IMSLP - User contributions [en]

Fantasias for Organ, BWV 570-573 (Bach, Johann Sebastian)

2009-08-14T20:36:02Z

Quinyu:

{{#fte:imslppage

| *****FILES***** =

===Full Scores===
{{#fte:imslpfile
|File Name 1=Bach_-_BGA_-_BWV_570.pdf
|File Description 1=BWV 570 — Fantasia in C major
|Editor=Ernst Naumann
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/3/13
|Page Count 1=2
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] 1851-1899'' Band 38. Leipzig: [[Breitkopf & Härtel]], (1891), plate B.W. XXXVIII
|Copyright=Public Domain
|Sample Filename 1=Bach_-_BGA_-_BWV_570.png
|Misc. Notes=
|File Name 2=PMLP10759-JSB_-_Fantasy_in_C_BWV570.pdf
|File Description 2=Retypeset complete score of BWV570
|Page Count 2=2
|Editor=
|Image Type=Typeset
|Scanner=Peter Sisak
|Uploader=[[User:Quinyu|Peter Sisak]]
|Date Submitted=2009/8/14
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=High quality
|File Name 3=Bach_-_BGA_-_BWV_571.pdf
|File Description 3=BWV 571 — Fantasia (Concerto) in G major (spurious)
|Page Count 3=8
|Sample Filename 3=Bach_-_BGA_-_BWV_571.png
|File Name 4=Bach_-_BGA_-_BWV_572.pdf
|File Description 4=BWV 572 — Fantasia in G major
|Page Count 4=9
|Sample Filename 4=Bach_-_BGA_-_BWV_572.png
|File Name 5=Bach_-_BGA_-_BWV_573.pdf
|File Description 5=BWV 573 — Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
|Page Count 5=1
|Sample Filename 5=Bach_-_BGA_-_BWV_573.png
}}

===Arrangements and Transcriptions===
====Fantasia in G major, BWV 572====
=====For Piano 4 hands (Reger)=====
{{#fte:imslpfile
||File Name 1=PMLP10759-SIBLEY1802.4628.11483.252f-39087012867901fantasiagmajorcolorcover.pdf
|File Name 2=PMLP10759-SIBLEY1802.4628.11482.3916-39087012867901fantasiagmajor.pdf
|File Description 1=Color cover
|File Description 2=Complete score
|Page Count 1=1
|Page Count 2=22
|Editor=Max Reger (1873–1916), transcriber
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4628}}
|Uploader=[[User:Morel|Morel]]
|Date Submitted=2009/3/27
|Publisher Information=London: [[Augener]], n.d.(1890). Edition 6893. Plate 10698. ''Reprint'' — New York: [[G. Schirmer]], n.d.
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Piano (Bax)=====
{{#fte:imslpfile
||File Name 1=PMLP51277-Bax_-_Transcription_-_Bach_-_Fantasy_(7p).pdf
|File Description 1=Complete score
|Page Count 1=7
|Editor=Arnold Bax (1883–1953), transcriber
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Innocente|Innocente]]
|Date Submitted=2008/9/27
|Publisher Information=London: Oxford University Press, 1932.
|Copyright=Public Domain
|Misc. Notes=Excerpt from ''A Bach book for Harriet Cohen''
}}

| *****WORK INFO*****

|Work Title=Fantasias for Organ, BWV 570-573
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Genre=Piece_for_other_keyboards
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Fantasias for Organ, BWV 570-573 (Bach, Johann Sebastian)

2009-08-14T20:31:54Z

Quinyu: Added 1 files to Fantasias for Organ, BWV 570-573 (Bach, Johann Sebastian)

{{#fte:imslppage

| *****FILES***** =

===Full Scores===
{{#fte:imslpfile
|File Name 1=Bach_-_BGA_-_BWV_570.pdf
|File Description 1=BWV 570 — Fantasia in C major
|Editor=Ernst Naumann
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/3/13
|Page Count 1=2
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] 1851-1899'' Band 38. Leipzig: [[Breitkopf & Härtel]], (1891), plate B.W. XXXVIII
|Copyright=Public Domain
|Sample Filename 1=Bach_-_BGA_-_BWV_570.png
|Misc. Notes=
|File Name 2=Bach_-_BGA_-_BWV_571.pdf
|File Description 2=BWV 571 — Fantasia (Concerto) in G major (spurious)
|Page Count 2=8
|Sample Filename 2=Bach_-_BGA_-_BWV_571.png
|File Name 3=Bach_-_BGA_-_BWV_572.pdf
|File Description 3=BWV 572 — Fantasia in G major
|Page Count 3=9
|Sample Filename 3=Bach_-_BGA_-_BWV_572.png
|File Name 4=Bach_-_BGA_-_BWV_573.pdf
|File Description 4=BWV 573 — Fantasia in C major (incomplete, from the 1722 Notebook for Anna Magdalena Bach)
|Page Count 4=1
|Sample Filename 4=Bach_-_BGA_-_BWV_573.png
}}
===Arrangements and Transcriptions===
====Fantasia in G major, BWV 572====
=====For Piano 4 hands (Reger)=====
{{#fte:imslpfile
||File Name 1=PMLP10759-SIBLEY1802.4628.11483.252f-39087012867901fantasiagmajorcolorcover.pdf
|File Name 2=PMLP10759-SIBLEY1802.4628.11482.3916-39087012867901fantasiagmajor.pdf
|File Description 1=Color cover
|File Description 2=Complete score
|Page Count 1=1
|Page Count 2=22
|Editor=Max Reger (1873–1916), transcriber
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/4628}}
|Uploader=[[User:Morel|Morel]]
|Date Submitted=2009/3/27
|Publisher Information=London: [[Augener]], n.d.(1890). Edition 6893. Plate 10698. ''Reprint'' — New York: [[G. Schirmer]], n.d.
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Piano (Bax)=====
{{#fte:imslpfile
||File Name 1=PMLP51277-Bax_-_Transcription_-_Bach_-_Fantasy_(7p).pdf
|File Description 1=Complete score
|Page Count 1=7
|Editor=Arnold Bax (1883–1953), transcriber
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Innocente|Innocente]]
|Date Submitted=2008/9/27
|Publisher Information=London: Oxford University Press, 1932.
|Copyright=Public Domain
|Misc. Notes=Excerpt from ''A Bach book for Harriet Cohen''
}}
{{#fte:imslpfile
|File Name 1=PMLP10759-JSB_-_Fantasy_in_C_BWV570.pdf
|File Description 1=Retypeset complete score of BWV570
|Page Count 1=2
|Editor=
|Image Type=Typeset
|Scanner=Peter Sisak
|Uploader=[[User:Quinyu|Peter Sisak]]
|Date Submitted=2009/8/14
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=High quality
}}

| *****WORK INFO*****

|Work Title=Fantasias for Organ, BWV 570-573
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Genre=Piece_for_other_keyboards
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP10759-JSB - Fantasy in C BWV570.pdf

2009-08-14T20:31:53Z

Quinyu:

Gavotta, Introduzione ed Allegro, Giga (Vitali, Giovanni Battista)

2009-08-14T18:04:00Z

Quinyu: Added 1 files to Gavotta, Introduzione ed Allegro, Giga (Vitali, Giovanni Battista)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
||File Name 1=PMLP66995-Vitali-GB_Gavotta_etc_Str.pdf
|File Description 1=Complete Score
|Page Count 1=10
|Editor=Luigi Torchi (1858–1920)
|Image Type=Normal Scan
|Scanner=homerdundas
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/3/24
|Publisher Information={{ArteMusicaleItalia|5|1908|109158-64}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP66995-Vitali,_Giovanni_Battista_-_Gavotta,_Introduzione_ed_Allegro,_Giga.pdf
|File Description 1=Retypeset complete score
|Page Count 1=10
|Editor=
|Image Type=Typeset
|Scanner=Peter Sisak
|Uploader=[[User:Quinyu|Peter Sisak]]
|Date Submitted=2009/8/14
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=high quality
}}

| *****WORK INFO*****

|Work Title=Gavotta, Introduzione ed Allegro, Giga
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=1682
|Genre=Other (no more than 8 performers)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Strings and B.C.

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP66995-Vitali, Giovanni Battista - Gavotta, Introduzione ed Allegro, Giga.pdf

2009-08-14T18:03:59Z

Quinyu:

3 Chansons polonaises, Op.136 (Wolff, Édouard)

2009-08-13T07:20:15Z

Quinyu: Added 1 files to 3 Chansons polonaises, Op.136 (Wolff, Edward)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP74743-Wolff_op.136_Trois_Chansons_polonaises.pdf
|File Description 1=Complete score
|Page Count 1=14
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2009/6/16
|Publisher Information=Paris: Brandus et Cie., n.d. (ca.1846), plate B. et. Cie. 4636 Reprinted - New York: Garland Publishing Inc., 1993
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP74743-Wolff_Op_136_Trois_Chansons_polonaises.pdf
|File Description 1=re-typeset complete score
|Page Count 1=13
|Editor=
|Image Type=Typeset
|Scanner=Peter Sisak
|Uploader=[[User:Quinyu|Peter Sisak]]
|Date Submitted=2009/8/13
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=high quality
}}

| *****WORK INFO*****

|Work Title=3 Chansons polonaises, Op.136
|Alternative Title=
|Opus/Catalogue Number=Op.136
|Number of Movements/Sections=3
|Dedication=Henry Panofka
|Year/Date of Composition=
|Year of First Publication=
|Genre=Piano piece
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP74743-Wolff Op 136 Trois Chansons polonaises.pdf

2009-08-13T07:20:14Z

Quinyu:

Capriccio in F major, HWV 481 (Handel, George Frideric)

2009-08-10T22:51:53Z

Quinyu: Added 1 files to Capriccio in F, HWV 481 (Handel, George Frideric)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=Handel_-_Capriccio_in_F.pdf
|File Description 1=Complete Score (in russian)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Jujimufu|Jujimufu]]
|Date Submitted=2007/8/21
|Page Count 1=3 (#29-31)
|Publisher Information=Moscow: [[Muzgiz]], n.d., plate 12626
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}
{{#fte:imslpfile
|File Name 1=PMLP29655-Handel_-_Capriccio_in_F_HWV481.pdf
|File Description 1=Re-typeset score based on the already
|Page Count 1=
|Editor=
|Image Type=Typeset
|Scanner=Peter Sisak
|Uploader=[[User:Quinyu|Peter Sisak]]
|Date Submitted=2009/8/10
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Capriccio in F
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=1
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Genre=Piano piece
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=1 Piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP29655-Handel - Capriccio in F HWV481.pdf

2009-08-10T22:50:35Z

Quinyu:

User talk:Vinteuil

2009-08-10T19:58:24Z

Quinyu:

{{graysmallbox|'''For an archive of discussions on this page, please go to [[User talk:Perlnerd666/Archive]].'''}}
==='' '''Please place all messages at the ''end'' of the page.''' ''===
__TOC__

== good Night, Good night and Good Night ==

*1.Where is the content of the List of Compositions featuring Organ+ and Harpsichord+??
Its absolutely a usefull list dealing with different kinds of b.c. music and organ/harpsichord in different constallations.
Read some critic from TOLENTINO, but he points out that he is incompetent.Well I am not.I am a professional organist.Can I have it back please???

*2.I can see that you have introduced two new lists :
one for organ and one for harpsichord.
Its already exsisting one list for organ and harpsichord solo.Its totally been used over 100000 times already
(Proves that it serves it purpose)
This list is almost complete and gives a good overwiew of the content on IMSLP.
The reason why i wanted to have organ and harpsichord music in one list is obvious. A lot of the music in the baroque periode is written without specification of instrument.Some of the music are probably written for organ but also played on harpsichord.etc.
(I have tried to keep this music on the organ list with comments on the side...Still working on it).
Its simply gives a better overwiew to keep it in this way
This list have a stylistic approach too.
It seems that you now plan to make lists that are:
1.Without completness (Give no indication of the real content of Imslp.)
2.Without a stylistic approach, its all mixed up (nations and styles)
Conclution
THIS IS ABSOLUTELY NOT BETTER
I thought the spirit of IMSLP was to cooperate, not to redo things in a bad way.
[[User:Normus|Normus]] 21:57, 21 July 2009 (UTC)
:OK - will be reverted - the lists were already there - I just added the category.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:59, 21 July 2009 (UTC)
::Done.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:01, 21 July 2009 (UTC)
Thank you [[User:Normus|Normus]] 23:48, 21 July 2009 (UTC)

== Denkmäler der Tonkunst in Österreich. ==

All volumes are urtext and should be tagged accordingly. Thanks, [[User:Carolus|Carolus]] 06:17, 23 July 2009 (UTC)
:Wasn't sure. Thanks.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:40, 23 July 2009 (UTC)

== PLP ==

(from my talk page, re: forum thread) Actually it's ''Petrucci Library Press'' not ''Petrucci Library Publishing''. Other than that detail, yes, it looks fine. [[User:Carolus|Carolus]] 22:33, 23 July 2009 (UTC)

Ottaviano (as in Ottaviano Petrucci) is a pseudonym available to any who do not want to draw attention to themselves. In light of my 'day job', I like to keep a low profile. [[User:Carolus|Carolus]] 19:37, 25 July 2009 (UTC)
:Very nice. Could you email me the password? It could be very useful.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:40, 25 July 2009 (UTC)
No password needed, just use it as you wish. I expect Carmar and myself are the main users of it, I changed one of Pierre Chepeov's uploads at his request also. This isn't something that needs to be announced, naturally. If a user send a message about being afraid of getting in trouble with a library, etc. (because of the ridiculous idea some libraries seem to have about having a de-facto copyright on their public domain holdings), tell them to use Ottaviano. He's sort of the patron saint of this project, after all. :) 19:55, 25 July 2009 (UTC)
:OK. Well, the email sent is kind of superfluous now. -- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:57, 25 July 2009 (UTC)
Incidentally, it won't let me login without a password.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:58, 25 July 2009 (UTC)
:Email received. Are you reading this, Leonard and Peter?-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 15:36, 27 July 2009 (UTC)

== Ralph Theo Misch ==

Thank you very much for thy rapid reaction - incredible! But here in Germany it's late now (02:14) and I have to look for nearly every word in my dictionary. So I'll answer you tomorrow. Best wishes, Ralph Theo Misch, July 28, 2009.
:Well, you're welcome! And it's still very good (although thy is slightly outdated)-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:44, 27 July 2009 (UTC)

==FLAT==
By the way... is it possibly to use <nowiki>{{flat}}</nowiki> in titles of works... I keep getting 'Invalid title'.
:No...It's a template - so it doesn't work in titles.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:57, 27 July 2009 (UTC)
::And you've also stopped using your signature...-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:57, 27 July 2009 (UTC)
:1. Thanks.
:2. Oops... here it is >>>> --[[User:Homerdundas|Homerdundas]] 00:04, 28 July 2009 (UTC)
:::Ah, and yes, I knew it was you (who else? ;)-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:06, 28 July 2009 (UTC)

== Instrumentation shorthand on [[:Category:Berlioz, Hector|Berlioz]] pages ==

Hi Snailey,

I notice you're lengthening out the Instrumentation fields on a number of pages; can I suggest you be a little more careful with the Berlioz ones? The specifications for most of the works were entered by me directly from the [[File:Bärenreiter NBE Catalogue 2002.pdf|catalogue of the New Berlioz Edition]], so they're usually more accurate than the designation of instruments derived from the old Breitkopf & Härtel edition of Malherbe/Weingartener. Also, you've mangled some of them. For example,

*picc/2(picc) does not mean Piccolo, 2 Flutes/Piccolos; if both flutes were meant to be doubling piccolos, the shorthand would be picc/2(2picc). Instead the correct expansion is Piccolo, 2 Flutes (1 doubling Piccolo). I've seen the same problem repeated in the other woodwind choirs, also.
*small choir, 2 large choirs (ATB): this was a mistake on my part, since it's the small choir which is ATB, not the large choirs. In any case 3 Choirs (ATB) is wrong: Semichorus (ATB), 2 Choirs (STB) would be closer to the mark.
*timp (2), perc (4) should actually be expanded to Timpani (2 sets), Percussion (4 players): Timpani, Percussion doesn't accurately reflect the specification.

Perhaps leave the shorthand behind somewhere else on the page, or in the instrumentation field after a line eak perhaps? For absolute economy of description, shorthand is useful (believe it or not). [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User_talk:Pml|talk]] 00:04, 30 July 2009 (UTC)
:Oops. I actually just thought of that (the Mahler, however is correct). However, I think that longhand is more useful to many people (especially numbers for the Schubert - could mean anything to most people).-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:07, 30 July 2009 (UTC)
::I wasn't suggesting the longhand wasn't useful, merely that the shorthand (though redundant) might be worth keeping. Hmm, looks like you've still got multiple ophicleïde but no percussion listed for [[Harold en Italie, H 68 (Berlioz, Hector)|Harold in Italy]]... and what happened to the harp? (edit) [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User_talk:Pml|talk]] 00:55, 30 July 2009 (UTC)
Sorry - I don't care much for that piece, I guess it must show ;)
 How so could we keep it? I've been thinking about that. The problem is that shorthand is supposed to save space, and *ahem*, we're not saving any space by having redundant text (that came out a lot worse than I thought). However, I think that we can all agree about the fact that the numbers that were there for Schubert were all but unusable for the vast majority of people.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:58, 30 July 2009 (UTC)

== Hello ==

Thanks for the welcome. I wanted to make the list because I am tired of having to dig through mounds of articles to find something that I can actually play. On a sidenote, how did you compile that list so fast??? Thanks so much for doing that!

== Thanks ==

Ok, sorry about that. I had mistakenly edited it, but fixed it.

[[User:Pcfreak101|Pcfreak101]] 00:05, 31 July 2009 (UTC)

== Jeux ==

Thanks, Company arrived. Gotta go. [[User:Carolus|Carolus]] 02:27, 31 July 2009 (UTC)

== Admin ==

Hi Snailey. Thanks for the invitation, and I've responded in the affirmative :-) — [[User:P.davydov|P.davydov]] 16:39, 3 August 2009 (UTC)

== Freie Verienigung zur Förderung guter Guitaremusik ==

Hello, Perlnerd666, I've corrected the spelling of the title, but I don't know how to correct the title of the work page (technically). Regards from [[User:Ralph Theo Misch|Ralph Theo Misch]], 01:21 (MEZ), August 5, 2009
:Just use "Move" at the top of the page (next to "history).-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:42, 5 August 2009 (UTC)
:Thank you for your answer! I've already talked to Homerdundas. It's his page. Regards fom [[User:Ralph Theo Misch|Ralph Theo Misch]], 01:022 (MEZ), August 5, 2009

== user name ==

Is it possible to change one's user name? --[[User:Robert.Allen|Robert.Allen]] 21:34, 5 August 2009 (UTC)
:No, sorry! However, you can change what appears on your signature in "Preferences," which is almost as good (e.g. I never considered making Snailey my username, but I like it as a signature).-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:19, 5 August 2009 (UTC)
::Does that just mean you proceed with all due deliberation? --[[User:Robert.Allen|Robert.Allen]] 22:22, 5 August 2009 (UTC)
:::Yep.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:25, 5 August 2009 (UTC)
::::No problem. Thanks for the help! --[[User:Robert.Allen|Robert.Allen]] 19:35, 6 August 2009 (UTC)

== Recordings Section ==

After adding the <tt>|Recordings=</tt> feature to the work page, I realized that it wrecked havoc on the add file function, since people will likely put it before the WORK INFO section (and which would break the add file function). The only reasonable solution to fix it short of a complete code rewrite of that chunk of code is to rename it to <tt>|NCRecordings=</tt> so that it does not collide with the file-level <tt>|Recordings=</tt>, and the add file page will make an exception for it.

Hence, you will need to change all the pages that you previously added recordings to <tt>|NCRecordings=</tt>.
:No problem. Thanks for the notice.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 02:07, 6 August 2009 (UTC)
Sorry for this! I've tried many things and this is the only sane solution. --[[User:Feldmahler|Feldmahler]] 00:19, 6 August 2009 (UTC)
:Really, no problem. All tracked down and updated!-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 02:19, 6 August 2009 (UTC)

== Good to be back! ==

Thanks for the message...I've been continuing to lurk daily, just haven't had a chance to contribute much. Plus there seems to be a lot more people now who are active importing scans from other collections such as Sibley.

I've been even more busy than usual - work is still crazy - but a lot of the "busy" now is a good kind, because it is all about music. My husband and I are involved in running our church choir (which continues to get bigger and more enthusiastic) and there is a local amateur orchestra trying to form, which wants to collaborate with our choir as well as steal me and my alto flute.

IMSLP is looking fantastic, it just gets bigger and better every day, and I am constantly surprised by how few people know about this amazing resource.

[[User:Aldona|Aldona]] 20:57, 6 August 2009 (UTC)

== List of Compositions Featuring the Harmonium ==

Hi Perlnerd666, thanks for your help! All for today. I only wanted to start.
[[User:Ralph Theo Misch|Ralph Theo Misch]], 02:31 (MEZ), August 7, 2009

== Thank you ==

Thank you, Snailey. I have some more works to upload, but the scores are on another computer, at my studio. I will copy they, probably tomorrow night. Thank you for the nice words. --[[User:Ggianelli|Ggianelli]] 03:03, 7 August 2009 (UTC)

== Cui award ==

Hi Snailey. Thanks for the award! Ironically, Tchaikovsky and Cui didn't usually see eye-to-eye, so it's an unusual choice :-) — [[User:P.davydov|P.davydov]] 18:49, 10 August 2009 (UTC)
:Yes, I know...Mussorgsky or Rimsky would be better among the Mighty Five - perhaps we should have chosen Glinka when the award was made (you are not the first to receive it).-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:48, 10 August 2009 (UTC)

== Refrain ==

Yup, okay I will. Furthermore, I will key in more works, mostly ones that I find fun to key in, actually -- but if you indeed have one that you'd prefer to see Lilypond'd in a short time since it is one favourite of yours, do not hesitate to name it. I might just as well pick that one as my next (currently, "Random page" helps me the most.) [[User:Quinyu|Quinyu]] 19:58, 10 August 2009 (UTC)

User:Quinyu

2009-08-10T19:51:35Z

Quinyu: Created page with 'Օհ ƕ țħęŗḛ.'

Օհ ƕ țħęŗḛ.

User talk:Quinyu

2009-08-10T19:40:24Z

Quinyu: Blanked the page

User talk:Quinyu

2009-08-10T16:53:09Z

Quinyu: Yup, I am myself. Thanks for reminding me.

Al bel lume d'un bel volto (Rossi, Luigi)

2009-08-10T09:09:10Z

Quinyu: Added 1 files to Al bel lume d'un bel volto (Rossi, Luigi)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
||File Name 1=PMLP67813-Rossi-L_Bel_Lume.pdf
|File Description 1=Complete Score
|Page Count 1=4
|Editor=Luigi Torchi (1858–1920)
|Image Type=Normal Scan
|Scanner=University Music Editions
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/4/1
|Publisher Information={{ArteMusicaleItalia|3|1908|103034}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP67813-Rossi_-_Bel_Lume.pdf
|File Description 1=retypeset complete score
|Page Count 1=4
|Editor=
|Image Type=Typeset
|Scanner=Peter Sisak
|Uploader=[[User:Quinyu|Quinyu]]
|Date Submitted=2009/8/10
|Publisher Information=
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=switched from soprano clefs to standard treble
}}

| *****WORK INFO*****

|Work Title=Al bel lume d'un bel volto
|Alternative Title=
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=
|Genre=Aria
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=Voices and B.C.

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP67813-Rossi - Bel Lume.pdf

2009-08-10T09:07:55Z

Quinyu:

List of works by Wolfgang Amadeus Mozart

2009-07-04T14:13:25Z

Quinyu: upped score, added link

'''Announcement:''' A better version of this table is in preparation (with proper sorting features, which this one has had enabled by adding a single word: “sortable”). I suggest no one should attempt to edit this table until it is supplanted by the revised version. [[User_talk:Pml|PML]] 13:40, 8 December 2008 (AEDT)

The following list is coming from [http://en.wikipedia.org/wiki/K%C3%B6chel-Verzeichnis Wikipedia].
==List==
{| class="sortable wikitable"
! K1
! K6
! Composition
! Date
! Place
|-
|
| 1a
| Andante in C for keyboard
| Early 1761
| Salzburg
|-
|
| 1b
| Allegro in C for Keyboard
| Early 1761
| Salzburg
|-
|
| 1c
| Allegro in F for Keyboard
| 11 December 1761
| Salzburg
|-
|
| 1d
| Minuet in F for Keyboard
| 16 December 1761
| Salzburg
|-
| 1
| 1e
| Minuet in G for Keyboard
| December 1761 - January 1762
| Salzburg
|-
| 1
| 1f
| Minuet in C for Keyboard
| December 1761 - January 1762
| Salzburg
|-
| 6
| 6
| Sonata in C for Violin and Keyboard
| 1762 - 1764
| Salzburg or Paris
|-
| 7
| 7
| Sonata in D for Violin and Keyboard
| 1762 - 1764
| Salzburg or Paris
|-
| 2
| 2
| Minuet in F for Keyboard
| January 1762
| Salzburg
|-
| 3
| 3
| Allegro in B flat for Keyboard
| 4 March 1762
| Salzburg
|-
| 4
| 4
| Minuet in F for Keyboard
| 11 May 1762
| Salzburg
|-
| 5
| 5
| Minuet in F for Keyboard
| 5 July 1762
| Salzburg
|-
|
| 5a
| Allegro in C for Keyboard
| Summer 1763
|
|-
| 8
| 8
| Sonata in B flat for Violin and Keyboard
| 1763 - 1764
| Paris
|-
| 9
| 9
| Sonata in G for Violin and Keyboard
| 1763 - 1764
| Paris
|-
| 10
| 10
| Sonata in B flat for Harpsichord, Violin (Flute) and Cello
| 1764
| London
|-
| 11
| 11
| Sonata in G for Harpsichord, Violin (Flute) and Cello
| 1764
| London
|-
| 12
| 12
| Sonata in A for Harpsichord, Violin (Flute) and Cello
| 1764
| London
|-
| 13
| 13
| Sonata in F for Harpsichord, Violin (Flute) and Cello
| 1764
| London
|-
| 14
| 14
| Sonata in C for Harpsichord, Violin (Flute) and Cello
| 1764
| London
|-
| 15
| 15
| Sonata in B flat for Harpsichord, Violin (Flute) and Cello
| 1764
| London
|-
| 16
| 16
| [[Symphony_No.1_%28Mozart%2C_Wolfgang_Amadeus%29|Symphony in E-flat, No. 1]]
| 1764
| London
|-
| 19
| 19
| [[Symphony No.4 (Mozart, Wolfgang Amadeus)|Symphony in D, No. 4]]
| 1765
| London
|-
| 223
| 19a
| Symphony in F
| ~1765
| London?
|-
| 21
| 19c
| Aria for Tenor, "Va, dal furor portata"
| 1765
| London
|-
|
| 15a - 15ss
| 44 Untitled Pieces, "London Sketchbook"
| 1765
| London
|-
|
| 19d
| Sonata in C for Keyboard Four - Hands
| May 1765
| London
|-
| 20
| 20
| Motet in G minor, "God is Our Refuge"
| July 1765
| London
|-
| 23
| 23
| Aria for Soprano "Conservati fedele"
| October 1765
| The Hague
|-
| 22
| 22
| [[Symphony No.5 (Mozart, Wolfgang Amadeus)|Symphony in B flat, No. 5]]
| December 1765
| The Hague
|-
| Anh. 220
| 16a
| Symphony in A minor, "Odense"
| Late 1760s
| Salzburg?
|-
| 78
| 73b
| Aria for Soprano, "Per pietà, bell'idol mio"
| ''c.'' 1766
|
|-
| 79
| 73d
| Recitative and Aria for Soprano, "O temerario Arbace"
| ''c.'' 1766
|
|-
| 24
| 24
| 8 Variations in G on "Laat ons Juichen"
| January 1766
| The Hague
|-
| Anh. 221
| 45a
| Symphony in G, "Lambach"
| Late 1765 - Early 1766
| The Hague
|-
| 25
| 25
| 7 Variations in D on "Willem van Nassau"
| February 1766
| Amsterdam
|-
| 26
| 26
| Sonata in E flat for Violin and Keyboard
| February 1766
| The Hague
|-
| 27
| 27
| Sonata in G for Violin and Keyboard
| February 1766
| The Hague
|-
| 28
| 28
| Sonata in C for Violin and Keyboard
| February 1766
| The Hague
|-
| 29
| 29
| Sonata in D for Violin and Keyboard
| February 1766
| The Hague
|-
| 30
| 30
| Sonata in F for Violin and Keyboard
| February 1766
| The Hague
|-
| 31
| 31
| Sonata in B flat for Violin and Keyboard
| February 1766
| The Hague
|-
| 32
| 32
| ''Gallimathias Musicum'' (Quodlibet)
| March 1766
| The Hague
|-
| 33
| 33
| Kyrie in F
| 12 June 1766
| Paris
|-
|
| 33B
| [[Media:Mozart_-_Klavierstuck_in_F_KV33B.pdf|Piece in F for Keyboard]]
| October 1766
| Zurich
|-
| 36
| 33i
| Recitative and Aria for Tenor, "Or che il dover"
| December 1766
| Salzburg
|-
| 70
| 61c
| Recitative and Aria for Soprano, "A Berenice"
| ~December 1766
| Salzburg
|-
| 76
| 42a
| Symphony in F, "No. 43"
| ~1767
| Vienna
|-
| 43
| 43
| [[Symphony No.5 (Mozart, Wolfgang Amadeus)|Symphony in F, No. 6]]
| 1767
| Vienna
|-
| 62
| 62
| March in D
| 1767
| Salzburg
|-
| 34
| 34
| Offertory in C, "Scandi coeli limina"
| Early 1767
|
|-
| 35
| 35
| ''Die Schuldigkeit des ersten Gebotes''
| Early 1767
| Salzburg
|-
| 42
| 35a
| ''Grabmusik''
| 1767
| Salzburg
|-
| 37
| 37
| Concerto in F for Piano, No. 1
| April 1767
| Salzburg
|-
| 38
| 38
| ''Apollo et Hyacinthus''
| 13 May 1767
| Salzburg
|-
| 39
| 39
| Concerto in B flat for Piano, No. 2
| June 1767
| Salzburg
|-
| 40
| 40
| Concerto in D for Piano, No. 3
| July 1767
| Salzburg
|-
| 41
| 41
| Concerto in G for Piano, No. 4
| July 1767
| Salzburg
|-
| Anh. 214
| 45b
| Symphony in B flat, "No. 55"
| ~1768
| Vienna?
|-
| 45
| 45
| [[Symphony No.7 (Mozart, Wolfgang Amadeus)|Symphony in D, No. 7]]
| 16 January 1768
| Vienna
|-
| 47
| 47
| Veni Sancte Spiritus in C
| Autumn 1768
| Vienna
|-
| 139
| 47a
| Missa solemnis in C minor, "Waisenhaus"
| Autumn 1768
| Vienna
|-
| 53
| 47e
| Song, ''An die Freude''
| Autumn 1768
| Vienna
|-
|
| 46d
| Sonata in C for Violin
| 1 September 1768
| Vienna
|-
|
| 46e
| Sonata in F for Violin
| 1 September 1768
| Vienna
|-
| 50
| 46b
| ''Bastien und Bastienne''
| September - October 1768
| Vienna
|-
| 49
| 47b
| Missa brevis in G
| October - November 1768
| Vienna
|-
| 48
| 48
| [[Symphony No.8 (Mozart, Wolfgang Amadeus)|Symphony in D, No. 8]]
| 13 December 1768
| Vienna
|-
| 100
| 62a
| Cassation in D
| 1769
| Salzburg
|-
| 63
| 63
| Cassation in G
| 1769
| Salzburg
|-
| 99
| 63a
| Cassation in B flat
| 1769
| Salzburg
|-
| 117
| 66a
| Offertory in C, "Benedictus sit Deus"
| 1769
| Salzburg
|-
| Anh. 215
| 66c
| Symphony in D
| ~1769
| Salzburg?
|-
| Anh. 217
| 66d
| Symphony in B flat
| ~1769
| Salzburg?
|-
| Anh. 218
| 66e
| Symphony in B flat
| ~1769
| Salzburg?
|-
| 94
| 73h
| Minuet in D
| 1769
| Salzburg
|-
| 65
| 61a
| Missa brevis in D minor
| 14 January 1769
| Salzburg
|-
|
| 61b
| 7 Minuets
| 26 January 1769
| Salzburg
|-
| 51
| 46a
| ''[[La Finta Semplice (Mozart, Wolfgang Amadeus)|La Finta Semplice]]''
| 1 May 1769
| Vienna
|-
| 66
| 66
| Missa in C, "Dominicus"
| October 1769
| Salzburg
|-
| 141
| 66b
| Te Deum in C
| End 1769
| Salzburg
|-
| 84
| 73q
| [[Symphony No.10 (Mozart, Wolfgang Amadeus)|Symphony in D, No. 11]]
| 1770
| Milan or Bologna
|-
| 74
| 74
| [[Symphony No.10 (Mozart, Wolfgang Amadeus)|Symphony in G, No. 10]]
| 1770
| Milan
|-
|
| 61g
| 2 Minuets
| Early 1770
| Salzburg
|-
| 88
| 73c
| Aria for Soprano, "Fra cento affanni"
| February - March 1770
| Milan
|-
| 77
| 73e
| Recitative and Aria for Soprano, "Misero me"
| March 1770
| Milan
|-
| 80
| 73f
| Quartet in G for Strings
| 15 March 1770
| Lodi
|-
| 81
| 73
| Symphony in D, "No. 44"
| April 1770
| Rome
|-
| 97
| 73m
| Symphony in D, "No. 47"
| April 1770
| Rome
|-
| 95
| 73n
| Symphony in D, "No. 45"
| April 1770
| Rome
|-
| 123
| 73g
| Contredanse in B flat
| 13-14 April 1770
| Rome
|-
| 82
| 73o
| Aria for Soprano, "Se ardire, e speranza"
| 25 April 1770
| Rome
|-
| 83
| 73p
| Aria for Soprano, "Se tutti i mali miei"
| April - May 1770
| Rome
|-
| 85
| 73s
| Miserere in A minor
| July - August 1770
| Bologna
|-
| 122
| 73t
| Minuet in E flat
| ~August 1770
| Bologna
|-
| 86
| 73v
| Antiphon in D minor, "Quaerite primum regnum Dei"
| 9 October 1770
| Bologna
|-
| 87
| 74a
| ''Mitridate, re di Ponto''
| 26 December 1770
| Bologna and Milan
|-
| 104
| 61e
| 6 Minuets
| Late 1770 - Early 1771
| Salzburg
|-
|
| 74b
| Aria for Soprano, "Non curo l'affetto"
| Early 1771
| Milan or Pavia
|-
| 75
| 75
| Symphony in F, "No. 42"
| 1771
| Salzburg
|-
| 108
| 74d
| Regina Coeli in C
| May 1771
| Salzburg
|-
| 109
| 74e
| Litaniae Lauretanae BVM in B flat
| May 1771
| Salzburg
|-
| 72
| 74f
| Offertory in G, "Inter natos mulierum"
| May - June 1771
| Salzburg
|-
| 118
| 74c
| ''Betulia Liberata''
| March - July 1771
| Italy and Salzburg
|-
| 110
| 75b
| [[Symphony No.12 (Mozart, Wolfgang Amadeus)|Symphony in G, No. 12]]
| July 1771
| Salzburg
|-
| 96
| 111b
| Symphony in C, "No. 46"
| October - November 1771
| Milan
|-
| 111
| 111
| ''Ascanio in Alba''
| 17 October 1771
| Milan
|-
| 120
| 111a
| Finale of a Symphony in D ("Ascanio in Alba")
| October - November 1771
| Milan
|-
| 113
| 113
| Divertimento in E flat
| November 1771
| Milan
|-
| 112
| 112
| [[Symphony No.13 (Mozart, Wolfgang Amadeus)|Symphony in F, No. 13]]
| 2 November 1771
| Milan
|-
| 114
| 114
| [[Symphony No.14 (Mozart, Wolfgang Amadeus)|Symphony in A, No. 14]]
| 30 December 1771
| Salzburg
|-
|
| 73i
| Canon in A for 4 or 5 voices in 1
| 1772
|
|-
| 89
| 73k
| Kyrie in G for 5 voices in 1
| 1772
| Rome?
|-
|
| 73r
| 4 Riddle Cannons
| 1772
|
|-
|
| 73x
| 14 Canonic Studies
| 1772
|
|-
| 107
| 107
| 3 Concertos for Piano after J.C. Bach
| 1772
| Salzburg
|-
| 67
| 41h
| Church Sonata in E flat
| 1772
| Salzburg
|-
| 68
| 41i
| Church Sonata in B flat
| 1772
| Salzburg
|-
| 69
| 41k
| Church Sonata in D
| 1772
| Salzburg
|-
| 136
| 125a
| [[Divertimento in D major, K.136 (Mozart, Wolfgang Amadeus)|Divertimento in D]]
| Early 1772
| Salzburg
|-
| 137
| 125b
| Divertimento in B flat
| Early 1772
| Salzburg
|-
| 138
| 125c
| Divertimento in F
| Early 1772
| Salzburg
|-
| 124
| 124
| [[Symphony No.15 (Mozart, Wolfgang Amadeus)|Symphony in G, No. 15]]
| 21 February 1772
| Salzburg
|-
| 125
| 125
| Litaniae de venerabili altaris sacramento in B flat
| March 1772
| Salzburg
|-
| 103
| 61d
| 19 Minuets
| Spring - summer 1772
| Salzburg
|-
| 126
| 126
| ''Il sogno di Scipione''
| May 1772
| Salzburg
|-
| 127
| 127
| Regina coeli in B flat
| May 1772
| Salzburg
|-
| 128
| 128
| [[Symphony No.16 (Mozart, Wolfgang Amadeus)|Symphony in C, No. 16]]
| May 1772
| Salzburg
|-
| 129
| 129
| [[Symphony No.17 (Mozart, Wolfgang Amadeus)|Symphony in G, No. 17]]
| May 1772
| Salzburg
|-
| 130
| 130
| [[Symphony No.18 (Mozart, Wolfgang Amadeus)|Symphony in F, No. 18]]
| May 1772
| Salzburg
|-
| 73
| 73
| [[Symphony No.9 (Mozart, Wolfgang Amadeus)|Symphony in C, No. 9]]
| Early summer 1772
| Salzburg
|-
| 381
| 123a
| Sonata in D for Keyboard Four - Hands
| Mid 1772
| Salzburg
|-
| 164
| 130a
| 6 Minuets
| June 1772
| Salzburg
|-
| 131
| 131
| Divertimento in D
| June 1772
| Salzburg
|-
| 290
| 167AB
| March in D
| Summer 1772
| Salzburg
|-
| 132
| 132
| Symphony in E flat, No. 19
| July 1772
| Salzburg
|-
| 133
| 133
| Symphony in D, No. 20
| July 1772
| Salzburg
|-
| 134
| 134
| Symphony in A, No. 21
| August 1772
| Salzburg
|-
| 155
| 134a
| Quartet (Divertimento) in D for Strings
| October - November 1772
| Bozen - Bolzano and Verona
|-
| 156
| 134b
| Quartet in G for Strings
| End 1772
| Milan
|-
| 135
| 135
| ''Lucio Silla''
| 26 December 1772
| Salzburg and Milan
|-
| 140
| Anh. C1.12
| Missa brevis in G
| ~1773
| Salzburg?
|-
| 205
| 167a
| Divertimento in D
| ~1773
| Salzburg
|-
| 157
| 157
| Quartet in C for Strings
| End 1772 - early 1773
| Milan
|-
| 158
| 158
| Quartet (Divertimento) in F for Strings
| End 1772 - early 1773
| Milan
|-
| 165
| 158a
| [[Exsultate, Jubilate K.165 (Mozart, Wolfgang Amadeus)|Motet in F for Soprano, "Exsultate, jubilate"]]
| January 1773
| Milan
|-
| 159
| 159
| Quartet (Divertimento) in B flat for Strings
| Early 1773
| Milan
|-
| 160
| 159a
| Quartet in E flat for Strings
| Early 1773
| Milan
|-
| 186
| 159a
| Divertimento in B flat
| March 1773
| Milan
|-
| 166
| 159d
| Divertimento in E flat
| 24 March 1773
| Salzburg
|-
| 184
| 161a
| Symphony in E flat, No. 26
| 30 March 1773
| Salzburg
|-
| 199
| 161b
| Symphony in G, No. 27
| 10 April 1773
| Salzburg
|-
| 162
| 162
| Symphony in C, No. 22
| 19 April 1773
| Salzburg
|-
| 181
| 162b
| Symphony in D, No. 23
| 19 May 1773
| Salzburg
|-
| 167
| 167
| Missa in C, "Trinitatis"
| June 1773
| Salzburg
|-
| 188
| 240b
| Divertimento in C
| Mid 1773
| Salzburg
|-
| 185
| 167a
| Serenade in D, "Andretter"
| July - August 1773
| Vienna
|-
| 189
| 167b
| March in D
| July - August 1773
| Vienna
|-
| 168
| 168
| Quartet in F for Strings
| August 1773
| Vienna
|-
| 169
| 169
| Quartet in A for Strings
| August 1773
| Vienna
|-
| 170
| 170
| Quartet in C for Strings
| August 1773
| Vienna
|-
| 171
| 171
| Quartet in E flat for Strings
| August 1773
| Vienna
|-
| 172
| 172
| Quartet in B flat for Strings
| ~September 1773
| Vienna
|-
| 173
| 173
| Quartet in D minor for Strings
| September 1773
| Vienna
|-
| 180
| 173c
| 6 Variations in G on "Mio caro Adone"
| Autumn 1773
| Vienna
|-
| 182
| 173dA
| Symphony in B flat, No. 24
| 3 October 1773
| Salzburg
|-
| 183
| 173dB
| Symphony in G minor, No. 25
| 5 October 1773
| Salzburg
|-
| 143
| 73a
| Motet for Soprano in G, "Ergo interest"
| Late 1773
| Salzburg
|-
| 174
| 174
| Quintet in B flat for Strings
| December 1773
| Salzburg
|-
| 175
| 175
| Concerto in D for Piano, No. 5
| December 1773
| Salzburg
|-
| 176
| 176
| 16 Minuets
| December 1773
| Salzburg
|-
|
| 315g
| 8 Minuets
| Lat 1773
| Salzburg
|-
| 144
| 124a
| Church Sonata in D
| 1774
| Salzburg
|-
| 145
| 124b
| Church Sonata in F
| 1774
| Salzburg
|-
| 161/163
| 141a
| Symphony in D, "No. 50"
| 1773 - 74
| Salzburg
|-
| 358
| 186c
| Sonata in B Flat for Keyboard Four - Hands
| Late 1773 - early 1774
| Salzburg
|-
| 201
| 186a
| Symphony in A, No. 29
| 6 April 1774
| Salzburg
|-
| 195
| 186d
| Litaniae Lauretanae BVM in D
| May 1774
| Salzburg
|-
| 202
| 186b
| Symphony in D, No. 30
| 5 May 1774
| Salzburg
|-
| 190
| 186E
| Concertone in C
| 31 May 1774
| Salzburg
|-
| 179
| 189a
| 12 Variations in C on a Minuet by Fischer
| Summer 1774
| Salzburg
|-
| 191
| 186e
| [[Bassoon Concerto, K.191 (Mozart, Wolfgang Amadeus)|Concerto in B flat for Bassoon]]
| 4 June 1774
| Salzburg
|-
| 192
| 186f
| Missa brevis in F'
| 24 June 1774
| Salzburg
|-
| 193
| 186g
| Dixit Dominus, Magnificat in C
| July 1774
| Salzburg
|-
| 203
| 189b
| Serenade in D, "Colloredo"
| August 1774
| Salzburg
|-
| 237
| 189c
| March in D
| August 1774
| Salzburg
|-
| 194
| 186h
| Missa brevis in D'
| 8 August 1774
| Salzburg
|-
| 200
| 189k
| Symphony in C, No. 28
| 17 November (''or 12th'') 1774 (''or 1773'')
| Salzburg
|-
| 121
| 207a
| Finale of a Symphony ("La finta giardiniera")
| End 1774 - Early 1775
| Salzburg
|-
| 220
| 196b
| Missa brevis in C, "Spatzen"
| 1775 - 1776
|
|-
| 279
| 189d
| Sonata in C for Keyboard
| Early 1775
| Munich
|-
| 280
| 189e
| Sonata in F for Keyboard
| Early 1775
| Munich
|-
| 281
| 189f
| Sonata in B flat for Keyboard
| Early 1775
| Munich
|-
| 282
| 189g
| Sonata in E flat for Keyboard
| Early 1775
| Munich
|-
| 283
| 189h
| Sonata in G for Keyboard
| Early 1775
| Munich
|-
| 292
| 196c
| Duo in B flat for Bassoon and Cello
| Early 1775
| Munich
|-
| 222
| 205a
| Offertory in D minor, "Misericordias Domini"
| Early 1775
| Munich
|-
| 196
| 196
| ''La finta giardiniera''
| 13 January 1775
| Salzburg
|-
| 284
| 205b
| Sonata in D for Keyboard, "Durnitz"
| February - March 1775
| Munich
|-
| 207
| 207
| Concerto in B flat for Violin
| 14 April 1775
| Salzburg
|-
| 208
| 208
| ''Il re pastore''
| 23 April 1775
| Salzburg
|-
| 210
| 210
| Aria for Tenor, "Con ossequio, con rispetto"
| May 1775
| Salzburg
|-
| 209
| 209
| Aria for Tenor, "Si mostra la sorte"
| 19 May 19 1775
| Salzburg
|-
| 262
| 246a
| Missa longa in C'
| June or July 1775
| Salzburg
|-
| 211
| 211
| Concerto in D for Violin
| 14 June 1775
| Salzburg
|-
| 212
| 212
| Church Sonata in B flat
| July 1775
| Salzburg
|-
| 213
| 213
| Divertimento in F
| July 1775
| Salzburg
|-
| 215
| 213b
| March in D
| August 1775
| Salzburg
|-
| 102
| 213c
| Finale of a Symphony in C ("Il re pastore")
| April and August 1775
| Salzburg
|-
| 204
| 213a
| Serenade in D
| 5 August 1775
| Salzburg
|-
| 214
| 214
| March in C
| 20 August 1775
| Salzburg
|-
| 216
| 216
| Concerto in G for Violin, "Strassburg"
| 12 September 1775
| Salzburg
|-
| 218
| 218
| Concerto for Violin in D
| October 1775
| Salzburg
|-
| 217
| 217
| Aria for Soprano, "Voi avete un cor fedele"
| 26 October 1775
| Salzburg
|-
| 258
| 258
| Missa brevis in C, "Spaur"
| December 1775
| Salzburg
|-
| 259
| 259
| Missa brevis in C, "Organ Solo"
| December 1775 or 1776
| Salzburg
|-
| 219
| 219
| Concerto for Violin in A, "Turkish"
| 20 December 1775
| Salzburg
|-
| 147
| 125g
| Song, "Wie unglucklich bin ich nit"
| ~1775 - 1776
| Salzburg
|-
| 148
| 125h
| Song, ''Lobegesang auf die feierliche Johannisloge''
| ~1775 - 1776
| Salzburg
|-
| 261
| 261
| Adagio in E for Violin
| 1776
| Salzburg
|-
| 269
| 261a
| Rondo in B flat for Violin
| 1776
| Salzburg
|-
| 238
| 238
| Concerto in B flat for Piano, No. 6
| January 1776
| Salzburg
|-
| 239
| 239
| Serenata notturna in D
| January 1776
| Salzburg
|-
| 240
| 240
| Divertimento in B flat
| January 1776
| Salzburg
|-
| 252
| 240a
| Divertimento in E flat
| Early 1776
| Salzburg
|-
| 241
| 241
| Church Sonata in G
| January 1776
| Salzburg
|-
| 101
| 250a
| 4 Contredanses, "Serenade"
| ~Early 1776
| Salzburg
|-
|
| 269b
| 4 Contredanses
| ~Early 1776
| Salzburg
|-
| 242
| 242
| Concerto in F for three pianos, No. 7, "Lodron"
| February 1776
| Salzburg
|-
| 243
| 243
| Litaniae de venerabili altaris sacramento in E flat
| March 1776
| Salzburg
|-
| 244
| 244
| Church Sonata in F
| April 1776
| Salzburg
|-
| 245
| 245
| Church Sonata in D
| April 1776
| Salzburg
|-
| 246
| 246
| Concerto in C for Piano, No. 8, "Lutzow"
| April 1776
| Salzburg
|-
| 247
| 247
| Divertimento in F, "Lodron"
| June 1776
| Salzburg
|-
| 248
| 248
| March in F
| June 1776
| Salzburg
|-
| 260
| 248a
| Offertory in D, "Venite populi"
| Mid 1776
| Salzburg
|-
| 250
| 248b
| Serenade in D, "Haffner"
| June 1776
| Salzburg
|-
| 251
| 251
| Divertimento in D
| July 1776
| Salzburg
|-
| 249
| 249
| March in D, "Haffner"
| 20 July 1776
| Salzburg
|-
| 253
| 253
| Divertimento in F
| August 1776
| Salzburg
|-
| 254
| 254
| Divertimento (Trio) in B flat
| August 1776
| Salzburg
|-
| 255
| 255
| Recitative and Aria for Alto, "Ombra felice"
| September 1776
| Salzburg
|-
| 256
| 256
| Aria for Tenor, "Clarice cara mia sposa"
| September 1776
| Salzburg
|-
| 257
| 257
| Missa in C, "Credo"
| November 1776
| Salzburg
|-
| 263
| 263
| Church Sonata in C
| December 1776
| Salzburg
|-
| 274
| 271d
| Church Sonata in G
| 1777
| Salzburg
|-
| 289
| 271g
| Divertimento in E flat
| ~1777
| Salzburg?
|-
| Omitted
| 271i
| Violin Concerto in D (K3: 271a; possibly authentic)
| ~1777-8
| Salzburg or Paris?
|-
| 277
| 272a
| Offertory in F, "Alma Dei creatoris"
| 1777
| Salzburg
|-
| 286
| 269a
| Notturno in D for Four Orchestras
| December 1776 - January 1777
| Salzburg
|-
| 270
| 270
| Divertimento in B flat
| January 1777
| Salzburg
|-
| 271
| 271
| Concerto in E flat for Piano, No. 9, "Jeunehomme"
| January 1777
| Salzburg
|-
| 267
| 271c
| 4 Contredanses
| Early 1777
| Salzburg
|-
| 266
| 271f
| Trio in B flat
| Early 1777
| Salzburg
|-
| 278
| 271e
| Church Sonata in C
| March - April 1777
| Salzburg
|-
| 287
| 271H
| Divertimento in B flat, "Lodron"
| June 1777
| Salzburg
|-
| 272
| 272
| Recitative and Aria for Soprano, "Ah, lo previdi"
| August 1777
| Salzburg
|-
| 273
| 273
| Gradual in F, "Sancta Maria, mater Dei"
| 9 September 1777
| Salzburg
|-
| 275
| 272b
| Missa brevis in B flat
| Late 1777
| Salzburg
|-
| 395
| 300g
| Capriccio in C for Keyboard
| October 1777
| Munich
|-
| 309
| 284b
| Sonata in C for Keyboard
| October - November 1777
| Mannheim
|-
| 311
| 284c
| Sonata in D for Keyboard
| November 1777
| Mannheim
|-
| 285
| 285
| Quartet in D for Flute, Violin, Viola and Cello
| 25 December 1777
| Mannheim
|-
| 307
| 284d
| Arietta in C, "Oiseaux, si tous les ans"
| Winter 1777 - 1778
| Mannheim
|-
| 313
| 285c
| Concerto in G for Flute
| Early 1778
| Mannheim
|-
| 314
| 285d
| Concerto in D for Flute (Oboe?)
| Early 1778
| Mannheim
|-
| 301
| 293a
| Sonata in G for Violin and Keyboard
| Early 1778
| Mannheim
|-
| 302
| 293b
| Sonata in E flat for Violin and Keyboard
| Early 1778
| Mannheim
|-
| 303
| 293c
| Sonata in C for Violin and Keyboard
| Early 1778
| Mannheim
|-
| 305
| 293d
| Sonata in A for Violin and Keyboard
| Early 1778
| Mannheim
|-
| 308
| 295b
| [[Ariette Dans un Bois Solitaire, K.308 (Mozart, Wolfgang Amadeus)|Arietta, "Dans un bois solitaire"]]
| Winter 1777 - 1778
| Mannheim
|-
|
| 285a
| Quartet in G for Flute, Violin, Viola and Cello
| January - February 1778
| Mannheim
|-
| 294
| 294
| Recitative and Aria for Soprano, "Alcandro, lo confesso"
| 24 February 1778
| Mannheim
|-
| 295
| 295
| Aria for Tenor, "Se al labbro mio non credi"
| 27 February 1778
| Mannheim
|-
|
| 295a
| Recitative and Aria for Soprano, "Basta, vincesti"
| 27 February 1778
| Mannheim
|-
| 296
| 296
| Sonata for Violin and Keyboard in C
| 11 March 1778
| Mannheim
|-
| 354
| 299a
| 12 Variations for Piano on "Je suis Lindor"
| Early 1778
| Paris
|-
| 300
| 300
| Gavotte
| ~Early 1778
| Paris
|-
| Anh. 9
| 297B
| Sinfonia Concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra (K3: 297b; doubtful; later arr. of genuine Mozart work? Also numbered Anh. C 14.01)
| ?April 1778
| ?Paris
|-
| 299
| 297c
| [[Concerto for Flute and Harp, K.299 (Mozart, Wolfgang Amadeus)|Concerto for Flute and Harp in C]]
| April 1778
| Paris
|-
| Anh. 10
| 299b
| Ballet, ''Les petits riens''
| May - June 1778
| Paris
|-
| 297
| 300a
| Symphony in D, No. 31, "Paris"
| June 1778
| Paris
|-
| 304
| 300c
| Sonata in E minor for Violin and Keyboard
| Early summer 1778
| Paris
|-
| 310
| 300d
| Sonata in A minor for Keyboard
| Summer 1778
| Paris
|-
| 306
| 300l
| Sonata in D for Violin and Keyboard
| Summer 1778
| Paris
|-
| 316
| 300b
| Recitative and Aria for Soprano, "Popoli di Tessaglia"
| July 1778
| Paris
|-
| 264
| 315d
| 9 Variations in C on "Lison dormait"
| Late summer 1778
| Paris
|-
| 365
| 316a
| Concerto in E flat for Two Pianos, No. 10
| 1779
| Salzburg
|-
| 364
| 320d
| [[Sinfonia_Concertante%2C_K.364_(Mozart%2C_Wolfgang_Amadeus)|Sinfonia Concertante in E flat for Violin and Viola]]
| 1779
| Salzburg
|-
| 321
| 321
| Vesperae de Dominica in C
| 1779
| Salzburg
|-
| 276
| 321b
| Regina Coeli in C
| ~1779
| Salzburg?
|-
| 345
| 336a
| Choruses and Entr'actes for ''Thamos, König in Ägypten''
| 1779
| Salzburg
|-
| 378
| 317d
| Sonata in B flat for Violin and Keyboard
| Early 1779 or 1781
| Salzburg or Vienna
|-
| 329
| 317a
| Church Sonata in C
| ~March 1779
| Salzburg
|-
| 328
| 317c
| Church Sonata in C
| ~Early 1779
| Salzburg
|-
| 317
| 317
| Missa in C, "Coronation"
| 23 March 1779
| Salzburg
|-
| 146
| 317b
| Aria for Soprano in B flat, "Kommet her, ihr frechen Sünder"
| ~March - April 1779
| Salzburg
|-
| 318
| 318
| Symphony in G, No. 32
| 26 April 1779
| Salzburg
|-
| 319
| 319
| Symphony in B flat, No. 33
| 9 July 1779
| Salzburg
|-
| 335
| 320a
| Two marches in D
| August 1779
| Salzburg
|-
| 320
| 320
| Serenade in D, "Posthorn"
| 3 August 1779
| Salzburg
|-
| 315
| 285e
| Andante in C for Flute
| ~1779 - 1780
| Salzburg?
|-
| 334
| 320b
| Divertimento in D
| 1779 - 1780
| Salzburg
|-
| 344
| 336b
| Zaide
| 1779 - 1780
| Salzburg
|-
| 339
| 339
| Vesperae solennes de confessore in C
| 1780
| Salzburg
|-
| 368
| 368
| Recitative and Aria for Soprano, "Ma che vi fece"
| 1779 - 1780
| Salzburg
|-
| 224
| 241a
| Church Sonata in F
| Early 1780
| Salzburg
|-
| 225
| 241b
| Church Sonata in A
| Early 1780
| Salzburg
|-
| 336
| 336d
| Church Sonata in C
| March 1780
| Salzburg
|-
| 337
| 337
| Missa solemnis in C
| March 1780
| Salzburg
|-
| 445
| 320c
| March in D
| Summer 1780
| Salzburg
|-
| 338
| 338
| Symphony in C, No. 34
| 29 August 1780
| Salzburg
|-
| 349
| 367a
| Song, ''Die Zufriedenheit''
| Winter 1780 - 1781
| Munich
|-
| 351
| 367b
| Song, "Komm, liebe Zither"
| Winter 1780 - 1781
| Munich
|-
|
| 562a
| Canon in B flat for 4 voices in 1
| ?1780s
| ?Vienna
|-
| Anh. 191
| 562c
| Canon in C for 4 voices in 1
| ~1780s
| Vienna?
|-
| 330
| 300h
| Sonata in C for Keyboard
| 1781 - 1783
| Munich or Vienna
|-
| 331
| 300i
| Sonata in A for Keyboard
| 1781 - 1783
| Munich or Vienna
|-
| 332
| 300k
| Sonata in F for Keyboard
| 1781 - 1783
| Munich or Vienna
|-
| 361
| 370a
| Serenade in B flat for Winds, "Gran Partita"
| 1781 only, or until 1784
| Vienna
|-
| 366
| 366
| [[Idomeneo, re di Creta ossia Ilia e Idamante (Mozart, Wolfgang Amadeus)|''Idomeneo, re di Creta'']]
| 29 January 1781
| Salzburg and Munich
|-
| 367
| 367
| Ballet for ''[[Idomeneo, re di Creta ossia Ilia e Idamante (Mozart, Wolfgang Amadeus)|Idomeneo]]''
| 29 January 1781
| Salzburg and Munich
|-
| 341
| 368a
| Kyrie in D minor
| ~November 1780 - March 1781
| ?Munich
|-
| 370
| 368b
| Quartet in F for Oboe, Violin, Viola and Cello
| Early 1781
| Munich
|-
| 369
| 369
| Recitative and Aria for Soprano, "Misera, dove son!"
| 8 March 1781
| Munich
|-
| 371
| 371
| Rondo in E flat for Horn
| ~March 1781
|
|-
| 372
| 372
| Allegro in B flat for Violin and Keyboard
| 24 March 1781
| Vienna
|-
| 379
| 373a
| Sonata in G for Violin and Keyboard
| April 1781
| Vienna
|-
| 374
| 374
| Recitative and Aria for Soprano, "A questo seno deh vieni"
| April 1781
| Vienna
|-
| 373
| 373
| Rondo in C for Violin
| 2 April 1781
| Vienna
|-
| 359
| 374a
| 12 Variations in G on "La Bérgere Célimène"
| June 1781
| Vienna
|-
| 360
| 374b
| 6 Variations in G on "Hélas, j'ai perdu mon amant"
| June 1781
| Vienna
|-
| 352
| 374c
| 8 Variations in F on "Dieu d'amour"
| June 1781
| Vienna
|-
| 376
| 374d
| Sonata in F for Violin and Keyboard
| Summer 1781
| Vienna
|-
| 377
| 374e
| Sonata in F for Violin and Keyboard
| Summer 1781
| Vienna
|-
| 380
| 374f
| [[Violin Sonata K.380 (Mozart, Wolfgang Amadeus)|Sonata in E flat for Violin and Keyboard]]
| Summer 1781
| Vienna
|-
| 375
| 375
| [[Serenade for Winds No.11, K.375 (Mozart, Wolfgang Amadeus)|Serenade in E flat for Winds]]
| October 1781
| Vienna
|-
| 448
| 375a
| [[Sonata for 2 Pianos in D Major, K.448 (Mozart, Wolfgang Amadeus)|Sonata for 2 Pianos in D Major]]
| November 1781
| Vienna
|-
| Anh. 171
| 285b
| Quartet in C for Flute
| 1781 - 1782
| Vienna?
|-
| 265
| 300e
| 12 Variations in C on "Ah! vous dirai-je, Maman"
| 1781 - 1782
| Vienna
|-
| 353
| 300f
| 12 Variations in E flat on "La belle Françoise"
| 1781 - 1782
| Vienna
|-
| 392
| 340a
| Song, "Verdankt sei es dem Glanz"
| 1781 - 1782
| Vienna
|-
| 391
| 340b
| Song, ''An die Einsamkeit''
| 1781 - 1782
| Vienna
|-
| 390
| 340c
| Song, ''An die Hoffnung''
| 1781 - 1782
| Vienna
|-
| 363
| 363
| 3 Minuets
| ''c.'' 1782 - 1783
| Vienna?
|-
| 386
| 386
| Rondo for Piano in A
| 1782 - 1783
| Vienna
|-
| 413
| 387a
| Concerto in F for Piano, No. 11
| 1782 - 1783
| Vienna
|-
| 415
| 387b
| Concerto in C for Piano, No. 13
| 1782 - 1783
| Vienna
|-
| 229
| 382a
| Canon in C minor for 3 voices in 1
| ''c.'' 1782
| ?Vienna
|-
| 230
| 382b
| Canon in C minor for 2 voices in 1
| ''c.'' 1782
| Vienna?
|-
| 231
| 382c
| Canon in B flat for 6 voices in 1, "Leck mich im Arsch"
| ''c.'' 1782
| Vienna?
|-
| 233
| 382d
| Canon in B flat for 3 voices in 1, "Leck mir den Arsch"
| ''c.'' 1782
| Vienna?
|-
| 234
| 384e
| Canon in G for 3 voices in 1, "Bei der Hitz' em Sommer ess ich"
| ''c.'' 1782
| Vienna?
|-
| 347
| 382f
| Canon in D for 6 voices in 1
| ''c.'' 1782
| Vienna?
|-
| 348
| 382g
| Canon in G for 12 voices in 3, "V'amo di core teneramente"
| ''c.'' 1782
| Vienna?
|-
| 119
| 382h
| Aria for Soprano, "Der Liebe himmlisches Gefühl"
| ~1782
| Vienna?
|-
| 397
| 397
| Fantasia No. 3 for Piano in D minor
| 1782
| Vienna
|-
| 408a
| 383e
| March in C
| 1782
| Vienna
|-
| 408c
| 383f
| March in C
| 1782
| Vienna
|-
| 408b
| 385a
| March in D
| 1782
| Vienna
|-
| 414
| 385p
| Concerto for Piano in A, No. 12
| 1782
| Vienna
|-
|
| 404a
| Arrangements of 6 Preludes and Fugues by J.S. and W.F. Bach
| 1782
| Vienna
|-
| 405
| 405
| Arrangements of 5 Fugues by J.S. Bach
| 1782
| Vienna
|-
| 394
| 383a
| Prelude and Fugue in C for Keyboard
| Early 1782
| Vienna
|-
| 382
| 382
| Rondo in D for Piano
| March 1782
| Vienna
|-
| 383
| 383
| Aria for Soprano, "Nehmt meinen Dank, ihr holden Gönner!"
| 10 April 1782
| Vienna
|-
| 409
| 383f
| Symphonic Minuet in C
| ?May 1782
| ?Vienna
|-
| 388
| 384a
| Serenade in C minor for Winds
| ?July 1782 or late 1783
| Vienna
|-
| 385a
| 385a
| Symphony in D, No. 35, "Haffner"
| July 1782
| Vienna
|-
| 384
| 384
| ''[[Die Entführung aus dem Serail, K.384 (Mozart, Wolfgang Amadeus)|Die Entführung aus dem Serail]]''
| 16 July 1782
| Vienna
|-
| 393
| 385b
| Solfeggios for Voice
| ~August 1782
| Vienna
|-
| 407
| 386c
| Quintet for Horn and Strings in E flat
| End 1782
| Vienna
|-
| 387
| 387
| Quartet in G for Strings
| 31 December 1782
| Vienna
|-
| 435
| 416b
| Aria for Tenor, "Mußt' ich auch durch tausend Drachen"
| ~1783
| Vienna?
|-
| 432
| 421a
| Recitative and Aria for Bass, "Così dunque tradisci"
| ~1783
| Vienna?
|-
| 333
| 315c
| Sonata in B flat for Keyboard, "Linz"
| 1783 - 1784
| Linz and Vienna
|-
| 436
| 436
| Notturno for Two Sopranos and Bass, "Ecco quel fiero"
| ~1783 - 1786
| Vienna?
|-
| 437
| 437
| Notturno for Two Sopranos and Bass, "Mi lagnerò tacendo"
| ~1783 - 1786
| Vienna?
|-
| 438
| 438
| Notturno for Two Sopranos and Bass, "Se lontan"
| ~1783 - 1786
| Vienna?
|-
| 439
| 439
| Notturno for Two Sopranos and Bass, "Due pupille"
| ~1783 - 1786
| Vienna?
|-
| 346
| 439a
| Notturno for Two Sopranos and Bass, "Luci care, luci belle"
| ~1783 - 1786
| Vienna?
|-
|
| 439b
| 5 Divertimenti in B flat
| ~1783 or later
| Vienna
|-
| 441
| 441
| Trio for Soprano, Tenor and Bass, "Liebes Mandel, wo is's Bandel?"
| ~1783
| Vienna
|-
| 416
| 416
| Scena and Rondo for Soprano, "Mia speranza adorata"
| 8 January 1783
| Vienna
|-
| 398
| 416e
| 6 Variations on "Salve tu, Domine"
| March 1783
| Vienna
|-
| 417
| 417
| Concerto in E flat for Horn
| 27 May 1783
| Vienna
|-
| 421
| 417b
| Quartet in D minor for Strings
| June 1783
| Vienna
|-
| 178
| 417e
| Aria for Soprano, "Ah, spiegarti, oh Dio"
| ~June 1783
| Vienna?
|-
| 419
| 419
| Aria for Soprano, "No, no, che non sei capace"
| June 1783
| Vienna
|-
| 423
| 423
| [[Duos puor Violon et Alto (Mozart, Wolfgang Amadeus)|Duo in G for Violin and Viola]]
| ~Summer 1783
| Salzburg?
|-
| 424
| 424
| [[Duos puor Violon et Alto (Mozart, Wolfgang Amadeus)|Duo in B flat for Violin and Viola]]
| ~Summer 1783
| Salzburg?
|-
| 418
| 418
| Aria for Soprano, "Vorrei spiegarvi, oh Dio"
| 20 June 1783
| Vienna
|-
| 420
| 420
| Aria for Tenor, "Per pietà, non ricercate"
| 21 June 1783
| Vienna
|-
| 428
| 421b
| Quartet in E flat for Strings
| June - July 1783
| Vienna
|-
| 427
| 417a
| Missa in C minor
| July 1782 - October 1783
| Vienna
|-
| 422
| 422
| ''L'oca del Cairo''
| Late 1783
| Salzburg and Vienna
|-
| 430
| 424a
| ''Lo sposo deluso''
| Late 1783
| Salzburg and Vienna
|-
| 425
| 425
| Symphony in C, No. 36, "Linz"
| October - November 1783
| Linz
|-
| 431
| 425b
| Recitative and Aria for Tenor, "Misero! O sogno!"
| December 1783
| Vienna?
|-
| 426
| 426
| Fugue in C minor for Two Keyboards
| 29 December 1783
| Vienna
|-
| 444
| 425a
| Introduction to Symphony in G by Michael Haydn
| Late 1783 or 1784
| Vienna
|-
| 447
| 447
| Concerto for Horn in E flat
| ~1784 - 1787
| Vienna
|-
|
| 453a
| Funeral March in C minor for Keyboard
| 1784
| Vienna
|-
| 461
| 448a
| 6 Minuets
| Early 1784
| Vienna
|-
| 462
| 448b
| 6 Contredanses
| January 1784
| Vienna
|-
| 463
| 448c
| 2 Minuets with Contredanses
| Early 1784
| Vienna
|-
| 449
| 449
| Concerto in E flat for Piano, No. 14, "First Ployer"
| 9 February 1784
| Vienna
|-
| 450
| 450
| Concerto in B flat for Piano, No. 15
| 15 March 1784
| Vienna
|-
| 451
| 451
| Concerto in D for Piano, No. 16
| 22 March 1784
| Vienna
|-
| 452
| 452
| Quintet in E flat for Piano and Winds
| 30 March 1784
| Vienna
|-
| 453
| 453
| Concerto in G for Piano, No. 17, "Second Ployer"
| 12 April 1784
| Vienna
|-
|
| 453b
| Exercise Book for Barbara Ployer
|
|
|-
| 454
| 454
| Sonata in B flat for Violin and Keyboard, for Regina Strinasacchi
| 21 April 1784
| Vienna
|-
| 460
| 454a
| 8 Variations on "Come un agnello"
| ~June 1784
| Vienna
|-
| 455
| 455
| 10 Variations in G on "Unser dummer Pöbel meint"
| 25 August 1784
| Vienna
|-
| 456
| 456
| Concerto in B flat for Piano, No. 18, "Paradis"
| 30 September 1784
| Vienna
|-
| 457
| 457
| Sonata in C minor for Keyboard
| 14 October 1784
| Vienna
|-
| 458
| 458
| Quartet in B flat for Strings, "Hunt"
| 9 November 1784
| Vienna
|-
| 459
| 459
| Concerto in F for Piano, No. 19
| 11 December 1784
| Vienna
|-
| 410
| 484d
| Adagio in F for Two Basset Horns and Bassoon
| ~End 1785
| Vienna?
|-
|
| 506a
| Studies for Thomas Attwood
| 1785 - 1786
| Vienna
|-
| 464
| 464
| Quartet in A for Strings
| 10 January 1785
| Vienna
|-
| 465
| 465
| Quartet in C for Strings, "Dissonant"
| 14 January 1785
| Vienna
|-
| 466
| 466
| Concerto in D minor for Piano, No. 20
| 10 February 1785
| Vienna
|-
| 469
| 469
| ''Davidde penitente''
| March 1785
| Vienna
|-
| 467
| 467
| [[Piano Concerto No.21, K.467 (Mozart, Wolfgang Amadeus)|Concerto in C for Piano, No. 21]]
| 9 March 1785
| Vienna
|-
| 468
| 468
| Song, ''Lied zur Gesellenreise''
| 26 March 1785
| Vienna
|-
|
| 470a
| Instrumentation for a Concerto for Violin by G.B. Viotti
| April 1785
| Vienna
|-
| 471
| 471
| Cantata, ''Die Mauererfreude''
| 20 April 1785
| Vienna
|-
| 472
| 472
| Song, ''Der Zauberer''
| 7 May 1785
| Vienna
|-
| 473
| 473
| Song, ''Die Zufriedenheit''
| 7 May 1785
| Vienna
|-
| 474
| 474
| Song, ''Die betrogene Welt''
| 7 May 1785
| Vienna
|-
| 475
| 475
| Fantasia for Piano in C minor
| 20 May 1785
| Vienna
|-
| 476
| 476
| Song, ''Das Veilchen''
| 8 June 1785
| Vienna
|-
| 478
| 478
| [[Piano Quartets (Mozart, Wolfgang Amadeus)|Quartet in G minor for Piano and Strings]]
| 16 October 1785
| Vienna
|-
| 477
| 479a
| ''Maurerische Trauermusik''
| November 1785
| Vienna
|-
| 479
| 479
| Quartet for Soprano, Tenor and Two Basses, "Dite almeno"
| 5 November 1785
| Vienna
|-
| 480
| 480
| Trio for Soprano, Tenor and Bass, "Mandina amabile"
| 21 November 1785
| Vienna
|-
| 483
| 483
| Song with Chorus, "Zerfließet heut"
| End 1785
| Vienna
|-
| 484
| 484
| Song with Chorus, "Ihr unsre neuen Leiter"
| End 1785
| Vienna
|-
| 411
| 484a
| Adagio in B flat for Two Clarinets and Three Basset Horns
| ~End 1785
| Vienna?
|-
| 506
| 506
| Song, ''Lied der Freiheit''
| ~End 1785
| Vienna
|-
| 481
| 481
| [[Violin Sonata K.481 (Mozart, Wolfgang Amadeus)|Sonata in E flat for Violin and Keyboard]]
| 12 December 1785
| Vienna
|-
| 482
| 482
| [[Piano Concerto No.22, K.482 (Mozart, Wolfgang Amadeus)|Concerto in E flat for Piano, No. 22]]
| 16 December 1785
| Vienna
|-
| 355
| 576b
| Minuet in D for Keyboard
| ~1786 - 1787
| Vienna
|-
| 485
| 485
| Rondo in D for Keyboard
| 10 January 1786
| Vienna
|-
| 486
| 486
| ''Der Schauspieldirektor''
| 7 February 1786
| Vienna
|-
| 488
| 488
| Concerto in A for Piano, No. 23
| 2 March 1786
| Vienna
|-
| 489
| 489
| Duet for Soprano and Tenor, "Spiegarti no poss'io"
| 10 March 1786
| Vienna
|-
| 490
| 490
| Scena and Rondo for Soprano, "Non più, tutti ascoltai"
| 10 March 1786
| Vienna
|-
| 491
| 491
| [[# Piano Concerto No.24, K.491 (Mozart, Wolfgang Amadeus)|Concerto in C minor for Piano, No. 24]]
| 24 March 1786
| Vienna
|-
| 492
| 492
| ''[[Le Nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus)|Le nozze di Figaro]]''
| 1 May 1786
| Vienna
|-
| 493
| 493
| [[Piano Quartets (Mozart, Wolfgang Amadeus)|Quartet for Piano and Strings in E flat]]
| 3 June 1786
| Vienna
|-
| 507
| 507
| Canon in F for 3 voices in 1
| After 3 June 1786
| Vienna
|-
| 508
| 508
| Canon in F for 3 voices in 1
| After 3 June 1786
| Vienna
|-
|
| 508A
| Canon in C for 3 voices in 1
| After 3 June 1786
| Vienna
|-
|
| 508a
| 2 Canons in F for 3 voices in 1, 14 Canons in F for 2 voices in 1
| After 3 June 1786
| Vienna
|-
| 494
| 494
| Rondo in F for Keyboard
| 10 June 1786
| Vienna
|-
| 495
| 495
| Concerto in E flat for Horn
| 26 June 1786
| Vienna
|-
| 496
| 496
| Trio in G for Piano, Violin and Cello
| 8 July 1786
| Vienna
|-
| 487
| 496a
| 12 Duos for Basset Horns
| 27 July 1786
| Vienna
|-
| 497
| 497
| Sonata in F for Keyboard Four - Hands
| 1 August 1786
| Vienna
|-
| 498
| 498
| Trio in E flat for Piano, Clarinet and Viola, "Kegelstatt"
| 5 August 1786
| Vienna
|-
| 499
| 499
| Quartet in D for Strings, "Hoffmeister"
| 19 August 1786
| Vienna
|-
| 500
| 500
| 12 Variations in B flat
| 12 September 1786
| Vienna
|-
| 501
| 501
| 5 Variations in G
| 4 November 1786
| Vienna
|-
| 502
| 502
| Trio in B flat for Piano, Violin and Cello
| 18 November 1786
| Vienna
|-
| 503
| 503
| Concerto in C for Piano, No. 25
| 4 December 1786
| Vienna
|-
| 504
| 504
| Symphony in D, No. 38, "Prague"
| 6 December 1786
| Vienna
|-
| 505
| 505
| Scena and Rondo for Soprano, "Ch'io mi scordi di te?"
| 26 December 1786
| Vienna
|-
| 298
| 298
| Quartet for Flute, Violin, Viola and Cello in A
| 1786 - 1787
| Vienna
|-
|
| 516f
| ''Musikalisches Würfelspiel'' in C
| 1787
| Vienna
|-
| 343
| 336c
| 2 German Hymns
| ~Early 1787
| Prague or Vienna
|-
| 509
| 509
| 6 German Dances
| 6 February 1787
| Prague
|-
| 511
| 511
| Rondo for Piano in A minor
| 11 March 1787
| Vienna
|-
| 512
| 512
| Recitative and Aria for Bass, "Alcandro, lo confesso"
| 19 March 1787
| Vienna
|-
| 513
| 513
| Aria for Bass, "Mentre ti lascio"
| 23 March 1787
| Vienna
|-
| 515
| 515
| [[String Quintet No.3, K.515 (Mozart, Wolfgang Amadeus)|Quintet in C for Strings]]
| 19 April 1787
| Vienna
|-
| 228
| 515b
| Double Canon in F for 4 voices in 2
| 24 April 1787
| Vienna
|-
| 516
| 516
| [[String Quintet No.4, K.516 (Mozart, Wolfgang Amadeus)|Quintet for Strings in G minor]]
| 16 May 1787
| Vienna
|-
| 517
| 517
| Song, ''Die Alte''
| 18 May 1787
| Vienna
|-
| 518
| 518
| Song, ''Die Verschweigung''
| 20 May 1787
| Vienna
|-
| 519
| 519
| Song, ''Das Lied der Trennung''
| 23 May 1787
| Vienna
|-
| 520
| 520
| Song, ''Als Luise die Briefe''
| 25 May 1787
| Vienna
|-
| 521
| 521
| Sonata in C for Keyboard Four - Hands
| 29 May 1787
| Vienna
|-
| 522
| 522
| ''[[Ein musikalischer Spaß, K.522 (Mozart, Wolfgang Amadeus)|Ein musikalischer Spaß]]''
| 14 June 1787
| Vienna
|-
| 523
| 523
| Song, ''Abendempfindung''
| 24 June 1787
| Vienna
|-
| 524
| 524
| Song, ''An Chloe''
| 24 June 1787
| Vienna
|-
| 232
| 509a
| Canon in G for 4 voices in 1, "Lieber Freistadtler, lieber Gaulimauli"
| After 4 July 1787
| Vienna
|-
| 525
| 525
| ''[[Eine kleine Nachtmusik, K.525 (Mozart, Wolfgang Amadeus)|Eine kleine Nachtmusik]]''
| 10 August 1787
| Vienna
|-
| 526
| 526
| Sonata in A for Violin and Keyboard
| 24 August 1787
| Vienna
|-
| 527
| 527
| ''Don Giovanni''
| 29 August 1787
| Prague
|-
| 528
| 528
| Scena for Soprano, "Bella mia fiamma"
| 3 November 1787
| Prague
|-
| 529
| 529
| Song, ''Des kleinen Friedrichs Geburtstag''
| 6 November 1787
| Prague
|-
| 530
| 530
| Song, ''Das Traumbild''
| 6 November 1787
| Prague
|-
| 531
| 531
| Song, ''Die kleine Spinnerin''
| 11 December 1787
| Vienna
|-
| 406
| 516b
| Quintet in C minor for Strings
| 1788
| Vienna
|-
|
| 535a
| 3 Contredanses
| ~Early 1788
| Vienna
|-
| 533
| 533
| Allegro and Andante in F for Keyboard
| 3 January 1788
| Vienna
|-
| 534
| 534
| Contredanse, "Das Donnerwetter"
| 14 January 1788
| Vienna
|-
| 535
| 535
| Contredanse, "La Bataille"
| 23 January 1788
| Vienna
|-
| 536
| 536
| 6 German Dances
| 27 January 1788
| Vienna
|-
|
| 537d
| Arrangement of Aria for Tenor by Carl Philipp Emanuel Bach
| February 1788
| Vienna
|-
| 537
| 537
| Concerto in D for Piano, No. 26 ("Coronation")
| 24 February 1788
| Vienna
|-
| 538
| 538
| Aria for Soprano, "Ah se in ciel"
| 4 March 1788
| Vienna
|-
| 539
| 539
| Song, ''Ein deutsches Kriegslied''
| 5 March 1788
| Vienna
|-
| 540
| 540
| Adagio in B minor for Keyboard
| 19 March 1788
| Vienna
|-
|
| 540a
| Aria for Tenor, "Dalla sua pace"
| 24 April 1788
| Vienna
|-
|
| 540b
| Duet for Soprano and Bass, "Per queste tue manine"
| 28 April 1788
| Vienna
|-
|
| 540c
| Recitative and Aria for Soprano, "In quali eccesi"
| 30 April 1788
| Vienna
|-
| 541
| 541
| Arietta for Bass, "Un bacio di mano"
| May 1788
| Vienna
|-
| Anh. 135
| 547a
| [[Piano Sonata K.547a (Mozart, Wolfgang Amadeus)|Sonata in F for Keyboard]]
| ~Summer 1788
| Vienna?
|-
| 545
| 545
| [[Piano Sonata K.545 (Mozart, Wolfgang Amadeus)|Sonata for Keyboard in C, "Semplice"]]
| 16 June 1788
| Vienna
|-
| 542
| 542
| Trio in E for Piano, Violin and Cello
| 22 June 1788
| Vienna
|-
| 543
| 543
| [[Symphony No.39 (Mozart, Wolfgang Amadeus)|Symphony in E flat, No. 39]]
| 26 June 1788
| Vienna
|-
| 546
| 546
| Adagio and Fugue for Strings in C minor
| 26 June 1788
| Vienna
|-
| 54
| 547b
| 5 (6?) Variations in F for Piano
| July 1788
| Vienna
|-
| 547
| 547
| Sonata in F for Violin and Keyboard
| 10 July 1788
| Vienna
|-
| 548
| 548
| Trio in C for Piano, Violin and Cello
| 14 July 1788
| Vienna
|-
| 549
| 549
| Canzonetta for two Sopranos and Bass, "Piu non si trovano"
| 16 July 1788
| Vienna?
|-
| 550
| 550
| [[Symphony No.40 (Mozart, Wolfgang Amadeus)|Symphony in G minor, No. 40]] [http://dme.mozarteum.at/DME/nma/nma_cont.php?vsep=111&gen=edition&p1=63&l=1 pdf]
| 25 July 1788
| Vienna
|-
| 551
| 551
| [[Symphony No.41 (Mozart, Wolfgang Amadeus)|Symphony in C, No. 41, "Jupiter"]]
| 10 August 1788
| Vienna
|-
| 552
| 552
| Song, ''Beim Auszug in das Feld''
| 11 August 1788
| Vienna
|-
| 553
| 553
| Canon in C for 3 voices in 1, "Alleluia"
| 2 September 1788
| Vienna
|-
| 554
| 554
| Canon in F for 4 voices in 1, "Ave Maria"
| 2 September 1788
| Vienna
|-
| 555
| 555
| Canon in A minor for 4 voices in 1, "Lacrimoso"
| 2 September 1788
| Vienna
|-
| 556
| 556
| Canon in G for 4 voices in 1, "G'rechtelt's enk"
| 2 September 1788
| Vienna
|-
| 557
| 557
| Canon in F minor or 4 voices in 1, "Nascoso e il mio sol"
| 2 September 1788
| Vienna
|-
| 558
| 558
| Canon in B flat for 4 voices in 1, "Gehen wir im Prater"
| 2 September 1788
| Vienna
|-
| 559
| 559
| Canon in F for 3 voices in 1, "Difficile lectu mihi Mars"
| 2 September 1788
| Vienna
|-
| 560a
| 559a
| Canon in F for 4 voices in 1, "O du eselhafter Peierl"
| 2 September 1788
| Vienna
|-
| 560b
| 560
| Canon in F for 4 voices in 1, "O du eselhafter Martin"
| 2 September 1788
| Vienna
|-
| 561
| 561
| Canon in A for 4 voices in 1, "Bona nox, bist a rechta Ox"
| 2 September 1788
| Vienna
|-
| 562
| 562
| Canon in A for 3 voices in 1, "Caro bell'idol mio"
| 2 September 1788
| Vienna
|-
| 563
| 563
| Divertimento in E flat
| 27 September 1788
| Vienna
|-
| 564
| 564
| Trio for Piano, Violin and Cello in G
| 27 October 1788
| Vienna
|-
| 566
| 566
| Arrangement of Handel's ''Acis und Galathea''
| November 1788
| Vienna
|-
| 567
| 567
| 6 German Dances
| 6 December 1788
| Vienna
|-
| 568
| 568
| 12 Minuets
| 24 December 1788
| Vienna
|-
| Anh. 5
| 571a
| Quartet for Soprano, two Tenors and Bass, "Caro mio Druck und Schluck"
| ~1789
| Vienna?
|-
| 570
| 570
| [[Piano Sonata K.570 (Mozart, Wolfgang Amadeus)|Sonata in B flat for Keyboard]]
| February 1789
| Vienna
|-
| 571
| 571
| 6 German Dances for Orchestra
| 21 February 1789
| Vienna
|-
| 572
| 572
| Arrangement of Handel's ''Messiah''
| March 1789
| Vienna
|-
| 573
| 573
| 9 Variations in D
| 29 April 1789
| Potsdam
|-
| 574
| 574
| Kleine Gigue in G for Keyboard
| 16 May 1789
| Leipzig
|-
| 575
| 575
| [[String Quartet No.21, K.575 (Mozart, Wolfgang Amadeus)|Quartet in D for Strings, "Prussian"]]
| June 1789
| Vienna
|-
| 576
| 576
| [[Piano Sonata K.576 (Mozart, Wolfgang Amadeus)|Sonata in D for Keyboard]]
| July 1789
| Vienna
|-
| 577
| 577
| Rondo for Soprano, "Al desio, di chi t'adora"
| July 1789
| Vienna
|-
| 578
| 578
| Aria for Soprano, "Alma grande e nobil core"
| August 1789
| Vienna
|-
| 579
| 579
| Aria for Soprano, "Un moto di gioia mi sento"
| August 1789
| Vienna
|-
| 580
| 580
| Aria for Soprano, "Schon lacht der holde Frühling"
| 17 September 1789
| Vienna
|-
| 581
| 581
| [[Clarinet Quintet, K.581 (Mozart, Wolfgang Amadeus)|Quintet for Clarinet and Strings in A]]
| 29 September 1789
| Vienna
|-
| 582
| 582
| Aria for Soprano, "Chi sà, chi sà, qual sia"
| October 1789
| Vienna
|-
| 583
| 583
| Aria for Soprano, "Vado, ma dove? -- oh Dei!"
| October 1789
| Vienna
|-
| 584
| 584
| Aria for Bass, "Rivolgete a lui lo sguardo"
| December 1789
| Vienna
|-
| 585
| 585
| 12 Minuets
| December 1789
| Vienna
|-
| 586
| 586
| 12 German Dances
| December 1789
| Vienna
|-
| 587
| 587
| Contredanse in C, "Der Sieg vom Helden Koburg"
| December 1789
| Vienna
|-
| 236
| 588b
| Andantino in E flat for Keyboard
| ~1790
| Vienna
|-
| 106
| 588a
| Overture and 3 Contredanses
| January 1790
| Vienna
|-
| 588
| 588
| ''Così fan tutte''
| 26 January 1790
| Vienna
|-
| 589
| 589
| [[String Quartet No.22, K.589 (Mozart, Wolfgang Amadeus)|Quartet in B flat for Strings, "Prussian"]]
| May 1790
| Vienna
|-
| 590
| 590
| [[String Quartet No.23, K.590 (Mozart, Wolfgang Amadeus)|Quartet in F for Strings, "Prussian"]]
| June 1790
| Vienna
|-
| 591
| 591
| Arrangement of Handel's ''Alexander's Feast''
| July 1790
| Vienna
|-
| 592
| 592
| Arrangement of Handel's ''Ode to Saint Cæcelia''
| July 1790
| Vienna
|-
| 625
| 592a
| Comical Duet for Soprano and Bass, "Nun, liebes Weibchen"
| August 1790
|
|-
| 593
| 593
| [[String Quintet No.5, K.593 (Mozart, Wolfgang Amadeus)|Quintet in D for Strings]]
| December 1790
| Vienna
|-
| 594
| 594
| Adagio and Allegro in F minor for a Mechanical Organ
| October - December 1790
| Vienna and ?
|-
| 412/514
| 386b
| Concerto for Horn in D
| 1791
| Vienna
|-
| 609
| 609
| 5 Contredanses
| 1791
| Vienna
|-
| 595
| 595
| [[Piano Concerto No.27, K.595 (Mozart, Wolfgang Amadeus)|Concerto in B flat for Piano, No. 27]]
| ~1788-5 January 1791
| Vienna
|-
| 596
| 596
| Song, ''Sehnsucht nach dem Frühling''
| 14 January 1791
| Vienna
|-
| 597
| 597
| Song, ''Im Frülingsanfang''
| 14 January 1791
| Vienna
|-
| 598
| 598
| Song, ''Das Kinderspiel''
| 14 January 1791
| Vienna
|-
| 599
| 599
| 6 Minuets
| 23 January 1791
| Vienna
|-
| 600
| 600
| 6 German Dances
| 29 January 1791
| Vienna
|-
| 601
| 601
| 4 Minuets
| 5 February 1791
| Vienna
|-
| 602
| 602
| 4 German Dances
| 5 February 1791
| Vienna
|-
| 603
| 603
| 2 Contredanses
| 5 February 1791
| Vienna
|-
| 604
| 604
| 2 Minuets
| 12 February 1791
| Vienna
|-
| 605
| 605
| 3 German Dances
| 12 February 1791
| Vienna
|-
| 607
| 605a
| Contredanse, "Il Trionfo delle Donne"
| 28 February 1791
| Vienna
|-
| 606
| 606
| 6 "Landler"
| 28 February 1791
| Vienna
|-
| 613
| 613
| 8 Variations in F on "Ein Weib ist das herrlichste Ding"
| March 1791
| Vienna
|-
| 608
| 608
| Fantasia in F minor for a Mechanical Organ
| 3 March 1791
| Vienna
|-
| 610
| 610
| Contredanse, "Les filles malicieuses"
| 6 March 1791
| Vienna
|-
| 611
| 611
| German Dance
| 6 March 1791
| Vienna
|-
| 612
| 612
| Aria for Bass, "Per questa bella mano"
| 8 March 1791
| Vienna
|-
| 614
| 614
| [[String Quintet No.6, K.614 (Mozart, Wolfgang Amadeus)|Quintet in E flat for Strings]]
| 12 April 1791
| Vienna
|-
| 616
| 616
| Andante in F for a Small Mechanical Organ
| 4 May 1791
| Vienna
|-
| 617
| 617
| Adagio and Rondo for Glass Harmonica, Flute, Oboe, Viola and Cello
| 23 May 1791
| Vienna
|-
| 356
| 617a
| Adagio in C for Glass Harmonica
| 1791
| Vienna
|-
| 618
| 618
| [[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)|Motet in D, "Ave verum Corpus"]]
| 17 June 1791
| Baden
|-
| 619
| 619
| Cantata, "Die ihr des unermeßlichen Weltalls"
| July 1791
| Vienna
|-
| Anh. 78
| 620b
| Contrapuntal Study
| ~September 1791
| Vienna
|-
| Anh. 245
| 621a
| Aria for Bass, "Io ti lascio, o cara, addio"
| ~September 1791
| Prague?
|-
| 621
| 621
| ''[[La Clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus)|La clemenza di Tito]]''
| 6 September 1791
| Prague
|-
| 620
| 620
| ''[[Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus)|Die Zauberflöte]]''
| 30 September 1791
| Vienna
|-
| 622
| 622
| [[Clarinet Concerto, K.622 (Mozart, Wolfgang Amadeus)|Concerto in A for Clarinet]]
| October 1791
| Vienna
|-
| 623
| 623
| ''[[Freimaurerkantate, K.623 (Mozart, Wolfgang Amadeus)|Freimaurerkantate]]''
| 15 November 1791
| Vienna
|-
| 624
| 626a
| Cadenzas for Piano Concertos
|
|
|-
| 626
| 626
| [[Requiem, K.626 (Mozart, Wolfgang Amadeus)|Requiem in D minor]]
| Late 1791
| Vienna
|}
[[Category:Composer Composition Lists|Mozart]]