IMSLP - User contributions [en]

Piano Sonata No.11 in A major, K.331/300i (Mozart, Wolfgang Amadeus)

2022-05-14T04:01:15Z

Yuanyelele: Undo revision 3695424 by Yuanyelele (talk)

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP1846-Piano_sonata,11,_in_A_major.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Novaes, Guiomar=piano
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2021/6/10
|Publisher Information={{RC||Vox|||1955||PL 9080}}
|Copyright=Public Domain
|Thumb Filename=Pianosonata11inm00moza001.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/pianosonata11inm00moza|Internet Archive}}
}}
====Rondo: Alla Turca (No.3)====
{{#fte:imslpaudio
|File Name 1=PMLP01846-Música_Clásica_-_Rondo_Alla_Turca._Wolfgang_Amadeus_Mozart.mp3
|File Description 1=Complete Performance
|Performers=Eduardo
|Performer Categories=
|Uploader=[[User:Edulazlox|Edulazlox]]
|Date Submitted=2011/7/31
|Publisher Information=Eduardo
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Rondo_Alla_Turca.mp3
|File Description 1=Complete Performance
|Performers=Sriram A (Piano)
|Performer Categories=
|Uploader=[[User:Sriram|Sriram]]
|Date Submitted=2017/5/23
|Publisher Information=Sriram A, 2017.
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0
|Misc. Notes=Recorded using Digital Piano/Computer/Digital Recorder
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-03_Allegretto_alla_turca_from_Sonata_no._11_in_A_major_K._331_Mozart.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Novaes, Guiomar=piano
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2021/6/11
|Publisher Information={{RC||Vox|||1955||PL 9080}}<br>
|Reissue=''This is Novaes'' - {{RC||Vox|||1957||SNP 1}}
|Copyright=Public Domain
|Thumb Filename=Thisisnovaessoun00nova001.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/thisisnovaessoun00nova|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Turkish_March_-_Wanda_Landowska_-_Mozart.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Landowska, Wanda=harpsichord
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2021/7/21
|Publisher Information={{RC||Victor|||1926||1193-B}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP1846-Turkish_March_-_Wanda_Landowska_-_Mozart-5816.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/78_turkish-march_wanda-landowska-mozart_gbia0041817b|Internet Archive}}
}}

===Synthesized/MIDI===
====Rondo: Alla Turca (No.3)====
{{#fte:imslpaudio
|File Name 1=PMLP01846-Mozart-RondoAllaTurca.mid
|File Description 1=Synthesized Performance
|Performers=Sequenced MIDI
|Performer Categories=
|Uploader=[[User:Dweymouth|Dweymouth]]
|Date Submitted=2013/6/30
|Publisher Information=Drew Weymouth
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=
}}
=====For Strings (Karaca)=====
{{#fte:imslpaudio
|File Name 1=PMLP01846-Alla_Turca.mp3
|File Description 1=Synthesized Performance
|Performers=Finale2011
|Performer Categories=
|Uploader=[[User:Tkaraca|Tkaraca]]
|Date Submitted=2011/12/28
|Publisher Information=Tolga Karaca
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Flute and Piano=====
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_turkish01_fl-pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2017/11/26
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=For Flute and Piano
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_fl-pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2017/11/26
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=For Flute and Piano
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2018/2/25
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2019/8/19
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2019/8/21
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For Flute (Palazzani)=====
{{#fte:imslpaudio
|File Name 1=WIMA.fff0-turca.mid
|File Description 1=Synthesized Performance
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/3
|Publisher Information=Alessandro Palazzani
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
====Complete====
{{#fte:imslpfile
|File Name 1=PMLP01845-Mozart_-_Trois_Sonates_-K330-332-.pdf
|File Description 1=Complete Score
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner={{Loeb}}
|Uploader=[[User:Irishmaestro|Irishmaestro]]
|Date Submitted=2013/8/18
|Publisher Information={{P|Artaria||Vienna|n.d.(ca.1784)|||47}}
|Copyright=Public Domain
|Misc. Notes=Also contains K.330 and K.332.
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart_Werke_Breitkopf_Serie_20_KV331.pdf
|File Description 1=Complete Score
|Editor={{WAMWmiscEds|XX}}
|Image Type=Normal Scan
|Scanner={{Lodz}}
|Uploader=[[User:Piupianissimo|piupianissimo]]
|Date Submitted=2010/2/17
|Publisher Information={{MozartComplete|XX:<br>Sonaten und phantasien für das pianoforte, No.11|331|1878|2-13 (118-129)}}
|Copyright=Public Domain
|Thumb Filename=TN-Mozart_Werke_Breitkopf_Serie_20_KV331.jpg
|Sample Filename=PV-Mozart_Werke_Breitkopf_Serie_20_KV331.jpg
|Misc. Notes=Originally scanned at 300dpi grayscale, [[Image Conversion|converted to 600dpi monochrome]].
|Amazon={{AmazonLinks|0486292223|Dover vol. (reprint)}}
}}
{{#fte:imslpfile
|File Name 1=Mozart - Piano Sonata, K 331.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Sigmund|Lebert}} (1821-1884)<br>{{LinkEd|William|Scharfenberg}} (1819-1895)
|Scanner=
|Image Type=Normal Scan
|Uploader=[[User:Feldmahler|Feldmahler]]
|Date Submitted=2006/2/19
|Publisher Information={{LinkWork|19 Sonatas for the Piano||Mozart|Wolfgang Amadeus|0}}, ''Sonata IX'' (pp.107-21)<br>{{P|Schirmer|G. Schirmer|New York||1893||11142}}
|Copyright=Public Domain
|Misc. Notes=editorial comments in English, German
}}
{{#fte:imslpfile
|File Name 1=PMLP586489-104_IMSLP363242-PMLP586489-sonataalbumtwent01lebe_bw.pdf
|File Name 2=PMLP01715-5_IMSLP363242-PMLP586489-sonataalbumtwent01lebe_bw.pdf
|File Description 1=Complete Score
|File Description 2=Cover
|Editor={{LinkEd|Sigmund|Lebert}} (1822-1884)<br>{{LinkEd|William|Scharfenberg}} (1819-1895)
|Image Type=Normal Scan
|Scanner={{IArchS|sonataalbumtwent01lebe#page/n104}}
|Uploader=[[User:Igor stravinsky|IS]]
|Date Submitted=2017/5/22
|Publisher Information={{LinkWork|19 Sonatas for the Piano||Mozart|Wolfgang Amadeus|0}}, ''Sonata IX''<br>{{P|Schirmer|G. Schirmer|New York||1893||11142}}
|Reprint={{BulowLebertAlbumSch|I|10|11142|96-111}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-KV_331.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Carl Adolf|Martienssen}} (1881-1955)<br>{{LinkEd|Wilhelm|Weismann}} (1900-1980)
|Image Type=Normal Scan
|Scanner={{Piano.ru}}
|Uploader=[[User:Worov|worov]]
|Date Submitted=2010/7/6
|Publisher Information=''Sonaten für Klavier zu zwei Händen'' (pp.166-82)<br>{{P|Edition Peters|C.F. Peters|Leipzig|n.d.(ca.1938)|||10817-10818}}{{Urtext}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart,_Wofgang_Amadeus-NMA_09_25_2_02_KV_331_scan.pdf
|File Name 2=PMLP01846-nma_197_14_27.pdf
|File Description 1=Complete Score (scan)
|File Description 2=Complete Score (DME)
|Editor={{LinkEd|Wolfgang|Plath}} (1930-1995)<br>{{LinkEd|Wolfgang|Rehm}} (1929-)
|Image Type=Normal Scan
|Scanner=Piupianissimo
|Scanner 2={{DME}}
|Uploader=[[User:Piupianissimo|Piupianissimo]]
|Uploader 2=[[User:Gcjdavid|Gcjdavid]]
|Date Submitted=2017/1/22
|Date Submitted 2=2016/6/7
|Publisher Information={{MozartNMA|IX|25|/2|Klaviersonaten, Bd.2|4601|1986|14-27}}
|Copyright=Public Domain
|Thumb Filename=TN-Mozart,_Wofgang_Amadeus-NMA_09_25_2_02_KV_331_scan.jpg
|Sample Filename=PV-Mozart,_Wofgang_Amadeus-NMA_09_25_2_02_KV_331_scan.jpg
|Misc. Notes={{PiupianissimoScanType|scan}}<br>DME: This file is mirrored from the [[Wolfgang Amadeus Mozart: Neue Mozart-Ausgabe|Neue Mozart-Ausgabe]].
}}
{{#fte:imslpfile
|File Name 1=PMLP1846-Mozart_Piano_Sonata_K_331_Budapest_Manuscript_(Aldo_Roberto_Pessolano)_corretto.pdf
|File Description 1=Incomplete Score (fragment)
|Editor={{LinkEd|Aldo Roberto|Pessolano|1997|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Aldo Roberto Pessolano|Aldo Roberto Pessolano]]
|Date Submitted=2018/3/27
|Publisher Information=Aldo Roberto Pessolano, 2018.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=Typeset of the Budapest manuscript, found in the spring of 2014. This typeset is as close as possible to the manuscript.
}}
====Rondo alla turca (No.3)====
{{#fte:imslpfile
|File Name 1=PMLP1846-OK201908291830.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Alessandro|Longo|1864|1945}}
|Image Type=Normal Scan
|Scanner=Jacopo Tore
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2019/11/29
|Publisher Information={{P|Curci||Milan||1940||E. 2359 C}}
|Copyright=Public Domain
|Misc. Notes=Renewed 1968 Reprint 1999
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart-RondoAllaTurca.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Drew|Weymouth}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Dweymouth|Dweymouth]]
|Date Submitted=2013/6/28
|Publisher Information=Drew Weymouth
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=Source - New York: G. Schirmer, 1893.
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Rondo_alla_Turca.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Debneil|Nag Chowdhury}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Debneil|Debneil]]
|Date Submitted=2016/1/4
|Publisher Information=Debneil Nag Chowdhury
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=
}}

===Arrangements and Transcriptions===
====Complete====
=====For Strings (Choe)=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Score_1_(etc).pdf
|File Name 2=PMLP1846-Vl1_1_(etc).pdf
|File Name 3=PMLP1846-Vl2_1_(etc).pdf
|File Name 4=PMLP1846-Va_1_(etc).pdf
|File Name 5=PMLP1846-Vc_1_(etc).pdf
|File Name 6=PMLP1846-Cb_1_(etc).pdf
|File Description 1=Complete Score
|File Description 2=Violins I
|File Description 3=Violins II
|File Description 4=Violas
|File Description 5=Cellos
|File Description 6=Basses
|Arranger={{LinkArr|Joshua|Choe||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:TradViolin|TradViolin]]
|Date Submitted=2021/9/15
|Publisher Information=Joshua Choe, 2020.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=[https://www.youtube.com/playlist?list=PLO4xN_gsnPdpsJPrCQA8zvRxhcGhr8oSQ YouTube playlist]
}}
=====For Flute and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Sheet_music_-_Mozart_-_Sonate_12_Thema_&_Variatins_-flute-_-Unlocked_by_www.freemypdf.com-.pdf
|File Description 1=Flute
|Arranger=Unidentified
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2017/8/26
|Publisher Information={{NoPubID}}
|Copyright=Public Domain
|Misc. Notes=Possibly for solo flute
}}
=====For 2 Violins=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Violin.pdf
|File Name 2=PMLP01846-Violin_II.pdf
|File Description 1=Violin 1
|File Description 2=Violin 2
|Editor=
|Image Type=Normal Scan
|Scanner=Kenny Choy
|Uploader=[[User:Notnd|Notnd]]
|Date Submitted=2009/7/11
|Publisher Information={{LinkWork|12 Duette, Op.70||Mozart|Wolfgang Amadeus|0}} (No.12)<br>{{P|Litolff||Braunschweig|n.d.[1894]|1894||1287}}
|Reprint={{P|International Music Company||New York|n.d.(ca.1950)|||}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Harp (Kastner)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-mozart-Sonate_facile_la_majeur.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Alfred|Kastner}} (1870-1948)
|Editor=
|Image Type=Normal Scan
|Scanner={{IArchS|sonatefacilelama00moza}}
|Uploader=[[User:Zeyarshwe|Zeyarshwe]]
|Date Submitted=2017/4/8
|Publisher Information={{P|Carl Simon||Berlin||1913||C.S. 3394}}
|Copyright=Public Domain
|Misc. Notes={{HarpArch}} From Pratt Harp Collection
}}
====Minuet (No.2)====
=====For 2 Violins=====
{{#fte:imslpfile
|File Name 1=PMLP386745-Mozart_Minuet_arr_Du.pdf
|File Description 1=Complete Parts
|Editor={{LinkEd|Georgy|Dulov}} (1875–1940)
|Image Type=Normal Scan
|Scanner={{RSL}}
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2012/6/28
|Publisher Information={{P|P. Jurgenson||Moscow||||31778}}
|Reprint={{P|Muzgiz||Moscow||1923||4608}}
|Copyright=Public Domain
|Thumb Filename=Dulov duets cov.jpg
|Misc. Notes=
}}
====Rondo: Alla Turca (No.3)====
=====For Orchestra (Pascal)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-586a-Mozart-MarcheTurque-00-Score.pdf
|File Name 2=PMLP01846-586a-Mozart-MarcheTurque-01-Flutes.pdf
|File Name 3=PMLP01846-586a-Mozart-MarcheTurque-02-Hautbois.pdf
|File Name 4=PMLP01846-586a-Mozart-MarcheTurque-03-Clarinettes.pdf
|File Name 5=PMLP01846-586a-Mozart-MarcheTurque-04-Bassons.pdf
|File Name 6=PMLP01846-586a-Mozart-MarcheTurque-05-Cors.pdf
|File Name 7=PMLP01846-586a-Mozart-MarcheTurque-06-Trompettes.pdf
|File Name 8=PMLP01846-586a-Mozart-MarcheTurque-07-Percussions.pdf
|File Name 9=PMLP01846-586a-Mozart-MarcheTurque-08-Violon1.pdf
|File Name 10=PMLP01846-586a-Mozart-MarcheTurque-09-Violon2.pdf
|File Name 11=PMLP01846-586a-Mozart-MarcheTurque-10-Alto.pdf
|File Name 12=PMLP01846-586a-Mozart-MarcheTurque-11-Basses.pdf
|File Description 1=Complete Score
|File Description 2=Flute 1/2, Piccolo
|File Description 3=Oboe 1/2
|File Description 4=Clarinet 1/2 (A)
|File Description 5=Bassoon 1/2
|File Description 6=Horn 1/2 (C)
|File Description 7=Trumpet 1/2 (D)
|File Description 8=Triangle, Cymbals, Bass drum
|File Description 9=Violins I
|File Description 10=Violins II
|File Description 11=Violas
|File Description 12=Cellos/Basses
|Page Count 2=3 (1, 1, 1)
|Page Count 8=3 (1, 1, 1)
|Arranger={{LinkArr|Prosper|Pascal}} (1825-1880)
|Editor=
|Image Type=Normal Scan
|Scanner=Philhar
|Uploader=[[User:Philhar|Philhar]]
|Date Submitted=2018/2/5
|Publisher Information={{P|Girod|E. Girod|Paris||1859||E.G. 4190}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Strings (Karaca)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Alla_Turca.pdf
|File Name 2=PMLP01846-Alla_Turca_-_Violin_I.pdf
|File Name 3=PMLP01846-Alla_Turca_-_Violin_II.pdf
|File Name 4=PMLP01846-Alla_Turca_-_Viola.pdf
|File Name 5=PMLP01846-Alla_Turca_-_Cello.pdf
|File Name 6=PMLP01846-Alla_Turca_-_Contrabass.pdf
|File Description 1=Complete Score
|File Description 2=Violins I
|File Description 3=Violins II
|File Description 4=Violas
|File Description 5=Cellos
|File Description 6=Basses
|Arranger={{LinkArr|Tolga|Karaca}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Tkaraca|Tkaraca]]
|Date Submitted=2011/12/28
|Publisher Information=Tolga Karaca
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Flute, Oboe, Clarinet, Bassoon, Horn and Trumpet (De Bree)=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Rondo_alla_turca-Partituur_en_partijen.pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Robert Saoirse|De Bree||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Robertdebree|Robertdebree]]
|Date Submitted=2020/3/1
|Publisher Information=Robert Saoirse De Bree, 2019.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=parts included
}}
=====For 4 Saxophones (Larocque)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Sonate_No_11-Alla_Turca_Compl_Score.pdf
|File Name 2=PMLP01846-Sonate_No_11-Alla_Turca_Sop.pdf
|File Name 3=PMLP01846-Sonate_No_11-Alla_Turca_Alt.pdf
|File Name 4=PMLP01846-Sonate_No_11-Alla_Turca_Ten.pdf
|File Name 5=PMLP01846-Sonate_No_11-Alla_Turca_Bar.pdf
|File Description 1=Complete Score
|File Description 2=Soprano Saxophone (B{{flat}})
|File Description 3=Alto Saxophone (E{{flat}})
|File Description 4=Tenor Saxophone (B{{flat}})
|File Description 5=Baritone Saxophone (E{{flat}})
|Arranger={{LinkArr|Jacques|Larocque}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Larocque|Larocque]]
|Date Submitted=2012/9/2
|Publisher Information=Saint-Maurice, QC: Productions du Moliantegok, 2009. Moli 242023
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes=Those files are part of Moliantegok Catalogue for saxophone
}}
=====*For String Quartet (Gruenberg)=====
{{Crossref|{{LinkWork|String Quartet Album||Gruenberg|Eugene|0}}, ''Vol.1''}}
=====*For String Quartet=====
{{Crossref|[[Gesammelte Werke der Weltmusik, Vol.82 (Various)|''Gesammelte Werke der Weltmusik, Vol.82'' (No.17)]]}}
=====For 2 Violins and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Piano.pdf
|File Name 2=PMLP01846-Violin_1.pdf
|File Name 3=PMLP01846-Violin_2.pdf
|File Description 1=Complete Score
|File Description 2=Violin 1
|File Description 3=Violin 2
|Editor={{LinkEd|Gustav|Saenger}} (1865-1935)
|Image Type=Normal Scan
|Scanner=Colin
|Uploader=[[User:Tsillec|Tsillec]]
|Date Submitted=2013/8/13
|Publisher Information={{P|Carl Fischer||New York||1899||5308}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Piano 6 Hands (Vilbac)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart-Vilbac_-_Rondo_alla_turca_-_ARRpf6h-BDH.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Renaud de|Vilbac}} (1829-1884)
|Editor=
|Image Type=Normal Scan
|Scanner={{BDH|bnesearch/detalle/bdh0000073229}}
|Uploader=[[User:Massenetique|Massenetique]]
|Date Submitted=2015/4/29
|Publisher Information={{P|Heugel||Paris|n.d.[1874]|1874||H.5620}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Violin or Mandolin and Piano (Munier)=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Pf-Marcia_Turca.pdf
|File Name 2=PMLP1846-M-Marcia_Turca.pdf
|File Description 1=Complete Score
|File Description 2=Violin/Mandolin Part
|Arranger={{LinkArr|Carlo|Munier|1859|1911}}
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Yasuhiko Nakamura|Yasuhiko Nakamura]]
|Date Submitted=2021/1/23
|Publisher Information={{P||R.Maurri|Firenze||||798}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Violin and Piano (Cerne)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Cerne_Mozart_Piano.pdf
|File Name 2=PMLP01846-Cerne_Mozart_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin
|Arranger={{LinkArr|Charles|Cerné}} (1897-1943)
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2014/10/29
|Publisher Information=[[Repertoire Příhoda (Cerné, Charles)|Repertoire Příhoda No.1]]<br> {{p|Fürstner|Adolph Fürstner|Berlin||1926||A. 7520 F}}
|Copyright=Public Domain
|Misc. Notes=Recorded by Prihoda and Cerne.
}}
=====For Cello and Piano (Cassadó)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart-Cassado_-_Alla_Turca_KLV.pdf
|File Name 2=PMLP01846-Mozart-Cassado_-_Alla_Turca_VLC.pdf
|File Description 1=Complete Score
|File Description 2=Cello
|Arranger={{LinkArr|Gaspar|Cassadó}} (1897-1966)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2017/1/2
|Publisher Information={{P|International Music Company||New York||1948||||}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Piano 4 hands (Horn)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-mozarthorn.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|August|Horn}} (1825-1893)
|Image Type=Normal Scan
|Scanner=Rob Peters
|Uploader=[[User:Rob Peters|Rob Peters]]
|Date Submitted=2013/5/31
|Publisher Information=Leipzig: {{NoPubID|1880}}
|Reprint={{P||Edition Heuwekemeijer|Amsterdam|||27|1969}} (with spurious copyright claim).
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Piano 4 hands (Toker)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Marcia_Alla_Turca_(Mozart)_4-hand_piano_arrangement_by_Hakan_A._Toker.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hakan Ali|Toker}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Htoker|Htoker]]
|Date Submitted=2015/1/29
|Publisher Information=Hakan Ali Toker
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
=====For Flute (Palazzani)=====
{{#fte:imslpfile
|File Name 1=WIMA.1149-allaTurca-soloFlute.pdf
|File Name 2=WIMA.b7ed-allaTurca-soloFlute.zip
|File Description 1=Complete Score
|File Description 2=Engraving files (Encore)
|Editor={{LinkArr|Alessandro|Palazzani}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/3
|Publisher Information=Alessandro Palazzani
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Violin (Nag Chowdhury)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Rondo_Alla_Turca_For_Violin.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Debneil|Nag Chowdhury}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Debneil|Debneil]]
|Date Submitted=2016/1/9
|Publisher Information=Debneil Nag Chowdhury
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=Playing dyads on a violin can be tough; if so, start out with just the higher notes of the two.
}}

===Sketches and Drafts===
====Tema con variazione (No.1) and Menuetto (No.2)====
{{#fte:imslpfile
|File Name 1=PMLP1846-Mozart_-_Clavier_Sonata_in_A_Major_K331_-Ms_Mus_15._289,_autograph-.pdf
|File Description 1=Fragment
|Editor=
|Image Type=Manuscript Scan
|Scanner=[https://mozart.oszk.hu/index_en.html H-Bn]
|Uploader=[[User:Irishmaestro|Irishmaestro]]
|Date Submitted=2019/1/31
|Publisher Information={{MssAu|17||83}}?
|Copyright=Public Domain
|Misc. Notes=This fragment begins with Variation 3 of first movement and ends with bar 10 of the Trio of the second movement. A single bifolio, most likely originally forming f.2-3 of 5.
}}
====Rondo alla turca (No.3)====
{{#fte:imslpfile
|File Name 1=PMLP1846-MozartSonata11Autograph.pdf
|File Description 1=Fragment
|Editor=
|Image Type=Manuscript Scan
|Scanner=Brodie
|Uploader=[[User:Brodie h|Brodie h]]
|Date Submitted=2021/12/29
|Publisher Information={{MssAu|17||83}}
|Copyright=Public Domain
|Misc. Notes=Contains the last page of the Rondo Alla Turca with some markings.
}}

| *****WORK INFO*****

|Work Title=Piano Sonata No.11
|Alternative Title=Alla Turca
|Opus/Catalogue Number=K.331 ; {{K6|300i}} ; Op.6 No.2
|Key={{Key|A}}
|Movements Header=3 movements
|Number of Movements/Sections=3 movements:
#Tema con variazione
#Menuetto & trio
#Alla Turca
|Dedication=
|Year/Date of Composition=1783?
|Year of First Publication=1784 (ca.?)
|Librettist=
|Language=
|Piece Style=Classical
|External Links=[[wikipedia:Piano Sonata No. 11 (Mozart)|Wikipedia article]]<br/>{{NMAfs|197|14}}<br/>{{NMArpt|198|87}}
|Instrumentation=piano
|Tags=sonatas ; pf

| *****COMMENTS***** =

{{Piano Sonatas (Mozart, Wolfgang Amadeus)}}
{{Bluefatbox|title=See Also|body=<center>[[List of Intermediate Piano Repertoire]]</center>}}
| *****END OF TEMPLATE***** }}

Piano Sonata No.11 in A major, K.331/300i (Mozart, Wolfgang Amadeus)

2022-05-13T14:40:31Z

Yuanyelele: Added 1 files to Piano Sonata No.11 in A major, K.331/300i (Mozart, Wolfgang Amadeus)

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP1846-Piano_sonata,11,_in_A_major.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Novaes, Guiomar=piano
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2021/6/10
|Publisher Information={{RC||Vox|||1955||PL 9080}}
|Copyright=Public Domain
|Thumb Filename=Pianosonata11inm00moza001.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/pianosonata11inm00moza|Internet Archive}}
}}
====Rondo: Alla Turca (No.3)====
{{#fte:imslpaudio
|File Name 1=PMLP01846-Música_Clásica_-_Rondo_Alla_Turca._Wolfgang_Amadeus_Mozart.mp3
|File Description 1=Complete Performance
|Performers=Eduardo
|Performer Categories=
|Uploader=[[User:Edulazlox|Edulazlox]]
|Date Submitted=2011/7/31
|Publisher Information=Eduardo
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Rondo_Alla_Turca.mp3
|File Description 1=Complete Performance
|Performers=Sriram A (Piano)
|Performer Categories=
|Uploader=[[User:Sriram|Sriram]]
|Date Submitted=2017/5/23
|Publisher Information=Sriram A, 2017.
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0
|Misc. Notes=Recorded using Digital Piano/Computer/Digital Recorder
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-03_Allegretto_alla_turca_from_Sonata_no._11_in_A_major_K._331_Mozart.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Novaes, Guiomar=piano
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2021/6/11
|Publisher Information={{RC||Vox|||1955||PL 9080}}<br>
|Reissue=''This is Novaes'' - {{RC||Vox|||1957||SNP 1}}
|Copyright=Public Domain
|Thumb Filename=Thisisnovaessoun00nova001.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/thisisnovaessoun00nova|Internet Archive}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Turkish_March_-_Wanda_Landowska_-_Mozart.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Landowska, Wanda=harpsichord
|Uploader=[[User:Lucas-coelho|Lucas-coelho]]
|Date Submitted=2021/7/21
|Publisher Information={{RC||Victor|||1926||1193-B}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP1846-Turkish_March_-_Wanda_Landowska_-_Mozart-5816.jpg
|Misc. Notes=Source: {{plain|https://archive.org/details/78_turkish-march_wanda-landowska-mozart_gbia0041817b|Internet Archive}}
}}

===Synthesized/MIDI===
====Rondo: Alla Turca (No.3)====
{{#fte:imslpaudio
|File Name 1=PMLP01846-Mozart-RondoAllaTurca.mid
|File Description 1=Synthesized Performance
|Performers=Sequenced MIDI
|Performer Categories=
|Uploader=[[User:Dweymouth|Dweymouth]]
|Date Submitted=2013/6/30
|Publisher Information=Drew Weymouth
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=
}}
=====For Strings (Karaca)=====
{{#fte:imslpaudio
|File Name 1=PMLP01846-Alla_Turca.mp3
|File Description 1=Synthesized Performance
|Performers=Finale2011
|Performer Categories=
|Uploader=[[User:Tkaraca|Tkaraca]]
|Date Submitted=2011/12/28
|Publisher Information=Tolga Karaca
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Flute and Piano=====
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_turkish01_fl-pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2017/11/26
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=For Flute and Piano
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_fl-pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2017/11/26
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=For Flute and Piano
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2018/2/25
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2019/8/19
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP1846-Moz_Turkish_pf.mid
|File Description 1=Synthesized Performance
|Performers=Midi
|Performer Categories=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2019/8/21
|Publisher Information=Jacopo Tore
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For Flute (Palazzani)=====
{{#fte:imslpaudio
|File Name 1=WIMA.fff0-turca.mid
|File Description 1=Synthesized Performance
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/3
|Publisher Information=Alessandro Palazzani
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
====Complete====
{{#fte:imslpfile
|File Name 1=PMLP01845-Mozart_-_Trois_Sonates_-K330-332-.pdf
|File Description 1=Complete Score
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner={{Loeb}}
|Uploader=[[User:Irishmaestro|Irishmaestro]]
|Date Submitted=2013/8/18
|Publisher Information={{P|Artaria||Vienna|n.d.(ca.1784)|||47}}
|Copyright=Public Domain
|Misc. Notes=Also contains K.330 and K.332.
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart_Werke_Breitkopf_Serie_20_KV331.pdf
|File Description 1=Complete Score
|Editor={{WAMWmiscEds|XX}}
|Image Type=Normal Scan
|Scanner={{Lodz}}
|Uploader=[[User:Piupianissimo|piupianissimo]]
|Date Submitted=2010/2/17
|Publisher Information={{MozartComplete|XX:<br>Sonaten und phantasien für das pianoforte, No.11|331|1878|2-13 (118-129)}}
|Copyright=Public Domain
|Thumb Filename=TN-Mozart_Werke_Breitkopf_Serie_20_KV331.jpg
|Sample Filename=PV-Mozart_Werke_Breitkopf_Serie_20_KV331.jpg
|Misc. Notes=Originally scanned at 300dpi grayscale, [[Image Conversion|converted to 600dpi monochrome]].
|Amazon={{AmazonLinks|0486292223|Dover vol. (reprint)}}
}}
{{#fte:imslpfile
|File Name 1=Mozart - Piano Sonata, K 331.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Sigmund|Lebert}} (1821-1884)<br>{{LinkEd|William|Scharfenberg}} (1819-1895)
|Scanner=
|Image Type=Normal Scan
|Uploader=[[User:Feldmahler|Feldmahler]]
|Date Submitted=2006/2/19
|Publisher Information={{LinkWork|19 Sonatas for the Piano||Mozart|Wolfgang Amadeus|0}}, ''Sonata IX'' (pp.107-21)<br>{{P|Schirmer|G. Schirmer|New York||1893||11142}}
|Copyright=Public Domain
|Misc. Notes=editorial comments in English, German
}}
{{#fte:imslpfile
|File Name 1=PMLP586489-104_IMSLP363242-PMLP586489-sonataalbumtwent01lebe_bw.pdf
|File Name 2=PMLP01715-5_IMSLP363242-PMLP586489-sonataalbumtwent01lebe_bw.pdf
|File Description 1=Complete Score
|File Description 2=Cover
|Editor={{LinkEd|Sigmund|Lebert}} (1822-1884)<br>{{LinkEd|William|Scharfenberg}} (1819-1895)
|Image Type=Normal Scan
|Scanner={{IArchS|sonataalbumtwent01lebe#page/n104}}
|Uploader=[[User:Igor stravinsky|IS]]
|Date Submitted=2017/5/22
|Publisher Information={{LinkWork|19 Sonatas for the Piano||Mozart|Wolfgang Amadeus|0}}, ''Sonata IX''<br>{{P|Schirmer|G. Schirmer|New York||1893||11142}}
|Reprint={{BulowLebertAlbumSch|I|10|11142|96-111}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-KV_331.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Carl Adolf|Martienssen}} (1881-1955)<br>{{LinkEd|Wilhelm|Weismann}} (1900-1980)
|Image Type=Normal Scan
|Scanner={{Piano.ru}}
|Uploader=[[User:Worov|worov]]
|Date Submitted=2010/7/6
|Publisher Information=''Sonaten für Klavier zu zwei Händen'' (pp.166-82)<br>{{P|Edition Peters|C.F. Peters|Leipzig|n.d.(ca.1938)|||10817-10818}}{{Urtext}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart,_Wofgang_Amadeus-NMA_09_25_2_02_KV_331_scan.pdf
|File Name 2=PMLP01846-nma_197_14_27.pdf
|File Description 1=Complete Score (scan)
|File Description 2=Complete Score (DME)
|Editor={{LinkEd|Wolfgang|Plath}} (1930-1995)<br>{{LinkEd|Wolfgang|Rehm}} (1929-)
|Image Type=Normal Scan
|Scanner=Piupianissimo
|Scanner 2={{DME}}
|Uploader=[[User:Piupianissimo|Piupianissimo]]
|Uploader 2=[[User:Gcjdavid|Gcjdavid]]
|Date Submitted=2017/1/22
|Date Submitted 2=2016/6/7
|Publisher Information={{MozartNMA|IX|25|/2|Klaviersonaten, Bd.2|4601|1986|14-27}}
|Copyright=Public Domain
|Thumb Filename=TN-Mozart,_Wofgang_Amadeus-NMA_09_25_2_02_KV_331_scan.jpg
|Sample Filename=PV-Mozart,_Wofgang_Amadeus-NMA_09_25_2_02_KV_331_scan.jpg
|Misc. Notes={{PiupianissimoScanType|scan}}<br>DME: This file is mirrored from the [[Wolfgang Amadeus Mozart: Neue Mozart-Ausgabe|Neue Mozart-Ausgabe]].
}}
{{#fte:imslpfile
|File Name 1=PMLP1846-Mozart_Piano_Sonata_K_331_Budapest_Manuscript_(Aldo_Roberto_Pessolano)_corretto.pdf
|File Description 1=Incomplete Score (fragment)
|Editor={{LinkEd|Aldo Roberto|Pessolano|1997|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Aldo Roberto Pessolano|Aldo Roberto Pessolano]]
|Date Submitted=2018/3/27
|Publisher Information=Aldo Roberto Pessolano, 2018.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=Typeset of the Budapest manuscript, found in the spring of 2014. This typeset is as close as possible to the manuscript.
}}
====Rondo alla turca (No.3)====
{{#fte:imslpfile
|File Name 1=PMLP1846-OK201908291830.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Alessandro|Longo|1864|1945}}
|Image Type=Normal Scan
|Scanner=Jacopo Tore
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2019/11/29
|Publisher Information={{P|Curci||Milan||1940||E. 2359 C}}
|Copyright=Public Domain
|Misc. Notes=Renewed 1968 Reprint 1999
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart-RondoAllaTurca.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Drew|Weymouth}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Dweymouth|Dweymouth]]
|Date Submitted=2013/6/28
|Publisher Information=Drew Weymouth
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=Source - New York: G. Schirmer, 1893.
}}
{{#fte:imslpfile
|File Name 1=PMLP01846-Rondo_alla_Turca.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Debneil|Nag Chowdhury}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Debneil|Debneil]]
|Date Submitted=2016/1/4
|Publisher Information=Debneil Nag Chowdhury
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP1846-Ms_Mus_15289.pdf
|File Description 1=Incomplete Score (fragment)
|Editor=National Széchényi Library, Budapest (2014)
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Yuanyelele|Yuanyelele]]
|Date Submitted=2022/5/13
|Publisher Information=Manuscript, 1783.
|Copyright=Public Domain
|Thumb Filename=TN-PMLP1846-Ms_Mus_15289-7089.png
|Misc. Notes=https://mozart.oszk.hu
}}

===Arrangements and Transcriptions===
====Complete====
=====For Strings (Choe)=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Score_1_(etc).pdf
|File Name 2=PMLP1846-Vl1_1_(etc).pdf
|File Name 3=PMLP1846-Vl2_1_(etc).pdf
|File Name 4=PMLP1846-Va_1_(etc).pdf
|File Name 5=PMLP1846-Vc_1_(etc).pdf
|File Name 6=PMLP1846-Cb_1_(etc).pdf
|File Description 1=Complete Score
|File Description 2=Violins I
|File Description 3=Violins II
|File Description 4=Violas
|File Description 5=Cellos
|File Description 6=Basses
|Arranger={{LinkArr|Joshua|Choe||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:TradViolin|TradViolin]]
|Date Submitted=2021/9/15
|Publisher Information=Joshua Choe, 2020.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=[https://www.youtube.com/playlist?list=PLO4xN_gsnPdpsJPrCQA8zvRxhcGhr8oSQ YouTube playlist]
}}
=====For Flute and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Sheet_music_-_Mozart_-_Sonate_12_Thema_&_Variatins_-flute-_-Unlocked_by_www.freemypdf.com-.pdf
|File Description 1=Flute
|Arranger=Unidentified
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2017/8/26
|Publisher Information={{NoPubID}}
|Copyright=Public Domain
|Misc. Notes=Possibly for solo flute
}}
=====For 2 Violins=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Violin.pdf
|File Name 2=PMLP01846-Violin_II.pdf
|File Description 1=Violin 1
|File Description 2=Violin 2
|Editor=
|Image Type=Normal Scan
|Scanner=Kenny Choy
|Uploader=[[User:Notnd|Notnd]]
|Date Submitted=2009/7/11
|Publisher Information={{LinkWork|12 Duette, Op.70||Mozart|Wolfgang Amadeus|0}} (No.12)<br>{{P|Litolff||Braunschweig|n.d.[1894]|1894||1287}}
|Reprint={{P|International Music Company||New York|n.d.(ca.1950)|||}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Harp (Kastner)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-mozart-Sonate_facile_la_majeur.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Alfred|Kastner}} (1870-1948)
|Editor=
|Image Type=Normal Scan
|Scanner={{IArchS|sonatefacilelama00moza}}
|Uploader=[[User:Zeyarshwe|Zeyarshwe]]
|Date Submitted=2017/4/8
|Publisher Information={{P|Carl Simon||Berlin||1913||C.S. 3394}}
|Copyright=Public Domain
|Misc. Notes={{HarpArch}} From Pratt Harp Collection
}}
====Minuet (No.2)====
=====For 2 Violins=====
{{#fte:imslpfile
|File Name 1=PMLP386745-Mozart_Minuet_arr_Du.pdf
|File Description 1=Complete Parts
|Editor={{LinkEd|Georgy|Dulov}} (1875–1940)
|Image Type=Normal Scan
|Scanner={{RSL}}
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2012/6/28
|Publisher Information={{P|P. Jurgenson||Moscow||||31778}}
|Reprint={{P|Muzgiz||Moscow||1923||4608}}
|Copyright=Public Domain
|Thumb Filename=Dulov duets cov.jpg
|Misc. Notes=
}}
====Rondo: Alla Turca (No.3)====
=====For Orchestra (Pascal)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-586a-Mozart-MarcheTurque-00-Score.pdf
|File Name 2=PMLP01846-586a-Mozart-MarcheTurque-01-Flutes.pdf
|File Name 3=PMLP01846-586a-Mozart-MarcheTurque-02-Hautbois.pdf
|File Name 4=PMLP01846-586a-Mozart-MarcheTurque-03-Clarinettes.pdf
|File Name 5=PMLP01846-586a-Mozart-MarcheTurque-04-Bassons.pdf
|File Name 6=PMLP01846-586a-Mozart-MarcheTurque-05-Cors.pdf
|File Name 7=PMLP01846-586a-Mozart-MarcheTurque-06-Trompettes.pdf
|File Name 8=PMLP01846-586a-Mozart-MarcheTurque-07-Percussions.pdf
|File Name 9=PMLP01846-586a-Mozart-MarcheTurque-08-Violon1.pdf
|File Name 10=PMLP01846-586a-Mozart-MarcheTurque-09-Violon2.pdf
|File Name 11=PMLP01846-586a-Mozart-MarcheTurque-10-Alto.pdf
|File Name 12=PMLP01846-586a-Mozart-MarcheTurque-11-Basses.pdf
|File Description 1=Complete Score
|File Description 2=Flute 1/2, Piccolo
|File Description 3=Oboe 1/2
|File Description 4=Clarinet 1/2 (A)
|File Description 5=Bassoon 1/2
|File Description 6=Horn 1/2 (C)
|File Description 7=Trumpet 1/2 (D)
|File Description 8=Triangle, Cymbals, Bass drum
|File Description 9=Violins I
|File Description 10=Violins II
|File Description 11=Violas
|File Description 12=Cellos/Basses
|Page Count 2=3 (1, 1, 1)
|Page Count 8=3 (1, 1, 1)
|Arranger={{LinkArr|Prosper|Pascal}} (1825-1880)
|Editor=
|Image Type=Normal Scan
|Scanner=Philhar
|Uploader=[[User:Philhar|Philhar]]
|Date Submitted=2018/2/5
|Publisher Information={{P|Girod|E. Girod|Paris||1859||E.G. 4190}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Strings (Karaca)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Alla_Turca.pdf
|File Name 2=PMLP01846-Alla_Turca_-_Violin_I.pdf
|File Name 3=PMLP01846-Alla_Turca_-_Violin_II.pdf
|File Name 4=PMLP01846-Alla_Turca_-_Viola.pdf
|File Name 5=PMLP01846-Alla_Turca_-_Cello.pdf
|File Name 6=PMLP01846-Alla_Turca_-_Contrabass.pdf
|File Description 1=Complete Score
|File Description 2=Violins I
|File Description 3=Violins II
|File Description 4=Violas
|File Description 5=Cellos
|File Description 6=Basses
|Arranger={{LinkArr|Tolga|Karaca}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Tkaraca|Tkaraca]]
|Date Submitted=2011/12/28
|Publisher Information=Tolga Karaca
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Flute, Oboe, Clarinet, Bassoon, Horn and Trumpet (De Bree)=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Rondo_alla_turca-Partituur_en_partijen.pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Robert Saoirse|De Bree||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Robertdebree|Robertdebree]]
|Date Submitted=2020/3/1
|Publisher Information=Robert Saoirse De Bree, 2019.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=parts included
}}
=====For 4 Saxophones (Larocque)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Sonate_No_11-Alla_Turca_Compl_Score.pdf
|File Name 2=PMLP01846-Sonate_No_11-Alla_Turca_Sop.pdf
|File Name 3=PMLP01846-Sonate_No_11-Alla_Turca_Alt.pdf
|File Name 4=PMLP01846-Sonate_No_11-Alla_Turca_Ten.pdf
|File Name 5=PMLP01846-Sonate_No_11-Alla_Turca_Bar.pdf
|File Description 1=Complete Score
|File Description 2=Soprano Saxophone (B{{flat}})
|File Description 3=Alto Saxophone (E{{flat}})
|File Description 4=Tenor Saxophone (B{{flat}})
|File Description 5=Baritone Saxophone (E{{flat}})
|Arranger={{LinkArr|Jacques|Larocque}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Larocque|Larocque]]
|Date Submitted=2012/9/2
|Publisher Information=Saint-Maurice, QC: Productions du Moliantegok, 2009. Moli 242023
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes=Those files are part of Moliantegok Catalogue for saxophone
}}
=====*For String Quartet (Gruenberg)=====
{{Crossref|{{LinkWork|String Quartet Album||Gruenberg|Eugene|0}}, ''Vol.1''}}
=====*For String Quartet=====
{{Crossref|[[Gesammelte Werke der Weltmusik, Vol.82 (Various)|''Gesammelte Werke der Weltmusik, Vol.82'' (No.17)]]}}
=====For 2 Violins and Piano=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Piano.pdf
|File Name 2=PMLP01846-Violin_1.pdf
|File Name 3=PMLP01846-Violin_2.pdf
|File Description 1=Complete Score
|File Description 2=Violin 1
|File Description 3=Violin 2
|Editor={{LinkEd|Gustav|Saenger}} (1865-1935)
|Image Type=Normal Scan
|Scanner=Colin
|Uploader=[[User:Tsillec|Tsillec]]
|Date Submitted=2013/8/13
|Publisher Information={{P|Carl Fischer||New York||1899||5308}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Piano 6 Hands (Vilbac)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart-Vilbac_-_Rondo_alla_turca_-_ARRpf6h-BDH.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Renaud de|Vilbac}} (1829-1884)
|Editor=
|Image Type=Normal Scan
|Scanner={{BDH|bnesearch/detalle/bdh0000073229}}
|Uploader=[[User:Massenetique|Massenetique]]
|Date Submitted=2015/4/29
|Publisher Information={{P|Heugel||Paris|n.d.[1874]|1874||H.5620}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Violin or Mandolin and Piano (Munier)=====
{{#fte:imslpfile
|File Name 1=PMLP1846-Pf-Marcia_Turca.pdf
|File Name 2=PMLP1846-M-Marcia_Turca.pdf
|File Description 1=Complete Score
|File Description 2=Violin/Mandolin Part
|Arranger={{LinkArr|Carlo|Munier|1859|1911}}
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Yasuhiko Nakamura|Yasuhiko Nakamura]]
|Date Submitted=2021/1/23
|Publisher Information={{P||R.Maurri|Firenze||||798}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Violin and Piano (Cerne)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Cerne_Mozart_Piano.pdf
|File Name 2=PMLP01846-Cerne_Mozart_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin
|Arranger={{LinkArr|Charles|Cerné}} (1897-1943)
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2014/10/29
|Publisher Information=[[Repertoire Příhoda (Cerné, Charles)|Repertoire Příhoda No.1]]<br> {{p|Fürstner|Adolph Fürstner|Berlin||1926||A. 7520 F}}
|Copyright=Public Domain
|Misc. Notes=Recorded by Prihoda and Cerne.
}}
=====For Cello and Piano (Cassadó)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Mozart-Cassado_-_Alla_Turca_KLV.pdf
|File Name 2=PMLP01846-Mozart-Cassado_-_Alla_Turca_VLC.pdf
|File Description 1=Complete Score
|File Description 2=Cello
|Arranger={{LinkArr|Gaspar|Cassadó}} (1897-1966)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2017/1/2
|Publisher Information={{P|International Music Company||New York||1948||||}}
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Piano 4 hands (Horn)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-mozarthorn.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|August|Horn}} (1825-1893)
|Image Type=Normal Scan
|Scanner=Rob Peters
|Uploader=[[User:Rob Peters|Rob Peters]]
|Date Submitted=2013/5/31
|Publisher Information=Leipzig: {{NoPubID|1880}}
|Reprint={{P||Edition Heuwekemeijer|Amsterdam|||27|1969}} (with spurious copyright claim).
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Piano 4 hands (Toker)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Marcia_Alla_Turca_(Mozart)_4-hand_piano_arrangement_by_Hakan_A._Toker.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hakan Ali|Toker}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Htoker|Htoker]]
|Date Submitted=2015/1/29
|Publisher Information=Hakan Ali Toker
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
=====For Flute (Palazzani)=====
{{#fte:imslpfile
|File Name 1=WIMA.1149-allaTurca-soloFlute.pdf
|File Name 2=WIMA.b7ed-allaTurca-soloFlute.zip
|File Description 1=Complete Score
|File Description 2=Engraving files (Encore)
|Editor={{LinkArr|Alessandro|Palazzani}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/3
|Publisher Information=Alessandro Palazzani
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Violin (Nag Chowdhury)=====
{{#fte:imslpfile
|File Name 1=PMLP01846-Rondo_Alla_Turca_For_Violin.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Debneil|Nag Chowdhury}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Debneil|Debneil]]
|Date Submitted=2016/1/9
|Publisher Information=Debneil Nag Chowdhury
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=Playing dyads on a violin can be tough; if so, start out with just the higher notes of the two.
}}

===Sketches and Drafts===
====Tema con variazione (No.1) and Menuetto (No.2)====
{{#fte:imslpfile
|File Name 1=PMLP1846-Mozart_-_Clavier_Sonata_in_A_Major_K331_-Ms_Mus_15._289,_autograph-.pdf
|File Description 1=Fragment
|Editor=
|Image Type=Manuscript Scan
|Scanner=[https://mozart.oszk.hu/index_en.html H-Bn]
|Uploader=[[User:Irishmaestro|Irishmaestro]]
|Date Submitted=2019/1/31
|Publisher Information={{MssAu|17||83}}?
|Copyright=Public Domain
|Misc. Notes=This fragment begins with Variation 3 of first movement and ends with bar 10 of the Trio of the second movement. A single bifolio, most likely originally forming f.2-3 of 5.
}}
====Rondo alla turca (No.3)====
{{#fte:imslpfile
|File Name 1=PMLP1846-MozartSonata11Autograph.pdf
|File Description 1=Fragment
|Editor=
|Image Type=Manuscript Scan
|Scanner=Brodie
|Uploader=[[User:Brodie h|Brodie h]]
|Date Submitted=2021/12/29
|Publisher Information={{MssAu|17||83}}
|Copyright=Public Domain
|Misc. Notes=Contains the last page of the Rondo Alla Turca with some markings.
}}

| *****WORK INFO*****

|Work Title=Piano Sonata No.11
|Alternative Title=Alla Turca
|Opus/Catalogue Number=K.331 ; {{K6|300i}} ; Op.6 No.2
|Key={{Key|A}}
|Movements Header=3 movements
|Number of Movements/Sections=3 movements:
#Tema con variazione
#Menuetto & trio
#Alla Turca
|Dedication=
|Year/Date of Composition=1783?
|Year of First Publication=1784 (ca.?)
|Librettist=
|Language=
|Piece Style=Classical
|External Links=[[wikipedia:Piano Sonata No. 11 (Mozart)|Wikipedia article]]<br/>{{NMAfs|197|14}}<br/>{{NMArpt|198|87}}
|Instrumentation=piano
|Tags=sonatas ; pf

| *****COMMENTS***** =

{{Piano Sonatas (Mozart, Wolfgang Amadeus)}}
{{Bluefatbox|title=See Also|body=<center>[[List of Intermediate Piano Repertoire]]</center>}}
| *****END OF TEMPLATE***** }}

File:TN-PMLP1846-Ms Mus 15289-7089.png

2022-05-13T14:40:28Z

Yuanyelele:

File:PMLP1846-Ms Mus 15289.pdf

2022-05-13T14:40:27Z

Yuanyelele:

List of works by Joseph Haydn

2013-09-07T04:01:12Z

Yuanyelele:

{{worklist|Haydn, Joseph}}
==Hoboken==
===Hob.I (1-108) Symphonies===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Symphony Hob.I:1, D major (Haydn, Joseph)|Hob.I:1]]
|
|
| 1759?
| D major
|
|-
| [[Symphony Hob.I:2, C major (Haydn, Joseph)|Hob.I:2]]
|
|
| 1764
| C major
|
|-
| [[Symphony Hob.I:3, G major (Haydn, Joseph)|Hob.I:3]]
|
|
| 1762
| G major
|
|-
| [[Symphony Hob.I:4, D major (Haydn, Joseph)|Hob.I:4]]
|
|
| 1762
| D major
|
|-
| [[Symphony Hob.I:5, A major (Haydn, Joseph)|Hob.I:5]]
|
|
| 1762
| A major
|
|-
| [[Symphony Hob.I:6, D major (Haydn, Joseph)|Hob.I:6]]
| “Le Matin”
|
| 1761
| D major
|
|-
| [[Symphony Hob.I:7, C major (Haydn, Joseph)|Hob.I:7]]
| “Le Midi”
|
| 1761?
| C major
|
|-
| [[Symphony Hob.I:8, G major (Haydn, Joseph)|Hob.I:8]]
| “Le Soir”
|
| 1761?
| G major
|
|-
| [[Symphony Hob.I:9, C major (Haydn, Joseph)|Hob.I:9]]
|
|
| 1762
| C major
|
|-
| [[Symphony Hob.I:10, D major (Haydn, Joseph)|Hob.I:10]]
|
|
| 1760
| D major
|
|-
| [[Symphony Hob.I:11, E flat major (Haydn, Joseph)|Hob.I:11]]
|
|
| 1761
| E{{flat}} major
|
|-
| [[Symphony Hob.I:12, E major (Haydn, Joseph)|Hob.I:12]]
|
|
| 1763
| E major
|
|-
| [[Symphony Hob.I:13, D major (Haydn, Joseph)|Hob.I:13]]
|
|
| 1763
| D major
|
|-
| [[Symphony Hob.I:14, A major (Haydn, Joseph)|Hob.I:14]]
|
|
| 1764
| A major
|
|-
| [[Symphony Hob.I:15, D major (Haydn, Joseph)|Hob.I:15]]
|
|
| 1764
| D major
|
|-
| [[Symphony Hob.I:16, B flat major (Haydn, Joseph)|Hob.I:16]]
|
|
| 1763
| B{{flat}} major
|
|-
| [[Symphony Hob.I:17, F major (Haydn, Joseph)|Hob.I:17]]
|
|
| 1760-61
| F major
|
|-
| [[Symphony Hob.I:18, G major (Haydn, Joseph)|Hob.I:18]]
|
|
| 1757-59
| G major
|
|-
| [[Symphony Hob.I:19, D major (Haydn, Joseph)|Hob.I:19]]
|
|
| 1759-60
| D major
|
|-
| [[Symphony Hob.I:20, C major (Haydn, Joseph)|Hob.I:20]]
|
|
| 1757/63?
| C major
|
|-
| [[Symphony Hob.I:21, A major (Haydn, Joseph)|Hob.I:21]]
|
|
| 1764
| A major
|
|-
| [[Symphony Hob.I:22, E flat major (Haydn, Joseph)|Hob.I:22]]
| “The Philosopher”
|
| 1764
| E{{flat}} major
|
|-
| [[Symphony Hob.I:23, G major (Haydn, Joseph)|Hob.I:23]]
|
|
| 1764
| G major
|
|-
| [[Symphony Hob.I:24, D major (Haydn, Joseph)|Hob.I:24]]
|
|
| 1764
| D major
|
|-
| [[Symphony Hob.I:25, C major (Haydn, Joseph)|Hob.I:25]]
|
|
| 1760/64?
| C major
|
|-
| [[Symphony Hob.I:26, D minor (Haydn, Joseph)|Hob.I:26]]
| “Lamentatione”
|
| 1768?
| D minor
|
|-
| [[Symphony Hob.I:27, G major (Haydn, Joseph)|Hob.I:27]]
|
|
| 1760?
| G major
|
|-
| [[Symphony Hob.I:28, A major (Haydn, Joseph)|Hob.I:28]]
|
|
| 1765
| A major
|
|-
| [[Symphony Hob.I:29, E major (Haydn, Joseph)|Hob.I:29]]
|
|
| 1765
| E major
|
|-
| [[Symphony Hob.I:30, C major (Haydn, Joseph)|Hob.I:30]]
| “Alleluja”
|
| 1765
| C major
|
|-
| [[Symphony Hob.I:31, D major (Haydn, Joseph)|Hob.I:31]]
| “Hornsignal”
|
| 1765
| D major
|
|-
| [[Symphony Hob.I:32, C major (Haydn, Joseph)|Hob.I:32]]
|
|
| 1760?
| C major
|
|-
| [[Symphony Hob.I:33, C major (Haydn, Joseph)|Hob.I:33]]
|
|
| 1760?
| C major
|
|-
| [[Symphony Hob.I:34, D minor (Haydn, Joseph)|Hob.I:34]]
|
|
| 1766?
| D minor
|
|-
| [[Symphony Hob.I:35, B flat major (Haydn, Joseph)|Hob.I:35]]
|
|
| 1767
| B{{flat}} major
|
|-
| [[Symphony Hob.I:36, E flat major (Haydn, Joseph)|Hob.I:36]]
|
|
| 1761/65?
| E{{flat}} major
|
|-
| [[Symphony Hob.I:37, C major (Haydn, Joseph)|Hob.I:37]]
|
|
| 1757/61?
| C major
|
|-
| [[Symphony Hob.I:38, C major (Haydn, Joseph)|Hob.I:38]]
| “The Echo”
|
| 1766/68?
| C major
|
|-
| [[Symphony Hob.I:39, G minor (Haydn, Joseph)|Hob.I:39]]
| “Tempesta di mare”
|
| 1768?
| G minor
|
|-
| [[Symphony Hob.I:40, F major (Haydn, Joseph)|Hob.I:40]]
|
|
| 1763
| F major
|
|-
| [[Symphony Hob.I:41, C major (Haydn, Joseph)|Hob.I:41]]
|
|
| 1769?
| C major
|
|-
| [[Symphony Hob.I:42, D major (Haydn, Joseph)|Hob.I:42]]
|
|
| 1771
| D major
|
|-
| [[Symphony Hob.I:43, E flat major (Haydn, Joseph)|Hob.I:43]]
| “Mercury”
|
| 1771?
| E{{flat}} major
|
|-
| [[Symphony Hob.I:44, E minor (Haydn, Joseph)|Hob.I:44]]
| “Trauer”
|
| 1770-71
| E minor
|
|-
| [[Symphony Hob.I:45, F sharp minor (Haydn, Joseph)|Hob.I:45]]
| “Farewell”
|
| 1772
| F{{sharp}} minor
|
|-
| [[Symphony Hob.I:46, B major (Haydn, Joseph)|Hob.I:46]]
|
|
| 1772
| B major
|
|-
| [[Symphony Hob.I:47, G major (Haydn, Joseph)|Hob.I:47]]
| “Palindrome”
|
| 1772
| G major
|
|-
| [[Symphony Hob.I:48, C major (Haydn, Joseph)|Hob.I:48]]
| “Maria Theresia”
|
| 1769?
| C major
|
|-
| [[Symphony Hob.I:49, F minor (Haydn, Joseph)|Hob.I:49]]
| “La Passione”
|
| 1768
| F minor
|
|-
| [[Symphony Hob.I:50, C major (Haydn, Joseph)|Hob.I:50]]
|
|
| 1773
| C major
|
|-
| [[Symphony Hob.I:51, B flat major (Haydn, Joseph)|Hob.I:51]]
|
|
| 1771/73?
| B{{flat}} major
|
|-
| [[Symphony Hob.I:52, C minor (Haydn, Joseph)|Hob.I:52]]
|
|
| 1771/73?
| C minor
|
|-
| [[Symphony Hob.I:53, D major (Haydn, Joseph)|Hob.I:53]]
| “L’Impériale”
|
| 1777/79?
| D major
|
|-
| [[Symphony Hob.I:54, G major (Haydn, Joseph)|Hob.I:54]]
|
|
| 1774
| G major
|
|-
| [[Symphony Hob.I:55, E flat major (Haydn, Joseph)|Hob.I:55]]
| “Schoolmaster”
|
| 1774
| E{{flat}} major
|
|-
| [[Symphony Hob.I:56, C major (Haydn, Joseph)|Hob.I:56]]
|
|
| 1774
| C major
|
|-
| [[Symphony Hob.I:57, D major (Haydn, Joseph)|Hob.I:57]]
|
|
| 1774
| D major
|
|-
| [[Symphony Hob.I:58, F major (Haydn, Joseph)|Hob.I:58]]
|
|
| 1766-68?
| F major
|
|-
| [[Symphony Hob.I:59, A major (Haydn, Joseph)|Hob.I:59]]
| “Fire”
|
| 1766-68?
| A major
|
|-
| [[Symphony Hob.I:60, C major (Haydn, Joseph)|Hob.I:60]]
| “Il distratto”
|
| 1774
| C major
|
|-
| [[Symphony Hob.I:61, D major (Haydn, Joseph)|Hob.I:61]]
|
|
| 1776
| D major
|
|-
| [[Symphony Hob.I:62, D major (Haydn, Joseph)|Hob.I:62]]
|
|
| 1780?
| D major
|
|-
| [[Symphony Hob.I:63, C major (Haydn, Joseph)|Hob.I:63]]
| “La Roxelane”
|
| 1777?
| C major
|
|-
| [[Symphony Hob.I:64, A major (Haydn, Joseph)|Hob.I:64]]
| “Tempora mutantur”
|
| 1773?
| A major
|
|-
| [[Symphony Hob.I:65, A major (Haydn, Joseph)|Hob.I:65]]
|
|
| 1771/73?
| A major
|
|-
| [[Symphony Hob.I:66, B flat major (Haydn, Joseph)|Hob.I:66]]
|
|
| 1779?
| B{{flat}} major
|
|-
| [[Symphony Hob.I:67, F major (Haydn, Joseph)|Hob.I:67]]
|
|
| 1779?
| F major
|
|-
| [[Symphony Hob.I:68, B flat major (Haydn, Joseph)|Hob.I:68]]
|
|
| 1779?
| B{{flat}} major
|
|-
| [[Symphony Hob.I:69, C major (Haydn, Joseph)|Hob.I:69]]
| “Laudon”
|
| 1779?
| C major
|
|-
| [[Symphony Hob.I:70, D major (Haydn, Joseph)|Hob.I:70]]
|
|
| 1779?
| D major
|
|-
| [[Symphony Hob.I:71, B flat major (Haydn, Joseph)|Hob.I:71]]
|
|
| 1780?
| B{{flat}} major
|
|-
| [[Symphony Hob.I:72, D major (Haydn, Joseph)|Hob.I:72]]
|
|
| 1763-65?
| D major
|
|-
| [[Symphony Hob.I:73, D major (Haydn, Joseph)|Hob.I:73]]
| “La Chasse”
|
| 1782?
| D major
|
|-
| [[Symphony Hob.I:74, E flat major (Haydn, Joseph)|Hob.I:74]]
|
|
| 1781?
| E{{flat}} major
|
|-
| [[Symphony Hob.I:75, D major (Haydn, Joseph)|Hob.I:75]]
|
|
| 1781?
| D major
|
|-
| [[Symphony Hob.I:76, E flat major (Haydn, Joseph)|Hob.I:76]]
|
|
| 1782?
| E{{flat}} major
|
|-
| [[Symphony Hob.I:77, B flat major (Haydn, Joseph)|Hob.I:77]]
|
|
| 1782?
| B{{flat}} major
|
|-
| [[Symphony Hob.I:78, C minor (Haydn, Joseph)|Hob.I:78]]
|
|
| 1782?
| C minor
|
|-
| [[Symphony Hob.I:79, F major (Haydn, Joseph)|Hob.I:79]]
|
|
| 1784?
| F major
|
|-
| [[Symphony Hob.I:80, D minor (Haydn, Joseph)|Hob.I:80]]
|
|
| 1784?
| D minor
|
|-
| [[Symphony Hob.I:81, G major (Haydn, Joseph)|Hob.I:81]]
|
|
| 1784?
| G major
|
|-
| [[Symphony Hob.I:82, C major (Haydn, Joseph)|Hob.I:82]]
| “L’Ours”
|
| 1786
| C major
| Paris
|-
| [[Symphony Hob.I:83, G minor (Haydn, Joseph)|Hob.I:83]]
| “La Poule”
|
| 1785
| G minor
| Paris
|-
| [[Symphony Hob.I:84, E flat major (Haydn, Joseph)|Hob.I:84]]
|
|
| 1786
| E{{flat}} major
| Paris
|-
| [[Symphony Hob.I:85, B flat major (Haydn, Joseph)|Hob.I:85]]
| “La Reine”
|
| 1785-86
| B{{flat}} major
| Paris
|-
| [[Symphony Hob.I:86, D major (Haydn, Joseph)|Hob.I:86]]
|
|
| 1786
| D major
| Paris
|-
| [[Symphony Hob.I:87, A major (Haydn, Joseph)|Hob.I:87]]
|
|
| 1785
| A major
| Paris
|-
| [[Symphony Hob.I:88, G major (Haydn, Joseph)|Hob.I:88]]
|
|
| 1787?
| G major
|
|-
| [[Symphony Hob.I:89, F major (Haydn, Joseph)|Hob.I:89]]
|
|
| 1787
| F major
|
|-
| [[Symphony Hob.I:90, C major (Haydn, Joseph)|Hob.I:90]]
|
|
| 1788
| C major
|
|-
| [[Symphony Hob.I:91, E flat major (Haydn, Joseph)|Hob.I:91]]
|
|
| 1788
| E{{flat}} major
|
|-
| [[Symphony Hob.I:92, G major (Haydn, Joseph)|Hob.I:92]]
| “Oxford”
|
| 1789
| G major
|
|-
| [[Symphony Hob.I:93, D major (Haydn, Joseph)|Hob.I:93]]
|
|
| 1791
| D major
| London No.2
|-
| [[Symphony Hob.I:94, G major (Haydn, Joseph)|Hob.I:94]]
| “Surprise”
|
| 1791
| G major
| London No. 3
|-
| [[Symphony Hob.I:95, C minor (Haydn, Joseph)|Hob.I:95]]
|
|
| 1791
| C minor
| London No.5
|-
| [[Symphony Hob.I:96, D major (Haydn, Joseph)|Hob.I:96]]
| “The Miracle”
|
| 1791
| D major
| London No.6
|-
| [[Symphony Hob.I:97, C major (Haydn, Joseph)|Hob.I:97]]
|
|
| 1792
| C major
| London No. 1
|-
| [[Symphony Hob.I:98, B flat major (Haydn, Joseph)|Hob.I:98]]
|
|
| 1792
| B{{flat}} major
| London No. 4
|-
| [[Symphony Hob.I:99, E flat major (Haydn, Joseph)|Hob.I:99]]
|
|
| 1793
| E{{flat}} major
| London No. 10
|-
| [[Symphony Hob.I:100, G major (Haydn, Joseph)|Hob.I:100]]
| “Military”
|
| 1794
| G major
| London No. 12
|-
| [[Symphony Hob.I:101, D major (Haydn, Joseph)|Hob.I:101]]
| “The Clock”
|
| 1794
| D major
| London No.11
|-
| [[Symphony Hob.I:102, B flat major (Haydn, Joseph)|Hob.I:102]]
|
|
| 1794
| B{{flat}} major
| London No.9
|-
| [[Symphony Hob.I:103, E flat major (Haydn, Joseph)|Hob.I:103]]
| “Drum-roll”
|
| 1795
| E{{flat}} major
| London No.8
|-
| [[Symphony Hob.I:104, D major (Haydn, Joseph)|Hob.I:104]]
| “London”
|
| 1795
| D major
| London No.7
|-
| [[Concertante Hob.I:105, B flat major (Haydn, Joseph)|Hob.I:105]]
| Concertante
|
| 1792
| B{{flat}} major
|
|-
| Hob.I:106
| lost
|
|
|
|
|-
| [[Symphony Hob.I:107, B flat major (Haydn, Joseph)|Hob.I:107]]
| “A”
|
| 1757/61?
| B{{flat}} major
|
|-
| [[Symphony Hob.I:108, B flat major (Haydn, Joseph)|Hob.I:108]]
| “B”
|
| 1757/61?
| B{{flat}} major
|
|}

===Hob.Ia (1-16) Ouvertures===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| Hob.Ia:1
| L'infedelta delusa
| Strings, flute, 2 oboes, bassoon, 2 horns (and kettledrums?)
| ca. 1769-73
| C major
| see also: Hob. XXVIII:5
|-
| Hob.Ia:2
| Il Ritorno di Tobia
| Strings, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, kettledrums
| 1774
| C major
| see also: Hob. XXI:1
|-
| Hob.Ia:3
| L'Anima del Filosofo
| Orchestra
| 1794 ?
| C major
| see also: Hob. XXVIII:13
|-
| Hob.Ia:4
| Overture
| Strings, flute, 2 oboes, 2 bassoons, 2 horns
| 1776-85
| D major
|
|-
| Hob.Ia:5
| Acide e Galatea
| Strings, 2 oboes, 2 horns
| 1762
| D major
| see also: Hob. XXVIII:1
|-
| [[L%27incontro_improvviso_(Haydn,_Joseph)|Hob.Ia:6]]
| L'incontro improvviso
| 2 violins, viola, violoncello solo, bass, 2 oboes, bassoon, 2 horns, 2 trumpets, kettledrum, drum, cymbal
| 1782
| D major
| see also: Hob. XXVIII:6
|-
| Hob.Ia:7
| Overture
| Strings, 2 oboes, 2 bassoons, 2 horns
| 1777
| D major
| alternate finale of Symphoy No. 53
|-
| Hob.Ia:7 bis
| Overture
| Strings, 2 oboes, 2 bassoons, 2 horns
| 1777
| D major
| a malapropism of overture Hob. Ia:7
|-
| Hob.Ia:8
| Philemon and Baucis
| Strings, 2 oboes, 2 Horns
| 1773
| D major
| see also: Hob. XXIX:2
|-
| Hob.Ia:9
| King Lear
| Strings, 2 flutes, 2 bassoons, 2 horns
| ?
| E{{flat}} major
| Composed by W. G. Stegmann
|-
| Hob.Ia:10
| Lo Speziale
| Strings, flute, 2 Oboes, bassoon, 2 horns
| 1782
| G major
| Some sources list this work as overture of "La vera costanza".
|-
| Hob.Ia:11
| La Fedeltà premiata
| Orchestra
| 1780
| G major
| Prelude to the entrance choir of the first act of the opera „La Fedeltà premiata” - see also: Hob. XXVIII:10
|-
| Hob.Ia:12
| Il Mondo della Luna
| Orchestra
| 1777
| G minor
| Prelude of the third act of the opera "Il mondo della Luna" - see also: Hob. XXVIII:7
|-
| Hob.Ia:13
| L'Isola disabitata
| Strings, flute, 2 oboes, bassoon, 2 horns
| 1779
| G minor
| see also: Hob. XXVIII:9
|-
| Hob.Ia:14
| Armida
| Strings, flute, 2 oboes, 2 bassoons, 2 horns
| 1783
| B{{flat}} major
| see also: Hob. XXVIII:13
|-
| Hob.Ia:15
| La vera Costanza
| Strings, 2 oboes, bassoon, 2 horns
| 1777
| B{{flat}} major
| see also: Hob. XXVIII:8
|-
| Hob.Ia:16
| Orlando Paladino
| Strings, 2 Oboes, bassoon, 2 horns
| 1782
| B{{flat}} major
| see also: Hob. XXVIII:13
|-
| Hob.Ia:17
| La Fedeltà premiata
| Strings, flute, 2 oboes, bassoon, 2 horns or trumpets, kettledrum
| 1780
| -
| see also: Hob. XXVIII:10
|-
| Hob.Ia:C1
| Overture
| Orchestra
| ?
| C major
|
|-
| Hob.Ia:C2
| Overture
| Orchestra
| ?
| C major
|
|-
| Hob.Ia:D1
| Overture
| Orchestra
| ?
| D major
|
|-
| Hob.Ia:D2
| Overture
| Orchestra
| ?
| D major
|
|-
| Hob.Ia:D3
| Overture
| Orchestra
| ?
| D major
|
|-
| Hob.Ia:D4
| Overture
|
| ?
| D major
| Fragment of a cantata, title "D'onora al piede pongansi"
|}

===Hob.II (1-47) Divertimentos in 4 and more Parts===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| Hob.II:1
|
| Strings
| ca. 1769-73
| C major
|
|-
| [[Divertimento in G major, Hob.II:3 (Haydn, Joseph)|Hob.II:3]]
|
| 2 Ob, 2 Hn, 2 Bsn
| 1760
| G major
|
|-
| [[Divertimento in E-flat major, Hob.II:6 (Haydn, Joseph)|Hob.II:6]]
|
| Strings
| before 1765
| E-flat major
|
|-
| [[Divertimento in C major, Hob.II:7 (Haydn, Joseph)|Hob.II:7]]
|
| 2 Ob, 2 Hn, 2 Bsn
| ?
| C major
|
|-
| [[Divertimento in C major, Hob.II:11 (Haydn, Joseph)|Hob.II:11]]
|
| Flute, oboe, 2 violins, cello, bass
| before 1754
| C major
|
|-
| [[Divertimento in C major, Hob.II:14 (Haydn, Joseph)|Hob.II:14]]
|
| 2 Cl, 2 Hn
| 1766
| C major
|
|-
| [[Divertimento in F major, Hob.II:15 (Haydn, Joseph)|Hob.II:15]]
|
| 2 Ob, 2 Hn, 2 Bsn
| 1760
| F major
|
|-
| [[Divertimento in F major, Hob.II:23 (Haydn, Joseph)|Hob.II:23]]
|
| 2 Ob, 2 Hn, 2 Bsn
| before 1765
| F major
|
|-
| [[Notturno No.8, Hob.II:27, G major (Haydn, Joseph)|Hob.II:27]]
| Notturno No.8
| Orchestra
| 1786
| G major
|
|-
| [[Echo, Hob.II:39 (Haydn, Joseph)|Hob.II:39]]
| "Echo"
| 4 Vl, 2 Vcl
| 1761
| E-flat major
|
|-
| [[Divertimento in B-flat major, Hob.II:46 (Haydn, Joseph)|Hob.II:46]]
|
| 2 Ob, 2Hn, 3 Bsn, Contrabsn
| before 1782
| B-flat major
|
|-
| [[6 Flute Quartets, Op.5 (Haydn, Joseph)|Hob.II:D9]]
|
| Strings
| ?
| D major
|
|-
| [[6 Flute Quartets, Op.5 (Haydn, Joseph)|Hob.II:D10]]
|
| Strings
| ?
| D major
|
|-
| [[6 Flute Quartets, Op.5 (Haydn, Joseph)|Hob.II:D11]]
|
| Strings
| ?
| D major
|
|-
| [[6 Flute Quartets, Op.5 (Haydn, Joseph)|Hob.II:G4]]
|
| Strings
| ?
| G major
|
|}

===Hob.III (1-83b) String Quartets===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[String Quartets, Op.1 (Haydn, Joseph)|Hob.III:1]]
| “La chasse”
| Strings
|
| B-flat major
| 6 String Quartets, Op.1 No. 1
|-
| [[String Quartets, Op.1 (Haydn, Joseph)|Hob.III:2]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.1 No. 2
|-
| [[String Quartets, Op.1 (Haydn, Joseph)|Hob.III:3]]
|
| Strings
|
| D major
| 6 String Quartets, Op.1 No. 3
|-
| [[String Quartets, Op.1 (Haydn, Joseph)|Hob.III:4]]
|
| Strings
|
| G major
| 6 String Quartets, Op.1 No. 4
|-
| [[String Quartets, Op.1 (Haydn, Joseph)|Hob.III:5]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.1 No. 5
|-
| [[String Quartets, Op.1 (Haydn, Joseph)|Hob.III:6]]
|
| Strings
|
| C major
| 6 String Quartets, Op.1 No. 6
|-
| [[String Quartets, Op.2 (Haydn, Joseph)|Hob.III:7]]
|
| Strings
|
| A major
| 6 String Quartets, Op.2 No. 1
|-
| [[String Quartets, Op.2 (Haydn, Joseph)|Hob.III:8]]
|
| Strings
|
| E major
| 6 String Quartets, Op.2 No. 2
|-
| [[String Quartets, Op.2 (Haydn, Joseph)|Hob.III:9]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.2 No. 3
|-
| [[String Quartets, Op.2 (Haydn, Joseph)|Hob.III:10]]
|
| Strings
|
| F major
| 6 String Quartets, Op.2 No. 4
|-
| [[String Quartets, Op.2 (Haydn, Joseph)|Hob.III:11]]
|
| Strings
|
| D major
| 6 String Quartets, Op.2 No. 5
|-
| [[String Quartets, Op.2 (Haydn, Joseph)|Hob.III:12]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.2 No. 6
|-
| [[String Quartets, Op.3 (Haydn, Joseph)|Hob.III:13]]
|
| Strings
|
| E minor
| 6 String Quartets, Op.3 No. 1
|-
| [[String Quartets, Op.3 (Haydn, Joseph)|Hob.III:14]]
|
| Strings
|
| C major
| 6 String Quartets, Op.3 No. 2
|-
| [[String Quartets, Op.3 (Haydn, Joseph)|Hob.III:15]]
|
| Strings
|
| G major
| 6 String Quartets, Op.3 No. 3
|-
| [[String Quartets, Op.3 (Haydn, Joseph)|Hob.III:16]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.3 No. 4
|-
| [[String Quartets, Op.3 (Haydn, Joseph)|Hob.III:17]]
|
| Strings
|
| F major
| 6 String Quartets, Op.3 No. 5
|-
| [[String Quartets, Op.3 (Haydn, Joseph)|Hob.III:18]]
|
| Strings
|
| A major
| 6 String Quartets, Op.3 No. 6
|-
| [[String Quartets, Op.9 (Haydn, Joseph)|Hob.III:19]]
|
| Strings
|
| C major
| 6 String Quartets, Op.9 No. 1
|-
| [[String Quartets, Op.9 (Haydn, Joseph)|Hob.III:20]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.9 No. 2
|-
| [[String Quartets, Op.9 (Haydn, Joseph)|Hob.III:21]]
|
| Strings
|
| G major
| 6 String Quartets, Op.9 No. 3
|-
| [[String Quartets, Op.9 (Haydn, Joseph)|Hob.III:22]]
|
| Strings
|
| D minor
| 6 String Quartets, Op.9 No. 4
|-
| [[String Quartets, Op.9 (Haydn, Joseph)|Hob.III:23]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.9 No. 5
|-
| [[String Quartets, Op.9 (Haydn, Joseph)|Hob.III:24]]
|
| Strings
|
| A major
| 6 String Quartets, Op.9 No. 6
|-
| [[String Quartets, Op.17 (Haydn, Joseph)|Hob.III:25]]
|
| Strings
|
| E major
| 6 String Quartets, Op.17 No. 1
|-
| [[String Quartets, Op.17 (Haydn, Joseph)|Hob.III:26]]
|
| Strings
|
| F major
| 6 String Quartets, Op.17 No. 2
|-
| [[String Quartets, Op.17 (Haydn, Joseph)|Hob.III:27]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.17 No. 3
|-
| [[String Quartets, Op.17 (Haydn, Joseph)|Hob.III:28]]
|
| Strings
|
| C minor
| 6 String Quartets, Op.17 No. 4
|-
| [[String Quartets, Op.17 (Haydn, Joseph)|Hob.III:29]]
|
| Strings
|
| G major
| 6 String Quartets, Op.17 No. 5
|-
| [[String Quartets, Op.17 (Haydn, Joseph)|Hob.III:30]]
|
| Strings
|
| D major
| 6 String Quartets, Op.17 No. 6
|-
| [[String Quartets, Op.20 (Haydn, Joseph)|Hob.III:31]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.20 No. 1
|-
| [[String Quartets, Op.20 (Haydn, Joseph)|Hob.III:32]]
|
| Strings
|
| C major
| 6 String Quartets, Op.20 No. 2
|-
| [[String Quartets, Op.20 (Haydn, Joseph)|Hob.III:33]]
|
| Strings
|
| G minor
| 6 String Quartets, Op.20 No. 3
|-
| [[String Quartets, Op.20 (Haydn, Joseph)|Hob.III:34]]
|
| Strings
|
| D major
| 6 String Quartets, Op.20 No. 4
|-
| [[String Quartets, Op.20 (Haydn, Joseph)|Hob.III:35]]
|
| Strings
|
| F minor
| 6 String Quartets, Op.20 No. 5
|-
| [[String Quartets, Op.20 (Haydn, Joseph)|Hob.III:36]]
|
| Strings
|
| A major
| 6 String Quartets, Op.20 No. 6
|-
| [[String Quartets, Op.33 (Haydn, Joseph)|Hob.III:37]]
|
| Strings
|
| B minor
| 6 String Quartets, Op.33 No. 1
|-
| [[String Quartets, Op.33 (Haydn, Joseph)|Hob.III:38]]
| “The Joke”
| Strings
|
| E-flat major
| 6 String Quartets, Op.33 No. 2
|-
| [[String Quartets, Op.33 (Haydn, Joseph)|Hob.III:39]]
| “The Bird”
| Strings
|
| C major
| 6 String Quartets, Op.33 No. 3
|-
| [[String Quartets, Op.33 (Haydn, Joseph)|Hob.III:40]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.33 No. 4
|-
| [[String Quartets, Op.33 (Haydn, Joseph)|Hob.III:41]]
| “How do you do?”
| Strings
|
| G major
| 6 String Quartets, Op.33 No. 5
|-
| [[String Quartets, Op.33 (Haydn, Joseph)|Hob.III:42]]
|
| Strings
|
| D major
| 6 String Quartets, Op.33 No. 6
|-
| [[String Quartet, Op.42 (Haydn, Joseph)|Hob.III:43]]
|
| Strings
|
| D major
|
|-
| [[String Quartets, Op.50 (Haydn, Joseph)|Hob.III:44]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.50 “Prussian” No. 1
|-
| [[String Quartets, Op.50 (Haydn, Joseph)|Hob.III:45]]
|
| Strings
|
| C major
| 6 String Quartets, Op.50 “Prussian” No. 2
|-
| [[String Quartets, Op.50 (Haydn, Joseph)|Hob.III:46]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.50 “Prussian” No. 3
|-
| [[String Quartets, Op.50 (Haydn, Joseph)|Hob.III:47]]
|
| Strings
|
| in F-sharp minor
| 6 String Quartets, Op.50 “Prussian” No. 4
|-
| [[String Quartets, Op.50 (Haydn, Joseph)|Hob.III:48]]
|
| Strings
|
| F major
| 6 String Quartets, Op.50 “Prussian” No. 5
|-
| [[String Quartets, Op.50 (Haydn, Joseph)|Hob.III:49]]
| “La grenouille”
| Strings
|
| D major
| 6 String Quartets, Op.50 “Prussian” No. 6
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:50]]
|
| Strings
|
| B-flat major
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 1
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:51]]
|
| Strings
|
| C minor
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 2
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:52]]
|
| Strings
|
| E major
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 3
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:53]]
|
| Strings
|
| F major
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 4
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:54]]
|
| Strings
|
| A major
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 5
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:55]]
|
| Strings
|
| G minor
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 6
|-
| [[String Quartets, Op.51 (Haydn, Joseph)|Hob.III:56]]
|
| Strings
|
| E-flat major
| 7 String Quartets, Op.51 “Seven Last Words of Christ” No. 7
|-
| [[String Quartets, Op.54 (Haydn, Joseph)|Hob.III:57]]
|
| Strings
|
| G major
| 3 String Quartets, Op.54 “Tost I” No. 2
|-
| [[String Quartets, Op.54 (Haydn, Joseph)|Hob.III:58]]
|
| Strings
|
| C major
| 3 String Quartets, Op.54 “Tost I” No. 1
|-
| [[String Quartets, Op.54 (Haydn, Joseph)|Hob.III:59]]
|
| Strings
|
| E major
| 3 String Quartets, Op.54 “Tost I” No. 3
|-
| [[String Quartets, Op.55 (Haydn, Joseph)|Hob.III:60]]
|
| Strings
|
| A major
| 3 String Quartets, Op.55 “Tost II” No. 1
|-
| [[String Quartets, Op.55 (Haydn, Joseph)|Hob.III:61]]
| “Le rasoir”
| Strings
|
| in F minor and major
| 3 String Quartets, Op.55 “Tost II” No. 2
|-
| [[String Quartets, Op.55 (Haydn, Joseph)|Hob.III:62]]
|
| Strings
|
| B-flat major
| 3 String Quartets, Op.55 “Tost II” No. 3
|-
| [[String Quartets, Op.64 (Haydn, Joseph)|Hob.III:63]]
|
| Strings
|
| D major
| 6 String Quartets, Op.64 “Tost III” No. 5
|-
| [[String Quartets, Op.64 (Haydn, Joseph)|Hob.III:64]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.64 “Tost III” No. 6
|-
| [[String Quartets, Op.64 (Haydn, Joseph)|Hob.III:65]]
|
| Strings
|
| C major
| 6 String Quartets, Op.64 “Tost III” No. 1
|-
| [[String Quartets, Op.64 (Haydn, Joseph)|Hob.III:66]]
|
| Strings
|
| G major
| 6 String Quartets, Op.64 “Tost III” No. 4
|-
| [[String Quartets, Op.64 (Haydn, Joseph)|Hob.III:67]]
|
| Strings
|
| B-flat major
| 6 String Quartets, Op.64 “Tost III” No. 3
|-
| [[String Quartets, Op.64 (Haydn, Joseph)|Hob.III:68]]
|
| Strings
|
| B minor
| 6 String Quartets, Op.64 “Tost III” No. 2
|-
| [[String Quartets, Op.71 (Haydn, Joseph)|Hob.III:69]]
|
| Strings
|
| B-flat major
| 3 String Quartets, Op.71 “Apponyi” No. 1
|-
| [[String Quartets, Op.71 (Haydn, Joseph)|Hob.III:70]]
|
| Strings
|
| D major
| 3 String Quartets, Op.71 “Apponyi” No. 2
|-
| [[String Quartets, Op.71 (Haydn, Joseph)|Hob.III:71]]
|
| Strings
|
| E-flat major
| 3 String Quartets, Op.71 “Apponyi” No. 3
|-
| [[String Quartets, Op.74 (Haydn, Joseph)|Hob.III:72]]
|
| Strings
|
| C major
| 3 String Quartets, Op.74 “Apponyi” No. 1
|-
| [[String Quartets, Op.74 (Haydn, Joseph)|Hob.III:73]]
|
| Strings
|
| F major
| 3 String Quartets, Op.74 “Apponyi” No. 2
|-
| [[String Quartets, Op.74 (Haydn, Joseph)|Hob.III:74]]
| “The Horseman”
| Strings
|
| G minor
| 3 String Quartets, Op.74 “Apponyi” No. 3
|-
| [[String Quartets, Op.76 (Haydn, Joseph)|Hob.III:75]]
|
| Strings
|
| G major
| 6 String Quartets, Op.76 “Erdody” No. 1
|-
| [[String Quartets, Op.76 (Haydn, Joseph)|Hob.III:76]]
|
| Strings
|
| D minor
| 6 String Quartets, Op.76 “Erdody” No. 2
|-
| [[String Quartets, Op.76 (Haydn, Joseph)|Hob.III:77]]
| “Emperor”
| Strings
|
| C major
| 6 String Quartets, Op.76 “Erdody” No. 3
|-
| [[String Quartets, Op.76 (Haydn, Joseph)|Hob.III:78]]
| “Sunrise”
| Strings
|
| B-flat major
| 6 String Quartets, Op.76 “Erdody” No. 4
|-
| [[String Quartets, Op.76 (Haydn, Joseph)|Hob.III:79]]
|
| Strings
|
| D major
| 6 String Quartets, Op.76 “Erdody” No. 5
|-
| [[String Quartets, Op.76 (Haydn, Joseph)|Hob.III:80]]
|
| Strings
|
| E-flat major
| 6 String Quartets, Op.76 “Erdody” No. 6
|-
| [[String Quartets, Op.77 (Haydn, Joseph)|Hob.III:81]]
|
| Strings
|
| G major
| 2 String Quartets, Op.77 “Lobkowitz” No. 1
|-
| [[String Quartets, Op.77 (Haydn, Joseph)|Hob.III:82]]
|
| Strings
|
| F major
| 2 String Quartets, Op.77 “Lobkowitz” No. 2
|-
| [[String Quartet in D minor, Op.103 (Haydn, Joseph)|Hob.III:83]]
|
| Strings
|
| D minor
| String Quartet in D minor, Op.103, incomplete
|}

===Hob.IV (1-11) Divertimentos in 3 Parts===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Divertimento in C major, Hob.IV:1 (Haydn, Joseph)|Hob.IV:1]]
| Divertimento
| 2 flutes, cello
| 1794
| C major
|
|-
| [[6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)|Hob.IV:6]]
| Divertimento
| 2 violins (or flute, violin), cello
| 1784
| D major
|
|-
| [[6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)|Hob.IV:7]]
| Divertimento
| 2 violins (or flute, violin), cello

| 1784
| G major
|
|-
| [[6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)|Hob.IV:8]]
| Divertimento
| 2 violins (or flute, violin), cello
| 1784
| C major
|
|-
| [[6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)|Hob.IV:9]]
| Divertimento
| 2 violins (or flute, violin), cello
| 1784
| G major
|
|-
| [[6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)|Hob.IV:10]]
| Divertimento
| 2 violins (or flute, violin), cello
| 1784
| A major
|
|-
| [[6 Divertimentos, Hob.IV:6-11 (Haydn, Joseph)|Hob.IV:11]]
| Divertimento
| 2 violins (or flute, violin), cello
| 1784
| D major
|
|}

===Hob.V (1-21) String Trios===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[6 Trios, Hob.V:15, 16, 18, 19, D2, F1 (Haydn, Joseph)|Hob.V:15]]
| Trio
| 2 Vl, Vcl
| before 1763
| D major
|
|-
| [[6 Trios, Hob.V:15, 16, 18, 19, D2, F1 (Haydn, Joseph)|Hob.V:16]]
| Trio
| 2 Vl, Vcl
| before 1767
| C major
|
|-
| [[6 Trios, Hob.V:15, 16, 18, 19, D2, F1 (Haydn, Joseph)|Hob.V:18]]
| Trio
| 2 Vl, Vcl
| before 1766
| B-flat major
|
|-
| [[6 Trios, Hob.V:15, 16, 18, 19, D2, F1 (Haydn, Joseph)|Hob.V:19]]
| Trio
| 2 Vl, Vcl
| before 1766
| E major
|
|-
| [[6 Trios, Hob.V:15, 16, 18, 19, D2, F1 (Haydn, Joseph)|Hob.V:D2]]
| Trio
| 2 Vl, Bc
| ?
| D major
|
|-
| [[6 Trios, Hob.V:15, 16, 18, 19, D2, F1 (Haydn, Joseph)|Hob.V:F1]]
| Trio
| 2 Vl, Bc
| ?
| F major
|
|}

===Hob.VI (1-6) Various Duos===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[6 Sonatas for 2 Violins, Op.6 (Haydn, Joseph)|Hob.VI:D2]]
| Sonata for 2 Violins
| 2 Vl
| ?
| D major
|
|-
| [[6 Sonatas for 2 Violins, Op.6 (Haydn, Joseph)|Hob.VI:Es2]]
| Sonata for 2 Violins
| 2 Vl
| ?
| E-flat major
|
|-
| [[6 Sonatas for 2 Violins, Op.6 (Haydn, Joseph)|Hob.VI:F1]]
| Sonata for 2 Violins
| 2 Vl
| ?
| F major
|
|-
| [[6 Sonatas for 2 Violins, Op.6 (Haydn, Joseph)|Hob.VI:G1]]
| Sonata for 2 Violins
| 2 Vl
| ?
| G major
|
|-
| [[6 Sonatas for 2 Violins, Op.6 (Haydn, Joseph)|Hob.VI:A1]]
| Sonata for 2 Violins
| 2 Vl
| ?
| A major
|
|-
| [[6 Sonatas for 2 Violins, Op.6 (Haydn, Joseph)|Hob.VI:B1]]
| Sonata for 2 Violins
| 2 Vl
| ?
| B-flat major
|
|-
| [[3 Duets, Op.99 (Haydn, Joseph)|Hob VI Anh.]]
| 3 Duets for 2 Violins
| 2 Vl
| ?
| B-flat major<BR>E-flat major<BR>B-flat major
| Op.99
|}

===Hob.VII Concertos for Various Instruments===
==== Hob.VIIa Concertos for Violin ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Violin Concerto in C major, Hob.VIIa:1 (Haydn, Joseph)|Hob.VIIa:1]]
| Violin Concerto in C major
| Vl, Strings
| ca. 1765
| C major
|
|-
| Hob.VIIa:2
| Violin Concerto in D major
| Vl, Strings
| 1765
| D major
| lost
|-
| Hob.VIIa:3
| Violin Concerto in A major
| Vl, Strings
| ca. 1770
| A major
|
|-
| [[Violin Concerto in G major, Hob.VIIa:4 (Haydn, Joseph)|Hob.VIIa:4]]
| Violin Concerto in G major
| Vl, Strings
| 1769
| G major
|
|-
| Hob.VIIa:D1
| Violin Concerto, in D major
| Vl, Orch
|
| D major
| by Carl Stamitz?
|-
| Hob.VIIa:G1
| Violin Concerto in G major
| Vl, Strings
|
| G major
| by Michael Haydn?
|-
| Hob.VIIa:A1
| Violin Concerto in A major
| Vl, Strings
|
| A major
| by Giornovichi?
|-
| Hob.VIIa:B1
| Violin Concerto in G major
| Vl, Strings
|
| B-flat major
| by Michael Haydn
|-
| [[Violin Concerto in B-flat major (Cannabich, Christian)|Hob.VIIa:B2]]
| Violin Concerto in B-flat major
| Vl, Strings
|
| B-flat major
| spurious; composed by {{LinkComp|Christian|Cannabich}}
|}

==== Hob.VIIb Concertos for Violoncello ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Cello Concerto No.1 in C major, Hob.VIIb:1 (Haydn, Joseph)|Hob. VIIb:1]]
| Cello Concerto No.1
| Cello, Orchestra
| 1761-65
| C major
|
|-
| [[Cello Concerto No.2 in D major, Hob.VIIb:2 (Haydn, Joseph)|Hob. VIIb:2]]
| Cello Concerto No.2
| Cello, Orchestra
| 1783
| D major
|
|-
| Hob. VIIb:3
| Cello Concerto No.3
| ?
| 1761–65 ?
| C major
| lost
|-
| [[Cello Concerto in D major (Costanzi, Giovanni Battista)|Hob. VIIb:4]]
| Cello Concerto No.4
| Cello, Strings
| 1772?
| D major
| now attributed to {{LinkComp|Giovanni Battista|Costanzi}}
|-
| [[Cello Concerto No.5 in C major, Hob.VIIb:5 (Haydn, Joseph)|Hob. VIIb:5]]
| Cello Concerto No.5
| Cello, Orchestra
| ?
| C major
| now attribute to {{LinkComp|David|Popper}}
|-
| Hob. VIIb:g1
| Cello Concerto
| Cello, Strings
| 1773?
| G minor
|
|}

==== Hob.VIIc Concerto for Contrabass ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| Hob. VIIc:1
| Contrabass Concerto No.1
| Contrabass, Strings
|
| D major
| lost, may have been burned and destroyed?
|}

==== Hob.VIId Concertos for Horn ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| Hob. VIId:1
| Horn Concerto
| Horn, Strings
| 1765
| D major
| lost
|-
| Hob. VIId:2
| Concerto for 2 Horns
| 2 Horns, Strings
|
| E-flat major
| lost
|-
| Hob. VIId:3
| Hornkonzert Nr.1
| Horn, Strings
| 1762
| D major
| lost
|-
| Hob. VIId:4
| Hornkonzert Nr.2
| Horn, Strings
| 1781
| D major
| authentic?
|-
| Hob. VIId:5
| Concerto for 2 Horns
| 2 Horns, Strings
|
| E-flat major
| attrib.; may be Hob. VIId:2?
|}

==== Hob.VIIe Concert for Trumpet ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Trumpet Concerto, Hob.VIIe:1 (Haydn, Joseph)|Hob. VIIe:1]]
| Trumpet Concerto
| Trumpet, Strings
| 1796
| E-flat major
| 1. Allegro 2. Andante 3. Allegro.
|}

==== Hob.VIIf Concerto for Flute ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| Hob. VIIf:1
| Flute Concerto
| Flute, Strings
| before 1780?
| D major
|
|-
| Hob. VIIf:D1
| Flute Concerto
| Flute, Strings
|
| D major
| by Leopold Hoffmann
|}

==== Hob.VIIg Concerto for Oboe ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Oboe Concerto in C major, Hob.VIIg:C1 (Haydn, Joseph)|Hob VIIg:C1]]
| Oboe Concerto
| Oboe, Strings
| 179?
| C major
| not authentic, probably not by Haydn?
|}

==== Hob.VIIh Concerto for 2 „Lyra organizzata“ ====
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| VIIh:1
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, 2 Vl, 2 Vla, Bc
| 1786
| C major
|
|-
| VIIh:2
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, 2 Vl, 2 Vla, Bc
| 1786
| G major
|
|-
| VIIh:3
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, 2 Vl, 2 Vla, Bc
| 1786
| G major
|
|-
| VIIh:4
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, 2 Vl, 2 Vla, Bc
| 1786
| F major
|
|-
| VIIh:5
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, 2 Vl, 2 Vla, Bc
| 1786
| F major
|
|}

===Hob.VIII (1-7) Marches===

===Hob.IX (1-29) Dances===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[12 German Dances, Hob.IX:10 (Haydn, Joseph)|Hob.IX:10]]
| 12 German Dances
| Keyboard
| before 1793
| various
|
|-
| [[10 Menuets, Hob.IX:22 (Haydn, Joseph)|Hob.IX:22]]
| 10 Menuets
| Piano
| ?
| various
|
|}

===Hob.X (1-12) Various Works for Baryton===

===Hob.XI (1-126) Trios for Baryton, Violin or Viola and Cello===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Baryton Trio No.1 in A major, Hob.XI:1 (Haydn, Joseph)|Hob.XI:1]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.2 in A major, Hob.XI:2 (Haydn, Joseph)|Hob.XI:2]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.3 in A major, Hob.XI:3 (Haydn, Joseph)|Hob.XI:3]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.4 in A major, Hob.XI:4 (Haydn, Joseph)|Hob.XI:4]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.5 in A major, Hob.XI:5 (Haydn, Joseph)|Hob.XI:5]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.6 in A major, Hob.XI:6 (Haydn, Joseph)|Hob.XI:6]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.7 in A major, Hob.XI:7 (Haydn, Joseph)|Hob.XI:7]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.8 in A major, Hob.XI:8 (Haydn, Joseph)|Hob.XI:8]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[6 Trios or Sonatas, Op.11 (Haydn, Joseph)|Hob.XI:9]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| D major
|
|-
| [[6 Trios or Sonatas, Op.11 (Haydn, Joseph)|Hob.XI:11]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| F major
|
|-
| [[6 Trios or Sonatas, Op.11 (Haydn, Joseph)|Hob.XI:17]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| D major
|
|-
| [[3 Divertimenti (Haydn, Joseph)|Hob.XI:26]]
| Baryton Trio
| Baryton, Viola, Violoncello
| 1766-67
| G major
|
|-
| [[6 Sonatinas (Haydn, Joseph)|Hob.XI:34]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| D major
|
|-
| [[6 Sonatinas (Haydn, Joseph)|Hob.XI:35]]
| Baryton Trio
| Baryton, Viola, Violoncello
| 1776
| A major
|
|-
| [[Baryton Trio No.38 in A major, Hob.XI:38 (Haydn, Joseph)|Hob.XI:38]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.39 in A major, Hob.XI:39 (Haydn, Joseph)|Hob.XI:39]]
| Baryton Trio
| Baryton, Viola, Violoncello
| 1776
| A major
|
|-
| [[3 Divertimenti (Haydn, Joseph)|Hob.XI:45]]
| Baryton Trio
| Baryton, Viola, Violoncello
| 1766-67
| D major
|
|-
| [[6 Sonatinas (Haydn, Joseph)|Hob.XI:56]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| D major
|
|-
| [[6 Sonatinas (Haydn, Joseph)|Hob.XI:70]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| G major
|
|-
| [[6 Sonatinas (Haydn, Joseph)|Hob.XI:72]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| D major
|
|-
| [[6 Sonatinas (Haydn, Joseph)|Hob.XI:75]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| A major
|
|-
| [[Baryton Trio No.87 in A minor, Hob.XI:87 (Haydn, Joseph)|Hob.XI:87]]
| Baryton Trio
| Baryton, Viola, Violoncello
|
| A minor
|
|-
| [[Baryton Trio No.113 in D major, Hob.XI:113 (Haydn, Joseph)|Hob.XI:113]]
| Baryton Trio
| Baryton, Viola, Violoncello
| before 1773
| D major
|
|-
| [[Divertimento in C major, Hob.XI:C2 (Haydn, Joseph)|Hob.XI:C2]]
| Divertimento (Trio)
| Flute, Violin, Bass
|
| C major
| spurious
|}

===Hob.XII (1-25) Duos with Baryton===

===Hob.XIII (1-3) Concertos for Baryton===
There are 3 Concertos for Baryton (italian: Viola di bordone) known but are either lost or whereabouts unknown.
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| Hob. XIII:1
| Concerto for Baryton
| Baryton, 2 Vl, Bc
| before 1770
| D major
|
|-
| Hob. XIII:2
| Concerto for Baryton
| Baryton, 2 Vl, Bc
| before 1770
| D major
|
|-
| Hob. XIII:3
| Concerto for Baryton
| 2 Barytons, 2 Vl, Bc
| before 1770
| D major
|
|}

===Hob.XIV (1-13) Divertimentos with Piano===

===Hob.XV (1-40) Trios for Piano, Violin or Flute and Cello===
* [[Piano Trio, Hob.XV:1 (Haydn, Joseph)]]
* [[Piano Trio, Hob.XV:2 (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:3-5 (Op.40) (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:6-8 (Op.43) (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:9-10 (Op.27) (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:11-13 (Op.57) (Haydn, Joseph)]]
* [[Piano Trio, Hob.XV:14 (Op.39) (Haydn, Joseph)]]
* [[2 Piano Trios, Hob.XV:15-16 (Op.67) (Haydn, Joseph)]]
* [[Piano Trio, Hob.XV:17 (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:18-20 (Op.36) (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:21-23 (Op.71) (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:24-26 (Op.82) (Haydn, Joseph)]]
* [[3 Piano Trios, Hob.XV:27-29 (Haydn, Joseph)]]
* [[Piano Trio, Hob.XV:30 (Haydn, Joseph)]]
* [[Piano Trio, Hob.XV:31 (Haydn, Joseph)]]
* [[Violin_Sonatas_(Haydn,_Joseph)|Hob.XV:32]]

===Hob.XVa Piano Duos===

===Hob.XVI (1-52) Piano Sonatas===
* [[3 String Trios, Op.53 (Haydn, Joseph)]]

===Hob.XVII (1-12) Piano Pieces===
* [[Variations in E-flat major, Hob.XVII:3 (Haydn, Joseph)]]
* [[Fantasia in C major, Hob.XVII:4 (Haydn, Joseph)]]
* [[Variations in F minor, Hob.XVII:6 (Haydn, Joseph)]]
* [[Il Maestro e Lo Scolare, Hob.XVIIa:1 (Haydn, Joseph)]]
* [[12 Easy Pieces (Haydn, Joseph)|Hob.XVII Anh.]]

===Hob.XVIIa (1-2) Piano 4 Hands===

===Hob.XVIII (1-11) Keyboard Concertos===
*[[Keyboard Concerto in C major, Hob.XVIII:1 (Haydn, Joseph)|Hob.XVIII:1]] - Keyboard Concerto in C major
*Hob.XVIII:2 - Keyboard Concerto in D major
*[[Keyboard Concerto in F major, Hob.XVIII:3 (Haydn, Joseph)|Hob.XVIII:3]] - Keyboard Concerto in F major
*[[Keyboard Concerto in G major, Hob.XVIII:4 (Haydn, Joseph)|Hob.XVIII:4]] - Keyboard Concerto in G major
*Hob.XVIII:5 - Keyboard Concerto in C major
*[[Keyboard Concerto in F major, Hob.XVIII:6 (Haydn, Joseph)|Hob.XVIII:6]] - Keyboard Concerto in F major
*Hob.XVIII:7 - Keyboard Concerto in F major
*Hob.XVIII:8 - Keyboard Concerto in G major
*Hob.XVIII:9 - Keyboard Concerto in G major
*Hob.XVIII:10 - Keyboard Concerto in C major
*[[Keyboard Concerto in D major, Hob.XVIII:11 (Haydn, Joseph)|Hob.XVIII:11]] - Keyboard Concerto in D major

===Hob.XIX (1-32) Pieces for Mechanical Clock (''Flötenuhr'')===
* [[Flötenuhrstücke, Hob.XIX:1-32 (Haydn, Joseph)]]

===Hob.XX Instrumental Works about ''The Seven Last Words of Christ'' ===
* [[Die Worte des Erlösers am Kreuze, Hob.XX (Haydn, Joseph)]]

===Hob.XX-2 Choral Version of ''The Seven Last Words of Christ'' ===
* [[Stabat Mater, Hob.XXa:1 (Haydn, Joseph)]]

===Hob.XXI (1-3) Oratorios ===
* [[Il Ritorno di Tobia, Hob.XXI:1 (Haydn, Joseph)]]
* [[Die Schöpfung, Hob.XXI:2 (Haydn, Joseph)]]
* [[Die Jahreszeiten, Hob.XXI:3 (Haydn, Joseph)]]
* [[Unfinished Oratorio (Haydn, Joseph)]]

===Hob.XXII (1-14) Masses ===
* [[Mass in B-flat major, Hob.XXII:10 (Haydn, Joseph)]]
* [[Mass in B-flat major, Hob.XXII:12 (Haydn, Joseph)]]
* [[Mass in C major, Hob.XXII:9 (Haydn, Joseph)]]
* [[Mass in D minor, Hob.XXII:11 (Haydn, Joseph)]]
* [[Missa in B-flat major, Hob.XXII:14 (Haydn, Joseph)]]

===Hob.XXIII Other Sacred Works ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Salve Regina, Hob.XXIIIb:2 (Haydn, Joseph)|Hob.XXIIIb:2]]
| Salve Regina
| Soli (SATB), mixed chorus, solo organ, strings
| 1771
| G minor
|
|}

===Hob.XXIV Cantatas and Arias with Orchestra ===

{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Unfinished Oratorio, Hob.XXIVa:9 (Haydn, Joseph)|Hob.XXIVa:9]]
| Unfinished Oratorio
| Bass Voice, Chorus, Orchestra
| 1794
| D minor/major
|
|}

===Hob.XXV Songs with 2, 3, and 4 Parts ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[Die Harmonie in der Ehe, Hob.XXVc:2 (Haydn, Joseph)|Hob.XXVc:2]]
| Die Harmonie in der Ehe
| Voices (SATB) and Continuo
| 1796-1799
| B{{flat}} major
|
|-
| [[Aus dem Danklied zu Gott, Hob.XXVc:8 (Haydn, Joseph)|Hob.XXVc:8]]
| Aus dem Danklied zu Gott
| SATB voices + Harpsichord
| 1796-1799
| E{{flat}} major
|
|}

===Hob.XXVI Songs and Cantatas with Keyboard===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[12 Lieder, Hob.XXVIa:1-12 (Haydn, Joseph)|Hob.XXVIa:1-12]]
| 12 Songs of various poets
| Voice, keyboard
| 1781
|
|
|-
| [[12 Lieder, Hob.XXVIa:13-24 (Haydn, Joseph)|Hob.XXVIa:13-24]]
| 12 Songs of various poets
| Voice, keyboard
| 1780–84
|
|
|-
| [[Das Kaiserlied, Hob.XXVIa:43 (Haydn, Joseph)|Hob.XXVIa:43]]
| Kaiserlied
| Soprano, keyboard
| 1797
|
|
|-
| [[Ein kleines Haus, Hob.XXVIa:45 (Haydn, Joseph)|Hob.XXVIa:45]]
| Ein kleines Haus
| Soprano, keyboard
| 1801
|
|
|-
| [[Arianna a Naxos, Hob.XXVIb:2 (Haydn, Joseph)|Hob.XXVIb:2]]
| Arianna a Naxos
| Soprano, keyboard
| before 1790
|
|
|}

===Hob.XXVII (Sacred 1-10, Secular 1-47) Canons ===
[[29 Canons (Haydn, Joseph)|Hob XXVIIb:9, 43, 10, 12, 11, 39, 34, 16, 17, 14, 41, 13, 44,
38, 42, 20, 37, 18, 3, 36, 35, 19, 29, 30, 32, 21, 15, 33, 40 ]]

===Hob.XXVIII (1-13) Operas ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="15%"|Instrumentation
!width="10%"|Date
!width="8%"|Key
!width="37%"|Notes
|-
| [[L'Isola disabitata, Hob.XXVIII:9 (Haydn, Joseph)|Hob.XXVIII:9]]
| L'Isola disabitata
| 2 Soprano (Costanza, Silvia), Tenore (Gernando), Basso (Enrico), strings, fl, 2 ob, bsn, 2 horns, timp
| 1779
| D major
| Azione teatrale in due parte, libretto by Pietro Metastasio
|}

===Hob.XXIX Singspiele ===

===Hob.XXX Incidental Music ===

===Hob.XXXI (Scottish: 1-273, Welsh: 1-60) Arrangement of Folksongs===

User:Yuanyelele

2010-03-02T05:34:32Z

Yuanyelele:

[http://yuanyelele.is-a-geek.org:1986/wordpress 我的博客主页]
{{Babel|zh|en-}}
{{Instr|pno-3}}
{{User lilypond}}

User:Yuanyelele

2010-03-02T05:33:59Z

Yuanyelele:

[http://yuanyelele.is-a-geek.org:1986/wordpress]
{{Babel|zh|en-}}
{{Instr|pno-3}}
{{User lilypond}}

Template:OtherLangs:IMSLP goals

2008-08-29T02:42:18Z

Yuanyelele:

[[de:IMSLP_Ziele]]
[[el:IMSLP:Στόχοι]]
[[en:IMSLP:goals]]
[[es:Objetivos_del_Proyecto_IMSLP]]
[[fr:Buts_de_l'IMSLP]]
[[it:Obiettivi_di_IMSLP]]
[[nl:Missie_en_doelstellingen_van_het_IMSLP]]

Template:OtherLangs:IMSLP goals

2008-08-29T02:41:39Z

Yuanyelele:

IMSLP:常见问题解答

2008-08-29T02:30:28Z

Yuanyelele:

{{:OtherLangs:IMSLP:FAQs}}
{|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0
|-
|width=50%|
|width=50% align=right|<span style="font-size: 90%">Other Languages: [[IMSLP:FAQs|English]] - [[IMSLP:Συνήθεις Ερωτήσεις|Ελληνικά]]</span>
|-
|}

This page contains a list of [[wikipedia:FAQ|frequently asked questions]].

=一般问题=

==IMSLP是什么意思？==

:IMSLP的意思是国际乐谱库项目（'''I'''nternational '''M'''usic '''S'''core '''L'''ibrary '''P'''roject），创始于2006年2月16日。这个项目的主要目的是创建一个基于维基原则的虚拟图书馆，用于保存公共领域的乐谱，但是远不止这些。用户可以通过本站交流音乐感想，提交自己的音乐作品，或者欣赏别人的作品。这就使这里成为了一个由音乐爱好者组成、为音乐爱好者服务的，不断增长的音乐社区。

:参见：[[IMSLP:目标]]

==“维基”是什么意思？==

:A wiki is a website which is based on collaboration between its members (or sometime even anonymous users, although their IP is recorded for security issues) by being editable by anyone. The developer of the first wiki (WikiWikiWeb) said that a wiki is "the simplest online database that could possibly work".
:
:For more information, visit [[:wikipedia:Wiki|Wiki]] (on Wikipedia)

==Who owns IMSLP?==

:Nobody actually "owns" IMSLP. However, if there is one person to be credited for IMSLP it is [[User:Feldmahler|Feldmahler]] who started the whole project and is responsible for paying and maintaining the IMSLP servers which host the files, as well as is responsible for updating the Wiki software, and orga. Otherwise, IMSLP belongs to the community, to all the people who have contributed to it.

==Who are the administrators?==

:Administrators or 'sysops' are users who have extended permissions regarding their actions on IMSLP, such as deleting articles and files, protecting and unprotecting pages, and blocking and unblocking IP addresses (i.e. banning/unbanning users). Administrators are responsible for maintaining peace and organisation on this site, as well as making sure that everything is ran as it is supposed to.

:For more information, visit [[IMSLP:Administrators]] and the [[IMSLP staff contact list]].

==How can I become an administrator?==

Well, firstly you don't ask for it :P

:Secondly, you have to show some dedication to the site, that you actually work for it. You must show some more than just basic knowledge of how wiki's work, and mature behaviour around the site. Lastly, there must be a need for you in the administrative staff. Although you might not get the title of "administrator", there are still staff positions that might fill your needs, and you might fill our need for some people with particular skills.

:For more information, visit [[Vacant staff positions]]

==Is IMSLP legal?==

:As the IMSLP servers are physically hosted in Canada, IMSLP has to follow the Canadian Copyright Law. All scores submitted to IMSLP either belong to the public domain, or permission has been granted by the holder of the copyrights so that the files can be submitted to IMSLP (as is the case of contemporary composers who wish to have their works submitted to IMSLP).

==What is the "Public Domain"?==

:Basically, it means that every score that was published more than 50 years ago is no longer under copyright in Canada, as long as the date of death of the last author of the publication also died more than 50 years ago.

:For more information, visit [[public domain]].

==Where is IMSLP hosted?==

:The IMSLP servers are physically hosted in Canada, and this is why IMSLP follows the Canadian Copyright Law.

==Who uploads the files?==

:Anyone can create a composer page, a work page, and even submit a file. However, you have to be a member in order to be able to contribute to IMSLP, for security reasons (so that we can trace the additions, removals, submissions, edits etc to prevent vandalism).

==Can't someone just delete all the files?==

:Practically, only administrators can delete files. The worst a simple user can do is empty the page, which is totally reversible by any other user. Also, since in order to edit a page you have to be a member, the IMSLP administrators can track down the vandals and ban them from using IMSLP again, if they were proven to have acted maliciously and not accidentally. Vandalism will not be tolerated on IMSLP or generally any other wiki-based site.

==How is IMSLP trustworthy if anyone can edit it?==

:In the same way that wikipedia is trustworthy, even though more people can edit it, even without being registered to wikipedia. People who contribute to IMSLP are doing so because they want to. They have nothing else in mind than contributing to the rest of the musical community. Therefore we are doing our best to maintain the level of IMSLP as high as possible, so more people will discover IMSLP and either benefit from other people's work or contribute to it themselves.

=Technical=

==What is the difference between red and blue links?==

:A blue link leads to an already existing page (i.e. a page or category created by another user and which has content in it), while a red link leads to a page which does not exist yet. By clicking a red link you can edit the page and save it. Doing so will make all links linking to that page blue, instead of red.

==How do I undo an edit?==

:You go to History, then you select the version of the page to which you want to revert (i.e. the number of "undo" steps you want to go), you load the page, copy all of the code, and replace the current page's code with the copied code. This is how a page which has been emptied (either on purpose or by mistake) can be reverted to its previous status by the first member which notices it.

==What do I do if get corrupted downloads in IE6 or IE7?==

:If you get "corrupted" downloads using IE6 or IE7, please clear your browser cache and try again, or use a different browser (e.g. [http://www.getfirefox.com Firefox] or [http://www.opera.com Opera]). The problem is due to a bug in Internet Explorer that cannot be solved from our part. ([http://www.fourmilab.ch/documents/corrupted_downloads Detailed article on this issue])

=Editing=

==How do I create a page?==

:For more information, visit [[Help:Page creation]].

==How do I edit a page?==

:You either click a red link towards a page, which will guide you directly to editing that page, or you simply click on the "edit" button on top of any article, and you start editing.

:For more information, visit [[Help:Page editing]].

==How do I delete a page?==

:Normal users can't delete a page for themselves. If you see a page that you think must be deleted, though, you can tag it with the [[Template:Delete|Delete]], and an administrator will act accordingly.

:For more information, visit [[Help:Page deletion]] (including more detailed instructions on using the [[Template:Delete|Delete]] template)

==What kind of format am I allowed to use?==

:There is some kind of "wiki" language that is used widely among articles which you ought to be familiar with before editing pages (otherwise even the simple task of correcting a spelling mistake could be very daunting)

:You can go to [[Help:Tutorial/Page editing]] for more information, or try the [http://meta.wikimedia.org/wiki/Help:Editing Help:Editing (on wikimedia.org)] for a more extensive tutorial.

==Is HTML allowed?==

:Yes and no. There is some standard wiki formatting that you have to know, but you can also use some html and css, if you know how to do so. '''''<sub><nowiki>[to be continued]</nowiki></sub>'''''

=Users=

==How do I register to IMSLP?==

:You simply click on the "Login/Sign Up" button on the top-rightmost corner of any page, and fill in your data.

==How do I edit my user-page?==

:Just like you'd [[IMSLP:FAQs#How_do_I_edit_my_user-page.3F|edit any other page]]. You can also use the [[IMSLP:Babel|Babel]] and [[IMSLP:Instr|Instrument]] templates to indicate what languages do you speak and what instruments you play, and at what degree. You can write details about yourself, about your relation to music, what you hope to do during your stay on IMSLP, [[IMSLP:User scanning queue|what scores you are going to scan]] or [[IMSLP:Wishlist|what scores you want]] etc.

==How do I send a message to another user?==

:Although there is no "private messaging" service in wikis, you can leave "comments" on another user's page. In order to do so, click on Discussion, and then click on the "plus" sign and leave your comment. When that user logs on to IMSLP again, they will be notified that they have a new message. However, what you write will be visible to anyone, so pay attention to what you type if you don't want someone else to read it.

:For more information, visit [[Help:Tutorial/Talk_pages]] or [[:wikipedia:Help:Talk_page|Help:Talk Page (on wikipedia)]]

==How do I reply to a message?==

:You can reply either directly on your own talk page, or on the talk page of the corresponding users. Either way, please indent your reply (enter ":" before each paragraph) to keep the talk pages organised and easy to read.

:For more information, visit [[Help:Tutorial/Talk_pages]] or [[:wikipedia:Help:Talk_page|Help:Talk Page (on wikipedia)]]

=Contributing=

==How can I contribute?==

:There are many ways to help IMSLP. From editing pages to correct spelling mistakes to translating IMSLP to another language, all help is highly appreciated by all members of IMSLP. Below are some of the most common ways you can contribute to the community:

===Submitting a score===

:This is the most common form of contribution to IMSLP. You can either submit a file you found on [[IMSLP:Other music score websites|some other online collection]] with music scores and that is not already uploaded here on IMSLP, or by scanning your own scores and uploading them here on IMSLP (but in any case, make sure that the score is in one of the [[IMSLP:File formats|acceptable formats]] on IMSLP)

:For more information, visit [[IMSLP:Contributing scores]] (and [[IMSLP:Scanning music scores]] if you are scanning your own scores)

===Discuss about a piece===

:As mentioned in the first paragraph of the FAQ, '''''<sub><nowiki>[to be continued]</nowiki></sub>'''''

===Correcting a page===

:If you ever notice a spelling mistake, a wrong date in a composer page, or if you know something that is not written about a piece, feel free to edit the page and correct what you feel needs correction. This is very important as, despite the fact that much effort is put to avoid mistakes when writing big articles, it is somewhat inevitable that some mistakes will exist, and it is our responsibility to correct them.

:For more information on maintenance of IMSLP visit [[IMSLP:Maintenance]].

===Translating to another language===

:This is the most difficult, time-consuming and dedicating contribution to IMSLP that someone can do.

:While taking up the translation of all of IMSLP on your own might sound a daunting task, by "translating" we don't mean just that. We mean that you help other users translate IMSLP. For example, if you speak French, and you see that a page hasn't been translated into French, you can just translate that one page. Other users will see what you did and follow your example. This way, slowly but steadily IMSLP will become more and more "International" (as the title indicates).

:For more information, visit [[IMSLP:Internationalization]].

===Providing ideas===

:The simplest idea can contribute highly to IMSLP. IMSLP itself began as an idea, and it developed to what it is today. And it didn't just develop on its own, it developed through the criticisms, suggestions and improvements of people who visited the site. If you think something could be done more easily, faster, or better, feel free to notify one of the admins about it, and be sure that your idea will be considered by the administration as soon as possible.

:You can contact the administrators by visiting [[IMSLP_staff_contact_list|this page]]

===Help make IMSLP more known===

:You can help IMSLP to become more widely known by telling your friends, telling your music class at school, by linking to an IMSLP piece or composer page from the respective piece or composer article in wikipedia or other site, or by contacting other sites and collaborating with them, as we have done with [http://www.pianosociety.com PianoSociety.com], and now all the recordings on their site link to the composer page here on IMSLP, and we have added "Recording" fields in the "Add File" form which link back to PianoSociety. This is expected to highly increase traffic on IMSLP.

:See also: [[IMSLP:Linking across projects]]

===Mirroring IMSLP===

====Exactly what is mirrored? What software do I need?====

::Only the static files are mirrored; there will be no dynamic content. Therefore any web server is fine. I would recommend [http://www.lighttpd.net/ Lighttpd] if you have not decided on one yet.

====Can I choose an absolute bandwidth amount instead of a percentage of the total bandwidth?====
::No unfortunately. This would be extremely hard to monitor from the main server. You will have to monitor the bandwidth usage yourself. There will be a way for you to temporarily disable traffic redirect to your mirror, but it should only be used in emergency situations, and not regularly (or the bandwidth specified would be pointless).

==How can I upload scores?==

:You must first check if the score you are about to upload has not already been uploaded. Then, you must check whether or not the composer page for the score's composer exists here on IMSLP or not. If it doesn't, you have to create it first. Then, you have to create the respective Work Page for your score, and then you need to submit the file to it.

:Detailed instructions can be found on the page [[IMSLP:Score submission guide]]

==Can I upload my own compositions?==

:Of course :) As long as you make sure to publish your composition under one of the [[IMSLP:Permissible_licenses|permissible licenses]].

:For more information on CreativeCommons licenses, visit [[IMSLP:Creative Commons and Performance Restricted licenses]]

==What if I already licensed the work under another license?==

:You can simply re-license the work under a Creative Commons or Performance Restricted license. If both licenses are free (as in, no money required), the users of the file will be able to choose the license they want to use the file under.

==Why was my submission deleted?==

:Currently, you can search for the deletion reason of the page on the [http://imslp.org/index.php?title=Special:Log&type=delete deletions log] page. When this [http://bugzilla.wikimedia.org/show_bug.cgi?id=5546 Mediawiki bug] is fixed, you will be able to find the deletions in your [[Special:Watchlist]], which will only list pages that you have submitted files to. Remember: even if your submission was deleted, your contribution to IMSLP is still very much appreciated :) Everyone makes mistakes sometimes, and admins are there to correct them; deleting a page is never personal.

==What do I do if I find missing pages in a file, or other errors?==

:You can simply edit the page and add a note to the "Misc. Notes" section of the file entry. You may also add a message to the submitter's user talk page, but remember that in many cases those files are not scanned by the submitter, so the submitter may be unable to do anything about it. However, other people might, which is why adding a note to the file entry is more important.

::In addition, if the missing page is part of the [[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|Bach-Gesellschaft Ausgabe project]], you may also report it to [[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe_Missing_Pages|this page]].

Prelude and Fugue in E-flat major (Bach, Johann Christoph)

2008-08-25T03:09:05Z

Yuanyelele:

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=Bach_-_BGA_-_Prelude_&_Fugue,_E_flat_major.pdf
|File Description 1=Prelude & Fugue in E flat major
|Editor=Ernst Naumann
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/1/18
|Page Count 1=
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]]'' Band 36 (1890). Leipzig: [[Breitkopf & Härtel]], 1851-1899.
|Copyright=Public Domain
|Thumb Filename=TN-BGA-36.png
|Sample Filename=PV-Bach_-_BGA_-_Prelude_&_Fugue,_E_flat_major.png
|Misc. Notes=
}}

| *****INFO ID (SEE HELP PAGE)***** = 0

| *****COMMENTS***** =

This work was falsely attributed to J.S. Bach

| *****END OF TEMPLATE***** }}

[[Category:Fugue]]

User:Yuanyelele

2008-08-25T02:59:30Z

Yuanyelele:

IMSLP:常见问题解答

2008-08-22T05:16:54Z

Yuanyelele: New page: {{:OtherLangs:IMSLP:FAQs}} {|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0 |- |width=50%| |width=50% align=right|<span style="font-si...

{{:OtherLangs:IMSLP:FAQs}}
{|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0
|-
|width=50%|
|width=50% align=right|<span style="font-size: 90%">Other Languages: [[IMSLP:FAQs|English]] - [[IMSLP:Συνήθεις Ερωτήσεις|Ελληνικά]]</span>
|-
|}

This page contains a list of [[wikipedia:FAQ|frequently asked questions]].

=General=

==What is IMSLP?==

:IMSLP stands for '''I'''nternational '''M'''usic '''S'''core '''L'''ibrary '''P'''roject and it started in February 16, 2006. It is a project for the creation of a virtual library of public domain music scores, based on the wiki principle, but it is also more than that. Users can exchange musical ideas through the site, submit their own compositions, or listen to other people's composition, which makes it an ever-growing musical community, by the music lovers for the music lovers.

:See also: [[IMSLP:Goals]]

==What is a 'Wiki'?==

:A wiki is a website which is based on collaboration between its members (or sometime even anonymous users, although their IP is recorded for security issues) by being editable by anyone. The developer of the first wiki (WikiWikiWeb) said that a wiki is "the simplest online database that could possibly work".
:
:For more information, visit [[:wikipedia:Wiki|Wiki]] (on Wikipedia)

==Who owns IMSLP?==

:Nobody actually "owns" IMSLP. However, if there is one person to be credited for IMSLP it is [[User:Feldmahler|Feldmahler]] who started the whole project and is responsible for paying and maintaining the IMSLP servers which host the files, as well as is responsible for updating the Wiki software, and orga. Otherwise, IMSLP belongs to the community, to all the people who have contributed to it.

==Who are the administrators?==

:Administrators or 'sysops' are users who have extended permissions regarding their actions on IMSLP, such as deleting articles and files, protecting and unprotecting pages, and blocking and unblocking IP addresses (i.e. banning/unbanning users). Administrators are responsible for maintaining peace and organisation on this site, as well as making sure that everything is ran as it is supposed to.

:For more information, visit [[IMSLP:Administrators]] and the [[IMSLP staff contact list]].

==How can I become an administrator?==

Well, firstly you don't ask for it :P

:Secondly, you have to show some dedication to the site, that you actually work for it. You must show some more than just basic knowledge of how wiki's work, and mature behaviour around the site. Lastly, there must be a need for you in the administrative staff. Although you might not get the title of "administrator", there are still staff positions that might fill your needs, and you might fill our need for some people with particular skills.

:For more information, visit [[Vacant staff positions]]

==Is IMSLP legal?==

:As the IMSLP servers are physically hosted in Canada, IMSLP has to follow the Canadian Copyright Law. All scores submitted to IMSLP either belong to the public domain, or permission has been granted by the holder of the copyrights so that the files can be submitted to IMSLP (as is the case of contemporary composers who wish to have their works submitted to IMSLP).

==What is the "Public Domain"?==

:Basically, it means that every score that was published more than 50 years ago is no longer under copyright in Canada, as long as the date of death of the last author of the publication also died more than 50 years ago.

:For more information, visit [[public domain]].

==Where is IMSLP hosted?==

:The IMSLP servers are physically hosted in Canada, and this is why IMSLP follows the Canadian Copyright Law.

==Who uploads the files?==

:Anyone can create a composer page, a work page, and even submit a file. However, you have to be a member in order to be able to contribute to IMSLP, for security reasons (so that we can trace the additions, removals, submissions, edits etc to prevent vandalism).

==Can't someone just delete all the files?==

:Practically, only administrators can delete files. The worst a simple user can do is empty the page, which is totally reversible by any other user. Also, since in order to edit a page you have to be a member, the IMSLP administrators can track down the vandals and ban them from using IMSLP again, if they were proven to have acted maliciously and not accidentally. Vandalism will not be tolerated on IMSLP or generally any other wiki-based site.

==How is IMSLP trustworthy if anyone can edit it?==

:In the same way that wikipedia is trustworthy, even though more people can edit it, even without being registered to wikipedia. People who contribute to IMSLP are doing so because they want to. They have nothing else in mind than contributing to the rest of the musical community. Therefore we are doing our best to maintain the level of IMSLP as high as possible, so more people will discover IMSLP and either benefit from other people's work or contribute to it themselves.

=Technical=

==What is the difference between red and blue links?==

:A blue link leads to an already existing page (i.e. a page or category created by another user and which has content in it), while a red link leads to a page which does not exist yet. By clicking a red link you can edit the page and save it. Doing so will make all links linking to that page blue, instead of red.

==How do I undo an edit?==

:You go to History, then you select the version of the page to which you want to revert (i.e. the number of "undo" steps you want to go), you load the page, copy all of the code, and replace the current page's code with the copied code. This is how a page which has been emptied (either on purpose or by mistake) can be reverted to its previous status by the first member which notices it.

==What do I do if get corrupted downloads in IE6 or IE7?==

:If you get "corrupted" downloads using IE6 or IE7, please clear your browser cache and try again, or use a different browser (e.g. [http://www.getfirefox.com Firefox] or [http://www.opera.com Opera]). The problem is due to a bug in Internet Explorer that cannot be solved from our part. ([http://www.fourmilab.ch/documents/corrupted_downloads Detailed article on this issue])

=Editing=

==How do I create a page?==

:For more information, visit [[Help:Page creation]].

==How do I edit a page?==

:You either click a red link towards a page, which will guide you directly to editing that page, or you simply click on the "edit" button on top of any article, and you start editing.

:For more information, visit [[Help:Page editing]].

==How do I delete a page?==

:Normal users can't delete a page for themselves. If you see a page that you think must be deleted, though, you can tag it with the [[Template:Delete|Delete]], and an administrator will act accordingly.

:For more information, visit [[Help:Page deletion]] (including more detailed instructions on using the [[Template:Delete|Delete]] template)

==What kind of format am I allowed to use?==

:There is some kind of "wiki" language that is used widely among articles which you ought to be familiar with before editing pages (otherwise even the simple task of correcting a spelling mistake could be very daunting)

:You can go to [[Help:Tutorial/Page editing]] for more information, or try the [http://meta.wikimedia.org/wiki/Help:Editing Help:Editing (on wikimedia.org)] for a more extensive tutorial.

==Is HTML allowed?==

:Yes and no. There is some standard wiki formatting that you have to know, but you can also use some html and css, if you know how to do so. '''''<sub><nowiki>[to be continued]</nowiki></sub>'''''

=Users=

==How do I register to IMSLP?==

:You simply click on the "Login/Sign Up" button on the top-rightmost corner of any page, and fill in your data.

==How do I edit my user-page?==

:Just like you'd [[IMSLP:FAQs#How_do_I_edit_my_user-page.3F|edit any other page]]. You can also use the [[IMSLP:Babel|Babel]] and [[IMSLP:Instr|Instrument]] templates to indicate what languages do you speak and what instruments you play, and at what degree. You can write details about yourself, about your relation to music, what you hope to do during your stay on IMSLP, [[IMSLP:User scanning queue|what scores you are going to scan]] or [[IMSLP:Wishlist|what scores you want]] etc.

==How do I send a message to another user?==

:Although there is no "private messaging" service in wikis, you can leave "comments" on another user's page. In order to do so, click on Discussion, and then click on the "plus" sign and leave your comment. When that user logs on to IMSLP again, they will be notified that they have a new message. However, what you write will be visible to anyone, so pay attention to what you type if you don't want someone else to read it.

:For more information, visit [[Help:Tutorial/Talk_pages]] or [[:wikipedia:Help:Talk_page|Help:Talk Page (on wikipedia)]]

==How do I reply to a message?==

:You can reply either directly on your own talk page, or on the talk page of the corresponding users. Either way, please indent your reply (enter ":" before each paragraph) to keep the talk pages organised and easy to read.

:For more information, visit [[Help:Tutorial/Talk_pages]] or [[:wikipedia:Help:Talk_page|Help:Talk Page (on wikipedia)]]

=Contributing=

==How can I contribute?==

:There are many ways to help IMSLP. From editing pages to correct spelling mistakes to translating IMSLP to another language, all help is highly appreciated by all members of IMSLP. Below are some of the most common ways you can contribute to the community:

===Submitting a score===

:This is the most common form of contribution to IMSLP. You can either submit a file you found on [[IMSLP:Other music score websites|some other online collection]] with music scores and that is not already uploaded here on IMSLP, or by scanning your own scores and uploading them here on IMSLP (but in any case, make sure that the score is in one of the [[IMSLP:File formats|acceptable formats]] on IMSLP)

:For more information, visit [[IMSLP:Contributing scores]] (and [[IMSLP:Scanning music scores]] if you are scanning your own scores)

===Discuss about a piece===

:As mentioned in the first paragraph of the FAQ, '''''<sub><nowiki>[to be continued]</nowiki></sub>'''''

===Correcting a page===

:If you ever notice a spelling mistake, a wrong date in a composer page, or if you know something that is not written about a piece, feel free to edit the page and correct what you feel needs correction. This is very important as, despite the fact that much effort is put to avoid mistakes when writing big articles, it is somewhat inevitable that some mistakes will exist, and it is our responsibility to correct them.

:For more information on maintenance of IMSLP visit [[IMSLP:Maintenance]].

===Translating to another language===

:This is the most difficult, time-consuming and dedicating contribution to IMSLP that someone can do.

:While taking up the translation of all of IMSLP on your own might sound a daunting task, by "translating" we don't mean just that. We mean that you help other users translate IMSLP. For example, if you speak French, and you see that a page hasn't been translated into French, you can just translate that one page. Other users will see what you did and follow your example. This way, slowly but steadily IMSLP will become more and more "International" (as the title indicates).

:For more information, visit [[IMSLP:Internationalization]].

===Providing ideas===

:The simplest idea can contribute highly to IMSLP. IMSLP itself began as an idea, and it developed to what it is today. And it didn't just develop on its own, it developed through the criticisms, suggestions and improvements of people who visited the site. If you think something could be done more easily, faster, or better, feel free to notify one of the admins about it, and be sure that your idea will be considered by the administration as soon as possible.

:You can contact the administrators by visiting [[IMSLP_staff_contact_list|this page]]

===Help make IMSLP more known===

:You can help IMSLP to become more widely known by telling your friends, telling your music class at school, by linking to an IMSLP piece or composer page from the respective piece or composer article in wikipedia or other site, or by contacting other sites and collaborating with them, as we have done with [http://www.pianosociety.com PianoSociety.com], and now all the recordings on their site link to the composer page here on IMSLP, and we have added "Recording" fields in the "Add File" form which link back to PianoSociety. This is expected to highly increase traffic on IMSLP.

:See also: [[IMSLP:Linking across projects]]

===Mirroring IMSLP===

====Exactly what is mirrored? What software do I need?====

::Only the static files are mirrored; there will be no dynamic content. Therefore any web server is fine. I would recommend [http://www.lighttpd.net/ Lighttpd] if you have not decided on one yet.

====Can I choose an absolute bandwidth amount instead of a percentage of the total bandwidth?====
::No unfortunately. This would be extremely hard to monitor from the main server. You will have to monitor the bandwidth usage yourself. There will be a way for you to temporarily disable traffic redirect to your mirror, but it should only be used in emergency situations, and not regularly (or the bandwidth specified would be pointless).

==How can I upload scores?==

:You must first check if the score you are about to upload has not already been uploaded. Then, you must check whether or not the composer page for the score's composer exists here on IMSLP or not. If it doesn't, you have to create it first. Then, you have to create the respective Work Page for your score, and then you need to submit the file to it.

:Detailed instructions can be found on the page [[IMSLP:Score submission guide]]

==Can I upload my own compositions?==

:Of course :) As long as you make sure to publish your composition under one of the [[IMSLP:Permissible_licenses|permissible licenses]].

:For more information on CreativeCommons licenses, visit [[IMSLP:Creative Commons and Performance Restricted licenses]]

==What if I already licensed the work under another license?==

:You can simply re-license the work under a Creative Commons or Performance Restricted license. If both licenses are free (as in, no money required), the users of the file will be able to choose the license they want to use the file under.

==Why was my submission deleted?==

:Currently, you can search for the deletion reason of the page on the [http://imslp.org/index.php?title=Special:Log&type=delete deletions log] page. When this [http://bugzilla.wikimedia.org/show_bug.cgi?id=5546 Mediawiki bug] is fixed, you will be able to find the deletions in your [[Special:Watchlist]], which will only list pages that you have submitted files to. Remember: even if your submission was deleted, your contribution to IMSLP is still very much appreciated :) Everyone makes mistakes sometimes, and admins are there to correct them; deleting a page is never personal.

==What do I do if I find missing pages in a file, or other errors?==

:You can simply edit the page and add a note to the "Misc. Notes" section of the file entry. You may also add a message to the submitter's user talk page, but remember that in many cases those files are not scanned by the submitter, so the submitter may be unable to do anything about it. However, other people might, which is why adding a note to the file entry is more important.

::In addition, if the missing page is part of the [[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|Bach-Gesellschaft Ausgabe project]], you may also report it to [[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe_Missing_Pages|this page]].

Talk:公共领域

2008-08-20T08:48:08Z

Yuanyelele: New page: 算了，还是等懂法律的来翻译吧~~~~

算了，还是等懂法律的来翻译吧[[User:Yuanyelele|yuanyelele]] 04:48, 20 August 2008 (EDT)

首页

2008-08-20T08:47:14Z

Yuanyelele:

__NOTOC__ __NOEDITSECTION__ {{:OtherLangs:Main Page}}
{{AutoOldtrans|Base Page=Main Page|Base Revision=137978}}
<div id="mp">
<div id="mp_banner">
欢迎你来到
<div id="mp_sitename">IMSLP / Petrucci 音乐图书馆</div>
这里是保存公共领域乐谱的图书馆。<br />
<span style="font-size:90%">始于2006年2月16日 · {{NUMBEROFARTICLES}}部作品 · {{#imslpsccount:us|j}}份乐谱</span>
</div>
<div id="mp_nav">
<h2>浏览乐谱，按照:</h2>
[[:Category:Composers|作曲家]] · [[Browse by composer time period|时期]] · [[Browse_by_genre|形式或乐器]]
<h2>其他语言:</h2>
{{Otherlangs|lang=zh}}
</div>
<div id="mp_left">
<div id="mp_intro">
欢迎来到国际乐谱库项目（IMSLP）！我们的目标是创建一座虚拟图书馆，它包含所有位于[[公共领域]]的乐谱，以及来自愿意[[CC-SA or similar|无偿]]与世界分享其作品的作曲家的乐谱。你可以查看IMSLP想要达成的[[IMSLP:目标|目标]]的列表。

IMSLP鼓励音乐思想的交流，无论是以音乐创作的形式，还是以作品分析的形式。因此，欢迎你创建或是编辑这里的页面，发表自己对某部作品的分析（请使用该作品页面顶端的“讨论”链接）。
</div>
<h2>新闻</h2>
<div class="mp_box">
{{IMSLP:News}}
</div>
<h2>贡献</h2>
<div class="mp_box">
IMSLP需要你的帮助！请访问'''[[IMSLP:Contributor Portal|贡献者页面]]'''来了解如何贡献你的力量。在<span class="plainlinks">'''[http://www.imslpforums.org/ IMSLP论坛]'''</span>里，大家可以讨论IMSLP和一般的音乐话题。

'''贡献：'''与别人分享你的音乐知识，参与编辑这个维基，就是在做出自己的贡献。如果你的书架上有本老的乐谱，或者硬盘里有[[公共领域]]的乐谱，请考虑把它上传到IMSLP来与全世界分享！你还可以帮助我们把其他网站上的公共领域乐谱放到这里来。在[[IMSLP:Contributing scores|贡献乐谱指南]]里有更多的细节。

'''项目：'''我们还有一些[[IMSLP:Community Projects|社区项目]]，是获得一些已经停滞项目的乐谱库中的资源，鉴别其内容并保存下来。目前，IMSLP的一个主要项目就是[[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|整理并上传'''Bach-Gesellschaft Ausgabe''']]（巴赫全集）。

'''其他任务：'''除了贡献乐谱，还有很多种帮助IMSLP的方法。例如，你可以帮助[[IMSLP:Maintenance|维护网站]]，[[IMSLP:Internationalization|翻译IMSLP]]，或者[[IMSLP:Site support|在经济上支持IMSLP]].

这只是一个简介。你可以在[[IMSLP:Contributor Portal|贡献者页面]]里找到关于贡献更详细的说明。
</div>
<h2>著作权</h2>
<div class="mp_box">
本站努力遵守加拿大著作权法（查看[[公共领域]]页面获得更多的信息）。然而，如果有侵权发生，请通过feldmahler {at} imslp.org联系我们。谢谢。
</div>
</div>
<div id="mp_right">
<h2>特色乐谱</h2>
<div class="mp_box">
{{IMSLP:Featured}}
</div>
<h2>最近新增</h2>
<div class="mp_box">
<imslprecentadditions />
<div style="text-align:right">[[Special:IMSLPNARecentAdditionsFinder|更多……]]</div>
</div>
</div>
<div style="clear:both"></div>
</div>

IMSLP:目标

2008-08-19T16:37:52Z

Yuanyelele:

{{:OtherLangs:IMSLP_goals}}
{{AutoOldtrans|Base Page=IMSLP:Goals|Base Revision=34213}}
== IMSLP项目的哲学和目标 ==

=== 哲学 ===

在IMSLP，我们相信音乐应该是人人都有机会欣赏的。为此，我们创建IMSLP，让每个拥有网络连接的人都可以免费得到乐谱。访问IMSLP将''永久''免费。

=== 目标 ===

IMSLP的终极目标是保存所有位于[[public domain|公有领域]]的乐谱，以及愿意[[CC-SA or similar|免费]]发布作品的当代作曲家的作品乐谱。然而，IMSLP的另一个主要目标是在音乐创作之外交流音乐思想，例如对某部作品的分析。我们想构建起一个不断成长的、由专业音乐家和音乐爱好者组成的社区，大家可以把这里作为欣赏音乐的平台。

IMSLP:Translation Requests

2008-08-19T16:31:08Z

Yuanyelele:

This page is to list requests for inclusion of a translation into the code. Please use the following format:
<pre><language code> - [[Link to translation page]]</pre>



el - [[IMSLP:Work_Page_Translation/el]]

zh - [[IMSLP:Work_Page_Translation/zh]]

IMSLP:Translation Requests

2008-08-19T16:30:45Z

Yuanyelele:

IMSLP:Work Page Translation/zh

2008-08-19T16:30:01Z

Yuanyelele: New page: Due to the recent move from template-based work pages to parser function-based work pages (for performance concerns), translation of the work pages are also different now. If you want to ...

Due to the recent move from template-based work pages to parser function-based work pages (for performance concerns), translation of the work pages are also different now.

If you want to translate the work page, please create a page with the name "IMSLP:Work_Page_Translation/<language code>" (for example, [[IMSLP:Work Page Translation/en]]), copy the English version over, and translate it according to the directions. After you are finished translating it, add a link to the page on the [[IMSLP:Translation Requests]] page, and I will include it into the code as soon as possible.

The English versions of the work page translations are as follows. Note that text enclosed in <tt>/* */</tt> is a comment, and does not need to be translated.

=== File Entry ===
''Please translate only the text to the '''right''' side of the '=>'.''
<pre>
array( 'Download' => '下载'
'Typeset' => '打谱',
'Scan' => '扫描',
'Manuscript' => '手稿',
'New Comp.' => '新作品',
'Unknown' => '位置',
'Preview Sample' => '预览样例',
'No Sample' => '没有样例',
'File formats' => '文件格式', /*THIS IS A PAGE*/
'Information on file types' => '文件格式信息',
'File Description' => '文件描述',
'Typeset Quality' => '打谱质量',
'Scan Quality' => '扫描质量',
'Rate this file' => '给本文件评分',
'Editor' => '编辑',
'Typesetter' => '打谱者',
'Scanner' => '扫描者',
'Uploader' => '上传者',
'added' => '添加于', /*(added [date])*/
'Page Count' => '页数',
'Publisher Information' => '出版者信息',
'Copyright' => '著作权',
'Status (for admins)' => '状态（管理使用）',
'Edit' => '编辑',
'Misc. Notes' => '附注' );
</pre>

=== Work Page Entry ===
''Please translate only the text to the '''right''' side of the '=>'.''
<pre>
array( 'Work Title' => '作品名称',
'Alternative Title' => '其他名称',
'Composer' => '作曲家',
'Genre' => '类别',
'Opus/Catalogue Number' => '作品/目录号',
'Librettist' => '词作者',
'Number of Movements/Sections' => '乐章/章节数',
'Language' => '语言',
'Dedication' => '题献',
'Piece Style' => '风格',
'Year/Date of Composition' => '创作年代/日期',
'Instrumentation' => '配器',
'Year of First Publication' => '初版年',
'Discussion' => '讨论',
'Discuss' => '讨论' );
</pre>

=== Misc. Text ===
These are some loose text that are used on the work page.
<pre>
'音乐文件'
'综合信息'
'附注'
'向此作品页添加文件'
'向此作品页添加多个文件'
</pre>

公共领域

2008-08-19T16:09:12Z

Yuanyelele: /* 加拿大著作权法基础 */

{{:OtherLangs:Public domain}}
{|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0
|-
|width=50%|
|width=50% align=right|<span style="font-size: 90%">Άλλες Γλώσσες: [[Public domain|English]] - [[Publiek domein|Nederlands]] - [[Gemeinfreiheit (Public Domain)|Deutsch]] - [[Δημόσιος Τομέας|Ελληνικά]] - [[Dominio público|Español]] - [[Domaine public|Français]]</span>
|-
|}

<center><span style="color:crimson">''Please note that the IMSLP makes no guarantee whatsoever that the information appearing on this page is legally accurate and assumes no liability or legal responsibility therefor.''</span></center>
<br>
== 加拿大著作权法基础 ==
IMSLP两台主要的服务器位于加拿大（一台在蒙特利尔一台在多伦多），因此IMSLP遵守'''加拿大著作权法'''，其与你所在国家的法律可能有所不同。如果对加拿大著作权法做一最最简短的概括，将会是'''作曲家以及其他作者（如果有的话）在去世后50年内拥有著作权'''。

只有在WTO成员国或者伯尔尼公约签署国初版的作品，才适用加拿大著作权法；不过，一般情况下总是适用的，除非公约之一签署时该作品在本国（即初版所在国）已经位于公共领域。<br>

有些作品在美国位于公共领域，但在加拿大和其他国家尚不在公共领域。这是由于美国法律对1978年前出版的作品，从初版之日起计算时间。如果该作品1923年前初版（参见[[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]），或者1923至1963年间在美国初版而没有著作权更新（参见[[Public domain#US 1923-1963 copyright law|1923-1963 copyright law]]），则几乎可以肯定在美国位于公共领域。IMSLP目前没有位于美国的服务器，因此目前在美国位于公共领域的作品无法在这里发布，例如Dover版的斯特拉文斯基''春之祭''。

'''Please note that the total copyright length (i.e. the length before it enters the public domain) of a particular score is equal to the longest of the copyright terms given to the three concerned parties (composer, publisher, and editor if there is one).''' For example, a re-engraved edition of the Beethoven sonatas, published by Henle in 1985 is copyrighted (it has been edited by an editor whose work is not yet in the public domain, plus the initial typeset of this edit is also copyrighted, and the 25-year German term covering urtext editions is still in force.); while a Dover publication of 1995, which is merely a reprint of old editions, ''is'' in public domain (except for the title page and cover, i.e. stuff Dover added; there is no publisher copyright here because the initial typeset is in the public domain; there is no copyright in reprinting public domain typesets). The copyright claim can usually be found on the bottom of the first page of a score.<br>

We expect uploaders to put considerable effort into assuring that the upload is in the public domain in Canada. Please add relevant commentary to the work page or file entry. While works in the Canadian public domain that remain protected in the US are allowed for inclusion in the archive, it is possible that scanning and uploading such a work could constitute a violation of the US law for those who reside in the USA. In contrast to the laws of Canada and the EU, the ''date of first publication'' is absolutely critical for determining the U.S. copyright status of any work published before 1978.

The following tables give a quick overview of the copyright situation. '''Note that these tables list only the conditions under which a work is or is not in the public domain in Canada (and countries where the term is life+50 years), the USA, the EU, Russia (and countries where the term is life+70 years)'''. This is the situation in 2007 and the limits 1938 and 1957 change every year except in the USA, where a publication date is paramount. The term "author" refers to either the composer, an orchestrator, arranger, or an editor.

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>before</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+50)</center>
|rowspan="3" style="background-color:rgb(180,250,175)"|<center>public domain<br>(no exceptions for all intents and purposes†)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+70)</center>
| None: always public domain

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}

|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
| Work:<br> [[Template:WorkNonPD-EU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|-
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:Work1923]] <br>
|-
|File: [[Template:File1923]]<br>(''Hosted on US Server!'')
|}
|}
*†(Certain foreign works published after 1909 might be protected in the western US states under the jurisdiction of the<br>9th US Circuit Court of Appeals.)

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>after</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain (life+50)</center>
|style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|style="background-color:rgb(180,250,175)"|<center>public domain (life+70)</center>
| [[Template:WorkNonPD-US]]<br> [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer:<br> [[Template:ComposerNonPD-USandEU]]
|-
|Work:<br> [[Template:WorkNonPD-USandEU]]<br>
|-
|File: [[Template:FileNonPD-USandEU]]
|}

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:WorknotPD]] <br>
|-
|File: [[Template:FilenotPD]]
|}
|}
    ‡(US:Proof of non-renewal and NIE status applies only to works published 1923-1963. All works published 1964-1977 have been renewed<br>    automatically and enjoy a full term of 95 years after first publication. Those published 1978 and later are under copyright for life-plus-70.)

===<center><font size=3>'''Corporate copyright on the publication, no author identified'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Year Published !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-
| before 1923
|rowspan=3 style="background-color:rgb(180,250,175)"|<center>public domain (pub+50)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain</center>
|rowspan=2 style="background-color:rgb(180,250,175)"|<center>public domain (pub+70 in most countries)</center>
| None: always public domain

|-
| 1923-{{#expr:{{CURRENTYEAR}}-71}}
|rowspan=3 style="background-color:rgb(250,150,100)"|<center>copyrighted (pub.+95), unless public domain in country of first publication in 1996</center>
|File: [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan=2 style="background-color:rgb(250,150,100)"|Copyrighted
|File: [[Template:FileNonPD-USandEU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|File: [[Template:FilenotPD]]

|}
<br>

==Editions of Public Domain Works==
===Determining the Type of Edition===
There is no copyright in Canada purely in the act of publication itself. Thus any non-edited reprint or re-engraving of a public domain edition is also public domain. However, in the case that there is significant anonymous editing, Canadian copyright law does state that copyright persists for publication + 50 years for such works, or until the editor becomes publicly known, in which case it reverts back to the life + 50 years. However, because of the uncertain nature, the use of this clause is discouraged. Unlike Canada, the date of publication is extremely significant in determining the public domain status of works in the US (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]). The term "edition" or the credit "edited by" has been liberally applied by publishers for items ranging from serious re-arrangements and re-orchestrations of the original work to completely unaltered reprints of older, public domain scores.

Insignificant editorial contributions have no copyright in themselves, whereas significant ones often do. For an edition to qualify for a full term of the editor's life+50 years (or indeed any copyright term at all), the editor's contribution to the work must be of a significant and original nature - referred to in legal terms as the "threshold of originality". The following is a non-exhaustive list of significant and insignificant editing actions:

*Significant: Transcriptions, orchestrations, arrangements, realizations of figured basses.
*Significant: Adding original (new) fingerings, articulations, slurs, dynamic and tempo markings.
*Insignificant: Transposition, error correction, translation of common expressions and instrument names.
*Insignificant: Adding fingerings, articulations, slurs, dynamic and tempo markings from other public domain sources.

===Urtext or Critical Editions===
There are special provisions in several countries for a limited copyright for scholarly editions, which include critical, urtext or "scientific" editions (notably those of Barenreiter and other German publishers). Please read the [[Public domain#Copyright Laws by Country or Territory|Copyright Laws by Country or Territory]] section for more detailed information. Although these editions, apart from any editorial prefaces, annotations and commentary, contain insufficient original material to qualify for copyright status in Canada, IMSLP as a courtesy voluntarily prohibits the posting of critical or urtext edtions published less than 25 years ago, with the exception of those issued by government agencies or government-owned corporations (such as those issued by the USSR state publishing concern before the 1990 demise of the Soviet Union).

===Posthumously Published Editions (Editio Princeps)===
*Works published for the first time pusthumously within the normal period of copyright protection after the last surviving author's death date are given in Canada, a 50-year term of protection from the date of publication. In the EU, no additional copyright is granted to the publisher, and the copyiright expires with that of the author.
*Works that are first published after the expiration of the copyright term of that composer enjoy a limited copyright term in most countries under the ''Editio Princeps'' concept. In most countries, including the EU countries, this term is 25 years after publication. Canada grants 50 years of copyright protection to such first editions published in Canada, but those published outside Canada are only entitled to the same term as in the country of origin. US copyright before 1978 was based solely on publication date, proper copyright notice, registration and renewal, while works of this nature first published from 1978-2002 are protected uuntil Jan. 1, 2048. Works of authors dead more than 70 years published later than 2002 are not subject to copyright protection themsleves, but only as a new edition or other derivative work.

===Reprint Editions===
Reprint editions of publications that are in public domain are not subject to copyright in Canada, the USA, the EU, and most (if not all) or the world. This is not only the case for paper reprints, but also for scanned reprints available on digital media or on the web. No copyright can be claimed on the scanning of a public domain work (see [http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp. Bridgeman Art Library v. Corel Corp. case]), regardless of whether the original scanned is in printed or manuscript form.

==International Copyright Treaties==
:''See also: ''
:*[http://www.wipo.int/treaties/en/ip/berne/index.html Berne Treaty]
:*[http://en.wikipedia.org/wiki/Berne_Convention_for_the_Protection_of_Literary_and_Artistic_Works Berne Convention (Wikipedia)]
:*[[wikipedia:Wikipedia:Public_domain#Rule_of_the_shorter_term|here]]
===[http://en.wikipedia.org/wiki/Rule_of_the_shorter_term Rule of the Shorter Term]===

====In signatory countries====
This rule basically states that if a work is in the public domain in the country of origin, it is also public domain in any signatory country to the Berne convention that has formally opted to apply the Rule. This rule has '''not''' been adopted by the USA or Canada.

The European Union applies the Rule of the Shorter Term for works whose country of origin is outside the EU. Thus, a work by an American composer which entered the public domain in the USA, is not granted any additional protection in the EU, unless it happens to be covered under a bilateral treaty made between the USA and the EU country in question.

The principle of Country of Origin has not clearly been defined and is thus subject to interpretation. It can be defined by the nationality of the author, or by the country or countries of first publication of the work.

====In Canada====
Canadian copyright law states:<br>
''"Authors who are nationals of any country, other than a country that is a party to the North American Free Trade Agreement, that grants a term of protection shorter than that mentioned in subsection (1) are not entitled to claim a longer term of protection in Canada."''

==Copyright Laws by Country or Territory==
===Australia===
Any work published in the lifetime of an author who died in 1954 or earlier, is out of copyright. The term for authors who died in 1955 or later is 70 years.

===European Union===
The primary objective of the [http://en.wikipedia.org/wiki/Directive_on_harmonising_the_term_of_copyright_protection 93/98/EC Copyright Directive], consolidated in the [http://en.wikipedia.org/wiki/Directive_2006/116/EC 2006/11/EC Directive], was the harmonization of the copyright term for EU countries at life-plus-70 years, including a restoration to copyright status for works which had entered the public domain member countries with life-plus-50 terms at the time. Ariticle 5 is of particular importance with respect to editions of public domain music and states that member states may protect "critical and scientific publications of works which have come into the public domain" for a ''maximum of thirty years'' (italics added). Article 4 grants copyright to the publisher of a public domain work which was previously unpublished for 25 years after the date of first publication (Editio Princeps), provided that the work in question is "legally published" in accordance with the specific laws of the country in which such publication occurs.

===Czech Republic===
All Czech government publications are in the public domain. This notably affects Artia/Orbis/SNKLHU/Supraphon, which was a government organization ''from 1948 to 1989''. See the [http://www.osa.cz/upload/czech_copyright_act.pdf Czech Republic copyright act] (file hosted by OSA, Czech author's rights organization).

===United Kingdom===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation.

England has a special law regarding [http://www.opsi.gov.uk/official-publications/publishing-guidance/copyright-in-typographical-arrangement.htm "typographical arrangement"] ("typographical arrangement" essentially means re-engraving). A "typographical arrangement" is only copyrighted for the length of publication + 25 years.[http://www.copyrightservice.co.uk/copyright/p01_uk_copyright_law] This would affect many of the originally German publishers who relocated to England (ex. Eulenburg).

===France===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. There is 30 extra years for authors who 'died in action' (like Jehan Alain). In addition, posthumous works are copyrighted 25 years from the year of publication.
[http://www.wipo.int/clea/docs_new/en/fr/fr062en.html], [http://en.wikipedia.org/wiki/French_copyright_law]

===Germany===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. Posthumous first-time publications are protected for only 25 years after publication.

As per [http://www.iuscomp.org/gla/statutes/UrhG.htm#70 Article 70] of the German Urheberrechtsgesetz (copyright law), scientific editions, which is to say editions which are produced as a result of scientific analysis (i.e. scholarly or critical editions and urtext), have a copyright length of only publication + 25 years, meaning that all such scientific editions published in Germany before 1983 are in the public domain there. However, arrangements, transcriptions, orchestrations, continuo realizations, and interpretative editions enjoy a full term of protection of life-plus-70 years.

===Hungary===
* Basic protection: 70 years p.m.a.
* Posthumous publication: 25 years post-publication

::See also: [[Neue Liszt-Ausgabe]]

===Italy===
* Basic protection: 70 p.m.a.
* Scientific and critical editions: 20 years [http://www.wipo.int/clea/docs_new/en/it/it112en.html]
* ''Rights belonging to the State, the provinces, the communes, the academies or public cultural organizations, or to private legal entities of a non-profit making character'': 20 years

===Portugal===
Portugal's basic copyright term is only '''50 years''' after death of the last surviving author ''(even in the case of posthumously published works''), or 50 years after publication if no author is identified. Portuguese copyright law reserves a separate article for ''Translation, arrangement, instrumentation, dramatization, filming and, in general, any transformation of a work'' but does not clearly specify a copyright protection for these works. ([http://www.wipo.int/clea/docs_new/en/pt/pt002en.html Law text at WIPO])

===Russia / USSR===
The present Russian copyright law is extremely complicated. ([http://en.wikipedia.org/wiki/Copyright_in_Russia WP]). '''Basically, works of authors who died before 1953 are in public domain, whereas authors died 1953 or later are protected for 70 years'''. The law of Tzarist Russia was very similar to that of Germany, where works were granted a copyright term of life plus 50 years. However, Russia was ''not'' a signatory to the Berne Copyright Treaty (1888) and works of Russian composers were protected in Europe only via co-publication agreements between Russian publishers like Jurgenson and Bessel with firms in the West like D. Rahter, Bote & Bock, and Breitkopf & Härtel.

With the communist revolution of 1917, this situation changed drastically. Individual copyright was abolished along with all other forms of property ownership. This change was disasterous for the copyright status of Russian composers - even those living in the West like Prokofiev, Rachmaninov, and Stravinsky. Since all works - whether Soviet or foreign - effectively became the property of the state in the USSR, all Soviet works were held to be public domain in Western countries, even those of expatriate Soviet citizens. In order to comply with treaties to secure Western copyright status for works of Soviet authors, the Soviet goverment finally introduced a limited term of publication plus 15 years in the 1930s. However, the Soviet state (USSR) completely controlled publication of all works of living or deceased persons on which the state acclaimed copyright. Although the original works of Soviet composers have been given copyright status elsewhere thanks to several treaties, editions of public domain works issued by [[Muzgiz|Muzika]], the Soviet state music publishing agency, are generally considered to be in the public domain, as they were prepared by state employees working for a government agency, and the copyright owner (the USSR) ceased to exist in 1990.
::''See also: [[Neue Liszt-Ausgabe]]''

===USA copyright law===
====Works published before 1923====
Basically, all works published before 1923 are in the public domain in the US. At present, except for a bizarre ruling from the US 9th Circuit Court of Appeals that affects only the western states, ''any work'' published before 1923 is public domain in the US, regardless of where it was first published.

Reference: [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm Cornell University's copyright center], though there are more.

====Works published between 1923 and 1963====
In the U.S., works of US authors and proprietors that are published in 1923-1963 are in the public domain '''if the copyright is not renewed''' or '''if the work was published without a proper copyright notice'''. Currently, the only way to ascertain renewal status for works published before 1950 is to conduct a formal search of the US Copyright Office records in person or pay for a formal search by the copyright office itself. Later records are available online at the [http://www.copyright.gov/records/ US copyright office website]. This database indexes only records from 1978, which include the renewals for works first published in 1950. Non-music records from 1923-1977 are indexed at [http://www.gutenberg.org/etext/11800 Project Gutenberg].

====U.S. Copyright Restoration for Foreign Works published between 1923 and 1978====
Some foreign works from this period that were formerly public domain due to failure to comply with notice and renewal provisions of the US law have been restored to copyright status due to the provisions of the GATT/TRIPS amendments (effective Jan. 1, 1996) provided the work in question was not already public domain in its country of origin. Works that were public domain in their country of origin as of 1 January 1996, are not eligible for restoration of U.S. copyright. In other cases, US copyright laws applies. for details, read the [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights Wikipedia article].

====US Government Publications====
All US government publications are in the public domain.

==Templates and corresponding Categories==
'''Composers'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Copyright|Copyright]]}}</code>
|[[:Category:Non-Public Domain Composers]]
|-
|<code>{{[[Template:ComposerNonPD-USandEU|ComposerNonPD-USandEU]]}}</code>
|[[:Category:ComposerNonPD-USandEU]]
|}

'''Works'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Work1923|Work1923]]}}</code>
|[[:Category:Works1923]]
|-
|<code>{{[[Template:WorkNonPD-USandEU|WorkNonPD-USandEU]]}}</code>
|[[:Category:WorkNonPD-USandEU]]
|-
|<code>{{[[Template:WorkNonPD-EU|WorkNonPD-EU]]}}</code>
|[[:Category:WorkNonPD-EU]]
|-
|<code>{{[[Template:WorkNonPD-US|WorkNonPD-US]]}}</code>
|[[:Category:WorkNonPD-US]]
|-
|<code>{{[[Template:WorknotPD|WorknotPD]]}}</code>
|[[:Category:Works not in public domain]]
|}

'''Files'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:File1923|File1923]]}}</code>
|[[:Category:File1923]]
|-
|<code>{{[[Template:FileNonPD-USandEU|FileNonPD-USandEU]]}}</code>
|[[:Category:FileNonPD-USandEU]]
|-
|<code>{{[[Template:FileNonPD-EU|FileNonPD-EU]]}}</code>
|[[:Category:FileNonPD-EU]]
|-
|<code>{{[[Template:FileNonPD-US|FileNonPD-US]]}}</code>
|[[:Category:FileNonPD-US]]
|-
|<code>{{[[Template:FilenotPD|FilenotPD]]}}</code>
|[[:Category:Files not in public domain]]
|-
|<code>{{[[Template:CopyrightPermGranted|CopyrightPermGranted]]}}</code>
|[[:Category:FileNonPD-PermissionGranted]]
|-
|<code>{{[[Template:Urtext|Urtext]]}}</code>
|[[:Category:Urtext]]
|}

==Composers who will enter the public domain in the next few years==
*'''2008'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***[[:Category:Gershwin, George|Gershwin, George]] (1898-1937)
***[[:Category:Ravel, Maurice|Ravel, Maurice]] (1875-1937)
***[[:Category:Roussel, Albert|Roussel, Albert]] (1869-1937)
***[[:Category:Szymanowski, Karol|Szymanowski, Karol]] (1882-1937)
***[[:Category:Vierne, Louis|Vierne, Louis]] (1870-1937)
***[[:Category:Widor, Charles-Marie|Widor, Charles-Marie]] (1840-1937)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
*** Canteloube, Joseph (1879-1957)
*** Eric Coates (1886-1957)
*** [[:Category:Gnesin, Mikhail Fabianovich|Gnesin, Mikhail]] (1883-1957)
*** [[:Category:Goedicke, Alexander Fyodorovich|Goedicke, Alexander]] (1877-1957)
*** [[:Category:Hofmann, Józef|Józef Hofmann]] (1876-1957)
*** [[:Category:Korngold, Erich Wolfgang|Erich Wolfgang Korngold]] (1897-1957)
*** [[:Category:Shepherd, Arthur|Shepherd, Arthur]] (1880-1957)
*** [[:Category:Sibelius, Jean|Jean Sibelius]] (1865-1957)

*'''2009'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Ben Harney (1871-1938)
***Leopold Godowski (1870-1938)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ralph Vaughan Williams (1872-1958)
***W.C. Handy (1873-1958)
***Florent Schmitt (1870-1958)

*'''2010'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Franz Schmidt (1874-1939)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ernest Bloch (1880-1959)
***Bohuslav Martinů (1890-1959)
***Heitor Villa-Lobos (1887-1959)

==More information==
* [http://en.wikipedia.org/wiki/Public_Domain Wikipedia (public domain)]
* [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm a very useful table at Cornell] about U.S. copyright.
* [http://en.wikipedia.org/wiki/Wikipedia:Copyright_situations_by_country#Published_works_in_the_United_States Wikipedia (copyright situations by country)]
* [http://en.wikipedia.org/wiki/List_of_countries'_copyright_length Wikipedia (copyright length by country)]
* [http://www.cb-cda.gc.ca/info/act-e.html Copyright Board of Canada: Copyright Act] (section:''Term of Copyright'')
* [http://www.wipo.int/portal/index.html.en World Intellectual Property Organisation] providing legislative text of all countries.
* [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights WP:Non-U.S. Copyrights]

==See Also==

* [[Historical Publication Info]]

公共领域

2008-08-19T15:49:45Z

Yuanyelele:

{{:OtherLangs:Public domain}}
{|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0
|-
|width=50%|
|width=50% align=right|<span style="font-size: 90%">Άλλες Γλώσσες: [[Public domain|English]] - [[Publiek domein|Nederlands]] - [[Gemeinfreiheit (Public Domain)|Deutsch]] - [[Δημόσιος Τομέας|Ελληνικά]] - [[Dominio público|Español]] - [[Domaine public|Français]]</span>
|-
|}

<center><span style="color:crimson">''Please note that the IMSLP makes no guarantee whatsoever that the information appearing on this page is legally accurate and assumes no liability or legal responsibility therefor.''</span></center>
<br>
== 加拿大著作权法基础 ==
IMSLP两台主要的服务器位于加拿大（一台在蒙特利尔一台在多伦多），因此IMSLP遵守'''加拿大著作权法'''，其与你所在国家的法律可能有所不同。如果对加拿大著作权法做一最最简短的概括，将会是'''作曲家以及其他作者（如果有的话）在去世后50年内拥有著作权'''

只有在WTO成员国或者伯尔尼公约签署国初版的作品，才适用加拿大著作权法；不过，一般情况下this applies ''retrospectively'', 除非公约之一签署时该作品在本国（即初版所在国）已经位于公共领域。<br>

Some works ''are'' in the public domain in the U.S., but ''not yet'' public domain in Canada and other countries. The reason for this is that the US law calculates terms from the date of first publication for all works published before 1978. If a work was published before 1923 (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]), or first published in the U.S. from 1923-1963 without copyright renewal (see [[Public domain#US 1923-1963 copyright law|1923-1963 copyright law]]), it is almost certain to be public domain in the USA. IMSLP does not have a US server at present, so works in the US public domain like the Dover reprint of Stravinsky's ''Le sacre du Printemps'' cannot be posted here at the present time.

'''Please note that the total copyright length (i.e. the length before it enters the public domain) of a particular score is equal to the longest of the copyright terms given to the three concerned parties (composer, publisher, and editor if there is one).''' For example, a re-engraved edition of the Beethoven sonatas, published by Henle in 1985 is copyrighted (it has been edited by an editor whose work is not yet in the public domain, plus the initial typeset of this edit is also copyrighted, and the 25-year German term covering urtext editions is still in force.); while a Dover publication of 1995, which is merely a reprint of old editions, ''is'' in public domain (except for the title page and cover, i.e. stuff Dover added; there is no publisher copyright here because the initial typeset is in the public domain; there is no copyright in reprinting public domain typesets). The copyright claim can usually be found on the bottom of the first page of a score.<br>

We expect uploaders to put considerable effort into assuring that the upload is in the public domain in Canada. Please add relevant commentary to the work page or file entry. While works in the Canadian public domain that remain protected in the US are allowed for inclusion in the archive, it is possible that scanning and uploading such a work could constitute a violation of the US law for those who reside in the USA. In contrast to the laws of Canada and the EU, the ''date of first publication'' is absolutely critical for determining the U.S. copyright status of any work published before 1978.

The following tables give a quick overview of the copyright situation. '''Note that these tables list only the conditions under which a work is or is not in the public domain in Canada (and countries where the term is life+50 years), the USA, the EU, Russia (and countries where the term is life+70 years)'''. This is the situation in 2007 and the limits 1938 and 1957 change every year except in the USA, where a publication date is paramount. The term "author" refers to either the composer, an orchestrator, arranger, or an editor.

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>before</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+50)</center>
|rowspan="3" style="background-color:rgb(180,250,175)"|<center>public domain<br>(no exceptions for all intents and purposes†)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+70)</center>
| None: always public domain

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}

|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
| Work:<br> [[Template:WorkNonPD-EU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|-
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:Work1923]] <br>
|-
|File: [[Template:File1923]]<br>(''Hosted on US Server!'')
|}
|}
*†(Certain foreign works published after 1909 might be protected in the western US states under the jurisdiction of the<br>9th US Circuit Court of Appeals.)

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>after</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain (life+50)</center>
|style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|style="background-color:rgb(180,250,175)"|<center>public domain (life+70)</center>
| [[Template:WorkNonPD-US]]<br> [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer:<br> [[Template:ComposerNonPD-USandEU]]
|-
|Work:<br> [[Template:WorkNonPD-USandEU]]<br>
|-
|File: [[Template:FileNonPD-USandEU]]
|}

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:WorknotPD]] <br>
|-
|File: [[Template:FilenotPD]]
|}
|}
    ‡(US:Proof of non-renewal and NIE status applies only to works published 1923-1963. All works published 1964-1977 have been renewed<br>    automatically and enjoy a full term of 95 years after first publication. Those published 1978 and later are under copyright for life-plus-70.)

===<center><font size=3>'''Corporate copyright on the publication, no author identified'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Year Published !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-
| before 1923
|rowspan=3 style="background-color:rgb(180,250,175)"|<center>public domain (pub+50)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain</center>
|rowspan=2 style="background-color:rgb(180,250,175)"|<center>public domain (pub+70 in most countries)</center>
| None: always public domain

|-
| 1923-{{#expr:{{CURRENTYEAR}}-71}}
|rowspan=3 style="background-color:rgb(250,150,100)"|<center>copyrighted (pub.+95), unless public domain in country of first publication in 1996</center>
|File: [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan=2 style="background-color:rgb(250,150,100)"|Copyrighted
|File: [[Template:FileNonPD-USandEU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|File: [[Template:FilenotPD]]

|}
<br>

==Editions of Public Domain Works==
===Determining the Type of Edition===
There is no copyright in Canada purely in the act of publication itself. Thus any non-edited reprint or re-engraving of a public domain edition is also public domain. However, in the case that there is significant anonymous editing, Canadian copyright law does state that copyright persists for publication + 50 years for such works, or until the editor becomes publicly known, in which case it reverts back to the life + 50 years. However, because of the uncertain nature, the use of this clause is discouraged. Unlike Canada, the date of publication is extremely significant in determining the public domain status of works in the US (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]). The term "edition" or the credit "edited by" has been liberally applied by publishers for items ranging from serious re-arrangements and re-orchestrations of the original work to completely unaltered reprints of older, public domain scores.

Insignificant editorial contributions have no copyright in themselves, whereas significant ones often do. For an edition to qualify for a full term of the editor's life+50 years (or indeed any copyright term at all), the editor's contribution to the work must be of a significant and original nature - referred to in legal terms as the "threshold of originality". The following is a non-exhaustive list of significant and insignificant editing actions:

*Significant: Transcriptions, orchestrations, arrangements, realizations of figured basses.
*Significant: Adding original (new) fingerings, articulations, slurs, dynamic and tempo markings.
*Insignificant: Transposition, error correction, translation of common expressions and instrument names.
*Insignificant: Adding fingerings, articulations, slurs, dynamic and tempo markings from other public domain sources.

===Urtext or Critical Editions===
There are special provisions in several countries for a limited copyright for scholarly editions, which include critical, urtext or "scientific" editions (notably those of Barenreiter and other German publishers). Please read the [[Public domain#Copyright Laws by Country or Territory|Copyright Laws by Country or Territory]] section for more detailed information. Although these editions, apart from any editorial prefaces, annotations and commentary, contain insufficient original material to qualify for copyright status in Canada, IMSLP as a courtesy voluntarily prohibits the posting of critical or urtext edtions published less than 25 years ago, with the exception of those issued by government agencies or government-owned corporations (such as those issued by the USSR state publishing concern before the 1990 demise of the Soviet Union).

===Posthumously Published Editions (Editio Princeps)===
*Works published for the first time pusthumously within the normal period of copyright protection after the last surviving author's death date are given in Canada, a 50-year term of protection from the date of publication. In the EU, no additional copyright is granted to the publisher, and the copyiright expires with that of the author.
*Works that are first published after the expiration of the copyright term of that composer enjoy a limited copyright term in most countries under the ''Editio Princeps'' concept. In most countries, including the EU countries, this term is 25 years after publication. Canada grants 50 years of copyright protection to such first editions published in Canada, but those published outside Canada are only entitled to the same term as in the country of origin. US copyright before 1978 was based solely on publication date, proper copyright notice, registration and renewal, while works of this nature first published from 1978-2002 are protected uuntil Jan. 1, 2048. Works of authors dead more than 70 years published later than 2002 are not subject to copyright protection themsleves, but only as a new edition or other derivative work.

===Reprint Editions===
Reprint editions of publications that are in public domain are not subject to copyright in Canada, the USA, the EU, and most (if not all) or the world. This is not only the case for paper reprints, but also for scanned reprints available on digital media or on the web. No copyright can be claimed on the scanning of a public domain work (see [http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp. Bridgeman Art Library v. Corel Corp. case]), regardless of whether the original scanned is in printed or manuscript form.

==International Copyright Treaties==
:''See also: ''
:*[http://www.wipo.int/treaties/en/ip/berne/index.html Berne Treaty]
:*[http://en.wikipedia.org/wiki/Berne_Convention_for_the_Protection_of_Literary_and_Artistic_Works Berne Convention (Wikipedia)]
:*[[wikipedia:Wikipedia:Public_domain#Rule_of_the_shorter_term|here]]
===[http://en.wikipedia.org/wiki/Rule_of_the_shorter_term Rule of the Shorter Term]===

====In signatory countries====
This rule basically states that if a work is in the public domain in the country of origin, it is also public domain in any signatory country to the Berne convention that has formally opted to apply the Rule. This rule has '''not''' been adopted by the USA or Canada.

The European Union applies the Rule of the Shorter Term for works whose country of origin is outside the EU. Thus, a work by an American composer which entered the public domain in the USA, is not granted any additional protection in the EU, unless it happens to be covered under a bilateral treaty made between the USA and the EU country in question.

The principle of Country of Origin has not clearly been defined and is thus subject to interpretation. It can be defined by the nationality of the author, or by the country or countries of first publication of the work.

====In Canada====
Canadian copyright law states:<br>
''"Authors who are nationals of any country, other than a country that is a party to the North American Free Trade Agreement, that grants a term of protection shorter than that mentioned in subsection (1) are not entitled to claim a longer term of protection in Canada."''

==Copyright Laws by Country or Territory==
===Australia===
Any work published in the lifetime of an author who died in 1954 or earlier, is out of copyright. The term for authors who died in 1955 or later is 70 years.

===European Union===
The primary objective of the [http://en.wikipedia.org/wiki/Directive_on_harmonising_the_term_of_copyright_protection 93/98/EC Copyright Directive], consolidated in the [http://en.wikipedia.org/wiki/Directive_2006/116/EC 2006/11/EC Directive], was the harmonization of the copyright term for EU countries at life-plus-70 years, including a restoration to copyright status for works which had entered the public domain member countries with life-plus-50 terms at the time. Ariticle 5 is of particular importance with respect to editions of public domain music and states that member states may protect "critical and scientific publications of works which have come into the public domain" for a ''maximum of thirty years'' (italics added). Article 4 grants copyright to the publisher of a public domain work which was previously unpublished for 25 years after the date of first publication (Editio Princeps), provided that the work in question is "legally published" in accordance with the specific laws of the country in which such publication occurs.

===Czech Republic===
All Czech government publications are in the public domain. This notably affects Artia/Orbis/SNKLHU/Supraphon, which was a government organization ''from 1948 to 1989''. See the [http://www.osa.cz/upload/czech_copyright_act.pdf Czech Republic copyright act] (file hosted by OSA, Czech author's rights organization).

===United Kingdom===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation.

England has a special law regarding [http://www.opsi.gov.uk/official-publications/publishing-guidance/copyright-in-typographical-arrangement.htm "typographical arrangement"] ("typographical arrangement" essentially means re-engraving). A "typographical arrangement" is only copyrighted for the length of publication + 25 years.[http://www.copyrightservice.co.uk/copyright/p01_uk_copyright_law] This would affect many of the originally German publishers who relocated to England (ex. Eulenburg).

===France===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. There is 30 extra years for authors who 'died in action' (like Jehan Alain). In addition, posthumous works are copyrighted 25 years from the year of publication.
[http://www.wipo.int/clea/docs_new/en/fr/fr062en.html], [http://en.wikipedia.org/wiki/French_copyright_law]

===Germany===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. Posthumous first-time publications are protected for only 25 years after publication.

As per [http://www.iuscomp.org/gla/statutes/UrhG.htm#70 Article 70] of the German Urheberrechtsgesetz (copyright law), scientific editions, which is to say editions which are produced as a result of scientific analysis (i.e. scholarly or critical editions and urtext), have a copyright length of only publication + 25 years, meaning that all such scientific editions published in Germany before 1983 are in the public domain there. However, arrangements, transcriptions, orchestrations, continuo realizations, and interpretative editions enjoy a full term of protection of life-plus-70 years.

===Hungary===
* Basic protection: 70 years p.m.a.
* Posthumous publication: 25 years post-publication

::See also: [[Neue Liszt-Ausgabe]]

===Italy===
* Basic protection: 70 p.m.a.
* Scientific and critical editions: 20 years [http://www.wipo.int/clea/docs_new/en/it/it112en.html]
* ''Rights belonging to the State, the provinces, the communes, the academies or public cultural organizations, or to private legal entities of a non-profit making character'': 20 years

===Portugal===
Portugal's basic copyright term is only '''50 years''' after death of the last surviving author ''(even in the case of posthumously published works''), or 50 years after publication if no author is identified. Portuguese copyright law reserves a separate article for ''Translation, arrangement, instrumentation, dramatization, filming and, in general, any transformation of a work'' but does not clearly specify a copyright protection for these works. ([http://www.wipo.int/clea/docs_new/en/pt/pt002en.html Law text at WIPO])

===Russia / USSR===
The present Russian copyright law is extremely complicated. ([http://en.wikipedia.org/wiki/Copyright_in_Russia WP]). '''Basically, works of authors who died before 1953 are in public domain, whereas authors died 1953 or later are protected for 70 years'''. The law of Tzarist Russia was very similar to that of Germany, where works were granted a copyright term of life plus 50 years. However, Russia was ''not'' a signatory to the Berne Copyright Treaty (1888) and works of Russian composers were protected in Europe only via co-publication agreements between Russian publishers like Jurgenson and Bessel with firms in the West like D. Rahter, Bote & Bock, and Breitkopf & Härtel.

With the communist revolution of 1917, this situation changed drastically. Individual copyright was abolished along with all other forms of property ownership. This change was disasterous for the copyright status of Russian composers - even those living in the West like Prokofiev, Rachmaninov, and Stravinsky. Since all works - whether Soviet or foreign - effectively became the property of the state in the USSR, all Soviet works were held to be public domain in Western countries, even those of expatriate Soviet citizens. In order to comply with treaties to secure Western copyright status for works of Soviet authors, the Soviet goverment finally introduced a limited term of publication plus 15 years in the 1930s. However, the Soviet state (USSR) completely controlled publication of all works of living or deceased persons on which the state acclaimed copyright. Although the original works of Soviet composers have been given copyright status elsewhere thanks to several treaties, editions of public domain works issued by [[Muzgiz|Muzika]], the Soviet state music publishing agency, are generally considered to be in the public domain, as they were prepared by state employees working for a government agency, and the copyright owner (the USSR) ceased to exist in 1990.
::''See also: [[Neue Liszt-Ausgabe]]''

===USA copyright law===
====Works published before 1923====
Basically, all works published before 1923 are in the public domain in the US. At present, except for a bizarre ruling from the US 9th Circuit Court of Appeals that affects only the western states, ''any work'' published before 1923 is public domain in the US, regardless of where it was first published.

Reference: [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm Cornell University's copyright center], though there are more.

====Works published between 1923 and 1963====
In the U.S., works of US authors and proprietors that are published in 1923-1963 are in the public domain '''if the copyright is not renewed''' or '''if the work was published without a proper copyright notice'''. Currently, the only way to ascertain renewal status for works published before 1950 is to conduct a formal search of the US Copyright Office records in person or pay for a formal search by the copyright office itself. Later records are available online at the [http://www.copyright.gov/records/ US copyright office website]. This database indexes only records from 1978, which include the renewals for works first published in 1950. Non-music records from 1923-1977 are indexed at [http://www.gutenberg.org/etext/11800 Project Gutenberg].

====U.S. Copyright Restoration for Foreign Works published between 1923 and 1978====
Some foreign works from this period that were formerly public domain due to failure to comply with notice and renewal provisions of the US law have been restored to copyright status due to the provisions of the GATT/TRIPS amendments (effective Jan. 1, 1996) provided the work in question was not already public domain in its country of origin. Works that were public domain in their country of origin as of 1 January 1996, are not eligible for restoration of U.S. copyright. In other cases, US copyright laws applies. for details, read the [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights Wikipedia article].

====US Government Publications====
All US government publications are in the public domain.

==Templates and corresponding Categories==
'''Composers'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Copyright|Copyright]]}}</code>
|[[:Category:Non-Public Domain Composers]]
|-
|<code>{{[[Template:ComposerNonPD-USandEU|ComposerNonPD-USandEU]]}}</code>
|[[:Category:ComposerNonPD-USandEU]]
|}

'''Works'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Work1923|Work1923]]}}</code>
|[[:Category:Works1923]]
|-
|<code>{{[[Template:WorkNonPD-USandEU|WorkNonPD-USandEU]]}}</code>
|[[:Category:WorkNonPD-USandEU]]
|-
|<code>{{[[Template:WorkNonPD-EU|WorkNonPD-EU]]}}</code>
|[[:Category:WorkNonPD-EU]]
|-
|<code>{{[[Template:WorkNonPD-US|WorkNonPD-US]]}}</code>
|[[:Category:WorkNonPD-US]]
|-
|<code>{{[[Template:WorknotPD|WorknotPD]]}}</code>
|[[:Category:Works not in public domain]]
|}

'''Files'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:File1923|File1923]]}}</code>
|[[:Category:File1923]]
|-
|<code>{{[[Template:FileNonPD-USandEU|FileNonPD-USandEU]]}}</code>
|[[:Category:FileNonPD-USandEU]]
|-
|<code>{{[[Template:FileNonPD-EU|FileNonPD-EU]]}}</code>
|[[:Category:FileNonPD-EU]]
|-
|<code>{{[[Template:FileNonPD-US|FileNonPD-US]]}}</code>
|[[:Category:FileNonPD-US]]
|-
|<code>{{[[Template:FilenotPD|FilenotPD]]}}</code>
|[[:Category:Files not in public domain]]
|-
|<code>{{[[Template:CopyrightPermGranted|CopyrightPermGranted]]}}</code>
|[[:Category:FileNonPD-PermissionGranted]]
|-
|<code>{{[[Template:Urtext|Urtext]]}}</code>
|[[:Category:Urtext]]
|}

==Composers who will enter the public domain in the next few years==
*'''2008'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***[[:Category:Gershwin, George|Gershwin, George]] (1898-1937)
***[[:Category:Ravel, Maurice|Ravel, Maurice]] (1875-1937)
***[[:Category:Roussel, Albert|Roussel, Albert]] (1869-1937)
***[[:Category:Szymanowski, Karol|Szymanowski, Karol]] (1882-1937)
***[[:Category:Vierne, Louis|Vierne, Louis]] (1870-1937)
***[[:Category:Widor, Charles-Marie|Widor, Charles-Marie]] (1840-1937)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
*** Canteloube, Joseph (1879-1957)
*** Eric Coates (1886-1957)
*** [[:Category:Gnesin, Mikhail Fabianovich|Gnesin, Mikhail]] (1883-1957)
*** [[:Category:Goedicke, Alexander Fyodorovich|Goedicke, Alexander]] (1877-1957)
*** [[:Category:Hofmann, Józef|Józef Hofmann]] (1876-1957)
*** [[:Category:Korngold, Erich Wolfgang|Erich Wolfgang Korngold]] (1897-1957)
*** [[:Category:Shepherd, Arthur|Shepherd, Arthur]] (1880-1957)
*** [[:Category:Sibelius, Jean|Jean Sibelius]] (1865-1957)

*'''2009'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Ben Harney (1871-1938)
***Leopold Godowski (1870-1938)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ralph Vaughan Williams (1872-1958)
***W.C. Handy (1873-1958)
***Florent Schmitt (1870-1958)

*'''2010'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Franz Schmidt (1874-1939)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ernest Bloch (1880-1959)
***Bohuslav Martinů (1890-1959)
***Heitor Villa-Lobos (1887-1959)

==More information==
* [http://en.wikipedia.org/wiki/Public_Domain Wikipedia (public domain)]
* [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm a very useful table at Cornell] about U.S. copyright.
* [http://en.wikipedia.org/wiki/Wikipedia:Copyright_situations_by_country#Published_works_in_the_United_States Wikipedia (copyright situations by country)]
* [http://en.wikipedia.org/wiki/List_of_countries'_copyright_length Wikipedia (copyright length by country)]
* [http://www.cb-cda.gc.ca/info/act-e.html Copyright Board of Canada: Copyright Act] (section:''Term of Copyright'')
* [http://www.wipo.int/portal/index.html.en World Intellectual Property Organisation] providing legislative text of all countries.
* [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights WP:Non-U.S. Copyrights]

==See Also==

* [[Historical Publication Info]]

User:Yuanyelele

2008-08-19T15:31:38Z

Yuanyelele:

Template:User zh-

2008-08-19T15:25:19Z

Yuanyelele:

{|class="babel"
|-
|class="babel_label"|zh
|class="babel_text"|这位用户会[[:Category:User zh|中文]].
|}
<includeonly>[[Category:User zh]]</includeonly>
<noinclude>[[Category:Babel Templates|zh-]]</noinclude>

Template:User zh

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Yuanyelele:

{|class="babel babel_native"
|-
|class="babel_label"|zh
|class="babel_text"|这位用户以[[:Category:User zh|中文]]为[[:Category:User zh-N|母语]]。
|}
<includeonly>[[Category:User zh]][[Category:User zh-N]]</includeonly>
<noinclude>[[Category:Babel Templates|zh]]</noinclude>

User:Yuanyelele

2008-08-19T15:22:13Z

Yuanyelele: New page: {{Babel|zh|en-}}

公有领域

2008-08-19T11:37:37Z

Yuanyelele: 公有领域 moved to 公共领域

#REDIRECT [[公共领域]]

公共领域

2008-08-19T11:37:37Z

Yuanyelele: 公有领域 moved to 公共领域

{{:OtherLangs:Public domain}}
{|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0
|-
|width=50%|
|width=50% align=right|<span style="font-size: 90%">Άλλες Γλώσσες: [[Public domain|English]] - [[Publiek domein|Nederlands]] - [[Gemeinfreiheit (Public Domain)|Deutsch]] - [[Δημόσιος Τομέας|Ελληνικά]] - [[Dominio público|Español]] - [[Domaine public|Français]]</span>
|-
|}

<center><span style="color:crimson">''Please note that the IMSLP makes no guarantee whatsoever that the information appearing on this page is legally accurate and assumes no liability or legal responsibility therefor.''</span></center>
<br>
== 加拿大著作权法基础 ==
Because the two main IMSLP servers are physically hosted in Canada (one at Montreal and the other at Toronto), IMSLP follows '''Canadian copyright laws''', which may differ from your country. The briefest summary of Canadian copyright law would be that '''copyright persists for the composer or other author (if any) for 50 years after his/her death'''.

Only works that are first published in countries that are members of the WTO or Berne Convention are subject to copyright in Canada; however, in most cases this applies ''retrospectively'', unless the work was already in the public domain in its native country (i.e. the country in which the first publication occurred) when either treaty was signed.<br>

Some works ''are'' in the public domain in the U.S., but ''not yet'' public domain in Canada and other countries. The reason for this is that the US law calculates terms from the date of first publication for all works published before 1978. If a work was published before 1923 (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]), or first published in the U.S. from 1923-1963 without copyright renewal (see [[Public domain#US 1923-1963 copyright law|1923-1963 copyright law]]), it is almost certain to be public domain in the USA. IMSLP does not have a US server at present, so works in the US public domain like the Dover reprint of Stravinsky's ''Le sacre du Printemps'' cannot be posted here at the present time.

'''Please note that the total copyright length (i.e. the length before it enters the public domain) of a particular score is equal to the longest of the copyright terms given to the three concerned parties (composer, publisher, and editor if there is one).''' For example, a re-engraved edition of the Beethoven sonatas, published by Henle in 1985 is copyrighted (it has been edited by an editor whose work is not yet in the public domain, plus the initial typeset of this edit is also copyrighted, and the 25-year German term covering urtext editions is still in force.); while a Dover publication of 1995, which is merely a reprint of old editions, ''is'' in public domain (except for the title page and cover, i.e. stuff Dover added; there is no publisher copyright here because the initial typeset is in the public domain; there is no copyright in reprinting public domain typesets). The copyright claim can usually be found on the bottom of the first page of a score.<br>

We expect uploaders to put considerable effort into assuring that the upload is in the public domain in Canada. Please add relevant commentary to the work page or file entry. While works in the Canadian public domain that remain protected in the US are allowed for inclusion in the archive, it is possible that scanning and uploading such a work could constitute a violation of the US law for those who reside in the USA. In contrast to the laws of Canada and the EU, the ''date of first publication'' is absolutely critical for determining the U.S. copyright status of any work published before 1978.

The following tables give a quick overview of the copyright situation. '''Note that these tables list only the conditions under which a work is or is not in the public domain in Canada (and countries where the term is life+50 years), the USA, the EU, Russia (and countries where the term is life+70 years)'''. This is the situation in 2007 and the limits 1938 and 1957 change every year except in the USA, where a publication date is paramount. The term "author" refers to either the composer, an orchestrator, arranger, or an editor.

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>before</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+50)</center>
|rowspan="3" style="background-color:rgb(180,250,175)"|<center>public domain<br>(no exceptions for all intents and purposes†)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+70)</center>
| None: always public domain

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}

|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
| Work:<br> [[Template:WorkNonPD-EU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|-
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:Work1923]] <br>
|-
|File: [[Template:File1923]]<br>(''Hosted on US Server!'')
|}
|}
*†(Certain foreign works published after 1909 might be protected in the western US states under the jurisdiction of the<br>9th US Circuit Court of Appeals.)

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>after</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain (life+50)</center>
|style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|style="background-color:rgb(180,250,175)"|<center>public domain (life+70)</center>
| [[Template:WorkNonPD-US]]<br> [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer:<br> [[Template:ComposerNonPD-USandEU]]
|-
|Work:<br> [[Template:WorkNonPD-USandEU]]<br>
|-
|File: [[Template:FileNonPD-USandEU]]
|}

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:WorknotPD]] <br>
|-
|File: [[Template:FilenotPD]]
|}
|}
    ‡(US:Proof of non-renewal and NIE status applies only to works published 1923-1963. All works published 1964-1977 have been renewed<br>    automatically and enjoy a full term of 95 years after first publication. Those published 1978 and later are under copyright for life-plus-70.)

===<center><font size=3>'''Corporate copyright on the publication, no author identified'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Year Published !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-
| before 1923
|rowspan=3 style="background-color:rgb(180,250,175)"|<center>public domain (pub+50)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain</center>
|rowspan=2 style="background-color:rgb(180,250,175)"|<center>public domain (pub+70 in most countries)</center>
| None: always public domain

|-
| 1923-{{#expr:{{CURRENTYEAR}}-71}}
|rowspan=3 style="background-color:rgb(250,150,100)"|<center>copyrighted (pub.+95), unless public domain in country of first publication in 1996</center>
|File: [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan=2 style="background-color:rgb(250,150,100)"|Copyrighted
|File: [[Template:FileNonPD-USandEU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|File: [[Template:FilenotPD]]

|}
<br>

==Editions of Public Domain Works==
===Determining the Type of Edition===
There is no copyright in Canada purely in the act of publication itself. Thus any non-edited reprint or re-engraving of a public domain edition is also public domain. However, in the case that there is significant anonymous editing, Canadian copyright law does state that copyright persists for publication + 50 years for such works, or until the editor becomes publicly known, in which case it reverts back to the life + 50 years. However, because of the uncertain nature, the use of this clause is discouraged. Unlike Canada, the date of publication is extremely significant in determining the public domain status of works in the US (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]). The term "edition" or the credit "edited by" has been liberally applied by publishers for items ranging from serious re-arrangements and re-orchestrations of the original work to completely unaltered reprints of older, public domain scores.

Insignificant editorial contributions have no copyright in themselves, whereas significant ones often do. For an edition to qualify for a full term of the editor's life+50 years (or indeed any copyright term at all), the editor's contribution to the work must be of a significant and original nature - referred to in legal terms as the "threshold of originality". The following is a non-exhaustive list of significant and insignificant editing actions:

*Significant: Transcriptions, orchestrations, arrangements, realizations of figured basses.
*Significant: Adding original (new) fingerings, articulations, slurs, dynamic and tempo markings.
*Insignificant: Transposition, error correction, translation of common expressions and instrument names.
*Insignificant: Adding fingerings, articulations, slurs, dynamic and tempo markings from other public domain sources.

===Urtext or Critical Editions===
There are special provisions in several countries for a limited copyright for scholarly editions, which include critical, urtext or "scientific" editions (notably those of Barenreiter and other German publishers). Please read the [[Public domain#Copyright Laws by Country or Territory|Copyright Laws by Country or Territory]] section for more detailed information. Although these editions, apart from any editorial prefaces, annotations and commentary, contain insufficient original material to qualify for copyright status in Canada, IMSLP as a courtesy voluntarily prohibits the posting of critical or urtext edtions published less than 25 years ago, with the exception of those issued by government agencies or government-owned corporations (such as those issued by the USSR state publishing concern before the 1990 demise of the Soviet Union).

===Posthumously Published Editions (Editio Princeps)===
*Works published for the first time pusthumously within the normal period of copyright protection after the last surviving author's death date are given in Canada, a 50-year term of protection from the date of publication. In the EU, no additional copyright is granted to the publisher, and the copyiright expires with that of the author.
*Works that are first published after the expiration of the copyright term of that composer enjoy a limited copyright term in most countries under the ''Editio Princeps'' concept. In most countries, including the EU countries, this term is 25 years after publication. Canada grants 50 years of copyright protection to such first editions published in Canada, but those published outside Canada are only entitled to the same term as in the country of origin. US copyright before 1978 was based solely on publication date, proper copyright notice, registration and renewal, while works of this nature first published from 1978-2002 are protected uuntil Jan. 1, 2048. Works of authors dead more than 70 years published later than 2002 are not subject to copyright protection themsleves, but only as a new edition or other derivative work.

===Reprint Editions===
Reprint editions of publications that are in public domain are not subject to copyright in Canada, the USA, the EU, and most (if not all) or the world. This is not only the case for paper reprints, but also for scanned reprints available on digital media or on the web. No copyright can be claimed on the scanning of a public domain work (see [http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp. Bridgeman Art Library v. Corel Corp. case]), regardless of whether the original scanned is in printed or manuscript form.

==International Copyright Treaties==
:''See also: ''
:*[http://www.wipo.int/treaties/en/ip/berne/index.html Berne Treaty]
:*[http://en.wikipedia.org/wiki/Berne_Convention_for_the_Protection_of_Literary_and_Artistic_Works Berne Convention (Wikipedia)]
:*[[wikipedia:Wikipedia:Public_domain#Rule_of_the_shorter_term|here]]
===[http://en.wikipedia.org/wiki/Rule_of_the_shorter_term Rule of the Shorter Term]===

====In signatory countries====
This rule basically states that if a work is in the public domain in the country of origin, it is also public domain in any signatory country to the Berne convention that has formally opted to apply the Rule. This rule has '''not''' been adopted by the USA or Canada.

The European Union applies the Rule of the Shorter Term for works whose country of origin is outside the EU. Thus, a work by an American composer which entered the public domain in the USA, is not granted any additional protection in the EU, unless it happens to be covered under a bilateral treaty made between the USA and the EU country in question.

The principle of Country of Origin has not clearly been defined and is thus subject to interpretation. It can be defined by the nationality of the author, or by the country or countries of first publication of the work.

====In Canada====
Canadian copyright law states:<br>
''"Authors who are nationals of any country, other than a country that is a party to the North American Free Trade Agreement, that grants a term of protection shorter than that mentioned in subsection (1) are not entitled to claim a longer term of protection in Canada."''

==Copyright Laws by Country or Territory==
===Australia===
Any work published in the lifetime of an author who died in 1954 or earlier, is out of copyright. The term for authors who died in 1955 or later is 70 years.

===European Union===
The primary objective of the [http://en.wikipedia.org/wiki/Directive_on_harmonising_the_term_of_copyright_protection 93/98/EC Copyright Directive], consolidated in the [http://en.wikipedia.org/wiki/Directive_2006/116/EC 2006/11/EC Directive], was the harmonization of the copyright term for EU countries at life-plus-70 years, including a restoration to copyright status for works which had entered the public domain member countries with life-plus-50 terms at the time. Ariticle 5 is of particular importance with respect to editions of public domain music and states that member states may protect "critical and scientific publications of works which have come into the public domain" for a ''maximum of thirty years'' (italics added). Article 4 grants copyright to the publisher of a public domain work which was previously unpublished for 25 years after the date of first publication (Editio Princeps), provided that the work in question is "legally published" in accordance with the specific laws of the country in which such publication occurs.

===Czech Republic===
All Czech government publications are in the public domain. This notably affects Artia/Orbis/SNKLHU/Supraphon, which was a government organization ''from 1948 to 1989''. See the [http://www.osa.cz/upload/czech_copyright_act.pdf Czech Republic copyright act] (file hosted by OSA, Czech author's rights organization).

===United Kingdom===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation.

England has a special law regarding [http://www.opsi.gov.uk/official-publications/publishing-guidance/copyright-in-typographical-arrangement.htm "typographical arrangement"] ("typographical arrangement" essentially means re-engraving). A "typographical arrangement" is only copyrighted for the length of publication + 25 years.[http://www.copyrightservice.co.uk/copyright/p01_uk_copyright_law] This would affect many of the originally German publishers who relocated to England (ex. Eulenburg).

===France===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. There is 30 extra years for authors who 'died in action' (like Jehan Alain). In addition, posthumous works are copyrighted 25 years from the year of publication.
[http://www.wipo.int/clea/docs_new/en/fr/fr062en.html], [http://en.wikipedia.org/wiki/French_copyright_law]

===Germany===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. Posthumous first-time publications are protected for only 25 years after publication.

As per [http://www.iuscomp.org/gla/statutes/UrhG.htm#70 Article 70] of the German Urheberrechtsgesetz (copyright law), scientific editions, which is to say editions which are produced as a result of scientific analysis (i.e. scholarly or critical editions and urtext), have a copyright length of only publication + 25 years, meaning that all such scientific editions published in Germany before 1983 are in the public domain there. However, arrangements, transcriptions, orchestrations, continuo realizations, and interpretative editions enjoy a full term of protection of life-plus-70 years.

===Hungary===
* Basic protection: 70 years p.m.a.
* Posthumous publication: 25 years post-publication

::See also: [[Neue Liszt-Ausgabe]]

===Italy===
* Basic protection: 70 p.m.a.
* Scientific and critical editions: 20 years [http://www.wipo.int/clea/docs_new/en/it/it112en.html]
* ''Rights belonging to the State, the provinces, the communes, the academies or public cultural organizations, or to private legal entities of a non-profit making character'': 20 years

===Portugal===
Portugal's basic copyright term is only '''50 years''' after death of the last surviving author ''(even in the case of posthumously published works''), or 50 years after publication if no author is identified. Portuguese copyright law reserves a separate article for ''Translation, arrangement, instrumentation, dramatization, filming and, in general, any transformation of a work'' but does not clearly specify a copyright protection for these works. ([http://www.wipo.int/clea/docs_new/en/pt/pt002en.html Law text at WIPO])

===Russia / USSR===
The present Russian copyright law is extremely complicated. ([http://en.wikipedia.org/wiki/Copyright_in_Russia WP]). '''Basically, works of authors who died before 1953 are in public domain, whereas authors died 1953 or later are protected for 70 years'''. The law of Tzarist Russia was very similar to that of Germany, where works were granted a copyright term of life plus 50 years. However, Russia was ''not'' a signatory to the Berne Copyright Treaty (1888) and works of Russian composers were protected in Europe only via co-publication agreements between Russian publishers like Jurgenson and Bessel with firms in the West like D. Rahter, Bote & Bock, and Breitkopf & Härtel.

With the communist revolution of 1917, this situation changed drastically. Individual copyright was abolished along with all other forms of property ownership. This change was disasterous for the copyright status of Russian composers - even those living in the West like Prokofiev, Rachmaninov, and Stravinsky. Since all works - whether Soviet or foreign - effectively became the property of the state in the USSR, all Soviet works were held to be public domain in Western countries, even those of expatriate Soviet citizens. In order to comply with treaties to secure Western copyright status for works of Soviet authors, the Soviet goverment finally introduced a limited term of publication plus 15 years in the 1930s. However, the Soviet state (USSR) completely controlled publication of all works of living or deceased persons on which the state acclaimed copyright. Although the original works of Soviet composers have been given copyright status elsewhere thanks to several treaties, editions of public domain works issued by [[Muzgiz|Muzika]], the Soviet state music publishing agency, are generally considered to be in the public domain, as they were prepared by state employees working for a government agency, and the copyright owner (the USSR) ceased to exist in 1990.
::''See also: [[Neue Liszt-Ausgabe]]''

===USA copyright law===
====Works published before 1923====
Basically, all works published before 1923 are in the public domain in the US. At present, except for a bizarre ruling from the US 9th Circuit Court of Appeals that affects only the western states, ''any work'' published before 1923 is public domain in the US, regardless of where it was first published.

Reference: [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm Cornell University's copyright center], though there are more.

====Works published between 1923 and 1963====
In the U.S., works of US authors and proprietors that are published in 1923-1963 are in the public domain '''if the copyright is not renewed''' or '''if the work was published without a proper copyright notice'''. Currently, the only way to ascertain renewal status for works published before 1950 is to conduct a formal search of the US Copyright Office records in person or pay for a formal search by the copyright office itself. Later records are available online at the [http://www.copyright.gov/records/ US copyright office website]. This database indexes only records from 1978, which include the renewals for works first published in 1950. Non-music records from 1923-1977 are indexed at [http://www.gutenberg.org/etext/11800 Project Gutenberg].

====U.S. Copyright Restoration for Foreign Works published between 1923 and 1978====
Some foreign works from this period that were formerly public domain due to failure to comply with notice and renewal provisions of the US law have been restored to copyright status due to the provisions of the GATT/TRIPS amendments (effective Jan. 1, 1996) provided the work in question was not already public domain in its country of origin. Works that were public domain in their country of origin as of 1 January 1996, are not eligible for restoration of U.S. copyright. In other cases, US copyright laws applies. for details, read the [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights Wikipedia article].

====US Government Publications====
All US government publications are in the public domain.

==Templates and corresponding Categories==
'''Composers'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Copyright|Copyright]]}}</code>
|[[:Category:Non-Public Domain Composers]]
|-
|<code>{{[[Template:ComposerNonPD-USandEU|ComposerNonPD-USandEU]]}}</code>
|[[:Category:ComposerNonPD-USandEU]]
|}

'''Works'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Work1923|Work1923]]}}</code>
|[[:Category:Works1923]]
|-
|<code>{{[[Template:WorkNonPD-USandEU|WorkNonPD-USandEU]]}}</code>
|[[:Category:WorkNonPD-USandEU]]
|-
|<code>{{[[Template:WorkNonPD-EU|WorkNonPD-EU]]}}</code>
|[[:Category:WorkNonPD-EU]]
|-
|<code>{{[[Template:WorkNonPD-US|WorkNonPD-US]]}}</code>
|[[:Category:WorkNonPD-US]]
|-
|<code>{{[[Template:WorknotPD|WorknotPD]]}}</code>
|[[:Category:Works not in public domain]]
|}

'''Files'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:File1923|File1923]]}}</code>
|[[:Category:File1923]]
|-
|<code>{{[[Template:FileNonPD-USandEU|FileNonPD-USandEU]]}}</code>
|[[:Category:FileNonPD-USandEU]]
|-
|<code>{{[[Template:FileNonPD-EU|FileNonPD-EU]]}}</code>
|[[:Category:FileNonPD-EU]]
|-
|<code>{{[[Template:FileNonPD-US|FileNonPD-US]]}}</code>
|[[:Category:FileNonPD-US]]
|-
|<code>{{[[Template:FilenotPD|FilenotPD]]}}</code>
|[[:Category:Files not in public domain]]
|-
|<code>{{[[Template:CopyrightPermGranted|CopyrightPermGranted]]}}</code>
|[[:Category:FileNonPD-PermissionGranted]]
|-
|<code>{{[[Template:Urtext|Urtext]]}}</code>
|[[:Category:Urtext]]
|}

==Composers who will enter the public domain in the next few years==
*'''2008'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***[[:Category:Gershwin, George|Gershwin, George]] (1898-1937)
***[[:Category:Ravel, Maurice|Ravel, Maurice]] (1875-1937)
***[[:Category:Roussel, Albert|Roussel, Albert]] (1869-1937)
***[[:Category:Szymanowski, Karol|Szymanowski, Karol]] (1882-1937)
***[[:Category:Vierne, Louis|Vierne, Louis]] (1870-1937)
***[[:Category:Widor, Charles-Marie|Widor, Charles-Marie]] (1840-1937)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
*** Canteloube, Joseph (1879-1957)
*** Eric Coates (1886-1957)
*** [[:Category:Gnesin, Mikhail Fabianovich|Gnesin, Mikhail]] (1883-1957)
*** [[:Category:Goedicke, Alexander Fyodorovich|Goedicke, Alexander]] (1877-1957)
*** [[:Category:Hofmann, Józef|Józef Hofmann]] (1876-1957)
*** [[:Category:Korngold, Erich Wolfgang|Erich Wolfgang Korngold]] (1897-1957)
*** [[:Category:Shepherd, Arthur|Shepherd, Arthur]] (1880-1957)
*** [[:Category:Sibelius, Jean|Jean Sibelius]] (1865-1957)

*'''2009'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Ben Harney (1871-1938)
***Leopold Godowski (1870-1938)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ralph Vaughan Williams (1872-1958)
***W.C. Handy (1873-1958)
***Florent Schmitt (1870-1958)

*'''2010'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Franz Schmidt (1874-1939)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ernest Bloch (1880-1959)
***Bohuslav Martinů (1890-1959)
***Heitor Villa-Lobos (1887-1959)

==More information==
* [http://en.wikipedia.org/wiki/Public_Domain Wikipedia (public domain)]
* [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm a very useful table at Cornell] about U.S. copyright.
* [http://en.wikipedia.org/wiki/Wikipedia:Copyright_situations_by_country#Published_works_in_the_United_States Wikipedia (copyright situations by country)]
* [http://en.wikipedia.org/wiki/List_of_countries'_copyright_length Wikipedia (copyright length by country)]
* [http://www.cb-cda.gc.ca/info/act-e.html Copyright Board of Canada: Copyright Act] (section:''Term of Copyright'')
* [http://www.wipo.int/portal/index.html.en World Intellectual Property Organisation] providing legislative text of all countries.
* [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights WP:Non-U.S. Copyrights]

==See Also==

* [[Historical Publication Info]]

Template:OtherLangs:IMSLP goals

2008-08-19T08:13:52Z

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OtherLangs:Main Page

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Yuanyelele:

[[de:Hauptseite]]
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2008-08-19T08:11:00Z

Yuanyelele: New page: {{:OtherLangs:Public domain}} {|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0 |- |width=50%| |width=50% align=right|<span style="font...

{{:OtherLangs:Public domain}}
{|width=100% style="border-bottom: 1px solid #CFCFCF; background: #EFEFEF" cellpadding=0 cellspacing=0
|-
|width=50%|
|width=50% align=right|<span style="font-size: 90%">Άλλες Γλώσσες: [[Public domain|English]] - [[Publiek domein|Nederlands]] - [[Gemeinfreiheit (Public Domain)|Deutsch]] - [[Δημόσιος Τομέας|Ελληνικά]] - [[Dominio público|Español]] - [[Domaine public|Français]]</span>
|-
|}

<center><span style="color:crimson">''Please note that the IMSLP makes no guarantee whatsoever that the information appearing on this page is legally accurate and assumes no liability or legal responsibility therefor.''</span></center>
<br>
== 加拿大著作权法基础 ==
Because the two main IMSLP servers are physically hosted in Canada (one at Montreal and the other at Toronto), IMSLP follows '''Canadian copyright laws''', which may differ from your country. The briefest summary of Canadian copyright law would be that '''copyright persists for the composer or other author (if any) for 50 years after his/her death'''.

Only works that are first published in countries that are members of the WTO or Berne Convention are subject to copyright in Canada; however, in most cases this applies ''retrospectively'', unless the work was already in the public domain in its native country (i.e. the country in which the first publication occurred) when either treaty was signed.<br>

Some works ''are'' in the public domain in the U.S., but ''not yet'' public domain in Canada and other countries. The reason for this is that the US law calculates terms from the date of first publication for all works published before 1978. If a work was published before 1923 (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]), or first published in the U.S. from 1923-1963 without copyright renewal (see [[Public domain#US 1923-1963 copyright law|1923-1963 copyright law]]), it is almost certain to be public domain in the USA. IMSLP does not have a US server at present, so works in the US public domain like the Dover reprint of Stravinsky's ''Le sacre du Printemps'' cannot be posted here at the present time.

'''Please note that the total copyright length (i.e. the length before it enters the public domain) of a particular score is equal to the longest of the copyright terms given to the three concerned parties (composer, publisher, and editor if there is one).''' For example, a re-engraved edition of the Beethoven sonatas, published by Henle in 1985 is copyrighted (it has been edited by an editor whose work is not yet in the public domain, plus the initial typeset of this edit is also copyrighted, and the 25-year German term covering urtext editions is still in force.); while a Dover publication of 1995, which is merely a reprint of old editions, ''is'' in public domain (except for the title page and cover, i.e. stuff Dover added; there is no publisher copyright here because the initial typeset is in the public domain; there is no copyright in reprinting public domain typesets). The copyright claim can usually be found on the bottom of the first page of a score.<br>

We expect uploaders to put considerable effort into assuring that the upload is in the public domain in Canada. Please add relevant commentary to the work page or file entry. While works in the Canadian public domain that remain protected in the US are allowed for inclusion in the archive, it is possible that scanning and uploading such a work could constitute a violation of the US law for those who reside in the USA. In contrast to the laws of Canada and the EU, the ''date of first publication'' is absolutely critical for determining the U.S. copyright status of any work published before 1978.

The following tables give a quick overview of the copyright situation. '''Note that these tables list only the conditions under which a work is or is not in the public domain in Canada (and countries where the term is life+50 years), the USA, the EU, Russia (and countries where the term is life+70 years)'''. This is the situation in 2007 and the limits 1938 and 1957 change every year except in the USA, where a publication date is paramount. The term "author" refers to either the composer, an orchestrator, arranger, or an editor.

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>before</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+50)</center>
|rowspan="3" style="background-color:rgb(180,250,175)"|<center>public domain<br>(no exceptions for all intents and purposes†)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain<br>(life+70)</center>
| None: always public domain

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}

|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
| Work:<br> [[Template:WorkNonPD-EU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|-
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:Work1923]] <br>
|-
|File: [[Template:File1923]]<br>(''Hosted on US Server!'')
|}
|}
*†(Certain foreign works published after 1909 might be protected in the western US states under the jurisdiction of the<br>9th US Circuit Court of Appeals.)

===<center><font size=3>'''Copyright on the composition and publication if author known, published <u>after</u> 1923'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Author's death !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-

|-

| < {{#expr:{{CURRENTYEAR}}-70}}
|rowspan="2" style="background-color:rgb(180,250,175)"|<center>public domain (life+50)</center>
|style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|style="background-color:rgb(180,250,175)"|<center>public domain (life+70)</center>
| [[Template:WorkNonPD-US]]<br> [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted<br>unless proof of non-renewal and NIE status is provided‡</center>
|rowspan="2" style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer:<br> [[Template:ComposerNonPD-USandEU]]
|-
|Work:<br> [[Template:WorkNonPD-USandEU]]<br>
|-
|File: [[Template:FileNonPD-USandEU]]
|}

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|
{|
|Composer: [[Template:Copyright]]
|-
|Work: [[Template:WorknotPD]] <br>
|-
|File: [[Template:FilenotPD]]
|}
|}
    ‡(US:Proof of non-renewal and NIE status applies only to works published 1923-1963. All works published 1964-1977 have been renewed<br>    automatically and enjoy a full term of 95 years after first publication. Those published 1978 and later are under copyright for life-plus-70.)

===<center><font size=3>'''Corporate copyright on the publication, no author identified'''</font></center>===

{|border="1" cellpadding="2" cellspacing="0" width="90%" style="margin-left:20px; margin-top:10px"
|-
!Year Published !!Canada,<br>life+50 countries !!United States !!EU, Russia,<br>life+70 countries !!Template to be used on IMSLP
|-
| before 1923
|rowspan=3 style="background-color:rgb(180,250,175)"|<center>public domain (pub+50)</center>
|style="background-color:rgb(180,250,175)"|<center>public domain</center>
|rowspan=2 style="background-color:rgb(180,250,175)"|<center>public domain (pub+70 in most countries)</center>
| None: always public domain

|-
| 1923-{{#expr:{{CURRENTYEAR}}-71}}
|rowspan=3 style="background-color:rgb(250,150,100)"|<center>copyrighted (pub.+95), unless public domain in country of first publication in 1996</center>
|File: [[Template:FileNonPD-US]]

|-
| {{#expr:{{CURRENTYEAR}}-70}}-{{#expr:{{CURRENTYEAR}}-51}}
|rowspan=2 style="background-color:rgb(250,150,100)"|Copyrighted
|File: [[Template:FileNonPD-USandEU]]

|-
| > {{#expr:{{CURRENTYEAR}}-51}}
|style="background-color:rgb(250,150,100)"|<center>copyrighted</center>
|File: [[Template:FilenotPD]]

|}
<br>

==Editions of Public Domain Works==
===Determining the Type of Edition===
There is no copyright in Canada purely in the act of publication itself. Thus any non-edited reprint or re-engraving of a public domain edition is also public domain. However, in the case that there is significant anonymous editing, Canadian copyright law does state that copyright persists for publication + 50 years for such works, or until the editor becomes publicly known, in which case it reverts back to the life + 50 years. However, because of the uncertain nature, the use of this clause is discouraged. Unlike Canada, the date of publication is extremely significant in determining the public domain status of works in the US (see [[Public domain#US pre-1923 copyright law|Pre-1923 copyright law]]). The term "edition" or the credit "edited by" has been liberally applied by publishers for items ranging from serious re-arrangements and re-orchestrations of the original work to completely unaltered reprints of older, public domain scores.

Insignificant editorial contributions have no copyright in themselves, whereas significant ones often do. For an edition to qualify for a full term of the editor's life+50 years (or indeed any copyright term at all), the editor's contribution to the work must be of a significant and original nature - referred to in legal terms as the "threshold of originality". The following is a non-exhaustive list of significant and insignificant editing actions:

*Significant: Transcriptions, orchestrations, arrangements, realizations of figured basses.
*Significant: Adding original (new) fingerings, articulations, slurs, dynamic and tempo markings.
*Insignificant: Transposition, error correction, translation of common expressions and instrument names.
*Insignificant: Adding fingerings, articulations, slurs, dynamic and tempo markings from other public domain sources.

===Urtext or Critical Editions===
There are special provisions in several countries for a limited copyright for scholarly editions, which include critical, urtext or "scientific" editions (notably those of Barenreiter and other German publishers). Please read the [[Public domain#Copyright Laws by Country or Territory|Copyright Laws by Country or Territory]] section for more detailed information. Although these editions, apart from any editorial prefaces, annotations and commentary, contain insufficient original material to qualify for copyright status in Canada, IMSLP as a courtesy voluntarily prohibits the posting of critical or urtext edtions published less than 25 years ago, with the exception of those issued by government agencies or government-owned corporations (such as those issued by the USSR state publishing concern before the 1990 demise of the Soviet Union).

===Posthumously Published Editions (Editio Princeps)===
*Works published for the first time pusthumously within the normal period of copyright protection after the last surviving author's death date are given in Canada, a 50-year term of protection from the date of publication. In the EU, no additional copyright is granted to the publisher, and the copyiright expires with that of the author.
*Works that are first published after the expiration of the copyright term of that composer enjoy a limited copyright term in most countries under the ''Editio Princeps'' concept. In most countries, including the EU countries, this term is 25 years after publication. Canada grants 50 years of copyright protection to such first editions published in Canada, but those published outside Canada are only entitled to the same term as in the country of origin. US copyright before 1978 was based solely on publication date, proper copyright notice, registration and renewal, while works of this nature first published from 1978-2002 are protected uuntil Jan. 1, 2048. Works of authors dead more than 70 years published later than 2002 are not subject to copyright protection themsleves, but only as a new edition or other derivative work.

===Reprint Editions===
Reprint editions of publications that are in public domain are not subject to copyright in Canada, the USA, the EU, and most (if not all) or the world. This is not only the case for paper reprints, but also for scanned reprints available on digital media or on the web. No copyright can be claimed on the scanning of a public domain work (see [http://en.wikipedia.org/wiki/Bridgeman_Art_Library_v._Corel_Corp. Bridgeman Art Library v. Corel Corp. case]), regardless of whether the original scanned is in printed or manuscript form.

==International Copyright Treaties==
:''See also: ''
:*[http://www.wipo.int/treaties/en/ip/berne/index.html Berne Treaty]
:*[http://en.wikipedia.org/wiki/Berne_Convention_for_the_Protection_of_Literary_and_Artistic_Works Berne Convention (Wikipedia)]
:*[[wikipedia:Wikipedia:Public_domain#Rule_of_the_shorter_term|here]]
===[http://en.wikipedia.org/wiki/Rule_of_the_shorter_term Rule of the Shorter Term]===

====In signatory countries====
This rule basically states that if a work is in the public domain in the country of origin, it is also public domain in any signatory country to the Berne convention that has formally opted to apply the Rule. This rule has '''not''' been adopted by the USA or Canada.

The European Union applies the Rule of the Shorter Term for works whose country of origin is outside the EU. Thus, a work by an American composer which entered the public domain in the USA, is not granted any additional protection in the EU, unless it happens to be covered under a bilateral treaty made between the USA and the EU country in question.

The principle of Country of Origin has not clearly been defined and is thus subject to interpretation. It can be defined by the nationality of the author, or by the country or countries of first publication of the work.

====In Canada====
Canadian copyright law states:<br>
''"Authors who are nationals of any country, other than a country that is a party to the North American Free Trade Agreement, that grants a term of protection shorter than that mentioned in subsection (1) are not entitled to claim a longer term of protection in Canada."''

==Copyright Laws by Country or Territory==
===Australia===
Any work published in the lifetime of an author who died in 1954 or earlier, is out of copyright. The term for authors who died in 1955 or later is 70 years.

===European Union===
The primary objective of the [http://en.wikipedia.org/wiki/Directive_on_harmonising_the_term_of_copyright_protection 93/98/EC Copyright Directive], consolidated in the [http://en.wikipedia.org/wiki/Directive_2006/116/EC 2006/11/EC Directive], was the harmonization of the copyright term for EU countries at life-plus-70 years, including a restoration to copyright status for works which had entered the public domain member countries with life-plus-50 terms at the time. Ariticle 5 is of particular importance with respect to editions of public domain music and states that member states may protect "critical and scientific publications of works which have come into the public domain" for a ''maximum of thirty years'' (italics added). Article 4 grants copyright to the publisher of a public domain work which was previously unpublished for 25 years after the date of first publication (Editio Princeps), provided that the work in question is "legally published" in accordance with the specific laws of the country in which such publication occurs.

===Czech Republic===
All Czech government publications are in the public domain. This notably affects Artia/Orbis/SNKLHU/Supraphon, which was a government organization ''from 1948 to 1989''. See the [http://www.osa.cz/upload/czech_copyright_act.pdf Czech Republic copyright act] (file hosted by OSA, Czech author's rights organization).

===United Kingdom===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation.

England has a special law regarding [http://www.opsi.gov.uk/official-publications/publishing-guidance/copyright-in-typographical-arrangement.htm "typographical arrangement"] ("typographical arrangement" essentially means re-engraving). A "typographical arrangement" is only copyrighted for the length of publication + 25 years.[http://www.copyrightservice.co.uk/copyright/p01_uk_copyright_law] This would affect many of the originally German publishers who relocated to England (ex. Eulenburg).

===France===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. There is 30 extra years for authors who 'died in action' (like Jehan Alain). In addition, posthumous works are copyrighted 25 years from the year of publication.
[http://www.wipo.int/clea/docs_new/en/fr/fr062en.html], [http://en.wikipedia.org/wiki/French_copyright_law]

===Germany===
The basic copyright has a duration of life of the last surviving author +70 years. Anonymous editions enjoy a copyright of 70 years after publication, or if not published, 70 years after creation. Posthumous first-time publications are protected for only 25 years after publication.

As per [http://www.iuscomp.org/gla/statutes/UrhG.htm#70 Article 70] of the German Urheberrechtsgesetz (copyright law), scientific editions, which is to say editions which are produced as a result of scientific analysis (i.e. scholarly or critical editions and urtext), have a copyright length of only publication + 25 years, meaning that all such scientific editions published in Germany before 1983 are in the public domain there. However, arrangements, transcriptions, orchestrations, continuo realizations, and interpretative editions enjoy a full term of protection of life-plus-70 years.

===Hungary===
* Basic protection: 70 years p.m.a.
* Posthumous publication: 25 years post-publication

::See also: [[Neue Liszt-Ausgabe]]

===Italy===
* Basic protection: 70 p.m.a.
* Scientific and critical editions: 20 years [http://www.wipo.int/clea/docs_new/en/it/it112en.html]
* ''Rights belonging to the State, the provinces, the communes, the academies or public cultural organizations, or to private legal entities of a non-profit making character'': 20 years

===Portugal===
Portugal's basic copyright term is only '''50 years''' after death of the last surviving author ''(even in the case of posthumously published works''), or 50 years after publication if no author is identified. Portuguese copyright law reserves a separate article for ''Translation, arrangement, instrumentation, dramatization, filming and, in general, any transformation of a work'' but does not clearly specify a copyright protection for these works. ([http://www.wipo.int/clea/docs_new/en/pt/pt002en.html Law text at WIPO])

===Russia / USSR===
The present Russian copyright law is extremely complicated. ([http://en.wikipedia.org/wiki/Copyright_in_Russia WP]). '''Basically, works of authors who died before 1953 are in public domain, whereas authors died 1953 or later are protected for 70 years'''. The law of Tzarist Russia was very similar to that of Germany, where works were granted a copyright term of life plus 50 years. However, Russia was ''not'' a signatory to the Berne Copyright Treaty (1888) and works of Russian composers were protected in Europe only via co-publication agreements between Russian publishers like Jurgenson and Bessel with firms in the West like D. Rahter, Bote & Bock, and Breitkopf & Härtel.

With the communist revolution of 1917, this situation changed drastically. Individual copyright was abolished along with all other forms of property ownership. This change was disasterous for the copyright status of Russian composers - even those living in the West like Prokofiev, Rachmaninov, and Stravinsky. Since all works - whether Soviet or foreign - effectively became the property of the state in the USSR, all Soviet works were held to be public domain in Western countries, even those of expatriate Soviet citizens. In order to comply with treaties to secure Western copyright status for works of Soviet authors, the Soviet goverment finally introduced a limited term of publication plus 15 years in the 1930s. However, the Soviet state (USSR) completely controlled publication of all works of living or deceased persons on which the state acclaimed copyright. Although the original works of Soviet composers have been given copyright status elsewhere thanks to several treaties, editions of public domain works issued by [[Muzgiz|Muzika]], the Soviet state music publishing agency, are generally considered to be in the public domain, as they were prepared by state employees working for a government agency, and the copyright owner (the USSR) ceased to exist in 1990.
::''See also: [[Neue Liszt-Ausgabe]]''

===USA copyright law===
====Works published before 1923====
Basically, all works published before 1923 are in the public domain in the US. At present, except for a bizarre ruling from the US 9th Circuit Court of Appeals that affects only the western states, ''any work'' published before 1923 is public domain in the US, regardless of where it was first published.

Reference: [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm Cornell University's copyright center], though there are more.

====Works published between 1923 and 1963====
In the U.S., works of US authors and proprietors that are published in 1923-1963 are in the public domain '''if the copyright is not renewed''' or '''if the work was published without a proper copyright notice'''. Currently, the only way to ascertain renewal status for works published before 1950 is to conduct a formal search of the US Copyright Office records in person or pay for a formal search by the copyright office itself. Later records are available online at the [http://www.copyright.gov/records/ US copyright office website]. This database indexes only records from 1978, which include the renewals for works first published in 1950. Non-music records from 1923-1977 are indexed at [http://www.gutenberg.org/etext/11800 Project Gutenberg].

====U.S. Copyright Restoration for Foreign Works published between 1923 and 1978====
Some foreign works from this period that were formerly public domain due to failure to comply with notice and renewal provisions of the US law have been restored to copyright status due to the provisions of the GATT/TRIPS amendments (effective Jan. 1, 1996) provided the work in question was not already public domain in its country of origin. Works that were public domain in their country of origin as of 1 January 1996, are not eligible for restoration of U.S. copyright. In other cases, US copyright laws applies. for details, read the [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights Wikipedia article].

====US Government Publications====
All US government publications are in the public domain.

==Templates and corresponding Categories==
'''Composers'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Copyright|Copyright]]}}</code>
|[[:Category:Non-Public Domain Composers]]
|-
|<code>{{[[Template:ComposerNonPD-USandEU|ComposerNonPD-USandEU]]}}</code>
|[[:Category:ComposerNonPD-USandEU]]
|}

'''Works'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:Work1923|Work1923]]}}</code>
|[[:Category:Works1923]]
|-
|<code>{{[[Template:WorkNonPD-USandEU|WorkNonPD-USandEU]]}}</code>
|[[:Category:WorkNonPD-USandEU]]
|-
|<code>{{[[Template:WorkNonPD-EU|WorkNonPD-EU]]}}</code>
|[[:Category:WorkNonPD-EU]]
|-
|<code>{{[[Template:WorkNonPD-US|WorkNonPD-US]]}}</code>
|[[:Category:WorkNonPD-US]]
|-
|<code>{{[[Template:WorknotPD|WorknotPD]]}}</code>
|[[:Category:Works not in public domain]]
|}

'''Files'''
{|style="margin-left:20px; border:1px solid gray"
|-
|<code>{{[[Template:File1923|File1923]]}}</code>
|[[:Category:File1923]]
|-
|<code>{{[[Template:FileNonPD-USandEU|FileNonPD-USandEU]]}}</code>
|[[:Category:FileNonPD-USandEU]]
|-
|<code>{{[[Template:FileNonPD-EU|FileNonPD-EU]]}}</code>
|[[:Category:FileNonPD-EU]]
|-
|<code>{{[[Template:FileNonPD-US|FileNonPD-US]]}}</code>
|[[:Category:FileNonPD-US]]
|-
|<code>{{[[Template:FilenotPD|FilenotPD]]}}</code>
|[[:Category:Files not in public domain]]
|-
|<code>{{[[Template:CopyrightPermGranted|CopyrightPermGranted]]}}</code>
|[[:Category:FileNonPD-PermissionGranted]]
|-
|<code>{{[[Template:Urtext|Urtext]]}}</code>
|[[:Category:Urtext]]
|}

==Composers who will enter the public domain in the next few years==
*'''2008'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***[[:Category:Gershwin, George|Gershwin, George]] (1898-1937)
***[[:Category:Ravel, Maurice|Ravel, Maurice]] (1875-1937)
***[[:Category:Roussel, Albert|Roussel, Albert]] (1869-1937)
***[[:Category:Szymanowski, Karol|Szymanowski, Karol]] (1882-1937)
***[[:Category:Vierne, Louis|Vierne, Louis]] (1870-1937)
***[[:Category:Widor, Charles-Marie|Widor, Charles-Marie]] (1840-1937)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
*** Canteloube, Joseph (1879-1957)
*** Eric Coates (1886-1957)
*** [[:Category:Gnesin, Mikhail Fabianovich|Gnesin, Mikhail]] (1883-1957)
*** [[:Category:Goedicke, Alexander Fyodorovich|Goedicke, Alexander]] (1877-1957)
*** [[:Category:Hofmann, Józef|Józef Hofmann]] (1876-1957)
*** [[:Category:Korngold, Erich Wolfgang|Erich Wolfgang Korngold]] (1897-1957)
*** [[:Category:Shepherd, Arthur|Shepherd, Arthur]] (1880-1957)
*** [[:Category:Sibelius, Jean|Jean Sibelius]] (1865-1957)

*'''2009'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Ben Harney (1871-1938)
***Leopold Godowski (1870-1938)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ralph Vaughan Williams (1872-1958)
***W.C. Handy (1873-1958)
***Florent Schmitt (1870-1958)

*'''2010'''
**''Countries with terms of life-plus-70 (EU and most of Europe)''
***Franz Schmidt (1874-1939)
**''Countries with terms of life-plus-50 (Canada, China, Japan, S. Korea, etc.)''
***Ernest Bloch (1880-1959)
***Bohuslav Martinů (1890-1959)
***Heitor Villa-Lobos (1887-1959)

==More information==
* [http://en.wikipedia.org/wiki/Public_Domain Wikipedia (public domain)]
* [http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm a very useful table at Cornell] about U.S. copyright.
* [http://en.wikipedia.org/wiki/Wikipedia:Copyright_situations_by_country#Published_works_in_the_United_States Wikipedia (copyright situations by country)]
* [http://en.wikipedia.org/wiki/List_of_countries'_copyright_length Wikipedia (copyright length by country)]
* [http://www.cb-cda.gc.ca/info/act-e.html Copyright Board of Canada: Copyright Act] (section:''Term of Copyright'')
* [http://www.wipo.int/portal/index.html.en World Intellectual Property Organisation] providing legislative text of all countries.
* [http://en.wikipedia.org/wiki/Wikipedia:Non-U.S._copyrights WP:Non-U.S. Copyrights]

==See Also==

* [[Historical Publication Info]]

OtherLangs:Main Page

2008-08-19T08:06:43Z

Yuanyelele:

Template:OtherLangs:IMSLP goals

2008-08-19T08:04:44Z

Yuanyelele:

IMSLP:目标

2008-08-19T08:04:01Z

Yuanyelele: IMSLP:目标 moved to IMSLP的目标

#REDIRECT [[IMSLP的目标]]

User talk:Peter

2008-08-19T07:25:25Z

Yuanyelele: /* Please add Chinese language */

{{Graysmallbox|
'''For an archive of discussions on this page, see [[User talk:Peter/archive]].'''}}
<br>

== New users ==

Hi Peter, It appears that new user Caprotti has uploaded a number of replacement files for things we already have, inclding some previously submitted by Goldberg988 whose scans are usually of very high quality. Should he be doing this? I already had to zap a number of files from one new user (who has not read our copyright guidelines, etc.) and wanted to check with you to see if these replacements were OK or not. I've also noticed that these PDF files he's submitting fail to open all the way when I try to look at them. Thanks, [[User:Carolus|Carolus]] 19:07, 1 July 2008 (EDT)

:I can relate to your feelings!! How difficult can the guidelines be to understand? The deletions I did today were for two reasons: 1) a new edition, arrangement or typeset that was not created by the person who uploaded it (as far as I could tell), which is a potential copyright problem; 2) an exact duplicate (the identical file) of something already in the archive. Yes, I still use the yahoo e-mail account, so I'll reply there as well. OK, I read his e-mail and your reply. I have no problem with him wanting to replace the scans, though there is no protection for a library stamp or watermark attached to a scan of a public domain original in either Canada or the USA. The only (slight) issue I can think of is the fact that any of the files we've just certified as being public domain suddenly revert to unknown status when they are replaced. I light of the fact that we still have a fairly significant (ca.4500) number of files to go through and review, the prospect of Caprotti do all of this right now is less than ideal. Perhaps this should be organized as a community project. It would also be nice to credit Caprotti as the scanner, since (as you mentioned) we hardly ever know who has scanned what. I've also wondered about requiring additional identification on things from uploaders, especially page counts and publisher info. [[User:Carolus|Carolus]], 1 July 2008 (EDT)
::I agree he should better start uploading his new files instead of all those old files, but he does not seem to get how to do it - Italians were never good in English which is probably the source of all the problems. I suppose the Score Submission Guide has the highest priority in updating and translating the documentation.
::It is not the right moment for reviewing every new version of an existing file he would upload, but I do like the configuration in which new versions of existing files get a new tag - this way, I have already fished out some totally wrong uploads which otherwise would get no attention at all. --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 07:59, 2 July 2008 (EDT)

== Regarding Danish translation ==

Hi Peter, I will be doing my best to keep the Danish translation updated - I can't promise more than that. I will be monitoring the English versions of all pages I translate and update them asap, but I can't always promise to have a translation ready within a day of updates. Hope this is good enough. Best regards, [[User:AKCarlsen|Andreas]] <sub>[[User talk:AKCarlsen|talk]]</sub>

==Haydn, Joseph - 3 Piano Trios, Hob.XV:9-10 (Op.27)==
Hello Peter, Nice to see this site up and running again. BTW the [[3 Piano Trios, Hob.XV:9-10 (Op.27) (Haydn, Joseph)]] does not open after I downloaded it. I noticed that you uploaded it and perhaps there is something wrong with the file. I just thought I would let you know. Thanks -- [[User:Generoso|Generoso]]
:Weird, I can download it perfectly. Have you tried clearing your browser cache? (see also the older news via the home page). --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 17:46, 3 July 2008 (EDT)
::Strange, I downloaded it again and it opens great! It must be a problem on my side. Thanks again.[[User:Generoso|Generoso]]

==instrument lists==
Yes, these lists are very helpful to find pieces. I too, have tried out many different combinations. What do you think of the one on the cello page now? It seems to be clearer than other. What is your opinion? I just changed them all. and it seems once the info is in they are quite easy to change format although it does take some time.[[User:Generoso|Generoso]]

== Tchaikovsky Cello Concerto ==

My completion is based on the sketches to the work, kindly supplied by Brett Langston. http://www.tchaikovsky-research.org/en/Works/Unfinished/TH249/index.html [[User:YuriyLcello|YuriyLcello]] 11:53, 6 July 2008 (EDT)

== Bruch Double Concerto ==

Hi Peter, I have a question about this. If Germany and EU Copyright give a 70-year term after publication for works first published in the term of protection following a composer's death, this work should theoretically be under full copyright until 2013 - just as you have tagged it. Why, then, does the Bavarian State Library have this available for free viewing over at their site? Perhaps there is an exemption for libraries and archives under the German / EU statutes, but if that's so why then aren't all of the more modern items like Bartok, Schoenberg, etc. likewise present in their digital collection?

While the publication is dated (on the title page), it was published without a copyright notice and would be public domain in the USA unless Eichmann or their successor filed an NIE in the two-year window of 1996-98. Nevertheless, we probably should leave it tagged as Non-PD US until some research is done. [[User:Carolus|Carolus]] 12:11, 7 July 2008 (EDT)

:Maybe they just made an error at the Bavarian State Library? The librarians are human after all. Or we can ask them. --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 12:21, 7 July 2008 (EDT)
::You know, I've been re-reading the EU directive and the German and UK law, and I actually can't find the protection of 70years post-pub if posthumously published within the copyright term. They only talk about the 25-year protection if published after the copyright term of the author. But I might have read over it. --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 12:32, 7 July 2008 (EDT)

That's interesting. I noticed that Denmark's law is that way when I looked it up for the dabte over at the forum about ''Canto Serioso''. I know that Canada starts the clock running at 50 years from date of publication if the work is published within the 50-year window, I thought that most laws that were based on the Berne Treaty's life-plus XX years rubric worked that way. Guess we'll need to do some more study in our copious spare time! [[User:Carolus|Carolus]] 13:33, 7 July 2008 (EDT)

I just looked over both the EU statute, the 93/98 Directive, and the German law itself (in the English translation linked from Wikipedia) and cannot find anything that indicates a work published within the 70-year window after the last surviving author's death is protected for any longer than works published within an author's lifetime. If that is indeed the case, this Bruch piece would be public domain in the USA as well because Bruch had enetered the German and EU public domain on 1/1/1991. [[User:Carolus|Carolus]] 13:48, 7 July 2008 (EDT)

== Copyright Review Instructions ==

Hi Peter, Excellent work - and thank you very much for this. It is greatly appreciated. I'd like to make a couple of minor changes in the last section:

# Typesets are digitalisations [this word is confusing, as "digitalization" can mean the scanning of an old score and coversion to a TIFF or PDF file. I would use "computer re-engravings" instead.] of certain editions. The work that is being digitized [has been re-engraved] should be in public domain too. In most cases, you will not [need to] identify the source publication. This is not a big problem, as the responsibility lies with the typesetter. In rare cases the typeset is a new or a critical edition made by the typesetter.
# Look for the name of typesetter. Is there one on the score? Is it the uploader? Contact them, and invite them to make theirself public on their user page. 99% of the typesetters are active on Mutopia or WIMA.
# Typesets are for practical purposes regarded as new editions, even if there is no editorial addition by the typesetter. [The typesetter should therefore be listed as the editor, even if it is merely a re-engraving of an older edition. By virtue of the fact that the music was enetered into a computer notation program, the person doing it becomes an editor since it is impossible to exactly duplicate a plate engraving with notational programs like Finale, Sibelius, Lilypond, and others.]
# [If the typeset originated at Mutopia or a similar site, that site should be listed as publisher, since making a file available for distribution - even if at no charge - constitutes "publication" according to the legal definition of the term in many countries. Otherwise, the typesetter/editor shoudl be listed as publisher.]
# If details are known, and the typesetter grants permission to distribute his scores, tag N!/N!/N!
# If nothing is known, you can tag C/C/C, releasing the file on the website. The typesetter can always id himself and ask for removal of the file. [The exception to this rule is for files which origibnally come from WIMA, who generally opposes re-distribution of typesets from their site.]

Yes sure go ahead, a hereby release that page in public domain :)) --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 07:55, 9 July 2008 (EDT)

== Question about your uploads ==

Hello Peter, I wanted to ask you if those two uploads of yours should acutally remain on IMSLP:
*[[Various Pieces for Violin and Piano (Kreisler, Fritz)]]
*[[Old Masters of the Viola (Meyer, Clemens)]]
And while I'm here, could you please explain to me what the CR tag '!N/!N/!N' means, and why the piece [[Invention (Pétronio, Arthur)]] is declared PD, rather than being released under a CC license? Thank you, --[[User:Leonard Vertighel|Leonard Vertighel]] 05:49, 10 July 2008 (EDT)
:Yes, my US-only files can be deleted, I uploaded them when I was not fully aware which would be allowed now. Don't worry I'll do it for you. !N is Not in Public Domain but Permission Granted -- see [[User_talk:Carolus/archive5#Permission_Granted]]. Public domain is indeed [[IMSLP:Permissible licenses|not allowed for typesets]]. P.S. You're no copyright reviewer ?? --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 05:58, 10 July 2008 (EDT)

== Frederic Rzewski ==

Hello

I tried to contact Frederic Rzewski but the email address I have seems to be out of date. Its probably best if you delete the additions until we know more. kind regards [[User:Helohe|Helohe]] 19:05, 11 July 2008 (EDT)

== Possible scores ==

Hi Peter, <br>
Thank you for fixing my countertenor template. I'm new to this whole wiki thing, and just sorting things out when I have free moments. I had a question for you about Brahms scores. I noticed you have Brahms lieder on your to-do list. I would love to take a look at the scores for Vier ernsten Gesänge, Op. 121 and Zwei Gesänge, Op. 91. If you've got them, it would be really great if you could share. No big deal if not. I've got Op. 121 on order from my local library. That's the opus I'm really interested in right now. Anyway thanks for your help. let me know if there's anything I could do for you. <br>
Till later, Steven

== Tchaikovsky Tempest score incomplete ==

Hi Peter, <br>

just wanted to note that page 62 and page 91 of the Tempest score (wonderful piece) are blank. Perhaps someone else has a complete version? <br>

best,
mhurshell
:I can't do much about it - it's from bh2000. [[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 09:03, 15 July 2008 (EDT) <br>

A pity. Perhaps one should include a comment on the score page, about the missing pages. mhurshell

== Translation to Catalan ==

Hi! Sure, I'll update the main page as soon as I can, as well as the other important pages (I'm having a bit of trouble with work, but I'll finish soon). --[[User:Gerardpc|Gerardpc]] 16:47, 15 July 2008 (EDT)

== Chinese Rhapsody ==

:This work was finished in Kostanai, Kazakhstan (part of USSR) in April 1945 and first published in Moscow immediately after his arrival in the Kremlin Hospital. Since Xian died before 1953 and this work was composed and first published in Russia (along his other works composed in Russia / Kazakhstan), his works should be in the public domain. This work was reprinted by the Peoples' Publishing House (Government owned) in 1951, which this work is scanned from.

kcleung

== Please help! ==

Hi -

I'm trying yo upload my extensive collection of sheet music in piano reduction of the scores of the composer Cesare Pugni, all written for the ballet. I have a large collection of extremely rare items. I also have several other rare sheet music of music for the Imperial ballet of St. Petersburg by such composers as Drigo and Minkus.

In my attempt to share with the site I registered with Adobe acrobat reader at this web page -
[https://share.acrobat.com/adc/adc.do?app=cpdf this is my page]

After that, I have no idea about what to do, and the adobe forums are confusing.

Does the sheet music I upload have to be in this format? - http://partners.adobe.com/public/asn/en/print_resource_center/Acrobat6PrintPress.pdf

If so could you please help me, or direct me to someone who can help create such a file?

I would very much like to share my extensive collection with everyone!

--[[User:MrLopez2681|MrLopez2681]] 08:43, 21 July 2008 (EDT)

:I see you have put your question in the IMSLP forum - that's the right place for such questions! --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 09:38, 21 July 2008 (EDT)
::OH YES - but thatk you anyway - I got it figured out! --[[User:MrLopez2681|MrLopez2681]] 21:01, 22 July 2008 (EDT)

== Capitalisations in titles ==

Hello Peter. I notice you've just altered the titles of Tchaikovsky's "The Voyevoda, opera, Op.3" and "The Voyevoda, melodrama" so that the words "opera" and "melodrama" have initial capitals restored. As these words don't form part of the title proper, but are required for disambiguation purposes, I understood that lower case should be used, as they have been in other instances (such as the Hamlet incidental music and the duet from Romeo and Juliet). Are there guidelines to follow in such cases? Thanks [[User:P.davydov|P.davydov]] 09:55, 22 July 2008 (EDT)

Many thanks for the quick response. I guess I'm just used to cataloging that way, with initial capitals for titles and lower case for everything else. Would you mind if I changed those two back to the lower-case versions, if only for the sake of consistency with the other entries on the page? [[User:P.davydov|P.davydov]] 13:17, 22 July 2008 (EDT)

== Recent additions ==

The german version
"Kürzlich hinzugefügt"
still only shows this older version:
*Handel: L'Allegro, il Penseroso, ed il Moderato, HWV 55 (#18743)
*Cui: Angelo (8 files)
*Handel: Athalia, HWV 52 (#18738)

I just recognized it, because there were no changes the last days. But the english and french version have counted to number 19247:

Recent additions
*Massenet: Dors, ami (#19247)
*Massenet: Chanson de Capri (#19246)
*Gounod: Chants Sacres (#19245)

Maybe you know how to change this.
Viele Grüße,
[[User:Ahandrich|Ahandrich]] 02:47, 23 July 2008 (EDT)

Oh, Wow, it just changed. [[User:Ahandrich|Ahandrich]] 02:49, 23 July 2008 (EDT)

:This depends on cache renewing on the server. This happens automatically after maximum 3 days, but you can purge the cache of the German homepage by typing &action=purge at the end of the url.--[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 05:11, 23 July 2008 (EDT)

== Alan Belkin ==

In response to your question, yes I am indeed he, or me ... :-) So, yes, I have been uploarding my own music.

== [[Double Cello Concerto in G Minor, RV531 (Vivaldi, Antonio)|Double Cello Concerto in G Minor, RV531]] ==

Hi Peter, What's your take on this? There is a continuo realization as part of the full score, so that is most likely off-limits. The real question concerns the string parts. They appear to be fairly heavily edited to my eye. Is it urtext or interpretative? Do the slurs and articualtions added by Malipiero constitute sufficiently original additions to qualify as a full derivative work copyright? How original is the continuo realization, really? These things can drive one crazy!! [[User:Carolus|Carolus]] 16:49, 25 July 2008 (EDT)

:I'm not extensively accustomed to baroque literature, but after comparison with other Vivaldi scores available, it seems to me that this is indeed an interpretative edition. In the other scores, there are no dynamics present with only occasionally a slur or articulation - everything which is added by the editor is included in brackets on the score. One could argue that these additions could reflect the result of scientific research, but in common performer's sense the aforementioned musical components are the key elements of an interpretation. As I assume there are no precedents in law of the use of the scientific edition paragraph in music printing, I think we should keep the interpretation of this law very strict and remove the double concerto. --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 06:18, 26 July 2008 (EDT)

== How i translate pages? ==

Is the second time that i start to translate a page and have to be reverted, Can you help me?--Jcegobrain 11:35, 30 July 2008 (EDT)

== Hierarchy of Items on a Page ==

Hi Peter, I thought I should bring you in on the discussion of what IMSLP's official page hierarchy should be. Lyle Neff has raised the issue over at the forum. While I disagree with his proposed hierarchy, he has a point in that there is a need for one now that we are seeing so many orchestral parts being uploaded. I'll be giving Feldmahler a call on this as well so we can all hopefully come up with some ideas of what it should be and why it should be in a given order. Thanks, [[User:Carolus|Carolus]] 17:52, 3 August 2008 (EDT)
== [[Canons and Fugues for Piano (Klengel, Julius)]]==
Peter, I could be wrong but I don't think Julius Klengel wrote these pieces. But actually they may have been written by Klengel, August Alexander. Thanks [[User:Generoso|Generoso]] 04:11, 4 August 2008 (EDT)
:Correct. I'll move it to the correct composer. --[[User:Peter|Peter]] <sub>[[User talk:Peter|talk]]</sub> 04:37, 4 August 2008 (EDT)

== Please add Chinese language ==

I just translated the main page into Chinese ([[首页]]). Please add Chinese to the language list. Thanks! [[User:Yuanyelele|yuanyelele]] 03:25, 19 August 2008 (EDT)

User talk:Peter

2008-08-19T07:24:57Z

Yuanyelele: New section: Please add Chinese language

OtherLangs:Main Page

2008-08-19T07:12:09Z

Yuanyelele:

首页

2008-08-19T07:06:24Z

Yuanyelele:

__NOTOC__ __NOEDITSECTION__ {{:OtherLangs:Main Page}}
{{AutoOldtrans|Base Page=Main Page|Base Revision=137978}}
<div id="mp">
<div id="mp_banner">
欢迎你来到
<div id="mp_sitename">IMSLP / Petrucci 音乐图书馆</div>
这里是保存公共领域乐谱的图书馆。<br />
<span style="font-size:90%">始于2006年2月16日 · {{NUMBEROFARTICLES}}部作品 · {{#imslpsccount:us|j}}份乐谱</span>
</div>
<div id="mp_nav">
<h2>浏览乐谱，按照:</h2>
[[:Category:Composers|作曲家]] · [[Browse by composer time period|时期]] · [[Browse_by_genre|形式或乐器]]
<h2>其他语言:</h2>
{{Otherlangs|lang=en}}
</div>
<div id="mp_left">
<div id="mp_intro">
欢迎来到国际乐谱库项目（IMSLP）！我们的目标是创建一座虚拟图书馆，它包含所有位于[[public domain|公共领域]]的乐谱，以及来自愿意[[CC-SA or similar|无偿]]与世界分享其作品的作曲家的乐谱。你可以查看IMSLP想要达成的[[IMSLP goals|目标]]的列表。

IMSLP鼓励音乐思想的交流，无论是以音乐创作的形式，还是以作品分析的形式。因此，欢迎你创建或是编辑这里的页面，发表自己对某部作品的分析（请使用该作品页面顶端的“讨论”链接）。
</div>
<h2>新闻</h2>
<div class="mp_box">
{{IMSLP:News}}
</div>
<h2>贡献</h2>
<div class="mp_box">
IMSLP需要你的帮助！请访问'''[[IMSLP:Contributor Portal|贡献者页面]]'''来了解如何贡献你的力量。在<span class="plainlinks">'''[http://www.imslpforums.org/ IMSLP论坛]'''</span>里，大家可以讨论IMSLP和一般的音乐话题。

'''贡献：'''与别人分享你的音乐知识，参与编辑这个维基，就是在做出自己的贡献。如果你的书架上有本老的乐谱，或者硬盘里有[[public domain|公共领域]]的乐谱，请考虑把它上传到IMSLP来与全世界分享！你还可以帮助我们把其他网站上的公共领域乐谱放到这里来。在[[IMSLP:Contributing scores|贡献乐谱指南]]里有更多的细节。

'''项目：'''我们还有一些[[IMSLP:Community Projects|社区项目]]，是获得一些已经停滞项目的乐谱库中的资源，鉴别其内容并保存下来。目前，IMSLP的一个主要项目就是[[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|整理并上传'''Bach-Gesellschaft Ausgabe''']]（巴赫全集）。

'''其他任务：'''除了贡献乐谱，还有很多种帮助IMSLP的方法。例如，你可以帮助[[IMSLP:Maintenance|维护网站]]，[[IMSLP:Internationalization|翻译IMSLP]]，或者[[IMSLP:Site support|在经济上支持IMSLP]].

这只是一个简介。你可以在[[IMSLP:Contributor Portal|贡献者页面]]里找到关于贡献更详细的说明。
</div>
<h2>著作权</h2>
<div class="mp_box">
本站努力遵守加拿大著作权法（查看[[public domain|公共领域]]页面获得更多的信息）。然而，如果有侵权发生，请通过feldmahler {at} imslp.org联系我们。谢谢。
</div>
</div>
<div id="mp_right">
<h2>特色乐谱</h2>
<div class="mp_box">
{{IMSLP:Featured}}
</div>
<h2>最近新增</h2>
<div class="mp_box">
<imslprecentadditions />
<div style="text-align:right">[[Special:IMSLPNARecentAdditionsFinder|更多……]]</div>
</div>
</div>
<div style="clear:both"></div>
</div>

OtherLangs:Main Page

2008-08-19T07:01:23Z

Yuanyelele:

首页

2008-08-19T07:00:22Z

Yuanyelele:

__NOTOC__ __NOEDITSECTION__ {{:OtherLangs:Main Page}}
<div id="mp">
<div id="mp_banner">
欢迎你来到
<div id="mp_sitename">IMSLP / Petrucci 音乐图书馆</div>
这里是保存公共领域乐谱的图书馆。<br />
<span style="font-size:90%">始于2006年2月16日 · {{NUMBEROFARTICLES}}部作品 · {{#imslpsccount:us|j}}份乐谱</span>
</div>
<div id="mp_nav">
<h2>浏览乐谱，按照:</h2>
[[:Category:Composers|作曲家]] · [[Browse by composer time period|时期]] · [[Browse_by_genre|形式或乐器]]
<h2>其他语言:</h2>
{{Otherlangs|lang=en}}
</div>
<div id="mp_left">
<div id="mp_intro">
欢迎来到国际乐谱库项目（IMSLP）！我们的目标是创建一座虚拟图书馆，它包含所有位于[[public domain|公共领域]]的乐谱，以及来自愿意[[CC-SA or similar|无偿]]与世界分享其作品的作曲家的乐谱。你可以查看IMSLP想要达成的[[IMSLP goals|目标]]的列表。

IMSLP鼓励音乐思想的交流，无论是以音乐创作的形式，还是以作品分析的形式。因此，欢迎你创建或是编辑这里的页面，发表自己对某部作品的分析（请使用该作品页面顶端的“讨论”链接）。
</div>
<h2>新闻</h2>
<div class="mp_box">
{{IMSLP:News}}
</div>
<h2>贡献</h2>
<div class="mp_box">
IMSLP需要你的帮助！请访问'''[[IMSLP:Contributor Portal|贡献者页面]]'''来了解如何贡献你的力量。在<span class="plainlinks">'''[http://www.imslpforums.org/ IMSLP论坛]'''</span>里，大家可以讨论IMSLP和一般的音乐话题。

'''贡献：'''与别人分享你的音乐知识，参与编辑这个维基，就是在做出自己的贡献。如果你的书架上有本老的乐谱，或者硬盘里有[[public domain|公共领域]]的乐谱，请考虑把它上传到IMSLP来与全世界分享！你还可以帮助我们把其他网站上的公共领域乐谱放到这里来。在[[IMSLP:Contributing scores|贡献乐谱指南]]里有更多的细节。

'''项目：'''我们还有一些[[IMSLP:Community Projects|社区项目]]，是获得一些已经停滞项目的乐谱库中的资源，鉴别其内容并保存下来。目前，IMSLP的一个主要项目就是[[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|整理并上传'''Bach-Gesellschaft Ausgabe''']]（巴赫全集）。

'''其他任务：'''除了贡献乐谱，还有很多种帮助IMSLP的方法。例如，你可以帮助[[IMSLP:Maintenance|维护网站]]，[[IMSLP:Internationalization|翻译IMSLP]]，或者[[IMSLP:Site support|在经济上支持IMSLP]].

这只是一个简介。你可以在[[IMSLP:Contributor Portal|贡献者页面]]里找到关于贡献更详细的说明。
</div>
<h2>著作权</h2>
<div class="mp_box">
本站努力遵守加拿大著作权法（查看[[public domain|公共领域]]页面获得更多的信息）。然而，如果有侵权发生，请通过feldmahler {at} imslp.org联系我们。谢谢。
</div>
</div>
<div id="mp_right">
<h2>特色乐谱</h2>
<div class="mp_box">
{{IMSLP:Featured}}
</div>
<h2>最近新增</h2>
<div class="mp_box">
<imslprecentadditions />
<div style="text-align:right">[[Special:IMSLPNARecentAdditionsFinder|更多……]]</div>
</div>
</div>
<div style="clear:both"></div>
</div>

首页

2008-08-19T06:45:43Z

Yuanyelele:

__NOTOC__ __NOEDITSECTION__ {{:OtherLangs:Main Page}}
<div id="mp">
<div id="mp_banner">
欢迎你来到
<div id="mp_sitename">IMSLP / Petrucci 音乐图书馆</div>
这里是保存公共领域乐谱的图书馆。<br />
<span style="font-size:90%">始于2006年2月16日 · {{NUMBEROFARTICLES}}部作品 · {{#imslpsccount:us|j}}份乐谱</span>
</div>
<div id="mp_nav">
<h2>浏览乐谱，按照:</h2>
[[:Category:Composers|作曲家]] · [[Browse by composer time period|时期]] · [[Browse_by_genre|形式或乐器]]
<h2>其他语言:</h2>
{{Otherlangs|lang=en}}
</div>
<div id="mp_left">
<div id="mp_intro">
欢迎来到国际乐谱库项目（IMSLP）！我们的目标是创建一座虚拟图书馆，它包含所有位于[[public domain|公共领域]]的乐谱，以及来自愿意[[CC-SA or similar|无偿]]与世界分享其作品的作曲家的乐谱。你可以查看IMSLP想要达成的[[IMSLP goals|目标]]的列表。

IMSLP鼓励音乐思想的交流，无论是以音乐创作的形式，还是以作品分析的形式。因此，欢迎你创建或是编辑这里的页面，发表自己对某部作品的分析（请使用该作品页面顶端的“讨论”链接）。
</div>
<h2>新闻</h2>
<div class="mp_box">
{{IMSLP:News}}
</div>
<h2>贡献</h2>
<div class="mp_box">
IMSLP需要你的帮助！请访问'''[[IMSLP:Contributor Portal|贡献者页面]]'''来了解如何贡献你的力量。在<span class="plainlinks">'''[http://www.imslpforums.org/ IMSLP论坛]'''</span>里，大家可以讨论IMSLP和一般的音乐话题。

'''贡献：'''与别人分享你的音乐知识，参与编辑这个维基，就是在做出自己的贡献。如果你的书架上有本老的乐谱，或者硬盘里有[[public domain|公共领域]]的乐谱，请考虑把它上传到IMSLP来与全世界分享！你还可以帮助我们把其他网站上的公共领域乐谱放到这里来。在[[IMSLP:Contributing scores|贡献乐谱指南]]里有更多的细节。

'''项目：''' The aims of our [[IMSLP:Community Projects|Community Projects]] are to acquire collections of works from inactive archives, to identify their contents, and to preserve them for the future. As of the moment, one of the main projects of IMSLP is the [[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|sorting and uploading of the '''Bach-Gesellschaft Ausgabe''']] (complete works).

'''其他任务：'''除了贡献乐谱，还有很多种帮助IMSLP的方法。例如，你可以帮助[[IMSLP:Maintenance|维护网站]]，[[IMSLP:Internationalization|翻译IMSLP]]，或者[[IMSLP:Site support|在经济上支持IMSLP]].

This is just a short overview. You can find all the details about contributing in the [[IMSLP:Contributor Portal|Contributor Portal]].
</div>
<h2>著作权</h2>
<div class="mp_box">
This site strives to comply with Canadian copyright laws (visit the [[public domain]] page for more information). However, in the case that there are violations, please contact us at feldmahler {at} imslp.org. Thank you.
</div>
</div>
<div id="mp_right">
<h2>特色乐谱</h2>
<div class="mp_box">
{{IMSLP:Featured}}
</div>
<h2>最近新增</h2>
<div class="mp_box">
<imslprecentadditions />
<div style="text-align:right">[[Special:IMSLPNARecentAdditionsFinder|更多……]]</div>
</div>
</div>
<div style="clear:both"></div>
</div>

首页

2008-08-19T06:24:01Z

Yuanyelele: chinese translation of main page

__NOTOC__ __NOEDITSECTION__ {{:OtherLangs:Main Page}}
<div id="mp">
<div id="mp_banner">
欢迎你来到
<div id="mp_sitename">IMSLP / Petrucci 音乐图书馆</div>
这里是保存公共领域乐谱的图书馆。<br />
<span style="font-size:90%">始于 2006年2月16日 · {{NUMBEROFARTICLES}} 部作品 · {{#imslpsccount:us|j}} 份乐谱</span>
</div>
<div id="mp_nav">
<h2>浏览乐谱，按照:</h2>
[[:Category:Composers|作曲家]] · [[Browse by composer time period|时期]] · [[Browse_by_genre|形式或乐器]]
<h2>其他语言:</h2>
{{Otherlangs|lang=en}}
</div>
<div id="mp_left">
<div id="mp_intro">
欢迎来到国际乐谱库项目（IMSLP）！我们的目标是创建一座虚拟图书馆，它包含所有位于[[public domain|公共领域]]的乐谱，以及来自愿意[[CC-SA or similar|无偿]]与世界分享其作品的作曲家的乐谱。你可以查看 IMSLP 想要达成的[[IMSLP goals|目标]]的列表。

IMSLP 鼓励音乐思想的交流，无论是以音乐创作的形式，还是以作品分析的形式。因此，欢迎你创建或是编辑这里的页面，发表自己对某部作品的分析（请使用该作品页面顶端的“讨论”链接）。
</div>
<h2>新闻</h2>
<div class="mp_box">
{{IMSLP:News}}
</div>
<h2>参与</h2>
<div class="mp_box">
IMSLP 需要你的帮助！访问'''[[IMSLP:Contributor Portal|Contributor Portal]]''' to learn about contributing to IMSLP. The <span class="plainlinks">'''[http://www.imslpforums.org/ IMSLP forums]'''</span> are open to anyone for discussions about IMSLP and music in general.

'''Contributing:''' You can contribute by simply participating in the growth of this wiki by sharing your knowledge in music with others. If you have old sheet music on your shelves, or [[public domain]] sheet music on your hard disk, consider sharing them with the rest of the world by uploading it to IMSLP! You can also help importing public domain scores from other websites. Please refer to the [[IMSLP:Contributing scores|score contributing guide]] for details.

'''Projects:''' The aims of our [[IMSLP:Community Projects|Community Projects]] are to acquire collections of works from inactive archives, to identify their contents, and to preserve them for the future. As of the moment, one of the main projects of IMSLP is the [[IMSLP:Community_Projects/Bach-Gesellschaft_Ausgabe|sorting and uploading of the '''Bach-Gesellschaft Ausgabe''']] (complete works).

'''Other Tasks:''' There are several ways of helping IMSLP, apart from contributing scores. You can help e.g. with the [[IMSLP:Maintenance|website maintenance]], [[IMSLP:Internationalization|translation of IMSLP]], or [[IMSLP:Site support|support IMSLP financially]].

This is just a short overview. You can find all the details about contributing in the [[IMSLP:Contributor Portal|Contributor Portal]].
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<h2>Copyright</h2>
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This site strives to comply with Canadian copyright laws (visit the [[public domain]] page for more information). However, in the case that there are violations, please contact us at feldmahler {at} imslp.org. Thank you.
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<h2>Featured scores</h2>
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{{IMSLP:Featured}}
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<h2>Recent additions</h2>
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<div style="text-align:right">[[Special:IMSLPNARecentAdditionsFinder|More...]]</div>
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