Canoni, oblighi et sonate in varie maniere sopra l’Ave maris stella (Del Buono, Gioanpietro)

First Publication	1641
Genre Categories	Canons; Sonatas; Sacred choruses; Choruses; Religious works; For 3 voices; For unaccompanied voices; Scores featuring the voice; For 4 voices; For 5 voices; For 6 voices; For 7 voices; For 8 voices; For harpsichord; Scores featuring the harpsichord; For 1 player

Sheet Music

Scores

Selections

Sonatas 1-14
*#425575 - 0.69MB, 47 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 720×⇩ - Girodo

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Girodo (2016/6/6)

Editor	Lorenzo Girodo
Publisher. Info.	Lorenzo Girodo, 2004
Copyright	Creative Commons Attribution 4.0 [tag/del]
Misc. Notes	Ones for 4 voices.
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Sonatas 1-14
*#592724 - 4.40MB, 25 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - Alex'Not

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Alex'Not (2019/10/9)

Editor	Alain Brunet (b. 1967)
Publisher. Info.	Alex'Not
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Purchase	Javascript is required for this feature.

LXVI. Canone Cancherizzato con una quarta parte libera
*#356565 - 0.07MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 564×⇩ - Giovanni Tribuzio

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Giovanni Tribuzio (2014/12/16)

LXXXIIII. Canone ultimo a 5. v. di molto studio
*#356566 - 0.06MB, 3 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 379×⇩ - Giovanni Tribuzio

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Giovanni Tribuzio (2014/12/16)

Editor	Luca Guglielmi
Publisher. Info.	Luca Guglielmi
Copyright	Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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General Information

Work Title	Canoni, oblighi et sonate in varie maniere sopra l’Ave maris stella
Alternative. Title
Composer	Del Buono, Gioanpietro
I-Catalogue NumberI-Cat. No.	None [force assignment]
First Publication.	1641
Language	Italian, Latin
Dedication	Giovanni Antonio Scribani
Composer Time PeriodComp. Period	Baroque
Piece Style	Baroque
Instrumentation	3-8 voices a cappella, harpsichord (see below, Comments)

Misc. Comments

According to Grove Music, this collection contains "84 numbered items, 12 of which are obblighi for four to seven voices. The other 72 are canons ‘in various manners’ for three to eight voices on every degree of the scale from the unison to the 10th above and below, some with ‘certain strangenesses’; one of the parts is always the cantus firmus in long notes." In addition, there are "14 harpsichord sonatas, notated in four-stave score (ed. P.E. Carapezza, Kraków, 1989), which are the first to be named 'Sonate di cimbalo."