Marsch für des Königs Leibwache No.1, G.85 (Gerson, Georg)

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For Piano

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Sheet Music

Scores

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Publisher. Info. Manuscript, n.d.(ca.1823).
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Misc. Notes From the collection Partiturer No. 4, Royal Library Copenhagen mu 7105.0963 C II, 6b
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Parts

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33 more: Piccolo (for Flauto octavo) • Oboe 1 • Oboe 2 • Clarinet (E♭) • Clarinet 1 (B♭) • Clarinet 2 (B♭, original notation) • Clarinet 2 (B♭, contemporized notation) • Bassoon 1 • Bassoon 2 • Horn 1 (E♭, original notation) • Horn 1 (E♭, contemporized notation) • Horn 2 (E♭, original notation) • Horn 2 (E♭, contemporized notation) • Horn 3 (B♭, original notation) • Horn 3 (B♭, contemporized notation) • Horn 4 (B♭, original notation) • Horn 4 (B♭, contemporized notation) • Horn 1 (F, transposed) • Horn 2 (F, transposed) • Horn 3 (F, transposed) • Horn 4 (F, transposed) • Clarino 1 (E♭, original notation) • Clarino 1 (E♭, contemporized notation) • Clarino 2 (E♭, original notation) • Clarino 2 (E♭, contemporized notation) • Clarino 3 (B♭, original notation) • Clarino 3 (B♭, contemporized notation) • Trumpet 1 (B♭, transposed) • Trumpet 2 (B♭, transposed) • Trumpet 3 (B♭, transposed) • Bass Trombone • Serpent/Corno basso • Triangle/Bass Drum

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Landscape format

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33 more: Piccolo (for Flauto octavo) • Oboe 1 • Oboe 2 • Clarinet (E♭) • Clarinet 1 (B♭) • Clarinet 2 (B♭, original notation) • Clarinet 2 (B♭, contemporized notation) • Bassoon 1 • Bassoon 2 • Horn 1 (E♭, original notation) • Horn 1 (E♭, contemporized notation) • Horn 2 (E♭, original notation) • Horn 2 (E♭, contemporized notation) • Horn 3 (B♭, original notation) • Horn 3 (B♭, contemporized notation) • Horn 4 (B♭, original notation) • Horn 4 (B♭, contemporized notation) • Horn 1 (F, transposed) • Horn 2 (F, transposed) • Horn 3 (F, transposed) • Horn 4 (F, transposed) • Clarino 1 (E♭, original notation) • Clarino 1 (E♭, contemporized notation) • Clarino 2 (E♭, original notation) • Clarino 2 (E♭, contemporized notation) • Clarino 3 (B♭, original notation) • Clarino 3 (B♭, contemporized notation) • Trumpet 1 (B♭, transposed) • Trumpet 2 (B♭, transposed) • Trumpet 3 (B♭, transposed) • Bass Trombone • Serpent/Corno Basso • Triangle/Bass Drum

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Arrangements and Transcriptions

For Piano

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Publisher. Info. C. C. Lose, 1815.
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Misc. Notes Danish title: Indtogs Marsch opført af den Kongelige Livgarde til Fods ved Hans Majestæt Kongens Hjemkomst fra Wien (Entry March performed by the royal infantry bodyguard at the return of His Majesty the King's return from Vienna)
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General Information

Work Title Marsch für des Königs Leibwache No.1
Alternative. Title
Composer Gerson, Georg
Opus/Catalogue NumberOp./Cat. No. G.85
I-Catalogue NumberI-Cat. No. IGG 115
Key E-flat major
Year/Date of CompositionY/D of Comp. 1814-11-25
First Performance. 2015-06-01
First Publication. 1815 - Copenhagen: C.C. Lose (piano arr.)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation military band
E flute*, 2 oboes, E clarinet, 2 clarinets (B), 2 bassoons
4 horns (2 in E, 2 in B), 3 trumpets (2 in E, 1 in B),
bass trombone, serpent, corno basso**, triangle, bass drum
*The composer names the flute Flauto in Es 8va, a piccolo flute (flautino) tuned in E. It was favored particularly in military circles (see Vienna Symphonic Library) but is also found in other 19th century music like the symphonic poem Die Weihe der Töne by Louis Spohr (1784–1859), Op.86.
**The corno basso was developed from the serpent around 1800. See Handbuch der Musikinstrumentenkunde
by Curt Sachs (Leipzig, 1930. pp.264ff) and the German language Wikipedia article on Basshorn.
Extra Information Performed at the return to Copenhagen of the Danish king, Frederick VI (1768-1839) from his participation in the Congress of Vienna (1814-1815). The outcome of the congress was by no means as glorious for the Danish kingdom as the mood of Gerson's entry march. During the Congress of Vienna the German sovereigns, incl. Frederick VI as Duke of Holstein had promised Stænderforsamlinger (estate assemblies). In the end the Danes got spies and agent provocateurs only. See Rasmus Glenthøj, Enevældens legitimitet, forandring og forfald, Rubicon, Vol.4 (2010, pp.47 ff).