Mass in C major, K.66 (Mozart, Wolfgang Amadeus)

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Movements/SectionsMov'ts/Sec's 6 sections
Composition Year 1769
Genre Categories Masses; Religious works; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; Latin language

Contents

Performances

Recordings

 1. Kyrie
#574440 - 4.34MB - 3:10 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 309×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/26)

⇒ 5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

 2. Gloria
#574441 - 21.19MB - 15:26 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 132×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/26)

 3. Credo
#574442 - 18.65MB - 13:35 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 87×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/26)

 4. Sanctus
#574443 - 2.85MB - 2:05 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 84×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/26)

 5. Benedictus
#574444 - 3.39MB - 2:28 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 69×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/26)

 6. Agnus Dei
#574445 - 6.49MB - 4:44 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 76×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/26)

Performer Pages Cantores Carmeli Linz (chorus)
Michael Stenov (director)
Publisher Info. Michael Stenov
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Live recording from the Karmelitenkirche Linz 2016
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Naxos

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Sheet Music

Scores

 Complete Score
#810201 - 89.73MB, 126 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 18×⇩ - Brodie h

PDF scanned by D-B
Brodie h (2022/9/11)

Publisher. Info. Holograph manuscript, 1769.
Copyright
Public Domain [tag/del]
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms.autogr. Mozart, W. A. 66
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 Complete Score (Preview)
#79370 - 11.45MB, 68 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6907×⇩ - piupianissimo

PDF scanned by PL-LZu
piupianissimo (2010/9/21)

Editor Franz Espagne (1828-1878)
Publisher. Info. Mozarts Werke, Serie I: Messen, Bd.1, No.3 (pp.49-116)
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 66.
Copyright
Public Domain [tag/del]
Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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 Complete Score (EU)
#423710 - 30.60MB, 100 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 1999×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/5/20)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt. 1/1] (pp.185-284)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe.
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Other

 Beginning of Original Instrumentation (pp.322-23) (EU)
#426027 - 0.66MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 266×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

 Complete Sketch (pp.324-25) (EU)
#426028 - 0.45MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 177×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

 Complete Draft (pp.326) (EU)
#426029 - 0.30MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 136×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

 Complete Draft (pp.327) (EU)
#426030 - 0.31MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 137×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt.1/1] (pp.322-327)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe. #426027: Original instrumentation refers to 2 clarini in C, timpani in C and G, strings, mixed chorus and continuo. #426028: A sketch of the Gloria movement, with some bars cancelled. #426029: First, deleted version of the Credo. #426030: This is a complete original deleted draft of the Credo, starting for bar 166 (non erit finis).
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General Information

Work Title Missa solemnis
Alternative. Title Mass No.3 ; "Dominicusmesse" or "Pater Dominicusmesse"
Name Translations Messa in do maggiore K 66; Mass in C major, K. 66 "Dominicus"; Missa solemnis en do major; Missa Dominicus; Messe en ut majeur K. 66 de Mozart; Dominicus-Messe
Name Aliases K 66; Dominicusmesse or Pater Dominicusmesse; Missa solemnis in C major; KV 66; Missa in C
Authorities WorldCat; Wikipedia; VIAF: 293750997; BNF: 13928436k
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.66
I-Catalogue NumberI-Cat. No. IWM 286
Key C major
Movements/SectionsMov'ts/Sec's 6 sections:
I. Kyrie
II. Gloria
III. Credo
IV. Sanctus
V. Benedictus
VI. Agnus Dei
Year/Date of CompositionY/D of Comp. 1769
First Publication. 1877 or earlier
Language Latin
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation soprano, alto, tenor bass; mixed chorus (SATB), orchestra
InstrDetail
2 flutes, 2 oboes, 2 horns, 2 clarini, 2 trumpets
timpani, strings, continuo (organ)
External Links Wikipedia article
NMA score
NMA report (German)

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Masses by Wolfgang Amadeus Mozart
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