6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

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Movements/SectionsMov'ts/Sec's 6 suites
Composition Year 1717-23
Genre Categories Suites; For cello; Scores featuring the cello; For 1 player; For violoncello piccolo; Scores featuring the violoncello piccolo; For cello, piano (arr); For 2 players (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For viola, piano (arr); Scores featuring the viola (arr); For recorder (arr); For 1 player (arr); Scores featuring the recorder (arr); For violin (arr); Scores featuring the violin (arr); For viola (arr); For ukulele (arr); Scores featuring the ukulele (arr)

Contents

Performances

Sheet Music

Scores

 Complete Score (color scan)
#215391 - 62.27MB, 40 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 38580×⇩ - Jun T

PDF scanned by Bach Digital
Jun T (2012/5/5)

 Complete Score
#483523 - 15.17MB, 38 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1364×⇩ - MKXScorpion

PDF scanned by Bach Digital
MKXScorpion (2017/7/23)

 Complete Score (black and white)
#07437 - 35.75MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 68055×⇩ - Generoso

PDF scanned by Unknown
Generoso (2007/6/5)

Copyist Anna Magdalena Bach (1701–1760)
Publisher. Info. Manuscript, n.d.(ca.1720-60).
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 269
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 Complete Score (color scan)
#325883 - 35.38MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4586×⇩ - Feduol

PDF scanned by D-B
Feduol (2014/5/21)

 Complete Score
#75794 - 7.86MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 39514×⇩ - Andrewt

PDF scanned by A. Toering
Andrewt (2010/8/21)

Copyist Johann Peter Kellner
Publisher. Info. Manuscript, n.d.(ca.1726).
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 804 (pp.249-76)
#75794: 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
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 Complete Score (color scan)
#326638 - 55.89MB, 44 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2528×⇩ - Feduol

PDF scanned by D-B
Feduol (2014/5/27)

 Complete Score
#75795 - 7.94MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 17852×⇩ - Andrewt

PDF scanned by A. Toering
Andrewt (2010/8/21)

Copyist Anonymous (2 persons)
Publisher. Info. Manuscript, n.d.(ca.1750-99).
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 289 (pp.71-112)
#75795: 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
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 Complete Score
#75796 - 20.25MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13704×⇩ - Andrewt

PDF scanned by A. Toering
Andrewt (2010/8/21)

Copyist Anonymous
Publisher. Info. Manuscript, n.d.(ca.1775-1800).
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain [tag/del]
Misc. Notes 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
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 Complete Score
#75797 - 9.76MB, 53 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 25546×⇩ - Andrewt

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Andrewt (2010/8/21)

Editor Louis-Pierre Norblin (1781-1854)
First edition
Publisher. Info. Paris: Janet et Cotelle, n.d.(ca.1824). Plate 1497.
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain [tag/del]
Misc. Notes 600 dpi
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 Complete Score (grayscale)
#462111 - 51.02MB, 48 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 488×⇩ - MTL-David

PDF scanned by S-Skma
MTL-David (2017/3/8)

Publisher. Info. Leipzig: H.A. Probst, n.d.[1825]. Plate 165.
Copyright
Public Domain [tag/del]
Misc. Notes This score is part of the Wallenberg Collection, kept at The Music and Theatre Library of Sweden
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 Complete score
#255413 - 4.63MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13086×⇩ - Generoso

PDF scanned by GB-LEbc
Generoso (2012/10/21)

Editor Friedrich Dotzauer (1783-1860)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1826). Plate 4346.
Copyright
Public Domain [tag/del]
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 Complete Score
#94132 - 2.28MB, 40 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 19367×⇩ - Generoso

PDF scanned by Google
Generoso (2011/2/26)

Editor Friedrich Grützmacher (1832-1903)
Publisher. Info. Leipzig: C.F. Peters, No.238a, n.d.[1866]. Plate 4962.
Copyright
Public Domain [tag/del]
Misc. Notes This edition is much more academic, based on manuscripts.
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 Complete Score
#107648 - 4.47MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9968×⇩ - YuriyLcello

PDF scanned by RUS-Mrg
YuriyLcello (2011/7/1)

Editor Friedrich Grützmacher (1832-1903)
Publisher. Info. Leipzig: C.F. Peters, No.238b, n.d.[1866]. Plate 4546.
Copyright
Public Domain [tag/del]
Misc. Notes Heavily edited (arranged) and reharmonized. 6th Suite is transposed to G major.
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 Complete Score
#12165 - 2.81MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 16323×⇩ - ValeriyaSholokh...

PDF scanned by Unknown
ValeriyaSholokh... (2007/8/21)

Editor Alfred Dörffel (1821-1905)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 27.1 (pp.59-94)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Copyright
Public Domain [tag/del]
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 Complete Score
#108698 - 3.47MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9820×⇩ - Generoso

PDF scanned by RUS-Mrg
Generoso (2011/7/9)

Editor Friedrich Dotzauer (1783-1860)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1880). Plate V.A. 1236.
Copyright
Public Domain [tag/del]
Misc. Notes Revised reissue (new engraving) of Dotzauer edition
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 Complete Score
#36902 - 3.21MB, 44 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 16149×⇩ - Carolus

PDF scanned by Unknown
Carolus (2009/8/13)

Editor Julius Klengel (1859-1933)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Copyright
Public Domain [tag/del]
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 Complete Score
#108700 - 4.98MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 5954×⇩ - Generoso

PDF scanned by RUS-Mrg
Generoso (2011/7/9)

Editor Robert Hausmann (1852–1909)
Engraver Leipzig: F.W. Garbrecht.
Publisher. Info. Leipzig: Steingräber Verlag, n.d.[1898]. Plate 882.
Copyright
Public Domain [tag/del]
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 Complete Score
#70850 - 8.18MB, 46 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 14005×⇩ - Generoso

PDF scanned by uploader
Generoso (2010/7/10)

 Color Covers
#70857 - 2.63MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 3435×⇩ - Generoso

PDF scanned by uploader
Generoso (2010/7/10)

Editor Hugo Becker (1863-1941)
Publisher. Info. Leipzig: C.F. Peters, No.238, n.d.(ca.1911). Plate 9148.
Copyright
Public Domain [tag/del/mrg]
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 Complete Score
#105620 - 15.78MB, 54 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/26 - 10485×⇩ - Generoso

PDF scanned by Hathitrust
Generoso (2011/6/16)

Editor Fernand Pollain (1879–1955)
Publisher. Info. Paris: A. Durand & fils, 1918. Plate D. & F. 9546.
Copyright
Public Domain - Non-PD EU [tag/del]
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 Complete Score (Text I) (EU)
#480704 - 3.64MB, 52 pp. -  0.0/10 2 4 6 8 10 (-) - C*/79*/V* - 19472×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/7/6)

Editor Anna Magdalena Bach (1701-1760)
Johann Peter Kellner (1705-1772)
Hans Eppstein (1911-2008)
Publisher. Info. Neue Bach-Ausgabe, Serie VI. Kammermusik, Band 2. Kammermusik 2: Sechs Suiten für Violoncello solo (pp.1-52)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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 Complete Score (Text II) (EU)
#480705 - 3.64MB, 52 pp. -  0.0/10 2 4 6 8 10 (-) - C*/79*/V* - 11075×⇩ - Sallen112

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Sallen112 (2017/7/6)

Editor Anonymous (18th Century, second half)
Hans Eppstein (1911-2008)
Publisher. Info. Neue Bach-Ausgabe, Serie VI. Kammermusik, Band 2. Kammermusik 2: Sechs Suiten für Violoncello solo (pp.53-104)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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 Complete Score
#121688 - 0.81MB, 60 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 48621×⇩ - Coulonnus

PDF typeset by editor
Coulonnus (2011/9/11)

Editor Werner Icking (1943-2001)
Publisher. Info. Werner Icking
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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 Complete Score (without slurs)
#268080 - 1.44MB, 79 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 27418×⇩ - Shin-Itchiro

PDF typeset by editor
Shin-Itchiro (2013/1/30)

 Editor's Notes
#268084 - 1.55MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 18001×⇩ - Shin-Itchiro

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Shin-Itchiro (2013/1/30)

Editor Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes This edition without slurs was edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach. Normal notation version of 5th suite and transposed version (in G major) of 6th suite are included. See also Bach's Cello Suites, Editor's Notes
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Arrangements and Transcriptions

Complete

For Cello or Viola and Piano (Stade)

 Complete Score
#241796 - 17.58MB, 100 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 7772×⇩ - Generoso

PDF scanned by Unknown
Generoso (2012/7/12)

Arranger Friedrich Wilhelm Stade (1817–1902)
Revised version
Publisher. Info. Leipzig: Gustav Heinze, n.d.
Reprinted Leipzig: Edition Peters, n.d. Plate 7311.
Copyright
Public Domain [tag/del]
Misc. Notes The title page reference to Robert Schumann is due to the fact that Schumann's arrangement used Dotzauer's edition as its source. Stade's revised arrangement incorporated features from the Dotzauer and Grützmacher editions, while the original version is mainly based on Norblin's edition from ca.1824.
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For Cello and Piano (Grädener)

 Nos.1-3 - Piano Part
#241797 - FileNotExistErrorMB, ? pp. -  0.0/10 2 4 6 8 10 (-) - Removed - 4513×⇩ - Generoso

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Generoso (2012/7/12)

 Nos.1-3 - Cello Part
#241798 - FileNotExistErrorMB, ? pp. -  0.0/10 2 4 6 8 10 (-) - Removed - 5106×⇩ - Generoso

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Generoso (2012/7/12)

 Nos.4-6 - Piano Part
#241799 - FileNotExistErrorMB, ? pp. -  0.0/10 2 4 6 8 10 (-) - Removed - 1346×⇩ - Generoso

PDF scanned by Unknown
Generoso (2012/7/12)

 Nos.4-6 - Cello Part
#241800 - FileNotExistErrorMB, ? pp. -  0.0/10 2 4 6 8 10 (-) - Removed - 1712×⇩ - Generoso

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Generoso (2012/7/12)

Arranger Carl Georg Peter Grädener (1812-1883)
Publisher. Info. Hamburg: H. Pohle, n.d.[1871]. Plate H. P. 19. 115.
Copyright
Public Domain [tag/del/mrg]
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120x200px
For Violin (David)

 Complete Score
#254354 - 7.75MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8530×⇩ - Generoso

PDF scanned by GB-LEbc
Generoso (2012/10/13)

Arranger Ferdinand David (1810-1873)
Publisher. Info. Leipzig: Gustav Heinze, n.d.(ca.1866). Plate G. 114 H.
Copyright
Public Domain [tag/del]
Misc. Notes The solo cello suites arranged for violin, as preparatory studies for Bach's solo violin works. Some passages, especially arpeggiated sections, are rewritten, and suites 1-5 are transposed up a fifth. [Note that annotations referring to Bach's original notes give the cello version]. This arrangement appeared at almost the same time as Grützmacher's version for concert performance. Many of the alterations to notes (such as the opening bars of the prelude to the first suite) are common to David and Grützmacher. David's source is almost certainly the edition published by Heinrich Probst in 1825, itself a re-engraving of the first published edition, that by Janet et Cotelle (Paris, 1824), but David must also have access to another source, as he does not repeat the egregious errors of the Probst or Cotelle texts.
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For Violin (Ebner)

 Suite No.1, BWV 1007
#131839 - 1.27MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 16797×⇩ - RTM

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RTM (2011/10/2)

⇒ 5 more: Suite No.2, BWV 1008 • Suite No.3, BWV 1009 • Suite No.4, BWV 1010 • Suite No.5, BWV 1011 • Suite No.6, BWV 1012

 Suite No.2, BWV 1008
#132274 - 0.97MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 4701×⇩ - RTM

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RTM (2011/10/3)

 Suite No.3, BWV 1009
#132275 - 1.29MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 4233×⇩ - RTM

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RTM (2011/10/3)

 Suite No.4, BWV 1010
#132967 - 1.28MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 3270×⇩ - RTM

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RTM (2011/10/4)

 Suite No.5, BWV 1011
#133591 - 1.34MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 3411×⇩ - RTM

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RTM (2011/10/5)

 Suite No.6, BWV 1012
#133592 - 1.71MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - C/V/C - 4029×⇩ - RTM

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RTM (2011/10/5)

Arranger Josef Ebner (fl.1903-1921)
Publisher. Info. Leipzig/Zürich: Gebrüder Hug, n.d.(ca.1913). Plate G.H. 5151.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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For Violin (Icking)

 Complete Score
#121690 - 0.83MB, 60 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 38078×⇩ - Coulonnus

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Coulonnus (2011/9/11)

Arranger Werner Icking (1943-2001)
Publisher. Info. Werner Icking Estate
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Viola (Icking)

 Complete Score
#121689 - 0.85MB, 60 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 92884×⇩ - Coulonnus

PDF typeset by arranger
Coulonnus (2011/9/11)

Arranger Werner Icking (1943-2001)
Publisher. Info. Werner Icking Estate
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Viola (Spindler)

 Complete Score
#29356 - 7.58MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 28656×⇩ - Zelenka

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Zelenka (2009/3/9)

Arranger Fritz Spindler (1817-1905)
Publisher. Info. Moscow: Muzgiz, 1962. Plate 29137.
Copyright
Public Domain [tag/del]
Misc. Notes It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig. -- when was the Hofmeister edition published? Worldcat turns up nothing more recent than 1953- did Spindler leave his arrangement in manuscript?
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For Viola (Yokoyama)

 Complete Score (without slurs)
#268573 - 1.46MB, 79 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 31602×⇩ - Shin-Itchiro

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Shin-Itchiro (2013/2/5)

 Editor's Notes
#268084 - 1.55MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 18001×⇩ - Shin-Itchiro

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Shin-Itchiro (2013/2/5)

Arranger Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes This edition without slurs was edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach. Normal notation version of 5th suite and transposed version (in G major) of 6th suite are included.
See also the blog: Bach's Cello Suites, Editor's Notes
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Selections

For Bass recorder (Perry)

 7 selections
#220993 - 0.13MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 7326×⇩ - Reccmo

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Reccmo (2012/5/18)

 9 selections
#220994 - 0.14MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4145×⇩ - Reccmo

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Reccmo (2012/5/18)

 Engraving files (Sibelius)
#220997 - 0.01MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2050×⇩ - Reccmo

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Reccmo (2012/5/18)

Arranger Philip Perry
Publisher. Info. Philip Perry
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del/mrg]
Misc. Notes 7 selections (#220993), 9 selections (#220994)
These file(s) are part of the Werner Icking Music Collection.
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For Ukulele (Preece)

 Complete Score
#388182 - 0.91MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 4621×⇩ - Tepreece

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Tepreece (2015/8/2)

Arranger Thomas Preece
Publisher. Info. Thomas Preece
Copyright
Creative Commons Attribution 4.0 [tag/del]
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General Information

Work Title 6 Cello Suites
Alternative. Title
Name Translations 无伴奏大提琴组曲; 無伴奏大提琴組曲; Suitoj por violonĉelo sola; Suity na wiolonczelę solo J. S. Bacha; Biolontxelo Solorako Suitak; 무반주 첼로 모음곡; Suites pour violoncelle seul; Сюиты для виолончели соло; Suites para violonchelo solo; Cello Suites; Suites per a violoncel sol; Sellosarjat; Csellószvitek; Suites per violoncello solo; Suiten für Violoncello solo; Chwe Chyfres ar gyfer Sielo Digyfeiliant; Cellosuitar av Bach; 無伴奏チェロ組曲; Suity pro sólové violoncello; Šest suita za violončelo solo; Zes suites voor onbegeleide cello; Suítes para Violoncelo; Suiter for cello solo; Թավջութակի սուիտներ (Բախ); Viyolonsel Süitleri, BWV 1007-1012 (Bach); Tổ khúc cello (Bach); سوئیت ویولنسل (باخ)
Name Aliases 무반주 첼로 모음곡(바흐); Suites per a violoncel sol de Bach; Suite per violoncello solo; Sei suites a violoncello solo senza basso; Sei suites per violoncello solo; Bachsuiten; Cellosuite; Seks Suitar for Cello; Suity pro violoncello; Zes suites voor onbegeleide cello (J.S. Bach); Seis Suítes para Violoncelo Solo
Authorities WorldCat; Wikipedia; VIAF: 193652248; GND: 300011539; BNF: 139093949
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 1007-1012
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 6 suites:
  1. Cello Suite No.1 in G major, BWV 1007
  2. Cello Suite No.2 in D minor, BWV 1008
  3. Cello Suite No.3 in C major, BWV 1009
  4. Cello Suite No.4 in E-flat major, BWV 1010
  5. Cello Suite No.5 in C minor, BWV 1011
  6. Cello Suite No.6 in D major, BWV 1012
Year/Date of CompositionY/D of Comp. 1717-23
First Publication. 1825
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation cello (Suite No.6 calls for a 5-stringed cello of some sort (violoncello piccolo?), possibly viola pomposa)
External Links Wikipedia article
6 Cello Suites -  Scores at Sheet Music Plus

Navigation etc.

Wikipedia gives a date of probably before 1720 (so probably? 1710s), mentioning unnamed scholars (will have to look that up and fill in?) who believe that the suites were written before the solo violin sonatas and partitas which have 1720 on their manuscript?.

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