Contents
- 1 Performances
- 2 Sheet Music
- 3 General Information
- 3.1 For Piano (Jadassohn)
- 3.2 Selections
- 3.3 Coro: Kommt, ihr Töchter (Part I, No.1)
- 3.4 Aria: Ich will dir mein Herze schenken (Part I, No.19)
- 3.5 Chorale: Ich will hier bei dir stehen (Part I, No.23)
- 3.6 Aria: Ich will bei meinem Jesu wachen (Part I, No.26)
- 3.7 Chorale: Wer hat dich so geschlagen (Part II, Nos.37/44)
- 3.8 Aria: Gebt mir meinem Jesum wieder (Part II, No.42)
- 3.9 Aria: 'Erbarme Dich' (Part II, No.47)
- 3.10 Befiehl du deine Wege (Part II, No.53)
- 3.11 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
- 3.12 Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)
- 3.13 Aria: 'Mache dich, mein Herze, rein' (Part II, No.65/75)
- 3.14 Final Chorus (Part II, No.78)
- 3.15 Other
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Performances
Recordings
⇒ 5 more: Side 2: Nos.18-31 • Side 3: Nos.32-41 • Side 4: Nos.42-57 • Side 5: Nos.58-68 • Side 6: Nos.69-End
| Publisher Info.
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Club national du disque CND 833, 1963.
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| Performers
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Erich Majkut, Harold Buchsbaum, Laurence Dutoit, Maria Nussbaumer, Otto Wiener - Akademie Kammerchor - Wiener Kammerorchester - dir. Ferdinand Grossmann
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| Copyright
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| Misc. Notes
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Audio digital d'après microsillon - Collection personnelle
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| Purchase
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Aria: 'Erbarme dich, mein Gott' (Part II, No.47)
For Accordion Orchestra (De Bra)
| Publisher Info.
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Helmond: Accordeana Accordion Orchestra
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| Performers
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Accordeana Accordion Orchestra
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| Copyright
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| Purchase
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For Harmonica and Guitar (Marcoux)
| Publisher Info.
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Jean-François Marcoux
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| Performers
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Clakos (harmonica chromatic in C)
Ladesneffous (guitar)
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| Copyright
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| Purchase
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Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
For Harmonica and Guitar (Marcoux)
| Publisher Info.
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Jean-François Marcoux
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| Performers
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Clakos (harmonica chromatic in C)
Ladesneffous (guitar)
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| Copyright
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| Misc. Notes
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complete recording of transcription for harmonica and guitar
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| Purchase
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Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)
For Guitar (Alink)
| Publisher Info.
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Bert Alink
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| Performers
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Bert Alink, guitar
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| Copyright
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| Purchase
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Naxos
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Accompaniments
Piano
| Performer Pages
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Héctor Valls (Piano)
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| Publisher Info.
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Héctor Valls
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| Copyright
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| Purchase
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Continuo
| Publisher Info.
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Lyribox.com
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| Performers
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Poeticall Musicke
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| Copyright
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| Misc. Notes
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Lyribox.com aims at providing learning tools for classical singers.
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| Purchase
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Synthesized/MIDI
Selections
For Organ
| Publisher Info.
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Marc Boniteau
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| Performers
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Marc Boniteau
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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| Purchase
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Chorales
⇒ 11 more: Ich bin's, ich sollte büßen • Erkenne mich, mein Hüter • Ich will hier bei dir stehen • Was mein Gott will, das g'scheh' all Zeit • Mir hat die Welt trüglich gericht't mit Lügen • Wer hat dich so geschlagen • Bin ich gleich von dir gewichen • Befiehl du deine Wege • Wie wunderbarlich ist doch diese Strafe! • O Haupt voll Blut und Wunden • Wenn ich einmal soll scheiden
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André Van Ryckeghem
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| Performers
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Synthesized MIDI
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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| Purchase
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Ich will dir mein Herze schenken (Part I, No.19)
For Trumpet and Organ (Rondeau)
| Publisher Info.
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Michel Rondeau
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| Performers
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MIDI
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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| Purchase
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Recitative: Am Abend da es kühle war (Part II, No.74)
| Publisher Info.
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Srđan Depolo
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| Performers
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Synthesized MIDI
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| Copyright
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| Misc. Notes
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These file(s) are part of the Werner Icking Music Collection.
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| Purchase
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Sheet Music
Full Scores
Complete
| Publisher. Info.
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Holograph manuscript, n.d.[1736-40].
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| Copyright
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| Misc. Notes
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Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 25
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| Purchase
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| Publisher. Info.
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Holograph manuscript, 1740.
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| Copyright
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| Misc. Notes
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Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 25
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| Purchase
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| Publisher. Info.
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Holograph manuscript, 1743-46.
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| Copyright
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| Misc. Notes
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color scan, facing pages
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| Copyist
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Palestrina II = Anon. V 19
Johann Friedrich Hering (1724-1810)
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| Publisher. Info.
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Manuscript, n.d.(ca.1750-68).
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| Copyright
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| Misc. Notes
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Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 27
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| Purchase
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| Editor
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First edition (Score)
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| Publisher. Info.
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Berlin: A.M. Schlesinger, 1830. Plate 1570.
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| Copyright
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| Misc. Notes
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Universitäts- und Landesbibliothek Bonn (D-BNu): E 4' 756
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| Purchase
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| Editor
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Georg Schumann (1866–1952)
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| Publisher. Info.
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Leipzig: Ernst Eulenburg, No.953, n.d.(ca.1929). Plate E.E. 2654.
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| Copyright
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| Misc. Notes
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Based on BGA.
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| Purchase
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⇒ 6 more: Part 1 • Part 1 (lower quality) • Part 2 • Part 2 (lower quality) • Anhang: 29a. Jesum laß ich nich von mir • Anhang: 57. Komm süßes Kreuz, so will ich sagen
| Editor
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Alfred Dürr (1918-2011)
Max Schneider (1875-1967)
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| Publisher. Info.
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Neue Bach-Ausgabe, Serie II, Bd.5 (pp.1-309)
Kassel: Bärenreiter Verlag, 1972. Plate BA 5038.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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| Misc. Notes
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600 dpi. Page size is 10.00 x 12.688 inches. This is one of the editions that shares the fortunes of both sufficient awareness of textual critique and fidelity and beautiful hand engraving of the highest quality. A rare treasure, completely worth purchasing the cloth-bound printed version. Max Schneider did some preliminary work for this volume during his lifetime before publication.
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| Purchase
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Selections
| Copyist
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Hermann Kretzschmar (1848–1924)
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| Publisher. Info.
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Holograph manuscript, 1740.
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| Reprinted
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Bach-Gesellschaft Ausgabe, Band 44
Leipzig: Breitkopf und Härtel, 1895. Plate B.W. XLIV.
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| Copyright
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| Misc. Notes
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Corresponds to pages 1-22; 168; 189-190; and 248-250 of the BGA score.
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| Purchase
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| Publisher. Info.
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Manuscript, 1846.
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| Copyright
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| Misc. Notes
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Universitätsbibliothek der Eberhard Karls Universität (D-Tu): Mk 52-1
This file is part of the Submission Project.
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| Purchase
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Aria: 'Erbarme dich, mein Gott' (Part II, No.47)
| Editor
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Andreas Schein (b. 1997)
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| Publisher. Info.
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Edition Andreas Schein, 2019.
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| Copyright
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| Misc. Notes
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Please inform the Composer about any Performance! Please contact the Composer for Full Material!
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| Purchase
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Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
| Editor
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Alexander E. Volkov
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| Publisher. Info.
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Alexander E. Volkov
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| Copyright
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| Purchase
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Aria: 'Mache dich, mein Herze, rein' (Part II, No.65)
| Editor
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Bernhard Runge-Mutzke
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| Publisher. Info.
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Bernhard Runge-Mutzke
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| Copyright
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| Misc. Notes
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Version replacing 2 Oboes da caccia with 2 English Horns.
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Recitative: 'Am Abend da es kühle war' (Part II, No.74)
Parts
Complete
| Copyist
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Johann Heinrich Michel (1739-1810)
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| Publisher. Info.
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Manuscript, n.d.(ca.after 1768).
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| Copyright
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| Misc. Notes
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Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach St 110
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Coro (Orchestra) 1
⇒ 7 more: Oboe 1, 2 (both also Oboe d'amore, Oboe da caccia) • Bassoon • Violins I • Violins II • Violas • Cellos/Basses, Cello solo (for Viola da gamba solo) • Cellos/Basses
Coro (Orchestra) 2
⇒ 6 more: Oboe 1, 2 (both double on Oboe d'amore) • Bassoon • Violins I • Violins II • Violas • Cellos/Basses
| Publisher. Info.
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Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate Orch.-B. 4950.
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| Reprinted
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New York: E.F. Kalmus, n.d.(1933–70). Catalog A2490.
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| Copyright
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| Misc. Notes
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These files are part of the Orchestra Parts Project.
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Keyboard Continuo (Organ, Harpsichord)
| Publisher. Info.
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Leipzig: Breitkopf und Härtel, n.d.(ca.1910). Plate Orch.-B. 4950.
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| Reprinted
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New York: E.F. Kalmus, n.d.(1933–70). Catalog A2490.
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| Copyright
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| Misc. Notes
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These files are part of the Orchestra Parts Project.
*Organ 1 is cued with the Organ 2/Harpsichord part to facilitate performance with a single instrument.
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Selections
| Publisher. Info.
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Manuscript, 1846.
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| Copyright
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| Misc. Notes
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Universitätsbibliothek der Eberhard Karls Universität (D-Tu): Mk 52-2
This file is part of the Submission Project.
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Aria: Aus Liebe will mein Heiland sterben (No.58)
⇒ 4 more: Soprano, G clef • Flute • Oboe da caccia 1/2 • Engraving files attached (Finale)
| Editor
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Alexander E. Volkov
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| Publisher. Info.
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Alexander E. Volkov
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| Copyright
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Vocal Scores
Complete
| Editor
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First edition
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| Publisher. Info.
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Berlin: Schlesinger, n.d.[1830]. Plate 1577.
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| Copyright
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| Purchase
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| Arranger
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Salomon Jadassohn (1831-1902), piano reduction
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| Language
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German
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| Publisher. Info.
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Leipzig: Breitkopf und Härtel, n.d.(ca.1876). Plate V.A. 11.
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| Copyright
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| Misc. Notes
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Foliation: v, 217 (v, 93; 94-217)
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| Arranger
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Julius Stern (1820–1883)
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| Language
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German
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| Publisher. Info.
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Leipzig: C.F. Peters, n.d.(ca.1890). Plate 7644.
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| Copyright
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| Misc. Notes
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Bar numbers added via Python script using PyPdf
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| Arranger
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François-Auguste Gevaert (1828–1908)
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| Language
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French
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| Translator
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G. Antheunis, French text
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| Publisher. Info.
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Paris: Henry Lemoine & Cie., n.d.(ca.1897). Plate 18,619.HL.
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| Copyright
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Selections
General Information
[[Category:{{{Piece Style}}} style|Matthauspassion, bwv 0244~~bach, johann sebastian]]
| Work Title
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{{{Work Title}}}
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| Alternative. Title
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{{{Alternative Title}}}
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| Name Translations
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Passione secondo Matteo; Матеус пасион; Passió segons sant Mateu; Matoušovy pašije; Matthäus-Passion; Κατά Ματθαίον Πάθη; St Matthew Passion; Matthäuspassion; Pasión según San Mateo; Matteus-passio; Passion selon Saint Matthieu; מתאוס פסיון; マタイ受難曲; 마태오 수난곡; Passio secundum Matthaeum; Matteuspasjonen av Bach; Pasja według św. Mateusza; Paixão Segundo São Mateus, BWV 244; Страсти по Матфею; Matteuspassionen; Страсті за Матвієм; 马太受难曲; Matteuspasjonen; Máté-passió; D Mattäus-Bassioon vom Johann Sebastian Bach; Fulangas Naomh Mata; Passion thánh Matthew; Matúšove pašie; Matteuse passioon; Patimile după Matei; انجیل به روایت متی (باخ); 馬太受難曲; Paixón segundo San Mateu
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| Name Aliases
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BWV 244; Pasion segun San Mateo; BMW 244; Matthaus-Passion (J.S. Bach); Τα κατά Ματθαίον Πάθη
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| Authorities
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WorldCat; Wikipedia; VIAF: 1371147270361735700006; LCCN: n82024093; GND: 300009798; SUDOC: 030218012; BNF: 140094767; NLA: 35183965; BNE: XX2221665
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| Composer
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Bach, Johann Sebastian
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| I-Catalogue NumberI-Cat. No.
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IJB 391
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| Composer Time PeriodComp. Period
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Baroque
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| Piece Style
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[[:Category:{{{Piece Style}}} style|{{{Piece Style}}}]]
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For Piano (Jadassohn)
Selections
*For Double Reed Quartet (Notenschreiber)
| Arranger
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Notenschreiber
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| Publisher. Info.
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Notenschreiber
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| Copyright
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For Organ (Boniteau)
For Organ (Schaab)
| Arranger
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Robert Schaab (1817-1887)
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| Editor
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Alain Brunet
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| Publisher. Info.
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Alex'Not
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| Copyright
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| Misc. Notes
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fac-simile "moderne" : gravure identique à l'original
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For Piano (Willner)
PDF scanned by RTM
RTM (2011/2/19)
⇒ 8 more: Aria: Buß und Reu (Part I, No.10) • Aria: Blute nur (Part I, No.12) • Duet: Er antwortete und sprach (Part I, No.17) • Aria: Ich will dir mein Herze schenken (Part I, No.19) • Aria and Chorus: Ach, nun ist mein Jesus hin (Part II, No.36) • Aria: Erbarme Dich (Part II, No.47) • Aria: Gebt mir meinen Jesum wieder (Part II, No.51) • Final Chorus (Part II, No.78)
PDF scanned by RTM
RTM (2011/2/19)
PDF scanned by RTM
RTM (2011/2/19)
PDF scanned by RTM
RTM (2011/2/19)
PDF scanned by RTM
RTM (2011/2/19)
PDF scanned by RTM
RTM (2011/2/19)
PDF scanned by RTM
RTM (2011/2/20)
PDF scanned by RTM
RTM (2011/2/20)
PDF scanned by RTM
RTM (2011/2/20)
| Arranger
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Arthur Willner (1881-1959)
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| Publisher. Info.
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Corona-Collection. J. S. Bach. II Piano Solo C. 332
Vienna: Universal Edition, n.d.(ca.1931). Plate C.C. 99.
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| Copyright
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| Misc. Notes
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Scanned at 600dpi grayscale, converted to monochrome.
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Coro: Kommt, ihr Töchter (Part I, No.1)
For 3 Violins, 2 Violas and 2 Cellos (Bartoli)
| Arranger
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Russ Bartoli
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| Publisher. Info.
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Russ Bartoli
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| Copyright
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Aria: Ich will dir mein Herze schenken (Part I, No.19)
*For Double Reed Quartet (Notenschreiber)
| Arranger
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Notenschreiber
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| Publisher. Info.
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Notenschreiber
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| Copyright
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| Misc. Notes
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Double Reed Quartet means Oboe, English horn, Bass oboe, Bassoon
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For Trumpet and Organ (Rondeau)
Chorale: Ich will hier bei dir stehen (Part I, No.23)
For Male Chorus (O'Brien)
| Arranger
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Glenn O'Brien
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| Publisher. Info.
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Glenn O'Brien
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| Copyright
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Aria: Ich will bei meinem Jesu wachen (Part I, No.26)
For Organ (Brunet)
| Arranger
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Alain Brunet (b. 1967)
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| Publisher. Info.
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Alex'Not
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| Copyright
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Chorale: Wer hat dich so geschlagen (Part II, Nos.37/44)
For Mixed Chorus (Sothilander)
| Arranger
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Georg L. Sothilander
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| Publisher. Info.
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Georg L. Sothilander
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| Copyright
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| Misc. Notes
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A German evening song "Nun ruhen alle Wälder" by Paul Gerhardt put to the music of the chorale "Wer hat dich so geschlagen".
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Aria: Gebt mir meinem Jesum wieder (Part II, No.42)
For Piano (Zadora)
| Arranger
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Michael Zadora (1882-1946)
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| Publisher. Info.
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Berlin: Ed. Bote & G. Bock, 1916. Plate B. et B. 18653.
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| Copyright
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Aria: 'Erbarme Dich' (Part II, No.47)
*For Accordion Orchestra (De Bra)
| Arranger
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Paul De Bra
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| Publisher. Info.
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Paul De Bra
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| Copyright
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*For Flute or High Voice and Piano (Verpoorten)
| Arranger
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JanHerman Verpoorten (b. 1945)
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| Publisher. Info.
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JanHerman Verpoorten, 2020.
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| Copyright
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| Misc. Notes
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Transposed to d-minor
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For Cello and Piano (Roth)
*For Alto and Flute (Alici)
PDF typeset by arranger
Gdac (2015/12/2)
| Arranger
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Guido Alici
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| Publisher. Info.
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Guido Alici
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| Copyright
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| Misc. Notes
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transcription of "Erbarme Dich" for Flute (with voice guideline)
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*For Alto and Organ (Brunet)
| Arranger
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Alain Brunet (b. 1967)
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| Publisher. Info.
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Alex'Not
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| Copyright
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For Harmonica and Guitar (Marcoux)
| Arranger
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Jean-François Marcoux
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| Publisher. Info.
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Jean-François Marcoux
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| Copyright
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| Misc. Notes
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The guitarist is to play from the melody part, with the chord symbols provided.
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For Organ (Righetti)
| Arranger
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Benjamin Righetti (b. 1982)
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| Publisher. Info.
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Benjamin Righetti
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| Copyright
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For Piano (Jadassohn)
| Arranger
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Salomon Jadassohn (1831-1902)
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| Publisher. Info.
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Leipzig: C.F. Peters, n.d.(ca.1870). Plate 4982.
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| Copyright
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For Piano (Köhler)
| Arranger
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Louis Köhler (1820–1886)
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| Publisher. Info.
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Braunschweig: Henry Litolffs Verlag, n.d. Plate 3885. (pp.29-31)
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| Copyright
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| Misc. Notes
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Excerpt from a piano reduction of the complete work
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Befiehl du deine Wege (Part II, No.53)
For 5 Flutes (Kamioka)
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Hideo Kamioka
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Hideo Kamioka
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3 Flutes, Alto Flute and Bass Flute
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Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58)
For 4 Flutes (Kamioka)
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Hideo Kamioka
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Hideo Kamioka
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Recorder (or Flute), Flute, Alto Flute and Bass Flute
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For Harmonica and Guitar (Marcoux)
| Arranger
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Jean-François Marcoux
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| Publisher. Info.
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Jean-François Marcoux
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The guitarist is to play from the melody part, with the chord symbols provided.
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Choral: 'O Haupt voll Blut und Wunden' (Part II, No.63)
For Orchestra (Gordon)
| Arranger
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Philip Gordon (1894-1983)
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New York: Bourne Co., 1961.
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Titled: Chorale Prelude - "From Ill do thou defend us"In the USA this work is most likely in the public domain because it was published without a compliant copyright notice or no renewal was found after a thorough search of the Catalog of Copyright Entries and it was apparently ineligible for "restoration" under GATT/TRIPS. This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
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For Guitar (Alink)
| Arranger
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Bert Alink
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Bert Alink
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For Guitar (Beuming)
| Arranger
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Ben Beuming (b. 1947)
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| Publisher. Info.
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beumingguitar, 2015.
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| Misc. Notes
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Transposed to E - minor
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Aria: 'Mache dich, mein Herze, rein' (Part II, No.65/75)
For Bass voice and Organ (Jolliet)
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Elie Jolliet (b. 1994)
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Elie Jolliet, 2021.
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Final Chorus (Part II, No.78)
*For Double Reed Quartet (Notenschreiber)
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Notenschreiber
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Notenschreiber
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For Piano (Berstis)
| Arranger
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Viktors Berstis (b. 1949)
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Viktors Berstis, 2019.
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Closing chorus of St Mathew Passion as a piano transcription: "In Deepest Grief"
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Other
Chorus: 'Bin ich gleich von dir gewichen' (Part II, No.48)
| Editor
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Frieder Rempp (1942-)
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| Publisher. Info.
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Neue Bach-Ausgabe, Serie III. Motetten, Choräle, Lieder, Band 2.1. Choräle und geistliche Lieder, Teil 1 (pp.95)
Kassel: Bärenreiter Verlag, 1991. Plate BA 5075.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.
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| Misc. Notes
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From Dietel Sammlung as "Jesu, meiner Seelen Wonne" (No.139). More details. 600 dpi. Page size is 10.00 x 12.688 inches.
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| *****WORK INFO*****
|Work Title=Matthäuspassion
|Alternative Title=Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum ; St. Matthew Passion
|Opus/Catalogue Number=BWV 244 ; BC D3b
|Key=E minor
|Movements Header=2 parts in 68 numbers
|Number of Movements/Sections=2 parts in 68 numbers (numbering varies according to edition, NBA/BWV below):
- 1/1. Kommt, ihr Töchter, helft mir klagen chorale O Lamm Gottes, unschuldig as cantus firmus
- 2/2. Da Jesus diese Rede vollendet hatte
- 3/3. Herzliebster Jesu
- 4a/4. Da versammleten sich die Hohenpriester
- 4b/5. Ja nicht auf das Fest
- 4c/6. Da nun Jesus war zu Bethanien
- 4d/7. Wozu dienet dieser Unrat
- 4e/8. Da das Jesus merkete
- 5/9. Du lieber Heiland du
- 6/10. Buß und Reu
- 7/11. Da ging hin der Zwölfen einer
- 8/12. Blute nur, du liebes Herz!
- 9a/13. Aber am ersten Tage der süßen Brot
- 9b/14. Wo willst du, daß wir dir bereiten
- 9c/15. Er sprach: Gehet hin in die Stadt
- 9d/15. Und sie wurden sehr betrübt
- 9e/15. Herr, bin ich's?
- 10/16. Ich bin's, ich sollte büßen
- 11/17. Er antwortete und sprach
- 12/18. Wiewohl mein Herz in Tränen schwimmt
- 13/19. Ich will dir mein Herze schenken
- 14/20. Und da sie den Lobgesang gesprochen hatten
- 15/21. Erkenne mich, mein Hüter
- 16/22. Petrus aber antwortete
- 17/23. Ich will hier bei dir stehen
- 18/24. Da kam Jesus mit ihnen zu einem Hofe
- 19/25. O Schmerz! Hier zittert das gequälte Herz
- 20/26. Ich will bei meinem Jesu wachen
- 21/27. Und ging hin ein wenig
- 22/28. Der Heiland fällt vor seinem Vater nieder
- 23/29. Gerne will ich mich bequemen
- 24/30. Und er kam zu seinen Jüngern
- 25/31. Was mein Gott will, das g'scheh allzeit
- 26/32. Und er kam und fand sie aber schlafend
- 27a/33. So ist mein Jesus nun gefangen
- 27b/33. Sind Blitze, sind Donner in Wolken verschwunden?
- 28/34. Und siehe, einer aus denen
- 29/35. O Mensch, bewein dein Sünde groß
- 30/36. Ach! nun ist mein Jesus hin!
- 31/37. Die aber Jesum gegriffen hatten
- 32/38. Mir hat die Welt trüglich gericht'
- 33/39. Und wiewohl viel falsche Zeugen herzutraten
- 34/40. Mein Jesus schweigt
- 35/41. Geduld! Wenn mich falsche Zungen stechen
- 36a/42. Und der Hohepriester antwortete
- 36b/42. Er ist des Todes schuldig!
- 36c/43. Da speieten sie aus
- 36d/43. Weissage uns, Christe
- 37/44. Wer hat dich so geschlagen
- 38a/45. Petrus aber saß draußen
- 38b/45. Wahrlich, du bist auch einer
- 38c/46. Da hub er an, sich zu verfluchen
- 39/47. Erbarme dich
- 40/48. Bin ich gleich von dir gewichen
- 41a/49. Des Morgens aber hielten alle Hohepriester
- 41b/49. Was gehet uns das an?
- 41c/50. Und er warf die Silberlinge in den Tempel
- 42/51. Gebt mir meinen Jesum wieder!
- 43/52. Sie hielten aber einen Rat
- 44/53. Befiehl du deine Wege
- 45a/54. Auf das Fest aber hatte der Landpfleger Gewohnheit
- 45b/54. Laß ihn kreuzigen!
- 46/55. Wie wunderbarlich ist doch diese Strafe!
- 47/56. Der Landpfleger sagte
- 48/57. Er hat uns allen wohlgetan
- 49/58. Aus Liebe will mein Heiland sterben
- 50a/59. Sie schrieen aber noch mehr
- 50b/59. Laß ihn kreuzigen!
- 50c/59. Da aber Pilatus sahe
- 50d/59. Sein Blut komme über uns
- 50e/59. Da gab er ihnen Barrabam los
- 51/60. Erbarm es Gott!
- 52/61. Können Tränen meiner Wangen
- 53a/62. Da nahmen die Kriegsknechte
- 53b/62. Gegrüßet seist du, Jüdenkönig!
- 53c/62. Und speieten ihn an
- 54/63. O Haupt voll Blut und Wunden
- 55/64. Und da sie ihn verspottet hatten
- 56/65. Ja freilich will in uns
- 57/66. Komm, süßes Kreuz
- 58a/67. Und da sie an die Stätte kamen
- 58b/67. Der du den Tempel Gottes zerbrichst
- 58c/67. Desgleichen auch die Hohenpriester
- 58d/67. Andern hat er geholfen
- 58e/68. Desgleichen schmäheten ihn
- 59/69. Ach Golgatha
- 60/70. Sehet, Jesus hat die Hand
- 61a/71. Und von der sechsten Stunde an
- 61b/71. Der rufet dem Elias!
- 61c/71. Und bald lief einer unter ihnen
- 61d/71. Halt! laß sehen
- 61e/71. Aber Jesus schriee abermal laut
- 62/72. Wenn ich einmal soll scheiden
- 63a/73. Und siehe da, der Vorhang im Tempel zerriß
- 63b/73. Wahrlich, dieser ist Gottes Sohn gewesen
- 63c/73. Und es waren viel Weiber da
- 64/74. Am Abend, da es kühle war
- 65/75. Mache dich, mein Herze, rein
- 66a/76. Und Joseph nahm den Leib
- 66b/76. Herr, wir haben gedacht
- 66c/76. Pilatus sprach zu ihnen
- 67/77. Nun ist der Herr zur Ruh gebracht
- 68/78. Wir setzen uns mit Tränen nieder
|Dedication=Good Friday (Parasceve)
|First Performance=1736-03-30 in Leipzig, Thomaskirche, rep. 1742-03-23 in Leipzig, Thomaskirche
|Year/Date of Composition=1736, revised 1742, 1743-46
|Year of First Publication=1830 - Berlin: Schlesinger
|Librettist=Christian Friedrich Henrici (1700-1764), as Picander
|Language=German
|Piece Style=Baroque
|Manuscript Sources=Bach Digital (source list)
|Extra Information=The numbering system used here is that of the BWV catalog. See the wikipedia article about the structure for alternate systems
|External Links=Wikipedia article
Bach-Cantatas.com
German to Portuguese translation
|Instrumentation=voices, double mixed chorus, double orchestra
|InstrDetail=
Voices
- First and Second Maid, Pilate's Wife (sopranos)
Evangelist (alto) Witnesses (altos, tenors)
Jesus, Peter, Judas, Pilate, Pontifices I and II (basses)
Mixed Choruses (SATB/SATB)
Orchestra 1
- 2 flutes, 2 oboes/oboes d'amore/oboes da caccia, strings, continuo
Orchestra 2
- 2 flutes, 2 oboes/oboes d'amore/oboes da caccia, viola da gamba, strings, continuo
|Tags=passions ; sacred oratorios ; 3sop 2alt 2ten 2bass 2ch 2orch ; de
| *****COMMENTS***** =
`
| *****END OF TEMPLATE***** }}
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