Erfreute Zeit im neuen Bunde, BWV 83 (Bach, Johann Sebastian)

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Feldmahler (2006/8/08)

Editor Wilhelm Rust (1822–1892)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 20.1
Leipzig: Breitkopf und Härtel, 1872. Plate B.W. XX (1).
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Vocal Scores

PDF scanned by bh2000
Perlnerd666 (2008/11/9)

Arranger Bernhard Todt (1822–1907), piano reduction (?)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1890).
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Misc. Notes Vocal Scores based on Bach-Gesellschaft Ausgabe
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General Information

Work Title Erfreute Zeit im neuen Bunde
Alternative. Title Glad time of the New Covenant
Name Translations Erfreute Zeit im neuen Bunde, רי"ב 83
Authorities WorldCat; Wikipedia; VIAF: 175072296; LCCN: n82096203; BNF: 13970595g
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 83
I-Catalogue NumberI-Cat. No. IJB 125
Movements/SectionsMov'ts/Sec's 5 movements
  1. Aria (Alto): Erfreute Zeit im neuen Bunde (F major)
  2. Aria (Bass): Herr, nun lässest du deinen Diener (B major)
  3. Aria (Tenor): Eile, Herz, voll Freudigkeit (F major)
  4. Recitativo (Alto): Ja, merkt dein Glaube noch viel Finsternis (D minor-A minor)
  5. Choral: Er ist das Heil und selif Licht (D minor)
Year/Date of CompositionY/D of Comp. 1724
First Performance. 1724-02-02 in Leipzig
Librettist Anonymous
Language German
Dedication Feast of Purification of Mary
Average DurationAvg. Duration 20 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Vocal — Soloists (ATB), Chorus (SATB)
Orchestra — 2 oboes, 2 horns, violin solo, strings, continuo
External Links Wikipedia article
Bach-Cantatas.com

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Commentary on the movements

  1. Aria (Alto): Erfreute Zeit im neuen Bunde. A large instrumental ensemble add to the grand, majestic sweep of this festive opening movement. The opening of chords before the motor commences makes the theme perpetually identifiable and is a particularly notable feature of the movement.
  2. Aria (Bass): Herr, nun lässest du deinen Diener in. "A parallel to the second movement is scarcely to be found within Bach's entire corpus of cantatas"1. The aria is interrupted partway through by recitative.
  3. Aria (Tenor): Eile, Herz, voll Freudigkeit. The triplets constantly running in the obbligato solo violin part give this movement a dance feel. One can here benefit from comparison with the "Laudamus te" from the Mass in B minor, BWV 232.
  4. Recitativo (Alto): Ja, merkt dein Glaube noch viel Finsternis. Secco recitative.
  5. Choral: Er ist das Heil und selif Licht. A plain chorale setting.

Print Sources Consulted

Oxford: Oxford University Press, 2005.
Cantatas by Johann Sebastian Bach