Missa solemnis in C minor, K.139/47a (Mozart, Wolfgang Amadeus)

Movements/SectionsMov'ts/Sec's	6 movements
Composition Year	1768
Genre Categories	Masses; Religious works; For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; Latin language

1 Performances
- 1.1 Recordings
- 1.2 Naxos
2 Sheet Music
3 General Information
4 Navigation etc.

Performances

Recordings

1. Kyrie
*#574545 - 6.29MB - 6:52 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 419×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/27)

⇒ 5 more: 2. Gloria • 3. Credo • 4. Sanctus • 5. Benedictus • 6. Agnus Dei

2. Gloria
*#574546 - 11.24MB - 12:17 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 161×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/27)

3. Credo
*#574547 - 11.56MB - 12:37 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 102×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/27)

4. Sanctus
*#574548 - 1.64MB - 1:47 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 98×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/27)

5. Benedictus
*#574549 - 2.11MB - 2:19 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 94×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/27)

6. Agnus Dei
*#574550 - 4.90MB - 5:21 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 106×⇩ - MP3 - Stenov

MP3 file (audio)
Stenov (2019/5/27)

Performer Pages	Cantores Carmeli Linz (chorus) Michael Stenov (director)
Publisher Info.	Michael Stenov
Copyright	Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes	Live recording from the Karmelitenkirche Linz 2016
Purchase	Javascript is required for this feature.

Naxos

Javascript not enabled.

Sheet Music

Scores

Complete Score
*#653889 - 200.06MB, 102 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 46×⇩ - Irishmaestro

PDF scanned by D-B
Irishmaestro (2020/10/23)

Publisher. Info.	Holograph manuscript, 1768.
Copyright	Public Domain [tag/del]
Purchase	Javascript is required for this feature.

Complete Score (Preview)
*#79527 - 10.92MB, 62 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8835×⇩ - piupianissimo

PDF scanned by PL-LZu
piupianissimo (2010/9/23)

Editor	Franz Espagne (1828-1878)
Publisher. Info.	Mozarts Werke, Serie I: Messen, Bd.1, No.4 (pp.117-178) Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 139.
Copyright	Public Domain [tag/del]
Misc. Notes	Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Purchase	Javascript is required for this feature.

Complete Score (EU)
*#423711 - 31.16MB, 115 pp. - 0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 4099×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/5/21)

Editor	Walter Senn (1904-1981)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1, Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt. 1/1] (pp.37-158) Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	This file is mirrored from the Neue Mozart-Ausgabe.
Purchase	Javascript is required for this feature.

Parts

Complete

Alto Trombone
*#481444 - 0.19MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 648×⇩ - Kae

PDF typeset by editor
Kae (2017/7/11)

Tenor Trombone
*#837610 - 0.19MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 77×⇩ - Kae

PDF typeset by editor
Kae (2017/7/11)

Bass Trombone
*#837611 - 0.20MB, 12 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 98×⇩ - Kae

PDF typeset by editor
Kae (2017/7/11)

Editor	Tobias Rey Käfer (b. 1998)
Publisher. Info.	Tobias Rey Käfer, 2017.
Copyright	Public Domain (dedicated) [tag/del/mrg]
Misc. Notes	The old Carus-Parts of the NMA-Edition are in violin-bass-bass clefs, i wrote it in alto-tenor-bass-clefs.
Purchase	Javascript is required for this feature.

Other

Complete Draft (EU)
*#426017 - 0.47MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 603×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor	Walter Senn (1904-1981)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1, Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt.1/1] (pp.317-318) Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	This file is mirrored from the Neue Mozart-Ausgabe. Contains eliminated original version of bars 24 to 35 of the Credo.
Purchase	Javascript is required for this feature.

Complete Draft (EU)
*#426018 - 0.24MB, 1 pp. - 0.0/10 2 4 6 8 10 (-) - C*/64*/V* - 275×⇩ - Gcjdavid

PDF scanned by A-Wm
Gcjdavid (2016/6/9)

Editor	Walter Senn (1904-1981)
Publisher. Info.	Neue Mozart-Ausgabe, Serie I, Werkgruppe 1, Abteilung 1: Messen und Requiem: Messen, Bd.1 [NMA I/1//Abt.1/1] (pp.319) Kassel: Bärenreiter-Verlag, 1968. Plate BA 4547. URTEXT EDITION This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright	Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes	This file is mirrored from the Neue Mozart-Ausgabe. This is an original deleted version of the ending of the Agnus Dei.
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title	Missa solemnis
Alternative. Title	Mass No.4 ; Waisenhausmesse
Name Translations	Messe in c-Moll KV 139; Misa del orfanato (Mozart); Missa solemnis in C minor; Missa solemnis in do minore K 139; Missa de l'orfenat; Messe en ut mineur K. 139 de Mozart; 孤児院ミサ (モーツァルト)
Name Aliases	KV 139; KV 47a; Waisenhausmesse; Misa n.º 4 (Mozart)
Authorities	WorldCat; Wikipedia; VIAF: 175793006; LCCN: n81124850; GND: 300109547; SELIBR: 169969; BNF: 13923526b; NLA: 35677591
Composer	Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No.	K.139 ; K⁶.47a
I-Catalogue NumberI-Cat. No.	IWM 338
Key	C minor
Movements/SectionsMov'ts/Sec's	6 movements: I. Kyrie II. Gloria III. Credo IV. Sanctus V. Benedictus VI. Agnus Dei
Year/Date of CompositionY/D of Comp.	1768
First Performance.	1768-12-07 in Vienna
Language	Latin
Dedication	Father Ignaz Parhammer
Average DurationAvg. Duration	39 minutes?
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	soprano, alto, tenor bass; mixed chorus (SATB), orchestra
InstrDetail	2 flutes, 2 oboes, 2 horns, 2 clarini, 2 trumpets, 3 trombones (colla parte) timpani, strings, continuo (organ)
External Links	Wikipedia article

Navigation etc.

Masses by Wolfgang Amadeus Mozart
Missa brevis in G major, K.49/47d ("No.1") Missa brevis in D minor, K.65/61a ("No.2") Mass in C major, K.66 ("No.3" or "Dominicus") Missa solemnis in C minor, K.139/47a ("No.4" or "Waisenhaus") Missa brevis in G major, K.140/Anh.C 1.12 ("No.5" or "Pastoral", spurious) Missa brevis in F major, K.192/186f ("No.6") Mass in C major, K.167 ("No.7") Missa brevis in D major, K.194/186h ("No.8") Missa brevis in C major, K.220/196b ("No.9" or "Spatzenmesse")	Mass in C major, K.257 ("No.10" or "Credo") Missa brevis in C major, K.258 ("No.11" or "Spaur") Missa brevis in C major, K.259 ("No.12" or "Organ Solo") Mass in C major, K.262/246a ("No.13" or "Missa longa") Missa brevis in B-flat major, K.275/272b ("No.14") Mass in C major, K.317 ("No.15" or "Coronation") Missa solemnis in C major, K.337 ("No.16" or "Missa aulica") Mass in C minor, K.427/417a ("No.17" or "Great", incomplete) Requiem in D minor, K.626 (unfinished)

Masses by Wolfgang Amadeus Mozart

Missa brevis in G major, K.49/47d ("No.1")
Missa brevis in D minor, K.65/61a ("No.2")
Mass in C major, K.66 ("No.3" or "Dominicus")
Missa solemnis in C minor, K.139/47a ("No.4" or "Waisenhaus")
Missa brevis in G major, K.140/Anh.C 1.12 ("No.5" or "Pastoral", spurious)
Missa brevis in F major, K.192/186f ("No.6")
Mass in C major, K.167 ("No.7")
Missa brevis in D major, K.194/186h ("No.8")
Missa brevis in C major, K.220/196b ("No.9" or "Spatzenmesse")

Mass in C major, K.257 ("No.10" or "Credo")
Missa brevis in C major, K.258 ("No.11" or "Spaur")
Missa brevis in C major, K.259 ("No.12" or "Organ Solo")
Mass in C major, K.262/246a ("No.13" or "Missa longa")
Missa brevis in B-flat major, K.275/272b ("No.14")
Mass in C major, K.317 ("No.15" or "Coronation")
Missa solemnis in C major, K.337 ("No.16" or "Missa aulica")
Mass in C minor, K.427/417a ("No.17" or "Great", incomplete)
Requiem in D minor, K.626 (unfinished)

Missa solemnis in C minor, K.139/47a (Mozart, Wolfgang Amadeus)

Contents

Performances

Recordings

Naxos

Sheet Music

Scores

Parts

Complete

Other

General Information

Navigation etc.