Der Vampyr, Op.42 (Marschner, Heinrich)

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Contents

Performances

Sheet Music

Vocal Scores

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Fynnjamin (2013/7/16)

Editor keyboard reduction by the composer
Publisher. Info. Leipzig: Friedrich Hofmeister, n.d., Plates 1356a, 1356b.
Copyright
Misc. Notes Appears to have been director's copy - heavily marked with annotations, and some manuscript pages tipped in.
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Marschner (2009/3/13)

Editor Hans Pfitzner (1869-1949)
Publisher. Info. Berlin: Adolph Fürstner, 1925. Plate A. 7863 F.
Copyright
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Arrangements and Transcriptions

Selections

For 2 Violins, Viola and Cello (Praeger)

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Fynnjamin (2014/6/28)

Arranger Heinrich Aloys Praeger (1783-1854)
Publisher. Info. Leipzig: Fr. Hofmeister, n.d., Plate 1419.
Copyright
Misc. Notes Some pages are a little jumbled up.
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Overture

For Piano solo (Schultze)

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Brescianello (2011/8/22)

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Dandeutsch (2015/12/7)

Arranger Max Schultze (fl.1874-fl.1900)
Publisher. Info. Braunschweig: Henry Litolff, n.d.[1894]. Collection Litolff No.2056.
Copyright
Misc. Notes #402088 This score includes measure numbers.
Part of the research project Romantic Overtures, 1820-1850
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For Piano

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WilliamBunting (2011/12/15)

Publisher. Info. Prague: Berra, n.d .Plate B. 386.
Copyright
Misc. Notes Library record
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For Piano 4 Hands

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LinBoHe (2022/4/1)

Arranger n.d.
Editor Alfred Dörffel (1821 - 1905)
Publisher. Info. Leipzig: C. F. Peters, n.d. Plate 7636.
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General Information

Work Title Der Vampyr
Alternative. Title
Name Translations A vámpír; Il vampiro; Wampir; Вампир; Վամպիր; 吸血鬼 (オペラ); 吸血鬼
Authorities WorldCat; Wikipedia; VIAF: 306432329; LCCN: n86001606; GND: 300098952
Composer Marschner, Heinrich
I-Catalogue NumberI-Cat. No. IHM 36
Movements/SectionsMov'ts/Sec's 2 acts
Year/Date of CompositionY/D of Comp. 1828
Librettist Wilhelm August Wohlbrück (1795-1848)
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Vocal: voices, chorus
Orchestra: Overture has 2/2/2/2 - 4/2/3/0 - timp - str)
External Links Wikipedia article

Navigation etc.

The instrumentation of the opera as a whole should be close to, if not exactly, that of the overture..