Jesus schläft, was soll ich hoffen?, BWV 81 (Bach, Johann Sebastian)

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Feldmahler (2006/8/08)

Editor Wilhelm Rust (1822–1892)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 20.1
Leipzig: Breitkopf und Härtel, 1872. Plate B.W. XX (1).
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Parts

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Daphnis (2011/1/15)

9 more: Flute 2 • Oboe d'amore 1 • Oboe d'amore 2 • Bassoon • Violin 1 • Violin 2 • Viola • Cello/Bass • Continuo

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

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Daphnis (2011/1/15)

PDF scanned by Unknown
Daphnis (2011/1/15)

Publisher. Info. Bach-Gesellschaft Ausgabe, Band 20.1
Leipzig: Breitkopf und Härtel, 1872. Plate B.W. XX (1).
Reprinted New York: Luck's Music, n.d. Catalog 12537.
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Vocal Scores

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Perlnerd666 (2008/11/9)

Arranger Bernhard Todt (1822–1907) [?]
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d.(ca.1880)
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Misc. Notes Vocal Scores based on Bach-Gesellschaft Ausgabe
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General Information

Work Title Jesus schläft, was soll ich hoffen?
Alternative. Title Jesus sleeps; what hope have I?
Name Translations Jesus schläft, was soll ich hoffen? BWV 81; Jesus schläft, was soll ich hoffen; Jesus schläft; Jesus schläft, was soll ich hoffen, רי"ב 81
Name Aliases Jesus schlaft, was soll ich hoffen; Jesus schlaeft, was soll ich hoffen; Jesus schlaft, was soll ich hoffen?
Authorities WorldCat; Wikipedia; VIAF: 181520518; BNF: 139235359
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 81
I-Catalogue NumberI-Cat. No. IJB 346
Key e minor
Movements/SectionsMov'ts/Sec's 7 Movements
Year/Date of CompositionY/D of Comp. 1724
First Performance. January 30, 1724
Librettist Anonymous
Language German
Average DurationAvg. Duration 19 Minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Vocal — Soloists (ATB), Chorus (SATB)
Orchestra — 2 Recorders, 2 Oboes d'amore, Strings, BC

Navigation etc.

For the 4th Sunday after Epiphany.

Section Listing

  1. Aria (Alto): Jesus schläft, was soll ich hoffen? A slow, expressive movement with a pastoral feel due to the recorders and low-lying ranges of voice and strings. e minor
  2. Recitativo (Tenor): Herr! warum trittest du so ferne? Secco recitative. a minor-G Major
  3. Aria (Tenor): Die schäumenden Wellen von Belials Bächen. A virtuosic first violin part leads the way in this speedy and dance-like movement. G Major
  4. Arioso (Bass): Ihr Kleingläubigen, warum seid ihr so furchtsam? Practically a two-part invention for bass and continuo. b minor
  5. Aria (Bass): Schweig, aufgetürmtes Meer! Also fast, but the two oboes d'amore offer a relief. e minor
  6. Recitativo (Alto): Wohl mir, mein Jesus spricht ein Wort. Secco recitative. G Major-b minor
  7. Chorale: Unter deinen Schirmen. A plain chorale setting. e minor

Print Sources Consulted

Oxford: Oxford University Press, 2005.

External Links

Cantatas by Johann Sebastian Bach