Acis and Galatea, HWV 49 (Handel, George Frideric)

Revision as of 00:16, 8 October 2015 by Aldona (Talk | contribs)
Movements/SectionsMov'ts/Sec's 2 acts
Composition Year 1718, revised 1732, 1739
Genre Categories Secular oratorios; Oratorios; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; English language; For voices, mixed chorus, orchestra (arr); Scores featuring the voice (arr); Scores featuring mixed chorus (arr); Scores featuring the orchestra (arr); For voices and chorus with orchestra (arr); For piano (arr); For 1 player (arr); Scores featuring the piano (arr)

Contents

Performances

Naxos

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Synthesized/MIDI

Overture

 MIDI Performance
#357898 - 0.02MB - 2:57 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 359×⇩ - MID - Oboenils

MID file (audio/video)
Oboenils (2014/12/25)

Publisher Info. Nils Jönsson
Performers Nils Jönsson
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
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Sheet Music

Full Scores

Complete

 Complete Score
#318860 - 54.95MB, 102 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4247×⇩ - Feduol

PDF scanned by US-DN
Feduol (2014/3/15)

 Complete Score
#395826 - 13.96MB, 104 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 941×⇩ - Carolus

PDF scanned by CDN-Tu
Carolus (2015/10/7)

Publisher. Info. London: John Walsh, n.d.(ca.1743).
Copyright
Public Domain [tag/del/mrg]
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 Complete Score
#18736 - 34.46MB, 151 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 17713×⇩ - Ivdruiz

PDF scanned by D-Mbs
Ivdruiz (2008/7/13)

Editor Friedrich Chrysander (1826-1901)
Publisher. Info. Georg Friedrich Händels Werke. Band 3
Leipzig: Deutsche Händelgesellschaft, 1858. Plate H.W. 3.
Copyright
Public Domain [tag/del]
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Overture

 Complete score
#357899 - 0.12MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3413×⇩ - Oboenils

PDF typeset by editor
Oboenils (2014/12/25)

 Engraving files (Sibelius and MusicXML)
#357900 - 0.11MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 970×⇩ - Oboenils

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Oboenils (2014/12/25)

Editor Nils Jönsson
Publisher. Info. Nils Jönsson
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
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Recitative and Aria: "Ye verdant plains; Hush, hush, ye pretty warbling quire" (No.3)

 Complete Score
#278632 - 0.14MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3571×⇩ - Rshann

PDF typeset by editor
Rshann (2013/4/24)

Editor Richard Shann
Publisher. Info. Richard Shann
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 [tag/del]
Misc. Notes The opening recit and aria; music input using Denemo, typesetting by LilyPond
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Parts

Selections (Nos.1, 2)

 Complete Parts
#106106 - 15.76MB, 64 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2234×⇩ - Fynnjamin

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Fynnjamin (2011/6/20)

Copyist Johann Gottfried Grundig (ca.1706-1773)
Johann Gottlieb Morgenstern (1687-1763)
Johann Gottlieb Haußstädler (ca.1730-ca.1800)
Publisher. Info. Manuscript, n.d.(ca.1731-55).
Copyright
Public Domain [tag/del]
Misc. Notes Schrank II coll. ; RISM 212001008
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Overture

 Oboe 1
#357901 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1302×⇩ - Oboenils

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Oboenils (2014/12/25)

 Oboe 2
#357902 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 608×⇩ - Oboenils

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Oboenils (2014/12/25)

 Violins I/II
#357903 - 0.06MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1331×⇩ - Oboenils

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Oboenils (2014/12/25)

 Continuo (Cellos, Basses, Keyboard)
#357904 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1112×⇩ - Oboenils

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Oboenils (2014/12/25)

Editor Nils Jönsson
Publisher. Info. Nils Jönsson
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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Recitative and Aria: "Ye verdant plains; Hush, hush, ye pretty warbling quire" (No.3)

 Soprano solo
#278636 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 845×⇩ - Rshann

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Rshann (2013/4/24)

⇒ 4 more: Piccolo • Violins I • Violins II • Basso (Cellos, Basses, Keyboard)

 Piccolo
#278633 - 0.07MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 826×⇩ - Rshann

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Rshann (2013/4/24)

 Violins I
#278634 - 0.07MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 596×⇩ - Rshann

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Rshann (2013/4/24)

 Violins II
#278635 - 0.06MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 397×⇩ - Rshann

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Rshann (2013/4/24)

 Basso (Cellos, Basses, Keyboard)
#278637 - 0.05MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 635×⇩ - Rshann

PDF typeset by editor
Rshann (2013/4/24)

Editor Richard Shann
Publisher. Info. Richard Shann
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 [tag/del/mrg]
Misc. Notes The opening recit and aria; music input using Denemo, typesetting by LilyPond
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Vocal Scores

Complete

 Complete Score
#86382 - 25.96MB, 94 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9234×⇩ - Carolus

PDF scanned by Google
Carolus (2010/12/4)

Arranger Vincent Novello (1781-1861), piano reduction
Language English
Publisher. Info. London: Novello, Ewer & Co., n.d.(ca.1865).
Copyright
Public Domain [tag/del]
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 Complete score
#250530 - 10.61MB, 120 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4058×⇩ - Bassani

PDF scanned by RUS-Mrg
Bassani (2012/9/14)

Editor Joseph Barnby (1838-1896)
Publisher. Info. London: Novello, Ewer and Co., n.d.
Copyright
Public Domain [tag/del]
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 Complete Score
#39716 - 5.32MB, 111 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6489×⇩ - operalala

PDF scanned by Unknown
operalala (2009/9/20)

 Complete Score
#395825 - 4.67MB, 111 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 567×⇩ - Carolus

PDF scanned by Unknown
Carolus (2015/10/7)

Arranger Friedrich Chrysander (1826-1901), reduction
Language English / German
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 11433.
Reprinted New York: E.F. Kalmus, n.d.(1965).Plate K 6208.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Possibly first issued by Rieter-Biedermann in the 1860s and later reissued by Peters.
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Selections

 Complete Score
#257262 - 5.90MB, 48 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1060×⇩ - Fynnjamin

PDF scanned by US-PRV
Fynnjamin (2012/11/4)

Editor First edition
Publisher. Info. London: I. Walsh, n.d.
Copyright
Public Domain [tag/del]
Misc. Notes Some pages are engraved in a different (later 18th century) style, as though this is a later imprint of old plates with some replaced.
Contains numbers 3-8, 11-15, 16b, 17, 19, 23.
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 Aria: Love in her eyes sits playing (Act I)
#145635 - 0.30MB, 5 (#15-19) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1360×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/11/3)

 Aria: Would you gain the tender creature (Act II)
#145636 - 0.35MB, 6 (#20-25) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1092×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/11/3)

Editor Ebenezer Prout (1835-1909
Language English
Publisher. Info. Songs and Airs by George Frideric Handel, Vol.I: For High Voice.
Boston: Oliver Ditson Company, 1905. Plates ML-1080-1081.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Recitative and Aria: O ruddier than the cherry (Act II)
#147564 - 0.41MB, 7 (#6-12) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1946×⇩ - Massenetique

PDF scanned by Google / Harvard
Massenetique (2011/11/7)

Editor Ebenezer Prout (1835-1909)
Publisher. Info. Songs and Airs by George Frideric Handel, Volume II: For Low Voice.
Boston: Oliver Ditson Company, 1905. Plate ML-1118-7.
Copyright
Public Domain [tag/del]
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Arrangements and Transcriptions

Selections

For Voices, Mixed Chorus and Orchestra (Mozart)

 Damon's arias (Nos.5b and 15)
Embellishments for the da capo (voice part)
#271161 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 783×⇩ - Wettgesang

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Wettgesang (2013/2/25)

Arranger Wolfgang Amadeus Mozart (1756-1791)
Editor Wettgesang
Language German
Translator Gottfried van Swieten (1733-1803), German text
Publisher. Info. Wettgesang
Copyright
Creative Commons Attribution 3.0 [tag/del]
Misc. Notes Nos.4, 12 in the Mozart arrangement
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For Piano solo (Rimbault)

 Airs and Choruses
#249416 - 7.23MB, 31 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1043×⇩ - Timtin

PDF scanned by Unknown
Timtin (2012/9/5)

Arranger Edward Francis Rimbault (1816-1876)
Publisher. Info. London: D'Almaine and Co., n.d.(ca.1850). Plate 13,455.
Copyright
Public Domain [tag/del]
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General Information

Work Title Acis and Galatea
Alternative. Title
Name Translations Ացիս և Գալատեա; Acis i Galatea (Händel); 아시스와 갈라테아; Acis y Galatea; Aci e Galatea; Acis ve Galatea; Acis és Galatea; Акид и Галатея; 阿西斯与加拉蒂亚; 阿西斯與加拉蒂亞; エイシスとガラテア; Acis and Galatea (Handel)
Name Aliases Acis e Galatea; Acis et Galatée
Authorities WorldCat; Wikipedia; VIAF: 8440152140007311100004; GND: 300063970; BNF: 15610835z
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 49
I-Catalogue NumberI-Cat. No. IGH 2
Movements/SectionsMov'ts/Sec's 2 acts
  • Act I
1. Overture
2. Chorus: Oh the pleasure of the plains (Shepherds, Nymphs)
3. Recitative and Aria (Galatea)
a. Recitative: Ye verdant plains
b. Aria: Hush, hush, ye pretty warbling quire
4. Aria: Where shall I seek the charming fair (Acis)
5. Recitative and Aria (Damon)
a. Recitative: Stay, shepherd, stay
b. Aria: Shepherd, what art thou pursuing
6. Recitative and Aria (Acis)
a. Recitative: Lo! here my love
b. Aria: Love in her eyes sits playing
7. Recitative and Aria (Galatea)
a. Recitative: Oh! didst thou know the pains
b. Aria: As when the dove
8. Duet: Happy we (Acis, Galatea)
9. Chorus: Happy we (Shepherds, Nymphs)
  • Act II
10. Chorus: Wretched lovers (Shepherds, Nymphs)
11. Recitative: I rage, I melt (Polyphemus)
12. Aria: O ruddier than the cherry (Polyphemus)
13. Recitative: Whither, fairest, art thou running (Polyphemus)
14. Aria: Cease to beauty to be suing (Polyphemus)
15. Aria: Would you gain the tender creature (Damon)
16. Recitative and Aria (Acis)
a. Recitative: His hideous love provokes my rage
b. Aria: Love sounds th'alarm
17. Aria: Consider, fond shepherd (Damon)
18. Recitative: Cease, oh cease, thou gentle youth (Galatea)
19. Trio: The flocks shall leave the mountains (Galatea, Acis, Polyphemus)
20. Recitative: Help, Galatea (Acis)
21. Chorus: Mourn, all ye muses (Shepherds, Nymphs)
22. Solo with Chorus: Must I my Acis still bemoan (Galatea, Shepherds, Nymphs)
23. Recitative and Aria (Galatea)
a. Recitative: Tis done, thus I exert my pow'r divine
b. Aria: Heart, the seat of soft delight
24. Chorus: Galatea, dry thy tears (Shepherds, Nymphs)
Year/Date of CompositionY/D of Comp. 1718, revised 1732, 1739
First Publication. 1743 ca. or before
Librettist John Gay (1685-1732)
with possible additions by John Hughes (1677-1720) and/or Alexander Pope (1688-1744)
after Ovid's Metamorphoses, xiii.
Language English
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, chorus, orchestra
Cast
Galatea (soprano)
Acis (tenor)
Damon (tenor or soprano)
Polyphemus (bass)
Mixed Chorus
Shepherds and Nymphs
Orchestra
External Links Wikipedia article
Libretto (Naxos.com)
Acis and Galatea -  Scores at Sheet Music Plus
Extra Information (From the wikipedia article)
Variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and (in the New Grove Dictionary) as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, HWV 72, his 1708 setting of the same story to different music. He later adapted the original English work into its two-act form in 1739.
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