Search results

...ected by copyright and can be freely used for any purpose. Which works are in the public domain varies from country to country. This page explains (in general terms) which items are in the public domain in certain countries. Please note that this informational guide does not cover

|Misc. Notes=recorded in June 2018 at St. Paul's Hall, Huddersfield University: Peter Hill, sound en ...the final published version was reached, offhand- still, that "449" on the first page is interesting, especially since this is not a copy made for Simrock..

|Misc. Notes=Recorded Feb 2018 in St. Paul's Hall, Huddersfield University (Peter Hill, sound engineer) |Misc. Notes=Recorded live in Bergen, Norway, 11/2008

|Misc. Notes=Source: {{IArch|lp_violin-concerto-in-d-op-61_ludwig-van-beethoven-yehudi-menuhin-otto-k}} |Misc. Notes=Source: {{IArch|lp_violin-concerto-in-d-op-61_yehudi-menuhin-philharmonia-orchestra-wilh}}

|Publisher Information={{Liszt-Stiftung|II|8|1924|56|x, 10}} |Publisher Information={{Liszt-Stiftung|II|8|1924|56}}

|Misc. Notes=Played on an Erard in 2003. |Misc. Notes=Recorded June 2016 in St. Paul's Hall, Huddersfield University (Peter Hill, sound engineer)

...tor={{LinkEd|Karl|Klindworth|1830|1916}}<br>{{LinkEd|Xaver|Scharwenka|1850|1924}} ...ce for Band I see [[Mazurka in A minor, B.134 (Chopin, Frédéric)|Mazurka in A minor, B.134]].

...tes={{HiRes}}<br>Full BNF resolution compressed to 80% jpgs. (Possibly the first edition, possibly the second. NIFC gives December 1837 for Schlesinger and ...tor={{LinkEd|Karl|Klindworth|1830|1916}}<br>{{LinkEd|Xaver|Scharwenka|1850|1924}}

|Misc. Notes=This autograph copy served as the model for the German first edition. This manuscript does contain several errors that Chopin failed to .... Notes={{HiRes}}<br>Full BNF resolution compressed to 80% jpgs. Published in November 1846, see Chopin Institute link.

|Misc. Notes=Recorded 2015 in St. Paul's Hall, Huddersfield University (Peter Hill, sound engineer) ...i version as well), original page and bordersize. Title pages can be found in [[Grande Valse Brillante, Op.18 (Chopin, Frederic)|Grande Valse Brillante,

|Misc. Notes=Recorded Feb 2018 in St. Paul's Hall, Huddersfield University (Peter Hill, sound engineer) ... Notes=Source: {{plain|https://archive.org/details/lp_funeral-march-sonata-in-b-flat-minor-opus_arthur-rubinstein-frdric-chopin|Internet Archive}}

...of the Military Band part (score and instrumental parts) is available. See in ''Arrangements and Transcriptions.'' ...tra". Sections taken from the original 1902 version (except ''The Queen'', published 1911).<br>I. Crown the King<br>II a. The Queen<br>IV a. Hark upon the hallo

|Misc. Notes=Recorded June 2017 in St. Paul's Hall, Huddersfield University (Peter Hill, sound engineer) |Publisher Information={{Liszt-Stiftung|II|8|1924|58|33-46}}

|Misc. Notes={{HiRes}}<br>Full BNF resolution compressed to 80% jpgs. Published December 1841. ...tor={{LinkEd|Karl|Klindworth|1830|1916}}<br>{{LinkEd|Xaver|Scharwenka|1850|1924}}

...anned at 600dpi<br>filter: score filtered with 2-point algorithm explained in [[High Quality Scanning|High Quality Scanning]]<br>You may ask me for a man ...tor={{LinkEd|Karl|Klindworth|1830|1916}}<br>{{LinkEd|Xaver|Scharwenka|1850|1924}}

...es=This autograph copy served as the model for the first edition to appear in Germany (the second edition). (Question- did it also serve as a model for ... composer's correspondence testify that his Berceuse and (3rd) sonata were published by the time a particular letter was written.)<br>#851157: {{SubmissionProje

...hopin.nifc.pl First Editions}} has 1835 but the same months (IX-X 1835) as in Hofmeister (Sept.-Oct. 1834), suggesting that they were perhaps taken direc ...{LinkEd|Karl|Klindworth}} (1830-1916)<br>{{LinkEd|Xaver|Scharwenka}} (1850-1924)

...tor={{LinkEd|Karl|Klindworth|1830|1916}}<br>{{LinkEd|Xaver|Scharwenka|1850|1924}} |Publisher Information={{ChopinPaderewskiPWM|XVIII: Minor Works|1725|1955}} (1974 reissue)

...tor={{LinkEd|Karl|Klindworth|1830|1916}}<br>{{LinkEd|Xaver|Scharwenka|1850|1924}} ...Works). The newest version is published in 2002. This version is published in 1992.

...r={{LinkEd|Alfred|Dörffel|1821|1905}}<br>{{LinkEd|Richard|Schmidt|1839|ca.1924}} |Editor={{LinkEd|Gabriel|Fauré|1845|1924}}

...ding was already over 50 years old at the time of first publication, it is in the public domain. |Misc. Notes=Contains the complete autograph fragment in Mozart's handwriting (combined from the Ablieferungspartitur and the Arbeit

|Publisher Information={{AmazonLinks|B0000CG94Q|''Robert Schumann Piano Works''}}<br>Delphian Records/Peter Bradley-Fulgoni |Misc. Notes={{MIT project}}<br> Original MIT file in .djvu format: this .pdf of same from an unknown source.

|Misc. Notes=Noted in the January, 1851 issue so possibly issued late in 1850. |Editor={{LinkEd|Alexis|Hollaender|1840|1924}}, explanatory remarks

...sue with someone else? (His piano trio in C, Op.53 has plate 9362, and was published 1928/composed 1926 according to Dutch Library- so perhaps indeed this is a |Year of First Publication=1928* or later

|Misc. Notes=Recorded 2015 in St. Paul's Hall, Huddersfield University.<br>(Peter Hill, sound engineer) |File Description 1=In fernem Land

|Misc. Notes=Fingerings in regular font (editorial) have been removed. |Arranger={{LinkArr|Xaver|Scharwenka|1850|1924}}

...g's successor Eugène Cools, (director 1927-1936) sought out French talent in musical comedy: Hirchmann, Berthomieu, Gavel, Coullon,and Renieu. The firm then specialized in contemporary French composers such as Satie, Koechlin, Tournemire, Ravel, M

== Works with Opus Number == *'''Op.1''' - {{LinkWorkN|Piano Quintet No.1 in C minor|Op.1|Dohnányi|Ernő|0}} (1895)

|Publisher Information={{P|Edition Peters||Leipzig|{{HMB|1924|35}}|1924||10337}} |Year of First Publication=1878, 1889 {{Version|B}} — Moscow: [[P. Jurgenson]]. {{More}}

==Works with Opus Number== *'''Op.1''' - Concert Overture in E{{flat}} major (1898). Incomplete holograph score at Yale.

...er S. Fischer joined the firm in the 1890s. From 1926 the headquarters was in Cooper Square, Manhattan. From 1945 to 1980 works by Howard Hanson, Norman Dello Joio, Lukas Foss, Peter Mennin, Douglas Moor

|Misc. Notes=Extract from the Complete Collected Works volume containing the whole opera ...|Hans|Schmidt|1854|1923}}, German text<br>{{LinkTr|Gustave|Jorissenne|1868|1924}} as J. Sergennois, French text

...Ludwig Van Beethoven (Opp. 19-22; 39-42). Kühnel continued publishing new works, adding those of composers, Daniel Gottlob Türk, Tomasek, and Louis Spohr, ...855), who published many works of J. S. Bach after the revival of interest in his work with the assistance of Carl Czerny, Siegfried Dehn, F. C. Griepenk

|Editor={{LinkEd|Karl Heinz|Füssl|1924|1992}}<br>{{LinkEd|Wolfgang|Plath|1930|1995}}<br>{{LinkEd|Wolfgang|Rehm|192 |Year of First Publication=1792 {{EN}} Vienna: Artaria (finale only. See NMA report, page

|File Description 1=15. Waltz in {{K|A}} |File Description 1=3. Waltz in {{K|g#}}

|Publisher Information=''Bach/Glenn Gould: The art of the Fugue'', v.1 (First half)<br>{{RC||Columbia Masterworks|||1962||MS 6338}} ...urce: {{plain|https://archive.org/details/lp_the-art-of-the-fugue-volume-1-first-half-f_johann-sebastian-bach-glenn-gould|Internet Archive}}

|File Description 5=Puer natus in Bethlehem, BWV 603 |File Description 10=In dulci jubilo, BWV 608

...S [[Media:PV-Schubert-D.797_Nos_1,3a,5,_Entr'actes_MS.jpg|above]], located in the bottom-left corner. |Misc. Notes=The Peters medium voice edition prints this song in the original (high) key.<br>(#45369) Scanned at 600dpi, cleaned with [[High

|Misc. Notes=Entr'acte in the hand of Guiraud. |Misc. Notes=Typeset in MuseScore to faithfully match Auguste Bazille's arrangement on IMSLP #02610

|Misc. Notes=Recorded November 22, 1958 in Chicago. |Misc. Notes=The overture was published by Ricordi, whilst the uploader believes the rest of the opera to be by a F

|Translator={{LinkTr|Gustave|Jorissenne|1868|1924}} as J. Sergennois |Year of First Publication=1866

|Publisher Information={{P|Carl Fischer||New York||1924||CC23003-12}} |Misc. Notes=Published as Mutopia-2018/12/07-2236. Annotated extensively.<br> Subtitled "Thirteen

|Misc. Notes=These parts were prepared and used (except for percussion) in Festa Italiana 2014, Seattle. |Arranger={{LinkArr|Ercole|Pinzarrone|1826|1924}}, piano reduction

...where on page.). The Durand plate number changed to D.& F. 2639 (1) to (3) in later reprints. ...te from Teller-Ratner, ''Camille Saint-Saëns, 1835-1921: The instrumental works'', page 111. "Piano duet: Paris, Durand, pl. nos. 2640(1-3), January 1880".

...eserve their own page, as we often do with orchestral suites from dramatic works (ballets, operas, ...) instead of trying to shoehorn them into "selections/ |File Description 11=Solo Violin (Berceuse, in place of voice)

...commentary have been removed. Items listed in the frontmatter not included in the file have been made grey or removed. |Editor={{LinkEd|Hermann|Kretzschmar|1848|1924}}

|Publisher Information=Recorded in 1964 at Theatro Municipal de São Paulo. |Editor={{LinkEd|Ferruccio|Busoni}} (1866–1924)

... Maria'' and set to the traditional text.<br>Harp may substitute for piano in this edition. |Arranger={{LinkArr|Martin Pierre|Marsick|1847|1924}}

* Ave Maria in C major (1899) (autograph at Biblioteca di Archeologia e Storia dell'Arte, * String Quartet in F Op.8 (Enoch, pub.1901) (BNF has this score)

...ctually by the Russian composer Vladimir Vavilov (1925-73) and copyrighted in Canada, the EU, and the US. * Piano Trio, Op.5 (held by a library in Chile, by RCM London, UDK Berlin, and elsewhere?)