{{#fte:imslppage
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Full Scores
Version A
| Editor
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Fritz Oeser (1912-1982) [preface omitted]
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| Publisher. Info.
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Wiesbaden: Brucknerverlag, 1949. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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| Copyright
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| Misc. Notes
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600 dpi. Heavily marked. Needs to be cleaned for the score to be serviceable in performance and personal study. Editor's preface removed as under copyright in Canada. Public domain in USA due to fatal error in notice location.
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| Editor
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Aleksandr Goldenweiser (1875–1961)
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| Publisher. Info.
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Complete Collected Works (Полное собрание сочинений), vol.28
Moscow: Muzgiz, 1955. Plate M. 24321 Г.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
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| Copyright
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| Misc. Notes
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Original publisher info, plate numbers and footnotes omitted.
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Version B
| Editor
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Alexander Siloti (1863-1945)
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| Publisher. Info.
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Moscow: P. Jurgenson, n.d.(ca.1897). Plate 20899.
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| Copyright
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Parts
Version A
⇒ 11 more: Oboe 1, 2 • Clarinet 1, 2 (B♭/A) • Bassoon 1/2 • Horn 1, 2, 3, 4 (F) • Trumpet 1/2 (D) • Timpani • Violins I • Violins II • Violas • Cellos • Basses
| Editor
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Fritz Oeser (1912-1982)
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| Publisher. Info.
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Wiesbaden: Brucknerverlag, 1949. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Copyright
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| Misc. Notes
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600 dpi. Lightly marked. Handwritten engraving. Needs to be cleaned for the parts to be serviceable in performance and personal study.
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| Editor
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Fritz Oeser (1912-1982)
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| Publisher. Info.
|
Wiesbaden: Brucknerverlag, 1949. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
|
| Copyright
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| Misc. Notes
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600 dpi. Lightly marked. Printed engraving. Needs to be cleaned for the parts to be serviceable in performance and personal study.
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| Editor
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Jeff Manookian
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| Publisher. Info.
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Windsor Editions
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| Copyright
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| Misc. Notes
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1st movement insert goes between rehearsal numbers 15 and 16 of the Siloti Version (Version B)
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Version B
⇒ 11 more: Oboe 1, 2 • Clarinet 1, 2 (B♭, A) • Bassoon 1, 2 • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2 (D) • Timpani • Violins I • Violins II • Violas • Cellos • Basses
Arrangements and Transcriptions
Version A
For 2 Pianos, 4 hands (Tchaikovsky)
| Editor
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Aleksandr Goldenweiser (1875–1961)
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| Publisher. Info.
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Complete Collected Works (Полное собрание сочинений), vol.48А
Moscow: Muzgiz, 1954. Plate M. 24360 Г.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Reprinted
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Moscow: Muzgiz, 1957. Plate 26247 (offprint)
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Version B
For 2 Pianos, 4 hands (Tchaikovsky)
| Arranger
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[Composer]
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| Editor
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Alexander Siloti (1863-1945)
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| Publisher. Info.
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Moscow: P. Jurgenson, n.d.(1897). Plate 20901
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PDF scanned by Unknown
Peter (2010/2/25)
| *****WORK INFO*****
|Work Title=Piano Concerto No.2, Op.44
|Alternative Title=
|Opus/Catalogue Number=Op.44 ; TH 60
|Key=G major
|Movements Header=3 movements
|Number of Movements/Sections=A 3 movements:
- Allegro brillante e molto vivace (G major, 668 bars)
- Andante non troppo (D major, 332 bars)
- Allegro con fuoco (G major, 560 bars)
B 3 movements:
- Allegro brillante (G major, 515 bars)
- Andante non troppo (D major, 141 bars)
- Allegro con fuoco (G major, 560 bars)
|Dedication=Nikolay Rubinstein (1835–1881)
|Average Duration=A 47 minutes ; B 40 minutes
|Year/Date of Composition=1879–80 A ; 1897 B (revised by Alexander Siloti)
|Year of First Publication=1880-81
A — Moscow:
P. Jurgenson
- Full score. Plate 4053, 181 pages (1881)
2 piano arr. Plate 4055, 95 pages (1880).
1897
B — Moscow:
P. Jurgenson
- Full score. Plate 20899, 155 pages.
2 piano arr. Plate 20901, 86 pages.
|First Performance=1881-11-12 A in New York, Academy of Music
- Madeline Schiller (piano), New York Philharomic, Theodore Thomas (conductor)
|Librettist=
|Language=
|Piece Style=Romantic
|Extra Information=Also arranged for 2 pianos by Tchaikovsky, 1880.
For many years this concerto was known mainly in version B, prepared by Siloti after Tchaikovsky's death.
|External Links=Tchaikovsky Research
Wikipedia article
|Instrumentation=piano, orchestra {{More}
- Concertante
- piano solo
- Orchestra
- 2 flutes, 2 oboes, 2 clarinets (B♭, A), 2 bassoons
4 horns (F), 2 trumpets (D), timpani, strings </div>
|Tags=concertos ; pf orch
| *****COMMENTS***** =
| *****END OF TEMPLATE***** }}
