Cello Suite No.1 in G major, BWV 1007 (Bach, Johann Sebastian)

Revision as of 02:11, 22 July 2017 by MKXScorpion (Talk | contribs)
Ambox notice.pngFor collections of all Bach's cello suites, see 6 Cello Suites, BWV 1007-1012.


Contents

Performances

Recordings

Complete

For Cello solo

MP3 file (audio)
Cypressdome (2014/1/9)

Publisher Info. Boston: Isabella Stewart Gardner Museum
Performers Colin Carr, cello
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For Recorder ensemble (Nakajima/Papalin)

MP3 file (audio)
Papalin (2012/3/8)

5 more: 2. Allemande • 3. Courante • 4. Sarabande • 5. Menuett & 6. Menuett • 7. Gigue

MP3 file (audio)
Papalin (2012/3/8)

MP3 file (audio)
Papalin (2012/3/8)

MP3 file (audio)
Papalin (2012/3/8)

MP3 file (audio)
Papalin (2012/3/8)

MP3 file (audio)
Papalin (2012/3/8)

Performer Pages Papalin (Recorders)
Publisher Info. Papalin
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Misc. Notes after the piano arrangement by Hisae Nakajima
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Prelude (No.1)

For Cello solo

MP3 file (audio)
Thomas Auner (2011/3/17)

Publisher Info. Thomas Auner
Performers Thomas Auner
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Naxos

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Synthesized/MIDI

For Cello solo (Composer)

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Darrell Jacobi (2012/1/22)

5 more: 2. Allemande • 3. Courante • 4. Sarabande • 5. Menuetto I & II • 6. Gigue

MP3 file (audio)
Darrell Jacobi (2012/1/22)

MP3 file (audio)
Darrell Jacobi (2012/1/22)

MP3 file (audio)
Darrell Jacobi (2012/1/22)

MP3 file (audio)
Darrell Jacobi (2012/1/22)

MP3 file (audio)
Darrell Jacobi (2012/1/22)

Publisher Info. Darrell Jacobi
Performers Darrell Jacobi
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For Piano solo (Novegno)

MP3 file (audio)
Travelsbypiano (2011/8/28)

5 more: 2. Allemande • 3. Courante • 4. Sarabande • 5. Menuet I/II • 6. Gigue

MP3 file (audio)
Travelsbypiano (2011/8/28)

MP3 file (audio)
Travelsbypiano (2011/8/28)

MP3 file (audio)
Travelsbypiano (2011/8/28)

MP3 file (audio)
Travelsbypiano (2011/8/28)

MP3 file (audio)
Travelsbypiano (2011/8/28)

Publisher Info. Roberto Novegno
Performers Tomoe
Copyright
Misc. Notes original piano transcription by Roberto Novegno, synthesized audio file performance
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Prelude (No.1)

For Cello or Viola and String Trio (Fine)

MID file (audio/video)
Reccmo (2012/5/18)

Publisher Info. Elaine Fine
Performers Synthesized MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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MP3 file (audio)
Rkram53 (2013/12/11)

Publisher Info. Elaine Fine
Performers Cubase 7.5 Playing Embertone Blakus Solo Cello with LA Scoring Strings
Copyright
Misc. Notes Test of new Embertone "Blakus" solo cello sample library. Took Elaine Fine's MIDI file, imported into Cubase and loaded the Embertone "Blakus" Solo Cello (all playing legato patch) along with LA Scoring strings legato patches for the violins and viola (with the Baroque tone setting). Kept the MIDI Dynamics more or less as in the original MIDI file but tweaked a lot of the MIDI parameters. Each channel was processed with 2CAudio Breeze reverb and the stereo output was passed through 2CAudio B2 Medium Hall reverb.
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Sheet Music

Scores

PDF scanned by Unknown
shikamoo (2006/8/25)

Editor Alfred Dörffel (1821–1905)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 27.1
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Copyright
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Carolus (2009/8/13)

Editor Julius Klengel (1859–1933)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1900). Plate 22879
Copyright
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Generoso (2010/7/10)

Editor Hugo Becker (1863–1941)
Publisher. Info. Leipzig: C.F. Peters, No.238, n.d.(ca.1911). Plate 9148.
Copyright
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Sallen112 (2017/7/6)

Editor Anna Magdalena Bach (1701-1760)
Johann Peter Kellner (1705-1772)
Hans Eppstein (1911-2008)
Publisher. Info. Neue Bach-Ausgabe, Serie VI. Kammermusik, Band 2. Kammermusik 2: Sechs Suiten für Violoncello solo (pp.2-7)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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PDF scanned by Sallen112
Sallen112 (2017/7/6)

Editor Anonymous (18th Century, second half)
Hans Eppstein (1911-2008)
Publisher. Info. Neue Bach-Ausgabe, Serie VI. Kammermusik, Band 2. Kammermusik 2: Sechs Suiten für Violoncello solo (pp.54-59)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Shin-Itchiro (2010/9/8)

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Shin-Itchiro (2014/4/4)

Editor Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Misc. Notes These editions were edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach.
See also the blog: Bach's Cello Suites, Editor's Notes
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Yverband (2010/3/5)

Editor Yves Verbandt
Publisher. Info. Yves Verbandt
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ZIP scanned by Bach Digital
MKXScorpion (2017/7/22)

Copyist Anna Magdalena Bach (1701-1760)
Publisher. Info. Manuscript, 1717-1723.
Copyright
Misc. Notes Part of Second Cello Suite (BWV 1008) is visible at the end. Link towards original source: https://www.bach-digital.de/receive/BachDigitalSource_source_00001200
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Arrangements and Transcriptions

Complete

For Cello or Viola and Piano (Stade)

PDF scanned by Unknown
Generoso (2012/7/12)

Arranger Friedrich Wilhelm Stade (1817–1902)
Revised version
Publisher. Info. Leipzig: Gustav Heinze, n.d.
Reprinted Leipzig: Edition Peters, n.d. Plate 7311
Copyright
Misc. Notes The title page reference to Robert Schumann is due to the fact that Schumann's arrangement used Dotzauer's edition as its source. Stade's revised arrangement incorporated features from the Dotzauer and Grützmacher editions, while the original version is mainly based on Norblin's edition from ca.1824.
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Peter (2008/9/27)

Arranger Friedrich Wilhelm Stade (1817–1902)
Editor Original version
Publisher. Info. Leipzig: Gustav Heinze, n.d.[1864]. Plates G. 85 H.
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For Cello and Piano (Grädener)

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Generoso (2012/7/12)

Arranger Carl Georg Peter Grädener (1812-1883)
Publisher. Info. Hamburg: H. Pohle, [1871]. Plate H.P. 19.
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For Cello and Piano (Schumann)

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Generoso (2012/7/12)

Arranger Robert Schumann (1810-1856)
Publisher. Info. The Unpublished Bach-Schumann Violoncello Suites
Musical examples from Edgar Stillman Kelley article, 1893.
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For Trumpet Solo (Lichtmann)

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homerdundas (2009/7/27)

Arranger Jay Lichtmann
Publisher. Info. Hartford: Jay Lichtmann
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Misc. Notes Includes arranger's comments
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For Guitar (Reyne)

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Gerard reyne (2016/12/3)

Arranger Gérard Reyne
Publisher. Info. Gérard Reyne, 1964/1975/2016
Copyright
Misc. Notes Johann Sebastian BACH (1685-1750) Suitte 1.re a Violoncello Solo Senza basso [BWV 1007] with a facsimile source by Anna Magdalena BACH transcription, edition for guitar Gérard REYNE (1964/1975/2016).
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For Violin solo (Yokoyama)

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Shin-Itchiro (2011/9/23)

Arranger Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Misc. Notes This edition without slurs was edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach. "Editor's Notes" is written for cellist, but it must be useful also for violinist. See also the blog: Bach's Cello Suites, Editor's Notes
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For Viola solo (Yokoyama)

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Shin-Itchiro (2010/9/16)

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Shin-Itchiro (2014/5/7)

Arranger Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Misc. Notes These editions were edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach. "Editor's Notes" is written for cellist, but it must be useful also for violist. See also the blog: Bach's Cello Suites, Editor's Notes
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For Harpsichord (Dent)

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Stringph (2017/2/1)

Arranger Thomas Dent
Publisher. Info. Thomas Dent
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Thomas Dent (2013/12/8)

5 more: 2. Allemande • 3. Courante • 4. Sarabande • 6. Menuet I & II • 7. Gigue

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Thomas Dent (2013/12/8)

PDF typeset by arranger
Thomas Dent (2017/1/19)

PDF typeset by arranger
Thomas Dent (2016/8/8)

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Thomas Dent (2013/12/8)

PDF typeset by arranger
Thomas Dent (2013/12/8)

Arranger Thomas Dent
Publisher. Info. Thomas Dent
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For Piano solo (Raff)

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Cypressdome (2011/6/16)

Arranger Joachim Raff (1822-1882)
Editor First edition
Publisher. Info. Leipzig and Winterthur: J. Rieter-Biedermann, n.d.[ca.1869-71]. Plate 620a.
Copyright
Misc. Notes Black and white.
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For Piano solo (Siloti)
See: Transcriptions for the Young

Selections

For Piano solo (Foote)

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Mcroskell (2007/7/13)

PDF scanned by Unknown
Notenquetser (2015/8/28)

Arranger Arthur Foote (1853–1937)
Publisher. Info. Boston: Arthur P. Schmidt, 1885. Plate A.P.S. & Co. 645
Copyright
Misc. Notes Also includes the Sarabande from the Cello Suite No.6 in D major, BWV 1012
This file is from the MIT archive project.
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Prélude (No.1)

For Cello or Viola and String Trio (Fine)

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Elaine Fine (2011/9/6)

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Elaine Fine (2011/9/6)

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Reccmo (2012/5/18)

Arranger Elaine Fine
Publisher. Info. Elaine Fine
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Violin/Viola/Cello and Piano (RSB)

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RSB (2013/2/3)

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RSB (2013/2/3)

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RSB (2013/2/3)

Arranger RSB
Publisher. Info. RSB 2013
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For Recorder (Andreola)

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Reccmo (2011/12/7)

4 more: Descant- or Tenor recorder • Treble recorder (F major) • Notes on recorder technique • Engraving files (Encore)

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Reccmo (2011/12/7)

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Reccmo (2011/12/7)

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Reccmo (2011/12/7)

ZIP typeset by arranger
Reccmo (2012/2/13)

Arranger Giacomo Andreola
Publisher. Info. Giacomo Andreola
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Accordion (Virdis)

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Max.virdis (2017/1/1)

Arranger Massimiliano Virdis
Publisher. Info. Massimiliano Virdis
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For Violin (Marc)

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BaroqueHeart (2010/12/30)

Arranger Marc
Publisher. Info. Barcelona: Marc, n.d.
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For Violin (Weiss)

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IsaacWeiss (2016/6/3)

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IsaacWeiss (2016/6/4)

Arranger Isaac Aaron Weiss
Publisher. Info. Isaac Aaron Weiss
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Misc. Notes #425261, PDF with slurs and fingerings
#425415, source file in MuseScore format; can be opened with the free and open-source software from MuseScore.org
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For Viola (Alphonse)

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arranger (2008/8/3)

Arranger Jean Raimon Alphonse
Publisher. Info. J-Raimon Alphonse
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For Double Bass (Vul)

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Andreyvul (2009/6/4)

Arranger Andrey Vul
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For Guitar (Dada)

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Salim (2013/1/30)

Arranger Salim Dada
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For Guitar (Shorter)

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Minstrel (2015/11/2)

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Minstrel (2015/11/2)

Arranger Steve Shorter
Publisher. Info. Steve Shorter
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For Organ (Gouin)

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Pierre Gouin (2011/9/24)

Arranger Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2007
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Piano (RSB)

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RSB (2011/3/4)

Arranger RSB
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For Variable Instrument solo (Bambaataa)

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arranger (2011/4/4)

Arranger Nakamura Bambaataa
Publisher. Info. Nakamura Bambaataa
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Misc. Notes This score includes all keys each music in order to play with instruments which have different range or to practice same melody in different keys.
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General Information

Work Title Cello Suite No.1
Alternative. Title
Name Translations Cellosuite No. 1 i G-dur, BWV 1007; Cello Suite No. 1; Suite pour violoncelle seul n° 1; Suite Nr. I G-Dur BWV 1007; Cello suite nr. 1; Suite per a violoncel núm. 1
Name Aliases Suite pour violoncelle n° 1
Authorities WorldCat; VIAF: 217002846; LCCN: n80152932; GND: 300011547; BNF: 13909393z
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 1007
I-Catalogue NumberI-Cat. No. IJB 63
Key G major
Movements/SectionsMov'ts/Sec's 7 movements
  1. Prélude
  2. Allemande
  3. Courante
  4. Sarabande
  5. Menuett I
  6. Menuett II
  7. Gigue
Year/Date of CompositionY/D of Comp. 1720?
First Publication. 1825
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation cello
Manuscript Sources Bach Digital (source list)