Concerto Grosso in F major, HWV 327 (Handel, George Frideric)

Contents

Performances

Recordings

MP3 file (audio)
Vangi (2018/3/20)

Performer Pages Bamberger Symphoniker (orchestra)
Fritz Lehmann (conductor)
Publisher Info. Berlin: Deutsche Grammophon, 1952.
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Naxos

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Synthesized/MIDI

Gigue (No.6)

For 4 Recorders (Tennent)

MID file (audio/video)
Rdtennent (2015/11/5)

Publisher Info. R.D. Tennent
Performers Photoscore
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Sheet Music

Full Scores

PDF scanned by Piupianissimo
Piupianissimo (2015/12/6)

PDF scanned by Ottaviano
Ottaviano (2019/2/11)

Editor Adolf Hoffmann (1898-1983)
Hans Ferdinand Redlich (1903-1968)
Publisher. Info. Hallische Händel-Ausgabe, Serie IV: Instrumentalmusik, Band 14: Zwölf Concerti Grossi Opus 6 (pp.183-202)
Kassel: Deutsche Händelgesellschaft, 1961. Plate BA 4016.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
#561148: 600 dpi. Page size is 9.23 x 12.21 inches.
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M.kowalski49 (2021/8/7)

Editor Wilhelm Weismann (1900-1980)
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 4428.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A1158.
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Misc. Notes Full Score is 10x13 scan.
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Pgfeller (2014/2/8)

Editor Paul-Gustav Feller
Publisher. Info. Ritter von Schleyer Verlag
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Parts

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M.kowalski49 (2021/8/7)

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M.kowalski49 (2021/8/7)

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M.kowalski49 (2021/8/7)

Editor Adolf Hoffmann (1898-1983)
Hans Ferdinand Redlich (1903-1968)
Publisher. Info. Hallische Händel-Ausgabe, Serie IV, Band 14
Kassel: Deutsche Händelgesellschaft, 1961. Plate BA 4217.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7866.
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Misc. Notes Parts are 10x13 scans.
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M.kowalski49 (2021/8/7)

7 more: Violin 2 solo • Cello solo • Violins I • Violins II • Violas • Continuo (Cellos/Basses) • Harpsichord

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M.kowalski49 (2021/8/7)

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M.kowalski49 (2021/8/7)

PDF scanned by Unknown
M.kowalski49 (2021/8/7)

PDF scanned by Unknown
M.kowalski49 (2021/8/7)

PDF scanned by Unknown
M.kowalski49 (2021/8/7)

Editor Wilhelm Weismann (1900-1980)
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 4428.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A1158.
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Misc. Notes Parts are 10x13 scans.
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Arrangements and Transcriptions

Larghetto (No.3)

For 2 Accordions (Mastel)

PDF typeset by arranger
Joshuamastel (2024/8/29)

Arranger Joshua Alvarez Mastel
Publisher. Info. Joshua Alvarez Mastel
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Misc. Notes YouTube
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Gigue (No.6)

For 4 Recorders (Tennent)

PDF typeset by arranger
Rdtennent (2015/11/5)

Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
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Misc. Notes Transposed to C major. These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Piano (Martucci)

PDF scanned by Caprotti
Caprotti (2011/4/4)

Arranger Giuseppe Martucci (1856-1909)
Publisher. Info. Milan: Ricordi, n.d.[1892]. Plate 102426.
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General Information

Work Title Concerto Grosso in F major
Alternative. Title
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 327 ; Op.6 No.9
I-Catalogue NumberI-Cat. No. IGH 131
Key F major
Movements/SectionsMov'ts/Sec's 6 movements:
  1. Largo (28 bars)
  2. Allegro (109 bars)
  3. Larghetto (51 bars)
  4. Allegro (47 bars)
  5. Menuet (28 bars)
  6. Gigue (27 bars)
Year/Date of CompositionY/D of Comp. 1739-40
First Publication. 1740 in 12 Concerti Grossi, Op.6 (No.9)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 violins, cello, strings, continuo