Barmherziges Herze der ewigen Liebe, BWV 185 (Bach, Johann Sebastian)

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Contents

Performances

Naxos

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Synthesized/MIDI

Aria: 'Das is der Christen Kunst' (No.5)

For Trumpet and Organ (Rondeau)

MP3 file (audio)
Michrond (2015/9/27)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

PDF scanned by Unknown
Feldmahler (2006/8/30)

Editor Alfred Dörffel (1821–1905)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 37
Leipzig: Breitkopf und Härtel, 1891. Plate B.W. XXXVII.
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Vocal Scores

PDF scanned by bh2000
Perlnerd666 (2008/11/15)

Arranger Bernhard Todt (1822–1907) [?]
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1880).
Copyright
Misc. Notes Vocal Score based on Bach-Gesellschaft Ausgabe
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Arrangements and Transcriptions

Aria: 'Das is der Christen Kunst' (No.5)

For Trumpet and Organ (Rondeau)

PDF typeset by arranger
Michrond (2015/9/27)

ZIP typeset by arranger
Michrond (2015/9/27)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
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General Information

Work Title Barmherziges Herze der ewigen Liebe
Alternative. Title Merciful heart of eternal love
Name Translations Barmherziges Herze der ewigen Liebe, רי"ב 185
Authorities WorldCat; Wikipedia; VIAF: 179835850; LCCN: n83073623; GND: 300008910; BNF: 139234847
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 185 ; BC A 101
I-Catalogue NumberI-Cat. No. IJB 37
Key F-sharp minor
Movements/SectionsMov'ts/Sec's 6 movements:
  1. Duet (soprano, tenor): Barmherziges Herze der ewigen Liebe F minor
  2. Recitative (alto): Ihr Herzen, die ihr euch in Stein und Fels verkehret
  3. Aria (alto): Sei bemüht in dieser Zeit A major
  4. Recitative (bass): Die Eigenliebe schmeichelt sich
  5. Aria (bass): Das ist der Christen Kunst B minor
  6. Chorale: Ich ruf zu dir, Herr Jesus Christ F minor
Year/Date of CompositionY/D of Comp. 1715 in Weimar
First Performance. 1715-07-14 in Weimar (1st Performance)
1715-07-14 in Weimar (2nd Performance, Possible Repeat)
1723-06-20 in Leipzig (3rd Performance)
1746-47 in Leipzig (4th Performance)
First Publication. 1843 in Berlin
Librettist see below
Salomo Franck (1659-1725) (Nos.1-5)
Johannes Agricola (1492-1566) (No.6)
Language German
Dedication 4th Sunday after Trinity
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Vocal: soprano, alto, tenor, bass; mixed chorus (SATB)
Orchestra: oboe, corno da tirarsi?*, bassoon, strings, continuo (harpsichord and/or organ)

Navigation etc.

  • 3rd Performance 1723-06-20 possibly replaced oboe with Corno da tirarsi.
Cantatas by Johann Sebastian Bach