Hamlet (incidental music), Op.67a (Tchaikovsky, Pyotr)

See: Hamlet, overture-fantasia, Op.67 (Tchaikovsky, Pyotr Ilyich)

Sheet Music

• Full Scores (6)
• Parts (0)
• Arrangements and Transcriptions (3)
• Libretti (0)
• Other (0)
• Source Files (0)

Full Scores

 Overture
*#19200 - FileNotExistErrorMB, 18 (#285-319) pp. -  0.0/10 2 4 6 8 10 (-) - Removed - 2039×⇩ - P.davydov

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⇒ 5 more: Act I (Nos.1, 2, 3, 4) • Act II (Nos.5, 6) • Act III (Nos. 7, 8) • Act IV (Nos. 9, 10, 11a, 11b) • Act V (Nos. 12, 13, 14, 15, 16)

 Act I (Nos.1, 2, 3, 4)
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 Act II (Nos.5, 6)
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 Act III (Nos. 7, 8)
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 Act IV (Nos. 9, 10, 11a, 11b)
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 Act V (Nos. 12, 13, 14, 15, 16)
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Editor Irina Nikolaevna Iordan (1910–1977) Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.14 Moscow: Muzgiz, 1962. Plate M. 29924 Г. Reprint - New York: Edwin F. Kalmus, n.d. [ca.1970]. Kalmus Orchestral Series No.557. Copyright Public Domain [tag/del/mrg] Misc. Notes Original title page and plate numbers omitted in reprint Text in French. Includes footnotes in Russian (Cyrillic) URTEXT EDITION  This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Purchase Javascript is required for this feature.

Arrangements and Transcriptions

Complete Work

For Piano 4 hands (Langer)

 Complete score
*#60157 - 3.92MB, 81 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 562×⇩ - Morel

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 Color cover
*#60158 - 0.34MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 180×⇩ - Morel

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Arranger Ėduard Langer (1835-1905) Publisher. Info. Hamburg: D. Rahter, n.d., plate ? Copyright Public Domain [tag/del/mrg] Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Javascript is required for this feature.

Marche funèbre (Act V, No.14)

For Piano 4 hands

 Complete score
*#60159 - 0.51MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 293×⇩ - Morel

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Publisher. Info. Moscow: P. Jurgenson, n.d. Plate 19707 Copyright Public Domain [tag/del] Misc. Notes This file is part of the Sibley Mirroring Project. Re-titled as a Funeral March in memory of Czar Alexander III. Purchase Javascript is required for this feature.

General Information

Navigation etc.

Written to accompany a French production of Shakespeare's tragedy in St. Petersburg. The Overture is a condensed version of Tchaikovsky's overture-fantasia Hamlet (Op.67). He also re-used several numbers from earlier works.

Cast

• Ophelia (Ophélie) — soprano
• Gravedigger (Fossoyeur) — baritone

Section Listing

Overture:

• Lento lugubre—Allegro vivacissimo (256 bars)

Act I:

• No.1. Mélodrame. Moderato assai (23 bars)
• No.2. Fanfare. Allegro vivo (9 bars)
• No.3. Mélodrame. Moderato assai (10 bars)
• No.4. Mélodrame. Allegro giusto ed agitato (112 bars)

Act II:

• No.5. Entr'acte. Allegro semplice (138 bars)
• No.5a. Fanfare (4 bars)
• No.6. Fanfare. Allegro (8 bars)

Act III:

• No.7. Entr'acte. Andante quasi Allegretto (28 bars)
• No.8. Mélodrame'. Allegro guisto ed agitato (73 bars)

Act IV:

• No.9. Entr'acte (Elégie). Andante non troppo (103 bars)
• No.10. Scène d'Ophélie. Andantino (44 bars)
• No.11a. Deuxième scène d'Ophélie. Moderato (15 bars)
• No.11b. Fin de la deuxième scène d'Ophélie. Allegro vivo (73 bars)

Act V:

• No.12. Entr'acte. Marcia. Moderato assai (72 bars)
• No.13. Chant du Fossoyeur. Andantino (14 bars)
• No.14. Marche funèbre. Marcia. Moderato assai (72 bars)
• No.15. Fanfare. Allegro giusto (8 bars)
• No.16. Marche finale. Allegro risoluto ma non troppo (19 bars)

Publication History

• Moscow: P. Jurgenson, 1892. Plate 17522

External Links

• Tchaikovsky Research
• Wikipedia