Alcune opere di diversi auttori a diversi voci (Bonizzi, Vincenzo)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 9 pieces/songs
First Publication 1626 (Venice: Alessandro Vincenti)
Genre Categories Pieces; Chansons; Songs; Madrigals; For viol, continuo; Scores featuring the viol; Scores with basso continuo; For 1 player with continuo; For treble instrument, continuo; Scores with open instrumentation; For voice, continuo; For voices with continuo; Scores featuring the voice

Sheet Music

Scores

 Complete Score
#412345 - 1.47MB, 84 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 217×⇩ - Feduol

PDF scanned by Unknown
Feduol (2016/2/21)

Publisher. Info. Venice: Giacomo Vincenti, 1626.
Copyright
Public Domain [tag/del]
Misc. Notes RISM 1626¹⁵
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General Information

Work Title Alcune opere di diversi auttori a diversi voci
Alternative. Title Alcune opere di diversi auttori a diversi voci, passagiate principalmente per la viola bastarda, ma anche per ogni sorte di stromenti, e di voci
Composer Bonizzi, Vincenzo
I-Catalogue NumberI-Cat. No. IVB 1
Movements/SectionsMov'ts/Sec's 9 pieces/songs:
  1. Canzone on Dolce me moy ("Doulce memoire")
  2. Invidioso Amor a5 (Del Striggio)
  3. Jovi fanza ("Jouissance") a5 (D'Adriano)
  4. D'amor me playns a4
  5. En vox adieux a4 (Di Cipriano Rore)
  6. En vox adieux a4 Altro modo (Di Cipriano Rore)
  7. Pijs me peult venir a5 (Crequillon)
  8. La bella netta ignuda a4 (Di Cipriano Rore)
  9. Hellas coment a4 (Di Cipriano Rore)
First Publication. 1626 (Venice: Alessandro Vincenti)
Dedication Madamma Malgarita Duchessa di Parma et di Pacenza etc.
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation viola bastarda (or any other instrument, or voice), continuo

Navigation etc.

  • This collection is without text, but the text of the chansons and madrigals would probably have been known at the time.
  • Although there are "a4" and "a5" indications, there seems to be only 2 lines for solo instrument and continuo instrument(s)?
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