Romeo and Juliet (duet), TH 215 (Tchaikovsky, Pyotr)

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Ambox notice.pngFor the earlier overture-fantasia on the same subject, see Romeo and Juliet (overture-fantasia).


Contents

Performances

Sheet Music

Arrangements and Transcriptions

For Soprano, Tenor and Orchestra (Taneyev)

PDF scanned by P.davydov
P.davydov (2008/7/13)

Arranger Sergey Taneyev (1856–1915)
Editor Ivan Shishov (1888–1947)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.62
Moscow: Muzgiz, 1948. Plate M. 19604 Г.


Reprint - New York: Edwin F. Kalmus, n.d. (ca.1970). Kalmus Orchestral Series No.589

Copyright
Misc. Notes Original publisher info and plate numbers omitted in reprint


Text and footnotes in Russian (Cyrillic).

URTEXT EDITION 

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For Soprano, Tenor and Piano (Taneyev)

PDF scanned by P.davydov
P.davydov (2008/7/13)

Arranger Sergey Taneyev (1856–1915)
Editor Ivan Shishov (1888–1947)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.62
Moscow: Muzgiz, 1948. Plate M. 19604 Г.


Reprint - New York: Edwin F. Kalmus, n.d. (ca.1970). Kalmus Orchestral Series No.589

Copyright
Misc. Notes Original publisher info and plate numbers omitted in reprint


Text and footnotes in Russian (Cyrillic).

URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information

Work Title Romeo and Juliet
Alternative. Title Ромео и Джульетта
Composer Tchaikovsky, Pyotr
Opus/Catalogue NumberOp./Cat. No. TH 215
I-Catalogue NumberI-Cat. No. IPT 101
Movements/SectionsMov'ts/Sec's Andante non tanto quasi Moderato—Andante—Allegro giusto (277 bars)
Year/Date of CompositionY/D of Comp. 1878–81? (unfinished) ; completed by Sergey Taneyev, 1894
First Performance. 1894-10 - St. Petersburg: Julius Bleichmann (conductor)
First Publication. 1895 - Moscow: P. Jurgenson, 1895. Full score (ed. Sergey Taneyev), 51 pages. Plate 802-a
Librettist Aleksandr Sokolovsky (1837–1915), after William Shakespeare (1564–1616)
Language Russian
Average DurationAvg. Duration 13 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: Juliet (Джульетта) — soprano; Romeo (Ромео) — tenor
Orchestra: 2 flutes, 2 oboes, English horn, 2 clarinets (A), 2 bassoons + 4 horns (F) + harp, strings
Related Works See also the earlier overture-fantasia, whose themes were used in the duet
External Links Tchaikovsky Research
Extra Information Tchaikovsky considered writing an opera on the subject of Romeo and Juliet between 1878 and 1881. Sketches for a duet scene, partly based on themes from the overture-fantasia, were found after the composer's death, and subsequently completed by Sergey Taneyev.