Performances
Naxos
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Sheet Music
Full Scores
Completion by Sergei Taneyev
| Editor
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Sergei Ivanovich Taneyev (1856–1915), author of completion
Ivan Petrovich Shishov (1888–1947), editor
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| Publisher. Info.
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Complete Collected Works (Полное собрание сочинений), vol.62
Moscow: Muzgiz, 1948. Plate M. 19604 Г.
Reprint - New York: Edwin F. Kalmus, n.d. [ca.1970]. Kalmus Orchestral Series No. 597
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| Copyright
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| Misc. Notes
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Original publisher info and plate numbers omitted in reprint
Includes footnotes in Russian (Cyrillic).
URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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More information can be found here.
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Arrangements and Transcriptions
For 2 Pianos, 4 hands (Taneyev)
| Editor
|
Sergei Ivanovich Taneyev (1856–1915), author of completion and transcriber
Ivan Petrovich Shishov (1888–1947), editor
|
| Publisher. Info.
|
Complete Collected Works (Полное собрание сочинений), vol.62
Moscow: Muzgiz, 1948. Plate M. 19604 Г.
|
| Copyright
|
|
| Misc. Notes
|
Includes footnotes in Russian (Cyrillic).
URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information
| Work Title
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Andante and Finale, Op.79
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| Alternative. Title
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Анданте и финал (Andante i final)
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| Composer
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Tchaikovsky, Pyotr
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| Opus/Catalogue NumberOp./Cat. No.
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Op.79, TH 241
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| I-Catalogue NumberI-Cat. No.
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IPT 13
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| Movements/SectionsMov'ts/Sec's
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2 movements
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| Year/Date of CompositionY/D of Comp.
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begun 1893 (unfinished);
completed 1896 by Sergei Taneyev
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| First Publication.
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1897
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| Composer Time PeriodComp. Period
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Romantic
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| Piece Style
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Romantic
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| Instrumentation
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Piano solo; 2 Flutes; 2 Oboes; 2 Clarinets (B♭); 2 Bassoons; 4 Horns (F); 2 Trumpets; 3 Trombones; Tuba; Timpani; Side Drum; Cymbals; Violins I; Violins II; Violas; Cellos; Double Basses
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Navigation etc.
This work was left incomplete at Tchaikovsky's death. While originally intended as the second and third movements of his Piano Concerto No.3, the composer extracted the first movement as a separate work. Taneyev constructed the remaining two movements from the composers sketches and published both the full score and reduction for two pianos in 1897 with M.P. Belaieff.
Section Listing
- Andante (215 bars), B♭ major
- Finale. Allegro maestoso (332 bars), E♭ major
Publication History
Full Score
- Leipzig: M. Beliaeff, 1897. 75 pages. Plate no.1373.
Arrangements and Transcriptions
For 2 Pianos, 4 hands
- Leipzig: M. Beliaeff, 1897. 43 pages.
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