IMSLP - User contributions [en]

User talk:Siebenkas

2009-07-26T17:02:53Z

Siebenkas:

Hi, and welcome to IMSLP! Thank you for your Nietzche scores! Could you please provide publisher information, so that the copyright review team can verify the copyright status of these scores more easily?--[[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 09:34, 2 December 2008 (EST)

:I have identified these as deriving from a Bärenreiter Urtext edition: see [[List of compositions by Friedrich Nietzsche, by catalog number|this page]], thus have been tagged V*/2072/V*. Regards, PML [[User_talk:Pml|talk]] 10:32, 11 December 2008 (AEDT)

== Kœchlin Catalogue ==

Hi again, Siebenkas. Just dropping you a quick reminder about the Kœchlin catalogue d'œuvres you mentioned. Since there doesn't seem to be too much that is eligible in Canada (or the US) for upload, the sooner I could get a definitive list, the sooner I can acquire and post his works. Thanks again! [[User:Daphnis|Daphnis]] 01:42, 21 July 2009 (UTC)

:Hello Daphnis, sorry for the slow reply. I'm in the middle of a busy period, but I'll be finishing a project this week and then I should have some time. I'll be in touch soon, I promise! --[[User:Siebenkas|Siebenkas]] 17:02, 26 July 2009 (UTC)

User talk:Daphnis

2009-07-05T14:56:38Z

Siebenkas: New section: Kœchlin's catalogue

==Archive Pages for this page==
*[[User talk:Daphnis/archive1|Archive 1]] (Pre-8 October, 2007)
*[[User talk:Daphnis/archive2|Archive 2]] (8 October 2007-14 March, 2008)

== Archive ==
May I suggest archiving at least some of your talk page? It makes things easier to read and edit. Generally, people tend to do this every 20 or so messages, (in Carolus's most recent case, 80);-)-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:35, 14 March 2009 (EDT)
:Yes I know, I've wanted to do this for some time but haven't been bothered enough to learn how. By all means... [[User:Daphnis|Daphnis]] 21:48, 14 March 2009 (EDT)
::I tried to make one to find...An archive! I'll link that here.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:52, 14 March 2009 (EDT)
The way you make an archive is you just make a numbered subpage (<nowiki>[[User Talk:Daphnis/archive3]]</nowiki>, say), and then cut everything into there, link it and date it!-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:58, 14 March 2009 (EDT)
:Cool, thanks! [[User:Daphnis|Daphnis]] 22:36, 14 March 2009 (EDT)

== Cortot ==

Hi Daphnis, I moved some of the US-only Cortot files to the US FTP server as they become PD in Canada only in 2013. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 06:36, 22 March 2009 (EDT)
:Fine with me. [[User:Daphnis|Daphnis]] 09:00, 22 March 2009 (EDT)

== Items coming soon ==

Hi, My Interlibrary loan arrived. Amazingly, I have in my hands an original 1921 print of the Ives ''Concord Sonata''. (Seen once in a great while in the used score market for around $1000.) I've also been informed that the requested volume of ''Boletin Latino Americana de Musica'' with the ''Unanswered Question'' has been approved. HeHe. [[User:Carolus|Carolus]] 23:47, 27 March 2009 (EDT)
:Smashing. Did you do a comparison with the 1921 against our own copy of Concord? I'm willing to bet it's in the same category as the Songs. Looking forward to seeing these! [[User:Daphnis|Daphnis]] 09:04, 28 March 2009 (EDT)

== Sibelius choral works ==

Dear! I would like to ask for your kind help. My name is Viktor, I'm a graduating student as a choral conductor in Budapest, Hungary, and I'm writing my thesis about Sibelius choir works. I'm in big trouble finding score examples to insert into my analytics (they don't even have them in libraries), and the deadline is very close. Can you please help me by sending me sibelius choir scores in pdf?
The songs I'm in the biggest need are: Sydameni laulu, Man fran slatten och havet, Drömmarna If you have others too, than I'd be very very thankful. Please reply me on my e-mail address: hviktor@chello.hu
best regards, Viktor Halasz
:Dear Viktor, since your country is a member of the EU, it would be a violation of copyright for me to send these to you as they are protected until 1 January 2028. Sorry I cannot help. [[User:Daphnis|Daphnis]] 09:05, 28 March 2009 (EDT)

== Locked PDFs ==

[[User:Johann Caspar Ferdinand Fischer/locked PDFs|Here]] is a list. I apologize for the munged UTF-8 characters. [[User:Johann Caspar Ferdinand Fischer|Johann Caspar Ferdinand Fischer]] 15:11, 30 March 2009 (EDT)

== Rhené-Baton Redirect ==

Hi Daphnis. I was just about to do it, but I think you got there first :-) — [[User:P.davydov|P.davydov]] 16:15, 30 March 2009 (EDT)
:Hi, yes Leonard alerted me to the move tool. Thanks for checking. Did I do it correctly? [[User:Daphnis|Daphnis]] 16:17, 30 March 2009 (EDT)
Yes that's fine, except I think we need the old category page back, as there are a few links still pointing to it (including some external ones, like [http://en.wikipedia.org/wiki/Rhen%C3%A9-Baton Wikipedia]). I'll re-create it with a redirect to the new page, which should take care of any broken links... — [[User:P.davydov|P.davydov]]
:Ah ok. I wasn't sure if the original page should be left or not. Needless to say it's the first time I've attempted this. [[User:Daphnis|Daphnis]] 16:21, 30 March 2009 (EDT)
The move tool is really useful, but as I'm not a sysop I can only do it manually. BTW, I'm hoping that someone will remove the "Leopold" from the "Dvořák, Antonín Leopold" category, as was voted for recently on the [http://www.imslpforums.org/viewtopic.php?f=5&t=1800 Forum]. I don't suppose you'd like to give it a go? :-) — [[User:P.davydov|P.davydov]] 16:27, 30 March 2009 (EDT)
:I can give it a shot. Does it involve using the move tool in the same way sans ''Leopold''? [[User:Daphnis|Daphnis]] 16:32, 30 March 2009 (EDT)
I'd presume so, but I've no first-hand experience of using it. Maybe Leonard can advise? — [[User:P.davydov|P.davydov]] 16:57, 30 March 2009 (EDT)

== Sibley ==

Hi Daphnis,
You uploaded Children's Carnival by Beach manually. I suppose you know that you can now let IMSLP do this automatically? Just make the work page and then click on 'Upload from Sibley'. Our programmers could this way keep track of the sibley mirroring automatically which is not the case with manual uploads.--[[User:Peter|Peter]] [[User talk:Peter|talk]] 04:51, 2 April 2009 (EDT)
:Ok, I'll do that in the future. Since this was a personal request being filled by Sibley, I wasn't positive it would work automatically. [[User:Daphnis|Daphnis]] 08:25, 2 April 2009 (EDT)

== Ropartz ==

Just two days after I set up this wishlist and you already uploaded the second symphony ! I hope the day will come when this music take the place it deserves in the repertoire.Thank you Daphnis. --[[User:Matthieu|Matthieu]] 01:29, 30 April 2009 (EDT)

''Just as a note on your wishlist additions, it is my goal to have the complete collections of both Magnard and Ropartz up this year (in addition to my on-going Saint-Saens collection). So it may take some time :) Daphnis 11:01, 30 April 2009 (EDT)
''

Take your time ! 2 symphonies in one week is more than I can read ! Let me mention also how I appreciate the great job you are doing with Saint-Saëns. --[[User:Matthieu|Matthieu]] 15:16, 2 May 2009 (EDT)

== help (canteloube) ==

dear Daphnis, I'm just registered in this site but I can't understand a lot (I'm not good in internet...) so I hope this is a correct way to contact you since I didn't find a link to mail; I saw the vocal score of "Vercingetorix" by Canteloube (I looked for it for years!) ; is not possible download for copyright, do you know how is possible buy it? or how to contact who scanned it? please reply to my mail: albertosig@libero.it
kind regards and thank you!
alberto
:Hello Alberto. Unfortunately, because of site policy at the moment, we are blocking those files not public domain in the USA. We hope to lift this soon. If you'd like to purchase a copy of this vocal score, you should contact publisher [http://www.alphonseleduc.com/ Alphonse Leduc] [[User:Daphnis|Daphnis]] 12:54, 7 May 2009 (EDT)

== Dvôràk 9th Symphony "From the New World" / Symphonie N°9 "Du Nouveau Monde" de Dvôràk ==

Bonjour Daphnis,
J'ai vu sur La page dédiée à la [http://imslp.org/wiki/Symphony_No.9%2C_Op.95_%28Dvo%C5%99%C3%A1k%2C_Anton%C3%ADn%29 9ème Symphonie de Dvorak], vous aviez la partition hautbois.
Nous cherchons à acquérir (achat ou don) ou à louer la partition complete et partielle.
Pouvez-vous me dire comment me procurer la directrice et les parties pour chaque instrument?
Bien à vous,
[mailto:guillaumeauvray@hotmail.com Guillaume Auvray]
:Bonjour Guillaume,
:La partition complete et partielle sont disponibles à la vente de Edwin F. Kalmus [http://www.kalmus-music.com/kalorchdetail.php?r=1724 ici] ou [http://www.kalmus-music.com/kalorchdetail.php?r=1725 ici]. [[User:Daphnis|Daphnis]] 16:30, 24 May 2009 (EDT)

== Bartók - String Quartet No.3 ==

Hi Daphnis, I can´t understand the page beacause I want to download the string quartet N°3 of Bela Bartok, but its blocked, but string quartet N°1 y N°2 are free, my email is tuliotolkien@hotmail.com and we really really need N°3, could you help us??
:Hi, unfortunately we are blocking those files not in the public domain in the US. Quartets 1 & 2 are free in the US but everything else is under copyright. We're not sure when we'll be lifting this ban. Sorry. [[User:Daphnis|Daphnis]] 14:32, 29 May 2009 (EDT)
Sorry it´s me again, but it´s public domain in Canada, I´am in Canada right now, but still I can´t download it, could you help me?, could you send it to me?? my email is tuliotolkien@hotmail.com.
:I don't privately email files since I have no way of verifying location. [[User:Daphnis|Daphnis]] 09:04, 8 June 2009 (EDT)

== Glazunov Carnaval Overture ==

I found a beautiful public domain print of Glazunov's Carnaval Overture on Google Book Search. It has some Google watermarks so I did not feel safe to upload it in this state. I was wondering if you could review it to see if it is worthy to be on IMSLP. I also recommend you to listen to this amazing piece if you are willing. Here is the url:
[http://books.google.com/books?id=1V4RAAAAYAAJ&dq=glazunov+carnaval&printsec=frontcover&source=bl&ots=DlEBOF8ET4&sig=com8gv0LhHg04q2dv8FG6WyjQmI&hl=en&ei=Ef0zSs6kBuKntgfe--X4Dg&sa=X&oi=book_result&ct=result&resnum=1#PPA3,M1]

:(Jumping in) Not to worry, we've got a copy which is scheduled to be 'cleaned' of all their logos, etc. It should be available fairly soon. [[User:Carolus|Carolus]] 15:25, 13 June 2009 (EDT)

== Massenet Songs ==

Hey Daphnis -- re: your message on jsnfmn's talk page -- I do indeed have all of his published songs in the format you sent me, all extracted and compiled. I was waiting until I could scan my medium key books as well but in the next few weeks I will go ahead and post what I've got. Sound good?[[User:Massenetique|Massenetique]] 00:42, 19 June 2009 (EDT)

No problem, I was more curious than insistent. Whatever is easier for you. Thanks for getting back to me. Look forward to seeing a complete Massenet ''chanson'' collection available soon! [[User:Daphnis|Daphnis]] 08:58, 19 June 2009 (EDT)

== Wolf Lieder publishers ==

Any luck so far?-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:36, 19 June 2009 (EDT)
:No, but I really need to get on that. I'm going to make this a priority in the next few weeks. If you still don't see any progress within that time frame, give me a kick again, yes? [[User:Daphnis|Daphnis]] 22:25, 19 June 2009 (EDT)
::Not without pleasure. Speaking of which, I should mention the same with all of the Fauré.... ;)-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:35, 19 June 2009 (EDT)
I haven't forgotten, just so you know, I'm just waiting for a chunk of free time to come my way since it will take some time to complete all these entries. [[User:Daphnis|Daphnis]] 10:42, 28 June 2009 (EDT)

== Chabrier: Gwendoline ==

Hi Daphnis, I managed to obtain an actual full score on inter-library loan, which will be scanned in a few weeks. You no longer have to worry about the microfilm copy I sent. Thanks, [[User:Carolus|Carolus]] 01:07, 20 June 2009 (EDT)
:That's wonderful! I'm still going to look into the other ones this summer--that's my goal anyway. [[User:Daphnis|Daphnis]] 22:42, 23 June 2009 (EDT)

== Rossini ==

Thanks for these overtures! For the "Five Great Overtures Volume," make sure to add this code: <nowiki>|Amazon={{AmazonLinks|0486408582}} - Dover coll.</nowiki> at the end of the template after you've uploaded. It will add a link to Amazon for the score. The code for the "William Tell and other Overtures" volume is: <nowiki>|Amazon={{AmazonLinks|0486281493}} - Dover coll.</nowiki>.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:36, 23 June 2009 (EDT)

== Fauré ==
Thanks Daphnis for wonderful listings; do you happen to know of a duet for flute and alto by Faure? Thanks Paul[[User:Doctorwolfie|Doctorwolfie]] 10:02, 28 June 2009 (EDT)
:For what piece? I know of nothing off the top of my head. [[User:Daphnis|Daphnis]] 10:06, 28 June 2009 (EDT)

== Molique: Oboe Concerto ==

Hi, Did Eugen Gugel (1889-1972) actually create the Oboe and Piano reduction, or did he simply edit an already extant reduction? If he's the actual creator of the reduction, we have an obvious copyright issue as you can see. If he's simply the editor, this can be finessed using the 'urtext' rule. Thanks, [[User:Carolus|Carolus]] 20:37, 28 June 2009 (EDT)
:Honestly I don't know. I only found his name when researching details for the site; I guess I never imagined that the arranger would be a problem. Although I have my doubts about when it was first arranged for piano, it may be safest to remove it. [[User:Daphnis|Daphnis]] 21:19, 28 June 2009 (EDT)
I'll do a little research. If there was a reduction published before Gugel's, my bet is that he was simply the editor. [[User:Carolus|Carolus]] 21:39, 28 June 2009 (EDT)
:Mine too, but I couldn't find anything in WorldCat or otherwise to confirm. [[User:Daphnis|Daphnis]] 21:40, 28 June 2009 (EDT)

== Holbrooke: Symphony No.3 ==

I didn't notice any sort of copyright notice on this, so I'm marking it as "checked" for now. I don't recall running across any NIEs for Holbrooke, either. I expect that Holbrooke was one of those composers they really didn't want to waste any legal fees on for NIE filings, etc. Music Sales would spend the money for Stravinsky and Poulenc, but other composers in the Chester catalogue like Goosens and Holbrooke were allowed to slide. [[User:Carolus|Carolus]] 01:07, 1 July 2009 (EDT)
:I figured, but didn't want to presume. And on the first page the copyright is listed in "USA and all countries" by Joseph Holbrooke. [[User:Daphnis|Daphnis]] 08:43, 1 July 2009 (EDT)

== Kœchlin's catalogue ==

Hi Daphnis. I've just replied to your question on P.davydov's talk page, but I thought I would copy it here, since my answer is a bit rambling and maybe he won't want this long paragraph taking up so much space on his page. Here it is, best wishes.
:Hello Daphnis! Do you mean publication dates of the works? It has composition dates for all of the works, plus the date and location of first performance for many of them. As for publication, it only lists the name of the publisher, with no date, mostly Salabert and Eschig, some of the early works were published at Sénart, and then there are a number of other publisher names appearing here and there. Although the catalogue is printed in book form, I'm not sure if it was ever available for sale. It has no price on it, or any ISBN number. On the reverse of the title page it only says "Le présent catalogue est en dépôt légal chez: Max Eschig & Cie, 48 rue de Rome, 75008 Paris". And on the second to last page it says "Réalisation et impression LACER - RAMBAULT & GUIOT, Dépot légal n°794, 3e trimestre 1975, Paris". As I mentioned above, a friend of mine here in Paris is a friend of Kœchlin's nephew (that's what she calls him although he must be a great nephew). I could ask her to ask him how someone could get a copy of the catalogue. She said he's on something of a mission to promote Kœchlin, so I'm sure he'd be happy to hear someone is taking an interest... It's a pretty interesting document. In the pages before the actual catalogue begins, there is an introduction by Henri Sauguet, then a nine-page article about Kœchlin by Roger Delage, another article about Kœchlin's life written in English by Robert Francis Nicholas Orledge, then twelve pages of extracts from articles about Kœchlin in the press. It also includes a list of didactic works, a list of articles written by Kœchlin published in the press, and a discography listing recordings from the 30's to the 70's. There is also a list of works that for some reason do not appear in the official catalogue (which I've been meaning to add to the "List of Compositions" page - these account for the missing opus numbers)... Anyway if you'd really like to just see the catalogue, when I have the time I could scan it and send you a pdf. The actual list of works, including the out-of-catalogue works, is only about 50 pages. Thanks for your interest! --[[User:Siebenkas|Siebenkas]] 10:56, 5 July 2009 (EDT)

User talk:P.davydov

2009-07-05T14:49:57Z

Siebenkas: /* Kœchlin's 10 Little Easy Pieces */

__TOC__
Hello, P. Davydov: I gather from all of your very knowledgeable entires to our Tchaikovsky section that you are associated with Mr. Langston's Tchaikovsky-Research site. I was just checking to confirm that it's OK for Mr. Langston's edition of the Coronation March to be posted. Thanks very much for your additions, [[User:Carolus|Carolus]] 15:35, 7 July 2008 (EDT)
:Hello Carolus. Yes, it is being reproduced with the editor's permission. Please feel free to confirm this by contacting the Tchaikovsky Research site if you need written confirmation from Mr Langston. [[User:P.davydov|P.davydov]] 16:38, 7 July 2008 (EDT)
Hello again, My edition of Grove (ca.1980) states that Pavel Lamm's patronymic (middle) name was Alexandrovich. Are they incorrect in this? Thanks for all your lovely Tchaikovsky contributions, BTW. [[User:Carolus|Carolus]] 15:05, 11 July 2008 (EDT)
:Thanks for that correction, Carolus. I was working from memory, which isn't always as reliable as it used to be! The Library of Congress Authorities catalog confirms that it should be Alexandrovich, and I'll make that change now on the the three pages in question. I'm hoping to fill in many of the remaining gaps in the IMSLP Tchaikovsky canon, if my scanner will stand up to the workload... [[User:P.davydov|P.davydov]] 15:32, 11 July 2008 (EDT)

You must have been reading my mind! Last night, after I created the publication template for the Tchaikovsky Complete Works, I was thinking that I really needed to do two versions to account for the name change to Muzyka and their abandonment of the plate number prefix and suffix latters. I come here today and discover - as if by magic - that it is already done! Thanks, and also a bolshoe spasivo for all the very fine and helpful work you've done on the complete works page. [[User:Carolus|Carolus]] 14:44, 16 July 2008 (EDT)

:Thanks, Carolus, and I'm very glad to be able to contribute. Funnily enough I only made the new templates a few minutes ago! I've started updating the links to the existing complete edition scores, and there should be some new scans added soon... [[User:P.davydov|P.davydov]] 14:48, 16 July 2008 (EDT)

==Rococo Variations==
: Hello Davydov, I see you have changed the Rococo Variations to that not of Fitzenhagen. But actually that is the version that Fitzenhagen DID change. It is the version that is normally played (I have played it myself many times!!) But It is not the original one that Tchaikovsky wrote. The original version (that is not yet on this IMSLP) has a different order of the variations and there are other differences also. You may listen to it as it has been recorded recently by Miklos Pereny, Isserlis, and Julian Lloyd Webber. I think the order of the revised version is Theme,var.1,2,6,7,4,5,3,half of var.8.
The original version of the ''Rococo'' Variations, with eight variations instead of seven and with the variations in a different order. The published version was edited by the cellist Wilhelm Fitzenhagen, for whom Tchaikovsky wrote the variations.
''Fitzenhagen mucked around with them before publication,'' Mr. Isserlis said. ''He died not long after that, so maybe Tchaikovsky didn't want to fight with him about it. But I love that eighth variation. And now the big variation in C major is near the end, where it's much more effective.''
If by chance you do find the original version (I know it is hard to come up with the score and parts) Please do upload it!! Thanks - [[User:Generoso|Generoso]] 16:43, 12 July 2008 (EDT)
:Hello Generoso. I've just had another look to make sure, but the score on the site really is Tchaikovsky's original version, not touched by Fitzenhagen. It's the same score that was published in volume 30B of Tchaikovsky's complete works (1956), edited by Viktor Kubatsky, which I have here with all the editor's notes. A lot of cellists were unhappy that they chose to publish the original version instead of Fitzenhagen's more familiar score. Fitzenhagen's version has the variations in the order (1 & 2) Tempo della Thema; (3) Andante sostenuto; (4) Andante grazioso; (5) Allegro moderato; (6) Andante; (7) Allegro vivo. Tchaikovsky has (1 & 2) Tempo della Thema; (3) Andante; (4) Allegro vivo); (5) Andante grazioso; (6) Allegro moderato; (7) Andante sostenuto; (8) Allegro moderato con anima. The last variation was dropped completely by Fitzenhagen! [[User:P.davydov|P.davydov]] 16:57, 12 July 2008 (EDT)
::Yes, the last variation of Fitzenhagen's version is ''''Allegro moderato con anima'''' as is the version posted here! (page 32 of the pdf posted here.) We shall get this figured out someday. Thanks for all your hard work. [[User:Generoso|Generoso]] 17:06, 12 July 2008 (EDT)

I'll butt in here (since I posted the score originally - so long ago it seems). I think the editors of the ''Polnoe Sobranie Sochinenii'' did not include the Fitzenhagen revision. Tchaikovsky complained bitterly over what Fitzenhagen had done, and over the fact that Jurgenson went along and published what could really be termed an arrangement by Fitzenhagen rather than an edtion. Muzgiz might have issued the Fitzenhagen later as a supplement, but not as part of the regular complete works. Until fairly recently, the Fitzenhagen arrangement was the only one known in the west. [[User:Carolus|Carolus]] 17:39, 12 July 2008 (EDT)

'''More Piano Transcriptions?'''
Hello and thank you for your very helpful contributions. I wonder - are you planning to submit complete piano scores for Nutcracker and for Sleeping Beauty? That would be great.
--[[User:Df|Df]] 18:57, 16 July 2008 (EDT)
:Unfortunately I don't have the piano arrangements of those ballets in my collection. But I have a full score of ''The Sleeping Beauty'' which could go on eventually... [[User:P.davydov|P.davydov]] 19:27, 16 July 2008 (EDT)

I'll jump in here to say that I have the Siloti piano reduction for ''Sleeping Beauty'' (complete works) that I'll be uploading the the next couple of weeks. I also have one for ''Nutcracker'' but that will be a bit longer. [[User:Carolus|Carolus]] 19:30, 16 July 2008 (EDT)
:Excellent. Thanks to both of you.--[[User:Df|Df]] 12:14, 17 July 2008 (EDT)

== Re: Capitalisations in titles ==

There are actually no guidelines at all for the capitalisation, and I had not seen Hamlet incidental music and the duet from Romeo and Juliet. I just thought it looked nicer because the other substantives in the title were capitalized too, that's all! Are there any arguments pro or contra? Regards, [[User:Peter|Peter]] [[User talk:Peter|talk]] 12:38, 22 July 2008 (EDT)
:For English, the rule is: First and last words of a title are always capitalized, and most terms within a title are also capitalized excerpt for articles like a, an, or, the, with, etc. For example, the Coleridge-Taylor work uploaded last night, ''The Song of Hiawatha, Op.30'' is a trilogy of three cantatas. The second of these is ''The Death of Minnehaha''. Other languages - German in particular, appear to have different rules about the treatment of titles. (Sorry to take up place on you page yammering, P.davydov.) [[User:Carolus|Carolus]] 15:11, 22 July 2008 (EDT)
Thanks, Carolus. In this case the words aren't part of the original title, but are needed to distinguish between the symphonic ballad, opera and melodrama that are all separate works known by the title "The Voyevoda" (Tchaikovsky believed in recycling). My preference is for "The Voyevoda, opera, Op.78" rather than "The Voyevoda, Opera, Op.78", but I'm really just aiming for a single standard throughout. There are several different methods on the same page (for this and other works) and the inconsistency keeps me awake at nights :-) [[User:P.davydov|P.davydov]] 15:39, 22 July 2008 (EDT)
:OK, for me no problem to change it back! A good time to make some guidelines about this. --[[User:Peter|Peter]] [[User talk:Peter|talk]] 18:24, 22 July 2008 (EDT)
:''Voyevoda'' is a particularly knotty example. The ''Chicago Manual of Style'' doesn't really address a case like this. I've seen the three works listed this way in OCLC:
# Voyevoda (opera), Op.3
# Voyevoda (incidental music), TH 22
# Voyevoda (symhonic ballad), Op.78
:This is fairly consistent with what you are mentioning, P.davydov. Maybe you should ask the folks over at Tchaikovsky Reserach which way they would like to see it listed here. Rimsky-Korsakov also used the title ''Sadko'' for two different works as I recall. The Mugiz full scores of both ''Swan Lake'' and ''Sleeping Beauty'' will be coming to IMSLP in the next few weeks, BTW. [[User:Carolus|Carolus]] 19:09, 22 July 2008 (EDT)

Thanks again Carolus. I don't know how much of a consideration this might be, but I played around with slightly varying the titles to see if it affected the hits on Amazon.com. "Romeo and Juliet" is another title applying to more than one of Tchaikovsky's works (the overture-fantasia and the duet scene), and the hits did vary considerably:
:*Romeo and Juliet + Tchaikovsky = 623 music CDs
:*Romeo and Juliet + overture + Tchaikovsky = 504 music CDs
:*Romeo and Juliet + fantasy overture + Tchaikovsky = 413 music CDs
:*Romeo and Juliet + overture fantasia + Tchaikovsky = 31 music CDs
:*Romeo and Juliet + duet + Tchaikovsky = 11 music CDs
:*Romeo and Juliet + TH 42 + Tchaikovsky = 0 music CDs
In this case, using Tchaikovsky's preferred title "Romeo and Juliet (overture-fantasia)" would eliminate 95% of the matches on Amazon, and including the catalogue number would eliminate the rest. While the purist in me would prefer the proper title, perhaps "''Romeo and Juliet: overture (Tchaikovsky, Pyotr Ilyich)''" would be an acceptable compromise. Presumably the same would apply to The Voyevoda, Hamlet, and The Nutcracker (ballet/suite). As you say, this is an issue for several composers, and if you or anyone else has other thoughts, they'd be very welcome.
BTW, that's great news about Swan Lake and Sleeping Beauty! [[User:P.davydov|P.davydov]] 12:35, 23 July 2008 (EDT)
:It looks like we'll have to go with "''Romeo and Juliet: overture (Tchaikovsky, Pyotr Ilyich)''" since the alternative is not too good for keeping the server bills paid up to date! At any rate, I'd recommend that we just employ the simple title for the ballets, as in ''Swan Lake, Op.20'' since there is already a separate opus designation for the suites (Swan Lake Suite, Op.20a, Sleeping Beauty Suite, Op.66a, and Nutcracker Suite, Op.71a). Since the ballets are so enormous, having separate work pages for the suites is probably a good idea. Swan Lake is already a big page and it will be getting even bigger with the addition of the 804-page Muzgiz score. If we put the suite at the bottom of the ballet page, nobody would see it! [[User:Carolus|Carolus]] 01:54, 24 July 2008 (EDT)
Agreed. I've now standardized the titles accordingly, putting within the brackets the minimum information required to distinguish between the works of the same name. All the instrumentation details and section headings for Tchaikovsky's works have also been added to IMDBP. Looking forward to seeing the Muzgiz ballets when your scanner has cooled down... :-) [[User:P.davydov|P.davydov]] 02:38, 24 July 2008 (EDT)

== Headings ==

Hello P.davydov, Although there isn't anything officially posted yet, The "complete work" heading is above "full score" in the proposed hierarchy.
"Complete Work" and "Excerpts" are the first level (2 equal signs, or maybe 3). Within "complete work" you would have "full score", "vocal score", "transcriptions", and "orchestra parts". "Excerpts" would have the same sub-headings (3 or 4 equal signs) but in some cases where there's a very popular excerpt like the Polovstian Dances from Borodin's opera "Kniaz Igor", the next level would designate the particular excerpt with the format variants (full score, vocal score, transcriptions, orchestra parts) going a level down. For many works, like the Tchaikovsky symphonies, there aren't really that many popular excerpts so the top level hierarchy (complete work, excerpts) is not even really necessary. [[User:Carolus|Carolus]] 18:37, 16 August 2008 (EDT)

== Sapel... ==
Hi, I took this version because it was the transliteration Sapelnikov used himself (Like Rachmaninoff), as I indeed read on Wikipedia. Feel free to change to the correct transliteration! --[[User:Peter|Peter]] [[User talk:Peter|talk]] 16:45, 8 January 2009 (EST)

== Headings ==

Hi, P. Davydov. I thought we'd more or less come up with the heading system whereby excerpts from a large work such as an opera - like the Polonaise and Valse from Eugene Onegin - would appear beneath the material for the complete work, like the vocal score. Most of our pages are set up this way.

I thought we'd settled on the following levels of hierarchy:

Complete Work 
Excerpts

Within Complete Work:

Full Scores 
Vocal Scores 
Orchestra Parts 
Transcriptions 

Within Exceprts:

Name of Excerpt 
Full Score 
Orchestra Parts 
Transcriptions 

Am I mistaken here? Perhaps we should continue the discussion of this issue on the forum if you think there are good reasons to do it another way.

Thanks, [[User:Carolus|Carolus]] 16:35, 23 January 2009 (EST)

Hi again, I noticed you've been putting our hierarchy scheme into practice on Tchaikovsky pages. It looks pretty good, too. One question: in the "Arrangements and Transcriptions" heading, do you think things should be listed by instrumentation (e.g. Piano solo, Piano 4-hands, Kazoo quartet, etc.)? If so, what should be the order? Orchestral score order? We really didn't address this in our discussion over at the forum. Heretofore, if there's been an order of any kind, it has been a simple chronological one, with the composer's own transcriptions always at the top of the list - regardless of what instrument or ensemble the transcription was made for. I can certainly see the logic of grouping all the piano transcriptions together, string transcriptions together, etc. For example, on the [[Italian Capriccio, Op.45 (Tchaikovsky, Pyotr Ilyich)|Italian Capriccio, Op.45]], Eduard Langer's transcription for 2 pianos appears above the composer's own transcritpion for piano 4-hands - which came earlier than Langer's. This implies an instrumentation-based order within the "Arrangements and Transcriptions" heading. The subheadings you've put in place look like a good idea, though it might be best to limit them to instrument instead of including the specific transcriber's name unless there happen to be multiple editions of a particular transcription. Thanks, [[User:Carolus|Carolus]] 15:59, 30 January 2009 (EST)

I really think you should avoid using "For Voices and Piano" as "Vocal score", or even "Piano-vocal score" is far more commonly used - even though "For Voices and Piano" is technically correct. Also, in the area of operatic vocal scores, the vocal score was sometimes the actually first thing written so it's incorrect to call it a transcription. Possibly not so in Tchaikovsky's case, since he didn't always compose at the piano. See how thinking about this stuff can drive one crazy? :) [[User:Carolus|Carolus]] 19:15, 30 January 2009 (EST)

:''Posted on my talk page as well:'' BTW, I think doing just Tchaikovsky according to the proposed hierarchy rules is a great idea. That way a large number of folks can see it and make suggestions about ease of use. I suppose we could use Lyle's preferred term "Piano-vocal score", which does seem to be gaining more ground in recent years. Most Publishers in the English-speaking world use "vocal score" for the common run-of-the-mill ''klavierauszug.'' The scores with vocal parts gathered in one or more systems are typically referred to as "chorus scores" (though these can include lines for vocal soloists as well). I have to admit that "Piano-vocal score" or "Vocal-piano score" is more precise than the simple "vocal score." I'll be adding some comments on the discussion page attached to your new hierarchy page. [[User:Carolus|Carolus]] 18:06, 31 January 2009 (EST)

== Dvorak Complete LInks ==

Hi. Thanks for all of your work on the Dvorak Supraphon complete. Could you please hold off on linking to pages that have the score, but not of this edition? It seems to be the standard (Vis. [[Johannes Brahms - Complete Works Edition|Brahms complete]]). This just drives me crazy on the Tchaikovsky page; it's incredibly more difficult to use. Thanks again.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 10:38, 1 February 2009 (EST)

== Sortable lists ==

Hi Davydov, I've enabled the leading zeroes for B. and opus numbers to be hidden from view, so that the Dvorak worklist remains completely sortable. Thus Opus 7 can be displayed as "7" while being properly sorted as "007": secretly à la James Bond. :)

The template to do this is called <nowiki>{{</nowiki>hs}} (probably named for "hide span", which is what it does - hides any text included in the parameter). I borrowed it from Wikipedia sometime ago, in order to do more sophisticated sorting of tables. You may find a use for it elsewhere in the table, for certain genre/key/title related sorting: the technique for numerical sorting which I've described on the list's discussion page is also applicable to alphabetical or category sorting. Regards, Philip Legge [[User:Pml|♇]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User_talk:Pml|talk]] 19:24, 8 February 2009 (EST)

:Oustanding Tchaikovsky sortable list, P. davydov! I corrected the ISBN for the Tchaikovsky Handbook. [[User:Carolus|Carolus]] 17:02, 15 February 2009 (EST)

== Cleanup ==

Just wanted to thank you for your cleanup work. It's very nice. -- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 11:57, 22 February 2009 (EST)

== Your User page ==

Sorry. I've made a real mess of things.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:37, 24 February 2009 (EST)

== Bizet: Carmen and L'Arlesienne Suites ==

Hi P. Davydov, As I understand it, Ernest Guiraud arranged both ''Carmen'' suites after Bizet's death - for both piano and orchestra. Fritz Hoffmann was only the editor for the Breitkopf edition (which appeared much later). There have been suites taken from Carmen arranged by others as well. For ''L'Arlesienne'', Bizet arranged the first suite only. The second was arranged by Ernest Guiraud. As with Carmen, Fritz Hoffmann was only involved with the Breitkopf edition. Thanks, [[User:Carolus|Carolus]] 18:56, 25 February 2009 (EST)

== Redirects, etc. ==

Many commendations for your work cleaning up the site! I love it when I take a look at the list of double redirects to find it much shrunken!-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 20:09, 4 March 2009 (EST)
:Thanks, and I'm glad to be able to help. Depending on how much time I have, I'll try to shrink the list a bit more over the next few days... [[User:P.davydov|P.davydov]] 05:30, 5 March 2009 (EST)
::Thanks for assisting with the double redirects for Wagner; I'd noticed most of the ones for the individual works had been fixed by the time I'd gotten the ones for the category page resolved. There's a lot of cleanup after these composer moves, so I'm planning only one a day. [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User_talk:Pml|talk]] 19:33, 11 March 2009 (EDT)
:Glad to be of help. It's very good of you to take on these composer naming issues, which will make things much easier for lots of IMSLP users — [[User:P.davydov|P.davydov]] 04:23, 12 March 2009 (EDT)

== Volante ==

Hello, I don't know if you noticed, but [[Special:Contributions/Musicforband|Musicforband]] actually uploaded some files (he just did it wrong). Not sure if they should be submitted or deleted. --[[User:Leonard Vertighel|Leonard Vertighel]] 05:57, 6 March 2009 (EST)

Found an old [http://imslpforums.org/viewtopic.php?p=9251 forum thread] which I had opened myself but completely forgotten :) I guess deleting them is OK. By the way, why are you [[6 violin sonatas op.1 clavier (Handel, George Frideric)|creating empty pages]] asking for them to be deleted? (According to the "history", the page didn't exist prior to your edit.....) --[[User:Leonard Vertighel|Leonard Vertighel]] 07:45, 6 March 2009 (EST)

You are right, it's another one of those annoying URL rewriting bugs. I've notified Feldmahler. --[[User:Leonard Vertighel|Leonard Vertighel]] 08:20, 6 March 2009 (EST)

== Vocal Scores - Language hierarchy ==

Hi, I've been wondering about this. Do you think we should have the original language listed first, or just do the languages in alpha order. I'm inclined to go with original first and alpha after that, personally. The new hierarchy system seems to be holding up nicely even for the Wagner operas, so congratulations are in order. [[User:Carolus|Carolus]] 18:35, 11 March 2009 (EDT)
::Thanks! All 500+ operas should now be using the new heirarchy, so that leaves just another 14,000 or so pages :-) But as far as vocal scores are concerned, if the original language is given in parallel with the translation (which is normally the case), then I've placed the original first in the heading, e.g. the original "German", would always come before "German / English", "German / Russian", etc. But there are a minority of cases where the translation is in a single language, and here the original "German" could end up after a monoglot "English" translation. Where that happens, I'd agree that it's reasonable to put the original language first. The important thing is that the headings are correct and will be "readable" by Wikibots, so that one day people might be able to search for all scores in a particular language, for instance — [[User:P.davydov|P.davydov]] 04:16, 12 March 2009 (EDT)

Another question: I've downloaded Boris Jurgenson's Tchaikovsky Thematic Catalogue, which is available at Google. As soon as I've gotten rid of all the logos, etc. it can be uploaded. The question is: where? It would be nice to have links to it on both the Tchaikovsky page and the Jurgenson page. [[User:Carolus|Carolus]] 19:01, 11 March 2009 (EDT)
:This has actually happened with another composer, whose name I forget. In that case, it was just made as a work titled "Catalogue of the complete works." or something like it.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 20:05, 11 March 2009 (EDT)
:And also see what's been done with Pictures at an Exhibition for Mussorgsky/Ravel. In this Case I would probably make it as a Jurgenson work, categorized under Tchaikovsky too.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 20:57, 11 March 2009 (EDT)
::I'd agree with snailey that it should go on a page for "Jurgenson, Boris Petrovich", with a category link to "Tchaikovsky, Pyotr Ilyich". I'm sure that we could improve the way we currently handle these sorts of situations, as well as collaborative works, editions and arrangements that are the work of two people or more. There are several possible approaches (some of which are already being used), and I'll try to put together some notes for discussion over the next few weeks, if that might be helpful? — [[User:P.davydov|P.davydov]] 04:16, 12 March 2009 (EDT)
That would be very helpful, actually. There are a number of collections from the Ditson ''Musicians' Library'' series which I've downloaded from Google. One approach I've seen is to list the collection under the name of the collection's editor or compiler. The individual items from it could then be extracted and put in under their respective composers. BTW, Mr. Irgmaier previously requested that all of his works here should be deleted, which I am gradually doing. [[User:Carolus|Carolus]] 16:55, 12 March 2009 (EDT)

== Cleanup. ==

Thought you might want to have a look at [[:Category:Cleanup required|This category]]:).-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 20:41, 14 March 2009 (EDT)
: Hi Snailey. I tried my best yesterday with Charles Warren and Ernest Zoeller, but couldn't find out anything more about them. The rest of the composers from T to Z are done though, with full dates of birth/death now where they're known, new Wikipedia links, and alternate spellings (which I found out about from your example with Manuel Ponce!). I'll work my way slowly through the other composers as time permits... — [[User:P.davydov|P.davydov]] 04:36, 15 March 2009 (EDT)

== Question about Captchas ==

Hi Davydov. Just wanted to ask if you get a captcha when you edit a page or submit a file. This is just to make sure everything is going as it is supposed to (you should not get a captcha). Thanks! --[[User:Feldmahler2|Feldmahler2]] 12:57, 15 March 2009 (EDT)
: Hi Feldmahler. I've only been getting the Captcha when I edit an external URL on one of the pages. But that seemed to stop happening a couple of hours ago, after the site froze for around a minute. I can now edit pages OK, but with no Captchas at all — [[User:P.davydov|P.davydov]] 13:04, 15 March 2009 (EDT)
:: Wonderful! Everything is going as it should then :-) (New users will now get captchas on everything including normal editing, while seasoned users won't get any.) --[[User:Feldmahler2|Feldmahler2]] 13:14, 15 March 2009 (EDT)

== Carl Stamitz ==
So apparently did en-Wikipedia's editors (still need to remove it from there. I'm going to assume that the year anyway was still 1745... not necess. true either. This issue does arise with Beethoven and has been a subject of discussion, I gather, in the literature there - moreso, of course. At least as I could judge from the preface to the translation I read of Ries/Wegeler's Reminiscences.) Thanks![[User:Schissel|Eric]] 05:37, 20 March 2009 (EDT)

== Reissiger ==

I'm probably being parochially pro-modern, but I've seen so many variant spellings for 19th-century names and words used in contemporary press and advertisements I didn't think one could catch them all in a practical way... (of course, Mr. Reissiger is not Kotzelutchhhh (gesundheit.)!) [[User:Schissel|Eric]] 18:55, 22 March 2009 (EDT)

== Arthur ==
Connaissiez vous Arthur ?
Dou you knew Arthur ?

Non, je ne connais pas un Arthur — [[User:P.davydov|P.davydov]] 10:29, 26 March 2009 (EDT)

Excusez-moi. J'ai cru que vous étiez intervenu sur la fiche de Arthur Petronio et je me demandais si vous le connaissiez. J'ai d'autres oeuvres de lui et je ne sais trop que faire..
(Je ne sais pas signer et dater ce que j'écris.) — [[User:Coulon|Coulon]] 15:55, 27March 2009 (.?)

== Rhené-Baton Redirect ==

P. davydov, since you seem to be adept with composer redirects of late, would you mind assisting me with this one [[:Category:Baton, Rhené Emmanuel]]? It needs to be redirected to Rhené-Baton but I really don't know how to use the redirect template well, and Leonard suggested you could help. Thanks. [[User:Daphnis|Daphnis]] 15:18, 30 March 2009 (EDT)

== Rimsky - Complete Works ==

Just a word of thanks for setting this up - it was getting to the point it was needed, and much appreciated in this quarter at least! Regards, [[User:Carolus|Carolus]] 23:35, 16 April 2009 (EDT)
: I'm glad to have been able to help. It was in response to Snailey's request on the Forum yesterday, and I just happened to have a spare couple of hours :-) There are still a few links need adding to work pages, but I'll leave that to the Rimsky experts... — [[User:P.davydov|P.davydov]] 07:17, 17 April 2009 (EDT)
::Mostly done. Sorry to seem demanding... :)-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:43, 17 April 2009 (EDT)

== Thought you might be interested in this ==

[[Category talk:Wihtol, Joseph]]-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:57, 19 April 2009 (EDT)
: Hi Snailey. I redirected the old Witohl pages yesterday and left a note on the [[:Category talk:Vītols, Jāzeps]] page. The old Witohl talk page is still there (without my note), because it wouldn't overwrite the existing Vītols talk page. The two talk pages seem to be identical apart from my note (!) — [[User:P.davydov|P.davydov]] 12:19, 20 April 2009 (EDT)

== Giovanni Bottesini ==
Hi P.davydov, I'm kind of interested where the information about the alternate name ''Gaetano'' comes from. I always thought I was pretty well informed about the guy, but this bit is a real surprise. Thx, --[[User:Rainer Lewalter|Rainer Lewalter]] 21:15, 3 May 2009 (EDT)
: Hi Rainer. I've no specialist knowledge about Bottesini, and have just been checking IMSLP's composer information against various references sources. 'Gaetono' is one of the alternative names listed by the Library of Congress in their [http://authorities.loc.gov name authorities file]. Unfortunately they don't indicate the source where they encountered this variant (which they often do in other cases), but the accent on the 'e' of 'Gaetono' suggests that it could have been a Russian source — [[User:P.davydov|P.davydov]] 03:41, 4 May 2009 (EDT)
== Abril Tirado ==
Hello, P:Davydov.
There is something wrong naming Tirado only. Octavio Santa Cruz in his book "La Guitarra en el Perú" said his father was "Pedro Abril y Tirado" died on 18-April-1826. His mother was "María del Carmen Abril" died 5-May-1833 and married with "Pedro Jimenez Rondón". He was a "natural son" or "extra marriage son" (I don't know the exact word in english = hijo natural o extra matrimonial)That's why first he named himself Pedro Jimenez (or Ximenes) and later, perhaps when his real father dies take his two last names. And: is a spanish tradition use two last names (Cervantes Saavedra, Miguel is not "Miguel Saavedra", or García Lorca, Federico is not "Federico Lorca", or Goya y Lucientes,Francisco is not "Francisco Lucientes" and so on. English rules and traditions are differents in spanish and ex spain countries. Nestor Guestrin [[User:Musicadelsur|Musicadelsur]]

Hi P.Davydov
As you say, I think is better "Abril Tirado, Pedro" or "Pedro Abril Tirado" or "Abril Tirado, Pedro X." or "Pedro X. Abril Tirado". For my spanish (or southamerican) eyes this composer has a double last name "Abril Tirado". If not, I see as wrong. Mother and father were "Abril"! Nestor Guestrin [[User:Musicadelsur|Musicadelsur]]

== Kœchlin's 10 Little Easy Pieces ==

Hello P.davydov! I see that you've changed the opus number of this work from 61b to 61c based on information from Grove. I have Kœchlin's complete catalogue here, which I borrowed from a friend who was given it by Kœchlin's nephew. Since it was prepared and published by Kœchlin's own family I assume it is fairly reliable. It lists Op.61c as "64 Exercises faciles à deux parties" (64 Easy Two-Part Exercises), and 61b as "Dix petites pièces faciles (piano)"Ten Easy Little Pieces (piano). So I'm wondering what opus number Grove has given these 64 exercises. I can send you a scan of the relevant page from Kœchlin's catalogue if you'd like to see it. I typed the whole catalogue out by hand in December when I created the article "List of Compositions by Charles Kœchlin". I will copy and paste the relevant Op.61 numbers.

Op.61(A) – Twelve Little Pieces (for piano), 1919-1920
Op.61(B) – Twelve Little Easy Pieces (for piano), 1919-1920
Op.61(C) – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
Op.61(D) – Ecole du jeu lié (exercises for piano), 1919-1920

Best wishes. --[[User:Siebenkas|Siebenkas]] 05:35, 5 July 2009 (EDT)
:I had to jump in here. Regarding this catalogue, does it contain publication dates? When was it published? I'd love to have a copy of a Kœchlin catalogue but didn't know a complete one existed.[[User:Daphnis|Daphnis]] 08:56, 5 July 2009 (EDT)

::Hello Daphnis! Do you mean publication dates of the works? It has composition dates for all of the works, plus the date and location of first performance for many of them. As for publication, it only lists the name of the publisher, with no date, mostly Salabert and Eschig, some of the early works were published at Sénart, and then there are a number of other publisher names appearing here and there. Although the catalogue is printed in book form, I'm not sure if it was ever available for sale. It has no price on it, or any ISBN number. On the reverse of the title page it only says "Le présent catalogue est en dépôt légal chez: Max Eschig & Cie, 48 rue de Rome, 75008 Paris". And on the second to last page it says "Réalisation et impression LACER - RAMBAULT & GUIOT, Dépot légal n°794, 3e trimestre 1975, Paris". As I mentioned above, a friend of mine here in Paris is a friend of Kœchlin's nephew (that's what she calls him although he must be a great nephew). I could ask her to ask him how someone could get a copy of the catalogue. She said he's on something of a mission to promote Kœchlin, so I'm sure he'd be happy to hear someone is taking an interest... It's a pretty interesting document. In the pages before the actual catalogue begins, there is an introduction by Henri Sauguet, then a nine-page article about Kœchlin by Roger Delage, another article about Kœchlin's life written in English by Robert Francis Nicholas Orledge, then twelve pages of extracts from articles about Kœchlin in the press. It also includes a list of didactic works, a list of articles written by Kœchlin published in the press, and a discography listing recordings from the 30's to the 70's. There is also a list of works that for some reason do not appear in the official catalogue (which I've been meaning to add to the "List of Compositions" page - these account for the missing opus numbers)... Anyway if you'd really like to just see the catalogue, when I have the time I could scan it and send you a pdf. The actual list of works, including the out-of-catalogue works, is only about 50 pages. Thanks for your interest! (Sorry for taking up so much space on your page P.davydov. I'll put it on Daphnis's talk page too in case you don't want all of this here.) --[[User:Siebenkas|Siebenkas]] 10:49, 5 July 2009 (EDT)

User talk:P.davydov

2009-07-05T09:35:36Z

Siebenkas: New section: Kœchlin's 10 Little Easy Pieces

List of works by Charles Koechlin

2009-07-05T09:34:20Z

Siebenkas: Corrected typo from when I created the article (under op.61b "Ten", not "Twleve".

[[:Category: Koechlin, Charles|Return to category: Koechlin, Charles]] 
__TOC__
==Complete catalogue by Opus number==
*'''Op.1''' – Rondels (First series), 1890-1894
*'''Op.3''' – La Vérandah ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1893
*'''Op.4''' – Two choruses (for Women’s voices), 1894-1897
*'''Op.5''' – Five melodies, 1883-1897
*'''Op.6''' – Suite (for two pianos) 1896
*'''Op.7''' – Four Poems, 1890-1895
*'''Op.8''' – Rondels (Second series), 1891-1895
*'''Op.9''' – Les Clairs de lune ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), April-May 1893
*'''Op.11''' – La Fin de l’homme ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1895 (orchestrated 1898-1900)
*'''Op.12''' – La Lampe du ciel ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1896
*'''Op.13''' – Poèmes d’automne (Second series), 1894-1899
*'''Op.14''' – Rondels (Third series), 1896-1899
*'''Op.15''' – Three poems ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1897-1900
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.17''' – Trois melodies, 1895-1900
*'''Op.18''' – Three poems (Extracts from R. Kipling’s Jungle Book, translated by L. Fabulet qnd R. d’Humières), 1899-1901
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.21''' – Two Villanelles ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1896-1901
*'''Op.22''' – Four melodies (on poems by P. Verlaine and P. Bourget), 1900-1901
*'''Op.23''' – Two melodies (on poems by André Chénier), 1900-1901
*'''Op.24''' – Four poems ("de la bonne chanson de P. Verlaine"), 1901-1902
*'''Op.27''' – En mer, la nuit (symphonic study after The North Sea by H. Heine), 1899-1907
*'''Op.28''' – Four melodies, 1902-1907
*'''Op.30''' – L'Automne (symphonic poem), 1896-1906
*'''Op.31''' – Six melodies (on poems by Albert Samain 'Aux flancs du vase'), 1900-1901
*'''Op.32a''' – Four short pieces for piano, violin and horn 1894-1907
*'''Op.32b''' – Two nocturnes for horn, flute and harp or piano, 1904-1912
*'''Op.33''' – Nocturne for chromatic harp, 1907
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.34bis''' – Three pieces for bassoon, flute and piano, 1899-1907
*'''Op.35''' – Four melodies (symphonic poem), 1896-1906
*'''Op.36''' – Jacob chez Laban (text by Charles Koechlin)(a biblical pastorale in one act), 1896-1908
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916
*'''Op.39''' – Cinq chansons de Bilitis (P. Louys), 1898-1908
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.43''' – Two Symphonic Poems, 1898-1916
*'''Op.44''' – Three melodies, 1907-1916
*'''Op.44bis''' – Suite Javanaise (a transcription for European instruments of Javanese pieces communicated by L. Laloy), April 1910
*'''Op.45''' – La forêt païenne (orchestral suite), 1911-1920
*'''Op.46''' – Etudes Antiques (symphonic suite), 1908-1910
*'''Op.47''' – Two symphonic poems, 1908-1916
*'''Op.48''' – L'Eté (symphonic poem in two parts), 1908-1911
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.51''' – First String Quartet, 1911-1913
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.53''' – Sonata (for piano and viola), 1906-1915
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.55''' – Suite en quator (for flute, violin, viola and piano), 1906-1915
*'''Op.56''' – Shéhérazde (Book I), 1914-1916
*'''Op.57''' – Second string quartet (became the first symphony), 1915-1916
*'''Op.57bis''' – First symphony (after the second string quartet), 1915-1916 (orchestration 1927)
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.60bis''' – Four "French Sonatines" (for orchestra), 1919 (orchestration 1930)
*'''Op.61(A)''' – Twelve short pieces (for piano), 1919-1920
*'''Op.61(B)''' – Ten Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.62''' – Rhapsody on French Songs (orchestral suite), 1916
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.64''' – Sonata (violin and piano), April 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.67''' – La divine vesprée (ballet), 1917-1918
*'''Op.68''' – Dissolution (Paul Claudel) (Soprano and piano), 1918
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)
*'''Op.71''' – Sonata (for bassoon and piano), August 1918
*'''Op.72''' – Third string quartet, 1917-1921
*'''Op.73''' – Chorals on themes by G. Fauré (for choir), 1919
*'''Op.73bis''' – Choral (on the letters in Fauré's name, for strings), 1922 (orchestration 1933)
*'''Op.74''' – Harmonization of canticle 31, 1920
*'''Op.75''' – Sonata (for two flutes), 1918-1920
*'''Op.75bis''' – Pastorale (for flute, clarinet and piano), 1917-1921
*'''Op.76(A)''' – Three chorals (for orchestra), 1919-1920
*'''Op.76(B)''' – Two chorals (for small orchestra), 1919-1920
*'''Op.76(A)''' – Three chorals (for small orchestra), 1919-1920
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.80''' – First Quintet (for piano and strings), 1920-1921
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.84''' – Shéhérazde (Book II) Melodies on poems by Tristan Klingsor, 1922-1923
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.88''' – Four School Fugues (on subjects by Ch. Koechlin and his son Jean-Michel), September 1923
*'''Op.89''' – Creation of lessons on dealing with harmony, December 1922 - October 1924
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.92''' – Trio for flute, clarinet and bassoon, October 1924
*'''Op.93''' – Examples to clarify the rules of counterpoint, completed 1925
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.98(A)''' – Trois réalisations (on a ''basse donnée'' by Renée-Philippart. Organ.), April 1927
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.100''' – Four school fugues (published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.100bis''' – Two school fugues (one on a subject by A. Gédalge, the other on a subject by H. Rabaud - published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.104''' – Two melodies, summer 1923 & 1927
*'''Op.106''' – The Bride of a God ''[original title in English]'' (symphonic poem, in collaboration with C. Urner), 1929
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.108''' – Nine singing exercises, autumn 1929
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.112''' – No. 2 - Fugue in F minor (for orchestra), 13-18 July 1931, orchestration 1932
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.117bis''' – Five chorals in a Middle-Ages style (for orchestra), September 1931, orchestration 1932
*'''Op.118''' – ''Solfège modal'', 1932
*'''Op.119''' – Sixty easy exercises in a monodic style for the work entitled: ''Solfège modal'', May 1932
*'''Op.120''' – Modal songs and singing exercises (monodic, for ''Solfège modal''), May 1932
*'''Op.121''' – Symphonic fugue "Saint-George", June-July 1932, orchestration August-September 1932
*'''Op.122''' – Two fugues (for string quartet), August-September 1932
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.127''' – Hymne au soleil or "Fugal choral in C" for orchestra (symphony of hymns), February 1933
*'''Op.129''' – Vers la voûte étoilée, nocturne. (symphonic poem to the memory of Camille Flammarion), 1923-1933 (orchestration September 1933)
*'''Op.130''' – Sur les flots lointains (symphonic poem - chant by C. Urner), July-August 1933, orchestration 1 November 1933
*'''Op.132''' – The Seven Stars' Symphony ''[original title in English]'' (symphonic suite), July-August 1933, orchestration September 1933
*'''Op.133''' – No. 2 - fugue for strings, September-November 1933
*'''Op.134''' – L'Andalouse dans Barcelone ["''The Andalusian in Barcelona''"] (music for the film: Croisières avec l'Escarde, November 1933
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.138''' – "Libérons Thaelmann" (chorus with piano or orchestra), 24-25 June 1934
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.141''' – Les Confidances d'un joueur de clarinette (music for a film based on Erckmann-Chatrian's novel), November-December 1934
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.144''' – Solfège progressif à une voix, 4-14 March 1935
*'''Op.145''' – Solfège progressif à deux voix (40 a cappella duos), 23-28 April 1935
*'''Op.146''' – Solfège progressif à trois voix, (20 a cappella trios), 23-28 April 1935
*'''Op.147bis''' – Tu crois au beau soleil (Louis XIII song documented by Martin Mersenne) Wind orchestra, 15-20 June 1935
*'''Op.148''' – Hymne à la jeunesse (symphonic poem based on the first chapter of André Gide's ''Voyage d'Urien'') Symphony of hymns, September 1934, orchestration 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.150''' – Religious choruses (a cappella), 22 August - 2 September 1935
*'''Op.151''' – Seven songs for Gladys (The Gladys from "Calais-Dover") Lyrics by Koechlin, 26 August - 3 September 1935
*'''Op.152''' – Fifteen Vocalises (for voice and piano in all major keys), August-September 1935
*'''Op.153''' – Chorals pour fêtes de plein air (wind orchestra), August-September 1935, Nos. III & IV orchestrated August-September 1936
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.154''' – Fifteen Vocalises (for voice and piano in all minor keys), October 1935
*'''Op.155''' – Modal sonatine (for flute and clarinet), December 1935 - January 1936
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.156''' – Primavera (quintet for flute, violin, viola, cello and harp), February-April 1936
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.157ter''' – Funeral March (Three versions: symphonic orchestra, wind orchestra, brass band), April 1936
*'''Op.158''' – "Liberté", incidental music for the end of the second act of "14 Juillet" by R. Rolland (orchestra and choir), May-June 1936
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.159bis''' – Chanson de Mélisande (orchestration of Chanson de Mélisande by G. Fauré), 27 August 1936
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.164''' – Jean Harlow's Epitaph (for flute, saxophone and piano), July-October 1937
*'''Op.165''' – Septet for wind instruments (flute, oboe, English horn, clarinet, alto saxophone, horn and bassoon), June-August 1937
*'''Op.167''' – "Victoire de la vie", film music / "L'Hôpital", score fragment, February 1938
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 short chorals for organ with or without pedal), January-April 1938
*'''Op.169''' – Alceste (a cappella for Euripides's Alceste, based on H. Marchand's translation), July 1938
*'''Op.170''' – La cité nouvelle (Dream of the future). Symphonic poem, August 1938.
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.173''' – Short pieces for clarinet and French horn, Autumn 1938
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939
*'''Op.175''' – La Loi de la jungle (symphonic poem based on R. Kipling's ''The Jungle Book''), July 1939 (orchestration December 1939)
*'''Op.176''' – Les Bandar-Log (Monkey scherzo). Symphonic poem based on R. Kipling's ''The Jungle Book''. July-August 1939 (orchestration January 1940)
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942
*'''Op.179''' – Five pieces for English horn and piano / Six pieces for oboe d'amore and piano / Twelve pieces for oboe and piano. February-March 1942
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.185''' – Suite for solo English horn, November 1942
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944
*'''Op.201''' – Adagio for organ
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.206''' – Reed trio (for oboe, clarinet and bassoon), 20-24 December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (no. 15 for four hands, no. 14 and “two preludes” for organ), February 1946
*'''Op.210''' – L'Ame heureuse (ballad for orchestra, in two scenes), 1947
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212''' – Four vocalises for voice and piano, April 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947
*'''Op.213''' – Twelve monodies for various instruments, April 1947
*'''Op.213bis''' – Two vocalises for voice and piano, 25-30 May 1947
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948
*'''Op.218''' – Piece for flute and piano, 1 May 1948
*'''Op.218bis''' – Piece for solo horn, 30 May 1948
*'''Op.220''' – Monody for musical saw, 5 September 1948
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949
*'''Op.222''' – "Voyages". Danced film. Ballet with 4 interludes, including a few extracts from the Seven Stars' Symphony), June-July 1947
*'''Op.223''' – Second quintet for flute, violin, viola, cello and harp, 1949
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950
*'''Op.225''' – Fifteen motets (in archaic a cappella style, some with a few instruments), 8-9 June 1950

==Works for piano==
===Two hands===
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Ten Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (No. 15 is for 4 hands), February 1946

===Four hands===
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.209''' – Twelve preludes for piano, February 1946

===Two pianos===
*'''Op.6''' – Suite (for two pianos) 1896

===Piano and orchestra===
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919

==Works for organ==
===Without accompaniment===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 short chorals for organ with or without pedal), January-April 1938
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.201''' – Adagio for organ
*'''Op.209''' – Fifteen preludes for piano (no. 14 and “two preludes” for organ), February 1946
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947

===With orchestra===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Works for flute==
===Without accompaniment===
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944

===Two flutes===
*'''Op.75''' – Sonata (for two flutes), 1918-1920

===Three flutes===
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950

===Flute and piano===
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.218''' – Piece for flute and piano, 1 May 1948

==Works for oboe==
===Oboe and piano===
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.179''' – Twelve pieces for oboe and piano. February-March 1942

==Works for English Horn==
===Without accompaniment===
*'''Op.185''' – Suite for solo English horn, November 1942

===English horn and piano===
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.179''' – Five pieces for English horn and piano, February-March 1942

==Works for oboe d’amore==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948

===Oboe d’amore and piano===
*'''Op.179''' –Six pieces for oboe d'amore and piano, February-March 1942

===Oboe d’amore and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for clarinet==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet

===Two clarinets===
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944

===Clarinet and piano===
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942

==Works for Bassoon==
===Bassoon and piano===
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.71''' – Sonata (for bassoon and piano), August 1918

===Bassoon and orchestra===
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943

==Works for horn==
===Without accompaniment===
*'''Op.218bis''' – Piece for solo horn, 30 May 1948

===Horn and piano===
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942

===Horn and orchestra===
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)

==Works for trombone==
*'''Op.42''' – L'Abbaye (Part 2) [Movement 5: Interlude for 5 trombones], 1906-1908 (final orchestration in 1920)

==Works for saxophone==
===Two saxophones===
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942

===Saxophone and piano===
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943

===Soprano saxophone and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for violin==
===Violin and piano===
*'''Op.64''' – Sonata (violin and piano), April 1916

==Works for viola==
===Viola and piano===
*'''Op.53''' – Sonata (for piano and viola), 1906-1915

==Works for cello==
===Cello and piano===
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
===Cello and orchestra===
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934

==Works for harpsichord==
===Harpsichord and ondes Martinot===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===In a septet===
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949

===In a dixtuor===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

===With orchestra===
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916

==Works for ondes Martinot==
===Without accompaniment===
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939

===Ondes Martinot and harpsichord===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===With orchestra===
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945

===Other works with ondes Martinot===
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Various instruments==
===Chromatic harp===
*'''Op.33''' – Nocturne for chromatic harp, 1907

===Hunting horn===
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942

===Musical saw===
*'''Op.220''' – Monody for musical saw, 5 September 1948

===Various instruments===
*'''Op.213''' – Twelve monodies for various instruments, April 1947

[[Category:Composer Composition Lists|Koechlin]]

List of works by Charles Koechlin

2009-01-01T18:01:50Z

Siebenkas: Added links to Leconte de Lisle Wikipedia article

[[:Category: Koechlin, Charles Louis Eugène|Return to category: Koechlin, Charles Louis Eugène]] 
__TOC__
==Complete catalogue by Opus number==
*'''Op.1''' – Rondels (First series), 1890-1894
*'''Op.3''' – La Vérandah ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1893
*'''Op.4''' – Two choruses (for Women’s voices), 1894-1897
*'''Op.5''' – Five melodies, 1883-1897
*'''Op.6''' – Suite (for two pianos) 1896
*'''Op.7''' – Four Poems, 1890-1895
*'''Op.8''' – Rondels (Second series), 1891-1895
*'''Op.9''' – Les Clairs de lune ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), April-May 1893
*'''Op.11''' – La Fin de l’homme ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1895 (orchestrated 1898-1900)
*'''Op.12''' – La Lampe du ciel ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1896
*'''Op.13''' – Poèmes d’automne (Second series), 1894-1899
*'''Op.14''' – Rondels (Third series), 1896-1899
*'''Op.15''' – Three poems ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1897-1900
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.17''' – Trois melodies, 1895-1900
*'''Op.18''' – Three poems (Extracts from R. Kipling’s Jungle Book, translated by L. Fabulet qnd R. d’Humières), 1899-1901
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.21''' – Two Villanelles ([[wikipedia:{{#iflang:en=Leconte de Lisle|de=de:Charles Leconte de Lisle|fr=fr:Charles Marie René Leconte de Lisle|it=it:Charles Marie René Leconte de Lisle|es=es:Leconte de Lisle}}|Leconte de Lisle]]), 1896-1901
*'''Op.22''' – Four melodies (on poems by P. Verlaine and P. Bourget), 1900-1901
*'''Op.23''' – Two melodies (on poems by André Chénier), 1900-1901
*'''Op.24''' – Four poems ("de la bonne chanson de P. Verlaine"), 1901-1902
*'''Op.27''' – En mer, la nuit (symphonic study after The North Sea by H. Heine), 1899-1907
*'''Op.28''' – Four melodies, 1902-1907
*'''Op.30''' – L'Automne (symphonic poem), 1896-1906
*'''Op.31''' – Six melodies (on poems by Albert Samain 'Aux flancs du vase'), 1900-1901
*'''Op.32a''' – Four short pieces for piano, violin and horn 1894-1907
*'''Op.32b''' – Two nocturnes for horn, flute and harp or piano, 1904-1912
*'''Op.33''' – Nocturne for chromatic harp, 1907
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.34bis''' – Three pieces for bassoon, flute and piano, 1899-1907
*'''Op.35''' – Four melodies (symphonic poem), 1896-1906
*'''Op.36''' – Jacob chez Laban (text by Charles Koechlin)(a biblical pastorale in one act), 1896-1908
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916
*'''Op.39''' – Cinq chansons de Bilitis (P. Louys), 1898-1908
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.43''' – Two Symphonic Poems, 1898-1916
*'''Op.44''' – Three melodies, 1907-1916
*'''Op.44bis''' – Suite Javanaise (a transcription for European instruments of Javanese pieces communicated by L. Laloy), April 1910
*'''Op.45''' – La forêt païenne (orchestral suite), 1911-1920
*'''Op.46''' – Etudes Antiques (symphonic suite), 1908-1910
*'''Op.47''' – Two symphonic poems, 1908-1916
*'''Op.48''' – L'Eté (symphonic poem in two parts), 1908-1911
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.51''' – First String Quartet, 1911-1913
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.53''' – Sonata (for piano and viola), 1906-1915
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.55''' – Suite en quator (for flute, violin, viola and piano), 1906-1915
*'''Op.56''' – Shéhérazde (Book I), 1914-1916
*'''Op.57''' – Second string quartet (became the first symphony), 1915-1916
*'''Op.57bis''' – First symphony (after the second string quartet), 1915-1916 (orchestration 1927)
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.60bis''' – Four "French Sonatines" (for orchestra), 1919 (orchestration 1930)
*'''Op.61(A)''' – Twelve short pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.62''' – Rhapsody on French Songs (orchestral suite), 1916
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.64''' – Sonata (violin and piano), April 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.67''' – La divine vesprée (ballet), 1917-1918
*'''Op.68''' – Dissolution (Paul Claudel) (Soprano and piano), 1918
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)
*'''Op.71''' – Sonata (for bassoon and piano), August 1918
*'''Op.72''' – Third string quartet, 1917-1921
*'''Op.73''' – Chorals on themes by G. Fauré (for choir), 1919
*'''Op.73bis''' – Choral (on the letters in Fauré's name, for strings), 1922 (orchestration 1933)
*'''Op.74''' – Harmonization of canticle 31, 1920
*'''Op.75''' – Sonata (for two flutes), 1918-1920
*'''Op.75bis''' – Pastorale (for flute, clarinet and piano), 1917-1921
*'''Op.76(A)''' – Three chorals (for orchestra), 1919-1920
*'''Op.76(B)''' – Two chorals (for small orchestra), 1919-1920
*'''Op.76(A)''' – Three chorals (for small orchestra), 1919-1920
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.80''' – First Quintet (for piano and strings), 1920-1921
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.84''' – Shéhérazde (Book II) Melodies on poems by Tristan Klingsor, 1922-1923
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.88''' – Four School Fugues (on subjects by Ch. Koechlin and his son Jean-Michel), September 1923
*'''Op.89''' – Creation of lessons on dealing with harmony, December 1922 - October 1924
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.92''' – Trio for flute, clarinet and bassoon, October 1924
*'''Op.93''' – Examples to clarify the rules of counterpoint, completed 1925
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.98(A)''' – Trois réalisations (on a ''basse donnée'' by Renée-Philippart. Organ.), April 1927
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.100''' – Four school fugues (published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.100bis''' – Two school fugues (one on a subject by A. Gédalge, the other on a subject by H. Rabaud - published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.104''' – Two melodies, summer 1923 & 1927
*'''Op.106''' – The Bride of a God ''[original title in English]'' (symphonic poem, in collaboration with C. Urner), 1929
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.108''' – Nine singing exercises, autumn 1929
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.112''' – No. 2 - Fugue in F minor (for orchestra), 13-18 July 1931, orchestration 1932
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.117bis''' – Five chorals in a Middle-Ages style (for orchestra), September 1931, orchestration 1932
*'''Op.118''' – ''Solfège modal'', 1932
*'''Op.119''' – Sixty easy exercises in a monodic style for the work entitled: ''Solfège modal'', May 1932
*'''Op.120''' – Modal songs and singing exercises (monodic, for ''Solfège modal''), May 1932
*'''Op.121''' – Symphonic fugue "Saint-George", June-July 1932, orchestration August-September 1932
*'''Op.122''' – Two fugues (for string quartet), August-September 1932
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.127''' – Hymne au soleil or "Fugal choral in C" for orchestra (symphony of hymns), February 1933
*'''Op.129''' – Vers la voûte étoilée, nocturne. (symphonic poem to the memory of Camille Flammarion), 1923-1933 (orchestration September 1933)
*'''Op.130''' – Sur les flots lointains (symphonic poem - chant by C. Urner), July-August 1933, orchestration 1 November 1933
*'''Op.132''' – The Seven Stars' Symphony ''[original title in English]'' (symphonic suite), July-August 1933, orchestration September 1933
*'''Op.133''' – No. 2 - fugue for strings, September-November 1933
*'''Op.134''' – L'Andalouse dans Barcelone ["''The Andalusian in Barcelona''"] (music for the film: Croisières avec l'Escarde, November 1933
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.138''' – "Libérons Thaelmann" (chorus with piano or orchestra), 24-25 June 1934
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.141''' – Les Confidances d'un joueur de clarinette (music for a film based on Erckmann-Chatrian's novel), November-December 1934
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.144''' – Solfège progressif à une voix, 4-14 March 1935
*'''Op.145''' – Solfège progressif à deux voix (40 a cappella duos), 23-28 April 1935
*'''Op.146''' – Solfège progressif à trois voix, (20 a cappella trios), 23-28 April 1935
*'''Op.147bis''' – Tu crois au beau soleil (Louis XIII song documented by Martin Mersenne) Wind orchestra, 15-20 June 1935
*'''Op.148''' – Hymne à la jeunesse (symphonic poem based on the first chapter of André Gide's ''Voyage d'Urien'') Symphony of hymns, September 1934, orchestration 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.150''' – Religious choruses (a cappella), 22 August - 2 September 1935
*'''Op.151''' – Seven songs for Gladys (The Gladys from "Calais-Dover") Lyrics by Koechlin, 26 August - 3 September 1935
*'''Op.152''' – Fifteen Vocalises (for voice and piano in all major keys), August-September 1935
*'''Op.153''' – Chorals pour fêtes de plein air (wind orchestra), August-September 1935, Nos. III & IV orchestrated August-September 1936
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.154''' – Fifteen Vocalises (for voice and piano in all minor keys), October 1935
*'''Op.155''' – Modal sonatine (for flute and clarinet), December 1935 - January 1936
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.156''' – Primavera (quintet for flute, violin, viola, cello and harp), February-April 1936
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.157ter''' – Funeral March (Three versions: symphonic orchestra, wind orchestra, brass band), April 1936
*'''Op.158''' – "Liberté", incidental music for the end of the second act of "14 Juillet" by R. Rolland (orchestra and choir), May-June 1936
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.159bis''' – Chanson de Mélisande (orchestration of Chanson de Mélisande by G. Fauré), 27 August 1936
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.164''' – Jean Harlow's Epitaph (for flute, saxophone and piano), July-October 1937
*'''Op.165''' – Septet for wind instruments (flute, oboe, English horn, clarinet, alto saxophone, horn and bassoon), June-August 1937
*'''Op.167''' – "Victoire de la vie", film music / "L'Hôpital", score fragment, February 1938
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 short chorals for organ with or without pedal), January-April 1938
*'''Op.169''' – Alceste (a cappella for Euripides's Alceste, based on H. Marchand's translation), July 1938
*'''Op.170''' – La cité nouvelle (Dream of the future). Symphonic poem, August 1938.
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.173''' – Short pieces for clarinet and French horn, Autumn 1938
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939
*'''Op.175''' – La Loi de la jungle (symphonic poem based on R. Kipling's ''The Jungle Book''), July 1939 (orchestration December 1939)
*'''Op.176''' – Les Bandar-Log (Monkey scherzo). Symphonic poem based on R. Kipling's ''The Jungle Book''. July-August 1939 (orchestration January 1940)
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942
*'''Op.179''' – Five pieces for English horn and piano / Six pieces for oboe d'amore and piano / Twelve pieces for oboe and piano. February-March 1942
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.185''' – Suite for solo English horn, November 1942
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944
*'''Op.201''' – Adagio for organ
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.206''' – Reed trio (for oboe, clarinet and bassoon), 20-24 December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (no. 15 for four hands, no. 14 and “two preludes” for organ), February 1946
*'''Op.210''' – L'Ame heureuse (ballad for orchestra, in two scenes), 1947
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212''' – Four vocalises for voice and piano, April 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947
*'''Op.213''' – Twelve monodies for various instruments, April 1947
*'''Op.213bis''' – Two vocalises for voice and piano, 25-30 May 1947
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948
*'''Op.218''' – Piece for flute and piano, 1 May 1948
*'''Op.218bis''' – Piece for solo horn, 30 May 1948
*'''Op.220''' – Monody for musical saw, 5 September 1948
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949
*'''Op.222''' – "Voyages". Danced film. Ballet with 4 interludes, including a few extracts from the Seven Stars' Symphony), June-July 1947
*'''Op.223''' – Second quintet for flute, violin, viola, cello and harp, 1949
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950
*'''Op.225''' – Fifteen motets (in archaic a cappella style, some with a few instruments), 8-9 June 1950

==Works for piano==
===Two hands===
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (No. 15 is for 4 hands), February 1946

===Four hands===
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.209''' – Twelve preludes for piano, February 1946

===Two pianos===
*'''Op.6''' – Suite (for two pianos) 1896

===Piano and orchestra===
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919

==Works for organ==
===Without accompaniment===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 short chorals for organ with or without pedal), January-April 1938
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.201''' – Adagio for organ
*'''Op.209''' – Fifteen preludes for piano (no. 14 and “two preludes” for organ), February 1946
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947

===With orchestra===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Works for flute==
===Without accompaniment===
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944

===Two flutes===
*'''Op.75''' – Sonata (for two flutes), 1918-1920

===Three flutes===
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950

===Flute and piano===
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.218''' – Piece for flute and piano, 1 May 1948

==Works for oboe==
===Oboe and piano===
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.179''' – Twelve pieces for oboe and piano. February-March 1942

==Works for English Horn==
===Without accompaniment===
*'''Op.185''' – Suite for solo English horn, November 1942

===English horn and piano===
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.179''' – Five pieces for English horn and piano, February-March 1942

==Works for oboe d’amore==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948

===Oboe d’amore and piano===
*'''Op.179''' –Six pieces for oboe d'amore and piano, February-March 1942

===Oboe d’amore and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for clarinet==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet

===Two clarinets===
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944

===Clarinet and piano===
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942

==Works for Bassoon==
===Bassoon and piano===
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.71''' – Sonata (for bassoon and piano), August 1918

===Bassoon and orchestra===
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943

==Works for horn==
===Without accompaniment===
*'''Op.218bis''' – Piece for solo horn, 30 May 1948

===Horn and piano===
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942

===Horn and orchestra===
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)

==Works for trombone==
*'''Op.42''' – L'Abbaye (Part 2) [Movement 5: Interlude for 5 trombones], 1906-1908 (final orchestration in 1920)

==Works for saxophone==
===Two saxophones===
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942

===Saxophone and piano===
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943

===Soprano saxophone and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for violin==
===Violin and piano===
*'''Op.64''' – Sonata (violin and piano), April 1916

==Works for viola==
===Viola and piano===
*'''Op.53''' – Sonata (for piano and viola), 1906-1915

==Works for cello==
===Cello and piano===
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
===Cello and orchestra===
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934

==Works for harpsichord==
===Harpsichord and ondes Martinot===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===In a septet===
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949

===In a dixtuor===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

===With orchestra===
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916

==Works for ondes Martinot==
===Without accompaniment===
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939

===Ondes Martinot and harpsichord===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===With orchestra===
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945

===Other works with ondes Martinot===
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Various instruments==
===Chromatic harp===
*'''Op.33''' – Nocturne for chromatic harp, 1907

===Hunting horn===
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942

===Musical saw===
*'''Op.220''' – Monody for musical saw, 5 September 1948

===Various instruments===
*'''Op.213''' – Twelve monodies for various instruments, April 1947

[[Category:Composer Composition Lists|Koechlin]]

List of works by Charles Koechlin

2008-12-25T18:03:57Z

Siebenkas:

[[:Category: Koechlin, Charles Louis Eugène|Return to category: Koechlin, Charles Louis Eugène]] 
__TOC__
==Complete catalogue by Opus number==
*'''Op.1''' – Rondels (First series), 1890-1894
*'''Op.3''' – La Vérandah (Leconte de Lisle), 1893
*'''Op.4''' – Two choruses (for Women’s voices), 1894-1897
*'''Op.5''' – Five melodies, 1883-1897
*'''Op.6''' – Suite (for two pianos) 1896
*'''Op.7''' – Four Poems, 1890-1895
*'''Op.8''' – Rondels (Second series), 1891-1895
*'''Op.9''' – Les Clairs de lune (Leconte de Lisle), April-May 1893
*'''Op.11''' – La Fin de l’homme (Leconte de Lisle), 1895 (orchestrated 1898-1900)
*'''Op.12''' – La Lampe du ciel (Leconte de Lisle), 1896
*'''Op.13''' – Poèmes d’automne (Second series), 1894-1899
*'''Op.14''' – Rondels (Third series), 1896-1899
*'''Op.15''' – Three poems (Leconte de Lisle), 1897-1900
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.17''' – Trois melodies, 1895-1900
*'''Op.18''' – Three poems (Extracts from R. Kipling’s Jungle Book, translated by L. Fabulet qnd R. d’Humières), 1899-1901
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.21''' – Two Villanelles (Leconte de Lisle), 1896-1901
*'''Op.22''' – Four melodies (on poems by P. Verlaine and P. Bourget), 1900-1901
*'''Op.23''' – Two melodies (on poems by André Chénier), 1900-1901
*'''Op.24''' – Four poems ("de la bonne chanson de P. Verlaine"), 1901-1902
*'''Op.27''' – En mer, la nuit (symphonic study after The North Sea by H. Heine), 1899-1907
*'''Op.28''' – Four melodies, 1902-1907
*'''Op.30''' – L'Automne (symphonic poem), 1896-1906
*'''Op.31''' – Six melodies (on poems by Albert Samain 'Aux flancs du vase'), 1900-1901
*'''Op.32a''' – Four short pieces for piano, violin and horn 1894-1907
*'''Op.32b''' – Two nocturnes for horn, flute and harp or piano, 1904-1912
*'''Op.33''' – Nocturne for chromatic harp, 1907
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.34bis''' – Three pieces for bassoon, flute and piano, 1899-1907
*'''Op.35''' – Four melodies (symphonic poem), 1896-1906
*'''Op.36''' – Jacob chez Laban (text by Charles Koechlin)(a biblical pastorale in one act), 1896-1908
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916
*'''Op.39''' – Cinq chansons de Bilitis (P. Louys), 1898-1908
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.43''' – Two Symphonic Poems, 1898-1916
*'''Op.44''' – Three melodies, 1907-1916
*'''Op.44bis''' – Suite Javanaise (a transcription for European instruments of Javanese pieces communicated by L. Laloy), April 1910
*'''Op.45''' – La forêt païenne (orchestral suite), 1911-1920
*'''Op.46''' – Etudes Antiques (symphonic suite), 1908-1910
*'''Op.47''' – Two symphonic poems, 1908-1916
*'''Op.48''' – L'Eté (symphonic poem in two parts), 1908-1911
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.51''' – First String Quartet, 1911-1913
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.53''' – Sonata (for piano and viola), 1906-1915
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.55''' – Suite en quator (for flute, violin, viola and piano), 1906-1915
*'''Op.56''' – Shéhérazde (Book I), 1914-1916
*'''Op.57''' – Second string quartet (became the first symphony), 1915-1916
*'''Op.57bis''' – First symphony (after the second string quartet), 1915-1916 (orchestration 1927)
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.60bis''' – Four "French Sonatines" (for orchestra), 1919 (orchestration 1930)
*'''Op.61(A)''' – Twelve short pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.62''' – Rhapsody on French Songs (orchestral suite), 1916
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.64''' – Sonata (violin and piano), April 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.67''' – La divine vesprée (ballet), 1917-1918
*'''Op.68''' – Dissolution (Paul Claudel) (Soprano and piano), 1918
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)
*'''Op.71''' – Sonata (for bassoon and piano), August 1918
*'''Op.72''' – Third string quartet, 1917-1921
*'''Op.73''' – Chorals on themes by G. Fauré (for choir), 1919
*'''Op.73bis''' – Choral (on the letters in Fauré's name, for strings), 1922 (orchestration 1933)
*'''Op.74''' – Harmonization of canticle 31, 1920
*'''Op.75''' – Sonata (for two flutes), 1918-1920
*'''Op.75bis''' – Pastorale (for flute, clarinet and piano), 1917-1921
*'''Op.76(A)''' – Three chorals (for orchestra), 1919-1920
*'''Op.76(B)''' – Two chorals (for small orchestra), 1919-1920
*'''Op.76(A)''' – Three chorals (for small orchestra), 1919-1920
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.80''' – First Quintet (for piano and strings), 1920-1921
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.84''' – Shéhérazde (Book II) Melodies on poems by Tristan Klingsor, 1922-1923
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.88''' – Four School Fugues (on subjects by Ch. Koechlin and his son Jean-Michel), September 1923
*'''Op.89''' – Creation of lessons on dealing with harmony, December 1922 - October 1924
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.92''' – Trio for flute, clarinet and bassoon, October 1924
*'''Op.93''' – Examples to clarify the rules of counterpoint, completed 1925
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.98(A)''' – Trois réalisations (on a ''basse donnée'' by Renée-Philippart. Organ.), April 1927
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.100''' – Four school fugues (published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.100bis''' – Two school fugues (one on a subject by A. Gédalge, the other on a subject by H. Rabaud - published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.104''' – Two melodies, summer 1923 & 1927
*'''Op.106''' – The Bride of a God ''[original title in English]'' (symphonic poem, in collaboration with C. Urner), 1929
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.108''' – Nine singing exercises, autumn 1929
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.112''' – No. 2 - Fugue in F minor (for orchestra), 13-18 July 1931, orchestration 1932
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.117bis''' – Five chorals in a Middle-Ages style (for orchestra), September 1931, orchestration 1932
*'''Op.118''' – ''Solfège modal'', 1932
*'''Op.119''' – Sixty easy exercises in a monodic style for the work entitled: ''Solfège modal'', May 1932
*'''Op.120''' – Modal songs and singing exercises (monodic, for ''Solfège modal''), May 1932
*'''Op.121''' – Symphonic fugue "Saint-George", June-July 1932, orchestration August-September 1932
*'''Op.122''' – Two fugues (for string quartet), August-September 1932
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.127''' – Hymne au soleil or "Fugal choral in C" for orchestra (symphony of hymns), February 1933
*'''Op.129''' – Vers la voûte étoilée, nocturne. (symphonic poem to the memory of Camille Flammarion), 1923-1933 (orchestration September 1933)
*'''Op.130''' – Sur les flots lointains (symphonic poem - chant by C. Urner), July-August 1933, orchestration 1 November 1933
*'''Op.132''' – The Seven Stars' Symphony ''[original title in English]'' (symphonic suite), July-August 1933, orchestration September 1933
*'''Op.133''' – No. 2 - fugue for strings, September-November 1933
*'''Op.134''' – L'Andalouse dans Barcelone ["''The Andalusian in Barcelona''"] (music for the film: Croisières avec l'Escarde, November 1933
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.138''' – "Libérons Thaelmann" (chorus with piano or orchestra), 24-25 June 1934
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.141''' – Les Confidances d'un joueur de clarinette (music for a film based on Erckmann-Chatrian's novel), November-December 1934
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.144''' – Solfège progressif à une voix, 4-14 March 1935
*'''Op.145''' – Solfège progressif à deux voix (40 a cappella duos), 23-28 April 1935
*'''Op.146''' – Solfège progressif à trois voix, (20 a cappella trios), 23-28 April 1935
*'''Op.147bis''' – Tu crois au beau soleil (Louis XIII song documented by Martin Mersenne) Wind orchestra, 15-20 June 1935
*'''Op.148''' – Hymne à la jeunesse (symphonic poem based on the first chapter of André Gide's ''Voyage d'Urien'') Symphony of hymns, September 1934, orchestration 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.150''' – Religious choruses (a cappella), 22 August - 2 September 1935
*'''Op.151''' – Seven songs for Gladys (The Gladys from "Calais-Dover") Lyrics by Koechlin, 26 August - 3 September 1935
*'''Op.152''' – Fifteen Vocalises (for voice and piano in all major keys), August-September 1935
*'''Op.153''' – Chorals pour fêtes de plein air (wind orchestra), August-September 1935, Nos. III & IV orchestrated August-September 1936
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.154''' – Fifteen Vocalises (for voice and piano in all minor keys), October 1935
*'''Op.155''' – Modal sonatine (for flute and clarinet), December 1935 - January 1936
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.156''' – Primavera (quintet for flute, violin, viola, cello and harp), February-April 1936
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.157ter''' – Funeral March (Three versions: symphonic orchestra, wind orchestra, brass band), April 1936
*'''Op.158''' – "Liberté", incidental music for the end of the second act of "14 Juillet" by R. Rolland (orchestra and choir), May-June 1936
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.159bis''' – Chanson de Mélisande (orchestration of Chanson de Mélisande by G. Fauré), 27 August 1936
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.164''' – Jean Harlow's Epitaph (for flute, saxophone and piano), July-October 1937
*'''Op.165''' – Septet for wind instruments (flute, oboe, English horn, clarinet, alto saxophone, horn and bassoon), June-August 1937
*'''Op.167''' – "Victoire de la vie", film music / "L'Hôpital", score fragment, February 1938
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 short chorals for organ with or without pedal), January-April 1938
*'''Op.169''' – Alceste (a cappella for Euripides's Alceste, based on H. Marchand's translation), July 1938
*'''Op.170''' – La cité nouvelle (Dream of the future). Symphonic poem, August 1938.
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.173''' – Short pieces for clarinet and French horn, Autumn 1938
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939
*'''Op.175''' – La Loi de la jungle (symphonic poem based on R. Kipling's ''The Jungle Book''), July 1939 (orchestration December 1939)
*'''Op.176''' – Les Bandar-Log (Monkey scherzo). Symphonic poem based on R. Kipling's ''The Jungle Book''. July-August 1939 (orchestration January 1940)
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942
*'''Op.179''' – Five pieces for English horn and piano / Six pieces for oboe d'amore and piano / Twelve pieces for oboe and piano. February-March 1942
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.185''' – Suite for solo English horn, November 1942
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944
*'''Op.201''' – Adagio for organ
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.206''' – Reed trio (for oboe, clarinet and bassoon), 20-24 December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (no. 15 for four hands, no. 14 and “two preludes” for organ), February 1946
*'''Op.210''' – L'Ame heureuse (ballad for orchestra, in two scenes), 1947
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212''' – Four vocalises for voice and piano, April 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947
*'''Op.213''' – Twelve monodies for various instruments, April 1947
*'''Op.213bis''' – Two vocalises for voice and piano, 25-30 May 1947
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948
*'''Op.218''' – Piece for flute and piano, 1 May 1948
*'''Op.218bis''' – Piece for solo horn, 30 May 1948
*'''Op.220''' – Monody for musical saw, 5 September 1948
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949
*'''Op.222''' – "Voyages". Danced film. Ballet with 4 interludes, including a few extracts from the Seven Stars' Symphony), June-July 1947
*'''Op.223''' – Second quintet for flute, violin, viola, cello and harp, 1949
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950
*'''Op.225''' – Fifteen motets (in archaic a cappella style, some with a few instruments), 8-9 June 1950

==Works for piano==
===Two hands===
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (No. 15 is for 4 hands), February 1946

===Four hands===
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.209''' – Twelve preludes for piano, February 1946

===Two pianos===
*'''Op.6''' – Suite (for two pianos) 1896

===Piano and orchestra===
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919

==Works for organ==
===Without accompaniment===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 short chorals for organ with or without pedal), January-April 1938
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.201''' – Adagio for organ
*'''Op.209''' – Fifteen preludes for piano (no. 14 and “two preludes” for organ), February 1946
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947

===With orchestra===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Works for flute==
===Without accompaniment===
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944

===Two flutes===
*'''Op.75''' – Sonata (for two flutes), 1918-1920

===Three flutes===
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950

===Flute and piano===
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.218''' – Piece for flute and piano, 1 May 1948

==Works for oboe==
===Oboe and piano===
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.179''' – Twelve pieces for oboe and piano. February-March 1942

==Works for English Horn==
===Without accompaniment===
*'''Op.185''' – Suite for solo English horn, November 1942

===English horn and piano===
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.179''' – Five pieces for English horn and piano, February-March 1942

==Works for oboe d’amore==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948

===Oboe d’amore and piano===
*'''Op.179''' –Six pieces for oboe d'amore and piano, February-March 1942

===Oboe d’amore and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for clarinet==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet

===Two clarinets===
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944

===Clarinet and piano===
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942

==Works for Bassoon==
===Bassoon and piano===
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.71''' – Sonata (for bassoon and piano), August 1918

===Bassoon and orchestra===
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943

==Works for horn==
===Without accompaniment===
*'''Op.218bis''' – Piece for solo horn, 30 May 1948

===Horn and piano===
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942

===Horn and orchestra===
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)

==Works for trombone==
*'''Op.42''' – L'Abbaye (Part 2) [Movement 5: Interlude for 5 trombones], 1906-1908 (final orchestration in 1920)

==Works for saxophone==
===Two saxophones===
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942

===Saxophone and piano===
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943

===Soprano saxophone and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for violin==
===Violin and piano===
*'''Op.64''' – Sonata (violin and piano), April 1916

==Works for viola==
===Viola and piano===
*'''Op.53''' – Sonata (for piano and viola), 1906-1915

==Works for cello==
===Cello and piano===
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
===Cello and orchestra===
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934

==Works for harpsichord==
===Harpsichord and ondes Martinot===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===In a septet===
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949

===In a dixtuor===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

===With orchestra===
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916

==Works for ondes Martinot==
===Without accompaniment===
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939

===Ondes Martinot and harpsichord===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===With orchestra===
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945

===Other works with ondes Martinot===
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Various instruments==
===Chromatic harp===
*'''Op.33''' – Nocturne for chromatic harp, 1907

===Hunting horn===
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942

===Musical saw===
*'''Op.220''' – Monody for musical saw, 5 September 1948

===Various instruments===
*'''Op.213''' – Twelve monodies for various instruments, April 1947

[[Category:Composer Composition Lists|Koechlin]]

List of works by Charles Koechlin

2008-12-16T21:42:56Z

Siebenkas: Added categorized lists of works

[[:Category: Koechlin, Charles Louis Eugène|Return to category: Koechlin, Charles Louis Eugène]] 
__TOC__
==Complete catalogue by Opus number==
*'''Op.1''' – Rondels (First series), 1890-1894
*'''Op.3''' – La Vérandah (Leconte de Lisle), 1893
*'''Op.4''' – Two choruses (for Women’s voices), 1894-1897
*'''Op.5''' – Five melodies, 1883-1897
*'''Op.6''' – Suite (for two pianos) 1896
*'''Op.7''' – Four Poems, 1890-1895
*'''Op.8''' – Rondels (Second series), 1891-1895
*'''Op.9''' – Les Clairs de lune (Leconte de Lisle), April-May 1893
*'''Op.11''' – La Fin de l’homme (Leconte de Lisle), 1895 (orchestrated 1898-1900)
*'''Op.12''' – La Lampe du ciel (Leconte de Lisle), 1896
*'''Op.13''' – Poèmes d’automne (Second series), 1894-1899
*'''Op.14''' – Rondels (Third series), 1896-1899
*'''Op.15''' – Three poems (Leconte de Lisle), 1897-1900
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.17''' – Trois melodies, 1895-1900
*'''Op.18''' – Three poems (Extracts from R. Kipling’s Jungle Book, translated by L. Fabulet qnd R. d’Humières), 1899-1901
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.21''' – Two Villanelles (Leconte de Lisle), 1896-1901
*'''Op.22''' – Four melodies (on poems by P. Verlaine and P. Bourget), 1900-1901
*'''Op.23''' – Two melodies (on poems by André Chénier), 1900-1901
*'''Op.24''' – Four poems ("de la bonne chanson de P. Verlaine"), 1901-1902
*'''Op.27''' – En mer, la nuit (symphonic study after The North Sea by H. Heine), 1899-1907
*'''Op.28''' – Four melodies, 1902-1907
*'''Op.30''' – L'Automne (symphonic poem), 1896-1906
*'''Op.31''' – Six melodies (on poems by Albert Samain 'Aux flancs du vase'), 1900-1901
*'''Op.32a''' – Four little pieces for piano, violin and horn 1894-1907
*'''Op.32b''' – Two nocturnes for horn, flute and harp or piano, 1904-1912
*'''Op.33''' – Nocturne for chromatic harp, 1907
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.34bis''' – Three pieces for bassoon, flute and piano, 1899-1907
*'''Op.35''' – Four melodies (symphonic poem), 1896-1906
*'''Op.36''' – Jacob chez Laban (text by Charles Koechlin)(a biblical pastorale in one act), 1896-1908
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916
*'''Op.39''' – Cinq chansons de Bilitis (P. Louys), 1898-1908
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.43''' – Two Symphonic Poems, 1898-1916
*'''Op.44''' – Three melodies, 1907-1916
*'''Op.44bis''' – Suite Javanaise (a transcription for European instruments of Javanese pieces communicated by L. Laloy), April 1910
*'''Op.45''' – La forêt païenne (orchestral suite), 1911-1920
*'''Op.46''' – Etudes Antiques (symphonic suite), 1908-1910
*'''Op.47''' – Two symphonic poems, 1908-1916
*'''Op.48''' – L'Eté (symphonic poem in two parts), 1908-1911
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.51''' – First String Quartet, 1911-1913
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.53''' – Sonata (for piano and viola), 1906-1915
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.55''' – Suite en quator (for flute, violin, viola and piano), 1906-1915
*'''Op.56''' – Shéhérazde (Book I), 1914-1916
*'''Op.57''' – Second string quartet (became the first symphony), 1915-1916
*'''Op.57bis''' – First symphony (after the second string quartet), 1915-1916 (orchestration 1927)
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.60bis''' – Four "French Sonatines" (for orchestra), 1919 (orchestration 1930)
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.62''' – Rhapsody on French Songs (orchestral suite), 1916
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.64''' – Sonata (violin and piano), April 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.67''' – La divine vesprée (ballet), 1917-1918
*'''Op.68''' – Dissolution (Paul Claudel) (Soprano and piano), 1918
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)
*'''Op.71''' – Sonata (for bassoon and piano), August 1918
*'''Op.72''' – Third string quartet, 1917-1921
*'''Op.73''' – Chorals on themes by G. Fauré (for choir), 1919
*'''Op.73bis''' – Choral (on the letters in Fauré's name, for strings), 1922 (orchestration 1933)
*'''Op.74''' – Harmonization of canticle 31, 1920
*'''Op.75''' – Sonata (for two flutes), 1918-1920
*'''Op.75bis''' – Pastorale (for flute, clarinet and piano), 1917-1921
*'''Op.76(A)''' – Three chorals (for orchestra), 1919-1920
*'''Op.76(B)''' – Two chorals (for small orchestra), 1919-1920
*'''Op.76(A)''' – Three chorals (for small orchestra), 1919-1920
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.80''' – First Quintet (for piano and strings), 1920-1921
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.84''' – Shéhérazde (Book II) Melodies on poems by Tristan Klingsor, 1922-1923
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.88''' – Four School Fugues (on subjects by Ch. Koechlin and his son Jean-Michel), September 1923
*'''Op.89''' – Creation of lessons on dealing with harmony, December 1922 - October 1924
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.92''' – Trio for flute, clarinet and bassoon, October 1924
*'''Op.93''' – Examples to clarify the rules of counterpoint, completed 1925
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.98(A)''' – Trois réalisations (on a ''basse donnée'' by Renée-Philippart. Organ.), April 1927
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.100''' – Four school fugues (published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.100bis''' – Two school fugues (one on a subject by A. Gédalge, the other on a subject by H. Rabaud - published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.104''' – Two melodies, summer 1923 & 1927
*'''Op.106''' – The Bride of a God ''[original title in English]'' (symphonic poem, in collaboration with C. Urner), 1929
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.108''' – Nine singing exercises, autumn 1929
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.112''' – No. 2 - Fugue in F minor (for orchestra), 13-18 July 1931, orchestration 1932
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.117bis''' – Five chorals in a Middle-Ages style (for orchestra), September 1931, orchestration 1932
*'''Op.118''' – ''Solfège modal'', 1932
*'''Op.119''' – Sixty easy exercises in a monodic style for the work entitled: ''Solfège modal'', May 1932
*'''Op.120''' – Modal songs and singing exercises (monodic, for ''Solfège modal''), May 1932
*'''Op.121''' – Symphonic fugue "Saint-George", June-July 1932, orchestration August-September 1932
*'''Op.122''' – Two fugues (for string quartet), August-September 1932
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.127''' – Hymne au soleil or "Fugal choral in C" for orchestra (symphony of hymns), February 1933
*'''Op.129''' – Vers la voûte étoilée, nocturne. (symphonic poem to the memory of Camille Flammarion), 1923-1933 (orchestration September 1933)
*'''Op.130''' – Sur les flots lointains (symphonic poem - chant by C. Urner), July-August 1933, orchestration 1 November 1933
*'''Op.132''' – The Seven Stars' Symphony ''[original title in English]'' (symphonic suite), July-August 1933, orchestration September 1933
*'''Op.133''' – No. 2 - fugue for strings, September-November 1933
*'''Op.134''' – L'Andalouse dans Barcelone ["''The Andalusian in Barcelona''"] (music for the film: Croisières avec l'Escarde, November 1933
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.138''' – "Libérons Thaelmann" (chorus with piano or orchestra), 24-25 June 1934
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.141''' – Les Confidances d'un joueur de clarinette (music for a film based on Erckmann-Chatrian's novel), November-December 1934
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.144''' – Solfège progressif à une voix, 4-14 March 1935
*'''Op.145''' – Solfège progressif à deux voix (40 a cappella duos), 23-28 April 1935
*'''Op.146''' – Solfège progressif à trois voix, (20 a cappella trios), 23-28 April 1935
*'''Op.147bis''' – Tu crois au beau soleil (Louis XIII song documented by Martin Mersenne) Wind orchestra, 15-20 June 1935
*'''Op.148''' – Hymne à la jeunesse (symphonic poem based on the first chapter of André Gide's ''Voyage d'Urien'') Symphony of hymns, September 1934, orchestration 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.150''' – Religious choruses (a cappella), 22 August - 2 September 1935
*'''Op.151''' – Seven songs for Gladys (The Gladys from "Calais-Dover") Lyrics by Koechlin, 26 August - 3 September 1935
*'''Op.152''' – Fifteen Vocalises (for voice and piano in all major keys), August-September 1935
*'''Op.153''' – Chorals pour fêtes de plein air (wind orchestra), August-September 1935, Nos. III & IV orchestrated August-September 1936
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.154''' – Fifteen Vocalises (for voice and piano in all minor keys), October 1935
*'''Op.155''' – Modal sonatine (for flute and clarinet), December 1935 - January 1936
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.156''' – Primavera (quintet for flute, violin, viola, cello and harp), February-April 1936
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.157ter''' – Funeral March (Three versions: symphonic orchestra, wind orchestra, brass band), April 1936
*'''Op.158''' – "Liberté", incidental music for the end of the second act of "14 Juillet" by R. Rolland (orchestra and choir), May-June 1936
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.159bis''' – Chanson de Mélisande (orchestration of Chanson de Mélisande by G. Fauré), 27 August 1936
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.164''' – Jean Harlow's Epitaph (for flute, saxophone and piano), July-October 1937
*'''Op.165''' – Septet for wind instruments (flute, oboe, English horn, clarinet, alto saxophone, horn and bassoon), June-August 1937
*'''Op.167''' – "Victoire de la vie", film music / "L'Hôpital", score fragment, February 1938
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 little chorals for organ with or without pedal), January-April 1938
*'''Op.169''' – Alceste (a cappella for Euripides's Alceste, based on H. Marchand's translation), July 1938
*'''Op.170''' – La cité nouvelle (Dream of the future). Symphonic poem, August 1938.
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.173''' – Short pieces for clarinet and French horn, Autumn 1938
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939
*'''Op.175''' – La Loi de la jungle (symphonic poem based on R. Kipling's ''The Jungle Book''), July 1939 (orchestration December 1939)
*'''Op.176''' – Les Bandar-Log (Monkey scherzo). Symphonic poem based on R. Kipling's ''The Jungle Book''. July-August 1939 (orchestration January 1940)
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942
*'''Op.179''' – Five pieces for English horn and piano / Six pieces for oboe d'amore and piano / Twelve pieces for oboe and piano. February-March 1942
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.185''' – Suite for solo English horn, November 1942
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944
*'''Op.201''' – Adagio for organ
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.206''' – Reed trio (for oboe, clarinet and bassoon), 20-24 December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (no. 15 for four hands, no. 14 and “two preludes” for organ), February 1946
*'''Op.210''' – L'Ame heureuse (ballad for orchestra, in two scenes), 1947
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212''' – Four vocalises for voice and piano, April 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947
*'''Op.213''' – Twelve monodies for various instruments, April 1947
*'''Op.213bis''' – Two vocalises for voice and piano, 25-30 May 1947
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948
*'''Op.218''' – Piece for flute and piano, 1 May 1948
*'''Op.218bis''' – Piece for solo horn, 30 May 1948
*'''Op.220''' – Monody for musical saw, 5 September 1948
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949
*'''Op.222''' – "Voyages". Danced film. Ballet with 4 interludes, including a few extracts from the Seven Stars' Symphony), June-July 1947
*'''Op.223''' – Second quintet for flute, violin, viola, cello and harp, 1949
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950
*'''Op.225''' – Fifteen motets (in archaic a cappella style, some with a few instruments), 8-9 June 1950

==Works for piano==
===Two hands===
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Fifteen preludes for piano (No. 15 is for 4 hands), February 1946

===Four hands===
*'''Op.19''' – Suite for piano (4 hands), 1898-1901
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.209''' – Twelve preludes for piano, February 1946

===Two pianos===
*'''Op.6''' – Suite (for two pianos) 1896

===Piano and orchestra===
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919

==Works for organ==
===Without accompaniment===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 little chorals for organ with or without pedal), January-April 1938
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.201''' – Adagio for organ
*'''Op.209''' – Fifteen preludes for piano (no. 14 and “two preludes” for organ), February 1946
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947

===With orchestra===
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Works for flute==
===Without accompaniment===
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944

===Two flutes===
*'''Op.75''' – Sonata (for two flutes), 1918-1920

===Three flutes===
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950

===Flute and piano===
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.218''' – Piece for flute and piano, 1 May 1948

==Works for oboe==
===Oboe and piano===
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.179''' – Twelve pieces for oboe and piano. February-March 1942

==Works for English Horn==
===Without accompaniment===
*'''Op.185''' – Suite for solo English horn, November 1942

===English horn and piano===
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.179''' – Five pieces for English horn and piano, February-March 1942

==Works for oboe d’amore==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet / Le Repos de Tityre (for oboe d’amore solo), May 1948

===Oboe d’amore and piano===
*'''Op.179''' –Six pieces for oboe d'amore and piano, February-March 1942

===Oboe d’amore and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for clarinet==
===Without accompaniment===
*'''Op.216''' – Seven monodies for solo clarinet

===Two clarinets===
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944

===Clarinet and piano===
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942

==Works for Bassoon==
===Bassoon and piano===
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.71''' – Sonata (for bassoon and piano), August 1918

===Bassoon and orchestra===
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943

==Works for horn==
===Without accompaniment===
*'''Op.218bis''' – Piece for solo horn, 30 May 1948

===Horn and piano===
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942

===Horn and orchestra===
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)

==Works for trombone==
*'''Op.42''' – L'Abbaye (Part 2) [Movement 5: Interlude for 5 trombones], 1906-1908 (final orchestration in 1920)

==Works for saxophone==
===Two saxophones===
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942

===Saxophone and piano===
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943

===Soprano saxophone and chamber orchestra===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

==Works for violin==
===Violin and piano===
*'''Op.64''' – Sonata (violin and piano), April 1916

==Works for viola==
===Viola and piano===
*'''Op.53''' – Sonata (for piano and viola), 1906-1915

==Works for cello==
===Cello and piano===
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
===Cello and orchestra===
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934

==Works for harpsichord==
===Harpsichord and ondes Martinot===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===In a septet===
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949

===In a dixtuor===
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943

===With orchestra===
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916

==Works for ondes Martinot==
===Without accompaniment===
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939

===Ondes Martinot and harpsichord===
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
**C - Sicilienne de rêve

===With orchestra===
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945

===Other works with ondes Martinot===
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)

==Various instruments==
===Chromatic harp===
*'''Op.33''' – Nocturne for chromatic harp, 1907

===Hunting horn===
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942

===Musical saw===
*'''Op.220''' – Monody for musical saw, 5 September 1948

===Various instruments===
*'''Op.213''' – Twelve monodies for various instruments, April 1947

[[Category:Composer Composition Lists|Koechlin]]

List of works by Charles Koechlin

2008-12-16T20:04:31Z

Siebenkas:

[[:Category: Koechlin, Charles Louis Eugène|Return to category: Koechlin, Charles Louis Eugène]] 
__TOC__
==Complete catalogue by Opus number==
*'''Op.1''' – Rondels (First series), 1890-1894
*'''Op.3''' – La Vérandah (Leconte de Lisle), 1893
*'''Op.4''' – Two choruses (for Women’s voices), 1894-1897
*'''Op.5''' – Five melodies, 1883-1897
*'''Op.6''' – Suite (for two pianos) 1896
*'''Op.7''' – Four Poems, 1890-1895
*'''Op.8''' – Rondels (Second series), 1891-1895
*'''Op.9''' – Les Clairs de lune (Leconte de Lisle), April-May 1893
*'''Op.11''' – La Fin de l’homme (Leconte de Lisle), 1895 (orchestrated 1898-1900)
*'''Op.12''' – La Lampe du ciel (Leconte de Lisle), 1896
*'''Op.13''' – Poèmes d’automne (Second series), 1894-1899
*'''Op.14''' – Rondels (Third series), 1896-1899
*'''Op.15''' – Three poems (Leconte de Lisle), 1897-1900
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.17''' – Trois melodies, 1895-1900
*'''Op.18''' – Three poems (Extracts from R. Kipling’s Jungle Book, translated by L. Fabulet qnd R. d’Humières), 1899-1901
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.21''' – Two Villanelles (Leconte de Lisle), 1896-1901
*'''Op.22''' – Four melodies (on poems by P. Verlaine and P. Bourget), 1900-1901
*'''Op.23''' – Two melodies (on poems by André Chénier), 1900-1901
*'''Op.24''' – Four poems ("de la bonne chanson de P. Verlaine"), 1901-1902
*'''Op.27''' – En mer, la nuit (symphonic study after The North Sea by H. Heine), 1899-1907
*'''Op.28''' – Four melodies, 1902-1907
*'''Op.30''' – L'Automne (symphonic poem), 1896-1906
*'''Op.31''' – Six melodies (on poems by Albert Samain 'Aux flancs du vase'), 1900-1901
*'''Op.32a''' – Four little pieces for piano, violin and horn 1894-1907
*'''Op.32b''' – Two nocturnes for horn, flute and harp or piano, 1904-1912
*'''Op.33''' – Nocturne for chromatic harp, 1907
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.34bis''' – Three pieces for bassoon, flute and piano, 1899-1907
*'''Op.35''' – Four melodies (symphonic poem), 1896-1906
*'''Op.36''' – Jacob chez Laban (text by Charles Koechlin)(a biblical pastorale in one act), 1896-1908
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916
*'''Op.39''' – Cinq chansons de Bilitis (P. Louys), 1898-1908
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.43''' – Two Symphonic Poems, 1898-1916
*'''Op.44''' – Three melodies, 1907-1916
*'''Op.44bis''' – Suite Javanaise (a transcription for European instruments of Javanese pieces communicated by L. Laloy), April 1910
*'''Op.45''' – La forêt païenne (orchestral suite), 1911-1920
*'''Op.46''' – Etudes Antiques (symphonic suite), 1908-1910
*'''Op.47''' – Two symphonic poems, 1908-1916
*'''Op.48''' – L'Eté (symphonic poem in two parts), 1908-1911
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.51''' – First String Quartet, 1911-1913
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.53''' – Sonata (for piano and viola), 1906-1915
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.55''' – Suite en quator (for flute, violin, viola and piano), 1906-1915
*'''Op.56''' – Shéhérazde (Book I), 1914-1916
*'''Op.57''' – Second string quartet (became the first symphony), 1915-1916
*'''Op.57bis''' – First symphony (after the second string quartet), 1915-1916 (orchestration 1927)
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.60bis''' – Four "French Sonatines" (for orchestra), 1919 (orchestration 1930)
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.62''' – Rhapsody on French Songs (orchestral suite), 1916
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.64''' – Sonata (violin and piano), April 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.67''' – La divine vesprée (ballet), 1917-1918
*'''Op.68''' – Dissolution (Paul Claudel) (Soprano and piano), 1918
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)
*'''Op.71''' – Sonata (for bassoon and piano), August 1918
*'''Op.72''' – Third string quartet, 1917-1921
*'''Op.73''' – Chorals on themes by G. Fauré (for choir), 1919
*'''Op.73bis''' – Choral (on the letters in Fauré's name, for strings), 1922 (orchestration 1933)
*'''Op.74''' – Harmonization of canticle 31, 1920
*'''Op.75''' – Sonata (for two flutes), 1918-1920
*'''Op.75bis''' – Pastorale (for flute, clarinet and piano), 1917-1921
*'''Op.76(A)''' – Three chorals (for orchestra), 1919-1920
*'''Op.76(B)''' – Two chorals (for small orchestra), 1919-1920
*'''Op.76(A)''' – Three chorals (for small orchestra), 1919-1920
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.80''' – First Quintet (for piano and strings), 1920-1921
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.84''' – Shéhérazde (Book II) Melodies on poems by Tristan Klingsor, 1922-1923
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.88''' – Four School Fugues (on subjects by Ch. Koechlin and his son Jean-Michel), September 1923
*'''Op.89''' – Creation of lessons on dealing with harmony, December 1922 - October 1924
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.92''' – Trio for flute, clarinet and bassoon, October 1924
*'''Op.93''' – Examples to clarify the rules of counterpoint, completed 1925
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.98(A)''' – Trois réalisations (on a ''basse donnée'' by Renée-Philippart. Organ.), April 1927
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.100''' – Four school fugues (published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.100bis''' – Two school fugues (one on a subject by A. Gédalge, the other on a subject by H. Rabaud - published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.104''' – Two melodies, summer 1923 & 1927
*'''Op.106''' – The Bride of a God ''[original title in English]'' (symphonic poem, in collaboration with C. Urner), 1929
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.108''' – Nine singing exercises, autumn 1929
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.112''' – No. 2 - Fugue in F minor (for orchestra), 13-18 July 1931, orchestration 1932
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.117bis''' – Five chorals in a Middle-Ages style (for orchestra), September 1931, orchestration 1932
*'''Op.118''' – ''Solfège modal'', 1932
*'''Op.119''' – Sixty easy exercises in a monodic style for the work entitled: ''Solfège modal'', May 1932
*'''Op.120''' – Modal songs and singing exercises (monodic, for ''Solfège modal''), May 1932
*'''Op.121''' – Symphonic fugue "Saint-George", June-July 1932, orchestration August-September 1932
*'''Op.122''' – Two fugues (for string quartet), August-September 1932
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.127''' – Hymne au soleil or "Fugal choral in C" for orchestra (symphony of hymns), February 1933
*'''Op.129''' – Vers la voûte étoilée, nocturne. (symphonic poem to the memory of Camille Flammarion), 1923-1933 (orchestration September 1933)
*'''Op.130''' – Sur les flots lointains (symphonic poem - chant by C. Urner), July-August 1933, orchestration 1 November 1933
*'''Op.132''' – The Seven Stars' Symphony ''[original title in English]'' (symphonic suite), July-August 1933, orchestration September 1933
*'''Op.133''' – No. 2 - fugue for strings, September-November 1933
*'''Op.134''' – L'Andalouse dans Barcelone ["''The Andalusian in Barcelona''"] (music for the film: Croisières avec l'Escarde, November 1933
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.138''' – "Libérons Thaelmann" (chorus with piano or orchestra), 24-25 June 1934
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.141''' – Les Confidances d'un joueur de clarinette (music for a film based on Erckmann-Chatrian's novel), November-December 1934
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.144''' – Solfège progressif à une voix, 4-14 March 1935
*'''Op.145''' – Solfège progressif à deux voix (40 a cappella duos), 23-28 April 1935
*'''Op.146''' – Solfège progressif à trois voix, (20 a cappella trios), 23-28 April 1935
*'''Op.147bis''' – Tu crois au beau soleil (Louis XIII song documented by Martin Mersenne) Wind orchestra, 15-20 June 1935
*'''Op.148''' – Hymne à la jeunesse (symphonic poem based on the first chapter of André Gide's ''Voyage d'Urien'') Symphony of hymns, September 1934, orchestration 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.150''' – Religious choruses (a cappella), 22 August - 2 September 1935
*'''Op.151''' – Seven songs for Gladys (The Gladys from "Calais-Dover") Lyrics by Koechlin, 26 August - 3 September 1935
*'''Op.152''' – Fifteen Vocalises (for voice and piano in all major keys), August-September 1935
*'''Op.153''' – Chorals pour fêtes de plein air (wind orchestra), August-September 1935, Nos. III & IV orchestrated August-September 1936
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.154''' – Fifteen Vocalises (for voice and piano in all minor keys), October 1935
*'''Op.155''' – Modal sonatine (for flute and clarinet), December 1935 - January 1936
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.156''' – Primavera (quintet for flute, violin, viola, cello and harp), February-April 1936
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.157ter''' – Funeral March (Three versions: symphonic orchestra, wind orchestra, brass band), April 1936
*'''Op.158''' – "Liberté", incidental music for the end of the second act of "14 Juillet" by R. Rolland (orchestra and choir), May-June 1936
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.159bis''' – Chanson de Mélisande (orchestration of Chanson de Mélisande by G. Fauré), 27 August 1936
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.164''' – Jean Harlow's Epitaph (for flute, saxophone and piano), July-October 1937
*'''Op.165''' – Septet for wind instruments (flute, oboe, English horn, clarinet, alto saxophone, horn and bassoon), June-August 1937
*'''Op.167''' – "Victoire de la vie", film music / "L'Hôpital", score fragment, February 1938
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 little chorals for organ with or without pedal), January-April 1938
*'''Op.169''' – Alceste (a cappella for Euripides's Alceste, based on H. Marchand's translation), July 1938
*'''Op.170''' – La cité nouvelle (Dream of the future). Symphonic poem, August 1938.
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.173''' – Little pieces for clarinet and French horn, Autumn 1938
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939
*'''Op.175''' – La Loi de la jungle (symphonic poem based on R. Kipling's ''The Jungle Book''), July 1939 (orchestration December 1939)
*'''Op.176''' – Les Bandar-Log (Monkey scherzo). Symphonic poem based on R. Kipling's ''The Jungle Book''. July-August 1939 (orchestration January 1940)
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942
*'''Op.179''' – Five pieces for English horn and piano / Six pieces for oboe d'amore and piano / Twelve pieces for oboe and piano. February-March 1942
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.185''' – Suite for solo English horn, November 1942
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944
*'''Op.201''' – Adagio for organ
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.206''' – Reed trio (for oboe, clarinet and bassoon), 20-24 December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Twelve preludes for piano, February 1946
*'''Op.210''' – L'Ame heureuse (ballad for orchestra, in two scenes), 1947
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212''' – Four vocalises for voice and piano, April 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947
*'''Op.213''' – Twelve monodies for various instruments, April 1947
*'''Op.213bis''' – Two vocalises for voice and piano, 25-30 May 1947
*'''Op.216''' – Seven mododies for solo clarinet, May 1948
*'''Op.218''' – Piece for flute and piano, 1 May 1948
*'''Op.218bis''' – Piece for solo horn, 30 May 1948
*'''Op.220''' – Monody for musical saw, 5 September 1948
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949
*'''Op.222''' – "Voyages". Danced film. Ballet with 4 interludes, including a few extracts from the Seven Stars' Symphony), June-July 1947
*'''Op.223''' – Second quintet for flute, violin, viola, cello and harp, 1949
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950
*'''Op.225''' – Fifteen motets (in archaic a cappella style, some with a few instruments), 8-9 June 1950

[[Category:Composer Composition Lists|Koechlin]]

List of works by Charles Koechlin

2008-12-16T19:58:35Z

Siebenkas: Added opuses 198-225

[[:Category: Koechlin, Charles Louis Eugène|Return to category: Koechlin, Charles Louis Eugène]] 
__TOC__
==Works by Opus number==
*'''Op.1''' – Rondels (First series), 1890-1894
*'''Op.3''' – La Vérandah (Leconte de Lisle), 1893
*'''Op.4''' – Two choruses (for Women’s voices), 1894-1897
*'''Op.5''' – Five melodies, 1883-1897
*'''Op.6''' – Suite (for two pianos) 1896
*'''Op.7''' – Four Poems, 1890-1895
*'''Op.8''' – Rondels (Second series), 1891-1895
*'''Op.9''' – Les Clairs de lune (Leconte de Lisle), April-May 1893
*'''Op.11''' – La Fin de l’homme (Leconte de Lisle), 1895 (orchestrated 1898-1900)
*'''Op.12''' – La Lampe du ciel (Leconte de Lisle), 1896
*'''Op.13''' – Poèmes d’automne (Second series), 1894-1899
*'''Op.14''' – Rondels (Third series), 1896-1899
*'''Op.15''' – Three poems (Leconte de Lisle), 1897-1900
*'''Op.16''' – L’Abbaye (Part 1), 1899-1902
*'''Op.17''' – Trois melodies, 1895-1900
*'''Op.18''' – Three poems (Extracts from R. Kipling’s Jungle Book, translated by L. Fabulet qnd R. d’Humières), 1899-1901
*'''Op.20''' – Au loin (symphonic piece – original version for English horn and piano), 1896-1900
*'''Op.21''' – Two Villanelles (Leconte de Lisle), 1896-1901
*'''Op.22''' – Four melodies (on poems by P. Verlaine and P. Bourget), 1900-1901
*'''Op.23''' – Two melodies (on poems by André Chénier), 1900-1901
*'''Op.24''' – Four poems ("de la bonne chanson de P. Verlaine"), 1901-1902
*'''Op.27''' – En mer, la nuit (symphonic study after The North Sea by H. Heine), 1899-1907
*'''Op.28''' – Four melodies, 1902-1907
*'''Op.30''' – L'Automne (symphonic poem), 1896-1906
*'''Op.31''' – Six melodies (on poems by Albert Samain 'Aux flancs du vase'), 1900-1901
*'''Op.32a''' – Four little pieces for piano, violin and horn 1894-1907
*'''Op.32b''' – Two nocturnes for horn, flute and harp or piano, 1904-1912
*'''Op.33''' – Nocturne for chromatic harp, 1907
*'''Op.34''' – Three pieces for piano and bassoon, 1899-1907
*'''Op.34bis''' – Three pieces for bassoon, flute and piano, 1899-1907
*'''Op.35''' – Four melodies (symphonic poem), 1896-1906
*'''Op.36''' – Jacob chez Laban (text by Charles Koechlin)(a biblical pastorale in one act), 1896-1908
*'''Op.37''' – Chant funèbre à la mémoire des jeunes femmes défuntes (double mixed choir, orchestra and organ), 1902-1907
*'''Op.38''' – Nuit de Walpurgis classique (symphonic poem after P. Verlaine), 1901-1916
*'''Op.39''' – Cinq chansons de Bilitis (P. Louys), 1898-1908
*'''Op.41''' – Esquisses (two series of twelve pieces for piano), 1905-1915
*'''Op.42''' – L'Abbaye (Part 2), 1906-1908 (final orchestration in 1920)
*'''Op.43''' – Two Symphonic Poems, 1898-1916
*'''Op.44''' – Three melodies, 1907-1916
*'''Op.44bis''' – Suite Javanaise (a transcription for European instruments of Javanese pieces communicated by L. Laloy), April 1910
*'''Op.45''' – La forêt païenne (orchestral suite), 1911-1920
*'''Op.46''' – Etudes Antiques (symphonic suite), 1908-1910
*'''Op.47''' – Two symphonic poems, 1908-1916
*'''Op.48''' – L'Eté (symphonic poem in two parts), 1908-1911
*'''Op.49''' – Three chorals (for organ and orchestra), 1912 (orchestration 1920)
*'''Op.50''' – Ballade (for piano and orchestra), 1913-1919
*'''Op.51''' – First String Quartet, 1911-1913
*'''Op.52''' – Sonata (for piano and flute), 1911-1913
*'''Op.53''' – Sonata (for piano and viola), 1906-1915
*'''Op.54''' – Suite légendaire (for orchestra), 1911-1916 (orchestration 1920)
*'''Op.55''' – Suite en quator (for flute, violin, viola and piano), 1906-1915
*'''Op.56''' – Shéhérazde (Book I), 1914-1916
*'''Op.57''' – Second string quartet (became the first symphony), 1915-1916
*'''Op.57bis''' – First symphony (after the second string quartet), 1915-1916 (orchestration 1927)
*'''Op.58''' – Sonata (for piano and oboe), 1915-1916
*'''Op.59''' – Five Sonatines for piano, 1915-1916
*'''Op.60''' – Four "French Sonatines" (for piano, 4 hands), 1919
*'''Op.60bis''' – Four "French Sonatines" (for orchestra), 1919 (orchestration 1930)
*'''Op.61(A)''' – Twelve Little Pieces (for piano), 1919-1920
*'''Op.61(B)''' – Twelve Little Easy Pieces (for piano), 1919-1920
*'''Op.61(C)''' – 64 Easy Two-Part Exercises for Beginners (for piano), 1919-1920
*'''Op.61(D)''' – Ecole du jeu lié (exercises for piano), 1919-1920
*'''Op.62''' – Rhapsody on French Songs (orchestral suite), 1916
*'''Op.63''' – Paysages et marines (collection of six pieces for piano), finished 1916
*'''Op.64''' – Sonata (violin and piano), April 1916
*'''Op.65''' – Les Heures Persanes (16 pieces for piano after ''Vers Ipahan'' by Pierre Loti), 1916-1919
*'''Op.66''' – Sonata (for cello and piano), April 1917
*'''Op.67''' – La divine vesprée (ballet), 1917-1918
*'''Op.68''' – Dissolution (Paul Claudel) (Soprano and piano), 1918
*'''Op.69''' – Hymne à la vie (orchestra and double choir), 1918-1919
*'''Op.70''' – Sonata (horn and piano), 1918-1925
*'''Op.70bis''' – Poem for horn and orchestra (orchestral version of the sonata), 1918-1925 (orchestration 1927)
*'''Op.71''' – Sonata (for bassoon and piano), August 1918
*'''Op.72''' – Third string quartet, 1917-1921
*'''Op.73''' – Chorals on themes by G. Fauré (for choir), 1919
*'''Op.73bis''' – Choral (on the letters in Fauré's name, for strings), 1922 (orchestration 1933)
*'''Op.74''' – Harmonization of canticle 31, 1920
*'''Op.75''' – Sonata (for two flutes), 1918-1920
*'''Op.75bis''' – Pastorale (for flute, clarinet and piano), 1917-1921
*'''Op.76(A)''' – Three chorals (for orchestra), 1919-1920
*'''Op.76(B)''' – Two chorals (for small orchestra), 1919-1920
*'''Op.76(A)''' – Three chorals (for small orchestra), 1919-1920
*'''Op.77''' – Pastorales (twelve pieces for piano), completed 1920
*'''Op.78''' – Twelve chorals, April-May 1921
*'''Op.79''' – Fifteen chorals (horn and piano), June-July 1921
*'''Op.80''' – First Quintet (for piano and strings), 1920-1921
*'''Op.82''' – Chorals on themes by J.S. Bach (second series), May 1922- Feb 1923
*'''Op.83''' – Twenty Chorals, summer 1923
*'''Op.83bis''' – Piano piece, 27 June 1932
*'''Op.84''' – Shéhérazde (Book II) Melodies on poems by Tristan Klingsor, 1922-1923
*'''Op.85''' – First Sonata for clarinet and piano, August 1923
*'''Op.86''' – Second Sonata for clarinet and piano, August 1923
*'''Op.87''' – Four new sonatines for piano, August 1923 - October 1924
*'''Op.88''' – Four School Fugues (on subjects by Ch. Koechlin and his son Jean-Michel), September 1923
*'''Op.89''' – Creation of lessons on dealing with harmony, December 1922 - October 1924
*'''Op.90(A)''' – Four chorals (in the form of canons for organ), September-October 1924
*'''Op.90(B)''' – Choral in F minor (for organ), September-October 1924
*'''Op.91''' – Divertissement (for three flutes, including one alto flute), 1923-1924
*'''Op.92''' – Trio for flute, clarinet and bassoon, October 1924
*'''Op.93''' – Examples to clarify the rules of counterpoint, completed 1925
*'''Op.95''' – La course de printemps (symphonic poem after Jungle Book by R. Kipling), 1911 (orchestration 1925-1927)
*'''Op.98(A)''' – Trois réalisations (on a ''basse donnée'' by Renée-Philippart. Organ.), April 1927
*'''Op.98(B)''' – Offertory (for the wedding of Mme Renée-Philippart Gonzales), April 1927
*'''Op.100''' – Four school fugues (published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.100bis''' – Two school fugues (one on a subject by A. Gédalge, the other on a subject by H. Rabaud - published in ''l'Etude sur l'écriture de la fugue'')
*'''Op.101''' – Fourteen chants (for organ), summer 1928
*'''Op.104''' – Two melodies, summer 1923 & 1927
*'''Op.106''' – The Bride of a God ''[original title in English]'' (symphonic poem, in collaboration with C. Urner), 1929
*'''Op.107''' – Three Sonatines (for organ), autumn 1929
*'''Op.108''' – Nine singing exercises, autumn 1929
*'''Op.110''' – Hymne au jour or Hymne for ondes Martenot and orchestra (from the Symphonie d'Hymnes), September 1929, orchestration 1932
*'''Op.112''' – No. 2 - Fugue in F minor (for orchestra), 13-18 July 1931, orchestration 1932
*'''Op.115''' – Twenty Breton songs (for cello and piano), summer 1931
*'''Op.115bis''' – Twenty Breton songs (for cello and orchestra), orchestration 1934
*'''Op.117''' – Twenty chorals (of a modal nature, No. 6 orchestrated), Autumn 1931, orchestration 28 February 1941
*'''Op.117bis''' – Five chorals in a Middle-Ages style (for orchestra), September 1931, orchestration 1932
*'''Op.118''' – ''Solfège modal'', 1932
*'''Op.119''' – Sixty easy exercises in a monodic style for the work entitled: ''Solfège modal'', May 1932
*'''Op.120''' – Modal songs and singing exercises (monodic, for ''Solfège modal''), May 1932
*'''Op.121''' – Symphonic fugue "Saint-George", June-July 1932, orchestration August-September 1932
*'''Op.122''' – Two fugues (for string quartet), August-September 1932
*'''Op.123''' – Twenty Sonneries for hunting horns (first series), 28-30 October 1932
*'''Op.124''' – L'Ancienne maison de campagne (suite for piano), December 1932 - January 1933
*'''Op.127''' – Hymne au soleil or "Fugal choral in C" for orchestra (symphony of hymns), February 1933
*'''Op.129''' – Vers la voûte étoilée, nocturne. (symphonic poem to the memory of Camille Flammarion), 1923-1933 (orchestration September 1933)
*'''Op.130''' – Sur les flots lointains (symphonic poem - chant by C. Urner), July-August 1933, orchestration 1 November 1933
*'''Op.132''' – The Seven Stars' Symphony ''[original title in English]'' (symphonic suite), July-August 1933, orchestration September 1933
*'''Op.133''' – No. 2 - fugue for strings, September-November 1933
*'''Op.134''' – L'Andalouse dans Barcelone ["''The Andalusian in Barcelona''"] (music for the film: Croisières avec l'Escarde, November 1933
*'''Op.136''' – Twelve chorals (on themes by J.S. Bach), 29 December 1933 - 7 January 1934
*'''Op.138''' – "Libérons Thaelmann" (chorus with piano or orchestra), 24-25 June 1934
*'''Op.139''' – L'Album de Lilian (Book I) (for various combinations of instrument and voice), August 1934
*'''Op.140''' – Le portrait de Daisy Hamilton (Sketchbook for an imaginary film. 89 pieces for piano), Nos. 1-65 August-December 1934, Nos. 66-89 January-August 1935
*'''Op.141''' – Les Confidances d'un joueur de clarinette (music for a film based on Erckmann-Chatrian's novel), November-December 1934
*'''Op.142''' – Twenty Sonneries for hunting horns (second series), January 1935
*'''Op.144''' – Solfège progressif à une voix, 4-14 March 1935
*'''Op.145''' – Solfège progressif à deux voix (40 a cappella duos), 23-28 April 1935
*'''Op.146''' – Solfège progressif à trois voix, (20 a cappella trios), 23-28 April 1935
*'''Op.147bis''' – Tu crois au beau soleil (Louis XIII song documented by Martin Mersenne) Wind orchestra, 15-20 June 1935
*'''Op.148''' – Hymne à la jeunesse (symphonic poem based on the first chapter of André Gide's ''Voyage d'Urien'') Symphony of hymns, September 1934, orchestration 1935
*'''Op.149''' – L'Album de Lilian (Book II), June-August 1935
*'''Op.150''' – Religious choruses (a cappella), 22 August - 2 September 1935
*'''Op.151''' – Seven songs for Gladys (The Gladys from "Calais-Dover") Lyrics by Koechlin, 26 August - 3 September 1935
*'''Op.152''' – Fifteen Vocalises (for voice and piano in all major keys), August-September 1935
*'''Op.153''' – Chorals pour fêtes de plein air (wind orchestra), August-September 1935, Nos. III & IV orchestrated August-September 1936
*'''Op.153bis''' – Ten Sonneries for hunting horns, 1935
*'''Op.154''' – Fifteen Vocalises (for voice and piano in all minor keys), October 1935
*'''Op.155''' – Modal sonatine (for flute and clarinet), December 1935 - January 1936
*'''Op.155bis''' – Idylle (for two clarinets or for violin and viola), May 1936
*'''Op.156''' – Primavera (quintet for flute, violin, viola, cello and harp), February-April 1936
*'''Op.157''' – Fourteen chants for solo flute, April 1936
*'''Op.157bis''' – Fourteen chants for flute and piano (the same as those in opus 157), April 1936
*'''Op.157ter''' – Funeral March (Three versions: symphonic orchestra, wind orchestra, brass band), April 1936
*'''Op.158''' – "Liberté", incidental music for the end of the second act of "14 Juillet" by R. Rolland (orchestra and choir), May-June 1936
*'''Op.159''' – La méditation de Purum Baghat (symphonic poem based on The Jungle Book by R. Kipling), August-September 1936
*'''Op.159bis''' – Chanson de Mélisande (orchestration of Chanson de Mélisande by G. Fauré), 27 August 1936
*'''Op.160''' – Les eaux vives (orchestral music for the Fêtes de la lumière at the 1937 Exposition Universelle), October-November 1936
*'''Op.161''' – Final du requiem pour les pauvres bougres (part of the six chorals for funeral ceremonies for large organ with required pedal, May-June 1937
*'''Op.163''' – Dances for Ginger (suite for piano), July-September 1937
*'''Op.164''' – Jean Harlow's Epitaph (for flute, saxophone and piano), July-October 1937
*'''Op.165''' – Septet for wind instruments (flute, oboe, English horn, clarinet, alto saxophone, horn and bassoon), June-August 1937
*'''Op.167''' – "Victoire de la vie", film music / "L'Hôpital", score fragment, February 1938
*'''Op.168''' – 40 various chorals for modal-style organ (No. 24 is part of the six chorals for funeral ceremonies for large organ with required pedal. Nos. 6, 15, 16, 17, 18, 20, 21, 25, 30bis and 37 are part of the 24 little chorals for organ with or without pedal), January-April 1938
*'''Op.169''' – Alceste (a cappella for Euripides's Alceste, based on H. Marchand's translation), July 1938
*'''Op.170''' – La cité nouvelle (Dream of the future). Symphonic poem, August 1938.
*'''Op.171''' – Le Buisson ardent. Symphonic poem based on an episode in ''Jean Christophe'' by R. Roland.
*'''Op.172''' – Forty chorals for organ. Modal polyphony. April-May 1938 - May 1939
*'''Op.173''' – Little pieces for clarinet and French horn, Autumn 1938
*'''Op.173bis''' – Two pieces for clarinet and piano, January 1939
*'''Op.174''' – Vers le soleil (8 monodies for ondes Martenot), May-July 1939
*'''Op.175''' – La Loi de la jungle (symphonic poem based on R. Kipling's ''The Jungle Book''), July 1939 (orchestration December 1939)
*'''Op.176''' – Les Bandar-Log (Monkey scherzo). Symphonic poem based on R. Kipling's ''The Jungle Book''. July-August 1939 (orchestration January 1940)
*'''Op.177''' – Le Jeu de la nativité (suite for orchestra), November 1941
*'''Op.178''' – Fourteen pieces for clarinet and piano, January-February 1942
*'''Op.179''' – Five pieces for English horn and piano / Six pieces for oboe d'amore and piano / Twelve pieces for oboe and piano. February-March 1942
*'''Op.180(I)''' – Fifteen pieces for horn and piano, April 1942
*'''Op.180(II)''' – Allegro for 4 hunting horns, April 1942
*'''Op.180(III)''' – Nocturne for 4 hunting horns, April 1942
*'''Op.180(IV)''' – Seven pieces for saxophone and piano, April 1942
*'''Op.184''' – Three sonatines for solo flute, October 1942
*'''Op.185''' – Suite for solo English horn, November 1942
*'''Op.186''' – Duos for two saxophones / Twenty-four lessons for soprano and contralto duo. December 1942
*'''Op.187''' – Musical offering based on Bach's name. Autumn 1942 (orchestration March-April 1946)
*'''Op.188''' – Fifteen études for alto saxophone and piano, January 1943
*'''Op.192''' – One hundred themes for organ improvisations, Spring 1943
*'''Op.193''' – Silhouettes de comédie (12 pieces for bassoon and orchestra), 1942-1943
*'''Op.194''' – Two sonatines for oboe d'amore (or soprano saxophone), 2 flutes, clarinet, 2 violins, 2 violas, 2 cellos and harpsichord. September 1942 - August 1943
*'''Op.195''' – Fifteen duos for two clarinets, 1943-1944
*'''Op.196''' – Second symphony, 1943-1944
*'''Op.197''' – Les Chants de Kervelean (suite for piano), November 1943 (based on melodies written June 1940)
*'''Op.198''' – Les Chants de Nectaire (1st series), 32 pieces based on A. France's ''La Révolte des Anges'' for solo flute, spring 1944
*'''Op.199''' – Les Chants de Nectaire (2nd series) "Dans la forêt antique", spring 1944
*'''Op.200''' – Les Chants de Nectaire (3rd series) "Prières, danses et cortèges pour les Dieux familiers", 32 pieces, Spring-Summer 1944
*'''Op.201''' – Adagio for organ
*'''Op.202''' – Le Docteur Fabricius (symphonic poem based on a novella by Charles Dollfus, 1941-1944 (orchestration August 1946)
*'''Op.203''' – Le buisson ardent, Part I (symphonic poem based on an episode in R. Roland's ''Jean-Christophe''), August-September 1945 (orchestration November 1945)
*'''Op.205''' – Partita (suite for orchestra) / Sarabande [extracted from Partita] (for piano) / Calme sur la mer [extracted from Partita] (for ondes Martenot and orchestra), November-December 1945
*'''Op.206''' – Reed trio (for oboe, clarinet and bassoon), 20-24 December 1945
*'''Op.208''' – Twelve little easy pieces for piano, February 1946
*'''Op.209''' – Twelve preludes for piano, February 1946
*'''Op.210''' – L'Ame heureuse (ballad for orchestra, in two scenes), 1947
*'''Op.211''' – Organ Adagio, 1947
*'''Op.212''' – Four vocalises for voice and piano, April 1947
*'''Op.212bis''' – Nos. 3 & 4 transcribed for organ. Part of the ten Chorals and one Prelude for organ, August 1947
*'''Op.213''' – Twelve monodies for various instruments, April 1947
*'''Op.213bis''' – Two vocalises for voice and piano, 25-30 May 1947
*'''Op.216''' – Seven mododies for solo clarinet, May 1948
*'''Op.218''' – Piece for flute and piano, 1 May 1948
*'''Op.218bis''' – Piece for solo horn, 30 May 1948
*'''Op.220''' – Monody for musical saw, 5 September 1948
*'''Op.221''' – Sonata for seven (for oboe, harpsichord [or harp], 2 violins, viola, flute and cello), 8 August 1949
*'''Op.222''' – "Voyages". Danced film. Ballet with 4 interludes, including a few extracts from the Seven Stars' Symphony), June-July 1947
*'''Op.223''' – Second quintet for flute, violin, viola, cello and harp, 1949
*'''Op.224''' – Stèle funéraire to the memory of Paul Dommel (for 3 flutes in turn, in G, small and large, March 1950
*'''Op.225''' – Fifteen motets (in archaic a cappella style, some with a few instruments), 8-9 June 1950

[[Category:Composer Composition Lists|Koechlin]]

List of works by Charles Koechlin

2008-12-16T13:13:31Z

Siebenkas: Added opuses 170-197

List of works by Charles Koechlin

2008-12-15T13:25:01Z

Siebenkas: Added opuses 157-169

List of works by Charles Koechlin

2008-12-14T21:20:00Z

Siebenkas: Added opuses 141-156

List of works by Charles Koechlin

2008-12-14T11:40:12Z

Siebenkas: Added opuses 123-140

List of works by Charles Koechlin

2008-12-14T01:26:56Z

Siebenkas:

List of works by Charles Koechlin

2008-12-14T01:12:08Z

Siebenkas: Added Op 101-121

List of works by Charles Koechlin

2008-12-09T16:38:14Z

Siebenkas: Added opuses 88-100bis

List of works by Charles Koechlin

2008-12-08T09:27:21Z

Siebenkas: Added opuses 78-87

List of works by Charles Koechlin

2008-12-07T10:58:46Z

Siebenkas: Added opuses 66-77

List of works by Charles Koechlin

2008-12-06T11:16:26Z

Siebenkas: Added opuses 56 to 65 - more to come....

List of works by Charles Koechlin

2008-12-04T17:30:04Z

Siebenkas: Added opuses 45-64.

List of works by Charles Koechlin

2008-12-04T12:26:13Z

Siebenkas: Added op. 35-44bis... more to come...

List of works by Charles Koechlin

2008-12-03T11:50:00Z

Siebenkas: Added 10 more opuses: to be continued...

List of works by Charles Koechlin

2008-12-02T11:45:55Z

Siebenkas: New page: Return to category: Koechlin, Charles Louis Eugène __TOC__ ==Works by Opus number== *'''Op.1''' – Rondels (First series), 1890-1894 *...

Category:Koechlin, Charles Louis Eugène

2008-12-02T10:33:46Z

Siebenkas: Created link to composition list page (to be created)

{{#imslpcomposer:
|Born Year=1867|Born Month=11|Born Day=27
|Died Year=1950|Died Month=12|Died Day=31
|Time Period=Early 20th century
|Biography Link=[[wikipedia:{{#iflang:en=Charles Koechlin|de=de:Charles Koechlin|fr=fr:Charles Koechlin|it=it:Charles Koechlin|nl=nl:Charles Koechlin}}|Wikipedia]]
|Picture=Charles Koechlin'.jpg
|List Pages=*[[List of compositions by Charles Koechlin]]
}}

File:PMLP56254-Nietzsche - Ungarischer Marsch.pdf

2008-12-02T08:43:39Z

Siebenkas:

Ungarischer Marsch (Nietzsche, Friedrich)

2008-12-02T08:43:39Z

Siebenkas: Added 1 files to Ungarischer Marsch (Nietzsche, Friedrich Wilhelm)

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Ungarischer Marsch (Nietzsche, Friedrich)

2008-12-02T08:41:37Z

Siebenkas: Create article for work

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Im Mondschein auf der Puszta (Nietzsche, Friedrich)

2008-12-02T08:39:58Z

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Unserer Altvordern eingedenk (Nietzsche, Friedrich)

2008-12-02T08:38:45Z

Siebenkas: Added 1 files to Unserer Altvordern eingedenk (Nietzsche, Friedrich Wilhelm)

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File:PMLP56252-Nietzsche - Unserer Altvordern Gedenk.pdf

2008-12-02T08:38:44Z

Siebenkas:

Unserer Altvordern eingedenk (Nietzsche, Friedrich)

2008-12-02T08:35:56Z

Siebenkas: Create article for work

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File:PMLP56250-Nietzsche - Im Mondschein auf der Puszta.pdf

2008-12-02T08:34:58Z

Siebenkas:

Im Mondschein auf der Puszta (Nietzsche, Friedrich)

2008-12-02T08:34:58Z

Siebenkas: Added 1 files to Im Mondschein auf der Puszta (Nietzsche, Friedrich Wilhelm)

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Im Mondschein auf der Puszta (Nietzsche, Friedrich)

2008-12-02T08:24:03Z

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File:PMLP56248-Nietzsche - Da geht ein Bach.pdf

2008-12-02T08:23:04Z

Siebenkas:

Da geht ein Bach (Nietzsche, Friedrich)

2008-12-02T08:23:04Z

Siebenkas: Added 1 files to Da geht ein Bach (Nietzsche, Friedrich Wilhelm)

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Da geht ein Bach (Nietzsche, Friedrich)

2008-12-02T08:17:21Z

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File:PMLP56246-Nietzsche - So lach doch mal.pdf

2008-12-02T08:15:50Z

Siebenkas:

So lach doch mal (Nietzsche, Friedrich)

2008-12-02T08:15:50Z

Siebenkas: Added 1 files to So lach doch mal (Nietzsche, Friedrich Wilhelm)

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So lach doch mal (Nietzsche, Friedrich)

2008-12-02T08:13:48Z

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File:PMLP56244-Nietzsche - Das Fragment an sich.pdf

2008-12-02T08:11:59Z

Siebenkas:

Fragment an sich (Nietzsche, Friedrich)

2008-12-02T08:11:59Z

Siebenkas: Added 1 files to Das "Fragment an sich" (Nietzsche, Friedrich Wilhelm)

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|File Description 1=Das "Fragment an sich" (1871)
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|Date Submitted=2008/12/2
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|Copyright=Public Domain
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Fragment an sich (Nietzsche, Friedrich)

2008-12-02T08:09:34Z

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File:PMLP56242-Nietzsche - Heldenklage.pdf

2008-12-02T08:07:23Z

Siebenkas:

Heldenklage (Nietzsche, Friedrich)

2008-12-02T08:07:23Z

Siebenkas: Added 1 files to Heldenklage (Nietzsche, Friedrich Wilhelm)

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Heldenklage (Nietzsche, Friedrich)

2008-12-02T08:02:29Z

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Category:Nietzsche, Friedrich Wilhelm

2008-12-02T08:00:31Z

Siebenkas:

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|Picture=FWNietzscheSiebe.jpg
|Born Year=1844|Born Month=10|Born Day=15
|Died Year=1900|Died Month=8|Died Day=25
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|Biography Link=[http://en.wikipedia.org/wiki/Friedrich_Nietzsche Wikipedia article]
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File:FWNietzscheSiebe.jpg

2008-12-02T07:57:46Z

Siebenkas: Friedrich Wilhelm Nietzsche

Friedrich Wilhelm Nietzsche

Category:Nietzsche, Friedrich Wilhelm

2008-12-02T07:49:30Z

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{{#imslpcomposer:
|Born Year=1844|Born Month=10|Born Day=15
|Died Year=1900|Died Month=8|Died Day=25
|Time Period=Romantic
|Biography Link=[http://en.wikipedia.org/wiki/Friedrich_Nietzsche Wikipedia article]
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10 Petites pièces faciles, Op.61c (Koechlin, Charles)

2008-09-17T09:38:49Z

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|Publisher Information=Paris: [[Maurice Senart]], 1922, plate E.M.S. 4704
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First performed by Mme Pazera-Baillot at the Salle du Conservatoire, May 26, 1921.

==Section Listing==
#L'enfant bien sage
#La jolie fleur
#La maison heureuse
#Patte de velours
#Le ruisseau limpide
#Présentation
#En faisant un bouquet
#Des cors dans la forêt
#Berceuse
#Sicilienne

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