Missa brevis in D minor, K.65/61a (Mozart, Wolfgang Amadeus)

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Movements/SectionsMov'ts/Sec's 6 sections
Composition Year 1769 (January 14)
Genre Categories Masses; Religious works; For 4 voices, mixed chorus, strings, continuo; For voices and chorus with strings; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring string ensemble; Scores with basso continuo; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the orchestra; Latin language

Contents

Performances

Recordings

 Complete Recording
#636336 - 100.35MB - 14:09 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 269×⇩ - MP4 - Stenov

MP4 file (audio/video)
Stenov (2020/7/13)

Performer Pages Michael Stenov (director)
Cantores Carmeli Linz (ensemble)
Publisher Info. Michael Stenov
Performers Cantores Carmeli Linz, Collegium Instrumentale Carmeli, Michael Stenov
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Live recording from the Karmelitenkirche Linz 2020
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Naxos

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Sheet Music

Scores

 Complete Score (Preview)
#79369 - 3.06MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 7728×⇩ - piupianissimo

PDF scanned by PL-LZu
piupianissimo (2010/9/21)

Editor Franz Espagne (1828-1878)
Publisher. Info. Mozarts Werke, Serie I, Bd.1, No.2 (pp.33-48)
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 65.
Copyright
Public Domain [tag/del]
Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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 Complete Score (EU)
#422027 - 8.93MB, 26 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 4560×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/5/6)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1, Bd.1 [NMA I/1//Abt. 1/1] (pp.159-84)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe.
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Sketches and Drafts

 Complete Draft (EU)
#426019 - 0.31MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 783×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor Walter Senn (1904-1981)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 1, Bd.1 [NMA I/1//Abt. 1/1] (pp.321)
Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes This file is mirrored from the Neue Mozart-Ausgabe. The first page contains a sketch for the Kyrie and two eliminated drafts for the Benedictus. The second page contains the third eliminated draft for the Benedictus.
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Free Recordings

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General Information

Work Title Missa brevis
Alternative. Title
Name Translations Missa brevis No. 2; Missa brevis n.º 2; Missa brevis núm. 2; Missa brevis n° 2 de Mozart; Missa brevis d-Moll KV 65
Name Aliases KV 65; Missa brevis en re menor
Authorities WorldCat; Wikipedia; VIAF: 183882634; LCCN: n82047846; GND: 300109520; BNF: 139230813; NLA: 35742988
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.65 ; K⁶.61a
I-Catalogue NumberI-Cat. No. IWM 333
Key D minor
Movements/SectionsMov'ts/Sec's 6 sections
I. Kyrie (40 bars)
II. Gloria (49 bars)
III. Credo (146 bars)
IV. Sanctus (22 bars)
V. Benedictus (13 bars)
VI. Agnus Dei (78 bars)
Year/Date of CompositionY/D of Comp. 1769 (January 14)
First Performance. 1769 in Salzburg, Kollegienkirche (conjecture)
First Publication. 1877
Language Latin
Average DurationAvg. Duration 14-15 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
InstrDetail
Vocal soli (soprano, alto, tenor, bass)
Mixed Chorus (SATB)
Orchestra
3 trombones (colla parte), strings (no violas), continuo (organ)
External Links Wikipedia article
NMA score
NMA report (German)

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Masses by Wolfgang Amadeus Mozart
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