| pno-2 | This user is an intermediate pianist. |
| hpd-2 | This user is an intermediate harpsichordist. |
I received my BSc (Honours Math) and MSc from Carleton University in Ottawa and my PhD in Mathematics from the University of British Columbia where I studied the theory of knots and Alexander invariants of links. From my graduation in 1977 until 1985 I taught in the Mathematics Department at the University of British Columbia and at International College in Vancouver. I joined the faculty at the College of the Rockies in 1985 where I have taught Mathematics, Computer Science, Physics, and Astronomy. Each spring I tour the province for Scientists and Innovators in the Schools giving Mathematics and Science presentations to school children. I became a member of the Education Council at the College of the Rockies in 2001 and have been its chair since 2004. I was vice chair of the British Columbia Committee on the Undergraduate Program in Mathematics and Statistics (BCcupms, the mathematics articulation committee) from 2003--2008 and have been its chair since 2008.
In my spare time, I try to understand the transition from Romanesque to Gothic architecture. In France and in 2008 my wife, daughter and I did a bicycle tour of Romanesque churches in Burgundy and in 2012 we did a similar tour in Catalonia. I am also very active in music. I have studied piano with Cecilia Ignatieff, classical guitar with Michael Strutt, voice with Winona Denys, and renaissance lute with Victor Coelho. For many years I was harpsichordist with the Vancouver Baroque Ensemble. I was assistant editor of the Journal of the Lute Society of America where my article Regular Meantone Temperaments Applied to Francesco da Milano appeared. My current project is to edit all the extant music of the French piano virtuoso and composer Henri Bertini (1798--1876).
James Bailey 15:47, 3 October 2012 (EDT)
I intend to have a page containing Bertini's works arranged by opus number similar to List of works by Hector Berlioz. This list is based on the one in [Wikipedia] which in turn was based on Beyls, Pascal (1999). ["Henri Bertini, pianiste virtuose, compositeur de musique"] (in French). Grenoble.
I would like to use this list to compile a catalogue of extant copies of early editions of Bertini's works. Pascal Beyls has located
Needs proof reading!!
| Op | Title | Dedication | Publisher, Plate No. | Year | Pages | Location |
|---|---|---|---|---|---|---|
| Introduction and variations upon the air of Gondrillon | London | ca.1815 | British Library, g 272 m (10) | |||
| Celebrated Irish melody as sung in the opera of Guy Mannering with variations and an introduction for the piano forte | D'Almaine | 1818 | 7 | British Library, h 551 (21) | ||
| Third divertimento for the piano forte | Chapell | 1818 | 11 | British Library, h 551 (20) | ||
| Air with seven variations for the piano forte | Mlle Broes | Hummel, 1536 | MFS | |||
| Polacca composed pour the piano forte | Depot central de la librairie, XXVI | 9 | CMP, Ac.P. 1066 | |||
| Encor un petit rien. Andante pour piano forte | Mlle Thompson | Lemoine, 799 | 1822 | 6 | CPV | |
| 11. | Quatrième Divertissement pour le piano forte | son frere | Richault, 1961 | 18 | BMG, Vh 150 | |
| 12. | Rondeau polonaise pour le piano forte | |||||
| 15. | Rondo pastoral pour le piano | |||||
| 16. | Fantaisie pour piano sur l'air Au clair de la lune | |||||
| 17. | Fantaisie pour piano forte sur le trio des deux jaloux, Ta Fanchette est charmante | |||||
| 18. | Air allemande, varié pour le piano forte et précédé d'une introduction | |||||
| 20. | Trio pour piano, violon, et basse, no 1 | |||||
| 21. | Trio pour piano, violon, et basse, no 2 | |||||
| 22. | Trio pour piano, violon, et basse, no 3 | |||||
| 23. | Rondo brillant pour piano | |||||
| 24. | Grand Quatuor pour piano forte, harpe, violon et violoncelle | |||||
| 25. | Première Sérénade pour piano, violon, alto, et violoncelle | |||||
| 26. | Rondo brillant pour piano | |||||
| 27. | Variations pour le forte-piano sur la Romance : Si tu voulais | |||||
| 28. | Air allemand avec introduction varié pour la harpe | |||||
| 29. | Vingt-cinq Études pour piano, 1er livre. Introduction à celles de Cramer | |||||
| 30. | Deux Caprices pour le piano-forte | |||||
| 31. | Deuxième Sérénade pour piano, violon, alto et violoncelle | |||||
| 32. | Vingt-cinq Etudes pour piano, 2ème livre. Introduction à celles de Cramer | |||||
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