Moravian Duets, Op.32 (Dvořák, Antonín)

Movements/SectionsMov'ts/Sec's 14 songs
Composition Year 1876 (May 17-21) (2nd series)
1876 (June 26-July 13) (3rd series)
Genre Categories Duets; For 2 voices, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the piano; Czech language; German language; English language; For clarinet, viola, piano (arr); Scores featuring the clarinet (arr); Scores featuring the viola (arr); Scores featuring the piano (arr); For 3 players (arr); For 2 voices, 2 violins, viola, cello (arr); Scores featuring the voice (arr); Scores featuring the violin (arr); Scores featuring the cello (arr); For voices with solo instruments (arr)

Contents

Performances

Recordings

 Nos.1-6
#376061 - 12.40MB - 10:50 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1575×⇩ - MP3 - Cypressdome

MP3 file (audio)
Cypressdome (2015/4/29)

Performers Elizabeth Kluegel, soprano
Karyn Friedman, mezzo soprano
Carl Banner, piano
Publisher Info. Washington, DC: Washington Musica Viva
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
Misc. Notes Recorded live on November 20, 2008 at the Embassy of the Czech Republic, Washington, D.C.
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Naxos

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Sheet Music

Scores

 Nos.1-13
#424992 - 5.20MB, 66 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 688×⇩ - Cypressdome

PDF scanned by Hathitrust
Cypressdome (2016/6/1)

Language German / English
Translator Theodore Baker, English text
Publisher. Info. Library of Musical Classics, Vol.1044
New York: G. Schirmer, 1901. Plate 15985.
Copyright
Public Domain [tag/del]
Misc. Notes Original images: ca.300dpi, grayscale jp2 files approx. 2025 by 3050 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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 Heft I (Nos.1-7) (EU)
#315565 - 47.06MB, 30 pp. -  0.0/10 2 4 6 8 10 (-) - V/24/V - 8322×⇩ - Menander

PDF scanned by Gerd Büntzly
Menander (2014/2/13)

Language German / Czech / English
Translator John Bernhoff (ca.1900-ca.1940), English text
Publisher. Info. Berlin: N. Simrock, 1882. Plate 8258.
Reprinted Berlin: N. Simrock, 1928.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes Hofmeister's Monatsbericht (1882), p.117
300 dpi
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 2. Velet’, vtáčku (Fly Sweet Songster)
#334184 - 0.43MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1212×⇩ - Afp0815

PDF scanned by US-R
Afp0815 (2014/7/13)

Language English / German
Publisher. Info. New York: G. Schirmer, n.d.[ca.1907]. Plate 19164.
Copyright
Public Domain [tag/del]
Misc. Notes copyright 1901 probably from Plate 15985. (see above)
Plate table indicates this single song was first published ca.1907.
This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Complete

For Clarinet, Viola and Piano (Van der Grinten)

 Clarinet and Viola Parts
#565322 - 0.46MB, 30 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 242×⇩ - Tom12

PDF typeset by arranger
Tom12 (2019/3/18)

Arranger Tom Van der Grinten
Publisher. Info. Tom Van der Grinten
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes To be used with the original accompaniment
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Selections

For 2 Voices, 2 Violins, Viola and Cello (Büntzly)

 1. A já ti uplynu (String parts)
#348656 - 0.25MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 581×⇩ - Menander

PDF typeset by arranger
Menander (2014/10/19)

 2. Velet’, vtáčku (String parts)
#348657 - 0.19MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 260×⇩ - Menander

PDF typeset by arranger
Menander (2014/10/19)

 3. Dyby byla kosa nabróšená (String parts)
#381799 - 0.18MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 226×⇩ - Menander

PDF typeset by arranger
Menander (2015/6/14)

Arranger Gerd Büntzly
Publisher. Info. Gerd Büntzly
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del/mrg]
Misc. Notes Accompaniment only. High quality
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General Information

Work Title Moravian Duets
Alternative. Title Moravské dvojzpěvy ; Klänge aus Mähren
Composer Dvořák, Antonín
Opus/Catalogue NumberOp./Cat. No. Op.32 ; B.60 (2nd series), B.62 (3rd series)
I-Catalogue NumberI-Cat. No. IAD 130
Key see below
Movements/SectionsMov'ts/Sec's 14 songs
  1. A já ti uplynu/The Fugitive. Allegretto (D major)
  2. Velet’, vtáčku/Fly Sweet Songster. Andante (G major)
  3. Dyby byla kosa nabróšená/The Slighted Heart. Allegro (F major)
  4. V dobrým sme se sešli/Parting Without Sorrow. Allegretto scherzando (E♭ major)
  5. Slavíkovský polečko malý/The Pledge of Love. Allegro (E minor)
  6. Holub na javoře/Forsaken. Allegro scherzando (G minor)
  7. Voda a pláč/Sad of Heart. Moderato (D major)
  8. Skromná/The Modest Maid. Larghetto (A♭ major)
  9. Prsten/The Ring. Allegro (A major)
  10. Zelenaj se, zelenaj/Omens. Allegro molto (C major)
  11. Zajatá/The Imprisoned Maid. Andante cantabile (D major)
  12. Neveta/Comfort. Andantino-Allegretto grazioso (C major)
  13. Šípek/The Wild Rose. Allegro (B♭ major)
  14. Život vojenský/The Soldier's Farwell. Allegro (B♭ major)
Year/Date of CompositionY/D of Comp. 1876 (May 17-21) (2nd series)
1876 (June 26-July 13) (3rd series)
First Performance. 1876 (May-June) (2nd series)
Marie Neffová (soprano)
Marie Blažková (alto)
Antonín Dvořák (piano)

First Publication. 1876 - Prague: Emanuel Starý (all but no.14)
1914 - Prague: Hudební Matice (no.14)
Librettist Folksongs (as edited by František Sušil)
Language Czech (+ translations)
Dedication Jan Neff and Marie Neffová
Average DurationAvg. Duration 34 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation soprano, alto, piano
External Links antonin-dvorak.cz
Wikipedia article (covers Opp.20,32,38)
Extra Information Composition History:
  • Composed 1st series, Op.20, 1875 (= B.50)
  • Composed 2nd series, Op.32/1-5, 1876 (= B.60)
  • Composed 3rd series, Op.32/6-14, 1876 (= B.62)
  • Composed 4th series, Op.38, 1877 (= B.69)

Navigation etc.

Op.32 has the 14 pieces listed here. So, instead of splitting things (which nobody has time to do), why not just leave this as a collection page (with double-billing) and set up separate pages for B.60, B.62, et al. as they arrive? Carolus

Or we can keep Op.32. They were all composed in the same year (edit: 3-year span but still) and make sense as one set, not the usual hallmark of a collection. The subdivision appears to be at least partially that of the posthumous cataloguers.-Schissel

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