The table below gives the following information for works by Or Vaitzman:
| V# | W# | C# | Year | Genre | Title | Alternative Title | Information | Dedication |
|---|---|---|---|---|---|---|---|---|
| V.1 | W.1 | 2018 | Sketch | Sketch for an Etude, V.1 | Sketch later reused in Etudes De Vaitzman, V.2 | |||
| V.2 | W.2-16a | 2018 | Etudes | Études De Vaitzman, V.2 | A set of 14 Piano Études. | |||
| V.2/13bis | W.14bis | 2018-2019 | Etude | Etude pour la main gachue seule, d'apres le theme de etude "curiosité" | An alternative version of the 13th etude from Etudes De Vaitzman, "Curiosity". | Stephan Shor | ||
| V.3 | W.17 | C.1 | 2018 | Nocturne | Nocturne No.1 in A major, V.3 | All is fine, My sweet darling | A collaboration with Romain Gandillet. | |
| V.4 | W.18 | 2018 | Rondo | Rondo, V.4 | Kleines Rondo | A short Rondo for Piano and Violin. | ||
| V.5 | W.19-20 | 2018 | Themes | Two Themes for Rotary Organ, V.5 | Two short themes for Organ. Peferred to be peformed on a Rotary Organ. | Yossi Vaitzman | ||
| V.6 | W.21-22 | 2018 | Preludes | Two Preludes, V.6 | Two short preludes. | |||
| V.6/2aII | W.22aII | 2018 | Coda | Ossia de Coda, V.6/2aII | Ossia for the Coda of Prelude 2a. | |||
| V.7 | W.23 | 2018 | Etude, Paraphrase | Etude after Hungarian Rhapsody No.2, V.7 | A sort-of Paraphrase on Liszt's famous Hungarian Rhapsody, using the introduction and theme from the Friska, a theme from the Lassan, and the Cadenza. | Franz Liszt | ||
| V.8 | W.24 | 2018 | Etude | Étude Fantastique, V.8 | An Étude in a Fantasy, or Capriccio style, changing keys and moods. | |||
| V.8a | W.24a | 2018-2019 | Fantasia | Fantasia, V.8a | An alternative version of Étude Fantastique (V.8) titled "Fantasia" | |||
| V.9 | W.25 | 2018 | Romance | Romance in E minor, V.9 | A short Romance for Piano and Guitar. | |||
| V.10 | W.26-37 | 2018-2019 | Études | Douze Grandes Études, V.10 | 12 Études dedicated to Victoria Robinsky, My dear piano teacher. | Victoria Robinsky | ||
| V.10/1bis | W.26bis | 2018 | Étude | Etude, V.10/1bis | The uncompleted first edition in manuscript for the first etude. | Victoria Robinsky | ||
| V.11 | W.38 | 2018 | Sketch, Sonatina | Sketch for a Sonatina, V.11 | A sketch for a little four movements Sonatina. | |||
| V.12 | W.39-45 | 2018 | Preludes | Les Sept Grands Préludes, V.12 | 7 Preludes dedicated to Chopin. | Frédéric Chopin | ||
| V.13 | W.46 | 2018 | Étude | Étude Pour Ia Main Gauche Seule - D'après Étude Fantastique, V.13 | Etude for the left hand | An Étude taking a theme from Étude Fantastique and transcripting it for the left hand only. | Leopold Godowsky | |
| V.14 | W.47-48 | 2018 | Studies | Two Studies after Douze Grandes Études, V.14 | Two studies after two themes from the Douze Grandes Études, V.10. | Victoria Robinsky | ||
| V.15 | W.49-53 | 2018 | Transcriptions | 2 Transcriptions of Original Pieces - See Romance, Rondo. | 2 Transcriptions after Original Pieces by Vaitzman himself. | |||
| V.16 | W.54-58 | 2018 | Etudes, Paraphrases | Grande Études D'apres Mozart, V.16 | 5 Paraphrases after Mozart pieces that were either for Keyboard, or anything else. | Wolfgang Amadeus Mozart | ||
| V.17 | W.59 | 2018 | Arrangment | Easy Arrangment of Joplin's "The Entertainer", V.17 | An easy arrangment of Joplin's famous Ragtime - The Entertainer. | |||
| V.18 | W.60 | 2016 | Minuet | Minuet in C major, V.18 | A little Minuet composed in 2016, then transcripted in 2018 from audio. | Romain Gandillet | ||
| V.19 | W.61 | 2012-2017 | Variations | Short Theme and Variations, V.19 | A short theme Improvised in 2012, then expanded to variations until 2017. | SaltedAlmonds | ||
| V.20 | W.62 | 2017 | Canon | Canon in F major, V.20 | A canon for seven completely mixed instruments. | Yossi Vaitzman | ||
| V.21 | W.63 | 2017 | Morceaux | Heartbeat, V.21 | A piece describing the Heartbeat, or at least it's supposed to. | Dina Golan | ||
| V.22 | W.64 | 2015 | Morceaux | Roses and Sunflowers, V.22 | A piece describing Roses and Sunflowers, as of being calm and quiet. | Edna Montavlo Fernandez | ||
| V.22bis | W.64bis | 2015-2019 | Morceaux, Fantaisie | Andante Cantabillie in F# Minor, V.22bis | Grande Fantaisie de Concert | An alternative, expanded version of the Roses And Sunflowers, Morceaux in A minor. Also considered as a fantasy. | Edna Montavlo Fernandez | |
| V.23 | W.65 | 2017 | Prelude | Prelude in C major, V.23 | An old prelude combined from two old Sketches, out of old Sheets. | Dina Golan | ||
| V.24 | W.66 | 2018 | Image | Image for the Left Hand alone, V.24 | L'arpa | A short Image only for the left hand. | ||
| V.25 | W.67 | 2018 | Arrangment | Bach's Invention in D minor arranged for Two Pianos, V.25 | An arrangment of Bach's Invention in D minor for Two Pianos. | |||
| V.26 | W.68-69 | 2017-2018 | Sketches | Two Sketches, V.26 | Two old sketches found in old files, later reused in Études De Vaitzman. | |||
| V.27 | W.70 | 2018 | Interlude | Interlude for Violin, V.27 | A short Interlude for solo vioin. | |||
| V.28 | W.71 | 2018 | Berceuse | Berceuse, V.28 | A Berceuse for piano solo. | Nikolay Cavallo | ||
| V.29 | W.72 | C.2 | 2018 | Symphonic Poem | "Trick or Treat?", V.29 | A Symphonic Poem composed since Halloween to now. Collaborated with Romain Gandillet and SaltedAlmonds. | ||
| V.30 | W.73 | 2018 | Paraphrase | Concert Paraphrase on John Cage's "4'33", V.30 | Paraphrase on John Cage's 4'33. No, Seriously. | John Cage | ||
| V.31 | W.74-85 | 2018-2019 | Études, Capriccios | Grande Étude-Caprices, V.31 | Douze Études Caractéristiques | A set of 12 Études, or Capriccios dedicated to Franz Liszt. | Franz Liszt | |
| V.32 | W.86-87 | 2017-2019 | Bagatelles | Two Bagatelles for Player Piano, V.32 | Two Bagatelles for Player Piano. The themes were thought of around 2017-2018, and the majority was composed in 2018. The files were later found, and corrected/added some notes in 2019, then published. | |||
| V.33 | W.88-107 | 2019 | Studies, Paraphrases | Zwanzig große Etüden auf Bachstücken, V.33 | 20 Études sur des pièces de J.S.Bach | 20 Studies on Bach Pieces. | Johann Sebastian Bach | |
| V.34 | W.108 | 2018 | Sketch | Sketch, V.34 | An old sketch composed in 2018. | Yik Hay Wan | ||
| V.35 | W.109 | 2019 | Cadenza | Cadenza for Étude Fantastique, V.35 | An improvised cadenza for Étude Fantastique, V.8 . | |||
| V.36 | W.110 | 2018-2019 | Cadenza | Cadenza for Rondo in C, V.36 | A cadenza for the Rondo in C major, V.4 . Unlike the Etude Fantastique Cadenza, this one wasn't improvised. | |||
| V.36a | W.110a | 2018-2019 | Cadenza | Second Cadenza, V.36a | A second cadenza for the Rondo in C major. | |||
| V.37 | W.111-113 | 2017-2018 | Interludes | Trois Grandes Interludes, V.37 | 3 Interludes found in old files. | |||
| V.38 | W.114 | 2018 | Prelude | Prelude for Guitar, V.38 | Preludio | Little Prelude for Solo Guitar. | ||
| V.39 | W.115 | 2019 | Cadenza | Cadenza for Liszt's Rondeau Fantastique sur un theme espagnol (S.252), V.39 | An improvised cadenza for Liszt's Rondo fantastique, El Contrabandista. | |||
| V.40 | W.116 | 2018 | Interlude | "Sunrise" Interlude, V.40 | A short Interlude nicknamed "Sunrise". | Eightan Harush | ||
| V.41 | W.117-118 | 2019 | Inventions | Two Experimental Inventions, V.41 | Two experimental pieces defined as inventions. Composed after studying Bach's invention No.4 and No.8 . | Bernard Greenberg | ||
| V.42 | W.119-121 | 2018 | Sketches | Three Old Sketches, V.42 | Three old sketches that were later used in etudes. | |||
| V.43 | W.122 | 2018 | Prelude | Impossible Prelude, V.43 | An impossible prelude for violin. Not meant to be played, only to be listened to. | |||
| V.44 | W.123-126 | 2018-2019 | Sonatina | Sonatina in C major, V.44 | A 4 movements sonatina dedicated to Mozart. | Wolfgang Amadeus Mozart | ||
| V.45 | W.127-133 | 2018-2019 | Etudes | Etudes de Technique Virtuose, V.45 | Les Nouvelles Etudes | Seven Etudes written for piano that require a virtuosic technique. | Talia Cohen | |
| V.45/2bis | W.128bis | 2018-2019 | Csardas | Csardas in D minor, V.45/2bis | A csardas written on the theme of the second etude from Etudes de Technique Virtuose. | Franz Liszt | ||
| V.46 | W.134 | 2017-2018 | Fantasia | Fantasia in C major, V.46 | A little old fantasia composed for piano. | Steven Liberman | ||
| V.47 | W.135 | 2018 | Album-Leaf | Album-Leaf in G major, V.47 | A short album-leaf for piano. | |||
| V.47a | W.135a | 2018 | Album-Leaf | Album-Leaf in E minor, V.47a | A short album-leaf for piano. | |||
| V.47b | W.135b | 2018 | Album-Leaf | Album-Leaf "Telephone", V.47b | A short album-leaf for piano. | |||
| V.47c | W.135c | 2018 | Sketch | Sketch for a March, V.47c | A short sketch for a March, using a theme of an Israeli March. | |||
| V.47d | W.135d | 2019 | Album-Leaf | Album-Leaf in C major, V.47d | A short album-leaf for piano. | |||
| V.48 | W.136 | 2018 | Sketch | Sketch - Capriccio in C minor, V.48 | A sketch for a piece supposed to be "Capriccio in C minor for Piano and Guitar". | |||
| V.49 | W.137 | C.3 | 2018-2019 | Prelude | Prelude in G minor, V.49 | A short prelude in G minor for piano. Half was written by Victoria Robinsky, and the second half was written by Or Vaitzman. | ||
| V.50 | W.138 | 2019 | Prelude | Prelude in F major "Clouds", V.50 | A Prelude in F major written for solo piano. The title was suggested by Nikolay Cavallo. | Dina Golan |
