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for Musicche di Camera Libro Quarto, Op.4 (Valentini, Giovanni)

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{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP961829-VALENTINI_Musiche_di_camera_libro_quarto_1621.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Lorenzo|Girodo}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Girodo|Girodo]]
|Date Submitted=2019/11/19
|Publisher Information=Lorenzo Girodo, 2017
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Musicche di Camera Libro Quarto
|Alternative Title=
|Opus/Catalogue Number=Op.4
|Key=
|Movements Header=15 madrigals
|Number of Movements/Sections=15 madrigals:
#Lasso dove son (2 tenors, continuo)
#O Dio quel dolce, Romanesca (2 tenors, continuo)
#Silentio ò Fauni (2 tenors, continuo)
#Uscite ò gemiti (2 tenors, bass, continuo)
#Et ecco pur (2 tenors, violin (ad lib.), continuo)
#Qui venne al son le la sampogna, Pass'e mezzo con la sua gagliarda (soprano, 2 tenors, bass, continuo)
#Un dì soletto, Romanesca (soprano, 2 tenors, bass, continuo)
#Perché Filli, Ruggiero (soprano, 2 tenors, bass, violin (ad lib.), continuo)
#Non più guerra (soprano, alto, tenor, quinto (tenor clef), bass, continuo)
#Altra mercè giamai (soprano, sesto, alto, tenor, quinto (tenor clef), bass, continuo)
#E labra hà di rubino (soprano, sesto, alto, tenor, quinto (tenor clef), bass, continuo)
#Poiche rotte e distrutte (soprano, sesto, alto, tenor, quinto (tenor clef), bass, guitar, continuo)
#Bruna è Maria (soprano, sesto, alto, tenor, quinto (tenor clef), bass, continuo)
#De sacri carmi al mormorar dolente (soprano, sesto, alto, tenor, quinto (tenor clef), bass, guitar, continuo)
#Duo archi adopra (soprano, sesto, tenor, quinto (tenor clef), 2 violins, continuo)
|Average Duration=
|Dedication=alla Serenissima Arciduchessa d'Austria, Maria Madalena Gran Duchessa di Toscana
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1621
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=2-6 voices, 1-2 violins, chitarroni, continuo (see below, Comments)
|Tags=madrigals ; 2ten bc ; 2ten lute bc ; 2ten vn bc ; 2ten lute vn bc ; 2ten bass bc ; 2ten bass lute bc ; sop 2ten bass bc ; sop 2ten bass lute bc ; sop 2ten bass vn bc ; sop 2ten bass lute vn bc ; sop alt 2ten bass bc ; sop alt 2ten bass lute bc ; 6vv bc ; 6vv lute bc ; 6vv 2vn bc ; 6vv lute 2vn bc ; it

| *****COMMENTS***** =
The continuo part says "Basso Continuo e Chitarroni", which would indicate chitarrone in addition to another continuo instrument.  Also, "chitarroni" is plural.  However, in only nos. and 12 and 14 is there a separate line.  The rest could certainly be done with chitarrone as '''the''' continuo instrument, or another continuo instrument (e.g. harpsichord) as the only continuo instrument.


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