Los magyares (Gaztambide, Joaquín)

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Movements/SectionsMov'ts/Sec's 4 acts (18 music numbers)
Genre Categories Zarzuelas; Theatrical Works; Revues; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; Spanish language; For flute (arr); For 1 player (arr); Scores featuring the flute (arr); For violin (arr); Scores featuring the violin (arr); For clarinet (arr)

Sheet Music

Vocal Scores

 Complete Score
#550281 - 7.15MB, 112 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Іоахимъ

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Іоахимъ (2018/11/24)

 Complete Score
#114950 - 9.88MB, 112 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 635×⇩ - Massenetique

PDF scanned by archive.org / UNC
Massenetique (2011/8/25)

Arranger José Rogel (1829-1901), piano reduction
Publisher. Info. Madrid: Casimiro Martín, n.d.(ca.1857). Plate C.M. 813-835.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes The plate numbers are inconsistent: 813-814 (No.1, begins with 813 only, but 813-814 on last pages), 815 (2), 817 (3), 818 (4), 820 (5), 821-826 (6-11), 828-832 (12-16), 834 (17), 835 (18). This may have happened due to some separate editions of parts (e.g. Canción from No.1 may be 814, and Canción from No.2 may be 816 etc.).
Some pages have two plate numbers, because they were used also for a piano solo edition: 794 (No.1), 800 (No.6), 804 (No.10), 806 (No.12), 809 (No.15). Pretending that No.1 had a double number 794-795 (as 813-814 in the vocal score), the piano solo edition most probably was marked 794-812. This makes sense, as the vocal score starts with 813.
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Arrangements and Transcriptions

For Flute or Violin or Clarinet (Miré)

 1b. Canción
#550278 - 0.33MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 20×⇩ - Іоахимъ

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 4. Canción
#550279 - 0.35MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Іоахимъ

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 8. Terceto
#550280 - 0.44MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Іоахимъ

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Іоахимъ (2018/11/24)

Arranger C.M. Miré
Publisher. Info. Madrid: Casimiro Martín, n.d.(ca.1872). Plate C.M. 2377-79.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Ecos del Teatro de la Zarzuela, Colección 4, Nos. 38-40.
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Librettos

 Complete Libretto
#548748 - 2.63MB, 96 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6×⇩ - Іоахимъ

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Іоахимъ (2018/11/10)

Publisher. Info. Madrid: José Rodriguez, 1857.
Copyright
Public Domain [tag/del]
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General Information

Work Title Los magyares
Alternative. Title Zarzuela en cuatro actos
Composer Gaztambide, Joaquín
I-Catalogue NumberI-Cat. No. IJG 1
Movements/SectionsMov'ts/Sec's 4 acts (18 music numbers):
  • Act I:
1. Introducción, Coro de segadores y Canción. ¡Jé! ¡Ah! ¡Los carros acá! — Desde que apunta el alba (Marta, mixed chorus)
2. Escena, Coro y Canción. ¡Arre, mulita! — Buenas tardes — Ego sum (Fray José, mixed chorus)
3. Terceto. ¡Marta! ¡Eh! ¡Marta mia! (Marta, Fray José, Alberto)
4. Canción y Bailable. ¿Quien al son de mi viola...? — Pastora, ven, que en dulce vaiven (Georgey, with Marta, Isabel, mixed chorus)
5. Final del I acto. Al monte, pues (Marta, Fray José, Georgey, El Conde, mixed chorus)
  • Act II:
6. Introducción. Beltran. Abre, Beltran, son yo — Fieles à la voz tuya (Alberto, Beltran [speaking only], male chorus)
7. Dúo. Escucha. ¡La hora es esa! (Marta, Alberto)
8. Brindis (Terceto). Cuidad no os haga daño (Marta, Fray José, Georgey)
9. Final del II acto. ¡Cielos! ¡Es imposible! (Fray José, Georgey, Enrico, male chorus)
  • Act III:
10. Introducción. Mientras à maitines (male chorus)
11. Escena y Romance. La entrada libre tienes — ¡Ran! ¡Ran, ran, ran! (Marta, Georgey, with Maria Teresa, Kelsen, male chorus)
12. Escena (instrumental: viola solo with orchestra)
13. Escena. Ese sonido bélico (Maria Teresa, Kelsen, Georgey, El Conde, male chorus)
14. Final del III acto. Dixit Dominus Domino meo (Marta, Enrico, Georgey, El Conde, male chorus)
  • Act IV:
15. Introducción. ¡Vengan, señores, à la feria de Buda! (mixed chorus)
16. Canción húngara. Es el canto de mi patria (Alberto, with Marta, mixed chorus)
17. Gran marcha y Coro. Rendir su altiva frente (mixed chorus)
18. Final. Lleva los ambitos el grito (mixed chorus)
First Performance. 1857-04-12, Madrid
Librettist Luis de Olona (1823-1863)
Language Spanish
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, mixed chorus, organ, orchestra

Navigation etc.

  • Isabel is present in the libretto and the ms full score, but is not noted in the printed vocal score. In No.4 she seems to double Marta. In No.5 she is on the scene, but does not sing.
  • Enrico is present in No.10 in the libretto, but he is not noted in the scores. Seems to sing with the chorus.
  • Beltran is not a singing role. He is not even listed in the preliminaries of the libretto.
  • The chorus in Nos.17-18 is inscribed as being male only, but the upper voice (named Tenores) is definetely a female one.
  • Organ is used in the third act.
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