Motets, Livre 2 (Campra, André)

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Feduol (2011/4/18)

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Vangi (2013/12/17)

Editor Second edition
Publisher. Info. Paris: Christophe Ballard, 1711.
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Misc. Notes RISM A/I: C 690
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Publisher. Info. Orsonnens: Bernard Meylan
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Misc. Notes Reconstruction of the 1st edition of Christophe Ballard (RISM A/I: C 688)
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Bernard Meylan (2012/3/2)

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General Information

Work Title Motets a I, II et III voix, et instruments avec la Basse-Continue (Livre Second)
Alternative. Title
Composer Campra, André
Opus/Catalogue NumberOp./Cat. No. RISM A/I: C 688
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 12 motets
  1. Jubilate Deo omnis terra (ps.) S (C1) & bc
  2. Ubi es Deus meus (pour le Saint Sacrament) S (C1) & bc p9
  3. Ave Regina caelorum (pour la Sainte Vierge) S (G2) & bc p
  4. Ecce quam bonum (ps. CXXXII) S (C1), 2 dessus de violon ou de flûtes allemandes & bc p16
  5. Florete prata, frondete lilia A (C3), 2 dessus de violon [& 2 fl. all.] & bc p23
  6. Laudate Dominum de cælis (ps XLVIII) B (F4), 2 dessus de violon & bc p36
  7. Cantate Domino canticum novum (ps CXLIX) SS (G2) & bc p51
  8. Cum invocarem (ps. IV) SS (C1) & bc p61
  9. Omnes gentes plaudite manibus (ps XLVI) SB (G2F4) & bc p72
  10. O Jesu amantissime AB (C3F3), 2 dessus de violon & bc p81
  11. Immensus es Domino ATB (C3C4F4), 2 dessus de violon & bc p99
  12. Deus in adjutorium meum intende (ps LXIX) ATB (C3C4F4) & bc p118
First Publication. 1699 – Paris: Christophe Ballard
Language Latin
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, strings (no violas), continuo
Voices: 2 dessus, haute-contre, taille, basse
Orchestra: strings (no violas), continuo
1. dessus, continuo
2. dessus, continuo)
3. dessus, continuo
4. dessus, strings (no violas), continuo
5. haute-contre, strings (no violas), continuo
7. 2 dessus, continuo
8. 2 dessus, continuo
9. dessus, basse, continuo
11. haute-contre, taille, basse, continuo
12. haute-contre, taille, basse, continuo
Primary Sources Mss copies, 1732 (F-CHRai, Ms.39)

Misc. Comments

See also "Petits Motets"

This is described as (or as part of) his Op.5 at RISM.