-<br />
| {{hs|0}}32 <br />
| 53 <br />
| '''[[Suite No.2, Op.53 (Tchaikovsky, Pyotr)|Suite No.2]]''' (&quot;Suite caractéristique&quot;)<br />
| pf4h <br />
| C major <br />
| 1883 <br />
| Keyboard<br />
| arr. of version for orch by Tchaikovsky and {{LinkName|Aleksandra|Hubert}}.<br />
|-<br />
| {{hs|0}}33 <br />
| 55 <br />
| '''[[Suite No.3, Op.55 (Tchaikovsky, Pyotr)|Suite No.3]]'''<br />
| orch <br />
| G major <br />
| 1884 <br />
| Orchestral<br />
| also arr. for pf4h <br />
|-<br />
| {{hs|0}}33 <br />
| 55 <br />
| '''[[Suite No.3, Op.55 (Tchaikovsky, Pyotr)|Suite No.3]]'''<br />
| pf4h <br />
| G major <br />
| 1884 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}34 <br />
| 61 <br />
| '''[[Suite No.4, Op.61 (Tchaikovsky, Pyotr)|Suite No.4]]''' (&quot;Mozartiana&quot;)<br />
| orch <br />
| G major <br />
| 1887 <br />
| Orchestral <br />
| arrs. of 4 pieces by {{LinkName|Wolfgang Amadeus|Mozart}} <br />
|-<br />
| {{hs|0}}35 <br />
| 71a <br />
| '''[[The Nutcracker (suite), Op.71a (Tchaikovsky, Pyotr)|The Nutcracker]]''' (Щелкунчик)<br />
| orch <br />
| <br />
| 1892 <br />
| Orchestral<br />
| concert suite from TH 14 <br />
|-<br />
| {{hs|0}}36 <br />
| 76 <br />
| '''[[The Storm, Op.76 (Tchaikovsky, Pyotr)|The Storm]]''' (Гроза)<br />
| orch <br />
| E minor <br />
| 1864 <br />
| Orchestral<br />
| overture to {{LinkName|Aleksandr|Ostrovsky}}&#39;s drama. <br />
|-<br />
| {{hs|0}}37 <br />
| — <br />
| '''Characteristic Dances''' (Характерные танцы)<br />
| orch <br />
| <br />
| 1865? <br />
| Orchestral<br />
| lost; rev. as ''Entr&#39;acte and Dances of the Chambermaids'' (Act II, No.4) in TH 1 <br />
|-<br />
| {{hs|0}}38 <br />
| — <br />
| '''[[Overture in C minor (Tchaikovsky, Pyotr)|Overture]]'''<br />
| orch <br />
| C minor <br />
| 1865–66 <br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}39 <br />
| — <br />
| '''[[Overture in F major (Tchaikovsky, Pyotr)|Overture]]'''<br />
| orch <br />
| F major <br />
| 1865, rev. 1866 <br />
| Overtures <br />
| <br />
|-<br />
| {{hs|0}}40 <br />
| 15 <br />
| '''[[Festival Overture on the Danish National Anthem, Op.15 (Tchaikovsky, Pyotr)|Festival Overture on the Danish National Anthem]]''' (Торжественная увертюра на Датский гимн)<br />
| orch <br />
| D major <br />
| 1866, rev.1892 <br />
| Orchestral <br />
| also arr. for pf4h<br />
|-<br />
| {{hs|0}}40 <br />
| 15 <br />
| '''[[Festival Overture on the Danish National Anthem, Op.15 (Tchaikovsky, Pyotr)|Festival Overture on the Danish National Anthem]]''' (Торжественная увертюра на Датский гимн)<br />
| pf4h<br />
| D major <br />
| 1867<br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}41 <br />
| 77 <br />
| '''[[Fatum, Op.77 (Tchaikovsky, Pyotr)|Fatum]]''' (Фатум)<br />
| orch <br />
| C minor <br />
| 1868 <br />
| Orchestral<br />
| symphonic fantasia; score destroyed by Tchaikovsky but reconstructed posthumously.<br />
|-<br />
| {{hs|0}}42 <br />
| — <br />
| '''[[Romeo and Juliet (overture-fantasia) (Tchaikovsky, Pyotr)|Romeo and Juliet]]''' (Ромео и Джульетта)<br />
| orch <br />
| B minor <br />
| 1869, rev. 1870, 1880 <br />
| Orchestral<br />
| overture-fantasia (originally &quot;overture&quot;) to {{LinkName|William|Shakespeare}}&#39;s tragedy; themes used in TH 215<br />
|-<br />
| {{hs|0}}43 <br />
| — <br />
| '''[[Serenade for Nikolay Rubinstein&#39;s Name-Day (Tchaikovsky, Pyotr)|Serenade for Nikolay Rubinstein&#39;s Name-Day]]'''<br />
| orch <br />
| A major <br />
| 1872 <br />
| Orchestral<br />
| <br />
|-<br />
| {{hs|0}}44 <br />
| 18 <br />
| '''[[The Tempest, Op.18 (Tchaikovsky, Pyotr)|The Tempest]]''' (Буря)<br />
| orch <br />
| F minor <br />
| 1873 <br />
| Orchestral<br />
| fantasia after {{LinkName|William|Shakespeare}}&#39;s drama. <br />
|-<br />
| {{hs|0}}45 <br />
| 31 <br />
| '''[[Slavonic March, Op.31 (Tchaikovsky, Pyotr)|Slavonic March]]''' (Славянский марш)<br />
| orch <br />
| B{{flat}} minor <br />
| 1876 <br />
| Orchestral <br />
| also arr. for pf<br />
|-<br />
| {{hs|0}}45 <br />
| 31 <br />
| '''[[Slavonic March, Op.31 (Tchaikovsky, Pyotr)|Slavonic March]]''' (Славянский марш)<br />
| pf <br />
| B{{flat}} minor <br />
| 1876 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}46 <br />
| 32 <br />
| '''[[Francesca da Rimini, Op.32 (Tchaikovsky, Pyotr)|Francesca da Rimini]]''' (Франческа да Римини)<br />
| orch <br />
| E minor <br />
| 1876 <br />
| Orchestral<br />
| fantasia after Canto V of the ''Inferno'' from the ''Divine Comedy'' by {{LinkName|Dante Alighieri}} <br />
|-<br />
| {{hs|0}}47 <br />
| 45 <br />
| '''[[Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)|Italian Capriccio]]''' (Итальяанское каприччио)<br />
| orch <br />
| A major <br />
| 1880 <br />
| Orchestral<br />
| based on themes from folk songs; also arr. for pf4h <br />
|-<br />
| {{hs|0}}47 <br />
| 45 <br />
| '''[[Italian Capriccio, Op.45 (Tchaikovsky, Pyotr)|Italian Capriccio]]''' (Итальяанское каприччио)<br />
| pf4h<br />
| A major <br />
| 1880 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}48 <br />
| 48 <br />
| '''[[Serenade for String Orchestra, Op.48 (Tchaikovsky, Pyotr)|Serenade for String Orchestra]]'''<br />
| str <br />
| C major <br />
| 1880 <br />
| Orchestral<br />
| also arr. for pf4h<br />
|-<br />
| {{hs|0}}48 <br />
| 48 <br />
| '''[[Serenade for String Orchestra, Op.48 (Tchaikovsky, Pyotr)|Serenade for String Orchestra]]'''<br />
| pf4h <br />
| C major <br />
| 1880 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}49 <br />
| 49 <br />
| '''[[1812 Overture, Op.49 (Tchaikovsky, Pyotr)|1812 Overture]]''' (The Year 1812) (1812 год) <br />
| orch <br />
| E{{flat}} major <br />
| 1880 <br />
| Orchestral<br />
| festival overture <br />
|-<br />
| {{hs|0}}50 <br />
| — <br />
| '''[[Coronation March (Tchaikovsky, Pyotr)|Coronation March]]''' (Коронационный марш)<br />
| orch <br />
| D major <br />
| 1883 <br />
| Orchestral <br />
| also known as Festival March (Торжественный марш); also arr. for pf<br />
|-<br />
| {{hs|0}}50 <br />
| — <br />
| '''[[Coronation March (Tchaikovsky, Pyotr)|Coronation March]]''' (Коронационный марш)<br />
| pf <br />
| D major <br />
| 1883 <br />
| Keyboard<br />
| arr. of version for orch<br />
|-<br />
| {{hs|0}}51 <br />
| — <br />
| '''[[Elegy for String Orchestra (Tchaikovsky, Pyotr)|Elegy for String Orchestra]]''' <br />
| str <br />
| G major <br />
| 1884 <br />
| Orchestral<br />
| originally titled &quot;A Grateful Greeting&quot; («Привет благодарности») in honour of Ivan Samarin<br />
|-<br />
| {{hs|0}}52 <br />
| — <br />
| '''[[Jurisprudence March (Tchaikovsky, Pyotr)|Jurisprudence March]]''' (Правоведский марш)<br />
| orch <br />
| D major <br />
| 1885 <br />
| Orchestral<br />
| also known as ''Jurists' March'' or ''Marche solonelle''<br />
|-<br />
| {{hs|0}}53 <br />
| 67 <br />
| '''[[Hamlet (overture-fantasia), Op.67 (Tchaikovsky, Pyotr)|Hamlet]]''' (Гамлет)<br />
| orch <br />
| F minor <br />
| 1888 <br />
| Orchestral<br />
| overture-fantasia after {{LinkName|William|Shakespeare}}&#39;s tragedy; abridged version used in the overture to TH 23<br />
|-<br />
| {{hs|0}}54 <br />
| 78 <br />
| '''[[The Voyevoda (symphonic ballad), Op.78 (Tchaikovsky, Pyotr)|The Voyevoda]]''' (Воевода)<br />
| orch <br />
| A major <br />
| 1890–91 <br />
| Orchestral<br />
| symphonic ballad, based on {{LinkName|Aleksandr|Pushkin}}&#39;s adaptation of a story by {{LinkName|Adam|Mickiewicz}}; score destroyed by Tchaikovsky, but reconstructed posthumously; partly arr. for pf in TH 148 <br />
|-<br />
| {{hs|0}}55 <br />
| 23 <br />
| '''[[Piano Concerto No.1, Op.23 (Tchaikovsky, Pyotr)|Piano Concerto No.1]]'''<br />
| pf orch <br />
| B{{flat}} minor <br />
| 1874–75, rev. 1879, 1890? <br />
| Orchestral <br />
| also arr. for 2pf<br />
|-<br />
| {{hs|0}}55 <br />
| 23 <br />
| '''[[Piano Concerto No.1, Op.23 (Tchaikovsky, Pyotr)|Piano Concerto No.1]]'''<br />
| 2pf<br />
| B{{flat}} minor <br />
| 1874–75, rev. 1879, 1890? <br />
| Keyboard<br />
| arr. of version for pf orch<br />
|-<br />
| {{hs|0}}56 <br />
| 26 <br />
| '''[[Sérénade mélancolique, Op.26 (Tchaikovsky, Pyotr)|Sérénade mélancolique]]'''<br />
| vn orch <br />
| B minor <br />
| 1875 <br />
| Orchestral<br />
| also arr. for vn pf<br />
|-<br />
| {{hs|0}}56 <br />
| 26 <br />
| '''[[Sérénade mélancolique, Op.26 (Tchaikovsky, Pyotr)|Sérénade mélancolique]]'''<br />
| vn pf<br />
| B minor <br />
| 1875 ?<br />
| Keyboard<br />
| arr. of version for vn orch<br />
|-<br />
| {{hs|0}}57 <br />
| 33 <br />
| '''[[Variations on a Rococo Theme, Op.33 (Tchaikovsky, Pyotr)|Variations on a Rococo Theme]]''' (Вариации на тему рококо)<br />
| vc orch <br />
| A major <br />
| 1876–77 <br />
| Orchestral<br />
| first published in a heavily edited version by {{LinkName|Wilhelm|Fitzenhagen}}; also arr. for vc pf <br />
|-<br />
| {{hs|0}}57 <br />
| 33 <br />
| '''[[Variations on a Rococo Theme, Op.33 (Tchaikovsky, Pyotr)|Variations on a Rococo Theme]]''' (Вариации на тему рококо)<br />
| vc pf <br />
| A major <br />
| 1877 <br />
| Keyboard<br />
| arr. of version for vc orch<br />
|-<br />
| {{hs|0}}58 <br />
| 34 <br />
| '''[[Valse-Scherzo, Op.34 (Tchaikovsky, Pyotr)|Valse-Scherzo]]''' (Вальс-скерцо)<br />
| vn orch <br />
| C major <br />
| 1877 <br />
| Orchestral <br />
| partly orchestrated by {{LinkName|Yosif|Kotek}}(?); also arr. for vn pf<br />
|-<br />
| {{hs|0}}58 <br />
| 34 <br />
| '''[[Valse-Scherzo, Op.34 (Tchaikovsky, Pyotr)|Valse-Scherzo]]''' (Вальс-скерцо)<br />
| vn pf <br />
| C major <br />
| 1877 <br />
| Keyboard<br />
| arr. of version for vn orch<br />
|-<br />
| {{hs|0}}59 <br />
| 35 <br />
| '''[[Violin Concerto, Op.35 (Tchaikovsky, Pyotr)|Violin Concerto]]'''<br />
| vn orch <br />
| D major <br />
| 1878 <br />
| Orchestral<br />
| also arr. for vn pf (1878) <br />
|-<br />
| {{hs|0}}59 <br />
| 35 <br />
| '''[[Violin Concerto, Op.35 (Tchaikovsky, Pyotr)|Violin Concerto]]'''<br />
| vn pf <br />
| D major <br />
| 1878 <br />
| Keyboard<br />
| arr. of version for vn orch<br />
|-<br />
| {{hs|0}}60 <br />
| 44 <br />
| '''[[Piano Concerto No.2, Op.44 (Tchaikovsky, Pyotr)|Piano Concerto No.2]]'''<br />
| pf orch <br />
| G major <br />
| 1879–80 <br />
| Orchestral <br />
| rev. posthumously by{{LinkName|Alexander|Siloti}}; also arr. for 2pf (1880).<br />
|-<br />
| {{hs|0}}60 <br />
| 44 <br />
| '''[[Piano Concerto No.2, Op.44 (Tchaikovsky, Pyotr)|Piano Concerto No.2]]'''<br />
| 2pf<br />
| G major <br />
| 1880 <br />
| Keyboard<br />
| arr. of version for pf orch<br />
|-<br />
| {{hs|0}}61 <br />
| 56 <br />
| '''[[Concert Fantasia, Op.56 (Tchaikovsky, Pyotr)|Concert Fantasia]]'''<br />
| pf orch <br />
| G major <br />
| 1884 <br />
| Orchestral <br />
| also arr. for 2pf (1884). <br />
|-<br />
| {{hs|0}}61 <br />
| 56 <br />
| '''[[Concert Fantasia, Op.56 (Tchaikovsky, Pyotr)|Concert Fantasia]]'''<br />
| 2pf<br />
| G major <br />
| 1884 <br />
| Keyboard<br />
| arr. of version for pf orch<br />
|-<br />
| {{hs|0}}62 <br />
| 62 <br />
| '''[[Pezzo capriccioso, Op.62 (Tchaikovsky, Pyotr)|Pezzo capriccioso]]'''<br />
| vc orch <br />
| B minor <br />
| 1887 <br />
| Orchestral<br />
| also arr. for vc pf (1887). <br />
|-<br />
| {{hs|0}}62 <br />
| 62 <br />
| '''[[Pezzo capriccioso, Op.62 (Tchaikovsky, Pyotr)|Pezzo capriccioso]]'''<br />
| vc pf<br />
| B minor <br />
| 1887 <br />
| Keyboard<br />
| arr. of version for vc orch<br />
|-<br />
| {{hs|0}}63 <br />
| 11 <br />
| '''[[String Quartet No.1, Op.11 (Tchaikovsky, Pyotr)|Andante cantabile]]'''<br />
| vc str <br />
| B major <br />
| 1888? <br />
| Orchestral<br />
| arr. of the 2nd movt. from TH 111<br />
|-<br />
| {{hs|0}}64 <br />
| 19/4 <br />
| '''Nocturne''' (Ноктюрн)<br />
| vc orch <br />
| D minor <br />
| 1888? <br />
| Orchestral<br />
| arr. of TH 133/4 <br />
|-<br />
| {{hs|0}}65 <br />
| 75 <br />
| '''[[Piano Concerto No.3, Op.75 (Tchaikovsky, Pyotr)|Piano Concerto No.3]]''' <br />
| pf orch <br />
| E{{flat}} major <br />
| 1893 <br />
| Orchestral<br />
| based on sketches for TH 238; only 1st movt. orchestrated, but arr. 2pf with TH 241 <br />
|-<br />
| {{hs|0}}65 <br />
| 75 <br />
| '''[[Piano Concerto No.3, Op.75 (Tchaikovsky, Pyotr)|Piano Concerto No.3]]'''<br />
| 2pf<br />
| E{{flat}} major <br />
| 1893 <br />
| Keyboard<br />
| arr. of version for pf orch, 1st movt.<br />
|-<br />
| {{hs|0}}66 <br />
| — <br />
| '''[[Ode to Joy (Tchaikovsky, Pyotr)|Ode to Joy]]''' (К радости)<br />
| sop alt ten ch orch <br />
| C minor–C major <br />
| 1865 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}67 <br />
| — <br />
| '''[[Cantata for the Opening of the Polytechnic Exhibition, TH 67 (Tchaikovsky, Pyotr)|Cantata for the Opening of the Polytechnic Exhibition]]''' (Кантата на открытие Политехнической выставке)<br />
| ten ch orch <br />
| G minor–G major <br />
| 1872 <br />
| Vocal<br />
| also known as ''Cantata in commemoration of the Bicentenary of Peter the Great'' (Кантата в память двухсотой годовщины рождения Петра Великого)<br />
|-<br />
| {{hs|0}}68 <br />
| — <br />
| '''[[Chorus for the Jubilee of O. A. Petrov (Tchaikovsky, Pyotr)|Chorus for the Jubilee of O. A. Petrov]]''' (Хор к юбилею О. А. Петрова)<br />
| ten/sop orch <br />
| A major <br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}69 <br />
| — <br />
| '''[[Moscow (Tchaikovsky, Pyotr)|Moscow]]''' (Москва)<br />
| mez bar ch orch <br />
| A major–D major <br />
| 1883 <br />
| Vocal<br />
| coronation cantata; vocal score also arr. by Tchaikovsky. <br />
|-<br />
| {{hs|0}}70 <br />
| — <br />
| '''[[At Bedtime (Tchaikovsky, Pyotr)|At Bedtime]]''' (На сон грядущий)<br />
| ch <br />
| C minor <br />
| 1863–64? <br />
| Vocal<br />
| 1st version <br />
|-<br />
| {{hs|0}}70 <br />
| — <br />
| '''[[At Bedtime (Tchaikovsky, Pyotr)|At Bedtime]]''' (На сон грядущий)<br />
| ch orch <br />
| C minor <br />
| 1863–64? <br />
| Vocal<br />
| 2nd version <br />
|-<br />
| {{hs|0}}71 <br />
| — <br />
| '''[[Chorus of Flowers and Insects (Tchaikovsky, Pyotr)|Chorus of Flowers and Insects]]''' (Хор цветов и насекомых)<br />
| cch ch orch <br />
| D major <br />
| 1869–70 <br />
| Vocal<br />
| originally intended for TH 207; vocal score also arr. by Tchaikovsky.<br />
|-<br />
| {{hs|0}}72 <br />
| — <br />
| '''[[Nature and Love (Tchaikovsky, Pyotr)|Nature and Love]]''' (Природа и любовь)<br />
| 2sop alt fch pf <br />
| G{{flat}} major <br />
| 1870 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}73 <br />
| — <br />
| '''Spring''' (Весна)<br />
| fch <br />
| C major <br />
| 1871? <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}74 <br />
| — <br />
| '''[[Evening (Tchaikovsky, Pyotr)|Evening]]''' (Вечер)<br />
| mch <br />
| G major <br />
| 1871? <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}75 <br />
| 41 <br />
| '''[[Liturgy of St. John Chrysostom, Op.41 (Tchaikovsky, Pyotr)|Liturgy of St. John Chrysostom]]''' (Литургия святого Иоанна Златоуста)<br />
| ch (+ pf)<br />
| <br />
| 1878 <br />
| Vocal<br />
| setting of 15 numbers from the Russian Orthodox Liturgy; pf part for rehearsal only <br />
|-<br />
| {{hs|0}}76 <br />
| — <br />
| '''Chorus for Students of the Patriotic Institute'''<br />
| fch <br />
| <br />
| 1880 <br />
| Vocal<br />
| lost <br />
|-<br />
| {{hs|0}}77 <br />
| 52 <br />
| '''[[All-Night Vigil, Op.52 (Tchaikovsky, Pyotr)|All-Night Vigil]]''' (Всенощное бдение)<br />
| ch (+ pf)<br />
| <br />
| 1881–82 <br />
| Vocal<br />
| also known as Vesper Service; pf part for rehearsal only <br />
|-<br />
| {{hs|0}}78 <br />
| — <br />
| '''[[9 Sacred Pieces (Tchaikovsky, Pyotr)|Sacred Pieces]]''' (Духовно-музыкальных сочинений) (9):<br />
| ch (+ pf)<br />
| <br />
| 1884–85 <br />
| Vocal<br />
| pf part for rehearsal only <br />
|-<br />
| {{hs|0}}78/1 <br />
| — <br />
| <ul>''Cherubim&#39;s Song'' (''Херувимская песнь'')</ul><br />
| ch<br />
| F major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/2 <br />
| — <br />
| <ul>''Cherubim&#39;s Song'' (''Херувимская песнь'')</ul><br />
| ch<br />
| D major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/3 <br />
| — <br />
| <ul>''Cherubim&#39;s Song'' (''Херувимская песнь'')</ul><br />
| ch<br />
| C major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/4 <br />
| — <br />
| <ul>''We Hymn Thee'' (''Тебе поëм'')</ul><br />
| ch<br />
| C major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/5 <br />
| — <br />
| <ul>''It is Truly Fitting'' (''Достойно есть'')</ul><br />
| ch<br />
| D minor<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/6 <br />
| — <br />
| <ul>''Our Father'' (''Отче наш'')</ul><br />
| ch<br />
| F major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/7 <br />
| — <br />
| <ul>''Blessed are They Whom Thou Hast Chosen'' (''Блаженни, яже избрал'')</ul><br />
| ch<br />
| E{{flat}} major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/8 <br />
| — <br />
| <ul>''Let My Prayer Ascend'' (''Да исправится'')</ul><br />
| 2sop alt ch<br />
| D minor<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}78/9 <br />
| — <br />
| <ul>''Now the Heavenly Powers'' (''Ныне Силы Небесныя'')</ul><br />
| ch<br />
| G major<br />
| 1884–85 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}79 <br />
| — <br />
| '''[[Hymn in Honour of Saints Cyril and Methodius (Tchaikovsky, Pyotr)|Hymn in Honor of Saints Cyril and Methodius]]''' (Гимн в честь святых Кирилла и Мефодия)<br />
| ch (+ pf)<br />
| F major <br />
| 1885 <br />
| Vocal<br />
| arr. of a Czech folk hymn; pf part for rehearsal only <br />
|-<br />
| {{hs|0}}80 <br />
| — <br />
| '''Jurists&#39; Song''' (Правоведская песнь)<br />
| ch <br />
| B{{flat}} major <br />
| 1885 <br />
| Vocal<br />
| in honour of the 50th year of the Imperial School of Jurisprudence; original score lost, but performing version realized by Vitaly Mishchenko and S. S. Kotomina (1973) based on surviving sketches<br />
|-<br />
| {{hs|0}}81 <br />
| — <br />
| '''[[The Angel Cried Out, TH 81 (Tchaikovsky, Pyotr)|The Angel Cried Out]]''' (Ангел вопияше)<br />
| ch <br />
| G major <br />
| 1887 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}82 <br />
| — <br />
| '''[[The Golden Cloud Did Sleep (Tchaikovsky, Pyotr)|The Golden Cloud Did Sleep]]''' (Ночевала тучка золотая)<br />
| ch <br />
| F minor <br />
| 1887 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}83 <br />
| — <br />
| '''[[Blessed is He Who Smiles (Tchaikovsky, Pyotr)|Blessed is He Who Smiles]]''' (Бпажен, кто улыбается)<br />
| mch <br />
| F major <br />
| 1887 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}84 <br />
| — <br />
| '''[[The Nightingale (Tchaikovsky, Pyotr)|The Nightingale]]''' (Соловушко)<br />
| ch <br />
| D major <br />
| 1889 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}85 <br />
| 54/{{hs|0}}5 <br />
| '''Legend''' (Легенда)<br />
| ch <br />
| E minor <br />
| 1889 <br />
| Vocal<br />
| arr. of TH 104/5<br />
|-<br />
| {{hs|0}}86 <br />
| — <br />
| '''[[A Greeting to Anton Rubinstein (Tchaikovsky, Pyotr)|A Greeting to Anton Rubinstein]]''' (Привет А. Г. Рубинштейну)<br />
| ch <br />
| C major <br />
| 1889 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87 <br />
| — <br />
| '''[[3 Choruses (Tchaikovsky, Pyotr)|Choruses]]''' (3):<br />
| ch<br />
| <br />
| 1891 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/1 <br />
| — <br />
| <ul>''Tis Not The Cuckoo In The Damp Pinewood'' (''Не кукушечка во сыром бору'')</ul><br />
| ch<br />
| E minor<br />
| 1891 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/2 <br />
| — <br />
| <ul>''Why Did the Merry Voice Grow Silent?'' (''Что смолкнул веселия глас?'')</ul><br />
| mch<br />
| G minor<br />
| 1891 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}87/3 <br />
| — <br />
| <ul>''Without Time, Without Season'' (''Без поры да без времени'')</ul><br />
| fch<br />
| E minor<br />
| 1891 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}88 <br />
| — <br />
| '''[[Night (Tchaikovsky, Pyotr)|Night]]''' (Ночь)<br />
| sop alt ten bass pf <br />
| B{{flat}} major <br />
| 1893 <br />
| Vocal<br />
| based on a theme from the {{LinkWork|Fantasia in C minor|K.475|Mozart|Wolfgang Amadeus|0}}. <br />
|-<br />
| {{hs|0}}89 <br />
| — <br />
| '''[[My Genius, My Angel, My Friend (Tchaikovsky, Pyotr)|My Genius, My Angel, My Friend]]''' (Мой гений, мой ангел, мой друг)<br />
| v pf <br />
| C minor <br />
| 1855–59? <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}90 <br />
| — <br />
| '''[[Zemfira&#39;s Song (Tchaikovsky, Pyotr)|Zemfira&#39;s Song]]''' (Песнь Земфиры)<br />
| v pf <br />
| A major <br />
| 1860–65? <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}91 <br />
| — <br />
| '''[[Mezza notte (Tchaikovsky, Pyotr)|Mezza notte]]''' (Полночь)<br />
| v pf <br />
| G major <br />
| 1860–61? <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}92 <br />
| — <br />
| '''Midnight Review''' (Ночной парад)<br />
| v pf <br />
| <br />
| 1862–64? <br />
| Vocal<br />
| lost<br />
|-<br />
| {{hs|0}}93 <br />
| {{hs|0}}6 <br />
| '''[[6 Romances, Op.6 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1869 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}93/1<br />
| {{hs|0}}6/1<br />
| <ul>''Do Not Believe, My Friend'' (''Не верь, мой друг'')</ul><br />
| v pf<br />
| C{{sharp}} minor<br />
| 1869<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}93/2<br />
| {{hs|0}}6/2<br />
| <ul>''Not A Word, O My Friend'' (''Ни слова, о друг мой'')</ul><br />
| v pf<br />
| E minor<br />
| 1869<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}93/3<br />
| {{hs|0}}6/3<br />
| <ul>''Bitterly And Sweetly'' (''И больно, и сладко'')</ul><br />
| v pf<br />
| A major<br />
| 1869<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}93/4<br />
| {{hs|0}}6/4<br />
| <ul>''A Tear Trembles'' (''Слеза дрожит'')</ul><br />
| v pf<br />
| G{{flat}} major<br />
| 1869<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}93/5<br />
| {{hs|0}}6/5<br />
| <ul>''Why?'' (''Отчего?'')</ul><br />
| v pf<br />
| D major<br />
| 1869<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}93/6<br />
| {{hs|0}}6/6<br />
| <ul>''None But The Lonely Heart'' (''Нет, только тот, кто знал'')</ul><br />
| v pf<br />
| D{{flat}} major<br />
| 1869<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}94 <br />
| — <br />
| '''[[To Forget So Soon (Tchaikovsky, Pyotr)|To Forget So Soon]]''' (Забыть так скоро)<br />
| v pf <br />
| F major <br />
| 1870? <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}95 <br />
| 16 <br />
| '''[[6 Romances, Op.16 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1872–73 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}95/1<br />
| 16/1<br />
| <ul>''Cradle Song'' (''Колыбельная песня'')</ul><br />
| v pf<br />
| A{{flat}} minor<br />
| 1872–73 <br />
| Vocal<br />
| also arr. for pf (2 versions) <br />
|-<br />
| {{hs|0}}95/1<br />
| 16/1<br />
| <ul>''Cradle Song'' (''Колыбельная песня'')</ul><br />
| pf<br />
| A{{flat}} minor<br />
| 1873?<br />
| Keyboard<br />
| arr. of version for v pf; 1st version<br />
|-<br />
| {{hs|0}}95/1<br />
| 16/1<br />
| <ul>''Cradle Song'' (''Колыбельная песня'')</ul><br />
| pf<br />
| A minor<br />
| 1873?<br />
| Keyboard<br />
| arr. of version for v pf; 2nd version<br />
|-<br />
| {{hs|0}}95/2<br />
| 16/2<br />
| <ul>''Wait!'' (''Погоди!'')</ul><br />
| v pf<br />
| A minor–A major<br />
| 1872–73 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}95/3<br />
| 16/3<br />
| <ul>''Accept Just Once'' (''Пойми хоть раз'')</ul><br />
| v pf<br />
| C minor<br />
| 1872–73 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}95/4<br />
| 16/4<br />
| <ul>''O, Sing that Song'' (''О, спой же ту песню'')</ul><br />
| v pf<br />
| G major<br />
| 1872–73 <br />
| Vocal<br />
| also arr. for pf<br />
|-<br />
| {{hs|0}}95/4<br />
| 16/4<br />
| <ul>''O, Sing that Song'' (''О, спой же ту песню'')</ul><br />
| pf<br />
| G major<br />
| 1873?<br />
| Keyboard<br />
| arr. of version for v pf<br />
|-<br />
| {{hs|0}}95/5<br />
| 16/5<br />
| <ul>''So What?'' (''Так что же?'')</ul><br />
| v pf<br />
| F{{sharp}} minor–A major<br />
| 1872–73 <br />
| Vocal<br />
| also arr. for pf<br />
|-<br />
| {{hs|0}}95/5<br />
| 16/5<br />
| <ul>''So What?'' (''Так что же?'')</ul><br />
| pf<br />
| F{{sharp}} minor–A major<br />
| 1873?<br />
| Keyboard<br />
| arr. of version for v pf<br />
|-<br />
| {{hs|0}}95/6<br />
| 16/6<br />
| <ul>''Modern Greek Song (on the theme &quot;Dies irae&quot;)'' (''Новогреческая песня на тему &quot;Dies irae&quot;'') </ul><br />
| v pf<br />
| E{{flat}} minor <br />
| 1872–73 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}96/1 <br />
| — <br />
| '''[[Take My Heart Away (Tchaikovsky, Pyotr)|Take My Heart Away]]''' (Уноси мое сердце)<br />
| v pf <br />
| A minor <br />
| 1873 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}96/2 <br />
| — <br />
| '''[[Blue Eyes of Spring (Tchaikovsky, Pyotr)|Blue Eyes of Spring]] ''' (Глазки весны голубые)<br />
| v pf <br />
| A major <br />
| 1873 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97 <br />
| 25 <br />
| '''[[6 Romances, Op.25 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97/1<br />
| 25/1<br />
| <ul>''Reconciliation'' (''Примиренье'')</ul><br />
| v pf <br />
| G minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97/2<br />
| 25/2<br />
| <ul>''As Over the Burning Ashes'' (''Как над горячею золой'')</ul><br />
| v pf <br />
| B minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97/3<br />
| 25/3<br />
| <ul>''Mignon&#39;s Song'' (''Песнь Миньоны'')</ul><br />
| v pf <br />
| E{{flat}} major<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97/4<br />
| 25/4<br />
| <ul>''The Canary'' (''Канарейка'')</ul><br />
| v pf <br />
| G minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97/5<br />
| 25/5<br />
| <ul>''I Never Spoke To Her'' (''Я с нею никогда не говорил'')</ul><br />
| v pf <br />
| A major<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}97/6<br />
| 25/6<br />
| <ul>''As They Repeated: &quot;Fool&quot;'' (''Как наладили: «Дурак»'')</ul><br />
| v pf <br />
| G minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98 <br />
| 27 <br />
| '''[[6 Romances and Songs, Op.27 (Tchaikovsky, Pyotr)|Romances and Songs]]''' (6):<br />
| v pf <br />
| <br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98/1<br />
| 27/1<br />
| <ul>''At Bedtime'' (''На сон грядущий'')</ul><br />
| v pf <br />
| B{{flat}} minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98/2<br />
| 27/2<br />
| <ul>''Look, Yonder Cloud'' (''Смотри, вон облако'')</ul><br />
| v pf <br />
| C minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98/3<br />
| 27/3<br />
| <ul>''Do Not Leave Me'' (''Не отходи от меня'')</ul><br />
| v pf <br />
| F major<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98/4<br />
| 27/4<br />
| <ul>''Evening'' (''Вечер'')</ul><br />
| v pf <br />
| B{{flat}} minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98/5<br />
| 27/5<br />
| <ul>''Was it the Mother who Bore Me?'' (''Али мать меня роэжала'')</ul><br />
| v pf <br />
| E{{flat}} minor<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}98/6<br />
| 27/6<br />
| <ul>''My Spoiled Darling'' (''Мой баловница'')</ul><br />
| v pf <br />
| A major<br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99 <br />
| 28 <br />
| '''[[6 Romances, Op.28 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99/1<br />
| 28/1<br />
| <ul>''No, I Shall Never Tell'' (''Нет, никогда не назову'')</ul><br />
| v pf<br />
| E{{flat}} major<br />
| 1875<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99/2<br />
| 28/2<br />
| <ul>''The Corals'' (''Корольки'')</ul><br />
| v pf<br />
| F{{sharp}} minor <br />
| 1875<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99/3<br />
| 28/3<br />
| <ul>''Why?'' (''Зачем?'')</ul><br />
| v pf<br />
| D minor<br />
| 1875<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99/4<br />
| 28/4<br />
| <ul>''He Loved Me So Much'' (''Он так меня любил'')</ul><br />
| v pf<br />
| D minor<br />
| 1875<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99/5<br />
| 28/5<br />
| <ul>''No Response or Word or Greeting'' (''Ни отзыва, ни слова, ни привета'')</ul><br />
| v pf<br />
| C minor<br />
| 1875<br />
| Vocal<br />
| <br />
|-<br />
| {{hs|0}}99/6<br />
| 28/6<br />
| <ul>''The Terrible Moment'' (''Страшная минута'')</ul><br />
| v pf<br />
| F{{sharp}} minor <br />
| 1875<br />
| Vocal<br />
| <br />
|-<br />
| 100/1 <br />
| — <br />
| '''[[I Should Like in a Single Word (Tchaikovsky, Pyotr)|I Should Like in a Single Word]]''' (Хотел бы в единое слово)<br />
| v pf <br />
| D minor <br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| 100/2 <br />
| — <br />
| '''[[We Have Not Far to Walk (Tchaikovsky, Pyotr)|We Have Not Far to Walk]]''' (Не долго нам гулять)<br />
| v pf <br />
| E major <br />
| 1875 <br />
| Vocal<br />
| <br />
|-<br />
| 101 <br />
| 38 <br />
| '''[[6 Romances, Op.38 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 101/1<br />
| 38/1<br />
| <ul>''Don Juan&#39;s Serenade'' (''Серенада Дон-Жуана'')</ul><br />
| v pf <br />
| B minor<br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 101/2<br />
| 38/2<br />
| <ul>''It was in the Early Spring'' (''То было раннею весной'')</ul><br />
| v pf <br />
| E{{flat}} major<br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 101/3<br />
| 38/3<br />
| <ul>''Amid the Din of the Ball'' (''Средь шумного бала'')</ul><br />
| v pf <br />
| B minor<br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 101/4<br />
| 38/4<br />
| <ul>''O, if Only You Could'' (''О, если б ты могла'')</ul><br />
| v pf <br />
| D major<br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 101/5<br />
| 38/5<br />
| <ul>''The Love of a Dead Man'' (''Любовь мертвеца'')</ul><br />
| v pf <br />
| F major<br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 101/6<br />
| 38/6<br />
| <ul>''Pimpinella: Florentine Song'' (''Пимпинелла: Флорентинская песня'')</ul><br />
| v pf <br />
| G major<br />
| 1878 <br />
| Vocal<br />
| <br />
|-<br />
| 102 <br />
| 46 <br />
| '''[[6 Duets, Op.46 (Tchaikovsky, Pyotr)|Duets ]]''' (6):<br />
| 2vv pf <br />
| <br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 102/1<br />
| 46/1<br />
| <ul>''Evening'' (''Вечер'')</ul><br />
| sop mez pf<br />
| A{{flat}} major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 102/2<br />
| 46/2<br />
| <ul>''Scottish Ballad: Edward'' (''Шотландская баллада: Эдвард'')</ul><br />
| sop bar pf<br />
| A minor<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 102/3<br />
| 46/3<br />
| <ul>''Tears'' (''Слезы'')</ul><br />
| 2sop mez pf<br />
| G minor<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 102/4<br />
| 46/4<br />
| <ul>''In the Garden, by the Ford'' (''В огороде, возле броду'')</ul><br />
| sop mez pf<br />
| A major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 102/5<br />
| 46/5<br />
| <ul>''Passion Spent'' (''Минула страсть'')</ul><br />
| sop ten pf<br />
| F major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 102/6<br />
| 46/6<br />
| <ul>''Dawn'' (''Рассвет'')</ul><br />
| sop mez pf<br />
| E major<br />
| 1880 <br />
| Vocal<br />
| also arr. for sop mez orch<br />
|-<br />
| 102/6<br />
| 46/6<br />
| <ul>''Dawn'' (''Рассвет'')</ul><br />
| sop mez orch<br />
| E major<br />
| 1880<br />
| Vocal<br />
| arr. of version for sop mez pf<br />
|-<br />
| 103 <br />
| 47 <br />
| '''[[7 Romances, Op.47 (Tchaikovsky, Pyotr)|Romances]]''' (7):<br />
| v pf <br />
| <br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 103/1<br />
| 47/1<br />
| <ul>''If Only I Had Known'' (''Кабы знала я'')</ul><br />
| v pf <br />
| C minor<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 103/2<br />
| 47/2<br />
| <ul>''Softly the Spirit Flew up to Heaven'' (''Горними тихо летела луша небесами'')</ul><br />
| v pf <br />
| E major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 103/3<br />
| 47/3<br />
| <ul>''Dusk Fell on the Earth'' (''На землю сумрак пал'')</ul><br />
| v pf <br />
| F major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 103/4<br />
| 47/4<br />
| <ul>''Sleep, Poor Friend'' (''Усни, печальный друг'')</ul><br />
| v pf <br />
| G{{flat}} major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 103/5<br />
| 47/5<br />
| <ul>''I Bless You, Forests'' (''Благословляю вас, леса'')</ul><br />
| v pf <br />
| F major<br />
| 1880 <br />
| Vocal<br />
| <br />
|-<br />
| 103/6<br />
| 47/6<br />
| <ul>''Does the Day Reign?'' (''День ли царит?'')</ul><br />
| v pf <br />
| E major<br />
| 1880 <br />
| Vocal<br />
| also arr. for v orch<br />
|-<br />
| 103/6<br />
| 47/6<br />
| <ul>''Does the Day Reign?'' (''День ли царит?'')</ul><br />
| v orch<br />
| <br />
| 1888 <br />
| Vocal<br />
| arr. of version for v pf; lost<br />
|-<br />
| 103/7<br />
| 47/7<br />
| <ul>''Was I Not a Little Blade of Grass in the Meadow?'' (''Я ли в поле да не травушка была?'')</ul><br />
| v pf <br />
| F{{sharp}} minor <br />
| 1880 <br />
| Vocal<br />
| also arr. for v orch<br />
|-<br />
| 103/7<br />
| 47/7<br />
| <ul>''Was I Not a Little Blade of Grass in the Meadow?'' (''Я ли в поле да не травушка была?'')</ul><br />
| v orch<br />
| F{{sharp}} minor <br />
| 1884 <br />
| Vocal<br />
| arr. of version for v pf<br />
|-<br />
| 104 <br />
| 54 <br />
| '''[[16 Songs for Children, Op.54 (Tchaikovsky, Pyotr)|Songs for Children]]''' (16): <br />
| v pf <br />
| <br />
| 1881–83 <br />
| Vocal<br />
| see also TH 221<br />
|-<br />
| 104/{{hs|0}}/1<br />
| 54{{hs|0}}/1<br />
| <ul>''Granny and Grandson'' (''Бабушка и внучек'')</ul><br />
| v pf <br />
| A minor<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/2<br />
| 54{{hs|0}}/2<br />
| <ul>''Little Bird'' (''Птичка'')</ul><br />
| v pf <br />
| G major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/3<br />
| 54{{hs|0}}/3<br />
| <ul>''Spring (The Grass Grows Green)'' (''Весна (Травка зеленеет)'')</ul><br />
| v pf <br />
| G major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/4<br />
| 54{{hs|0}}/4<br />
| <ul>''My Little Garden'' (''Мой садик'')</ul><br />
| v pf <br />
| G major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/5<br />
| 54{{hs|0}}/5<br />
| <ul>''Legend'' (''Легенда'')</ul><br />
| v pf <br />
| E minor<br />
| 1883<br />
| Vocal<br />
| also arr. for ch (as TH 85) and for v orch<br />
|-<br />
| 104/{{hs|0}}/5<br />
| 54{{hs|0}}/5<br />
| <ul>''Legend'' (''Легенда'')</ul><br />
| v orch<br />
| E minor<br />
| 1883<br />
| Vocal<br />
| arr.of version for v pf<br />
|-<br />
| 104/{{hs|0}}/6<br />
| 54{{hs|0}}/6<br />
| <ul>''On the Bank'' (''На берегу'')</ul><br />
| v pf <br />
| C major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/7<br />
| 54{{hs|0}}/7<br />
| <ul>''Winter Evening'' (''Зимний вечер'')</ul><br />
| v pf <br />
| C minor<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/8<br />
| 54{{hs|0}}/8<br />
| <ul>''The Cuckoo'' (''Кукушка'')</ul><br />
| v pf <br />
| G major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/{{hs|0}}/9<br />
| 54{{hs|0}}/8<br />
| <ul>''Spring (&quot;The Snow is Already Melting&quot;)'' (''Весна (Уж тает снег)'')</ul><br />
| v pf <br />
| F major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/10<br />
| 54/10<br />
| <ul>''Lullaby in a Storm'' (''Колыбельная песнь в бурю'')</ul><br />
| v pf <br />
| F major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/11<br />
| 54/11<br />
| <ul>''The Little Flower'' (''Цветок'')</ul><br />
| v pf <br />
| F major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/12<br />
| 54/12<br />
| <ul>''Winter'' (''Зима'')</ul><br />
| v pf <br />
| D major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/13<br />
| 54/13<br />
| <ul>''Spring Song'' (''Весенная песня'')</ul><br />
| v pf <br />
| A major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/14<br />
| 54/14<br />
| <ul>''Autumn'' (''Осень'')</ul><br />
| v pf <br />
| F{{sharp}} minor<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/15<br />
| 54/15<br />
| <ul>''The Swallow'' (''Ласточка'')</ul><br />
| v pf <br />
| G major<br />
| 1883<br />
| Vocal<br />
| <br />
|-<br />
| 104/16<br />
| 54/16<br />
| <ul>''Child&#39;s Song (&quot;My Lizochek&quot;)'' (''Детская песенка («Мой Лизочек»)'')</ul><br />
| v pf <br />
| A major<br />
| 1881<br />
| Vocal<br />
| <br />
|-<br />
| 105 <br />
| 57 <br />
| '''[[6 Romances, Op.57 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 105/1<br />
| 57/1<br />
| <ul>''Tell Me, What in the Shade of the Branches?'' (''Скажи, о чем в тени ветвей'')</ul><br />
| v pf <br />
| E major<br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 105/2<br />
| 57/2<br />
| <ul>''On the Golden Cornfields'' (''На нивы желтые'')</ul><br />
| v pf <br />
| F minor<br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 105/3<br />
| 57/3<br />
| <ul>''Do Not Ask'' (''Не спрашивай'')</ul><br />
| v pf <br />
| D minor<br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 105/4<br />
| 57/4<br />
| <ul>''Sleep!'' (''Усни!'')</ul><br />
| v pf <br />
| F major<br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 105/5<br />
| 57/5<br />
| <ul>''Death'' (''Смерть'')</ul><br />
| v pf <br />
| F minor<br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 105/6<br />
| 57/6<br />
| <ul>''Only You Alone'' (''Лишь ты один'')</ul><br />
| v pf <br />
| G major<br />
| 1884 <br />
| Vocal<br />
| <br />
|-<br />
| 106 <br />
| 60 <br />
| '''[[12 Romances, Op.60 (Tchaikovsky, Pyotr)|Romances]]''' (12):<br />
| v pf <br />
| <br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}1<br />
| 60/{{hs|0}}/1<br />
| <ul>''Last Night'' (''Вчерашняя ночь'')</ul><br />
| v pf <br />
| A{{flat}} major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}2<br />
| 60/{{hs|0}}/2<br />
| <ul>''I&#39;ll Tell You Nothing'' (''Я тебе ничего не скажу'')</ul><br />
| v pf <br />
| E major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}3<br />
| 60/{{hs|0}}/3<br />
| <ul>''O, if Only You Knew'' (''О, если б знали вы'')</ul><br />
| v pf <br />
| E{{flat}} major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}4<br />
| 60/{{hs|0}}/4<br />
| <ul>''The Nightingale'' (''Соловей'')</ul><br />
| v pf <br />
| C minor<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}5<br />
| 60/{{hs|0}}/5<br />
| <ul>''Simple Words'' (''Простые слова'')</ul><br />
| v pf <br />
| F major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}6<br />
| 60/{{hs|0}}/6<br />
| <ul>''Sleepless Nights'' (''Ночи безумные'')</ul><br />
| v pf <br />
| G minor<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}7<br />
| 60/{{hs|0}}/7<br />
| <ul>''Song of a Gypsy Girl'' (''Песнь цыганки'')</ul><br />
| v pf <br />
| A minor<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}8<br />
| 60/{{hs|0}}/8<br />
| <ul>''Forgive!'' (''Прости!'')</ul><br />
| v pf <br />
| F major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/{{hs|0}}9<br />
| 60/{{hs|0}}/9<br />
| <ul>''Night'' (''Ночь'')</ul><br />
| v pf <br />
| G minor<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/10<br />
| 60/10<br />
| <ul>''Beyond the Window, in the Shadows'' (''За окном в тени мелькает'')</ul><br />
| v pf <br />
| F major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/11<br />
| 60/11<br />
| <ul>''Exploit'' (''Подвиг'')</ul><br />
| v pf <br />
| G minor<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 106/12<br />
| 60/12<br />
| <ul>''The Gentle Stars Shone For Us'' (''Нам звезды кроткие сияли'')</ul><br />
| v pf <br />
| F major<br />
| 1886 <br />
| Vocal<br />
| <br />
|-<br />
| 107 <br />
| 63 <br />
| '''[[6 Romances, Op.63 (Tchaikovsky, Pyotr)|Romances]]''' (6):<br />
| v pf <br />
| <br />
| 1887 <br />
| Vocal<br />
| see also TH 225 <br />
|-<br />
| 107/1<br />
| 63/1<br />
| <ul>''I Did Not Love You at First'' (''Я сначала тебя не любил'')</ul><br />
| v pf <br />
| B{{flat}} major<br />
| 1887<br />
| Vocal<br />
| <br />
|-<br />
| 107/2<br />
| 63/2<br />
| <ul>''I Opened the Window'' (''Растворил я окно'')</ul><br />
| v pf <br />
| F major<br />
| 1887<br />
| Vocal<br />
| <br />
|-<br />
| 107/3<br />
| 63/3<br />
| <ul>''I Do Not Please You'' (''Я вам не нравлюсь'')</ul><br />
| v pf <br />
| C major<br />
| 1887<br />
| Vocal<br />
| <br />
|-<br />
| 107/4<br />
| 63/4<br />
| <ul>''The First Meeting'' (''Первое свидание'')</ul><br />
| v pf <br />
| E{{flat}} major<br />
| 1887<br />
| Vocal<br />
| <br />
|-<br />
| 107/5<br />
| 63/5<br />
| <ul>''The Fires in the Rooms were Already Out'' (''Уж гасли в комнатах огни'')</ul><br />
| v pf <br />
| E major<br />
| 1887<br />
| Vocal<br />
| <br />
|-<br />
| 107/6<br />
| 63/6<br />
| <ul>''Serenade: &quot;O Child! Beneath Your Window&quot;'' (''Серенада: «О, дитя! под окошком твоим»'')</ul><br />
| v pf <br />
| G major<br />
| 1887<br />
| Vocal<br />
| <br />
|-<br />
| 108 <br />
| 65 <br />
| '''[[6 French Songs, Op.65 (Tchaikovsky, Pyotr)|French Songs]]''' (6): <br />
| v pf <br />
| <br />
| 1888 <br />
| Vocal<br />
| see also TH 229 <br />
|-<br />
| 108/1<br />
| 65/1<br />
| <ul>''Sérénade (&quot;Où vas-tu, souffle d&#39;aurore&quot;)'' (''Серенада («Ты куда летишь»)'')</ul><br />
| v pf<br />
| D major<br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 108/2<br />
| 65/2<br />
| <ul>''Déception'' (''Разочарование'')</ul><br />
| v pf<br />
| E minor<br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 108/3<br />
| 65/3<br />
| <ul>''Sérénade (&quot;J&#39;aime dans le rayon&quot;)'' (''Серенада («В ярком свете зари»)'')</ul><br />
| v pf<br />
| B{{flat}} major<br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 108/4<br />
| 65/4<br />
| <ul>''Qu&#39;importe que l&#39;hiver'' (''Пуская зима'')</ul><br />
| v pf<br />
| D minor<br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 108/5<br />
| 65/5<br />
| <ul>''Les larmes'' (''Слезы'')</ul><br />
| v pf<br />
| G major<br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 108/6<br />
| 65/6<br />
| <ul>''Rondel'' (''Рондел'')</ul><br />
| v pf<br />
| G major<br />
| 1888<br />
| Vocal<br />
| <br />
|-<br />
| 109 <br />
| 73 <br />
| '''[[6 Romances, Op.73 (Tchaikovsky, Pyotr)|Romances]]''' (6): <br />
| v pf <br />
| <br />
| 1893 <br />
| Vocal<br />
| <br />
|-<br />
| 109/1<br />
| 73/1<br />
| <ul>''We Sat Together'' (''Мы сидели с тобой'')</ul><br />
| v pf<br />
| E minor–C{{sharp}} minor<br />
| 1893<br />
| Vocal<br />
| <br />
|-<br />
| 109/2<br />
| 73/2<br />
| <ul>''Night'' (''Ночь'')</ul><br />
| v pf<br />
| F minor<br />
| 1893<br />
| Vocal<br />
| <br />
|-<br />
| 109/3<br />
| 73/3<br />
| <ul>''In this Moonlit Night'' (''В эту лунную ночь'')</ul><br />
| v pf<br />
| A{{flat}} major<br />
| 1893<br />
| Vocal<br />
| <br />
|-<br />
| 109/4<br />
| 73/4<br />
| <ul>''The Sun has Set'' (''Закатилось солнце'')</ul><br />
| v pf<br />
| E major<br />
| 1893<br />
| Vocal<br />
| <br />
|-<br />
| 109/5<br />
| 73/5<br />
| <ul>''Amid Sombre Days'' (''Средь мрачных дней'')</ul><br />
| v pf<br />
| A{{flat}} major<br />
| 1893<br />
| Vocal<br />
| <br />
|-<br />
| 109/6<br />
| 73/6<br />
| <ul>''Again, as Before, Alone'' (''Снова, как прежде'')</ul><br />
| v pf<br />
| A minor<br />
| 1893<br />
| Vocal<br />
| <br />
|-<br />
| 110 <br />
| — <br />
| '''[[String Quartet in B-flat major (Tchaikovsky, Pyotr)|String Quartet]]'''<br />
| 2vn va vc <br />
| B{{flat}} major <br />
| 1865 <br />
| Chamber<br />
| <br />
|-<br />
| 111 <br />
| 11 <br />
| '''[[String Quartet No.1, Op.11 (Tchaikovsky, Pyotr)|String Quartet No.1]]'''<br />
| 2vn va vc <br />
| D major <br />
| 1871 <br />
| Chamber<br />
| 2nd movt. arr. for cello and strings as TH 63 <br />
|-<br />
| 112 <br />
| 22 <br />
| '''[[String Quartet No.2, Op.22 (Tchaikovsky, Pyotr)|String Quartet No.2]]'''<br />
| 2vn va vc <br />
| F major <br />
| 1873–74 <br />
| Chamber<br />
| <br />
|-<br />
| 113 <br />
| 30 <br />
| '''[[String Quartet No.3, Op.30 (Tchaikovsky, Pyotr)|String Quartet No.3]]'''<br />
| 2vn va vc <br />
| E{{flat}} minor <br />
| 1876 <br />
| Chamber<br />
| 3rd movt. arr. for violin and piano as TH 114<br />
|-<br />
| 114 <br />
| 30 <br />
| '''Andante funebre''' (Andante funebre)<br />
| vn pf <br />
| E{{flat}} minor <br />
| 1876 <br />
| Chamber<br />
| arr. of the 3rd movt. from TH 114<br />
|-<br />
| 115 <br />
| 10/2 <br />
| '''Humoresque''' (Юмореска)<br />
| vn pf <br />
| G major <br />
| 1876 <br />
| Chamber<br />
| arr. of TH 132/2<br />
|-<br />
| 116 <br />
| 42 <br />
| '''[[Souvenir d&#39;un lieu cher, Op.42 (Tchaikovsky, Pyotr)|Souvenir d&#39;un lieu cher]]''' (Воспоминание о дорогом месте)<br />
| vn pf<br />
| <br />
| 1878 <br />
| Chamber<br />
| <br />
|-<br />
| 116/1<br />
| 42/1<br />
| <ul>''Méditation'' (''Размышление'')</ul><br />
| vn pf<br />
| D minor<br />
| 1878<br />
| Chamber<br />
| <br />
|-<br />
| 116/2<br />
| 42/2<br />
| <ul>''Scherzo'' (''Скерцо'')</ul><br />
| vn pf<br />
| C minor<br />
| 1878<br />
| Chamber<br />
| <br />
|-<br />
| 116/3<br />
| 42/3<br />
| <ul>''Mélodie'' (''Мелодия'')</ul><br />
| vn pf<br />
| E{{flat}} major <br />
| 1878<br />
| Chamber<br />
| <br />
|-<br />
| 117 <br />
| 50 <br />
| '''[[Piano Trio, Op.50 (Tchaikovsky, Pyotr)|Piano Trio]]''' (&quot;In memory of a great artist&quot;) («Памяти великого художника»)<br />
| vn vc pf <br />
| A minor <br />
| 1881–82 <br />
| Chamber<br />
| <br />
|-<br />
| 118 <br />
| 70 <br />
| '''[[Souvenir de Florence, Op.70 (Tchaikovsky, Pyotr)|Souvenir de Florence]]''' (Воспоминание о Флоренции)<br />
| 2vn 2va 2vc <br />
| D minor <br />
| 1890, rev. 1891–92 <br />
| Chamber<br />
| <br />
|-<br />
| 119 <br />
| — <br />
| '''Anastasie-Valse''' (Анастасия-вальс)<br />
| pf <br />
| F major <br />
| 1854 <br />
| Keyboard<br />
| <br />
|-<br />
| 120 <br />
| — <br />
| '''By the River, By the Bridge''' (Возле речки, возле моста)<br />
| pf <br />
| <br />
| 1862 <br />
| Keyboard<br />
| comic piece for piano solo based on a folk song; lost. <br />
|-<br />
| 121 <br />
| — <br />
| '''[[Theme with Variations in A minor (Tchaikovsky, Pyotr)|Theme with Variations]]'''<br />
| pf <br />
| A minor <br />
| 1864? <br />
| Keyboard<br />
| <br />
|-<br />
| 122 <br />
| {{hs|0}}1/2 <br />
| '''[[2 Pieces, Op.1 (Tchaikovsky, Pyotr)|Impromptu]]''' (Экспромт)<br />
| pf <br />
| E{{flat}} minor <br />
| 1863–64? <br />
| Keyboard<br />
| <br />
|-<br />
| 123 <br />
| 80 <br />
| '''[[Piano Sonata, Op.80 (Tchaikovsky, Pyotr)|Piano Sonata]]'''<br />
| pf <br />
| C{{sharp}} minor <br />
| 1865 <br />
| Keyboard<br />
| <br />
|-<br />
| 124 <br />
| {{hs|0}}1/1 <br />
| '''[[2 Pieces, Op.1 (Tchaikovsky, Pyotr)|Scherzo á la russe]]''' (Русское скерцо)<br />
| pf <br />
| B{{flat}} major <br />
| 1867 <br />
| Keyboard<br />
| <br />
|-<br />
| 125 <br />
| {{hs|0}}2 <br />
| '''[[Souvenir de Hapsal, Op.2 (Tchaikovsky, Pyotr)|Souvenir de Hapsal]]''' (Воспоминание о Гапсале)<br />
| pf <br />
| <br />
| 1867 <br />
| Keyboard<br />
| <br />
|-<br />
| 125/1<br />
| {{hs|0}}2/1<br />
| <ul>''Ruines d&#39;un château'' (''Развалины замка'')</ul><br />
| pf <br />
| E minor<br />
| 1865 <br />
| Keyboard<br />
| <br />
|-<br />
| 125/2<br />
| {{hs|0}}2/2<br />
| <ul>''Scherzo'' (''Скерцо'')</ul><br />
| pf <br />
| F major<br />
| 1867 <br />
| Keyboard<br />
| partly based on TH 125/2<br />
|-<br />
| 125/3<br />
| {{hs|0}}2/3<br />
| <ul>''Chant sans paroles'' (''Песня без слов'')</ul><br />
| pf <br />
| F major<br />
| 1867 <br />
| Keyboard<br />
| <br />
|-<br />
| 126 <br />
| {{hs|0}}4 <br />
| '''[[Valse-Caprice, Op.4 (Tchaikovsky, Pyotr)|Valse-Caprice]]''' (Вальс-каприс)<br />
| pf <br />
| D major <br />
| 1868 <br />
| Keyboard<br />
| <br />
|-<br />
| 127 <br />
| {{hs|0}}5 <br />
| '''[[Romance, Op.5 (Tchaikovsky, Pyotr)|Romance]]''' (Романс)<br />
| pf <br />
| F minor <br />
| 1868 <br />
| Keyboard<br />
| <br />
|-<br />
| 128 <br />
| — <br />
| '''[[Potpourri on Themes from 'The Voyevoda' (Tchaikovsky, Pyotr)|Potpourri on Themes from 'The Voyevoda']]''' (Попурри из оперы «Воеводв»)<br />
| pf <br />
| <br />
| 1867–68 <br />
| Keyboard<br />
| based on selections from TH 1; published under the pseudonym &quot;H. Kramer&quot;.<br />
|-<br />
| 129 <br />
| {{hs|0}}7 <br />
| '''[[Valse-Scherzo, Op.7 (Tchaikovsky, Pyotr)|Valse-Scherzo]]''' (Вальс-скерцо)<br />
| pf <br />
| A major <br />
| 1870 <br />
| Keyboard<br />
| <br />
|-<br />
| 130 <br />
| {{hs|0}}8 <br />
| '''[[Capriccio, Op.8 (Tchaikovsky, Pyotr)|Capriccio]]''' (Каприччио)<br />
| pf <br />
| G{{flat}} major <br />
| 1870 <br />
| Keyboard<br />
| <br />
|-<br />
| 131 <br />
| {{hs|0}}9 <br />
| '''[[3 Pieces, Op.9 (Tchaikovsky, Pyotr)|Pieces]]''' (3):<br />
| pf <br />
| <br />
| 1870 <br />
| Keyboard<br />
| <br />
|-<br />
| 131/1<br />
| {{hs|0}}9/1<br />
| <ul>''Rêverie'' (''Греэы'')</ul><br />
| pf<br />
| D major<br />
| 1870 <br />
| Keyboard<br />
| <br />
|-<br />
| 131/2<br />
| {{hs|0}}9/2<br />
| <ul>''Polka de salon'' (''Салонная полька'')</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1870 <br />
| Keyboard<br />
| <br />
|-<br />
| 131/3<br />
| {{hs|0}}9/3<br />
| <ul>''Mazurka de salon'' (''Салонная мазурка'')</ul><br />
| pf<br />
| D minor <br />
| 1870 <br />
| Keyboard<br />
| 2nd version of TH 16/2. <br />
|-<br />
| 132 <br />
| 10 <br />
| '''[[2 Pieces, Op.10 (Tchaikovsky, Pyotr)|Pieces]]''' (2):<br />
| pf <br />
| <br />
| 1871–72 <br />
| Keyboard<br />
| <br />
|-<br />
| 132/1<br />
| 10/1<br />
| <ul>''Nocturne'' (''Ноктюрн'')</ul><br />
| pf<br />
| F major<br />
| 1871–72 <br />
| Keyboard<br />
| <br />
|-<br />
| 132/2<br />
| 10/2<br />
| <ul>''Humoresque'' (''Юмореска'')</ul><br />
| pf<br />
| G major<br />
| 1871–72 <br />
| Keyboard<br />
| arr. for vn pf as TH 115<br />
|-<br />
| 133 <br />
| 19 <br />
| '''[[6 Pieces, Op.19 (Tchaikovsky, Pyotr)|Pieces]]''' (6):<br />
| pf <br />
| <br />
| 1873 <br />
| Keyboard<br />
| <br />
|-<br />
| 133/1<br />
| 19/1<br />
| <ul>''Rêverie du soir'' (''Вчерние греэы'')</ul><br />
| pf<br />
| G minor<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 133/2<br />
| 19/2<br />
| <ul>''Scherzo humoristique'' (''Юмористическое скерцо'')</ul><br />
| pf<br />
| D major<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 133/3<br />
| 19/3<br />
| <ul>''Feuillet d&#39;album'' (''Листок из альбом'')</ul><br />
| pf<br />
| D major<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 133/4<br />
| 19/4<br />
| <ul>''Nocturne'' (''Ноктюрн'')</ul><br />
| pf<br />
| C{{sharp}} minor<br />
| 1873<br />
| Keyboard<br />
| arr. for vc orch as TH 64<br />
|-<br />
| 133/5<br />
| 19/5<br />
| <ul>''Capriccioso'' (''Каприччиозо'')</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 133/6<br />
| 19/6<br />
| <ul>''Thème original et variations'' (''Тема и вариации'')</ul><br />
| pf<br />
| F major<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 134 <br />
| 21 <br />
| '''[[6 Pieces, Op.21 (Tchaikovsky, Pyotr)|Pieces]]''' on one theme (6):<br />
| pf <br />
| <br />
| 1873 <br />
| Keyboard<br />
| <br />
|-<br />
| 134/1<br />
| 21/1<br />
| <ul>''Prelude'' (''Прелюдия'')</ul><br />
| pf<br />
| G{{sharp}} minor<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 134/2<br />
| 21/2<br />
| <ul>''Fugue á 4 voix'' (''Фуга на четыре голоса'')</ul><br />
| pf<br />
| G{{sharp}} minor<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 134/3<br />
| 21/3<br />
| <ul>''Impromptu'' (''Экспромт'')</ul><br />
| pf<br />
| C{{sharp}} minor<br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 134/4<br />
| 21/4<br />
| <ul>''Marche funèbre'' (''Похоронный марш'')</ul><br />
| pf<br />
| A{{flat}} major <br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 134/5<br />
| 21/5<br />
| <ul>''Mazurque'' (''Мазурка'')</ul><br />
| pf<br />
| A{{flat}} major <br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 134/6<br />
| 21/6<br />
| <ul>''Scherzo'' (''Скерцо'')</ul><br />
| pf<br />
| A{{flat}} major <br />
| 1873<br />
| Keyboard<br />
| <br />
|-<br />
| 135 <br />
| 37a <br />
| '''[[The Seasons, Op.37a (Tchaikovsky, Pyotr)|The Seasons]]''' (Времена года)<br />
| pf <br />
| <br />
| 1875–76 <br />
| Keyboard<br />
| &quot;12 characteristic scenes&quot;<br />
|-<br />
| 135/{{hs|0}}1<br />
| 37a/{{hs|0}}1<br />
| <ul>''January: By the Hearth'' (''Январь: У камелька'')</ul><br />
| pf<br />
| A major<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}2<br />
| 37a/{{hs|0}}2<br />
| <ul>''February: The Carnival'' (''Февраль: Масленица'')</ul><br />
| pf<br />
| D major<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}3<br />
| 37a/{{hs|0}}3<br />
| <ul>''March: Song of the Lark'' (''Март: Песнь жаворонка'')</ul><br />
| pf<br />
| G minor<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}4<br />
| 37a/{{hs|0}}4<br />
| <ul>''April: Snowdrop'' (''Апрель: Подснежник'')</ul><br />
| pf<br />
| B{{flat}} mino<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}5<br />
| 37a/{{hs|0}}5<br />
| <ul>''May: White Nights'' (''Май: Белые ночы'')</ul><br />
| pf<br />
| G minor<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}6<br />
| 37a/{{hs|0}}6<br />
| <ul>''June: Barcarolle'' (''Июнь: Баркаролла'')</ul><br />
| pf<br />
| G minor<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}7<br />
| 37a/{{hs|0}}7<br />
| <ul>''July: Reaper&#39;s Song'' (''Июль: Песнь косаря'')</ul><br />
| pf<br />
| E{{flat}} major<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}8<br />
| 37a/{{hs|0}}8<br />
| <ul>''August: Harvest'' (''Август: Жатва'')</ul><br />
| pf<br />
| B minor<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/{{hs|0}}9<br />
| 37a/{{hs|0}}9<br />
| <ul>''September: The Hunt'' (''Сентябрь: Охота'')</ul><br />
| pf<br />
| G minor<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/10<br />
| 37a/10<br />
| <ul>''October: Autumn Song'' (''Октябрь: Осенняя песня'')</ul><br />
| pf<br />
| D minor<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/11<br />
| 37a/11<br />
| <ul>''November: On the Troika'' (''Ноябрь: На тройке'')</ul><br />
| pf<br />
| E major<br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 135/12<br />
| 37a/12<br />
| <ul>''December: Christmas-Tide'' (''Декабрь: Святки'')</ul><br />
| pf<br />
| A{{flat}} major <br />
| 1875–76<br />
| Keyboard<br />
| <br />
|-<br />
| 137 <br />
| — <br />
| '''Funeral March''' (Похоронный марш)<br />
| pf4h <br />
| <br />
| 1877 <br />
| Keyboard<br />
| based on themes from TH 3; lost <br />
|-<br />
| 138 <br />
| 40 <br />
| '''[[12 Pieces, Op.40 (Tchaikovsky, Pyotr)|Pieces]]''' (12):<br />
| pf <br />
| <br />
| 1878 <br />
| Keyboard<br />
| &quot;of moderate difficulty&quot; <br />
|-<br />
| 138/{{hs|0}}1<br />
| 40/{{hs|0}}1<br />
| <ul>''Etude'' (''Этюд'')</ul><br />
| pf<br />
| G major<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}2<br />
| 40/{{hs|0}}2<br />
| <ul>''Chanson triste'' (''Грустная песенка'')</ul><br />
| pf<br />
| G minor<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}3<br />
| 40/{{hs|0}}3<br />
| <ul>''Marche funèbre'' (''Похоронный марш'')</ul><br />
| pf<br />
| C minor<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}4<br />
| 40/{{hs|0}}4<br />
| <ul>''Mazurka'' (''Мазурка'')</ul><br />
| pf<br />
| C major<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}5<br />
| 40/{{hs|0}}5<br />
| <ul>''Mazurka'' (''Мазурка'')</ul><br />
| pf<br />
| D major<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}6<br />
| 40/{{hs|0}}6<br />
| <ul>''Chant sans paroles'' (''Песенка без слов'')</ul><br />
| pf<br />
| A major<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}7<br />
| 40/{{hs|0}}7<br />
| <ul>''Au village'' (''В деревне'')</ul><br />
| pf<br />
| A minor<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}8<br />
| 40/{{hs|0}}8<br />
| <ul>''Valse'' (''Вальс'')</ul><br />
| pf<br />
| A{{flat}} major <br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/{{hs|0}}9<br />
| 40/{{hs|0}}9<br />
| <ul>''Valse'' (''Вальс'')</ul><br />
| pf<br />
| F{{sharp}} minor<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/10<br />
| 40/10<br />
| <ul>''Danse russe'' (''Русская пляска'')</ul><br />
| pf<br />
| A minor<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/11<br />
| 40/11<br />
| <ul>''Scherzo'' (''Скерцо'')</ul><br />
| pf<br />
| D minor<br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 138/12<br />
| 40/12<br />
| <ul>''Rêverie interrompue'' (''Прерванные грезы'')</ul><br />
| pf<br />
| A{{flat}} major <br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 139 <br />
| 37 <br />
| '''[[Grand Sonata, Op.37 (Tchaikovsky, Pyotr)|Grand Sonata]]''' (Большая соната)<br />
| pf <br />
| G major <br />
| 1878 <br />
| Keyboard<br />
| <br />
|-<br />
| 140 <br />
| — <br />
| '''[[The Volunteer Fleet March (Tchaikovsky, Pyotr)|The Volunteer Fleet March]]''' (Добровольный флот)<br />
| pf <br />
| C major <br />
| 1878 <br />
| Keyboard<br />
| published under the pseudonym &quot;P. Sinopov&quot;. <br />
|-<br />
| 141 <br />
| 39 <br />
| '''[[Children&#39;s Album, Op.39 (Tchaikovsky, Pyotr)|Children&#39;s Album]]''' (Детский альбом)<br />
| pf <br />
| <br />
| 1878 <br />
| Keyboard<br />
| &quot;24 simple pieces à la Schumann&quot;; numbering of pieces varies in early editions.<br />
|-<br />
| 141/{{hs|0}}/1<br />
| 39/{{hs|0}}/1<br />
| <ul>''Morning Prayer'' (''Утренная молитва'')</ul><br />
| pf<br />
| G major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/2<br />
| 39/{{hs|0}}/2<br />
| <ul>''Winter Morning'' (''Зимнее утро'')</ul><br />
| pf<br />
| B minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/3<br />
| 39/{{hs|0}}/3<br />
| <ul>''Playing Hobby-Horses'' (''Игра в лошадки'')</ul><br />
| pf<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/4<br />
| 39/{{hs|0}}/4<br />
| <ul>''Mama'' (''Мама'')</ul><br />
| pf<br />
| G major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/5<br />
| 39/{{hs|0}}/5<br />
| <ul>''March of the Wooden Soldiers'' (''Марш деревянных солдатиков'')</ul><br />
| pf<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/6<br />
| 39/{{hs|0}}/6<br />
| <ul>''The Sick Doll'' (''Болезнь куклы'')</ul><br />
| pf<br />
| G minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/7<br />
| 39/{{hs|0}}/7<br />
| <ul>''The Doll&#39;s Funeral'' (''Похороны куклы'')</ul><br />
| pf<br />
| C minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/8<br />
| 39/{{hs|0}}/8<br />
| <ul>''Waltz'' (''Вальс'')</ul><br />
| pf<br />
| E{{flat}} minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/{{hs|0}}/9<br />
| 39/{{hs|0}}/9<br />
| <ul>''The New Doll'' (''Новая кукла'')</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/10<br />
| 39/10<br />
| <ul>''Mazurka'' (''Мазурка'')</ul><br />
| pf<br />
| D minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/11<br />
| 39/11<br />
| <ul>''Russian Song'' (''Русская песня'')</ul><br />
| pf<br />
| F major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/12<br />
| 39/12<br />
| <ul>''The Accordion Player'' (''Мужик на гармонике играет'')</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/13<br />
| 39/13<br />
| <ul>''Kamarinskaya'' (''Камаринская'')</ul><br />
| pf<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/14<br />
| 39/14<br />
| <ul>''Polka'' (''Полька'')</ul><br />
| pf<br />
| B{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/15<br />
| 39/15<br />
| <ul>''Italian Song'' (''Итальянская песенка'')</ul><br />
| pf<br />
| D major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/16<br />
| 39/16<br />
| <ul>''Old French Song'' (''Старинная французская песенка'')</ul><br />
| pf<br />
| G minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/17<br />
| 39/17<br />
| <ul>''German Song'' (''Немецкая песенка'')</ul><br />
| pf<br />
| E{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/18<br />
| 39/18<br />
| <ul>''Neapolitan Song'' (''Неаполитанская песенка'')</ul><br />
| pf<br />
| E{{flat}} major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/19<br />
| 39/19<br />
| <ul>''Nanny&#39;s Story'' (''Нянина сказка'')</ul><br />
| pf<br />
| C major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/20<br />
| 39/20<br />
| <ul>''The Sorcerer'' (''Баба-Яга'')</ul><br />
| pf<br />
| E minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/21<br />
| 39/21<br />
| <ul>''Sweet Dreams'' (''Сладкая греза'')</ul><br />
| pf<br />
| C major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/22<br />
| 39/22<br />
| <ul>''Lark Song'' (''Песня жаворонка'')</ul><br />
| pf<br />
| G major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/23<br />
| 39/23<br />
| <ul>''The Organ-Grinder Sings'' (''Шарманщик поет'')</ul><br />
| pf<br />
| G major<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 141/24<br />
| 39/24<br />
| <ul>''In Church'' (''В церкви'')</ul><br />
| pf<br />
| E minor<br />
| 1878<br />
| Keyboard<br />
| <br />
|-<br />
| 142 <br />
| — <br />
| '''Nathalie-valse''' (Наталья-вальс)<br />
| pf <br />
| G major <br />
| 1878 <br />
| Keyboard<br />
| 1st version of TH 143/4<br />
|-<br />
| 143 <br />
| 51 <br />
| '''[[6 Pieces, Op.51 (Tchaikovsky, Pyotr)|Pieces]]''' (6):<br />
| pf <br />
| <br />
| 1881 <br />
| Keyboard<br />
| <br />
|-<br />
| 143/1<br />
| 51/1<br />
| <ul>''Valse de salon'' (''Салонный вальс'')</ul><br />
| pf<br />
| A{{flat}} major<br />
| 1881 <br />
| Keyboard<br />
| <br />
|-<br />
| 143/2<br />
| 51/2<br />
| <ul>''Polka peu dansante'' (''Полька'')</ul><br />
| pf<br />
| B minor<br />
| 1881 <br />
| Keyboard<br />
| <br />
|-<br />
| 143/3<br />
| 51/3<br />
| <ul>''Menuetto scherzoso'' (''Шуточный менует'')</ul><br />
| pf<br />
| E{{flat}} major<br />
| 1881 <br />
| Keyboard<br />
| <br />
|-<br />
| 143/4<br />
| 51/4<br />
| <ul>''Natha-valse'' (''Ната-вальс'')</ul><br />
| pf<br />
| A major<br />
| 1881 <br />
| Keyboard<br />
| 2nd version of TH 142<br />
|-<br />
| 143/5<br />
| 51/5<br />
| <ul>''Romance'' (''Романс'')</ul><br />
| pf<br />
| F major<br />
| 1881 <br />
| Keyboard<br />
| <br />
|-<br />
| 143/6<br />
| 51/6<br />
| <ul>''Valse sentimentale'' (''Сентиментальный вальс'')</ul><br />
| pf<br />
| F minor<br />
| 1881 <br />
| Keyboard<br />
| <br />
|-<br />
| 144 <br />
| — <br />
| '''[[Impromptu-Caprice (Tchaikovsky, Pyotr)|Impromptu-Caprice]]''' (Экспромт-каприс)<br />
| pf <br />
| G major <br />
| 1884 <br />
| Keyboard<br />
| <br />
|-<br />
| 145 <br />
| 59 <br />
| '''[[Dumka, Op.59 (Tchaikovsky, Pyotr)|Dumka]]''' (Думка)<br />
| pf <br />
| C minor <br />
| 1886 <br />
| Keyboard<br />
| &quot;Russian rustic scene&quot; <br />
|-<br />
| 146 <br />
| — <br />
| '''[[Valse-Scherzo, TH 146 (Tchaikovsky, Pyotr)|Valse-Scherzo]]''' (Вальс-скерцо)<br />
| pf <br />
| A major <br />
| 1889 <br />
| Keyboard<br />
| <br />
|-<br />
| 147 <br />
| — <br />
| '''[[Impromptu in A-flat major (Tchaikovsky, Pyotr)|Impromptu]]''' (Экспромт)<br />
| pf <br />
| A{{flat}} major <br />
| 1889 <br />
| Keyboard<br />
| <br />
|-<br />
| 148 <br />
| — <br />
| '''[[Aveu passionné (Tchaikovsky, Pyotr)|Aveu passionné]]''' (Страстное признание)<br />
| pf <br />
| E minor <br />
| 1891? <br />
| Keyboard<br />
| <br />
|-<br />
| 149 <br />
| — <br />
| '''[[Moment lyrique (Tchaikovsky, Pyotr)|Moment lyrique]]''' (Лирический момент)<br />
| pf <br />
| A{{flat}} major <br />
| 1892 <br />
| Keyboard<br />
| rev. posthumously by {{LinkName|Sergey|Taneyev}} as ''Momento lirico''<br />
|-<br />
| 150 <br />
| — <br />
| '''[[Military March in B-flat major (Tchaikovsky, Pyotr)|Military March]]''' (Военный марш)<br />
| pf <br />
| B{{flat}} major <br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151 <br />
| 72 <br />
| '''[[18 Pieces, Op.72 (Tchaikovsky, Pyotr)|Pieces]]''' (18):<br />
| pf <br />
| <br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}1<br />
| 72/{{hs|0}}1<br />
| <ul>''Impromptu'' (''Экспромт'')</ul><br />
| pf <br />
| F minor<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}2<br />
| 72/{{hs|0}}2<br />
| <ul>''Berceuse'' (''Колыбельная песня'')</ul><br />
| pf <br />
| A{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}3<br />
| 72/{{hs|0}}3<br />
| <ul>''Tendres reproches'' (''Нежные упреки'')</ul><br />
| pf <br />
| C{{sharp}} minor<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}4<br />
| 72/{{hs|0}}4<br />
| <ul>''Danse caractéristique'' (''Характеристический танец'')</ul><br />
| pf <br />
| D major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}5<br />
| 72/{{hs|0}}5<br />
| <ul>''Méditation'' (''Размышление'')</ul><br />
| pf <br />
| D major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}6<br />
| 72/{{hs|0}}6<br />
| <ul>''Mazurque pour danser'' (''Мазурка для танец'')</ul><br />
| pf <br />
| B{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}7<br />
| 72/{{hs|0}}7<br />
| <ul>''Polacca de concert'' (''Концертный полонез'')</ul><br />
| pf <br />
| E{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}8<br />
| 72/{{hs|0}}8<br />
| <ul>''Dialogue'' (''Диалог'')</ul><br />
| pf <br />
| B major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/{{hs|0}}9<br />
| 72/{{hs|0}}9<br />
| <ul>''Un poco di Schumann'' (''Немного Шумана'')</ul><br />
| pf <br />
| D{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/10<br />
| 72/10<br />
| <ul>''Scherzo-fantaisie'' (''Скерцо-фантазия'')</ul><br />
| pf <br />
| E{{flat}} minor<br />
| 1893 <br />
| Keyboard<br />
| arr. of the 3rd movt. from TH 238<br />
|-<br />
| 151/11<br />
| 72/11<br />
| <ul>''Valse-bluette'' (''Вальс-безделушка'')</ul><br />
| pf <br />
| E{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/12<br />
| 72/12<br />
| <ul>''L&#39;espiègle'' (''Резвушка'')</ul><br />
| pf <br />
| E major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/13<br />
| 72/13<br />
| <ul>''Echo rustique'' (''Сельский отзвук'')</ul><br />
| pf <br />
| E{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/14<br />
| 72/14<br />
| <ul>''Chant élégiaque'' (''Элегическая песня'')</ul><br />
| pf <br />
| D{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/15<br />
| 72/15<br />
| <ul>''Un poco di Chopin'' (''Немного Шопена'')</ul><br />
| pf <br />
| C{{sharp}} minor<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/16<br />
| 72/16<br />
| <ul>''Valse à cinq temps'' (''Вальс в 5/8'')</ul><br />
| pf <br />
| D minor<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/17<br />
| 72/17<br />
| <ul>''Passé lontain'' (''Далекое прошлое'')</ul><br />
| pf <br />
| E{{flat}} major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 151/18<br />
| 72/18<br />
| <ul>''Scene dansante: Invitation au trépak'' (''Приглашение к трепаку'')</ul><br />
| pf <br />
| C major<br />
| 1893 <br />
| Keyboard<br />
| <br />
|-<br />
| 152 <br />
| — <br />
| '''[[Allegretto moderato in D major (Tchaikovsky, Pyotr)|Allegretto moderato]]'''<br />
| vn va vc <br />
| D major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 153 <br />
| — <br />
| '''[[Allegretto in E major (Tchaikovsky, Pyotr)|Allegretto]]'''<br />
| 2vn va vc <br />
| E major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 154 <br />
| — <br />
| '''[[Allegro vivace in B-flat major (Tchaikovsky, Pyotr)|Allegro vivace]]'''<br />
| 2vn va vc <br />
| B{{flat}} major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 155 <br />
| — <br />
| '''[[Andante molto in G major (Tchaikovsky, Pyotr)|Andante molto]]'''<br />
| 2vn va vc <br />
| G major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 156 <br />
| — <br />
| '''[[Adagio in C major (Tchaikovsky, Pyotr)|Adagio]]'''<br />
| 4hn <br />
| C major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 157 <br />
| — <br />
| '''[[Andante ma non troppo in E minor (Tchaikovsky, Pyotr)|Andante ma non troppo]]'''<br />
| 2vn va vc db <br />
| E minor <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 158 <br />
| — <br />
| '''[[Adagio molto in E-flat major (Tchaikovsky, Pyotr)|Adagio molto]]'''<br />
| hp 2vn va vc <br />
| E{{flat}} major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 159 <br />
| — <br />
| '''[[Allegro in C minor (Tchaikovsky, Pyotr)|Allegro]]'''<br />
| 2vn va vc pf <br />
| C minor <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 160 <br />
| — <br />
| '''[[Adagio in F major (Tchaikovsky, Pyotr)|Adagio]]'''<br />
| 2fl 2ob eh 2cl bcl <br />
| F major <br />
| 1863–64? <br />
| Chamber<br />
| <br />
|-<br />
| 161 <br />
| — <br />
| '''[[Allegro ma non tanto in G major (Tchaikovsky, Pyotr)|Allegro ma non tanto]]'''<br />
| str <br />
| G major <br />
| 1863–64? <br />
| Orchestral <br />
| <br />
|-<br />
| 162 <br />
| — <br />
| '''[[Largo and Allegro in D major (Tchaikovsky, Pyotr)|Largo and Allegro]]'''<br />
| 2fl str <br />
| D major <br />
| 1863–64? <br />
| Orchestral <br />
| <br />
|-<br />
| 163 <br />
| — <br />
| '''[[Agitato and Allegro in E minor (Tchaikovsky, Pyotr)|Agitato and Allegro]]'''<br />
| orch <br />
| E minor <br />
| 1863–64? <br />
| Orchestral <br />
| <br />
|-<br />
| 164 <br />
| — <br />
| '''[[Andante ma non troppo in A major (Tchaikovsky, Pyotr)|Andante ma non troppo]]'''<br />
| orch <br />
| A major <br />
| 1863–64? <br />
| Orchestral <br />
| <br />
|-<br />
| 165 <br />
| — <br />
| '''[[Allegro vivo in C minor (Tchaikovsky, Pyotr)|Allegro vivo]]'''<br />
| orch <br />
| C minor <br />
| 1863–64? <br />
| Orchestral <br />
| <br />
|-<br />
| 166 <br />
| — <br />
| '''The Romans in the Coliseum''' (Римляне в колизее)<br />
| orch <br />
| <br />
| 1863–64? <br />
| Orchestral <br />
| musical picture for orchestra; lost. <br />
|-<br />
| 167 <br />
| — <br />
| '''Menuetto capriccioso'''<br />
| orch <br />
| A{{flat}} major <br />
| 1863 <br />
| Orchestral <br />
| arr. of the 3rd movt. from the {{LinkWork|Piano Sonata No.2 in A-flat major|Op.39|Weber|Carl Maria von}}. <br />
|-<br />
| 168 <br />
| — <br />
| '''[[Violin Sonata No.9, Op.47 (Beethoven, Ludwig van)|Kreutzer Sonata]]''' <br />
| orch <br />
| E minor–A minor <br />
| 1863–64? <br />
| Orchestral <br />
| arr. of the 1st movt. from the sonata by {{LinkName|Ludwig van|Beethoven}}; incomplete. <br />
|-<br />
| 169 <br />
| — <br />
| '''Symphonic Studies'''<br />
| orch <br />
| A minor–D major <br />
| 1863–64? <br />
| Orchestral <br />
| arr. of variatons 11 and 12 from the {{LinkWork|Symphonic Etudes|Op.13|Schumann|Robert}}.<br />
|-<br />
| 170 <br />
| — <br />
| '''Le retour''' (Возвращение)<br />
| orch <br />
| C major <br />
| 1864? <br />
| Orchestral <br />
| arr. of the waltz for piano by Johann Gungl; incomplete. <br />
|-<br />
| 171 <br />
| — <br />
| '''Mariya-Dagmar''' (Мария-Дагмара)<br />
| orch <br />
| F major <br />
| 1866 <br />
| Orchestral <br />
| after the polka for piano by {{LinkName|Alexandre|Dubuque}}. <br />
|-<br />
| 172 <br />
| — <br />
| '''I Remember All''' (Я помню все)<br />
| pf4h <br />
| E{{flat}} major <br />
| 1866–67? <br />
| Keyboard <br />
| arr. of {{LinkName|Alexandre|Dubuque}}&#39;s transcription of the romance by Elizaveta Tarnovskaya. <br />
|-<br />
| 173 <br />
| — <br />
| '''Festival March''' (Торжественный марш)<br />
| orch <br />
| <br />
| 1867 <br />
| Orchestral <br />
| orchestration of the march for piano by Karel Kral; lost. <br />
|-<br />
| 174 <br />
| — <br />
| '''[[Kazachok (Dargomyzhsky, Aleksandr)|Little-Russian Kazachok]]''' (Малороссийский казачок)<br />
| pf <br />
| C minor–C major <br />
| 1867? <br />
| Keyboard <br />
| after the symphonic fantasia {{LinkWorkN|Kazachok||Dargomyzhsky|Aleksandr|0}}.<br />
|-<br />
| 175 <br />
| — <br />
| '''Le domino noir'''<br />
| vv ch pf <br />
| <br />
| 1868 <br />
| Stage <br />
| Russian recitatives and chorus for the opera {{LinkWorkN|Le domino noir||Auber|Daniel François Esprit|0}}. <br />
|-<br />
| 176 <br />
| — <br />
| '''[[50 Russian Folk Songs (Tchaikovsky, Pyotr)|Russian Folk Songs]]''' (50)<br />
| pf4h <br />
| <br />
| 1868–69 <br />
| Keyboard <br />
| <br />
|-<br />
| 177 <br />
| — <br />
| '''Ivan the Terrible''' (Иван Грозный)<br />
| pf4h <br />
| D major <br />
| 1869 <br />
| Keyboard <br />
| arr. of the musical picture {{LinkWork|Ivan the Terrible|Op.79|Rubinstein|Anton}}.<br />
|-<br />
| 178 <br />
| — <br />
| '''O, del mio dolce ardor'''<br />
| v orch <br />
| F major <br />
| 1870 <br />
| Vocal <br />
| arr. of the aria from Act I of the opera {{LinkWork|Paride ed Elena|Wq.39|Gluck|Christoph Willibald|0}}; misattributed to {{LinkName|Alessandro|Stradella}} in Tchaikovsky&#39;s arrangement. <br />
|-<br />
| 179 <br />
| — <br />
| '''Le faccio un inchino'''<br />
| sop 2mez orch <br />
| G major <br />
| 1870? <br />
| Vocal <br />
| arr. of the trio from Act I of the opera {{LinkWorkN|Il matrimonio segreto||Cimarosa|Domenico}}<br />
|-<br />
| 180 <br />
| — <br />
| '''Don Quixote''' (Дон кихот)<br />
| pf4h <br />
| C major <br />
| 1871 <br />
| Keyboard <br />
| arr. of the musical picture Don Quixote, Op.87, by {{LinkName|Anton|Rubinstein}}<br />
|-<br />
| 181 <br />
| — <br />
| '''Perpetuum mobile'''<br />
| pf <br />
| C major <br />
| 1871? <br />
| Keyboard <br />
| arr. of the finale from the {{LinkWorkN|Piano Sonata No.1 in C major|Op.24|Weber|Carl Maria von|0}} <br />
|-<br />
| 182 <br />
| — <br />
| '''[[Children&#39;s Songs on Russian and Ukrainian Tunes (Mamontova, Mariya)|Children&#39;s Songs on Russian and Ukrainian Tunes]]''' (Детские песнии на русские и малороссийские напевы)<br />
| v pf <br />
| <br />
| 1872–77 <br />
| Vocal <br />
| collected and arr. by {{LinkName|Mariya|Mamontova}}, ed. by Tchaikovsky<br />
|-<br />
| 183 <br />
| — <br />
| '''[[65 Russian Folk Songs (Prokunin, Vasily)|Russian Folk Songs]]''' (65)<br />
| v pf <br />
| <br />
| 1872 <br />
| Vocal <br />
| collected and arr. by {{LinkName|Vasily|Prokunin}}, ed. by Tchaikovsky.<br />
|-<br />
| 184 <br />
| — <br />
| '''Ballade vom Haideknaben'''<br />
| orch <br />
| D major <br />
| 1874 <br />
| Orchestral<br />
| arr. of No.1 of the {{LinkWork|2 Balladen|Op.122|Schumann|Robert|0}}<br />
|-<br />
| 185 <br />
| — <br />
| '''[[Gott erhalte Franz den Kaiser (Tchaikovsky, Pyotr)|Gott Erhalte Franz den Kaiser]]'''<br />
| orch <br />
| G major <br />
| 1874? <br />
| Orchestral<br />
| after the Austrian National Anthem by {{LinkName|Joseph|Haydn}} <br />
|-<br />
| 186 <br />
| — <br />
| '''Der König von Thüle'''<br />
| v orch <br />
| F minor <br />
| 1874 <br />
| Vocal <br />
| arr. of the ballad {{LinkWork|Es war ein König in Thule|S.278|Liszt|Franz}}<br />
|-<br />
| 187 <br />
| — <br />
| '''Gaudeamus Igitur''' (Будем веселы, друзья)<br />
| mch pf <br />
| D major <br />
| 1874 <br />
| Vocal<br />
| arr. of the student song; with Russian text. <br />
|-<br />
| 188 <br />
| — <br />
| '''The Marriage of Figaro''' (Свадьба Фигаро)<br />
| vv ch pf <br />
| <br />
| 1876? <br />
| Stage <br />
| Russian translation and ed. of the opera {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus}} <br />
|-<br />
| 189 <br />
| — <br />
| '''The Golden Cloud Did Sleep''' (Ночевала тучка золотая)<br />
| sop ten bar orch <br />
| G minor <br />
| 1876? <br />
| Vocal<br />
| arr. of the vocal trio by {{LinkName|Aleksandr|Dargomyzhsky}} <br />
|-<br />
| 190 <br />
| — <br />
| '''Complete Church Music'''<br />
| ch pf <br />
| <br />
| 1881 <br />
| Vocal<br />
| complete sacred works by {{LinkName|Dmytro|Bortniansky}}, ed. and arr. by Tchaikovsky<br />
|-<br />
| 191 <br />
| — <br />
| '''Glory''' (Славься)<br />
| uch orch <br />
| <br />
| 1883 <br />
| Vocal<br />
| arr. of the chorus from the opera {{LinkWorkN|A Life for the Tsar||Glinka|Mikhail|0}}, linked to the Russian national anthem {{LinkWorkN|God Save the Tsar||Lvov|Aleksey}}; lost <br />
|-<br />
| 192 <br />
| — <br />
| '''Overture-Fantasia'''<br />
| orch <br />
| D major <br />
| 1888 <br />
| Orchestral<br />
| orchestration of the Overture-Fantasia by Herman Laroche <br />
|-<br />
| 193 <br />
| — <br />
| '''[[Hungarian Gypsy Melodies (Menter, Sophie)|Ungarische Zigeunerweisen]]''' <br />
| pf orch <br />
| <br />
| 1892 <br />
| Orchestral<br />
| orchestration of the {{LinkWorkN|Hungarian Gypsy Melodies||Menter|Sophie}}<br />
|-<br />
| 194 <br />
| — <br />
| '''It&#39;s Not the Wind that Bends the Branch''' (То не ветер ветку клонит)<br />
| pf <br />
| F minor <br />
| 1893 <br />
| Keyboard<br />
| harmonisation of the Russian folk-song<br />
|-<br />
| 195 <br />
| — <br />
| '''The Underdog''' (Собака низкая)<br />
| v pf <br />
| <br />
| 1876 <br />
| Vocal<br />
| musical joke<br />
|-<br />
| 196 <br />
| — <br />
| '''The Siskin''' (Чижик)<br />
| v <br />
| <br />
| 1876 <br />
| Vocal<br />
| album leaf<br />
|-<br />
| 197 <br />
| — <br />
| '''The Little Rifleman''' (Стрелочек)<br />
| pf <br />
| <br />
| 1882 <br />
| Keyboard<br />
| 2-part humorous canon on the theme of the folk song; lost.<br />
|-<br />
| 198 <br />
| — <br />
| '''I Don&#39;t Know!''' (Не знаю!)<br />
| v pf <br />
| <br />
| 1891 <br />
| Vocal<br />
| musical tongue-twister<br />
|-<br />
| 199 <br />
| — <br />
| '''Polka de salon'''<br />
| v pf <br />
| <br />
| 1893 <br />
| Vocal<br />
| musical joke<br />
|-<br />
| 200 <br />
| — <br />
| '''No News From My Dear One''' (От милого нету вести)<br />
| v pf <br />
| <br />
| 1893 <br />
| Vocal<br />
| musical joke<br />
|- style="background:silver"<br />
| {{hs|—}}<br />
| {{hs|—}}<br />
| align="center"| '''Unfinished or Incomplete Works''' ({{hs|—}})<br />
| {{hs|—}}<br />
| {{hs|—}}<br />
| {{hs|—}}<br />
| {{hs|—}}<br />
| {{hs|—}}<br />
|-<br />
| 201 <br />
| — <br />
| '''Hyperbola''' (Гипербола)<br />
| <br />
| <br />
| 1854 <br />
| Stage<br />
| unrealized lyrical opera in 1 act<br />
|-<br />
| 202 <br />
| — <br />
| '''Adagio'''<br />
| pf <br />
| G major <br />
| 1860–64? <br />
| Keyboard<br />
| uunrealized sketches<br />
|-<br />
| 203 <br />
| — <br />
| '''[[Allegro in F minor (Tchaikovsky, Pyotr)|Allegro]]'''<br />
| pf <br />
| F minor <br />
| 1863–64? <br />
| Keyboard<br />
| incomplete; perf. versions by Leslie Howard (1977) and Konstantin Kalinenko (1980); partly re-used in TH 125/2<br />
|-<br />
| 204 <br />
| — <br />
| '''The Storm''' (Гроза)<br />
| <br />
| <br />
| 1864–67? <br />
| Stage<br />
| unrealized opera based on a story by {{LinkName|Aleksandr|Ostrovsky}}.<br />
|-<br />
| 205 <br />
| — <br />
| '''The Palm''' (Пальма)<br />
| <br />
| <br />
| 1867–68? <br />
| Stage<br />
| unrealized opera<br />
|-<br />
| 206 <br />
| — <br />
| '''Alexander of Macedon''' (Александр Македонский)<br />
| <br />
| <br />
| 1868 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Aleksandr|Ostrovsky}}<br />
|-<br />
| 207 <br />
| — <br />
| '''Mandragora''' (Мандрагора)<br />
| <br />
| <br />
| 1869–70 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Sergey|Rachinsky}}; one chorus rev. as TH 71. <br />
|-<br />
| 208 <br />
| — <br />
| '''Raimond Lully''' (Раймонд Люллий)<br />
| <br />
| <br />
| 1870 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Sergey|Rachinsky}}<br />
|-<br />
| 209 <br />
| — <br />
| '''Cinderella''' (Сандрильона)<br />
| <br />
| <br />
| 1870 <br />
| Stage <br />
| unrealized ballet in 4 acts<br />
|-<br />
| 210 <br />
| — <br />
| '''Symphony'''<br />
| <br />
| B{{flat}} major <br />
| 1873 <br />
| Orchestral<br />
| unrealized symphony; one theme rewoeked in TH 133/5. <br />
|-<br />
| 211 <br />
| — <br />
| '''Ephraim''' (Эфраим)<br />
| <br />
| <br />
| 1875–76? <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Konstantin|Shilovsky}}<br />
|-<br />
| 212 <br />
| — <br />
| '''Francesca da Rimini''' (Франческа да Римини)<br />
| <br />
| <br />
| 1876 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Konstantin|Zvantsev}}, after a story by {{LinkName|Dante Alighieri}}<br />
|-<br />
| 213 <br />
| — <br />
| '''Othello''' (Отелло)<br />
| <br />
| <br />
| 1876–77 <br />
| Stage<br />
| unrealized opera in 4 acts, to a libretto by {{LinkName|Vladimir|Stasov}}, after the tragedy by {{LinkName|William|Shakespeare}}<br />
|-<br />
| 214 <br />
| — <br />
| '''Undina''' (Ундина)<br />
| <br />
| <br />
| 1878 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Modest|Tchaikovsky}}, based on a story by {{LinkName|Friedrich Heinrich Karl|La Motte-Fouqué}}<br />
|-<br />
| 215 <br />
| — <br />
| '''[[Romeo and Juliet (duet) (Tchaikovsky, Pyotr)|Romeo and Juliet]]''' (Ромео и Джульетта)<br />
| sop ten orch <br />
| <br />
| 1878–81? <br />
| Stage<br />
| unrealized opera based on {{LinkName|William|Shakespeare}}&#39;s tragedy; sketches for duet scene only, based on themes from TH 42; performing version realized by {{LinkName|Sergey|Taneyev}}. <br />
|-<br />
| 216 <br />
| — <br />
| '''Les caprices de Marianne''' (Прихоти Марианны)<br />
| <br />
| <br />
| 1878 <br />
| Stage<br />
| unrealized opera based on a story by {{LinkName|Alfred de|Musset}}. <br />
|-<br />
| 217 <br />
| — <br />
| '''Nessun maggior dolore'''<br />
| v pf<br />
| <br />
| 1881–85? <br />
| Vocal <br />
| settings of part of Canto V from {{LinkName|Dante Alighieri}}&#39;s ''Divine Comedy''; fragments. <br />
|-<br />
| 218 <br />
| — <br />
| '''Vanka the Steward''' (Ванька-ключник)<br />
| <br />
| <br />
| 1881 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Dmitry|Averkiev}}. <br />
|-<br />
| 219 <br />
| 20a <br />
| '''[[Swan Lake (suite), Op.20a (Tchaikovsky, Pyotr)|Swan Lake]]''' (Лебединое озеро)<br />
| orch <br />
| <br />
| 1882 <br />
| Orchestral<br />
| unrealized suite from TH 12, completed posthumously by others . <br />
|-<br />
| 220 <br />
| — <br />
| '''Alyosha and the Laundress''' (Алëша и прачка)<br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| themes for an unrealized vocal piece<br />
|-<br />
| 221 <br />
| — <br />
| '''Children&#39;s Songs''' (5):<br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| unrealized sketches for TH 104<br />
|-<br />
| 221/1<br />
| — <br />
| <ul>''Night'' (''Ночь'')</ul><br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| unrealized sketches for TH 104<br />
|-<br />
| 221/2<br />
| — <br />
| <ul>''The Vampire'' (''Вурдалак'')</ul><br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| unrealized sketches for TH 104<br />
|-<br />
| 221/3<br />
| — <br />
| <ul>''The Beggars'' (''Нищие'')</ul><br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| unrealized sketches for TH 104<br />
|-<br />
| 221/4<br />
| — <br />
| <ul>''The Poor Child'' (''Больное дитя'')</ul><br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| unrealized sketches for TH 104<br />
|-<br />
| 221/5<br />
| — <br />
| <ul>''The Complaint'' (''Жалоба'')</ul><br />
| v pf<br />
| <br />
| 1883 <br />
| Vocal <br />
| unrealized sketches for TH 104<br />
|-<br />
| 222 <br />
| — <br />
| '''Imitations of Russian Song''' (Подделки под русскую песнь)<br />
| v pf<br />
| <br />
| 1884? <br />
| Vocal <br />
| unrealized sketches for vocal pieces<br />
|-<br />
| 223 <br />
| — <br />
| '''The Captain&#39;s Daughter''' (Капитанская дочка)<br />
| <br />
| <br />
| 1885–88 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Modest|Tchaikovsky}}, based on a story by {{LinkName|Friedrich Heinrich Karl|La Motte-Fouqué}}<br />
|-<br />
| 224 <br />
| — <br />
| '''Etude'''<br />
| pf<br />
| A minor <br />
| 1885 <br />
| Keyboard<br />
| sketch for an unrealized cycle of piano pieces. <br />
|-<br />
| 225 <br />
| — <br />
| '''Songs''' (2):<br />
| v pf<br />
| <br />
| 1886–87 <br />
| Vocal <br />
| unrealized sketches for TH 107<br />
|-<br />
| 225/1<br />
| — <br />
| <ul>''O No! Do Not Love Me Just For Beauty Alone'' (''О нет! За красоту ты не люби меня'')</ul><br />
| v pf<br />
| <br />
| 1886–87 <br />
| Vocal <br />
| unrealized sketches for TH 107<br />
|-<br />
| 225/2<br />
| — <br />
| <ul>''I Saw You in a Dream'' (''Тебя я видела во сне'')</ul><br />
| v pf<br />
| <br />
| 1886–87 <br />
| Vocal <br />
| unrealized sketches for TH 107<br />
|-<br />
| 226 <br />
| — <br />
| '''Undina''' (Ундина)<br />
| <br />
| <br />
| 1886–87 <br />
| Stage<br />
| unrealized ballet to a libretto by {{LinkName|Modest|Tchaikovsky}}, based on a story by {{LinkName|Friedrich Heinrich Karl|La Motte-Fouqué}}<br />
|-<br />
| 227 <br />
| — <br />
| '''Song of Triumphant Love''' (Песнь торжествуюшей любви)<br />
| <br />
| <br />
| 1887 <br />
| Vocal<br />
| unrealized sketches for a vocal piece<br />
|-<br />
| 228 <br />
| — <br />
| '''Waltz'''<br />
| pf<br />
| E major <br />
| 1887 <br />
| Keyboard<br />
| unrealized sketch for a piano piece<br />
|-<br />
| 229 <br />
| — <br />
| '''Songs on French Texts''' (3): <br />
| v pf<br />
| <br />
| 1888 <br />
| Vocal <br />
| unrealized sketches for TH 108<br />
|-<br />
| 229/1<br />
| — <br />
| <ul>''Lamento'' (''Жалоба'')</ul><br />
| v pf<br />
| G minor<br />
| 1888 <br />
| Vocal <br />
| unrealized sketches for TH 108<br />
|-<br />
| 229/2<br />
| — <br />
| <ul>''Mai'' (''Май'')</ul><br />
| v pf<br />
| A major<br />
| 1888 <br />
| Vocal <br />
| unrealized sketches for TH 108<br />
|-<br />
| 229/3<br />
| — <br />
| <ul>''Elle est malade'' (''Она больна'')</ul><br />
| v pf<br />
| A minor<br />
| 1888 <br />
| Vocal <br />
| unrealized sketches for TH 108<br />
|-<br />
| 230 <br />
| — <br />
| '''La bayadère''' (Баяадерка)<br />
| <br />
| <br />
| 1888 <br />
| Stage<br />
| unrealized opera in 3 acts, to a libretto by {{LinkName|Ippolit|Shpazhinsky}}, based on a story by {{LinkName|Johann Wolfgang von|Goethe}}<br />
|-<br />
| 231 <br />
| — <br />
| '''Sadia''' (Куртезанка)<br />
| <br />
| <br />
| 1888–91 <br />
| Stage<br />
| also known as ''The Courtesan''' (Куртезанка); unrealized opera to a libretto by {{LinkName|Louis|Gallet}} and {{LinkName|Léonce|Détroyat}}, based on a story by {{LinkName|Johann Wolfgang von|Goethe}}<br />
|-<br />
| 232 <br />
| — <br />
| '''Suite'''<br />
| <br />
| D minor <br />
| 1889–90? <br />
| Orchestral<br />
| unrealized sketch for Andante. <br />
|-<br />
| 233 <br />
| — <br />
| '''Béla''' (Бэла)<br />
| <br />
| <br />
| 1889–93 <br />
| Stage<br />
| unrealized opera to a libretto by {{LinkName|Anton|Chekhov}} or {{LinkName|Vladimir|Namirovich-Danchenko}}, based on a story by {{LinkName|Mikhail|Lermontov}}<br />
|-<br />
| 234 <br />
| 66a <br />
| '''[[The Sleeping Beauty (suite), Op.66a (Tchaikovsky, Pyotr)|The Sleeping Beauty]]''' (Спящая красавица)<br />
| orch <br />
| <br />
| 1890 <br />
| Orchestral<br />
| unrealized suite from TH 13;, completed posthumously by others. <br />
|-<br />
| 235 <br />
| — <br />
| '''Concerto for 2 Pianos'''<br />
| 2pf (orch?)<br />
| <br />
| 1891–92? <br />
| Orchestral<br />
| unrealized concerto<br />
|-<br />
| 236 <br />
| — <br />
| '''Cello Sonata'''<br />
| vc pf<br />
| G major <br />
| 1891 <br />
| Chamber<br />
| unrealized sketch for Allegro. <br />
|-<br />
| 237 <br />
| — <br />
| '''Do Not Wake, My Friend''' (Не просыпайся, мой друг)<br />
| v pf<br />
| A minor <br />
| 1892–92? <br />
| Vocal <br />
| unrealized sketch. <br />
|-<br />
| 238 <br />
| — <br />
| '''[[Symphony in E-flat major, TH 238 (Tchaikovsky, Pyotr)|Symphony]]'''<br />
| orch <br />
| E{{flat}} major <br />
| 1892 <br />
| Orchestral <br />
| unfinished; performing version realized posthumously by {{LinkName|Semyon|Bogatyryov}}; sketches re-used in TH 65, TH 241 and TH 151/10. <br />
|-<br />
| 239 <br />
| — <br />
| '''Nocturne'''<br />
| pf <br />
| B major <br />
| 1893 <br />
| Keyboard <br />
| unrealized sketch for TH 151. <br />
|-<br />
| 240 <br />
| — <br />
| '''Etude'''<br />
| pf<br />
| E{{flat}} major <br />
| 1893 <br />
| Keyboard <br />
| unrealized sketch for TH 151. <br />
|-<br />
| 241 <br />
| 79 <br />
| '''[[Andante and Finale, Op.79 (Tchaikovsky, Pyotr)|Andante and Finale]]'''<br />
| pf orch <br />
| B{{flat}} major/E{{flat}} major <br />
| 1893 <br />
| Orchestral <br />
| unfinished sketches for TH 75, based on 2nd and 4th movts. from TH 238; completed posthumously by {{LinkName|Sergey|Taneyev}}. <br />
|-<br />
| 242 <br />
| — <br />
| '''Momento lirico''' (Лирический момент)<br />
| pf <br />
| G major <br />
| 1893 <br />
| Keyboard <br />
| unrealized sketch<br />
|-<br />
| 243 <br />
| — <br />
| '''March'''<br />
| <br />
| <br />
| 1893 <br />
| Keyboard <br />
| on Belorussian and Ukrainian folk-tunes; unrealized sketches. <br />
|-<br />
| 244 <br />
| — <br />
| '''The Sad Fortunes of the Reverend Amos Barton''' (Печальная судьба преподобного Амоса Бартона)<br />
| <br />
| <br />
| 1893 <br />
| Stage <br />
| unrealized opera, based on a story by {{LinkName|George|Eliot}}. <br />
|-<br />
| 245 <br />
| — <br />
| '''Mr Gilfil&#39;s Love Story''' (Любовь Мистера Гильфиля)<br />
| <br />
| <br />
| 1893 <br />
| Stage <br />
| unrealized opera, based on a story by {{LinkName|George|Eliot}}. <br />
|-<br />
| 246 <br />
| — <br />
| '''Adam Bede''' (Адам Беде)<br />
| <br />
| <br />
| 1893 <br />
| Stage <br />
| unrealized opera, based on a story by {{LinkName|George|Eliot}}. <br />
|-<br />
| 247 <br />
| — <br />
| '''Flute Concerto'''<br />
| fl orch <br />
| C major <br />
| 1893 <br />
| Orchestral <br />
| unrealized sketches<br />
|-<br />
| 248 <br />
| — <br />
| '''Pieces for Violin'''<br />
| vn<br />
| <br />
| 1893 <br />
| Chamber<br />
| unrealized project<br />
|-<br />
| 249 <br />
| — <br />
| '''Cello Concerto'''<br />
| vc orch <br />
| B minor <br />
| 1893 <br />
| Orchestral <br />
| unrealized sketches; performing version based on Tchaikovsky&#39;s themes completed by {{LinkName|Yuriy|Leonovich}} (2006)<br />
|-<br />
| 250 <br />
| — <br />
| '''The Complicated Case''' (Мудреный слючай)<br />
| v pf<br />
| <br />
| 1893? <br />
| Vocal <br />
| unrealized sketch for voice with piano, to words by Pyotr Shumakher <br />
|-<br />
| 251 <br />
| — <br />
| '''Eternity in an Instant''' (Вечность в мгновении)<br />
| v pf<br />
| <br />
| 1893? <br />
| Vocal <br />
| unrealized sketch to words by {{LinkName|Tatyana|Shchepkina-Kupernik}}<br />
|-<br />
| 252 <br />
| — <br />
| '''Waltz'''<br />
| vc pf/(orch?)<br />
| <br />
| 1893? <br />
| Chamber<br />
| unrealized sketch. <br />
|-<br />
| 253 <br />
| — <br />
| '''Fragments'''<br />
| pf (?)<br />
| <br />
| 1893? <br />
| Keyboard<br />
| miscellaneous sketches found with TH 252 <br />
|-<br />
| 254 <br />
| — <br />
| '''Piano Piece'''<br />
| pf<br />
| A minor <br />
| 1893? <br />
| Keyboard<br />
| fragment from an unidentified piece <br />
|-<br />
| 255 <br />
| — <br />
| '''[[Guide to the Practical Study of Harmony (Tchaikovsky, Pyotr)|Guide to the Practical Study of Harmony]]''' (Руководство к практическому изучению гармоний)<br />
| <br />
| <br />
| 1871 <br />
| Writings<br />
| text book for students. <br />
|-<br />
| 256 <br />
| — <br />
| '''A Short Study Manual of Harmony''' (Краткий учебник гармоний)<br />
| <br />
| <br />
| 1875 <br />
| Writings<br />
| &quot;Adapted for the study of church music in Russia&quot;; text book for students<br />
|}<br />
<br />
===Versions of Works by Others===<br />
<br />
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by {{LinkComp|Pyotr|Tchaikovsky}}. The name of the original composer and title of the original works are shown first, followed by details of Tchaikovsky's adaptation. <br />
<br />
====Anonymous/Traditional====<br />
* ''[[Student ditty: Gaudeamus igitur (Anonymous)|Gaudeamus igitur]]'', student song<br />
: Arranged for male chorus with piano (1874), TH 187<br />
* ''[[Hymn in Honour of Saints Cyril and Methodius (Tchaikovsky, Pyotr)|Hymn in Honour of Saints Cyril and Methodius]]'', traditional Czech hymn<br />
: Translated into Russian and arranged for mixed chorus by Tchaikovsky (1885), TH 79<br />
* ''It's Not the Wind That Bends the Branch'', Russian folksong<br />
: Harmonized for piano (1893), TH 194<br />
* ''[[50 Russian Folk Songs (Tchaikovsky, Pyotr)|50 Russian Folk Songs]]''<br />
: Arranged for piano 4 hands (1868–69), TH 176<br />
<br />
===={{Cat|Auber, Daniel François Esprit}}====<br />
* ''[[Le Domino noir (Auber, Daniel François Esprit)|Le Domino noir]]'', comic opera in 3 acts (1837)<br />
: Russian recitatives and chorus added (1868), TH 175<br />
<br />
===={{Cat|Bortniansky, Dmytro}}====<br />
* ''Complete Church Music'', collected in 10 volumes<br />
: Edited, and some numbers provided with piano accompaniment (1881), TH 190<br />
<br />
===={{Cat|Beethoven, Ludwig van}}====<br />
* [[Violin Sonata No.9, Op.47 (Beethoven, Ludwig van)|Violin Sonata No.9]] in A minor ("Kreutzer"), Op.47 (1803)<br />
: Opening of 1st movement arranged for orchestra (1863/64), TH 168<br />
<br />
===={{Cat|Cimarosa, Domenico}}====<br />
* ''[[Il Matrimonio Segreto (Cimarosa, Domenico)|Il Matrimonio Segreto]]'' (The Secret Wedding), opera in 2 acts (1792)<br />
: Trio ''Le faccio inchino'' (Act I, No 4) arranged for soprano, 2 mezzo-sopranos and orchestra (1870?), TH 179<br />
<br />
===={{Cat|Dargomyzhsky, Aleksandr}}====<br />
* {{LinkWorkN|The Golden Cloud Did Sleep||Dargomyzhsky|Aleksandr|0}}, trio for 3 voices and piano (1856)<br />
: Arranged for soprano, tenor, baritone and orchestra (1876?), TH 189<br />
* ''[[Kazachok (Dargomyzhsky, Aleksandr)|Kazachok]]'', fantasia for orchestra (1864)<br />
: Arranged for piano as ''Little-Russian Kazachok'' (1867?), TH 174 <br />
<br />
===={{Cat|Dubuque, Alexandre}}====<br />
* {{LinkWorkN|Dagmar-Polka||Dubuque|Alexandre|0}}, for piano (1866)<br />
: Arranged for orchestra (1866?) as ''Maria-Dagmar'' Polka, TH 171<br />
* ''Romance de Tarnowsky'' for piano (1868), arrangement of the romance ''I Remember All'' by Elizaveta Tarnovskaya<br />
: Arranged for piano 4 hands (1866/67?), TH 172<br />
<br />
===={{Cat|Gevaert, François-Auguste}}====<br />
* ''Traité général d’instrumentation'', textbook (1863)<br />
: Translated from French to Russian (1865), TH 329<br />
<br />
===={{Cat|Glinka, Mikhail}}====<br />
* ''[[A Life for the Tsar (Glinka, Mikhail)|A Life for the Tsar]]'', opera in 4 acts and epilogue (1836?)<br />
: Final chorus ''Glory'' (Славься) arranged for unison choir and string orchestra (1883), TH 191 (lost)<br />
* ''5 Italian Arias'' (1828?)<br />
: Translated from Italian to Russian (1877), TH 340<br />
<br />
===={{Cat|Gluck, Christoph Willibald}}====<br />
* ''[[Paride ed Elena, Wq.39 (Gluck, Christoph Willibald)|Paride ed Elena]]'' (Paris and Helen), opera (1770)<br />
: ‘O del mio dolce’ (also known as ‘O salutaris’) from Paride’s Aria in Act I (No.1) of the opera, arranged for voice and orchestra (1870), TH 178. For many years the authorship of the original aria was wrongly attributed to Alessandro Stradella, but recent scholarship has established that Gluck was the true composer<br />
<br />
===={{Cat|Gungl, János}}====<br />
* ''[[Le Retour (Gungl, János)|Le Retour]]'', waltz for piano, Op.82 (1854)<br />
: Arranged for orchestra (1864?), TH 170<br />
<br />
===={{Cat|Haydn, Joseph}}====<br />
* ''[[Gott erhalte Franz den Kaiser (Tchaikovsky, Pyotr)|Gott erhalte Franz den Kaiser]]'', Austrian national anthem (1797)<br />
: Arranged for orchestra (1874?), TH 185<br />
<br />
====Král, Karel====<br />
* ''Festival March'', for piano<br />
: Arranged for orchestra (1867), TH 173<br />
<br />
===={{Cat|Laroche, Herman}}====<br />
* ''[[Overture-Fantasia (Laroche, Herman)|Overture-Fantasia]]'' in D major (1888)<br />
: Arranged for orchestra (1888), TH 192<br />
<br />
===={{Cat|Liszt, Franz}}====<br />
* ''[[À la Chapelle Sixtine, S.461 (Liszt, Franz)|À la Chapelle Sixtine]]'', for solo piano (1865), S.461)<br />
: ''Ave Verum Corpus de Mozart'' (No.2), arrangement of the motet {{LinkWork|Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}<br />
: Arranged for orchestra as ''Pregheira'', 3rd movement of the [[Suite No.4, Op.61 (Tchaikovsky, Pyotr)|Suite No.4]] for orchestra ("Mozartiana"), Op.61 (1887), TH 34.<br />
* ''[[Es war ein König in Thule, S.278 (Liszt, Franz)|Es war ein König in Thule]]'', song (1842, rev.1856)<br />
: Arranged for baritone and orchestra (1874), TH 186, as ''Der König von Thule'' (Фульский король)<br />
<br />
===={{Cat|Lobe, Johann Christian}}====<br />
* {{LinkWorkN|Katechismus der Musik||Lobe|Johann Christian|0}} (Musical Catechism), textbook (1852)<br />
: Translated from German to Russian (1869), TH 333<br />
<br />
===={{Cat|Mamontova, Mariya}}====<br />
* ''[[Children's Songs on Russian and Ukrainian Tunes (Mamontova, Mariya)|Children's Songs on Russian and Ukrainian Tunes]]'', for voice and piano<br />
: Harmonized and edited (1872–77), TH 182<br />
<br />
===={{Cat|Menter, Sophie}}====<br />
* ''[[Hungarian Gypsy Melodies (Menter, Sophie)|Hungarian Gypsy Melodies]]'', for 2 pianos (1892?)<br />
: Arranged for piano and orchestra (1892), as ''Ungarische Zigeunerweisen'', TH 193<br />
<br />
===={{Cat|Meyerbeer, Giacomo}}====<br />
* ''[[Les Huguenots (Meyerbeer, Giacomo)|Les Huguenots]]'', grand opera in 5 acts (1836)<br />
: Urbain's cavatina "Une dame noble et sage" (Act I, No.12) translated from French to Russian (1868), TH 330<br />
<br />
===={{Cat|Mozart, Wolfgang Amadeus}}====<br />
* ''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)|Ave Verum Corpus]]'', motet for chorus, strings and organ (1791), K.618 — see ''Ave Verum Corpus de Mozart'' (Liszt, Franz)<br />
* ''Eine Kleine Gigue'' in G major, for piano (1789), K.574<br />
: Arranged for orchestra as ''Gigue'', 1st movement of the [[Suite No.4, Op.61 (Tchaikovsky, Pyotr)|Suite No.4]] for orchestra ("Mozartiana"), Op.61 (1887), TH 34<br />
* ''Fantasia'' in C minor, for piano (1785), K.475<br />
: Theme of the Andantino section used in Tchaikovsky's quartet ''[[Night (Tchaikovsky, Pyotr)|Night]]'' (1893), TH 88<br />
* ''Minuet'' in D major, for piano (1786–87), K.355 <br />
: Arranged for orchestra as ''Menuet'', 2nd movement of the [[Suite No.4, Op.61 (Tchaikovsky, Pyotr)|Suite No.4]] for orchestra ("Mozartiana"), Op.61 (1887), TH 34<br />
* ''[[Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus)|Le nozze di Figaro]]'', opera buffa (1786), K.492<br />
: Rdited and translated from Italian to Russian (1875), TH 188<br />
* ''Variations on "Unser dummel Pöbel meint" from Gluck's "Pilger von Mekka"'' in G major, for piano (1784), K.455<br />
: Arranged for orchestra as ''Thème et variations'', 4th movement of the [[Suite No.4, Op.61 (Tchaikovsky, Pyotr)|Suite No.4]] for orchestra ("Mozartiana"), Op.61 (1887), TH 34<br />
<br />
===={{Cat|Prokunin, Vasily}}====<br />
* ''[[65 Russian Folk Songs (Prokunin, Vasily)|65 Russian Folk Songs]]'', for voice and piano<br />
: Revised and edited (1872–73), TH 183<br />
<br />
===={{Cat|Rubinstein, Anton}}====<br />
* ''[[Don Quixote, Op.87 (Rubinstein, Anton)|Don Quixote]]'', comic musical picture for orchestra, Op.87 (1870)<br />
: Arranged for piano 4 hands (1871), TH 180<br />
* ''[[Ivan the Terrible, Op.79 (Rubinstein, Anton)|Ivan the Terrible]]'', characteristic musical picture for orchestra, Op.79 (1869)<br />
: Arranged for piano 4 hands (1869), TH 177<br />
* ''[[6 Lieder, Op.72 (Rubinstein, Anton)|6 Lieder]]'', Op.72 (1864)<br />
: Translated from German to Russian (1870–71?), TH 337<br />
* ''[[6 German Songs, Op.76 (Rubinstein, Anton)|6 German Songs]]'', Op.76 (1867)<br />
: Translated from German to Russian (1870–71?), TH 338<br />
* ''[[10 Lieder, Op.83 (Rubinstein, Anton)|10 Lieder]]'', Op.83 (1869)<br />
: Nos.1, 5 and 9 translated from German to Russian (1870–71?), TH 339<br />
* ''[[12 Lieder des Mirza-Schaffy, Op.34 (Rubinstein, Anton)|12 Lieder des Mirza-Schaffy]]'', Op.34 (1856)<br />
: Translated from German to Russian (1869), TH 334<br />
* ''[[6 Lieder von Heine, Op.32 (Rubinstein, Anton)|6 Lieder von Heine]]'', Op.32 (1856)<br />
: Nos.1 and 6 translated from German to Russian (1870-71?), TH 336<br />
<br />
===={{Cat|Schumann, Robert}}====<br />
* ''[[2 Balladen, Op.122 (Schumann, Robert)|2 Balladen]]'', for declamation with piano, Op.122 (1852)<br />
: ''Ballade vom Haideknaben'' (No.1) arranged for narrator and orchestra (1874), TH 184<br />
* ''[[Musikalische Haus- und Lebensregeln (Schumann, Robert)|Musikalische Haus- und Lebensregeln für junge Musiker]]'' (Rulebook for Young Musicians), textbook (1849)<br />
: Translated from German to Russian (1868), TH 331<br />
* ''[[Etudes after Paganini Caprices, Op.3 (Schumann, Robert)|Etudes after Paganini Caprices]]'', Op.3 (1832)<br />
: Preface translated from German to Russian (1869), TH 332<br />
* ''[[Symphonic Etudes, Op.13 (Schumann, Robert)|Symphonic Etudes]]'' for piano, Op.13 (1834–37)<br />
: ''Adagio'' (No.11) and ''Allegro brillante'' (No.12) arranged for orchestra (1863/64), TH 169<br />
<br />
===={{Cat|Stradella, Alessandro}}====<br />
* ''O, del mio dolce ardor'', aria — see ''Paride ed Elena'' (Gluck, Christoph Willibald)<br />
<br />
===={{Cat|Tarnovskaya, Yelizaveta}}====<br />
* [[I Remember All, Op.281 (Tarnovskaya, Yelizaveta)|''I Remember All'']], romance, Op.281 (1860s?) — see ''Romance de Tarnowsky'' (Dubuque, Alexandre)<br />
<br />
===={{Cat|Weber, Carl Maria von}}====<br />
* [[Piano Sonata No.1, Op.24 (Weber, Carl Maria von)|Piano Sonata No.1]] in C major ("Perpetuum mobile"), Op.24 (1812), J.138<br />
: ''Rondo'' (4th movement) arranged for piano left hand with new part for piano right hand (1871?), TH 181<br />
* [[Piano Sonata No.2, Op.39 (Weber, Carl Maria von)|Piano Sonata No.2]] in A{{flat}} major, Op.39 (1816), J.199<br />
: ''Menuetto capriccioso'' (3rd movement) arranged for orchestra (1863?), TH 167</div>
P.davydov
//imslp.org/wiki/Category:Rimsky-Korsakov,_Mikhail
Category:Rimsky-Korsakov, Mikhail
2023-12-27T15:55:31Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Михаил Николаевич Римский-Корсаков; Mikhail Nikolayevich Rimsky-Korsakov; Mikhail Nikolaevich Rimskiï-Korsakov<br />
|Born Year=1873|Born Month=09|Born Day=01<br />
|Died Year=1951|Died Month=03|Died Day=11<br />
|Nationality=Russian<br />
|Time Period=Early 20th century<br />
|Picture=Picture-Rimsky-Korsakov,_Mikhail.jpg<br />
|Sex=male<br />
|Biography Link=[[wikipedia:Mikhail_Rimsky-Korsakov|Wikipedia]]<br />
|Extra Information=Son of the composer {{LinkName|Nikolay|Rimsky-Korsakov}}<br />
}}</div>
P.davydov
//imslp.org/wiki/File:Picture-Rimsky-Korsakov,_Mikhail.jpg
File:Picture-Rimsky-Korsakov, Mikhail.jpg
2023-12-27T15:55:31Z
<p>P.davydov: </p>
<hr />
<div></div>
P.davydov
//imslp.org/wiki/Category:Vinnikov,_Viktor
Category:Vinnikov, Viktor
2023-12-25T21:19:39Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Виктор Владимирович Винников; Viktor Vladimirovich Vinnikov<br />
|Born Year=1903|Born Month=08|Born Day=10<br />
|Died Year=1975|Died Month=|Died Day=<br />
|Nationality=Russian<br />
|Nationality2=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[https://kkre-49.narod.ru/p/vinnikov.htm Biographical notes] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Wind_of_Freedom_(Dunayevsky,_Isaak)
Wind of Freedom (Dunayevsky, Isaak)
2023-12-25T21:19:20Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Vocal Scores===<br />
====Overture====<br />
=====For Piano=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1294114-Dunayevsky_Volny_veter_VS_1955_overture.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer?<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=[https://rusneb.ru/catalog/000200_000018_RU_NLR_DIGIT_84434/ РНБ]<br />
|Uploader=[[User:Іоахимъ|Іоахимъ]]<br />
|Date Submitted=2022/11/18<br />
|Publisher Information={{P|Muzfond|Muzykalny fond SSSR|Moscow||1955||969}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP1294114-Dunayevsky_Volny_veter_VS_1955_overture-4332.jpg<br />
|Misc. Notes=Part of the first edition of complete vocal score.<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Volny veter<br />
|Alternative Title=Вольный ветер; The Wind of Liberty : Operetta<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=3 (4?) acts, 5 tableaux<br />
|Number of Movements/Sections=3 (4?) acts, 5 tableaux<br>Overture and 21 musical numbers<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=1947<br />
|Year/Date of Composition=1947<br />
|Year of First Publication=1955<br />
|Librettist={{LinkLib|Viktor|Vinnikov|1903|1975}}<br>{{LinkLib|Vladimir|Kracht|1904|1972}}<br>{{LinkLib|Viktor|Tipot|1893|1960}}<br />
|Language=Russian<br />
|Piece Style=Early 20th century<br />
|External Links=[[wikipedia:ru:Вольный ветер|Wikipedia article (Russian)]]<br />
|Instrumentation=voices, mixed chorus (SATB), orchestra<br />
|Tags=operettas ; vv ch orch ; ru<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Category:Vinnikov,_Viktor
Category:Vinnikov, Viktor
2023-12-25T21:19:08Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Виктор Владимирович Винников; Viktor Vladimirovich Vinnikov<br />
|Born Year=1903|Born Month=08|Born Day=10<br />
|Died Year=1975|Died Month=|Died Day=<br />
|Nationality=Russian<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[https://kkre-49.narod.ru/p/vinnikov.htm Biographical notes] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Kracht,_Vladimir
Category:Kracht, Vladimir
2023-12-25T21:17:21Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Владимир Константинович Крахт; Vladimir Konstaninovich Kracht; Vladimir Krakht<br />
|Born Year=1904|Born Month=|Born Day=<br />
|Died Year=1972|Died Month=|Died Day=<br />
|Nationality=Russian<br />
|Nationality2=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[https://kkre-49.narod.ru/p/kraht.htm Biographical notes] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Kracht,_Vladimir
Category:Kracht, Vladimir
2023-12-25T21:16:01Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Владимир Константинович Крахт; Vladimir Konstaninovich Kracht; Vladimir Krakht<br />
|Born Year=1904|Born Month=|Born Day=<br />
|Died Year=1972|Died Month=|Died Day=<br />
|Nationality=Russian<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[https://kkre-49.narod.ru/p/kraht.htm Biographical notes] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Wind_of_Freedom_(Dunayevsky,_Isaak)
Wind of Freedom (Dunayevsky, Isaak)
2023-12-25T21:11:54Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Vocal Scores===<br />
====Overture====<br />
=====For Piano=====<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1294114-Dunayevsky_Volny_veter_VS_1955_overture.pdf<br />
|File Description 1=Complete Score<br />
|Arranger=Composer?<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=[https://rusneb.ru/catalog/000200_000018_RU_NLR_DIGIT_84434/ РНБ]<br />
|Uploader=[[User:Іоахимъ|Іоахимъ]]<br />
|Date Submitted=2022/11/18<br />
|Publisher Information={{P|Muzfond|Muzykalny fond SSSR|Moscow||1955||969}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP1294114-Dunayevsky_Volny_veter_VS_1955_overture-4332.jpg<br />
|Misc. Notes=Part of the first edition of complete vocal score.<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Volny veter<br />
|Alternative Title=Вольный ветер; The Wind of Liberty : Operetta<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=3 (4?) acts, 5 tableaux<br />
|Number of Movements/Sections=3 (4?) acts, 5 tableaux<br>Overture and 21 musical numbers<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=1947<br />
|Year/Date of Composition=1947<br />
|Year of First Publication=1955<br />
|Librettist={{LinkLib|Viktor Vladimirovich|Vinnikov|1903|1975}} (В. Винников)<br>{{LinkLib|Vladimir Konstantinovich|Kracht|1904|1972}} (В. Крахт)<br>{{LinkLib|Viktor|Tipot|1893|1960}}<br />
|Language=Russian<br />
|Piece Style=Early 20th century<br />
|External Links=[[wikipedia:ru:Вольный ветер|Wikipedia article (Russian)]]<br />
|Instrumentation=voices, mixed chorus (SATB), orchestra<br />
|Tags=operettas ; vv ch orch ; ru<br />
<br />
| *****COMMENTS***** =<br />
<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Category:Tipot,_Viktor
Category:Tipot, Viktor
2023-12-25T21:11:30Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Виктор Яковлевич Типот; Viktor Yakovlevich Tipot; Viktor Iakovlevich Tipot<br />
|Born Year=1893|Born Month=05|Born Day=13<br />
|Died Year=1960|Died Month=10|Died Day=20<br />
|Nationality=Soviet<br />
|Nationality2=Ukrainian<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:Типот,_Виктор_Яковлевич|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Tipot,_Viktor
Category:Tipot, Viktor
2023-12-25T21:11:19Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Виктор Яковлевич Типот; Viktor Yakovlevich Tipot; Viktor Iakovlevich Tipot<br />
|Born Year=1893|Born Month=05|Born Day=13<br />
|Died Year=1960|Died Month=10|Died Day=20<br />
|Nationality=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:Типот,_Виктор_Яковлевич|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/The_Straw_Hat_(Dunayevsky,_Isaak)
The Straw Hat (Dunayevsky, Isaak)
2023-12-25T21:07:41Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Vocal Score===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1295616-Dunayevsky_Solomennaya_shlyapka_VS_1971.pdf<br />
|File Description 1=3 Extracts<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Іоахимъ|Іоахимъ]]<br />
|Date Submitted=2022/11/20<br />
|Publisher Information={{P|Muzgiz|Sovyetsky Kompozitor|Moscow|1971|||с 1499 к}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP1295616-Dunayevsky_Solomennaya_shlyapka_VS_1971-493.jpg<br />
|Misc. Notes=''Collected Works'' (Собрание сочинений), vol. 10. Pp. 43-49.<br>Includes 3 numbers: куплеты Таверни; дуэт Феликса и Жоржетты; куплеты о физиатрии.<br>The librettist is named V. Mass (В. Масс), but it is not true.<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=The Straw Hat<br />
|Alternative Title=Соломенная шляпка<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=<br />
|Number of Movements/Sections=<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=1927<br />
|Year of First Publication=<br />
|Librettist={{LinkLib|Mikhail|Galperin|1882|1944}}, Russian version of original play by<br>{{LinkLib|Eugène|Labiche|1815|1888}} and {{LinkLib|Marc-Antoine-Amédée|Michel|1812|1868}}<br />
|Language=Russian<br />
|Piece Style=Early 20th century<br />
|Instrumentation=soloists, chorus (?), orchestra<br />
|Tags=operettas ; incidental music ; vv ch orch ; ru<br />
<br />
| *****COMMENTS***** =<br />
This composition is usually lised as operetta, but perhaps it is just incidental music.<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Category:Goldenberg,_Yakov
Category:Goldenberg, Yakov
2023-12-25T21:05:52Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Яков Маркович Гольденберг; Yakov Markovich Goldenberg; Iakov Markovich Goldenberg<br />
|Born Year=1891|Born Month=01|Born Day=04<br />
|Died Year=1963|Died Month=09|Died Day=24<br />
|Nationality=Russian<br />
|Nationality2=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:/Гольденберг,_Яков_Маркович|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Goldenberg,_Yakov
Category:Goldenberg, Yakov
2023-12-25T21:05:41Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Яков Маркович Гольденберг; Yakov Markovich Goldenberg; Iakov Markovich Goldenberg<br />
|Born Year=1891|Born Month=01|Born Day=04<br />
|Died Year=1963|Died Month=09|Died Day=24<br />
|Nationality=Russian<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:/Гольденберг,_Яков_Маркович|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Polar_Passions_(Dunayevsky,_Isaak)
Polar Passions (Dunayevsky, Isaak)
2023-12-25T21:03:32Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Vocal Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1295608-Dunayevsky_Polyarnye_strasti_VS_1971.pdf<br />
|File Description 1=Duo (Inka and Yulay) — Дуэт Иньки и Юлая<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Іоахимъ|Іоахимъ]]<br />
|Date Submitted=2022/11/20<br />
|Publisher Information={{P|Muzgiz|Sovyetsky Kompozitor|Moscow|1971|||с 1499 к}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP1295608-Dunayevsky_Polyarnye_strasti_VS_1971-8362.jpg<br />
|Misc. Notes=''Collected Works'' (Собрание сочинений), vol. 10. Pp. 58-67.<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Polyarnye strasti<br />
|Alternative Title=Полярные страсти; Polar Passions : Operetta<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=<br />
|Number of Movements/Sections=<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=<br />
|Year/Date of Composition=1929<br />
|Year of First Publication=<br />
|Librettist={{LinkLib|Abram|Argo|1897|1968}}<br>{{LinkLib|Yakov|Goldenberg|1891|1963}}<br />
|Language=Russian<br />
|Piece Style=Early 20th century<br />
|Instrumentation=soloists, chorus (?), orchestra<br />
|Tags=operettas ; vv ch orch ; ru<br />
<br />
| *****COMMENTS***** =<br />
No complete edition published?<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov
//imslp.org/wiki/Category:Argo,_Abram
Category:Argo, Abram
2023-12-25T21:03:06Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Абрам Маркович Арго; Абрам Маркович Гольденберг; Abram Markovich Argo; Abram Markovich Goldenberg<br />
|Born Year=1897|Born Month=02|Born Day=14<br />
|Died Year=1968|Died Month=4|Died Day=13<br />
|Nationality=Russian<br />
|Nationality2=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:Арго,_Абрам_Маркович|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Argo,_Abram
Category:Argo, Abram
2023-12-25T21:02:43Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Абрам Маркович Арго; Абрам Маркович Гольденберг; Abram Markovich Argo; Abram Markovich Goldenberg<br />
|Born Year=1897|Born Month=02|Born Day=14<br />
|Died Year=1968|Died Month=4|Died Day=13<br />
|Nationality=Russian<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:Арго,_Абрам_Маркович|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Aduyev,_Nikolay
Category:Aduyev, Nikolay
2023-12-25T20:59:34Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Николай Альфредович Адуев; Nikolay Alfredovich Aduyev; Nikolaï Al'fredovich Aduev; Николай Альфредович Рабинович; Nikolay Alfredovich Rabinovich<br />
|Born Year=1895|Born Month=09|Born Day=15<br />
|Died Year=1950|Died Month=04|Died Day=11<br />
|Nationality=Russian<br />
|Nationality2=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:ru:Адуев,_Николай_Альфредович|Wikipedia]] (Russian)<br />
|Extra Information=<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Antimonov,_Sergey
Category:Antimonov, Sergey
2023-12-25T20:59:18Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Сергей Иванович Антимонов; Sergey Ivanovich Antimonov; Sergeï Ivanovich Antimonov<br />
|Born Year=1880|Born Month=06|Born Day=15<br />
|Died Year=1954|Died Month=05|Died Day=08<br />
|Nationality=Russian<br />
|Nationality2=Soviet<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:Антимонов,_Сергей_Иванович|Wikipedia]] (Russian)<br />
|Extra Information=Some sources give birth/death dates as 1880/6/30 and 1954/9/7<br />
}}</div>
P.davydov
//imslp.org/wiki/Category:Antimonov,_Sergey
Category:Antimonov, Sergey
2023-12-25T20:59:06Z
<p>P.davydov: Create composer</p>
<hr />
<div>{{#fte:person<br />
|Alternate Names=Сергей Иванович Антимонов; Sergey Ivanovich Antimonov; Sergeï Ivanovich Antimonov<br />
|Born Year=1880|Born Month=06|Born Day=15<br />
|Died Year=1954|Died Month=05|Died Day=08<br />
|Nationality=Russian<br />
|Time Period=Early 20th century<br />
|Sex=male<br />
|Biography Link=[[wikipedia:Антимонов,_Сергей_Иванович|Wikipedia]] (Russian)<br />
|Extra Information=Some sources give birth/death dates as 1880/6/30 and 1954/9/7<br />
}}</div>
P.davydov
//imslp.org/wiki/Bridegrooms_(Dunayevsky,_Isaak)
Bridegrooms (Dunayevsky, Isaak)
2023-12-25T20:56:17Z
<p>P.davydov: </p>
<hr />
<div>{{#fte:imslppage<br />
<br />
| *****AUDIO***** =<br />
<br />
| *****FILES***** =<br />
===Vocal Scores===<br />
{{#fte:imslpfile<br />
|File Name 1=PMLP1295629-Dunayevsky_Bridegrooms_VS_1971.pdf<br />
|File Description 1=4 Extracts<br />
|Editor=<br />
|Image Type=Normal Scan<br />
|Scanner=<br />
|Uploader=[[User:Іоахимъ|Іоахимъ]]<br />
|Date Submitted=2022/11/20<br />
|Publisher Information={{P|Muzgiz|Sovyetsky Kompozitor|Moscow|1971|||с 1499 к}}<br />
|Copyright=Public Domain<br />
|Thumb Filename=TN-PMLP1295629-Dunayevsky_Bridegrooms_VS_1971-6494.jpg<br />
|Misc. Notes=Collected Works (Собрание сочинений), vol. 10. Pp. 24-42.<br>Includes 4 numbers: ариетта вдовы; квартет женихов; куплеты маркера; ариетта маркера.<br />
}}<br />
<br />
| *****WORK INFO*****<br />
<br />
|Work Title=Bridegrooms<br />
|Alternative Title=Женихи : Operetta<br />
|Opus/Catalogue Number=<br />
|Key=<br />
|Movements Header=3 acts, 5 tableaux<br />
|Number of Movements/Sections=3 acts, 5 tableaux<br />
|Average Duration=<br />
|Dedication=<br />
|First Performance=1927, December, Moscow<br />
|Year/Date of Composition=1927<br />
|Year of First Publication=<br />
|Librettist={{LinkLib|Nikolay|Aduyev|1895|1950}} <br>{{LinkLib|Sergey|Antimonov|1880|1954}}<br />
|Language=Russian<br />
|Piece Style=Early 20th century<br />
|Instrumentation=soloists, orchestra<br />
|Tags=operettas ; vv orch ; ru<br />
<br />
| *****COMMENTS***** =<br />
Probably no chorus.<br />
<br />
<br />
| *****END OF TEMPLATE***** }}</div>
P.davydov