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Contents
- 1 Cabanilles, Juan Bautista (1644–1712)
- 2 Caplet, André (1878–1925)
- 3 Cervantes, Ignacio (1847–1905)
- 4 Carafa, Michele (1787–1872)
- 5 Casella, Alfredo (1883–1947)
- 6 Charpentier, Marc-Antoine (1643–1704)
- 7 Chausson, Ernest (1855–1899)
- 8 Chopin, Frederic (1810–1849)
- 9 Cilea, Francesco (1866–1950)
- 10 Cimarosa, Domenico (1749–1801)
- 11 Claussmann, Aloÿs (1850–1926)
- 12 Clemens non Papa, Jacobus (ca.1510 — by 1556)
- 13 Clementi, Muzio (1752–1832)
- 14 Coleridge-Taylor, Samuel (1875–1912)
- 15 Corelli, Arcangelo (1653–1713)
- 16 Corrette, Michel (1709–1795)
- 17 Couperin, François (1668–1733)
- 18 Couperin, Louis (1626–1661)
- 19 Cramer, Johann Baptist (1771–1858)
- 20 Crawford Seeger, Ruth (1901–1953)
- 21 Crusell, Bernhard Henrik (1775–1838)
- 22 Cui, César Antonovich (1835–1918)
- 23 Czerny, Carl (1791–1857)
- 24 Damaré, Eugene (1840–1919)
- 25 Dannreuter, Edward
- 26 Danzi, Franz (1763–1826)
- 27 Daquin, Louis-Claude (1694–1772)
- 28 Debussy, Claude (1862–1918)
- 29 Delibes, Léo (1836–1891)
- 30 Delius, Frederick (1862–1934)
- 31 Demessieux, Jeanne (1921–1968)
- 32 Dienel, Otto (1839–1905)
- 33 Distler, Hugo (1908–1942)
- 34 Dittersdorf, Carl Ditters von (1739–1799)
- 35 Dohnányi, Ernő (1877–1960)
- 36 Donizetti, Gaetano (1797–1848)
- 37 Draeseke, Felix (1835–1913)
- 38 Driffill, William Ralph (1870–1922)
- 39 Drigo, Riccardo (1846–1930)
- 40 Drouët, Louis François Philippe (1792–1873)
- 41 Dukas, Paul (1865–1935)
- 42 Dussek, Jan Ladislav (1760–1812)
- 43 Dvořák, Antonín (1841–1904)
- 44 Eisler, Hanns (1898–1962)
- 45 Elgar, Edward (1857–1934)
- 46 Enescu, George (1881–1955)
- 47 Ewald, Victor (1860–1935)
- 48 Eyken, Jan Albert van (1823–1868)
- 49 Fährmann, Hans (1860–1940)
- 50 Falla, Manuel de (1876–1946)
- 51 Farrenc, Louise (1804–1875)
- 52 Fibich, Zdeněk (1850–1900)
- 53 Fischer, J. C. F. (1665–1746)
- 54 Flügel, Gustav (1812–1900)
- 55 Forchhammer, Theophil (1847–1923)
- 56 Foulds, John (1880–1939)
- 57 Fowler-Judd, Alice (1873–1940)
- 58 Franck, César (1822–1890)
- 59 Franck, Richard (1858–1938)
- 60 Freitas Branco, Luís de (1890–1955)
- 61 Frescobaldi, Girolamo (1583–1643)
- 62 Fuchs, Robert (1847–1927)
- 63 Fumagalli, Adolfo (1828–1856)
- 64 Fürstenau, Anton Bernhard (1792–1852)
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- All organ works
- Corrente Italiana
These works under copyright worldwide:
- Quintet for Winds and Piano (pub. 1996)
- La belle au bois dormant (Sleeping Beauty) (1825)
- Nove Pezzi per piano, op. 24
- Siciliana e burlesca, op. 23, (version for violin, cello and piano)
- Sicilienne et burlesque for flute and piano
- Barcarola et scherzo for flute and piano
- Symphony No. 2 in C minor, Op. 12 (1908-9), full score
- Messe de Minuit pour Noel, score and parts
- Te Deum (Full Score), Choir and Organ
- Les Art Florissants (Full Score)
- Missa Assumpta Est Maria, H. 11
- 1889 Incidental music Les oiseaux, incidental music for Aristophanes' The Birds, for flute and harp
- 1879 Voice/Orchestra La veuve du roi basque, ballad to words by L. Brethous-Lafargue
- 1879-80 Voice/Orchestra Hylas, to words by Leconte de Lisle
- 1880 Voice/Orchestra Esméralda, to words by Victor Hugo
- 1881 Voice/Orchestra Hymne à la nature, to words by A. Silvestre
- 1881 Voice/Orchestra L'arabe, cantata
- 1881 Chamber Andante and Allegro for clarinet and piano
- 1878 Piano Sonatinas for piano four hands 1.No. 1 in G minor
2.No. 2 in D minor
- 1884 Piano Marche militaire for piano
- 1879 Keyboard O salutaris in B for organ, piano, or harp
- 1877 Voice/Piano Lilas, to words by Bouchor
- 1878 Voice/Piano Le petit sentier, to words by Bouchor
- 1879 Voice/Piano L'albatrois, to words by Charles Baudelaire
- 1879 Voice/Piano Le rideau de ma voisine, to words by Alfred de Musset
- 1882 Voice/Piano Nous nous aimerons, to words by anon.
- 1884 Voice/Piano Le mort maudit, to words by J. Richepin
- 1886 Voice/Piano Epithalame, to words by Bouchor
- 1891 Voice Tantum ergo for voice, organ, violin, and harp
- 1898 Voice/Piano Marins dévots à la Vierge, to words by L.-P. Fargue
- Op.11 1883 Two duos for voices 1.La nuit, to words by Théodore de Banville
2.Le réveil, to words by Honoré de Balzac
- Op.12 1886 Three motets for four voices, cello, harp, and organ 1.Ave Maria
2.Tota pulchra es 3.Ave maris stella
- Op.13 1885-87 Four Melodies 1.Apaisement, to words by Paul Verlaine (1885)
2.Sérénade, to words by Jean Lahor (1887)
3.L'aveu, to words by Villiers de L'Isle-Adam (1887)
4.La cigale, to words by Leconte de Lisle (1887)
- Op.14 1887 La caravane, song to words by Gautier (, also orch.)
- Op.15 1887-88 Chant nuptial, song for four female voices, to words by Leconte de Lisle
- Op.16 1888-91 Three Motets 1.Lauda Sion for voice, organ, and harp (1888)
2.Benedictus for two sopranos and harp (1890)
3.Pater noster for voice and organ (1891)
- Op.17 1888 Chansons de Miarka, to words by Jean Richepin 1.Les morts
2.La pluie
- Op.18 1888 La tempête, incidental music for Shakespeare's The Tempest (tr. M. Bouchor), for solo voices and small orchestra; and five pieces arranged
- Op.19 1882-90 Poème de l'amour et de la mer for voice and orchestra, to words by M. Bouchor(1882-90; rev. 1893)
- Op.22 1891 La légende de Sainte Cécile, incidental music, to words by Bouchor
- Op.23 1886-95 Le roi Arthus, original lyric drama in three acts
- Op.24 1893-96 Serres chaudes, song cycle to words by Maurice Maeterlinck 1.Serre chaude (1896)
2.Serre d'ennui (1893)
3.Lassitude (1893)
4.Fauves las (1896)
5.Oraison (1895)
- Op.27 1896 Three lieder, to words by Camille Mauclair 1.Les heures
2.Ballade
3.Les couronnes
- Op.28 1890-97 Songs of Shakespeare (tr. Bouchor) 1.Chanson de clown from Twelfth Night (1890)
2.Chanson d'amour from Measure for Measure (1891)
3.Chanson d'Ophélie from Hamlet (1896)
4.Chant funèbre from Much Ado about Nothing for four female voices (1897)
- Op.29 1896-97 Ballata (orig. title Canzoniere di Dante) , to words by Dante, for four voices
- Op.30 1897 Piano Quartet in A
- Op.31 1897 Vêpres pour le commun des vierges for organ
- Op.32 1897-98 Soir de fête, symphonic poem
- Op.33 1898 Pour un arbre de Noël, song
- Op.34 1898 Deux poèmes (Two Poems), songs with words by Verlaine 1.La chanson bien douce
2.Le chevalier malheur
- Op.36 1896-98 Two Melodies 1.Cantique à l'épouse, to words by A. Jounet (1896)
2.Dans la forêt du charme et de l'enchantement, to words by Jean Moréas (1898)
- Op.38 1895 Paysage (Landscape) for piano
- Op.39 1897 Piece for cello or viola, and piano
- Op.5 1882-87 Viviane, symphonic poem on a legend of the Round Table (1882, rev. 1887)
- Op.6 1883 Two Motets for voices, violin, and organ 1.Deus Abraham
2.Ave verum
- Op.7 1883-84 Hélène, lyric drama, in two acts, with libretto by Leconte de Lisle,incomplete
Op.8 1882-88 Four Melodies, to words by Maurice Bouchor 1.Nocturne (1886)
2.Amour d'antan (1882)
3.Printemps triste (1883)
4.Nos souvenirs (1888)
- Op.9 1886 Hymne védique for four voices and orchestra, to words by Leconte de Lisle
- Can someone upload these from http://www.piano.ru/library-e.html?
- See also ChopinFiles
- Polish Songs Op.74 (with original text in Polish). - Uploaded 27 Jan 2010, big thank-you to Sibley - Aldona 12:00, 27 January 2010 (UTC)
- Galop (1846) [probably Galop Marquis, which is already uploaded.]
- Andantino animato (1845)
- Prelude in F (1845)
- Nocturen Opus 9 no. 2 in Eb Major (Arranged for Guitar) full score (1830-1832)
- Mazur in G (Jakiez kwiaty, jakie wianki) (On the setting of a poem by Ignac Maciejowski) (August 22, 1829)
- Adriana Lecouvreur (1902, opera)
- L'arlesiana (1987, opera)
- Il Matrimonio segreto, overture in full score
- Concerto for two flutes in G major
- Il maestro di capella, vocal score or full score
- Organ works / Oeuvres pour orgue
- Missa Pastores quidnam vidisits
- Sonata in G, WO 14 e.g. (Henle 817 or Henle 817/MDS)
- Valses for piano (op. 38 numbers 4 to 12)
- Symphonies
- Selection of Practical Harmony
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
- Quintet for Clarinet and Strings in F Sharp minor, Op.10
- Romance in G for Violin and Orchestra
- Violin Concerto in G Minor Op.80 (either piano reduction or full score)
- Concerto grosso Op. 6 No. 8, (Christmas concerto) parts
- Trio sonata Opus 2 No. 12, Chaconne, parts
- La Folia, Milstein Edition
- Leçons de Tenebres [FWC]
- Concerts Royaux (Facsimile); this is an appendix to the original Pieces de clavecin
- Les Nations (Full Score)
- Oeuvre d'orgue
- Oeuvre d'Clavecin (Complete, Full Score)
- Instructions for the Pianoforte (c.1810)
- Piano Concerto No.8 Op.70
- Clarinet Concertos No.1 to 3 (Op.1, 5, 11) (piano reduction or full score)
- Full scores of operas (manuscript or engraved):
- Prisoner of the Caucasus
- The Mandarin's Son
- William Ratcliff
- Mlada (Act 1)
- Angelo
- Le Flibustier
- The Saracen
- Feast in Time of Plague
- The Snow Bogatyr' (At least a full score of the introduction was made.)
- Mateo Falcone
- The Captain's Daughter
- Musorgsky: The Fair at Sorochintsy
- Prisoner of the Caucasus -- 2nd Russian edition (ca. 1885)
- The Stone Guest (Complete Opera)--Full Score (collaborated with Nikolai Rimsky-Korsakov, completion of original by Alexander Dragomyschski).
- Symphonies
- 3 Rondos for Flute and Piano, Op. 374
- Le merle blanc for piccolo flute and orchestra
- Musical Ornamentation (1894)
- Sonata for Horn and Piano in E Minor, Op. 44
- Complete Wind Quintets
- Flute concertos
Works first published after 1958 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
Posthumously published works with copyright issues
- Élégie for piano, L. 138 (1915)
- While first appearing in an album entitled Pages inédites sur la Femme et la Guerre in 1916, its current engraved and published form is due to a 1978 printing by Jobert (plate J.J. 980). Possibly copyright until 2029 in Canada.
- If the engraved ed. of 1978 does not differ substantially from the version in the 1916 album, it is only protected in the EU until 2009, and of rather dubious status Canada and the USA. The 1916 edition itself is public domain worldwide. Carolus
- Le Printemps (cantata for the Prix de Rome)
THESE WORKS UNDER COPYRIGHT WORLDWIDE:
- Piano Trio (pub. 1986)
- Images Oubliées (1894) – first publ. 1977, copyright in Canada until 2028
- Les soirs illuminés par l'ardeur du charbon (Album Leaf for piano) – first publ. 2003, copyright in Canada until 2054
- Nocturne and Scherzo for Piano and Cello, L. 26 – first publ. 1995, copyright in Canada until 2046
- Intermezzo for Cello and Orchestra (or piano), L. 27 – first publ. 1944 ed. by Gregor Piatigorsky (1903–1976), copyright in Canada until 2027
- This is really more of an arrangement by Piatigorsky anyway.
- Orchestral score of Pelleas et Melisande that includes his revised orchestration
- "Symphonie en si mineur", four piano, four hands
- "Coppelia" , Orchestra Score
- Pizzicatto from "Sylvia" , Orchestra Score
- "Flower Duet" (score) or Lakmé (score)
- Florida Suite (full score)
- Brigg Fair – An Old English Rhapsody
- Appalachia
- The Sea
- Koanga, Act II: La Calinda
- North Country Sketches
Demessieux, Jeanne (1921–1968)
Under copyright worldwide. No posting without written permission from the copyright owner.
- Nativité, op. 4
- Six Études, op. 5
- Sept Méditations sur le Saint-Esprit, op. 6
- Triptyque, op. 7
- Twelve Choral-Preludes on Gregorian Chant Themes, op. 8
- Te Deum, op. 11
- Prélude et Fugue en Ut, op. 13
- "Chanson de Roland" for chorus, mezzo soprano, and orchestra
- Mörike-Chorliederbuch
- Geistliche Gesänge op.12
- Harpsichord Concerto
- Der Jahreskreis op.5
- Wie der Hirsch schreit nach frischem Wasser
- Choral Passion and Weinachtsgeschichte (full scores)
- Complete Organ Works
Under copyright worldwide, apart from earlier works (publ. before 1923) which are PD in the USA.
No posting without written permission from the copyright owner.
- Piano Quintet No. 1 in C minor, Op. 1 (1895)
- Vier Klavierstücke, Op. 2 (1897)
- Waltz for piano, four hands, Op. 3 (1897)
- Variations on a Theme by E.G., Op. 4 (1897)
- Piano Concerto No. 1 in E Minor, Op. 5 (1898)
- Passacaglia in E-flat Minor, Op. 6 (1899)
- String Quartet No. 1 in A Major, Op. 7 (1899)
- Cello Sonata in B-flat Minor, Op. 8 (1899)
- Symphony No. 1 in D Minor, Op. 9 (1901)
- Serenade in C Major for string trio, Op. 10 (1902)
- Vier Rhapsodien for piano, Op. 11 (1903)
- Konzertstück in D Major for cello and orchestra, Op. 12 (1904)
- Winterreigen for piano, Op. 13 (1905)
- String Quartet in D-flat Major, Op. 15 (1906)
- Five Humoresques in the Form of a Suite for piano, Op. 17 (1907)
- Suite in F-sharp Minor for orchestra, Op. 19 (1909)
- Violin Sonata in C-sharp Minor, Op. 21 (1912)
- Three Pieces for piano, Op. 23 (1912)
- Fugue in D Minor for piano, left hand alone, WoO (1913)
- Suite im alten Stil for piano, Op. 24 (1913)
- Variationen über ein Kinderlied for piano and orchestra, Op. 25 (1914)
- Piano Quintet No. 2 in E-flat Minor, Op. 26 (1915)
- Violin Concerto No. 1 in D Minor, Op. 27 (1915)
- Six Concert Etudes for piano, op. 28 (1916)
- Variations on a Hungarian Folksong, Op. 29 (1917)
- Pastorale (on the Hungarian Christmas song "Mennybõl az angyal"), WoO (1920)
- Ruralia Hungarica, op. 32/a: Seven Pieces for solo Piano (1924)
- L'assedio di Calais (melodramma lirico, 1836; publ. Ricordi); copies at the Library of Congress, Eastman School of Music, and Harvard University, and unavailable through interlibrary loan; no other known copies in North America
- Sonata in C major for flute and piano
- Il Campanello di notte - vocal score
- Viola Concerto, Viola Solo part.
Choral works
- Ave Maria
- Grande Offertorio
- Il sospiro
- Messa da Requiem
- Messa di Gloria e Credo
- Miserere (Psalm 50)
Orchestral works
- Allegro for Strings in C major
- L'ajo nell'imbarazzo: Sinfonia
- Larghetto, tema e variazioni in E flat major
- Roberto Devereux: Sinfonia
- Sinfonia Concertante in D major (1818)
- Sinfonia for Winds in G minor (1817)
- Sinfonia in A major
- Sinfonia in C major
- Sinfonia in D major
- Sinfonia in D minor
- Ugo, conte di Parigi: Sinfonia
- Orchestral overture to: Il Pigmalione (written 1816; premiere: 13 October 1960, Teatro Donizetti, Bergamo)
- Orchestral overture to: Olimpiade (1817, incomplete, libretto by Metastasio)
- Orchestral overture to: L'ira di Achille (1817)
- Orchestral overture to: Enrico di Borgogna (14 November 1818, Teatro San Luca, Venice)
- Orchestral overture to: Una follia (17 December 1818, Teatro San Luca, Venice) (lost)
- Orchestral overture to: I piccioli virtuosi ambulanti (1819), opera buffa in one act
- Orchestral overture to: Pietro il Grande zar di tutte le Russie ossia Il Falegname di Livonia (26 December 1819, Teatro San Samuele, Venice),
- Orchestral overture to: Le nozze in villa (1820; 1821? Teatro Vecchio, Mantua)
- Orchestral overture to: Zoraida di Granata or Zoraïda di Granata (28 January 1822, Teatro Argentina, Rome, rev. 7 January 1824 at the same theatre)
- Orchestral overture to: La Zingara (12 May 1822, Teatro Nuovo, Naples)
- Orchestral overture to: La lettera anonima (29 June 1822, Teatro del Fondo, Naples)
- Orchestral overture to: Chiara e Serafina, ossia I pirati (26 October 1822, Teatro alla Scala, Milan)
- Orchestral overture to: Alfredo il grande (2 July 1823, Teatro San Carlo, Naples)
- Orchestral overture to: Il fortunato inganno (3 September 1823, Teatro Nuovo, Naples)
- Orchestral overture to: L'ajo nell'imbarazzo (4 February 1824, Teatro Valle, Rome)
- Orchestral overture to: Emilia di Liverpool (L'eremitaggio di Liverpool) (28 July 1824, Teatro Nuovo, Naples)
- Orchestral overture to: Alahor in Granata (7 January 1826 Teatro Carolino, Palermo)
- Orchestral overture to: Don Gregorio [rev of L'ajo nell'imbarazzo] (11 June 1826, Teatro Nuovo, Naples)
- Orchestral overture to: Elvida (6 July 1826, Teatro San Carlo, Naples)
- Orchestral overture to: Gabriella di Vergy (written: 1826; premiere: 29 November 1869, Teatro San Carlo, Naples) (Gabriella)
- Orchestral overture to: Olivo e Pasquale (7 January 1827 Teatro Valle, Rome)
- Orchestral overture to: Olivo e Pasquale [rev] (1 September 1827, Teatro Nuovo, Naples)
- Orchestral overture to: Otto mesi in due ore (13 May 1827, Teatro Nuovo, Naples) (Gli esiliati in Siberia)
- Orchestral overture to: Il borgomastro di Saardam (19 August 1827, Teatro del Fondo, Naples)
- Orchestral overture to: Le convenienze ed inconvenienze teatrali , also known as Viva la mamma (21 November 1827, Teatro Nuovo, Naples)
- Orchestral overture to: L'esule di Roma, ossia Il proscritto (1 January 1828, Teatro San Carlo, Naples)
- Orchestral overture to: Emilia di Liverpool [rev] (8 March 1828, Teatro Nuovo, Naples)
- Orchestral overture to: Alina, regina di Golconda (12 May 1828, Teatro Carlo Felice, Genoa)
- Orchestral overture to: Gianni di Calais (2 August 1828, Teatro del Fondo, Naples)
- Orchestral overture to: Il paria (12 January 1829, Teatro San Carlo, Naples)
- Orchestral overture to: Il giovedi grasso (Il nuovo Pourceaugnac) (26 February 1829?, Teatro del Fondo, Naples)
- Orchestral overture to: Il castello di Kenilworth (6 July 1829, Teatro San Carlo, Naples)
- Orchestral overture to: Alina, regina di Golconda [rev] (10 October 1829, Teatro Valle, Rome)
- Orchestral overture to: I pazzi per progetto (6 February 1830, Teatro San Carlo, Naples)
- Orchestral overture to: Il diluvio universale (28 February 1830, Teatro San Carlo, Naples)
- Orchestral overture to: Imelda de' Lambertazzi (5 September 1830, Teatro San Carlo, Naples)
- Orchestral overture to: Anna Bolena (26 December 1830, Teatro Carcano, Milan)
- Orchestral overture to: Le convenienze ed inconvenienze teatrali [rev of Le convenienze teatrali] (20 April 1831, Teatro Canobbiana, Milan)
- Orchestral overture to: Gianni di Parigi (written: 1831; premiere: 10 September 1839, Teatro alla Scala Milan)
- Orchestral overture to: Francesca di Foix (30 May 1831, Teatro San Carlo, Naples)
- Orchestral overture to: La romanziera e l'uomo nero (18 June 1831, Teatro del Fondo, Naples) (libretto lost)
- Orchestral overture to: Fausta (12 January 1832, Teatro San Carlo, Naples)
- Orchestral overture to: Ugo, conte di Parigi (13 March 1832, Teatro alla Scala Milan)
- Orchestral overture to: L'elisir d'amore (12 May 1832, Teatro Canobbiana, Milan)
- Orchestral overture to: Sancia di Castiglia (4 November 1832, Teatro San Carlo, Naples)
- Orchestral overture to: Il furioso all'isola di San Domingo (2 January 1833, Teatro Valle, Rome)
- Orchestral overture to: Otto mesi in due ore [rev] (1833, Livorno)
- Orchestral overture to: Parisina (17 March 1833, Teatro della Pergola, Florence)
- Orchestral overture to: Torquato Tasso (9 September 1833, Teatro Valle, Rome)
- Orchestral overture to: Lucrezia Borgia (26 December 1833, Teatro alla Scala Milan)
- Orchestral overture to: Il diluvio universale [rev] (17 January 1834, Teatro Carlo Felice, Genoa)
- Orchestral overture to: Rosmonda d'Inghilterra (27 February 1834, Teatro della Pergola, Florence)
- Orchestral overture to: Maria Stuarda [rev] (Buondelmonte) (18 October 1834, Teatro San Carlo, Naples)
- Orchestral overture to: Gemma di Vergy (26 October 1834, Teatro alla Scala Milan)
- Orchestral overture to: Maria Stuarda (30 December 1835, Teatro alla Scala Milan)
- Orchestral overture to: Marin Faliero (12 March 1835, Théâtre-Italien, Paris)
- Orchestral overture to: Lucia di Lammermoor (26 September 1835, Teatro San Carlo, Naples)
- Orchestral overture to: Belisario (4 February 1836, Teatro La Fenice, Venice)
- Orchestral overture to: Il campanello di notte (1 June 1836, Teatro Nuovo, Naples)
- Orchestral overture to: Betly, o La capanna svizzera (21 August 1836, Teatro Nuovo, Naples)
- Orchestral overture to: L'assedio di Calais (19 November 1836, Teatro San Carlo, Naples)
- Orchestral overture to: Pia de' Tolomei (18 February 1837, Teatro Apollo, Venice)
- Orchestral overture to: Pia de' Tolomei [rev] (31 July 1837, Sinigaglia)
- Orchestral overture to: Betly [rev] ((?) 29 September 1837, Teatro del Fondo, Naples)
- Orchestral overture to: Roberto Devereux (28 October 1837, Teatro San Carlo, Naples)
- Orchestral overture to: Maria de Rudenz (30 January 1, 1838 Teatro La Fenice, Venice)
- Orchestral overture to: Gabriella di Vergy [rev] (written: 1838; August 1978 recording, London)
- Orchestral overture to: Poliuto (written: 1838; premiere: 30 November 1848, Teatro San Carlo, Naples)
- Orchestral overture to: Pia de' Tolomei [rev 2] (30 September 1838, Teatro San Carlo, Naples)
- Orchestral overture to: Lucie de Lammermoor [rev of Lucia di Lammermoor] (6 August 1839, Théâtre de la Renaissance, Paris)
- Orchestral overture to: Le duc d'Albe (written: 1839; premiere: 22 March 1882, Teatro Apollo, Rome) (Il duca d'Alba)
- Orchestral overture to: Lucrezia Borgia [rev] (11 January 1840, Teatro alla Scala Milan)
- Orchestral overture to: Poliuto [rev] (Les martyrs) (10 April 1840, Paris Opera (Salle Le Peletier)
- Orchestral overture to: La fille du régiment (11 February 1840, Opéra-Comique, Paris)
- Orchestral overture to: L'ange de Nisida (1839; ?)
- Orchestral overture to: Lucrezia Borgia [rev 2] (31 October 1840, Théâtre-Italien, Paris)
- Orchestral overture to: La favorite [rev of L'ange de Nisida] (2 December 1840, Paris Opera (Salle Le Peletier)
- Orchestral overture to: Adelia (11 February 1841, Teatro Apollo, Rome)
- Orchestral overture to: Rita (Deux hommes et une femme) (written: 1841; premiere: 7 May 1860, Opéra-Comique, Paris)
- Orchestral overture to: Maria Padilla (26 December 1841, Teatro alla Scala Milan)
- Orchestral overture to: Linda di Chamounix (19 May 1842, Kärntnertortheater, Vienna)
- Orchestral overture to: Linda di Chamounix [rev] (17 November 1842, Théâtre-Italien, Paris)
- Orchestral overture to: Caterina Cornaro (18 January 1844, Teatro San Carlo, Naples)
- Orchestral overture to: Don Pasquale (3 January 1843, Théâtre-Italien, Paris)
- Orchestral overture to: Maria di Rohan (5 June 1843, Kärntnertortheater, Vienna)
- Orchestral overture to: Dom Sébastien (13 November 1843, Paris Opera (Salle Le Peletier)
- Orchestral overture to: Dom Sébastien [rev] (6 February 1845, Kärntnertortheater, Vienna)
Concertos
- Concertino for Clarinet in B flat major
- Concertino for English Horn in G major (1816)
- Concertino in C minor for flute and chamber orchestra (1819)
- Concertino for Flute and Orchestra in C major
- Concertino for Flute and Orchestra in D major * Concertino for Oboe in F major
- Concertino for Violin and Cello in D minor
- Concerto for 2 Clarinets "Maria Padilla"
- Concerto for Violin and Cello in D minor
Chamber works
- Andante sostenuto for Oboe and Harp in F minor
- Introduction for Strings in D major
- Larghetto and Allegro for Violin and Harp in G minor
- Largo/Moderato for Cello and Piano in G minor
- Nocturnes (4) for Winds and Strings
- Quartet for Strings in D major
- Quartet for Strings no 3 in C minor: 2nd movement, Adagio ma non troppo
- Quartet for Strings no 4 in D major
- Quartet for Strings no 5 in E minor
- Quartet for Strings no 5 in E minor: Larghetto
- Quartet for Strings no 6 in G minor
- Quartet for Strings no 7 in F minor
- Quartet for Strings no 8 in B flat major
- Quartet for Strings no 9 in D minor
- Quartet for Strings no 10 in G minor
- Quartet for Strings no 11 in C major
- Quartet for Strings no 12 in C major
- Quartet for Strings no 13 in A major
- Quartet for Strings no 14 in D major
- Quartet for Strings no 15 in F major
- Quartet for Strings no 16 in B minor
- Quartet for Strings no 17 in D major
- Quartet for Strings no 18 in E minor
- Quartet for Strings no 18 in E minor: Allegro
- Quintet for Guitar and Strings no 2 in C major
- Solo de concert
- Sonata for Flute and Harp
- Sonata for Flute and Piano in C minor
- Sonata for Oboe and Piano in F major
- Study for Clarinet no 1 in B flat major
- Trio for Flute, Bassoon and Piano in F major
Piano works
- Adagio and Allegro for Piano in G major
- Allegro for Piano in C major
- Allegro for Piano in F minor
- Fugue for Piano in G minor
- Grand Waltz for Piano in A major
- Larghetto for Piano in A minor "Una furtiva lagrima"
- Larghetto for Piano in C major
- Pastorale for Piano in E major
- Presto for Piano in F minor
- Sinfonia for Piano in A major
- Sinfonia for Piano no 1 in C major
- Sinfonia for Piano no 1 in D major
- Sinfonia for Piano no 2 in C major
- Sinfonia for Piano no 2 in D major
- Sonata for Piano in C major
- Sonata for Piano in F major
- Sonata for Piano in G major
- Variations for Piano in E major
- Variations for Piano in G major
- Waltz for Piano in A major
- Waltz for Piano in C major
- Waltz for Piano in C major "The Invitation"
- Piano Concerto in E flat Major, Op. 36, Two Piano Reduction
Christus-Mysterium Klavierauszug Piano Reduction
- Thuner See, symphonic poem (Full score or piano reduction)
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
- Toccata in F minor (from Suite No. 1)
- La Esmeralda Pas de Deux (specifically the "tambourine variation", and for piano)
- Method of Flute Playing (London, 1830)
- Götz de Berlichingen
- L'apprenti sorcier (The sorcerer's apprentice) - Arrangement pour orgue seul (Organ solo transcription)
- Fantasia & Fugue in F Minor, Op. 55
- Armida, Opera Op.115
- Cello Concerto No. 1 in A major (B. 10) – first publ. 1975, possibly copyright in Canada until 2026
- Kate and the devil, Opera Op.112
- String Quintet No. 2 in G major, Op. 77
- String Sextet in A major, Op. 48
- String Quartets (Nos. 1-3, 5-8)
- String Quintet in E-flat major, Op.97, American
- Songs my mother taught me (from Gypsy songs), Op.55 No.4 (violin and piano version by Louis Persinger) - Persinger d.1966, under copyright everywhere except the US
Eisler, Hanns (1898–1962)
Under copyright worldwide, apart from earlier works (publ. before 1923) which are PD in the USA.
No posting without written permission from the copyright owner.
- Solidaritätslied (Solidarity Song)
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
- Serenade (Piano Solo Work)
- In the South (full score)
- Organ Sonatas
- Sonatina for piano
- Pomp and Circumstance March No. 1 (organ transcription by E. Lemare)
- Pomp and Circumstance Marches Nos. 5 and 6 (Full Scores)
- P&C5 in full score is already up, but unfortunately subject to blocking owing to the 95-year copyright in the US, which expires in 2020. P&C6 exists as either unpublished sketch fragments or the full score and parts realised by Anthony Payne, who is still living and would have full rights as co-author, so this is a fairly unrealistic wish. Regards, Philip Legge @ © talk 04:27, 9 July 2010 (UTC)
- Give unto the Lord, Op.74 (full score)
While works first published before 1960 are PD in Canada, the works of this composer are copyright in the EU.
Only works published before 1923 are PD in the USA.
- Piano quartets: No. 1, Op. 16 and No. 2, Op. 30
- Piano quintet Op. 29
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
- Brass Quintet No.1, Op.5 (score and parts)
- Brass Quintet No.2 in E♭, Op.6 (score and parts)
- Brass Quintet No.3 in D♭, Op.7 (score and parts)
- Brass Quintet No.4 in A♭, Op.8 (score and parts)
Eyken, Jan Albert van (1823–1868)
While works first published before 1960 are PD in Canada, the works of this composer are copyright in the EU.
Only works published before 1923 are PD in the USA.
While works first published before 1960 are PD in Canada, the works of this composer are copyright in the EU.
Only works published before 1923 are PD in the USA.
- Vals Capricho – first publ. 1996, under copyright worldwide
- Cortejo de Gnomos – first publ. 1996, under copyright worldwide
- Allegro de Concierto – first publ. 1986, under copyright worldwide
- Mazurca en Do Menor – first publ. 1992, under copyright worldwide
- Suites Populaires Espagnoles for violin and piano
- At Twilight, Op. 39
- Moods, Impressions, and Souvenirs, Op. 47
- Moods, Impressions, and Souvenirs, Op. 57
- Symphony No. 1
- Symphony No. 2
- Symphony No. 3
- Musikalischer Parnassus
- Harpsichord Suites
Works first published after 1959 are copyright in Canada.
Only works published before 1923 are PD in the USA.
- Cinderella-A Fairy Tale (Century Music Publishing)
- In the Month of Roses (Century Music Publishing, 1913)
- Cello Sonata (violin sonata transcribed for cello)
- A decent scan of the Violin Sonata.
Works first published after 1959 are copyright in Canada.
Only works published before 1923 are PD in the USA.
- Violin sonatas Op. 14, Op. 35
- Piano trios Op. 20, Op. 32
- Piano quartets Op. 33, Op. 41
While works first published before 1960 are PD in Canada, the works of this composer are copyright in the EU.
Only works published before 1923 are PD in the USA.
- Violin Concerto (1916)
- Alentejo Suite No. 1 (1919)
- Alentejo Suite No. 2 (1927)
Works first published after 1959 are copyright in Canada. Those first published after 1922 are possibly copyright in the USA.
Works for piano
- Eglogue, Op. 5
- Landliche Szenen, Op. 8
- Sonata No. 1, Op. 19
- New improvisations, Op. 30
- Jugendklänge, Op. 32
- Preludes Op. 34
- In der Dämmerstunde (four hands), Op. 38
- Sommermärchen, Op. 39
- Herbstblätter, Op. 43
- Miniaturen (four hands), Op. 44
- Jugend-album, Op. 47
- Cello Sonata No. 2, Op. 83
- Sonata No. 2, Op. 88
- Nine fantasy pieces, Op. 89
- Sonata No. 3, Op. 109
- Four pieces, Op. 111
- Tautröpfen, Op. 112
- Six pieces, Op. 114
- An die Zither an meiner Wohnungstûre (man choir and harp)
- Marienblumen (women choir and harp or piano)
In general looking for all his piano works
- École Moderne du Pianiste : recueil de 24 morceaux caracteristiques for piano, Op. 100
- Le prophete : grande fantaisie de bravoure for piano, op. 43
- Grande Fantaisie Militaire for piano, Op. 60
- Flöten-schule, Op. 42 (1826)
- Die Kunst des Flötenspiels, Op.138 (1844)
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