Präludien-Album für Orgel oder Harmonium (Bungart, Heinrich)

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Movements/SectionsMov'ts/Sec's 286

Sheet Music

Scores

 Complete Score
#288773 - 7.46MB, 180 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 5765×⇩ - Rob Peters

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#288774 - 0.60MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 741×⇩ - Rob Peters

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Publisher. Info. Cologne: P. J. Tonger, n.d. Plate 3036
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Präludien-Album für Orgel oder Harmonium
Alternative. Title Eine Auswahl von Vor-, Zwischen- und Nachspielen allen Dur- und Molltonarten
Composer Bungart, Heinrich
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 286
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Organ or Harmonium

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This collection contains 286 short pieces by different composers:

  1. Johann Georg Albrechtsberger (36, 72, 112)
  2. Bach, J. S. (62)
  3. Brähmig (68)
  4. Eberlin (111, 112)
  5. Fischer, M. G. (48, 56, 136, 157)
  6. Frech, J. G. (34)
  7. Friese, Th. (5, 100, 141)
  8. Führer, R. (70)
  9. Gebhardi (66)
  10. Händel, G. F. (7, 47, 62, 96, 113)
  11. Haydn, M. (138, 139)
  12. Hesse, A. (12, 14, 22, 39, 45, 82, 84, 86, 151, 156)
  13. Kittel, J. C. (66, 101, 140)
  14. Klauer, F. G. (139)
  15. Knecht (28, 58, 163)
  16. Kühmstedt, F. (20)
  17. Löwe, C. (130, 140)
  18. Meister, J. C. (32)
  19. Mühling, A. (4, 55, 64, 88, 96, 97, 100)
  20. Müller, A. F. (154)
  21. Pearsall, L. (96, 121)
  22. Post, C. H. (14, 46, 64, 69, 78, 100, 130, 154)
  23. Rembt, J. E. (120)
  24. Rinck, Ch. H. (6, 7, 9, 18, 24, 29, 36, 54, 59, 65, 70, 71, 76, 83, 89, 94, 103, 113, 114, 122, 133, 134, 135, 142, 144, 154, 155, 158, 159, 160, 166, 170)
  25. Sattler, C. (150)
  26. Sauerbrey (5)
  27. Schneider, F. (4, 122)
  28. Sechter, S. (44, 69)
  29. Töpel, C. F. (38)
  30. Töpfer J. G. (43)
  31. Vierling, G. (21, 32, 132)
  32. Vogler, (21, 127)
  33. Wedemann, W. (22, 28, 43, 63, 76, 11, 129)
  34. Zöllner, C. H. (46, 104)

The remainder of the pieces are probably composed by Bungart himself, though at least one of the unattributed pieces is by Rinck (from his Op. 37, see there).

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