Abendlied der Margarethe, Op.46 (Weber, Kristof J.)

Movements/SectionsMov'ts/Sec's	1
Composition Year	2003
Genre Categories	Lieder; Songs; For voice, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the mezzo-soprano voice; Scores featuring the orchestra; German language

1 Performances
- 1.1 Recordings
- 1.2 Synthesized/MIDI
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Recordings

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Synthesized/MIDI

Complete, with MIDI voice (without text)
*#166773 - 0.02MB - 5 min. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 97×⇩ - MID - Kristof J. Weber

MID file (audio/video)
Kristof J. Weber (2011/12/24)

Publisher Info.	Kristof J. Weber
Performers	Kristof J. Weber
Copyright	Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]
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Sheet Music

Scores

Complete Score (monochrome)
*#166774 - 0.24MB, 17 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 709×⇩ - Kristof J. Weber

PDF typeset by composer
Kristof J. Weber (2011/12/24)

Publisher. Info.	Kristof J. Weber
Copyright	Creative Commons Attribution-NonCommercial-NoDerivs 4.0 [tag/del]
Purchase	Javascript is required for this feature.

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General Information

Work Title	Abendlied der Margarethe
Alternative. Title
Composer	Weber, Kristof J.
Opus/Catalogue NumberOp./Cat. No.	Op.46
I-Catalogue NumberI-Cat. No.	IKW 1
Movements/SectionsMov'ts/Sec's	1
Year/Date of CompositionY/D of Comp.	2003
First Publication.	2003
Librettist	Johann Wolfgang von Goethe (1749-1832)
Language	German
Dedication	Peter Szkladanyi
Average DurationAvg. Duration	5 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	solo: mezzo soprano orchestra: flute(s), oboe(s), clarinet(s) in B♭, bassoon(s), horn(s) in F, trumpet(s) in B♭, trombone(s), tuba, triangle piccolo, triangle grande, vibraphone, celesta, strings (see Comments, below)

Navigation etc.

The number of each wind is difficult to ascertain. The staff titles on the first page are in the singular for the winds, while the strings are in the plural. This would imply a deliberate use of the singular, i.e. one of each wind. However, the woodwinds are initially marked "solo", and are later marked "tutti", which would imply that more than one plays in unison with the first player.

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