Antiennes pour les Vêpres de l'Assomption de la Vierge, H.50-52 (Charpentier, Marc-Antoine)

Contents

Performances

Sheet Music

Scores

PDF typeset by editor
Vangi (2014/12/15)

PDF typeset by editor
Vangi (2014/12/15)

PDF typeset by editor
Vangi (2014/12/15)

Editor Daniel Van Gilst
Publisher. Info. Daniel Van Gilst, 2014. EN 174-15 to 17
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Vocal Scores

PDF typeset by Bernard Meylan
Bameylan (2017/8/6)

Publisher. Info. Bernard Meylan, Orsonnens
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General Information

Work Title Antiennes pour les Vêpres de l'Assomption de la Vierge
Alternative. Title
Composer Charpentier, Marc-Antoine
Opus/Catalogue NumberOp./Cat. No. H.50-52
I-Catalogue NumberI-Cat. No. IMC 11
Movements/SectionsMov'ts/Sec's 3 antiphons:
  1. Assumpta est Maria, H.50
    Première antienne pour les vespres de l’Assomption de la Vierge après Dixit Dominus
  2. In odorem unguentorum, H.51
    Troisième antienne pour les vespres de l’Assomption de la Vierge après Lætatus sum
  3. Pulchra es et decora, H.52
    Cinquième antienne pour les vespres de l’Assomption de la Vierge après Lauda Jerusalem Dominum
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 1-3 voices, 2 flutes, strings, continuo
voice, strings (no violas), continuo (H.50)
voice, 2 flutes, continuo (H.51)
3 voices, continuo (H.52)

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Grove Music specifies the instrumentation for these as follows:

  1. Assumpta est Maria, H.50 - mezzo-soprano, 2 violins, continuo
  2. In odorem unguentorum, H.51 - soprano, 2 flutes, continuo
  3. Pulchra es et decora, H.52 - 2 sopranos, mezzo-soprano, continuo