6 Suites, Op.1 (Philidor, Pierre Danican)

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First Publication 1717
Genre Categories Suites; For 2 flutes; Scores featuring the flute; For 2 players; For flute, continuo; Scores with basso continuo; For 1 player with continuo; For 2 oboes; Scores featuring the oboe; For oboe, continuo; For 2 recorders; Scores featuring the recorder; For recorder, continuo; For 2 violins; Scores featuring the violin; For violin, continuo; For 2 recorders (arr); Scores featuring the recorder (arr); For 2 players (arr)

Contents

Performances

Sheet Music

Scores

Facsimile Print

 Complete Score
#99668 - 5.76MB, 52 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 11317×⇩ - Feduol

PDF scanned by Unknown
Feduol (2011/4/22)

Publisher. Info. Paris: Chez l'auteur, Foucault, 1717.
Copyright
Public Domain [tag/del]
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Modern Edition (Grayson)

 Complete Score
#202201 - 0.11MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 6526×⇩ - Martin Grayson

PDF typeset by arranger
Martin Grayson (2012/4/11)

 Complete Parts
#202202 - 0.14MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2251×⇩ - Martin Grayson

PDF typeset by arranger
Martin Grayson (2012/4/11)

Editor Martin Grayson
Publisher. Info. Martin Grayson
Copyright
Creative Commons Attribution 3.0 [tag/del/mrg]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Arrangements and Transcriptions

=====For 2 Recorders (Grayson)=====

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General Information

Work Title 3 Suittes à deux flûtes traversières seules avec 3 autres suites dessus et basses pour les hautbois, flûtes et violons.
Alternative. Title
Composer Philidor, Pierre Danican
Opus/Catalogue NumberOp./Cat. No. Op.1
I-Catalogue NumberI-Cat. No. IPP 1
First Publication. 1717
Language French
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Flute, Oboe, Recorder or Violin

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Contents:

Suite I in G Minor (both lines are in G1 clef); key signature is one flat, but E♭s and F♯s are added
Suite II in G Major (both lines are in G1 clef)
Suite III in D Major (both lines are in G1 clef); key signature is three sharps, but F♯ is there in two octaves
Suite IV in A Minor (top line is in G1 clef, bottom line is F4 clef (as in the modern bass clef) with figuring numbers)
Suite V in E Minor (top line is in G1 clef, bottom line is F4 clef (as in the modern bass clef) with figuring numbers)
Suite VI in B Minor (top line is in G1 clef, bottom line is F4 clef (as in the modern bass clef) with figuring numbers); key signature is three sharp, but F♯ is there in two octaves
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