Missa super Qual donna attende, LV 960 (Lassus, Orlande de)

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Movements/SectionsMov'ts/Sec's 5 sections
Composition Year 1589 ca.
Genre Categories Masses; Religious works; For 5 voices; For unaccompanied voices; Scores featuring the voice; Latin language
Related Works Parody on Qual donn' attend' à gloriosa fama by Cipriano de Rore’s madrigal.

Contents

Performances

Sheet Music

Scores and Parts

 Kyrie
#52628 - 0.47MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1110×⇩ - Ralph Theo Misch

PDF scanned by Google (Harvard)
Ralph Theo Misch (2010/1/11)

 Gloria and Credo
#52714 - 1.93MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 477×⇩ - Ralph Theo Misch

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Ralph Theo Misch (2010/1/11)

 Sanctus, Benedictus and Agnus Dei
#52631 - 0.67MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 510×⇩ - Ralph Theo Misch

PDF scanned by Google (Harvard)
Ralph Theo Misch (2010/1/11)

Editor Carl Proske (1794-1861)
Publisher. Info. Selectus Novus Missarum (No.3)
Regensburg: Friedrich Pustet, 1856.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Letterpress printing. Converted RGB to monochrome, cleaned with 2-point algorithm, additional manual cleaning.
Google made a quiet good scan (see below) - exept for those lines furnished by ornamented initials. Why?
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 Cantus (color scan)
#74766 - 8.27MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 73×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

⇒ 9 more: Cantus (monochrome) • Altus (color scan) • Altus (monochrome) • Tenor I (color scan) • Tenor I (monochrome) • Tenor II (color scan) • Tenor II (momochrome) • Bassus (color scan) • Bassus (monochrome)

 Cantus (monochrome)
#74767 - 1.47MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 85×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Altus (color scan)
#74768 - 10.27MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 68×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Altus (monochrome)
#74769 - 1.79MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 76×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Tenor I (color scan)
#74770 - 8.64MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 64×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Tenor I (monochrome)
#74771 - 1.61MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 75×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Tenor II (color scan)
#74772 - 8.27MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 62×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Tenor II (momochrome)
#74773 - 1.49MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 71×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Bassus (color scan)
#74774 - 7.52MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 61×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

 Bassus (monochrome)
#74775 - 1.32MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 69×⇩ - RTM

PDF scanned by RTM
RTM (2010/8/11)

Editor Carl Proske (1794-1861)
Publisher. Info. Selectus Novus Missarum (No.3)
Regensburg: Friedrich Pustet, 1856.
Copyright
Public Domain [tag/del/mrg]
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 Complete Score (EU)
#524358 - 1.44MB, 28 pp. -  0.0/10 2 4 6 8 10 (-) - C*/62*/V* - 182×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2018/5/20)

Editor Siegfried Hermelink (1914-1975)
Publisher. Info. Sämtliche Werke, neue Reihe, Band 6. Messen 24-29 (pp.41-68)
Kassel: Bärenreiter Verlag, 1966. Plate BA 3406.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

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Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del]
Misc. Notes 600 dpi. Page size is 18.9 x 27 centimeters. Also included in the Messen collection (No.26).
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General Information

Work Title Missa super Qual donna attende a gloriosa fama
Alternative. Title 5 vocum
Composer Lassus, Orlande de
Opus/Catalogue NumberOp./Cat. No. H. vi/43
I-Catalogue NumberI-Cat. No. IOL 176
Movements/SectionsMov'ts/Sec's 5 sections:
I. Kyrie
II. Gloria in excelsis Deo
III. Credo in unum Deum
IV. Sanctus
V. Agnus Dei
Year/Date of CompositionY/D of Comp. 1589 ca.
First Publication. 1589 in Patrocinium musices (Vol.8, No.3)
Librettist Liturgy
Language Latin (Kyrie: Greek)
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 voices (SATTB)
Related Works Parody on Qual donn' attend' à gloriosa fama by Cipriano de Rore’s madrigal.

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