| (5) |
1725-26 |
Harmonischer Gottes-Dienst |
Voice, Instr, Bc |
Collection of Cantatas; cf. (23)
|
| (6) |
1726 |
Sonates sans basse |
2 Fl or 2 Vl |
"op. 2"; cf. (59)
|
| (7) |
1726-27 |
Auszug derjenigen ... Arien [published by Kißner, Hamburg]
|
| (8) |
1727 or 1728 |
Lustige Arien aus ... Adelheid |
|
2d edition 1733
|
| (9) |
1728 |
Pimpinone
|
| (10) |
1728 |
Sonate metodiche ... Opera XIII |
Vl or Fl, Bc |
cf. (24)
|
| (11) |
1728 |
Sept fois sept et un Menuet |
Instr, Bc; or Cemb |
cf. (15)
|
| (12) |
1728 |
Musique héroique
|
| (13) |
1728-29 |
Der getreue Music-Meister |
various |
Journal with 25 numbers
|
| (14) |
1730 |
Fast allgemeines ... Lieder-Buch
|
| (15) |
1730 |
Zweytes Sieben mal Sieben |
|
cf. (11)
|
| (16) |
1730 |
Ouvertüre und Suite
|
| (17) |
1730 |
Quadri |
Fl, Vl, VaGb or Vc, Bc |
cf. (43), (60)
|
| (18) |
1730 or 1731 |
Neue Sonatinen |
|
cf. (4)
|
| (19) |
1731 |
Zwo geistliche Cantaten
|
| (20) |
1731 |
Sechs Cantaten
|
| (21) |
1731 |
XX Kleine Fugen
|
| (22) |
1731 |
III Trietti methodici
|
| (23) |
1731-32 |
Fortsetzung des Harm. Gottes-Dienstes |
|
cf. (5)
|
| (24) |
1732 |
Continuation des Sonates methodiques |
Fl or Vl, Bc |
cf. (10)
|
| (25) |
1732 or 1733 |
12 Fantaisies à Travers. sans Basse |
Fl
|
| (26) |
1732-33 |
Fantaisies pour le clavessin, 3 Douzaines |
Cemb
|
| (27) |
1733 |
Musique de table |
various
|
| (28) |
1733 |
Six Quatuors ou Trios
|
| (29) |
1733-34 |
Singe-, Spiel- und General-Bass-Übungen |
Voice, realized Bc |
48 songs with theoretical explanations about continuo realization
|
| (30) |
1734 |
XII Solos |
Vl or Fl, Bc
|
| (31) |
1734 |
Six Concerts et six Suites
|
| (32) |
1734 |
Scherzi melodichi
|
| (33) |
1734 or 1735 |
Lustiger Mischmasch
|
| (34) |
1735 |
Fugirende und verändernde Choräle
|
| (35) |
1735 |
Fantasie per il Violino |
Vl
|
| (36) |
1735 |
Sonates Corellisantes
|
| (37) |
1735 or 1736 |
12 Fantasies à Basse de Viole |
VaGb |
lost
|
| (38) |
1735 or 1736 |
VI moralische Cantaten
|
| (39) |
1735 or 1736 |
Canones à 2, 3, 4
|
| (40) |
1735 or 1736 |
Duos à Travers. et Violoncello
|
| (41) |
1736 |
Six Ouvertures
|
| (42) |
1736 or 1737 |
6 moralische Kantaten
|
| (43) |
1738 |
Nouveaux Quatuors [published in Paris; cf. (17)]
|
| (44) |
1738 |
XIIX Canons Mélodieux |
2 Fl or 2 Vl |
= 6 sonatas in 3 movements; "op. 5"; published in Paris
|
| (45) |
1738 or 1739 |
Fugues légères
|
| (46) |
1738 or 1739 |
6 Symphonies
|
| (47) |
1739 or 1740 |
Essercizii musici |
Rec/Fl/Ob/Vl/VlGb/Cemb, Bc |
12 Sonatas for 1 Instr, Bc + 12 Sonatas for 2 Instr, Bc
|
| (48) |
1741 |
Vier und zwanzig theils ernsthafte, theils scherzende Oden |
Hamburg, Christian Herold
|
| (49) |
1744 |
Musicalisches Lob Gottes |
Nürnberg, Balthasar Schmid
|
| (50) |
between 1745 and 1749 |
Music vom Leiden und Sterben des Welterlösers [Johannespassion 1745] |
Nürnberg, Balthasar Schmid
|
| (51) |
before 1750 |
VI Ouverturen nebst zween Folgesätzen |
Nürnberg, Balthasar Schmid |
Cemb
|
| (52) |
1748 |
[several Cantatas] |
Hermsdorff, Chr. Heinrich Lau
|
| (53) |
1757 |
De danske, norske og tydske undersaatters glaede |
Hamburg, Schönemann
|
| (54) |
? |
Musicalisch-Choreographisches Hochzeit-Divertissement |
?
|
| (55) |
1765 |
Symphonie zur Serenate auf die erste 100jährige Jubelfeier |
Hamburg, Bock
|
| 40 : 1 |
Sonata |
VlGb solo |
»Lektion 15-16« from »Der getreue Music-Meister« (1728-1729)
|
| 40 : 2-13 |
12 Fantasias |
Fl solo |
(1732/1733) A, a, b, B-flat, C, d, D, e, E, f-sharp, G, g |
only Nos. 2, 10, 11 in IMSLP
|
| [[40 : 101-106 |
6 Sonatas |
2 Fl or Vl |
D, ... |
in IMSLP only No. 1, transposed to F for 2 Rec
|
| 40 : 107 |
Sonata |
B-flat for 2 Rec / G for 2 Fl or Vl / A for 2 VlGb |
»Lektion 3-5« from »Der getreue Music-Meister« (1728-1729)
|
| 40 : 111 |
Sonata |
B-flat for Rec, Vl / G Fl, Vl (Vla pomp) / A for 2 VlGb |
»Lektion 1-2« from »Der getreue Music-Meister« (1728-1729)
|
| 40 : 118-123 |
6 Canon-Sonatas |
2 Fl or Vl |
(1738) G, g, D, d, A, a
|
| 41 : C 2 |
Sonata |
Rec, Bc |
»Lektion 19-20« from »Der getreue Music-Meister« (1728-1729)
|
| 41 : c 1 |
Suite |
Ob (Fl, Vl, Cemb obbl), Bc |
No. III from »Kleine Cammer-Music« (1716/1728)
|
| 41 : Es 1 |
Suite |
Ob (Fl, Vl, Cemb obbl), Bc |
No. VI from »Kleine Cammer-Music« (1716/1728)
|
| 41 : e |
Suite |
Ob (Fl, Vl, Cemb obbl), Bc |
No. V from »Kleine Cammer-Music« (1716/1728)
|
| 41 : F 2 |
Sonata |
Rec, Bc |
»Lektion 1-2« from »Der getreue Music-Meister« (1728-1729)
|
| 41 : F 4 |
Sonata |
Vl, Bc |
Solo I from »Essercizii Musici« (1739/40)
|
| 41 : f 1 |
Sonata |
Bsn (Rec), Bc |
»Lektion 11-14« from »Der getreue Music-Meister« (1728-1729)
|
| 41 : G 2 |
Suite |
Ob (Fl, Vl, Cemb obbl), Bc |
No. II from »Kleine Cammer-Music« (1716/1728)
|
| 41 : G 6 |
Sonata |
VlGb, Bc |
»Lektion 24-25« from »Der getreue Music-Meister« (1728-1729)
|
| 41 : g 2 |
Suite |
Ob (Fl, Vl, Cemb obbl), Bc |
No. IV from »Kleine Cammer-Music« (1716/1728)
|
| 41 : A 6 |
Sonata |
Vl, Bc |
Solo VII from »Essercizii Musici« (1739/40)
|
| 41 : a 3 |
Sonata |
Ob, Bc |
»Lektion 17-18« from »Der getreue Music-Meister« (1728-1729) |
only transcription for Ob, Guit in IMSLP
|
| 41 : B 1 |
Suite |
Ob (Fl, Vl, Cemb obbl), Bc |
No. I from »Kleine Cammer-Music« (1716/1728)
|