Ich will den Kreuzstab gerne tragen, BWV 56 (Bach, Johann Sebastian)

Sheet Music

• Full Scores (1)
• Parts (0)
• Vocal Scores (3)
• Arrangements and Transcriptions (0)
• Libretti (0)
• Other (0)
• Source Files (0)

Full Scores

 Complete Score
*#01192 - 1.44MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8946×⇩ - Feldmahler

PDF scanned by Unknown
Feldmahler (2006/8/07)

Editor Wilhelm Rust (1822–1892) First edition Publisher. Info. Bach-Gesellschaft Ausgabe, Band 12 Leipzig: Breitkopf und Härtel, 1863. Plate B.W. XII (2). Copyright Public Domain [tag/del] Purchase Javascript is required for this feature.

Vocal Scores

 Complete Score
*#24226 - 1.12MB, 21 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4639×⇩ - Perlnerd666

PDF scanned by bh2000
Perlnerd666 (2008/11/9)

Arranger Otto Taubmann (1865–1929) Language German / English Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.[1891]. Plate J.S.B. I:56 Copyright Public Domain [tag/del] Misc. Notes Vocal Scores based on Bach-Gesellschaft Ausgabe Purchase Javascript is required for this feature.

 Complete Score
*#254240 - 2.06MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1592×⇩ - Carolus

PDF scanned by US-R
Carolus (2012/10/11)

 Color cover
*#254241 - 3.84MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 487×⇩ - Carolus

PDF scanned by US-R
Carolus (2012/10/11)

Publisher. Info. Breitkopf & Härtel. Copyright Public Domain [tag/del/mrg] Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Javascript is required for this feature.

General Information

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For the 19th Sunday after Trinity

Section Listing

1. Aria: Ich will den Kreuzstab gerne tragen. An aria in Bar form. The expressivity of this thematic material also fits the text beautifully. The Abgesang section is truly different from the ‘’Stollen’’ here. g minor
2. Recitativo: Mein Wandel auf der Welt. A recitative with obbligato cello illustrating the motion of the water. This accompaniment stops at “So tret ich aus dem Schiff in meine Stadt”¹. B♭ Major
3. Aria: Endlich, endlich wird mein Joch. In this, the longest movement of the cantata, Bach uses the pastoral and relaxed colour of solo oboe to great effect, forming a beautiful contrast to the agitated movements preceding. B♭ Major
4. Recitativo: Ich stehe fertig und bereit. A reprise of part of the first movement, with a recitative introduction. g minor-c minor
5. Choral: Komm, o Tod, du Schlafes Bruder. A plain chorale setting. However, this is “an exceptional masterpiece…truly inspired…We seem able to perceive directly the soul passing through the pain of death into glory.”¹ c minor

Print Sources Consulted

• Dürr, Alfred. The Cantatas of J.S. Bach. 2 ed. Richard D.P. Jones (Trans).

Oxford: Oxford University Press, 2005.