Motets, Livre 1 (Campra, André)

This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.

Movements/SectionsMov'ts/Sec's	13
First Publication	1695 – Paris: Chr. Ballard
Genre Categories	Motets; For voice, continuo; For voices with continuo; Scores featuring the voice; Scores with basso continuo; For voice, 2 violins, continuo; For voices with solo instruments; Scores featuring the violin; For 2 voices, continuo; For 3 voices, continuo; French language; Latin language

1 Performances
- 1.1 Naxos
2 Sheet Music
- 2.1 Scores
  - 2.1.1 Complete
  - 2.1.2 Selections
3 General Information
4 Navigation etc.

Performances

Naxos

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Sheet Music

Scores

Complete

Complete Score
*#99404 - 19.96MB, 120 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 2110×⇩ - Feduol

PDF scanned by DK-Kk
Feduol (2011/4/18)

Complete Score
*#307160 - 8.98MB, 116 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 223×⇩ - Vangi

PDF scanned by Unknown
Vangi (2013/12/17)

Editor	Fourth edition
Publisher. Info.	Paris: Christophe Ballard, 1710.
Copyright	Public Domain [tag/del/mrg]
Misc. Notes	See also scan at F-TLm
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Complete Score
*#361935 - 9.15MB, 152 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1900×⇩ - Bameylan

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Bameylan (2015/1/20)

Editor	Bernard Meylan
Publisher. Info.	Orsonnens: Bernard Meylan
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	Reconstruction of the first edition of Christophe Ballard Quemadmodum desiderat (No.3): The flute part included in the score comes from the copy of André Danican Philidor, not from the Ballard edition.
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Selections

8 Motets à 2 et 3 voix
*#56856 - 14.29MB, 75 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 1351×⇩ - Bassani

PDF scanned by F-Pn
Bassani (2010/2/21)

Copyist	André Danican Philidor
Publisher. Info.	Versailles: André Danican Philidor, 1703-1706
Copyright	Public Domain [tag/del]
Misc. Notes	1. Laudate Dominum (f. 1) 2. Laudabit usque ad mortem (f. 7) 3. Diligam te Domine (f. 10 v°) 4. In Domino gaudebo (f. 14) 5. Tota pulchra es (f. 18 6. In te Domine spes unica mea (f. 21) 7. Dissipa Domine (f. 26 v°) 8. Quam dilecta (f. 31)
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1. Paratum core meum Deus
*#357142 - 0.34MB, 5 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 532×⇩ - Bameylan

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Bameylan (2014/12/20)

⇒ 5 more: 2. O sacrum convivium • 3. Quemadmodum desiderat • 4. Salve Regina, mater misericordiae • 5. Laudate Dominum in sanctu ejus • 6. Tota pulchra es amica mea

2. O sacrum convivium
*#357143 - 0.31MB, 4 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 368×⇩ - Bameylan

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Bameylan (2014/12/20)

3. Quemadmodum desiderat
*#174946 - 0.33MB, 9 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1707×⇩ - Bameylan

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Bameylan (2012/2/1)

4. Salve Regina, mater misericordiae
*#144953 - 0.24MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3099×⇩ - Bameylan

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Bameylan (2011/11/2)

5. Laudate Dominum in sanctu ejus
*#357986 - 0.36MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 342×⇩ - Bameylan

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Bameylan (2014/12/26)

6. Tota pulchra es amica mea
*#145810 - 0.31MB, 6 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1665×⇩ - Bameylan

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Bameylan (2011/11/4)

Editor	Bernard Meylan
Publisher. Info.	Bernard Meylan
Copyright	Creative Commons Attribution 4.0 [tag/del/mrg]
Misc. Notes	Quemadmodum desiderat (No.3): The flute part included in the score comes from the copy of André Danican Philidor, not from the Ballard edition.
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General Information

Work Title	Motets a I, II et III voix avec la Basse-Continue (Livre Premier)
Alternative. Title
Composer	Campra, André
I-Catalogue NumberI-Cat. No.	None [force assignment]
Movements/SectionsMov'ts/Sec's	14 motets: 1. Paratum core meum Deus 2. O sacrum convivium 3. Quemadmodum desiderat 4. Salve Regina, mater misericordiae 5. Laudate Dominum in sanctu ejus 6. Insere Domine pectori meo 7. Exurge, Domine, in adjutorium mihi 8. Laudabit usque ad mortem 9. Dioligam te Domine fortitudo mea 10. In Domino gaudebo 11. Tota pulchra es amica mea 12. In te Domino spes uncia mea 13. Dissipa, Domine 14. Quiam dilecta tabernacula tua
First Publication.	1695 – Paris: Chr. Ballard
Language	Latin
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	voices, strings (no violas), continuo voices — 2 dessus, haute-contre, taille, basse orchestra — strings (no violas), continuo 1. dessus, continuo 2. dessus, continuo 3. dessus, continuo 4. dessus, continuo 5. dessus, 2 violins, continuo 6. haute-contre, 2 violins, continuo 7. basse, 2 violins, continuo 8. 2 dessus, continuo 9. 2 dessus, continuo 10. dessus, basse, continuo 11. 2 dessus, continuo 12. haute-contre, taille, basse, continuo 13. dessus, haute-contre, basse, continuo 14. haute-contre, taille, basse, continuo
Manuscript Sources	Mss copies, 1732 (F-CHRai, Ms.39)