Canzoni alla francese (Banchieri, Adriano)

Movements/SectionsMov'ts/Sec's	14 parts: Canzoni alla francese a quattro voci per sonare: 1. La rovattina 2. L'ardina 3. La Galluppa revista 4. La rustica, sopra Vitam eternam 5. La pomponazza 6. L'alcenagina, sopra Vestiva i colli 7. La Guamina, di Gioseffo Guami 8. La Banchierina 9. La camerina, sopra Veni dilecte mi 10. La feliciana 11. La organistina bella, in echo Concerti a otto voci per sonare & cantare: 12. Concerto primo: La battaglia 13. Concerto secondo: Magnificat, sopra Lieto godea; prima parte. 14. Concerto terzo: Magnificat, sopra Lieto godea; seconda parte, Suscepit Israel
First Publication	1596 – Venice: R. Amadino
Genre Categories	Canzonas; For treble, alto, tenor, bass instruments; Scores with open instrumentation; For 4 players; For 8 voices; For unaccompanied voices; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Italian language

Performances

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PDF typeset by Ulrich Alpers
Ulrich Alpers (2011/9/2)

Choir 1
*#117302 - 0.10MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 379×⇩ - Ulrich Alpers

PDF typeset by Ulrich Alpers
Ulrich Alpers (2011/9/2)

Choir 2
*#117303 - 0.10MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 264×⇩ - Ulrich Alpers

PDF typeset by Ulrich Alpers
Ulrich Alpers (2011/9/2)

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Misc. Notes	These file(s) are part of the Werner Icking Music Collection.
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Work Title	Canzoni alla francese
Alternative. Title
Composer	Banchieri, Adriano
I-Catalogue NumberI-Cat. No.	None [force assignment]
Movements/SectionsMov'ts/Sec's	14 parts: Canzoni alla francese a quattro voci per sonare: 1. La rovattina 2. L'ardina 3. La Galluppa revista 4. La rustica, sopra Vitam eternam 5. La pomponazza 6. L'alcenagina, sopra Vestiva i colli 7. La Guamina, di Gioseffo Guami 8. La Banchierina 9. La camerina, sopra Veni dilecte mi 10. La feliciana 11. La organistina bella, in echo Concerti a otto voci per sonare & cantare: 12. Concerto primo: La battaglia 13. Concerto secondo: Magnificat, sopra Lieto godea; prima parte. 14. Concerto terzo: Magnificat, sopra Lieto godea; seconda parte, Suscepit Israel
First Publication.	1596 – Venice: R. Amadino
Language	Italian
Composer Time PeriodComp. Period	Renaissance
Piece Style	Renaissance
Instrumentation	Various: Nos.1–11 – 4 unspecified instruments (treble, alto, tenor, bass) Nos.12–14 – 8 voices (2 sopranos, 2 altos, 2 tenors, 2 basses) or 2 mixed choruses (SATB))