Flute Sonata in C major, RV 48 (Vivaldi, Antonio)

Ambox notice.pngThis work is probably not by Vivaldi; see Comments, below


Contents

Performances

Sheet Music

Scores

PDF scanned by Unknown
Feduol (2016/4/23)

Publisher. Info. Manuscript, n.d.
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PDF scanned by Fdecker
Fdecker (2019/12/19)

Editor Gian Francesco Malipiero (1882-1973)
Publisher. Info. Le Opere di Antonio Vivaldi, Vol.IV No.3, Tomo 490
Milano: G. Ricordi & C., 1970. Plate P.R. 1165.
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1995 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
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Arrangements and Transcriptions

For Flute and Piano

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Aldona Jones (2008/6/22)

Arranger Unknown
Publisher. Info. Unidentified Publisher, n.d.(ca.1920).
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General Information

Work Title Flute Sonata in C major
Alternative. Title Sonata a Traversa Solo
Composer Vivaldi, Antonio
Opus/Catalogue NumberOp./Cat. No. RV 48
I-Catalogue NumberI-Cat. No. IAV 250
Movements/SectionsMov'ts/Sec's 4 movements:
1. Affetuoso
2. Allegro assai
3. Larghetto
4. Allegro
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation flute, continuo

Misc. Comments

According to Federico Maria Sardelli, in his book Vivaldi's Music for Flute and Recorder (Ashgate 2007), this sonata "would appear to be an adaptation for flute, made in England, of a work for violin attributable either to Vivaldi or to Bigaglia -- or, alternatively, a collage in which 'authentic' portions of music by one of these composers have been joined to other portions that are the handiwork of the anonymous transcriber. The preservation of the work in only one source makes further deductions impossible, but even if it should be shown at a future stage that this manuscript is based on an authentic Vivaldi sonata, it clearly represents a corrupted version of the parent work." (pp.69-70)