Hungarian Rhapsody No.15, S.244/15 (Liszt, Franz)

Contents

Performances

Sheet Music

Scores

1st version

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Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 18 (pp.69-75)
Budapest: Editio Musica, 1985. Plate Z.12903.
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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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2nd version

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Editor First edition
Publisher. Info. Berlin: Schlesinger, n.d.[1853]. Plate S. 4092.
Copyright
Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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Editor Emil von Sauer (1862–1942)
Publisher. Info. Klavierwerke, Band 2:
Rhapsodien, Werke für Klavier zu 2 Händen
(pp.161-72)
Leipzig: Edition Peters, No.3600b, n.d.[1913-17]. Plate 9883.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Editor Peter Raabe (1872–1945)
Publisher. Info. Musikalische Werke. Serie II, Band 12 (pp.167-78)
Leipzig: Breitkopf & Härtel, 1926. Plate F.L. 131.
Copyright
Misc. Notes Originally scanned at about 160pi, converted to 600dpi monochrome.
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Publisher. Info. Unidentified Publisher, n.d.
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Editor Zoltán Gárdonyi (1906–1986)
István Szelényi (1904–1972)
Publisher. Info. Neue Liszt-Ausgabe, Serie I, Band 4 (pp.88-105)
Budapest: Editio Musica, 1973. Plate Z.6211.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
URTEXT EDITION 

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In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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General Information

Work Title Hungarian Rhapsody No.15
Alternative. Title Rákóczi-Marsch / Rakoczy March
Name Translations Hungarian Rhapsody No. 15; Ungarische Rhapsodie Nr. 15; 第15號匈牙利狂想曲; Ουγγρική Ραψωδία αρ. 15
Name Aliases Rákóczi-Marsch; Rakoczy March
Authorities WorldCat; Wikipedia; LCCN: n99833979
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.244/15 ; LW.A132/15b
I-Catalogue NumberI-Cat. No. IFL 177
Key A minor
Movements/SectionsMov'ts/Sec's 1 rhapsody
Year/Date of CompositionY/D of Comp. 1851–53
First Publication. 1853
Dedication Hans von Bülow
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

Navigation etc.

Version History

  • Composed for solo piano, 1851–53 (= S.244/15), based on No.13 of Magyar rapszódiák, S.242
Published 1853 by Schlesinger (Berlin) and Schott (Mainz)

For other settings of the Rákóczi-Marsch by Liszt, see S.242a, S.242/13, Rákóczi-Marsch, S.692d, Album-Leaf 'Rákóczi-Marsch', S.164f and S.117



Hungarian Rhapsodies by Franz Liszt
Magyar rapszódiák - Ungarische Rhapsodien - Rhapsodies hongroises
see also: Hungarian Fantasy, S.123
See also Wikipedia