Andante and Finale, Op.79 (Tchaikovsky, Pyotr)

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Contents

Performances

Sheet Music

Full Scores

Completion by Sergei Taneyev

PDF scanned by P.davydov
P.davydov (2008/7/20)

PDF scanned by P.davydov
P.davydov (2008/7/20)

Editor Sergei Taneyev (1856–1915), author of completion
Ivan Petrovich Shishov (1888–1947), editor
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.62
Moscow: Muzgiz, 1948. Plate M. 19604 Г.


Reprint - New York: Edwin F. Kalmus, n.d. [ca.1970]. Kalmus Orchestral Series No. 597

Copyright
Misc. Notes Original publisher info and plate numbers omitted in reprint


Includes footnotes in Russian (Cyrillic).

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jgjgjg (2010/5/21)

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Arrangements and Transcriptions

Completion by Sergei Taneyev

For 2 Pianos (Taneyev)

PDF scanned by Unknown
Mcroskell (2007/6/18)

Editor Sergei Taneyev (1856–1915), author of completion and transcriber
Ivan Petrovich Shishov (1888–1947), editor
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.62
Moscow: Muzgiz, 1948. Plate M. 19604 Г.
Copyright
Misc. Notes Includes footnotes in Russian (Cyrillic).
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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General Information

Work Title Andante and Finale
Alternative. Title Анданте и финал (Andante i final)
Composer Tchaikovsky, Pyotr
Opus/Catalogue NumberOp./Cat. No. Op.79, TH 241
I-Catalogue NumberI-Cat. No. IPT 13
Key B major–E major
Movements/SectionsMov'ts/Sec's 2 movements
Year/Date of CompositionY/D of Comp. begun 1893 (unfinished); completed by Sergei Taneyev, 1896
First Performance. St. Petersburg, 8/20 February 1896
First Publication. 1897
Average DurationAvg. Duration 21 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Piano solo + 2 Flutes, 2 Oboes, 2 Clarinets (B), 2 Bassoons, 4 Horns (F), 2 Trumpets, 3 Trombones, Tuba, Timpani, Side Drum, Cymbals, Violins I, Violins II, Violas, Cellos, Double Basses

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This work was left incomplete at Tchaikovsky's death. While originally intended as the second and third movements of his Piano Concerto No.3, the composer extracted the first movement as a separate work. Taneyev reconstructed the remaining two movements from the composer's sketches and published both the full score and reduction for two pianos in 1897 with M.P. Belaieff.

Section Listing

  1. Andante (B major, 215 bars)
  2. Finale. Allegro maestoso (E major, 332 bars)

Version History

  • Completed and scored for piano and orchestra by Sergei Taneyev, 1896
  • Also arranged for 2 pianos by by Sergei Taneyev, 1896
  • The piano part was revised by Sergei Taneyev, 1898 (first performance of this version: Moscow, 17/29 October 1898; published in 1962)

Publication History

Full Score (Taneyev)

Arrangement for 2 Pianos, 4 hands (Taneyev)

External Links