Allegro in G major, K.72a (Mozart, Wolfgang Amadeus)

Composition Year	1769/1770
Genre Categories	Allegros; For piano; Scores featuring the piano; For 1 player

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Piano Scores
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Piano Scores

Complete Score (scan) (EU) (Preview)
*#172561 - 0.11MB, 1 (169) pp. - 0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 3119×⇩ - piupianissimo

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piupianissimo (2012/1/20)

Complete Score (filter) (EU) (Preview)
*#172562 - 0.08MB, 1 (169) pp. - 0.0/10 2 4 6 8 10 (-) - C*/66*/V* - 1652×⇩ - piupianissimo

PDF scanned by piupianissimo
piupianissimo (2012/1/20)

Editor	Wolfgang Plath (1930–1995)
Publisher. Info.	Neue Mozart-Ausgabe, Serie IX, Werkgruppe 27, Band 2: Einzelstücke für Klavier [NMA IX/27//Band 2] (pp.169) Kassel: Bärenreiter-Verlag, 1982. Plate BA 4584. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
Misc. Notes	scan: score scanned at 600dpi filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Complete Score
*#183271 - 0.16MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1859×⇩ - Luciosilla

PDF typeset by editor
Luciosilla (2012/3/2)

Editor	Luciosilla
Publisher. Info.	LucioSilla
Copyright	Creative Commons Attribution 3.0 [tag/del]
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General Information

Work Title	Allegro, K.72a
Alternative. Title
Composer	Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No.	K.72a
I-Catalogue NumberI-Cat. No.	IWM 28
Key	G major
Year/Date of CompositionY/D of Comp.	1769/1770
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	Piano

Navigation etc.

Only 35 bars survives, the only source, is a portrait of Wolfgang in Verona by Saverio Dalla Rosa (1745-1821). Einstein’s attribution of the Molto Allegro was taken over by Deutsch but not by later scholars, at least not universally. Daniel Heartz was the first to suggest the work may not be by Mozart but by someone else, and in this he was largely followed by Wolfgang Plath, who edited the work for the Neue Mozart-Ausgabe. According to Heartz and Plath, the style of the work depicted is atypical of the composer, including stylistic inconsistencies – notably a weak opening gesture in a quasi-trio sonata texture juxtaposed with galant style writing, and formal and modulatory procedures, among them a full close in the tonic at the end of the opening statement and transitions that lack continuity. Heartz finds all of these characteristics in the works of Baldassare Galuppi (1706-1785), and suggests that he may in fact be the composer of the Molto Allegro.